Cut Ties Quotes

There is no such thing as a "broken family." Family is family, and is not determined by marriage certificates, divorce papers, and adoption documents. Families are made in the heart. The only time family becomes null is when those ties in the heart are cut. If you cut those ties, those people are not your family. If you make those ties, those people are your family. And if you hate those ties, those people will still be your family because whatever you hate will always be with you.

Once you let yourself grow close to someone, cutting the ties could be painful.

if you ask me, the best way to go about flying is to cut the strings tying you down 

True story This morning I jumped on my horse And went for a ride, And some wild outlaws chased me And shot me in the side. So I crawled into a wildcats cave To find a place to hide But some pirates found me sleeping there And soon they had me tied To a pole and built a fire Under me---I almost cried Till a mermaid came and cut me loose And begged to be my bride So I said id come back Wednesday But I must admit I lied. Then I ran into a jungle swamp But I forgot my guide And I stepped into some quicksand And no matter how hard I tried I couldn’t get out, until I met A watersnake named Clyde Who pulled me to some cannibals Who planned to have me fried But an eagle came and swooped me up And through the air we flied But he dropped me in a boiling lake A thousand miles wide And you’ll never guess what I did then--- I DIED

When we feel that our default thinking is creeping up on us and starts stifling our minds, we must break the shell of our habits. If rehashed thoughts and bland humdrum are smothering the upshot of subdued cravings, we must create space for the budding of a new dawn. By unsealing all the windows of our mental dungeon, we loosen up our rusty thinking and cut ties with the useless prerogatives of the past. ("Corporeal prison")

I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!

I always get so overwhelmed trying to do everything perfectly. I can't do a job and not put everything I have into it. I need to be the best employee, the best co-worker, the best whatever. I need everyone to like me and I just burn out bending over backward to make that happen. Having people be mad at me is my worst fear. I can't stand it. There is this crazy fear I have of being rejected by anyone - even people I don't really care about. It's always better to leave them first, cut all ties, and disappear. They can't hurt me that way - no one can.

Hallelujah" "Your faith was strong but you needed proof. You saw her bathing on the roof. Her beauty and the moonlight overthrew you. She tied you to a kitchen chair, she broke your throne, and she cut your hair. And from your lips she drew the Hallelujah....

People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights. When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.

When we speak of man, we have a conception of humanity as a whole, and before applying scientific methods to the investigation of his movement we must accept this as a physical fact. But can anyone doubt to-day that all the millions of individuals and all the innumerable types and characters constitute an entity, a unit? Though free to think and act, we are held together, like the stars in the firmament, with ties inseparable. These ties cannot be seen, but we can feel them. I cut myself in the finger, and it pains me: this finger is a part of me. I see a friend hurt, and it hurts me, too: my friend and I are one. And now I see stricken down an enemy, a lump of matter which, of all the lumps of matter in the universe, I care least for, and it still grieves me. Does this not prove that each of us is only part of a whole? For ages this idea has been proclaimed in the consummately wise teachings of religion, probably not alone as a means of insuring peace and harmony among men, but as a deeply founded truth. The Buddhist expresses it in one way, the Christian in another, but both say the same: We are all one. Metaphysical proofs are, however, not the only ones which we are able to bring forth in support of this idea. Science, too, recognizes this connectedness of separate individuals, though not quite in the same sense as it admits that the suns, planets, and moons of a constellation are one body, and there can be no doubt that it will be experimentally confirmed in times to come, when our means and methods for investigating psychical and other states and phenomena shall have been brought to great perfection. Still more: this one human being lives on and on. The individual is ephemeral, races and nations come and pass away, but man remains. Therein lies the profound difference between the individual and the whole.

No, you're not free," he said. "The string you're tied to is perhaps no longer than other people's. That's all. You're on a long piece of string, boss; you come and go, and think you're free, but you never cut the string in two. And when people don't cut that string . . ." "I'll cut it some day!" I said defiantly, because Zorba's words had touched an open wound in me and hurt. "It's difficult, boss, very difficult. You need a touch of folly to do that; folly, d'you see? You have to risk everything! But you've got such a strong head, it'll always get the better of you. A man's head is like a grocer; it keeps accounts: I've paid so much and earned so much and that means a profit of this much or a loss of that much! The head's a careful little shopkeeper; it never risks all it has, always keeps something in reserve. It never breaks the string. Ah no! It hangs on tight to it, the bastard! If the string slips out of its grasp, the head, poor devil, is lost, finished! But if a man doesn't break the string, tell me, what flavor is left in life? The flavor of camomile, weak camomile tea! Nothing like rum-that makes you see life inside out!

Tie your heart at night to mine, love, and both will defeat the darkness like twin drums beating in the forest against the heavy wall of wet leaves. Night crossing: black coal of dream that cuts the thread of earthly orbs with the punctuality of a headlong train that pulls cold stone and shadow endlessly. Love, because of it, tie me to a purer movement, to the grip on life that beats in your breast, with the wings of a submerged swan, So that our dream might reply to the sky's questioning stars with one key, one door closed to shadow.

Listen, kid. This is what happens: Somebody-girl usually-got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just fly away. And maybe you never see the balloon again. It lands in Canada or somethin', gets work at a restaurant, and before the balloon even notices, it's been pouring coffee in that same dinner to the same sad bastards for thirty years. Or maybe three or four years from now or three or four days from now, the prevailing winds take the balloon back home, because it needs money, or it sobered up, or it misses its kid brother. But listen, kid, that string gets cut all the time." "Yeah, bu-" "I'm not finished, kid. The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk, one way or another, and after awhile a man can get discouraged. Everywhere the balloons, and each of them with a mother and father, or God forbid both, and after a while, you can't even see'em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.

I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive." You are only alive now because you said 'to the pain.' I want that phrase explained." My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—" And then my right eye, and then my ears, and shall we get on with it?" the Prince said. Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!" The sword crashed to the floor.

Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities. "You do not know what you are missing by your micro-scopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood. If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry Cut the poetry. No two skins with the same texture, and never the same light, temperature, shadows, never the same gesture; for a lover, when he is aroused by true love, can run the gamut of centuries of love lore. What a range, what changes of age, what variations of maturity and innocence, perversity and art . . . We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must be by now completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy.

Conversion is not the smooth, easy-going process some men seem to think... It is wounding work, this breaking of the hearts, but without wounding there is no saving... Where there is grafting there will always be a cutting, the graft must be let in with a wound; to stick it onto the outside or to tie it on with a string would be of no use. Heart must be set to heart and back to back or there will be no sap from root to branch. And this, I say, must be done by a wound, by a cut.

