Cut From The Same Cloth Quotes

I've met talespinners before, Jake, and they're all cut more or less from the same cloth. They tell tales because they're afraid of life.

He stared at her; she stared right back. Unyielding, unbreakable. They'd been cut from the same cloth. Aedion loosed a breath and looked at their joined hands - then opened his to examine her scarred palm, crisscrossed with the marks of her vow to Nehemia and the cut she'd made the moment she and Rowan became carranam, their magic joining them in an eternal bond. 'It's hard not to think all of your scars are my fault.' Oh. Oh.

People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights. When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.

Fanatics were all alike, cut from the same cloth and dyed different colors.

Over and over the images rolled behind Helen’s eyes like giant waves. When they stopped, Helen could see everything clearly—like a beach wiped clean after a storm. She and Lucas were woven from the same cloth, cut apart, and then stitched back together from one cycle to another. The circumstances changed, but they were always intertwined, no matter what.

A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?

Antiquity and modernity are cut from the same cloth. That is to say, our sense of things being ‘ancient’ is produced—both historically and in practice—by the sense that we ourselves are ‘modern’.

I tramp the perpetual journey My signs are a rain-proof coat, good shoes, and a staff cut from the woods, No friend of mine takes his ease in my chair, I have no chair, no philosophy, I lead no man to a dinner-table, library, exchange, But each man and each woman of you I lead upon a knoll, My left hand hooking you round the waist, My right hand pointing to landscapes of continents and the public road. Not I, not any one else can travel that road for you, You must travel it for yourself. It is not far, it is within reach, Perhaps you have been on it since you were born and did not know, Perhaps it is everywhere on water and on land. Shoulder your duds dear son, and I will mine, and let us hasten forth, Wonderful cities and free nations we shall fetch as we go. If you tire, give me both burdens, and rest the chuff of your hand on my hip, And in due time you shall repay the same service to me, For after we start we never lie by again. This day before dawn I ascended a hill and look'd at the crowded heaven, And I said to my spirit When we become the enfolders of those orbs, and the pleasure and knowledge of every thing in them, shall we be fill'd and satisfied then? And my spirit said No, we but level that lift to pass and continue beyond. You are also asking me questions and I hear you, I answer that I cannot answer, you must find out for yourself. Sit a while dear son, Here are biscuits to eat and here is milk to drink, But as soon as you sleep and renew yourself in sweet clothes, I kiss you with a good-by kiss and open the gate for your egress hence. Long enough have you dream'd contemptible dreams, Now I wash the gum from your eyes, You must habit yourself to the dazzle of the light and of every moment of your life. Long have you timidly waded holding a plank by the shore, Now I will you to be a bold swimmer, To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.

is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well

We have this extraordinary conceit in the West that while we've been hard at work in the creation of technological wizardry and innovation, somehow the other cultures of the world have been intellectually idle. Nothing could be further from the truth. Nor is this difference due to some sort of inherent Western superiority. We now know to be true biologically what we've always dreamed to be true philosophically, and that is that we are all brothers and sisters. We are all, by definition, cut from the same genetic cloth. That means every single human society and culture, by definition, shares the same raw mental activity, the same intellectual capacity. And whether that raw genius is placed in service of technological wizardry or unraveling the complex thread of memory inherent in a myth is simply a matter of choice and cultural orientation.

I believe the vulpine greed of the corporate world is cut from the very same cloth as the tyrant of history.

I’ve met tale-spinners before, Jake, and they’re all cut more or less from the same cloth. They tell tales because they’re afraid of life.

Glass and sand are made from the same material (silicon). Heroes and villains are cut from the same cloth. Don’t reject a hero just because he resembles a villain of your past.

You and I are cut from the same cloth, baby girl. Neither of us would expect school or work to fill us up. We look out the window, or into ourselves, for something more.

I used to think love was two people sucking on the same straw to see whose thirst was stronger, but then I whiffed the crushed walnuts of your nape, traced jackals in the snow-covered tombstones of your teeth. I used to think love was a non-stop saxophone solo in the lungs, till I hung with you like a pair of sneakers from a phone line, and you promised to always smell the rose in my kerosene. I used to think love was terminal pelvic ballet, till you let me jog beside while you pedaled all over hell on the menstrual bicycle, your tongue ripping through my prairie like a tornado of paper cuts. I used to think love was an old man smashing a mirror over his knee, till you helped me carry the barbell of my spirit back up the stairs after my car pirouetted in the desert. You are my history book. I used to not believe in fairy tales till I played the dunce in sheep’s clothing and felt how perfectly your foot fit in the glass slipper of my ass. But then duty wrapped its phone cord around my ankle and yanked me across the continent. And now there are three thousand miles between the u and s in esophagus. And being without you is like standing at a cement-filled wall with a roll of Yugoslavian nickels and making a wish. Some days I miss you so much I’d jump off the roof of your office building just to catch a glimpse of you on the way down. I wish we could trade left eyeballs, so we could always see what the other sees. But you’re here, I’m there, and we have only words, a nightly phone call - one chance to mix feelings into syllables and pour into the receiver, hope they don’t disassemble in that calculus of wire. And lately - with this whole war thing - the language machine supporting it - I feel betrayed by the alphabet, like they’re injecting strychnine into my vowels, infecting my consonants, naming attack helicopters after shattered Indian tribes: Apache, Blackhawk; and West Bank colonizers are settlers, so Sharon is Davey Crockett, and Arafat: Geronimo, and it’s the Wild West all over again. And I imagine Picasso looking in a mirror, decorating his face in war paint, washing his brushes in venom. And I think of Jenin in all that rubble, and I feel like a Cyclops with two eyes, like an anorexic with three mouths, like a scuba diver in quicksand, like a shark with plastic vampire teeth, like I’m the executioner’s fingernail trying to reason with the hand. And I don’t know how to speak love when the heart is a busted cup filling with spit and paste, and the only sexual fantasy I have is busting into the Pentagon with a bazooka-sized pen and blowing open the minds of generals. And I comfort myself with the thought that we’ll name our first child Jenin, and her middle name will be Terezin, and we’ll teach her how to glow in the dark, and how to swallow firecrackers, and to never neglect the first straw; because no one ever talks about the first straw, it’s always the last straw that gets all the attention, but by then it’s way too late.

I'm just trying to tell you...watch your back. Take it from someone who knows. Friends and enemies? They sometimes wear the same clothes.