I feel closer ties and more intimate bonds with certain characters in books, with certain images I’ve seen in engravings, than with many supposedly real people, with that metaphysical absurdity known as “flesh and blood.” In fact “flesh and blood” describes them very well: they resemble cuts of meat laid out on the butcher’s marble slab, dead creatures bleeding as though still alive, the sirloin steaks and cutlets of Fate.

Trace asked Jackson, “Why the hell are you even here?” Jackson looked far too uneasy for Trace’s peace of mind. “I know you didn’t want me here. I got the message loud and clear when you cut the call. Thing is, your little lady was damned insistent that I do something.” “Like get stunned and tied up?” “You try planning with a hellcat breathing fire in your ear, making demands, prodding you-“ “Priss?” “She’s a terror. That name doesn’t suit her at all.

Maybe what I want is to cut all ties with everybody. The thread or something that keeps me connected to the world, the worthless proof that I exist.

Listen up, ’cause I’m only gonna say this once,” Ty muttered as they walked to their gate. “I don’t talk when I fly. I sleep. And I don’t listen when I eat, understand? I don’t wanna be buddies. I don’t wanna chat,” he said with a sarcastic lilt to the word. “I don’t wanna know about your childhood or how your momma whipped you with a rubber glove or how much therapy you had to go through ’cause you flunked out of preschool. I don’t wanna hear about how you want to be Director someday or how many collars you got chasin’ those Internet freaks or how proud you are of your bowel movements. I don’t wanna go shopping at Barney’s with you, and I’m not gonna help you pick out your ties to match your socks and, I swear to God, if you get me shot, I’ll kill you.

Well, I always did want to go out in a Braveheart kind of way. I'll just have to think of something cool to yell before they cut my head off.

One of the disconcerting and delightful teaching of the master was: "God is closer to sinners than to saints." This is how he explained it: " God in heaven holds each person by a string. When you sin you cut the string. then God ties it up again, making a knot-and therby bringing you a little closer to him. Again and again your sins cut the string-and with each further knot God keeps drawing you closer and closer.

Where do we have it? Do we do the whole nine yards or shorten the ceremony? Do we try to make it religious or keep it nondenominational? Do you have a best man or do you ask Annie to stand with you? Do we involve our families, make one of them travel? Does Chester get to put a corsage on his shovel? If we have to go to Texas, can I put Barnum in a bow tie and have him be the bouncer for the reception?

To give up on a person you care for who is trying and failing is a bad thing, but to cut ties with an individual who is giving zero effort, yet doing a number on your heart makes sense.

When she saw how they worked, not on their own but two by two, working their trunks together to tie a knot, she realized why they'd been so astonished by her hands, because of course she could tie knots on her own. At first she felt that this gave an advantage--she needed no one else-- and then she realized how it cut her off from others. Perhaps all human beings were like that.

I want all kinds of things. First I want to tie you up in my bed with my belt. Then I want to cut off your clothes and fuck you in every hole you have. I also want to come on you and rub it into your skin and lick your pussy until you scream at me to stop because if you come one more time you’ll die. Then I want to do it again. I want to own you, Sophie.

And if you don’t agree, I’ll tie you up—and not in the fun way—and lock you in your bedroom.” My mouth dropped open. “Okay, maybe in the fun way. Like later, after everything is done, I’ll come back and—” I cut him off. “I’d like to see you try to tie me up.” His eyebrow arched. “I bet you would.” “Shut up,” I growled. “I’m being serious.” “So am I. You’re wearing the opal.” I scowled. “This makes no sense.” “It makes perfect sense.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

My mind was quickly consumed with thoughts of my girlfriend and all the good times we had had, like one of those cheesy montages ni eighties movies, when the angsty protagonist envisions himself and his ex holding hands on the beach, feeding a small puppy, getting into some kind of zany wrestling match with whipped cream. I interrupted my cliché memories by saying aloud: "Ugh, I'm feeling pretty low about this whole thing." "You just gotta try to put it out of your head," he said, folding the paper halfway down to look at me. "I know, it's just hard. I mean, I still have stuff at her place. What am I going to do about that? I still have a TV...," I said. "Fuck the TV. Leave the TV. Cut your ties." "It's a fifteen-hundred-dollar TV," I insisted. "Go get that fucking TV.

Death cuts off possibilities. Even if they were possibilities you never meant to act on, it feels different when they’re gone.

Why didn’t you come tell me he was heading out alone? (Kat) ’Cause he does it all the time. Didn’t think anything about it. But now that you’re here I’ll make sure and keep you updated on everything he does. That way you can cut his meat up for dinner and help him tie his shoes and use the potty, too. (Damien)

[American ambulance crews] salvaged people we'd never see in Missing, because no one would have tied to bring them to a hospital. Judging someone to be beyond help never crossed the minds of police, firemen, or doctors here.

You, sir," I said, "have all the dignity of a badger with the clap. Shark shit has more fiber than you. I'm going to tie your nuts-first to a monkey's cage and make a mix tape of the resulting noise. Then I'm going to take a bag of marshmallows and a pair of granny panties and-"... ... He didn't want to know what I was going to do with those granny panties. Surprisingly, Granuaile did. "Sensei, what were you going to do with those marshmallows and panties?" she whispered as we walked together. "I mean, I'm sure it had to be dire, but it just didn't sound as threatening as the potential havoc a monkey could wreak on his sack." "There was more to that recipe," I admitted. "He cut me off before I could get to the Icy Hot and the gopher snake.

Your body's cold, hope is lost, I can't let go Can I die with you so we can never grow old? Cut the ties, cut the ties with this note you left behind As I read the words I hear you telling me why Too late, too late, I never said goodbye Too late, too late, can't even ask you why And now I'm wasting away in my own misery I hope you're finally gone to a place where you belong

I'm sorry I'm not more cultured. I'll watch PBS. And cut people open for fun. Will that be better? Will you be less embarrassed to be my fledgling then?

I will tie the glass and stone with string, hang the shards above my bed, so that they will flash in the dark and tell the story of Katrina, the mother that swept into the Gulf and slaughtered. Her chariot was a storm so great and black the Greeks would say it was harnessed to dragons. She was the murderous mother who cut us to the bone but left us alive, left us naked and bewildered as wrinkled newborn babies, as blind puppies, as sun-starved newly hatched baby snakes. She left us a dark Gulf and salt burned land. She left us to learn to crawl. She left us to salvage. Katrina is the mother we will remember until the next mother with large, merciless hands, committed to blood, comes.

Tell me I’m not seeing what I think I’m seeing,” he said, meager hope in his heart. “What do you think you’re seeing?” asked Tamar. “Mass destruction. Certain doom.” “Not entirely certain,” said Zoya. Nikolai cut her a glance. She’d tied back her black hair with a dark blue ribbon. It was eminently practical, but it had the unfortunate effect of making him want to untie it. “Do I detect optimism in my most pessimistic general?” “Likely doom,” Zoya corrected.

It seems right to me sometimes that we should follow our strongest feeling; but then, such feelings continually come across the ties that our former life has made for us -- the ties that have made others dependent on us -- and would cut them in two. If life were quite easy and simple, as it might have been in paradise, and we could always see that one being first towards whom -- I mean, if life did not make duties for us before love comes, love would be a sign that two people ought to belong to each other. But I see -- I feel it is not so now; there are things we must renounce in life; some of us must resign love. Many thing are difficult and dark to me, but I see one thing quite clearly: that I must not, cannot, seek my own happiness by sacrificing others. Love is natural, but surely pity and faithfulness and memory are natural too. And they would live in me still and punish me if I did not obey them. I should be haunted by the suffering I had caused. Our love would be poisoned.

Expecting a woman in this landscape to demonstrate dissent by cutting ties with her family—the only institution that provides her material security in the absence of a supportive state or an inclusive market that values her labour—is, perhaps, asking for too much.

Suddenly, by the sort of violent effort with which one wrenches one's head away from the pillow in a nightmare, Winston succeeded in transferring his hatred from the face on the screen to the dark−haired girl behind him. Vivid, beautiful hallucinations flashed through his mind. He would flog her to death with a rubber truncheon. He would tie her naked to a stake and shoot her full of arrows like Saint Sebastian. He would ravish her and cut her throat at the moment of climax. Better than before, moreover, he realized why it was that he hated her. He hated her because she was young and pretty and sexless, because he wanted to go to bed with her and would never do so, because round her sweet supple waist, which seemed to ask you to encircle it with your arm, there was only the odious scarlet sash, aggressive symbol of chastity.

Bad kitty!” growled Razor, shaking his head as if he was shooing off a fly. “Evil, sneaky, nasty kitty! Boy should cut its nose off, yes. Tie rock to tail and throw kitty in lake. Watch kitty sink, ha!

Moment of Insight: Sometimes you have to let go of what is killing you, even when it’s killing you to let go.

She sometimes wished her mother were outright cruel; then at least Florence could cut ties without feeling guilty. Instead, they were locked in this endless masquerade: her mother supplying encouragement undercut by disappointment and Florence responding with affection and contrition she didn’t feel.

The man wrote his message. Are you really a boy, like Xash says? the god asked Arin. You’ve been mine for twenty years. I raised you. The Valorian signed the scrap of paper. Cared for you. The message was rolled, sealed, and pushed into a tiny leather tube. Watched over you when you thought you were alone. The captain tied the tube to a hawk’s leg. The bird was too large to be a kestrel. It didn’t have a kestrel’s markings. It cocked its head, turning its glass-bead eyes on Arin. No, not a boy. A man made in my image . . . one who knows he can’t afford to be seen as weak. The hawk launched into the sky. You’re mine, Arin. You know what you must do. Arin cut the Valorian’s throat.

Cut the ties you have to failure and shame. Let go the pain you are holding in your mind, your shoulders, your heart, all the way to your feet. Let go the pain of your ancestors to make way for those who are heading in our direction. Ask for forgiveness. Call upon the help of those who love you. These helpers take many forms: animal, element, bird, angel, saint, stone, or ancestor.

My passionate interest in social justice and social responsibility has always stood in curious contrast to a marked lack of desire for direct association with men and women. I am a horse for single harness, not cut out for tandem or team work. I have never belonged wholeheartedly to country or state, to my circle of friends, or even to my own family. These ties have always been accompanied by a vague aloofness, and the wish to withdraw into myself increases with the years. Such isolation is sometimes bitter, but I do not regret being cut off from the understanding and sympathy of other men. I lose something by it, to be sure, but I am compensated for it in being rendered independent of the customs, opinions, and prejudices of others, and am not tempted to rest my peace of mind upon such shifting foundations.

Let us be alert to the season in which we are living. It is the season of the Blessed Hope, calling for us to cut our ties with the world and build ourselves on this One who will soon appear. He is our hope—a Blessed Hope enabling us to rise above our times and fix our gaze upon Him.

Let us suppose we are confronted with a desperate thing – say Pimlico. If we think what is really best for Pimlico we shall find the thread of thought leads to the throne of the mystic and the arbitrary. It is not enough for a man to disapprove of Pimlico; in that case he will merely cut his throat or move to Chelsea. Nor, certainly, is it enough for a man to approve of Pimlico; for then it will remain Pimlico, which would be awful. The only way out of it seems to be for somebody to love Pimlico; to love it with a transcendental tie and without any earthly reason. If there arose a man who loved Pimlico, then Pimlico would rise into ivory towers and golden pinnacles… If men loved Pimlico as mothers love children, arbitrarily, because it is theirs, Pimlico in a year or two might be fairer than Florence. Some readers will say that this is mere fantasy. I answer that this is the actual history of mankind. This, as a fact, is how cities did grow great. Go back to the darkest roots of civilization and you will find them knotted round some sacred stone or encircling some sacred well. People first paid honour to a spot and afterwards gained glory for it. Men did not love Rome because she was great. She was great because they had loved her.

Tongue and hand tied. It cut me off, trapped and held me within my own silent dark word tomb.

I cut him off, even though it hurts. I have to cut him off.

I need everyone to like me and I just burn out bending over backward to make that happen. Having people be mad at me is my worst fear. I can't stand it. There is this crazy fear I have of being rejected by anyone - even people I don't really care about. It's always better to leave them first, cut all ties, and disappear. They can't hurt me that way - no one can.

I’ve always liked you, from the first moment I saw you at the Pigafetta Stadium.” He kept his distance because he wanted her too much. “And ever since that day, I knew that you were in love with another guy, and that he would sooner or later feel the same way I did.” Cutting ties with her was excruciatingly painful. “I just hoped that he would be stupid enough to let me have you,” he gasped. “But he wasn’t.

My gaze cuts toward Cardan. I walk over to him, squat down, and begin to prize off his royal ring. He tries to pull his hand out og my grasp, but hes tied in such a way that he cant. I yank it off his finger. I hate how i feel around him, the irrational panic when i touch his skin. page 262

These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just float away. (...) But once that string gets cut, kid, you can't uncut it.