I left Abnegation because I wasn't selfless enough,no matter how hard I tried to be." "That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend,who hit my dad with a belt to protect me-that selfless girl,that's not you?" He's figured out more about me than I have. And even though it seems impossible that he could feel something for me,given all that I'm not...maybe it isn't.I frown at him. "You've been paying close attention,haven't you?" "I like to observe people." "Maybe you were cut out for Candor, Four, because you're a terrible liar." He puts his hand on the rock next to him, his fingers lining up with mine. I look down at our hands. He has long, narrow fingers. Hands made for mine, deft movements.Not Dauntless hands, which should be thick and tough and ready to break things. "Fine." He leans his face closer to mine, his eyes focusing on my chin, and my lips,and my nose. "I watched you because I like you." He says it plainly, boldly, and his eyes flick up to mine. "And don't call me 'Four," okay? It's nice to hear my name again." Just like that,he has finally declared himself, and I don't know how to respond. My cheeks warm,and all I can think to say is, "But you're older than I am...Tobias." He smiles at me. "Yes,that whopping two-year gap really is insurmountable, isn't it?" "I'm not trying to be self-deprecating," I say, "I just don't get it. I'm younger. I'm not pretty.I-" He laughs,a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple. "Don't pretend," I say breathily. "You know I'm not. I'm not ugly,but I am certainly not pretty." "Fine.You're not pretty.So?" He kisses my cheek. "I like how you look. You're deadly smart.You're brave. And even though you found out about Marcus..." His voice softens. "You aren't giving me that look.Like I'm a kicked puppy or something." "Well," I say. "You're not." For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his.The river roars and I feel its spray on my ankles.He grins and presses his mouth to mine. I tense up at first,unsure of myself, so when he pulls away,I'm sure I did something wrong,or badly.But he takes my face in his hands,his figners strong against my skin,and kisses me again, firmer this time, more certain. I wrap an arm around him,sliding my hand up his nack and into his short hair. For a few minutes we kiss,deep in the chasm,with the roar of water all around us. And when we rise,hand in hand, I realize that if we had both chosen differently,we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.

[Bill] Gates said he connected with [Eddy] Izzard even though it would appear they have nothing in common — but that might be the point the author is trying to communicate. "I've recently discovered that I have a lot in common with a funny, dyslexic, transgender actor, comedian, escape artist, unicyclist, ultra-marathoner, and pilot from Great Britain. Except all of the above," Gates wrote. "We're all cut from the same cloth. In his words, 'We are all totally different, but we are all exactly the same

AT DAWN, a juggernaut of thunder wheeled over the stony heavens in a spark-throwing tumult. Rain fell softly on town cupolas, chuckled from rainspouts, and spoke in strange subterranean tongues beneath the windows where Jim and Will knew fitful dreams, slipping out of one, trying another for size, but finding all cut from the same dark, mouldered cloth.

Love rules the court, the camp, the grove, And men below, and saints above; For love is heaven, and heaven is love.” Sir Walter Scott The Lay of the Last Minstrel, 1805

Well, them cloths are a lot like folks. Ain't much difference at all. Some of us is more spiffed up than others, some stiffer, and still, some softer. There's the colorful and dull, ugly and pretty, old new 'guns. But in the end we's all fabric, cut from His cloth. Fabric, and just that.

When watching the news, it’s so easy to forget what most of us are like: pleasant, polite, socially shy. We don’t want rows, we want a quiet life. We feel inadequate because we don’t protest and argue more – we don’t stand up for ourselves. And, in feeling that, we forget that the sort of people who do stand up for themselves are cut from the same cloth as the sort of people you have to stand up to.

Are you going to hand me over to him?" "I haven't decided yet," I teased, and he smiled again, erasing his momentary seriousness. "So, where'd you get the suit?" "Believe it or not, that lovely friend of yours, Willa," Loki said. "She brought me a whole slew of clothes last night. When I asked her why she was being so generous, she said it was out of fear that I would run around naked." I smiled. "That does sound like something you would do. Why are you wearing all black, though? Didn't you know you were going to a wedding?" "On the contrary," he said, doing his best to look unhappy. "I'm in mourning over the wedding." "Oh, because it's too late?" I asked. "No, Wendy, it's never too late." His voice was light, but his eyes were solemn. "May I cut in?" the best man asked. "No, you may not," Loki said. I'd started to move away from him, but he held fast. "Loki," I said, and my eyes widened. "I'm still dancing with her," Loki said, turning to look at him. "You can have her when I'm done." "Loki," I said again, but he was already twirling me away. "You can't do that." "I just did." He grinned. "Oh, Wendy, don't look so appalled. I'm already the rebel Prince of thine enemy. I can't do much more to tarnish my image." "You can certainly tarnish mine," I pointed out. "Never," Loki said, and it was his turn to look appalled. "I'm merely showing them how it's done." He began spinning me around the dance floor in grand arcs, my gown swirling around me. He was a brilliant dancer, moving with grace and speed. Everyone had stopped to watch us, but I didn't care. This was the way a Princess was supposed to dance on her wedding day. The song ended, switching to something by Mozart, and he slowed, almost to a stop, but he kept me in his arms. "Thank you." I smiled. My skin felt flushed from dancing, and I was a little out of breath. "That was a wonderful dance." "You're welcome," he said, staring intently at me. "You are so beautiful." "Stop," I said, looking away as my cheeks reddened. "How can you blush?" Loki asked, laughing gently. "People must tell you how beautiful you are a thousand times a day." "It's not the same," I said. "It's not the same?" Loki echoed. "Why? Because you know they don't mean it like I do?" We did stop dancing them, and neither of us said anything. Garrett came up to us. He smiled, but his eyes didn't appear happy. "Can I cut in?" Garrett asked. "Yes," Loki said, shaking off the intensity he'd had a moment ago, and grinned broadly at Garrett. "She's all yours, good sir. Take care of her." He patted Garrett on the arm once for good measure and gave me a quick smile before heading back over to the refreshment table.

The mountains in the background were cut from the same cloth as the sky: a slightly darker shade, that was the only difference. Had we the capacity to analyse it there would almost certainly be a geology of the air as well as of rock.

...and I knew we were cut from the same cloth in some way, that she was telling me that she too had an altar to suicide that she had visited, or a river of suicidality in which she waded. Even when I don't go to the altar daily, I do pay my respects, periodically, with little offerings.