On the Doncella, Federico Venusta had his hand mutilated by the explosion of his own grenade. He demanded a galley slave cut it off. When the man refused, he performed the operation himself and then went to the cook’s quarters, ordered them to tie the carcass of a chicken over the bleeding stump, and returned to battle, shouting at his right hand to avenge his left.

Go on," Kell told him without taking his eyes from Lila. " Get some rest." Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--" "I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps. Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity. "You never told me," he whispered. "You never noticed," she answered. And then, "Alucard did." The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously. He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--" A sleepy flicker of amusement. "Trying to get me into bed?" Kell mustered a smile. "It's only fair. I've spent enough time in yours." "If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time." "And tied to it," observed Kell. Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her. "Lila?" he asked, first gently, and then more urgently. "Lila?" She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed. "What have you done?" demanded Kell. "It was just a tonic, sir," he fumbled, "something for sleep." "You drugged her?" "It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy. "And what do you plan to do when she wakes back up?" Hastra shrank back. "Apologize?" Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder. "I suggest," he snapped at the young man, "you think of something better. Like an escape route." Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch. Hastra handed him a blanket. "Shouldn't you take off her knives?" "There's not enough tonic in the world to risk it," said Kell.

Every path has its puddles— yours seems to have a few land mines, too. It don’t make you any less than anyone else, it just makes what you have to do harder. Love that grows through adversity is stronger than any kind of regular love.

One of my constant preoccupations is trying to understand how it is that other people exist, how it is that there are souls other than mine and consciousnesses not my own, which, because it is a consciousness, seems to me unique. I understand perfectly that the man before me uttering words similar to mine and making the same gestures I make, or could make, is in some way my fellow creature. However, I feel just the same about the people in illustrations I dream up, about the characters I see in novels or the dramatis personae on the stage who speak through the actors representing them. I suppose no one truly admits the existence of another person. One might concede that the other person is alive and feels and thinks like oneself, but there will always be an element of difference, a perceptible discrepancy, that one cannot quite put one's finger on. There are figures from times past, fantasy-images in books that seem more real to us than these specimens of indifference-made-flesh who speak to us across the counters of bars, or catch our eye in trams, or brush past us in the empty randomness of the streets. The others are just part of the landscape for us, usually the invisible landscape of the familiar. I feel closer ties and more intimate bonds with certain characters in books, with certain images I've seen in engravings, that with many supposedly real people, with that metaphysical absurdity known as 'flesh and blood'. In fact 'flesh and blood' describes them very well: they resemble cuts of meat laid on the butcher's marble slab, dead creatures bleeding as though still alive, the sirloin steaks and cutlets of Fate. I'm not ashamed to feel this way because I know it's how everyone feels. The lack of respect between men, the indifference that allows them to kill others without compunction (as murderers do) or without thinking (as soldiers do), comes from the fact that no one pays due attention to the apparently abstruse idea that other people have souls too.

Most people believe the journey they begin with Christ goes forward, but that is not how he works. A spiritual life is not cutting ties with people, in order to walk clean in the future. The journey home isn't running away from obstacles. It is learning to stand where you are now and handle people, assert yourself, set boundaries and never feel your happiness is dependent on another person's approval of your choices, beliefs or spiritual needs.

Exhausted from the long swim, he stayed there in the birch thinking he had outsmarted my dogs. I couldn’t understand how Little Ann had found him. It was impossible to fall the tree toward the bottoms. It was too much off balance. I did the next best thing. I cut a long elder switch. Unbuckling one of my suspenders, I tied it to

Most abusive men put on a charming face for their communities, creating a sharp split between their public image and their private treatment of women and children. He may be: Enraged at home but calm and smiling outside Selfish and self-centered with you but generous and supportive with others Domineering at home but willing to negotiate and compromise outside Highly negative about females while on his own turf but a vocal supporter of equality when anyone else is listening Assaultive toward his partner or children but nonviolent and nonthreatening with everyone else Entitled at home but critical of other men who disrespect or assault women The pain of this contrast can eat away at a woman. In the morning her partner cuts her to the quick by calling her a “brainless fat cow,” but a few hours later she sees him laughing with the people next door and helping them fix their car. Later the neighbor says to her, “Your partner is so nice. You’re lucky to be with him—a lot of men wouldn’t do what he does.” She responds with a mumbled “Yeah,” feeling confused and tongue-tied. Back at home, she asks herself over and over again, “Why me?

One of these days I'm going to leave Nebraska, cut all those strings and ties and travel to the other prairies of this earth. I must know if the people who live on those other prairies feel the same way about their horizons as we do about ours.

It may surprise you to learn that at this moment, Sunny resembled the famous Greek conqueror Alexander the Great. Alexander the Great lived more than two thousand years ago, and his last name was not actually "The Great." "The Great" was something that he forced people to call him, by bringing a bunch of soldiers into their land and proclaiming himself king. Besides invading other people's countries and forcing them to do whatever he said, Alexander the Great was famous for something called the Gordian Knot. The Gordian Knot was a fancy knot tied in a piece of rope by a king named Gordius. Gordius said that if Alexander could untie it, he could rule the whole kingdom. But Alexander who was too busy conquering places to learn how to untie knots, simply drew his sword and cut the Gordian Knot in two. This was cheating, of course, but Alexander had too many soldiers for Gordius to argue, and soon everybody in Gordium had to bow down to You-Know-Who the Great. Ever since then, a difficult problem can be called a Gordian Knot, and if you solve the problem in a simple way - even if the way is rude - you are cutting the Gordian Knot.

Alexander the Magnus was once called to solve the following challenge in the Phrygian city of Gordium (as usual with Greek stories, in modern-day Turkey). When he entered Gordium, he found an old wagon, its yoke tied with a multitude of knots, all so tightly entangled that it was impossible to figure out how they were fastened. An oracle had declared that he who would untie the knot would rule all of what was then called “Asia,” that is, Asia Minor, the Levant, and the Middle East. After wrestling with the knot, the Magnus drew back from the lump of gnarled ropes, then made a proclamation that it didn’t matter for the prophecy how the tangle was to be unraveled. He then drew his sword and, with a single stroke, cut the knot in half. No “successful” academic could ever afford to follow such a policy. And no Intellectual Yet Idiot. It took medicine a long time to realize that when a patient shows up with a headache, it is much better to give him aspirin or recommend a good night’s sleep than do brain surgery, although the latter appears to be more “scientific.” But most “consultants” and others paid by the hour are not there yet.

is her favorite color, even after I told her purple-orange isn’t a thing. She ties her left shoe the loop, swoop, and pull way, and the right with bunny ears. Pen opens her bananas from the end, and she eats her eggs with boysenberry syrup. The girl who wakes up and appears in her window every morning at six-thirty sharp, with insane bedhead, only uses cola-scented lip balm and loves grunge music. She has her mom cut the crusts off her sandwiches, sides first and then the top and bottom. Pen uses the same pink plastic thermos every day at school, even though the cup is cracked. She doesn’t blink an eye as fruit punch drips from the bottom, always staining her shirt.

This is what happens: somebody—girl usually—got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just float away. And maybe you never see the balloon again . . . Or maybe three or four years from now, or three or four days from now, the prevailing winds take the balloon back home . . . But listen, kid, that string gets cut all the time.

I get it,” I say. “You don’t like anyone tying you down—” “One person can tie me down,” he cuts me off and then glances at me. “You’re smiling.” “I’m not.” I sort of was. I unhinge my jaw, ridding whatever expression is causing him to overflow with satisfaction. His grin has landed in James Franco territory. “I didn’t say that person was you.” I blink. “You ever hear of that annoying six-foot-three guy with bleach-white hair who died in a Chicago stairwell?” He laughs. “You mean the guy you have a hard-on for.

The old me is gone. I cut all ties of the old me. That is not me. I want to bring forth the me, that wants to represent who I am as a woman, that though I may have had traumas in my life, I won't let that define who I am. I am going to be the better version of who I am, truly inspired to wear the invisible badges of strength, confidence, courage, compassion, empowerment and fearlessness.

I have two minds about everything. Side A(merican) and side B(osnian). I wish I could find a way to drop off the face of the planet and leave my minds behind, get a new one. I dream of disappearing, cutting all ties, becoming a derelict, free to rave. I'd be calmer, happier. Or better, going back to Bosnia and telling no one, not even you. Just live there in the same city, grow a beard, and watch you to go to the market from the café across the street through a pair of sunglasses, never letting you know who I am. (p.43)

If slavery be the destined sword of the hand of the destroying angel which is to sever the ties of this Union, the same sword will cut in sunder the bonds of slavery itself. A dissolution of the Union for the cause of slavery would be followed by a servile war in the slave-holding States, combined with a war between the two severed portions of the Union. It seems to me that its result might be the extirpation of slavery from this whole continent; and, calamitous and desolating as this course of events in its progress must be, so glorious would be its final issue, that, as God shall judge me, I dare not say that it is not to be desired.

Well, last night in a tavern, a captain in the king's guard offered violence to the sweetheart of a young solider, who naturally ran him through. But it seems there is some cursed law against killing guardsmen, and the boy and his girl fled away. It was bruited about that I was seen with them, and so today I was haled into court, and a judge asked me where the lad had gone. I replied that since he was a friend of mine, I could not betray him. Then the court waxed wroth, and the judge talked a great deal about my duty to the state, and society, and other things I did not understand, and bade me tell where my friend had flown. By this time I was becoming wrathful myself, for I had explained my position. But I choked my ire and held my peace, and the judge squalled that I had shown contempt for the court, and that I should be hurled into a dungeon to rot until I betrayed my friend. So then, seeing that they were all mad, I drew my sword and cleft the judge's skull; then I cut my way out of the court, and seeing the high constable's stallion tied near by, I rode for the wharfs, where I thought to find a ship bound for foreign parts. - Conan the Cimmerian, Queen of the Black Coast

Later that evening, back at the airship, I cut a hole in a ribbon Beryl had given me and attached the cuff link, before tying it around my neck. Symbols are powerful. When he saw this, my father finally decided to ask after the extent of my loss. "I feel," he said, glancing across the rain-speckled deck of the ship, "like I have lost a on." His hand was trembling, a it always had whenever he admitted to great emotion. "I take it that you'd grown fond of him as well? He was such a noble young man." "Something like that," I confessed brokenly/

Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his. Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind. Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me. "I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are." I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life. Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love." No way. Noah's experienced reputation walked down the hallway before he did. "But..." Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square. I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek. "And since break?" I asked. "There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else." I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin." Now Noah froze. "But you were with Luke." A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready." He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.

His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood. I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

Because emotional abuse is impossible to prove, we often have an incredibly difficult time describing or putting into words what exactly has happened to us that is so bad. We know things were not or are not normal, but we don’t know why. Emotional abuse moves quickly. Just as we’re about to put our finger on it, it seems to slip away. Without a clear set of concrete, provable terms, many of us question if our abuse or neglect was real. Did it really happen? Or are we just making it up? We reason that if we were truly abused, our abuse should be easy to explain.

To Marry One's Soul Being true to who we are means carrying our spirit like a candle in the center of our darkness. If we are to live without silencing or numbing essential parts of who we are, a vow must be invoked and upheld within oneself. The same commitments we pronounce when embarking on a marriage can be understood internally as a devotion to the care of one's soul: to have and to hold … for better or for worse … in sickness and in health … to love and to cherish, till death do us part. This means staying committed to your inner path. This means not separating from yourself when things get tough or confusing. This means accepting and embracing your faults and limitations. It means loving yourself no matter how others see you. It means cherishing the unchangeable radiance that lives within you, no matter the cuts and bruises along the way. It means binding your life with a solemn pledge to the truth of your soul. It is interesting that the nautical definition of marry is “to join two ropes end to end by interweaving their strands.” To marry one's soul suggests that we interweave the life of our spirit with the life of our psychology; the life of our heart with the life of our mind; the life of our faith and truth with the life of our doubt and anxiety. And just as two ropes that are married create a tie that is twice as strong, when we marry our humanness to our spirit, we create a life that is doubly strong in the world.

Creep" I said, cutting to the heart of the matter. - Stephanie "Gosh, I wonder who this could be." - Morelli "You lied to me. I knew it too. I knew right from the beginning, you jerk." Silence stretched taut between us, and I realized my accusation covered a lot of territory, so I narrowed the field. "I want to knew about this big secret case you're working on, and I want to know how it ties in to Kenny Mancuso and Moogey Bues." - Stephanie "Oh" Morelli said. "That lie " - Morelli "Well?" - Stephanie "I cant tell you anything about that lie" - Morelli -Two For The Dough

They were trying to escape. They asked us "Where's the railway?" We'd never seen a railway. They asked "Where's Moscow? Leningrad?" They were asking the wrong people: we'd never heard of those places. We're Ostyaks. People were running away starving. They were given a handful of flour. They mixed it with water and drank it and then they immediately got diarrhea. The things we saw! People were dying everywhere; they were killing each other.... On the island there was a guard named Kostia Venikov, a young fellow. He was courting a pretty girl who had been sent there. He protected her. One day he had to be away for a while, and he told one of his comrades, "Take care of her," but with all the people there the comrade couldn't do much.... People caught the girl, tied her to a poplar tree, cut off her breasts, her muscles, everything they could eat, everything, everything.... They were hungry, they had to eat. When Kostia came back, she was still alive. He tried to save her, but she had lost too much blood.