Quantum physicists discovered that physical atoms are made up of vortices of energy that are constantly spinning and vibrating; each atom is like a wobbly spinning top that radiates energy. Because each atom has its own specific energy signature (wobble), assemblies of atoms (molecules) collectively radiate their own identifying energy patterns. So every material structure in the universe, including you and me, radiates a unique energy signature. If it were theoretically possible to observe the composition of an actual atom with a microscope, what would we see? Imagine a swirling dust devil cutting across the desert’s floor. Now remove the sand and dirt from the funnel cloud. What you have left is an invisible, tornado-like vortex. A number of infinitesimally small, dust devil–like energy vortices called quarks and photons collectively make up the structure of the atom. From far away, the atom would likely appear as a blurry sphere. As its structure came nearer to focus, the atom would become less clear and less distinct. As the surface of the atom drew near, it would disappear. You would see nothing. In fact, as you focused through the entire structure of the atom, all you would observe is a physical void. The atom has no physical structure—the emperor has no clothes! Remember the atomic models you studied in school, the ones with marbles and ball bearings going around like the solar system? Let’s put that picture beside the “physical” structure of the atom discovered by quantum physicists. No, there has not been a printing mistake; atoms are made out of invisible energy not tangible matter! So in our world, material substance (matter) appears out of thin air. Kind of weird, when you think about it. Here you are holding this physical book in your hands. Yet if you were to focus on the book’s material substance with an atomic microscope, you would see that you are holding nothing. As it turns out, we undergraduate biology majors were right about one thing—the quantum universe is mind-bending. Let’s look more closely at the “now you see it, now you don’t” nature of quantum physics. Matter can simultaneously be defined as a solid (particle) and as an immaterial force field (wave). When scientists study the physical properties of atoms, such as mass and weight, they look and act like physical matter. However, when the same atoms are described in terms of voltage potentials and wavelengths, they exhibit the qualities and properties of energy (waves). (Hackermüller, et al, 2003; Chapman, et al, 1995; Pool 1995) The fact that energy and matter are one and the same is precisely what Einstein recognized when he concluded that E = mc2. Simply stated, this equation reveals that energy (E) = matter (m, mass) multiplied by the speed of light squared (c2). Einstein revealed that we do not live in a universe with discrete, physical objects separated by dead space. The Universe is one indivisible, dynamic whole in which energy and matter are so deeply entangled it is impossible to consider them as independent elements.

This time she is the one who leans forward. She is on her knees in front of him, grasping his shirt collar, pulling him close to her. He is clearly as startled by this as she herself is, but he allows himself to be drawn in. Their mouths meet, she moves even closer still until she is sitting on his lap takes his hands from her waist and puts them on her breasts, does everything but devour him, desperate to see if she can have something beyond her bondage with the razor. Pictures of the accident start writhing beneath her closed lids, competing for attention with the image she holds of his face. A tidal wave of emotion threatens to engulf her. She is suddenly back in the basement with the bookcases. "I can't." Willow pushes him away. "I can't" Willow claps her hands over her ears in a vain attempt to drown out the dreadful sounds of the accident. She jumps up, wheels away from him, fumbles in her pocket for the razor that she always keeps there. But just as she's preparing to slice, to save herself, to end the nightmare visions, Guy's hand clamps down on hers He pulls her down on the floor again roughly. "No." He's shaking his head. "Not here. Not now. Not with me around." "I have to." Willow is gasping. "Just let me do it!" "All right then, you can cut yourself, but not like this, not like some concerned animal. You have to do it in front of me." Willow doesn't flinch as she presses the blade into her flesh. She stares at Guy, aware that although she is fully clothed, she is completely bare before him. It hurts. It hurts badly, and within seconds the pain is swirling through her like an opiate, completely crowding out everything else. "Oh my god. Oh my god!" Now Guy is the one who is clapping a hand over his mouth. "Stop it! I can't watch!" He grabs the razor and flings it around the room, grabs her arm and stares at the blood, grabs her and crushes her close. Willow is so close that once again she's sitting in his lap. She's so close that they might as well be sharing the same breath. "You won't let yourself feel anything but pain?" He holds her more tightly than she would have thought possible. She watches with half closed lids as he wipes the blood on her arm with his shirttail. Now that she's numbed herself, she'd like nothing more than to stay there with him, like this, forever. She just stays there like that, for as long as she possibly can.

It was true: I was starting to hate girls. Not that I was into the machismo of being a “manly-man.” It was just that, for boys, there seemed to be more options available: there were more ways to be a boy and still be accepted, whereas the popular girls all appeared to be cut from the same cloth. Or they were clones or something.

The middle son in Philippe de Clermont’s brood of three male children, Baldwin had been made a vampire in Roman times and had been Philippe’s favorite. They were cut from the same cloth – fond of war, women, and wine, in that order. Despite these amiable characteristics, those who faced him in combat seldom lived to recount the experience.

We are in this stew together. We are caught in the same traps. With a small twist of fate, I could be sitting across from you, and you could be sitting across from me—both of us in opposite roles. Your problems are a special opportunity for you to learn and for me to learn. We are not cut from different cloths, but rather from the same cloth.

troubles. Lord Ransley had enough courage and

Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.

My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places. Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.

Harrogate saw them going along Blount Avenue Sunday morning. They wore outfits all cut from the same bolt of cloth and in the church pew standing six across they looked like a strip of gaudy wallpaper cut into those linked dolls madfolk pass their time in fashioning.

No institution of learning of Ingersoll's day had courage enough to confer upon him an honorary degree; not only for his own intellectual accomplishments, but also for his influence upon the minds of the learned men and women of his time and generation. Robert G. Ingersoll never received a prize for literature. The same prejudice and bigotry which prevented his getting an honorary college degree, militated against his being recognized as 'the greatest writer of the English language on the face of the earth,' as Henry Ward Beecher characterized him. Aye, in all the history of literature, Robert G. Ingersoll has never been excelled -- except by only one man, and that man was -- William Shakespeare. And yet there are times when Ingersoll even surpassed the immortal Bard. Yes, there are times when Ingersoll excelled even Shakespeare, in expressing human emotions, and in the use of language to express a thought, or to paint a picture. I say this fully conscious of my own admiration for that 'intellectual ocean, whose waves touched all the shores of thought.' Ingersoll was perfection himself. Every word was properly used. Every sentence was perfectly formed. Every noun, every verb and every object was in its proper place. Every punctuation mark, every comma, every semicolon, and every period was expertly placed to separate and balance each sentence. To read Ingersoll, it seems that every idea came properly clothed from his brain. Something rare indeed in the history of man's use of language in the expression of his thoughts. Every thought came from his brain with all the beauty and perfection of the full blown rose, with the velvety petals delicately touching each other. Thoughts of diamonds and pearls, rubies and sapphires rolled off his tongue as if from an inexhaustible mine of precious stones. Just as the cut of the diamond reveals the splendor of its brilliance, so the words and construction of the sentences gave a charm and beauty and eloquence to Ingersoll's thoughts. Ingersoll had everything: The song of the skylark; the tenderness of the dove; the hiss of the snake; the bite of the tiger; the strength of the lion; and perhaps more significant was the fact that he used each of these qualities and attributes, in their proper place, and at their proper time. He knew when to embrace with the tenderness of affection, and to resist and denounce wickedness and tyranny with that power of denunciation which he, and he alone, knew how to express.

I have written various words, verbs, adjectives, and adverbs, and bits of dismantled sentences, fragments of expressions and descriptions and all kinds of tentative combinations. Every now and again I pick up one these particles, these molecules of texts, hold it up to the light and examine it carefully, turn it in various directions, lean forward and rub or polish it, hold it up to the light again, rub it again slightly, then lean forward and fit it into the texture of the cloth I am weaving. Then I stare at it from different angles, still not entirely satisfied, and take it out again and replace it with another word, or try to fit it into another niche in the same sentence, then remove, file it down a tiny bit more, and try to fit it in again, perhaps at a slightly different angle. Or deploy it differently. Perhaps farther down the sentence. Or at the beginning of the next one. Or should I cut it off and make it into a one-word sentence on its own? I stand up. Walk around the room. Return to the desk. Stare at it for a few moments or longer, cross out the whole sentence or tear up the whole page. I give up in despair. I curse myself aloud and curse writing in general and the language as a whole, despite which I sit down and start putting the whole thing together all over again. [p.268]

Having never had dealings with Bow Street, Lady Fieldhurst was not quite certain what to expect: perhaps a stout fellow past his prime, befuddled with sleep or spirits, with a bulbous red nose—the same sort as might be found in any number of watchmen’s boxes across the metropolis. The individual who entered the room in [the footman's] wake, however, was very nearly her own age. To be sure, his nose was somewhat crooked, as if it had been broken at some point, but it was far from bulbous, and it was certainly not red. He was quite tall, almost gangly, with curling brown hair tied at the nape of his neck in an outmoded queue. He wore an unfashionably shallow-crowned hat and a black swallow-tailed coat of good cloth but indifferent cut; indeed, his only claim to fashion lay in the quizzing glass which hung round his neck from a black ribbon, and which he now raised, the resulting magnification revealing his eyes to be a warm brown. Julia might have been much reassured as to his competence, had it not been for the fact that his mouth hung open as from a rusty hinge.

My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. It was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. These were fragrant, colorless alcohols served from cut-glass carafes in small glasses and whether they were quetsche, mirabelle or framboise they all tasted like the fruits they came from, converted into a controlled fire on your tongue that warmed you and loosened your tongue. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern Italian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places.

Charlie Wild was a product of the Red Scare, NBC’s hurry-up attempt to salvage something when congressional finger-pointing resulted in the loss of sponsorship for radio’s most popular detective, Sam Spade. Both Howard Duff (who played Spade) and author Dashiell Hammett had been “listed” in Red Channels, making Spade sponsor Wildroot Cream Oil increasingly unhappy. After weeks of indecision, Wildroot dropped Spade and shifted to a new detective hero, hopefully cut from the same cloth. The final Wildroot Spade show was Sept. 17, 1950. The following Sunday Charlie Wild premiered from the opposite coast (New York). Howard Duff appeared in character on the first broadcast with a vocal telegram, wishing the new hero well. It would be Duff’s last radio appearance for six years,

I turned to Kitty Sue and surprised myself by answering honestly, "I'm fine. Lee's fine. Lee's more fine than me. I'm having troubles adjusting. Lee seems pretty sure of himself. Lee seems pretty sure of everything." This, I realized, was true about Lee always. I'd never met someone as confident in my life. Well, maybe Hank, but Hank's confidence was quiet and assured. And there was Lee's best friend, Eddie, of course. But Eddie was like Lee's twin, separated at birth, cut from the same cloth. Lee's confidence, and Eddie's, wasn't like Hank's. It was cocky and assertive. "And you aren't sure?" Kitty Sue asked. I looked at her and thought maybe I should have lied. It was too late now. "Nope. He scares me," I admitted. She nodded. "Yep, he's pretty dang scary." I stared. My God, the woman was talking about her son. "You agree?" She looked at Lee then back at me. "Honey, that boy drives me to distraction. It's like he's not of my loins. I don't even know where he came from. If Ally hadn't been the exact replica of Lee, personality-wise, except female I would have wondered if there was a mix up at the hospital." I kept staring. Kitty Sue kept talking. "Hank's just like his Dad. Smart, cautious, controlled, taking only calculated risks. I'm sure Lee calculates his risks, but I think he allows for a much larger margin for error and counts on ... I don't know what he counts on to get him out of whatever scrapes he gets into." I couldn't stop staring. She kept talking, and everything that came out of her mouth was like a verbal car accident. If she was trying to convince me to stick with her son, she should have tried a different tact. "He does ... you know?" Kitty Sue said. I realized she was asking me a question, so I shook my head that no, I didn't know. She explained, "He gets out of every scrape. Always did and always did it on his own. Though it'll take some kind of woman to live a life like that, knowing what he's like, knowing the risks he takes." Her hand went to my knee and she squeezed it before she went on. "Not anyone here would think less of you if you aren't that woman. I'm telling you because it's true. We all love you both and we'll always love you both, no matter what happens between you." She stopped, sighed and continued, "Anyway, I don't even know if that kind of woman exists. I'm his mother. I've lived with him surviving scrapes that would make your hair stand on end and I worry about him every day. He scares the hell out of me.

It ascended by levels: Da's cameo recessed against the glow of the tuner's parade,the drawer of utensils withdrawn past its fulcrum, the disembodied face of my brother miming and distorting my desperate attempt by expression alone to make Mum look up from me and see him, I no longer feeling my features' movements so much as seeing them on that writhing white face against the pantry's black, the throttle-popped eyes and cheeks ballooning against the gag's restraint, Mum squatting chairside to even my ears, my face before us bother farther and farther from my own control as I saw in his twin face what all lolly-smeared hand-held brats must see in the fun-house mirror- the gross and pitiless sameness, the distortion in which there is, tiny, at the center, something cruelly true about the we who leer and woggle at stick necks and and concave skulls, goggling eyes that swell to the edges- as the mimicry ascended reflected levels to become finally the burlesque of a wet hysteria that plastered cut strands to a wet white brow, the strangled man's sobs blocked by cloth, storm's thrum and electric hiss and Da's mutter against the lalation of shears meant for lambs, an unseen fit that sent my eyes upward again and again into their own shocked white, knowing past sight that my twin's face would show the same, to mock it- until the last refuge was slackness, giving up the ghost completely for a blank sack gagged mask's mindless stare-un seen and seeing- into a mirror I could not know or feel myself without. No not ever again.