Each spring for a period of weeks the imperial gardens were filled with prize tulips (Turkish, Dutch, Iranian), all of them shown to their best advantage. Tulips whose petals had flexed wide were held shut with fine threads hand-tied. Most of the bulbs had been grown in place, but these were supplemented by thousands of cut stems held in glass bottles; the scale of the display was further compounded by mirrors placed strategically around the garden. Each variety was marked with a label made from silver filigree. In place of every fourth flower a candle, its wick trimmed to tulip height, was set into the ground. Songbirds in gilded cages supplied the music, and hundreds of giant tortoises carrying candles on their backs lumbered through the gardens, further illuminating the display. All the guests were required to dress in colors that flattered those of the tulips. At the appointed moment a cannon sounded, the doors to the harem were flung open, and the sultan's mistresses stepped into the garden led by eunuchs bearing torches. The whole scene was repeated every night for as long as the tulips were in bloom, for as long as Sultan Ahmed managed to cling to his throne.

Beyond the horizon of the place we lived when we were young In a world of magnets and miracles Our thoughts strayed constantly and without boundary The ringing of the division bell had begun Along the Long Road and on down the Causeway Do they still meet there by the Cut There was a ragged band that followed in our footsteps Running before times took our dreams away Leaving the myriad small creatures trying to tie us to the ground To a life consumed by slow decay The grass was greener The light was brighter When friends surrounded The nights of wonder Looking beyond the embers of bridges glowing behind us To a glimpse of how green it was on the other side Steps taken forwards but sleepwalking back again Dragged by the force of some sleeping tide At a higher altitude with flag unfurled We reached the dizzy heights of that dreamed of world Encumbered forever by desire and ambition There's a hunger still unsatisfied Our weary eyes still stray to the horizon Though down this road we've been so many times The grass was greener The light was brighter The taste was sweeter The nights of wonder With friends surrounded The dawn mist glowing The water flowing The endless river Forever and ever

No matter how much you love someone sometimes it is better to totally disassociate yourself from them for peace of mind. Delete all memories of them no matter how hard it is to do so, to leave no reminders of them floating around, in order to make it easier to get over that person. As much as you want to run to that person grab them and tell them how much you still want them in your life whether it's friendship or otherwise it is best to see if that person still wants you in their life. After you have gotten rid of all memories, all associations, all communications if that person happens to reappear then your friendship/relationship was a true one and should continue. If after you cut all ties and you never see that person again then you know you did the right thing by letting them go. Cause if they really wanted you in their life they would not allow you to let them go so easily to begin with.

I had come to know the singular power of a river advancing toward the open sea and the power of tides regulating that advance. . . . Because I had seen this for the first time over the year, I could not be intimidated by guys who wore expensive shoes and flashy ties. Piedmont could fire me, bawl me out, abuse me, put it on my record that I was an incorrigible son of a bitch, make sure I never taught in South Carolina again, or cut off my teacher's pension. That was all he could do. His power was economic and emotional, not spiritual or supernatural.

1. Acknowledge and grieve the abusive and dismissive ways in which your family has mishandled your humanity. List the misdeeds done to you, and acknowledge where you didn’t get the validation or compassion you sought and deserved just out of basic human decency. One of the greatest ways to bring these memories up is to write to a F*ck You For list. I do this often with my patients. Begin each sentence with F*ck You For, and complete the sentence with the painful, angering, or frustrating memory. This exercise helps move you from feeling like a victim to taking the trash out. It places accountability on the right people. It also illuminates areas of growth for you, as you may feel anger at yourself for how long you allowed yourself to be passive or submissive to the members of your family you felt had power over you.

Has it never occurred to you that that miserable clown may have a soul–a living, struggling human soul, tied down into that crooked hulk of a body and forced to slave for it? You that are so tender-hearted to everything–you that pity the body in its fool’s dress and bells–have you never thought of the wretched soul that has not even motley to cover its horrible nakedness? Think of it shivering with cold, stilled with shame and misery, before all those people–feeling their jeers that cut like a whip–their laughter, that burns like red-hot iron on the bare flesh! Think of it looking round–so helpless before them all–for the mountains that will not fall on it–for the rocks that have not the heart to cover it–envying the rats that can creep into some hole in the earth and hide; and remember that a soul is dumb–it has no voice to cry out–it must endure, and endure, and endure.

First we must study how colonization works to decivilize the colonizer, to brutalize him in the true sense of the word, to degrade him, to awaken him to buried instincts, to covetousness, violence, race hatred, and moral relativism; and we must show that each time a head is cut off or an eye put out in Vietnam and in France they accept the fact, each time a little girl is raped and in France they accept the fact, each time a Madagascan is tortured and in France they accept the fact, civilization acquires another dead weight, a universal regression takes place, a gangrene sets in, a center of infection begins to spread; and that at the end of all these treaties that have been violated, all these lies that have been propagated, all these punitive expeditions that have been tolerated, all these prisoners who have been tied up and interrogated, all these patriots who have been tortured, at the end of all the racial pride that has been encouraged, all the boastfulness that has been displayed, a poison has been instilled into the veins of Europe and, slowly but surely, the continent proceeds toward savagery.

You see, I had decided - rightly or wrongly - to grow a moustache, and this had cut Jeeves to the quick. He couldn't stick the thing at any price, and I had been living ever since in an atmosphere of bally disapproval till I was getting jolly well fed up with it. What I mean is, while there's no doubt that in certain matters of dress Jeeves's judgment is absolutely sound and should be followed, it seemed to me that it was getting a bit too thick if he was going to edit my face as well as my costume. No one can call me an unreasonable chappie, and many's the time I've given in like a lamb when Jeeves has voted against one of my pet suits or ties; but when it comes to a valet's staking out a claim on your upper lip you've simply got to have a bit of the good old bulldog pluck and defy the blighter.

There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.

Core needs for children include, but are not limited to, receiving adequate levels of time, love, and attention, along with meeting their needs to feel heard, validated, and understood. When these needs aren’t met, there is no way to rewind to the beginning of life in a way that enables any outside love relationship to heal or meet your core needs. Research naively suggests we seek other relationships outside our family to supply our basic needs of love, acceptance, and emotional support. Although other love relationships are fundamental, necessary, and important to our overall well-being, I believe it is not only inappropriate for us to put this type of pressure on others to fill the needs our family neglected, but this request is also impossible to satisfy. It is unwise and emotionally dangerous to assume anyone could meet the core needs that can be met only by the family we were born into. The unfortunate message from this type of information is that other people can heal our wounds and meet our core needs when, ultimately, we need to learn to heal our own wounds and meet our own needs.

I was like a woman walking through an enchanted world to which she does not belong. She is free to do what she wants, and free not to do it. She experi-ences the rare pleasure of having no ties with anyone, of having broken with everything, of having cut all relations with the world around her, of being completely independent and living her independence completely, of enjoying freedom from any subjection to a man, to marriage, or to love; of being divorced from all limitations whether rooted in rules and laws in time or in the universe. If the first man who comes along does not want her, she will have the next, or the one after. No need to wait any longer for just one man. No need to be sad when he does not turn up, or to expect anything and suffer when one’s hopes are razed to the ground. She no longer hopes for anything or desires anything. She no longer fears anything, for everything which can hurt her she has already undergone.

I dismissed this course of action, sensing my own reserves of strengths, but I experimented with the idea and took it as far as I could in a game I christened Bus Stop: on summer nights, I would stretch out on the road in front of my house, on hot, grainy asphalt scattered with sharp bits of gravel, and watch and wait for growling motors, the blinding movement of headlights, and I weighed up the pros and cons, what tied me to life like a blood oath, what left me cold, or tired me out; and when the noise grew sharper, more grating, and when the headlights from the first bend in the road began to cut out the sides of the buildings and project a slow, revolving shadow dance on the wall, I always came back to the same conclusion - that I felt something stir inside me, as hazy and phony as a childhood memory, as insistent as a hit song you'd heard so often you couldn't get its bitterness out of your head, something that promised me a better future, only somewhere else. And I would unpeel myself from the road, I'd pick myself up, what was left of me, what could still be of some use, and slowly make my way back to the pink gravel of the sidewalk, just like the one my little retarded friend was standing on this morning as stoic as an abandoned house awaiting demolition.

Can two walk together, unless they are agreed?’ Amos 3:3 ‘Does This Person Belong in your Life?’ A toxic relationship is like a limb with gangrene: unless you amputate it the infection can spread and kill you. Without the courage to cut off what refuses to heal, you’ll end up losing a lot more. Your personal growth - and in some cases your healing - will only be expedited by establishing relationships with the right people. Maybe you’ve heard the story about the scorpion who asked the frog to carry him across the river because he couldn’t swim. ‘I’m afraid you’ll sting me,’ replied the frog. The scorpion smiled reassuringly and said, ‘Of course I won’t. If I did that we’d both drown!’ So the frog agreed, and the scorpion hopped on his back. Wouldn’t you know it: halfway across the river the scorpion stung him! As they began to sink the frog lamented, ‘You promised you wouldn’t sting me. Why’d you do it?’ The scorpion replied, ‘I can’t help it. It’s my nature!’ Until God changes the other person’s nature, they have the power to affect and infect you. For example, when you feel passionately about something but others don’t, it’s like trying to dance a foxtrot with someone who only knows how to waltz. You picked the wrong dance partner! Don’t get tied up with someone who doesn’t share your values and God-given goals. Some issues can be corrected through counselling, prayer, teaching, and leadership. But you can’t teach someone to care; if they don’t care they’ll pollute your environment, kill your productivity, and break your rhythm with constant complaints. That’s why it’s important to pray and ask God, ‘Does this person belong in my life?

Friendship between tow persons, or two nations, is an unbreakable bond, a tie which cannot be cut. An honourable heart does not cast aside a friend because he is in trouble, nor even if he changes his nature and becomes a criminal. Between two nations friendship must also be eternal, else the friend is false and being false in one event was always false. And what was our crime against the Americans? The Great Change? But is it a crime to change a government? By whose law can it be called a crime? It is of no more importance, between friends, than for one to change his garment! For this lack of reason our love for Americans is changed to hate. I fear for the future! A generation is growing up here in our country which has never seen an American face or heard an American voice. What do they know of Americans except to hate them as they are taught to do? There is no hate so dangerous as that which once was love. .... - To the Americans, Communism is a crime. They will have none of it. - But why, when it is ours, not theirs? .... - I suppose this American concern with a form of government springs from their own history. Their ancestors fled from Europe to escape tyranny from their ancient rulers. Freedom was their dream. To them, therefore, tyranny is endemic in Communism. They will have none of it. It is not we who are Chinese whom they hate. It is the tyranny they imagine.

He immediately turned to her as the carriage rocked into motion, wrapping her in his cloak and examined her. She had bruises on her shoulders and on her arms. Her wrists were bloodied- he growled under his breath as he examined them, picking away the remains of the ropes. Her plump little toes were muddied and cut and cold. He warmed them with his hands, crooning to them. She had quite a nasty bruise on her left side and he tenderly pressed his fingers around that, soft sounds leaving his lips helplessly. Oh, that he had been there when this had been done! He would have put their eyes out. He would have cut off their noses and made them eat them. He would have- "Valentine." He blinked and realized that she had the palms of her hands on his face and was looking at him. "Valentine. I'm all right." His eyes narrowed as he looked at her face, for he was no fool. They must've had her for several days to bring her here. "Are you, though?" She looked at him very firmly. "Yes." "They didn't rape you?" "No." "Or touch you in any way?" She sighed. "They grabbed me when they took me. They tied me up." He thought about that. He didn't like it. "Did they make you do anything you didn't want to?" She hesitated. He went icy cold. "Tell me." "They..." She went a deep red and looked away. "They... when I needed to... to urinate they didn't turn away." "Ah." Well. That settled that. He wrapped his arms around her. "I am truly sorry you had to endure such horrific events, my Séraphine.

Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.

I like to see the long line we each leave behind, and I sometimes imagine my whole life that way, as though each step was a stitch, as though I was a needle leaving a trail of thread that sewed together the world as I went by, crisscrossing others' paths, quilting it all together in some way that matters even though it can hardly be traced. A meandering line sutures together the world in some new way, as though walking was sewing and sewing was telling a story and that story was your life. A thread now most often means a line of conversation via e-mail or other electronic means, but thread must have been an even more compelling metaphor when most people witnessed or did the women's work that is spinning. It is a mesmerizing art, the spindle revolving below the strong thread that the fingers twist out of the mass of fiber held on an arm or a distaff. The gesture turns the cloudy mass of fiber into lines with which the world can be tied together. Likewise the spinning wheel turns, cyclical time revolving to draw out the linear time of a thread. The verb to spin first meant just this act of making, then evolved to mean anything turning rapidly, and then it came to mean telling a tale. Strands a few inches long twine together into a thread or yarn that can go forever, like words becoming stories. The fairy-tale heroines spin cobwebs, straw, nettles into whatever is necessary to survive. Scheherazade forestalls her death by telling a story that is like a thread that cannot be cut; she keeps spinning and spinning, incorporating new fragments, characters, incidents, into her unbroken, unbreakable narrative thread. Penelope at the other end of the treasury of stories prevents her wedding to any one of her suitors by unweaving at night what she weaves by day on her father-in-law's funeral garment. By spinning, weaving, and unraveling, these women master time itself, and though master is a masculine word, this mastery is feminine.