Proshka was a man of self-esteem. He considered himself a cut above the rest, and had a degree of personal pride. His spell in prison was a humiliating experience for him. No longer could he strut with pride before his fellows, and his spirits sank at once. Proshka went home from prison embittered not so much against Pyotr Nikolayevich as against the whole world. Everyone said the same thing: after he came out of prison, Proshka went to pieces. He grew too lazy to work, took to drink, and was soon caught stealing clothes from the trademan's wife. Once again he ended up in prison.

float before I could swim. Ellis never believed it was called Dead-Man’s Float, thought I’d made it up. I told him it was a survival position after a long exhausting journey. How apt. All I see below is blue light. Peaceful and eternal. I’m holding my breath until my body throbs as one pulse. I roll over and suck in a deep lungful of warm air. I look up at the starry starry night. The sound of water in and out of my ears, and beyond this human shell, the sound of cicadas fills the night. I dreamt of my mother. It was an image, that’s all, and a fleeting one, at that. She was faded with age, like a discarded offcut on the studio floor. In this dream, she didn’t speak, just stepped out of the shadows, a reminder that we are the same, her and me, cut from the same bruised cloth. I understand how she got up one day and left, how instinctively she trusted the compulsion to flee. The rightness of that action. We are the same, her and me. She walked out when I was eight. Never came back. I remember being collected from school by our neighbour Mrs Deakin, who bought me sweets on the way home and let me play with a dog for as long as I wanted. Inside the house, my father was sitting at the table, drinking. He was holding a sheet of blue writing paper covered in black words, and he said, Your mother’s gone. She said she’s sorry. A sheet of writing paper covered in words and just two for me. How was that possible? Her remnant life was put in bags and stored in the spare room at the earliest opportunity. Stuffed in, not folded – clothes brushes, cosmetics all thrown in together, awaiting collection from the Church. My mother had taken only what she could carry. One rainy afternoon, when my father had gone next door to fix a pipe, I emptied the bags on to the floor and saw my mother in every jumper and blouse and skirt I held up. I used to watch her dress and she let me. Sometimes, she asked my opinion about colours or what suited her more, this blouse or that blouse? And she’d follow my advice and tell me how right I was. I took off my clothes and put on a skirt first, then a blouse, a cardigan, and slowly I became her in miniature. She’d taken her good shoes, so I slipped on a pair of mid-height heels many sizes too big, of course, and placed a handbag on my arm. I stood in front of the mirror, and saw the infinite possibilities of play. I strutted, I

I would expect such behavior from the children,not from their mother." She tsked at him, not even a little daunted. "Aren't you the least bit curious?" "Certainly,but I can wait until-" "But I can't wait," she cut in passionately. "Come with me, Warren. I'll be careful with it. And if it's nothing more'n a simple gift, albeit a mysterious one, then I'll have the box wrapped up again perfectly, so no one will know we tampered with it." "You're serious about this?" he asked. "You're actually going to sneak downstairs in the middle of the night like an errant schoolgirl-" "No,no,we are, like two perfectly sensible adults making a reasonable effort to solve a mystery that has been around far too long." He chuckled at that point, used to his wife's strange logic, and used to her ignoring any of his attempts at sternness.But then that was the magic of Amy.She was unlike any other woman he'd ever known. He gave in gracefully with a smile. "Very well,fetch our robes and some shoes.I would imagine the fire has been banked in the parlor, so it will be a mite chilly." It wasn't that long before they were standing next to The Present, Warren merely curious, Amy finding it hard to contain her excitement, considering what she expected to find beneath the pretty cloth wrapping.The parlor wasn't chilly at all,since whoever had lef the room last had closed the doors to contain the earlier warmth, and Warren had closed them again before he lit several of the lamps. But the doors opened once more, giving Amy quite a start since she was just reaching for The Present when it happened, and Jeremy said as he entered the room, "Caught in the act,eh? Amy,for shame." Amy,noticeably embarrassed despite the fact that Jeremy wasn't just her cousin, but one of her closest friends, said stiffly, "And what,pray tell, are you doing down here at this hour?" He winked at her and said dryly, "Same thing you are, I would imagine." She chuckled then. "Scamp. Close the door while you're at it." He started to,but stepped out of the way instead as Reggie sauntered in, barefoot and still in the process of tying her bed robe. When everyone else there just stared at her, she huffed indignantly, "I did not come down here to open The Present-well, maybe I did, but I would have chickened out before actually doing so." "What a whopper, Reggie," Derek said as he came in right behind her. "Nice try, though. Mind if I borrow that lame excuse? Better than having none a'tall.

I hear that there are plans afoot to produce a remake of Hans Christian Andersen's classic - 'The Emperor's New Clothes'. Who better to star in the leading role than recently defrocked Foreign Secretary Boris Johnson ? A narcissist with such naked ambition; an opportunist with such threadbare morals; a disgraced politician with such thinly veiled contempt for the British electorate, and judging by the sycophantic praise they heap on each other, arguably cut from the very same cloth as Donald Trump. Despite laughable pretensions of having the stature and fortitude of a modern day Churchill, he cuts a now lonely figure, a mere insignificant shadow. Boris, you can't hide anymore. Your warts and all are exposed for the whole world to see.

The road was clogged with limbers and motor vehicles and men marching towards the front. They look like a machine: all the boots moving as one, shoulders bristling with rifles, arms swinging, everything pointing forwards. And on the other side of the road, men stumbling back, trying to keep time, half dead from exhaustion and with this incredible stench hanging over them. You get whiffs of it when you cut the clothes off wounded men, but out there, in the mass, it’s as solid as a wall. And they all look so gray, faces twitching, young men who’ve been turned into old men. It’s a great contrast, stark and terrible, because they’re the same men, really. It’s an irrigation system, full buckets going one way, empty buckets the other. Only it’s not water the buckets carry.

The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961

Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky-tonks, restaurants and whore-houses, and little crowded groceries, and laboratories and flop-houses. Its inhabitants are, as the man once said, "whores, pimps, gamblers, and sons of bitches," by which he meant Everybody. Had the man looked through another peep-hole he might have said: "Saints and angels and martyrs and holy men," and he would have meant the same thing. In the morning when the sardine fleet has made a catch, the purse-seiners waddle heavily into the bay blowing their whistles. The deep-laden boats pull in against the coast where the canneries dip their tails into the bay. The figure is advisedly chosen, for if the canneries dipped their mouths into the bay the canned sardines which emerge from the other end would be metaphorically, at least, even more horrifying. Then cannery whistles scream and all over the town men and women scramble into their clothes and come running down to the Row to go to work. Then shining cars bring the upper classes down: superintendents, accountants, owners who disappear into offices. Then from the town pour Wops and Chinamen and Polaks, men and women in trousers and rubber coats and oilcloth aprons. They come running to clean and cut and pack and cook and can the fish. The whole street rumbles and groans and screams and rattles while the silver rivers of fish pour in out of the boats and the boats rise higher and higher in the water until they are empty. The canneries rumble and rattle and squeak until the last fish is cleaned and cut and cooked and canned and then the whistles scream again and the dripping, smelly, tired Wops and Chinamen and Polaks, men and women, straggle out and droop their ways up the hill into the town and Cannery Row becomes itself again-quiet and magical. Its normal life returns. The bums who retired in disgust under the black cypress-tree come out to sit on the rusty pipes in the vacant lot. The girls from Dora's emerge for a bit of sun if there is any. Doc strolls from the Western Biological Laboratory and crosses the street to Lee Chong's grocery for two quarts of beer. Henri the painter noses like an Airedale through the junk in the grass-grown lot for some pan or piece of wood or metal he needs for the boat he is building. Then the darkness edges in and the street light comes on in front of Dora's-- the lamp which makes perpetual moonlight in Cannery Row. Callers arrive at Western Biological to see Doc, and he crosses the street to Lee Chong's for five quarts of beer. How can the poem and the stink and the grating noise-- the quality of light, the tone, the habit and the dream-- be set down alive? When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will on to a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book-- to open the page and to let the stories crawl in by themselves.

Jackaby is great with spotting paranormal stuff, but you know he’s positively lost when it comes to normal. If you want to impress him, don’t think about your weak spots—think about his. What did he miss?” I shrugged. “This was a pretty simple case—or as simple as his cases are. The whole thing only took a few minutes. He spotted the creature right away—and a whole brood of its kittens.” “I thought it was a fish.” “They’re fishy kittens. Long story. You know Jackaby’s not the sort to bring home an ordinary pet.” I paused. A timid thought peered from around a corner at the back of my mind. “But Mrs. Beaumont is precisely the sort,” I said. “And she seemed to think that she had.” “Why, Abigail, are you being clever right here in front of me?” Jenny teased. “Not clever—just wondering,” I said. “Jackaby said they’re rare and they’re not indigenous. So, where did Mrs. Wiggles come from?” “Oh, look at you, all inquisitive and focused.” She smiled affectionately. “I’m beginning to think you and Jackaby are cut from two ends of the same cloth.

She saw Daniel hovering over her in his simple peasant's clothes...but then, a moment later, he was bare-chested, with long blond hair...and suddenly he wore a knight's helmet, whose visor he lifted to kiss her lips...but before he did,he shifted into his present self, the Daniel she'd left in her parents' backyard in Thunderbolt when she stepped through into time. This was the Daniel, she realized, she'd been looking for all along. She reached for him,she called his name, but then he changed again. And again. She saw more Daniels than she'd ever thought possible,each one more gorgeous than the last.They folded into each other like a vast accordion, each image of him tilting and altering in the light of the sky behind him.The cut of his nose,the line of his jawbone, the tone of his skin,the shape of his lips, all whirled in and out of focus,morphing all the time. Everything changed except his eyes. His violet eyes always stayed the same. They haunted her,hiding something terrible,something she didn't understand. Something she didn't want to understand. Fear? In the visions,the terror in Daniel's eyes was so intense Luce actually wanted to look away from their beauty. What could someone as powerful as Daniel fear? There was only one thing: Luce's dying. She was experiencing a montage of her death over and over and over again. This was what Daniel's eyes looked like, throughout time,just before her life went up in flames. She had seen this fear in him before.She hated it because it always meant their time was over.She saw it now in every one of his faces. The fear flashed from infinite times and places. Suddenly,she knew there was more: He wasn't afraid for her,not because she was walking into the darkness of another death.He didn't fear that it might cause her pain. Daniel was afraid of her. "Lu Xin!" his voice cried out to her from the battlefield. She could see him through the haze of visions.He was the only thing coming in clearly-because everything else around her was lit up startingly white.Everything inside her was,too.Was her love of Daniel burning her up? Was it her own passion,not his,that destroyed her every time? "No!" His hand reached out for hers. But it was too late.

For primordial man Revelation and intellection coincided: contingency was still transparent so that there were as yet neither “points of view” nor "perspectives”; whereas in later times Revelation is multiple because geometrically speaking the circumference implies many radii, the “point of view” of primordial man corresponded to the entire circle; the center was everywhere. In the same way the unavoidably limiting aspect of expressions, forms, or symbols did not yet imprison minds; there was therefore no place for a diversity of forms, each expressing the same Truth in the name of the impersonal Self while excluding each other in the name of this or that particular manifestation of the personal God. Now that these diverse manifestations exist, what matters is knowing that intrinsically they speak in an absolute mode since it is the Absolute which is speaking, but that extrinsically they are clothed in the language of a particular mental coloring and a particular system of contingencies since they are addressed to man; now the man to whom they are addressed in this manner is already cut off from the inward Revelation that is direct and “supernaturally natural” intellection.

It was also then that the women of Ak&‌ccedil;ah started a new custom. Underneath their garments they wrapped cloth bands around their waists to squeeze them tight. They were so awed by Zekiye's thin waist that, for a while, they ignored Atiye when she reminded them that this waist-thinning method wouldn't work unless they had started very young. But the women kept their waistbands on until the sheep-mating season to see what would happeend. Then they all began to wheeze. They found that in their zeal for having thin waists they had afflicted themselves with shortness of breath, coughing, flushes and sweating. A few had sores on their hands, faces and other parts of their bodies. Three women had problems with their eyes and speech. And when their waists started to swell up like logs, they all took off the cloth bands. "We're well past the age of waist-thinning," they said. All the same, they considered it their duty as mothers to raise their daughters to be as slender as Zekiye. They took lessons in the art of waist-thinning from Atiye and soon discovered that plastic bags were more effective than cloth bands. Thereafter, whenever they had girl babies, they would wash them with three bowls of water as soon as the umbilical cord was cut and then wrap plastic bags around their waists, blowing prayers on them all the while.