3. Alone The long march up the fulvous ridgebacks to The marches, the frontiers of difference -- Where flesh marches with bone, day marches with His wife the night, and country marches with Another country -- is accomplished best, By paradox, alone. A world of twos, Of yangs and yins, of lives and objects, of Sound grasses and deaf stones, is best essayed By sole infiltrators who have cast off Their ties to living moorings, and stand out Into the roads of noon approaching night Casting a single shadow, earnest of Their honorable intention to lay down Their lives for their old country, humankind, In the same selfish spirit that inspired Their lifelong journey, largely and at last Alone, across the passes that divide A life from every other, the sheer crags Of overweening will, the deepening scarps Like brain fissures that cunningly cut off Each outcrop from the main and make it one While its luck lasts, while its bravura holds Against all odds, until the final climb Across the mountains to the farther shore Of sundown on the watersheds, where self, Propelled by its last rays, sways in the sway Of the last grasses and falls headlong in The darkness of the dust it is part of Upon the passes where we are no more: Where the recirculating shaft goes home Into the breast that armed it for the air, And, as we must expect, the art that there Turned our lone hand into imperial Rome Reverts to earth and its inveterate love For the inanimate and its return. FINIS -- from 'Tras Os Montes

The day came: a Monday at the end of September. The night before he had realized that it was almost exactly a year since the beating, although he hadn’t planned it that way. He left work early that evening. He had spent the weekend organizing his projects; he had written Lucien a memo detailing the status of everything he had been working on. At home, he lined up his letters on the dining room table, and a copy of his will. He had left a message with Richard’s studio manager that the toilet in the master bathroom kept running and asked if Richard could let in the plumber the following day at nine – both Richard and Willem had a set of keys to his apartment – because he would be away on business. He took off his suit jacket and tie and shoes and watch and went to the bathroom. He sat in the shower area with his sleeves pushed up. He had a glass of scotch, which he sipped at to steady himself, and a box cutter, which he knew would be easier to hold than a razor. He knew what he needed to do: three straight vertical lines, as deep and long as he could make them, following the veins up both arms. And then he would lie down and wait. He waited for a while, crying a bit, because he was tired and frightened and because he was ready to go, he was ready to leave. Finally he rubbed his eyes and began. He started with his left arm. He made the first cut, which was more painful than he had thought it would be, and he cried out. Then he made the second. He took another drink of the scotch. The blood was viscous, more gelatinous than liquid, and a brilliant, shimmering oil-black. Already his pants were soaked with it, already his grip was loosening. He made the third. When he was done with both arms, he slumped against the back of the shower wall. He wished, absurdly, for a pillow. He was warm from the scotch, and from his own blood, which lapped at him as it pooled against his legs – his insides meeting his outsides, the inner bathing the outer. He closed his eyes. Behind him, the hyenas howled, furious at him. Before him stood the house with its open door. He wasn’t close yet, but he was closer than he’d been: close enough to see that inside, there was a bed where he could rest, where he could lie down and sleep after his long run, where he would, for the first time in his life, be safe.

I would expect such behavior from the children,not from their mother." She tsked at him, not even a little daunted. "Aren't you the least bit curious?" "Certainly,but I can wait until-" "But I can't wait," she cut in passionately. "Come with me, Warren. I'll be careful with it. And if it's nothing more'n a simple gift, albeit a mysterious one, then I'll have the box wrapped up again perfectly, so no one will know we tampered with it." "You're serious about this?" he asked. "You're actually going to sneak downstairs in the middle of the night like an errant schoolgirl-" "No,no,we are, like two perfectly sensible adults making a reasonable effort to solve a mystery that has been around far too long." He chuckled at that point, used to his wife's strange logic, and used to her ignoring any of his attempts at sternness.But then that was the magic of Amy.She was unlike any other woman he'd ever known. He gave in gracefully with a smile. "Very well,fetch our robes and some shoes.I would imagine the fire has been banked in the parlor, so it will be a mite chilly." It wasn't that long before they were standing next to The Present, Warren merely curious, Amy finding it hard to contain her excitement, considering what she expected to find beneath the pretty cloth wrapping.The parlor wasn't chilly at all,since whoever had lef the room last had closed the doors to contain the earlier warmth, and Warren had closed them again before he lit several of the lamps. But the doors opened once more, giving Amy quite a start since she was just reaching for The Present when it happened, and Jeremy said as he entered the room, "Caught in the act,eh? Amy,for shame." Amy,noticeably embarrassed despite the fact that Jeremy wasn't just her cousin, but one of her closest friends, said stiffly, "And what,pray tell, are you doing down here at this hour?" He winked at her and said dryly, "Same thing you are, I would imagine." She chuckled then. "Scamp. Close the door while you're at it." He started to,but stepped out of the way instead as Reggie sauntered in, barefoot and still in the process of tying her bed robe. When everyone else there just stared at her, she huffed indignantly, "I did not come down here to open The Present-well, maybe I did, but I would have chickened out before actually doing so." "What a whopper, Reggie," Derek said as he came in right behind her. "Nice try, though. Mind if I borrow that lame excuse? Better than having none a'tall.

Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.

Neliss, why is this rug wet?” Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before. “We have a rug there?” “Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?” “Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.” “You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.” “Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?” “I swear, Magdelegna, I am never letting you visit that Druid ever again.” “Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.” “I would be a hell of a lot less moody if I could figure out what that damn noise is.” Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them. “What is that?” “Remember when you asked me why I cut my hair?” “Ah yes, the surprise. Took you long enough to get to it.” “If you do not stop, I am not going to give it to you.” “Okay. I am stopping. What is it?” She held out the box tied with a ribbon to him and he accepted it with a lopsided smile. “I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away. “Open it.” He reached for the ribbon and soon was pulling the top off the box. “What is this?” “Gideon, what does it look like?” He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom. “What does it say?” “It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.” “I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?” “Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.” “I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.” “See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him. “Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.