Despite her grave concern over her uncle, Elizabeth chuckled inwardly as she introduced Duncan. Everyone exhibited the same stunned reaction she had when she’d discovered Ian Thornton’s uncle was a cleric. Her uncle gaped, Alex stared, and the dowager duchess glowered at Ian in disbelief as Duncan politely bent over her hand. “Am I to understand, Kensington,” she demanded of Ian, “that you are related to a man of the cloth?” Ian’s reply was a mocking bow and a sardonic lift of his brows, but Duncan, who was desperate to put a light face on things, tried ineffectually to joke about it. “The news always has a peculiar effect on people,” he told her. “One needn’t think too hard to discover why,” she replied gruffly. Ian opened his mouth to give the outrageous harridan a richly deserved setdown, but Julius Cameron’s presence was worrying him; a moment later it was infuriating him as the man strode to the center of the room and said in a bluff voice, “Now that we’re all together, there’s no reason to dissemble. Bentner, being champagne. Elizabeth, congratulations. I trust you’ll conduct yourself properly as a wife and not spend the man out of what money he has left.” In the deafening silence no one moved, except it seemed to Elizabeth that the entire room was beginning to move. “What?” she breathed finally. “You’re betrothed.” Anger rose up like flames licking inside her, spreading up her limbs. “Really?” she said in a voice of deadly calm, thinking of Sir Francis and John Marchman. “To whom?” To her disbelief, Uncle Julius turned expectantly to Ian, who was looking at him with murder in his eyes. “To me,” he clipped, his icy gaze still on her uncle. “It’s final,” Julius warned her, and then, because he assumed she’d be as pleased as he to discover she had monetary value, he added, “He paid a fortune for the privilege. I didn’t have to give him a shilling.” Elizabeth, who had no idea the two men had ever met before, looked at Ian in wild confusion and mounting anger. “What does he mean?” she demanded in a strangled whisper. “He means,” Ian began tautly, unable to believe all his romantic plans were being demolished, “we are betrothed. The papers have been signed.” “Why, you-you arrogant, overbearing”-She choked back the tears that were cutting off her voice-“you couldn’t even be bothered to ask me?” Dragging his gaze from his prey with an effort, Ian turned to Elizabeth, and his heart wrenched at the way she was looking at him. “Why don’t we go somewhere private where we can discuss this?” he said gently, walking forward and taking her elbow. She twisted free, scorched by his touch. “Oh, no!” she exploded, her body shaking with wrath. “Why guard my sensibilities now? You’ve made a laughingstock of me since the day I set eyes on you. Why stop now?

Under the spell of moonlight, music, flowers, or the cut and smell of good tweeds, I sometimes feel the divine urge for an hour, a day or maybe a week. Then it is gone and my interest returns to corn pone and mustard greens, or rubbing a paragraph with a soft cloth. Then my ex-sharer of a mood calls up in a fevered voice and reminds me of every silly thing I said, and eggs me on to say them all over again. It is the third presentation of turkey hash after Christmas. It is asking me to be a seven-sided liar. Accuses me of being faithless and inconsistent if I don’t. There is no inconsistency there. I was sincere for the moment in which I said the things. It is strictly a matter of time. It was true for the moment, but the next day or the next week, is not that moment. No two moments are any more alike than two snowflakes. Like snowflakes, they get that same look from being so plentiful and falling so close together. But examine them closely and see the multiple differences between them. Each moment has its own task and capacity; doesn’t melt down like snow and form again. It keeps its character forever. So the great difficulty lies in trying to transpose last night’s moment to a day which has no knowledge of it. That look, that tender touch, was issued by the mint of the richest of all kingdoms. That same expression of today is utter counterfeit, or at best the wildest of inflation. What could be more zestless than passing out canceled checks?

What else do you want to know?’ he asked. Possessed by morbid curiosity, her eyes darted to the scar that cut just over his ear. She’d found it shortly after they met, while he lay unconscious in the grass. He didn’t need to ask what had caught her attention. ‘I got that in a fight against imperial soldiers. Ask me why.’ She shook her head, unable to bring herself to do it. The cocoon of warmth that had enveloped the entire afternoon unwound itself in an instant. ‘Are you having second thoughts about being here with me?’ He planted a hand into the grass, edging closer. ‘No. I trust you.’ He was giving her all the time in the world to shove him away, to rise, to flee. Her heartbeat quickened as she watched him. Moving ever so slowly, he braced an arm on either side of her, his fingers sinking into the moss. ‘I asked you to come with me.’ Despite her words, she dug her heels into the ground and inched backwards. ‘I feel safe with you.’ ‘I can see that.’ He affected a lazy smile as she retreated until her back pressed against the knotted roots that crawled along the ground. His boldness was so unexpected, so exciting. She held her breath and waited. Her pulse jumped when he reached for her. She’d been imagining this moment ever since their first duel and wondering whether it would take another swordfight for him to come near her again. His fingers curled gently against the back of her neck, giving her one last chance to escape. Then he lowered his mouth and kissed her. It was as natural as breathing to wrap his arms around her and lower her to the ground. He settled his weight against her hips. The perfume of her skin mixed with the damp scent of the moss beneath them. At some point, her sense of propriety would win over. Until then he let his body flood with raw desire. It felt good to kiss her the way he wanted to. It felt damn good. He slipped his tongue past her lips to where she was warm and smooth and inviting. Her hands clutched at his shirt as she returned his kiss. A muted sound escaped from her throat. He swallowed her cry, using his hands to circle her wrists: rough enough to make her breath catch, gentle enough to have her opening her knees, cradling his hips with her long legs. He stroked himself against her, already hard beyond belief. He groaned when she responded, instinctively pressing closer. ‘I need to see you,’ he said. The sash around her waist fell aside in two urgent tugs while his other hand stole beneath her tunic. She gasped when his fingers brushed the swath of cloth at her breasts. The faint, helpless sound nearly lifted him out of the haze of desire. He didn’t want to think too hard about this. Not yet. He felt for the edge of the binding. ‘In back.’ She spoke in barely a whisper, a sigh on his soul. She peered up at him, her face in shadow as he parted her tunic. She watched him in much the same way she had when they had first met: curious, fearless, her eyes a swirl of green and gold. He pulled at the tight cloth until Ailey’s warm, feminine flesh swelled into his hands. He soothed his palms over the cruel welts left by the bindings. She bit down against her lip as blood rushed back into the tortured flesh. With great care, he stroked her nipples, teasing them until they grew tight beneath his roughened fingertips. God’s breath. Perfect. He wanted his mouth on her and still it wouldn’t be enough. Her heart beat out a chaotic rhythm. His own echoed the same restless pulse. ‘I knew it would be like this.’ His words came out hoarse with passion. At that moment he’d have given his soul to have her. But somewhere in his thick skull, he knew he had a beautiful, vulnerable girl who trusted him pressed against the bare earth. He sensed the hitch in her breathing and how her fingers dug nervously into his shoulders, even as her hips arched into him. He ran his thumb gently over the reddened mark that ran just below her collarbone and felt her shiver beneath him.

When Kestrel opened her eyes, she was lying in her bed. Someone had built a fire, which sent ripples of orange light over the ceiling. An oil lamp burned on the night table, casting her father’s face into extremes of shadow and bone. He had drawn a chair close and perhaps had been sleeping in it, but his eyes were alert. “Your knee needs to be tapped,” he said. She looked at it. Someone--her father?--had cut away the right legging at her thigh, and below the sheared black cloth her knee was swollen to twice its normal size. It felt tight and hot. “I don’t know what that means,” Kestrel said, “but it doesn’t sound very nice.” “Irex dislocated your kneecap. It slipped back into place, but the blow must have torn your muscle. Your knee’s filling with blood. That’s what’s causing you so much pain: the swelling.” He hesitated. “I have some experience with this kind of wound, on the battlefield. I can drain it. You’ll feel better. But I would have to use a knife.” Kestrel remembered him cutting her mother’s arm, blood weaving through his fingers as he tried to close the wound. He looked at her now, and she thought that he was seeing the same thing, or seeing Kestrel remember it, and that they were mirroring each other’s nightmare. His gaze fell to his scarred hands. “I’ve sent for a doctor. You can wait until she comes, if you prefer.” His voice was flat, yet there was a small, sad note that probably only she would have heard. “I wouldn’t suggest this if I didn’t feel myself capable and if I didn’t think it would be better to do it now. But it’s your choice.” His eyes met hers. Something in them made her think that he would never have let Irex kill her, that he would have pushed into the ring and planted a blade in Irex’s back if he had thought his daughter might die, that he would have thrown away his honor with hers. Of course, Kestrel couldn’t be sure. Yet she nodded. He sent a slave for clean rags, which he eased under her knee. Then he went to the fire and held a small knife in the flames to sterilize it. He returned to her side, the blackened knife in his hand. “I promise,” he said, but Kestrel didn’t know whether he meant to say that he promised this would help her, or that he knew what he was doing, or that he would have saved her from Irex if she had needed saving. He slid the knife in, and she fainted again.

#1 of 2 Leah munched another chip as she watched a couple on-screen race madly away from men with guns who were intent on killing them. She and Seth sat shoulder to shoulder on the sofa, both slumped down until they were practically lying on their backs. Seth had pulled the matching ottoman up against the sofa, so it really did feel as if they were lying in bed together, watching a movie. She slid him a covert glance. He had donned black cargo pants and a black T-shirt after his shower but had left his big feet bare. He had also left his hair loose. It now spilled over the back of the sofa in a glossy curtain, the thick wavy tresses still drying. He chuckled at something the male protagonist said. Leah smiled. She loved seeing him laugh. She didn’t think he did so as often as he should. Every once in a while, she noticed his gaze would slide to her legs. Her feet were propped on the ottoman close to his. The robe she had borrowed had parted just above her knees and fallen back, leaving most of her legs bare. And that pale flesh repeatedly drew Seth’s attention. She held the bag of chips out to him. Smiling, unaware that the faint golden light of desire illuminated his eyes, he poked his hand in and drew out a couple of chips. She smiled back, then returned her attention to the screen. The protagonists had at last made it to safety. They checked each other over for wounds, something both had miraculously escaped incurring in true Hollywood fashion. Then they fell into each other’s arms, finally giving in to the lust that had sparked between them ever since their first contentious meeting. Leah sighed as she watched them peel each other’s clothes off with eager hands. It made her want to do the same with Seth. Her body even began to respond as her imagination kicked in. “I miss sex.” The words were out of her mouth before she could question the wisdom of speaking them. “I do, too,” Seth confessed. She glanced over at him and found his eyes glued to the screen. More so since I met you. Her eyes widened when his voice sounded in her head. “Really?” “Yes.” The actors on-screen fell naked onto the bed and began to simulate sex, their moans and groans and cries of passion filling the room. “It’s natural to miss it,” he said matter-of-factly. “Nothing to feel guilty about.” “No. I mean, you really miss it more since you met me?” He froze. A look of dismay crossed his features as he cut her a glance. “I said that out loud?” “No. I heard it in my head.” Sh**. She grinned. “I heard that, too.” F**k.

But Ford’s experiment in paying a livable wage worked. He later described the pay hike as the best cost-cutting move he ever made. Turnover shrank, slashing training costs, and absenteeism decreased as productivity increased—the expectation from managers was that the increased wages deserved increased speed on the line. Wall Street investors and fellow automakers initially excoriated Ford for his wage scheme, but other carmakers eventually followed suit, propelled by Ford’s massive leaps in production while reducing his per-unit costs. A Model T that cost $850 in 1908, on par with cars sold by the new Cadillac company, dropped to $290 by 1920, helping make Ford one of the world’s wealthiest men. And the high wages made Detroit a magnet. Nondecennial surveys by the Census Bureau chart the impact. In 1909, Detroit had 81,000 wage earners who made $43 million working for 2,036 establishments that cranked out $253 million worth of products. In 1914, after Ford’s $5 day began, the same number of establishments employed nearly 100,000 people who made $69 million while producing $400 million worth of goods. In 1919, with World War I raging and the $5 day in full force across the automotive industry, 2,176 establishments were employing 167,000 people, who made $245 million as they produced $1.2 billion worth of goods. In short, the ranks of industrial workers more than doubled, and their wages and the value of the products they made nearly quintupled. Detroit’s ancillary businesses, from clothing stores to restaurants, thrived.

Sam’s smile was all innocent, his cornflower-blue eyes guileless as those of a newborn foal. “Nice night?” She scowled, narrowing her gaze. “You don’t fool me.” “I don’t know what you’re referring to.” His lips quirked as though he was trying not to laugh. She waved a hand over him. “Your choirboy act.” Now he chuckled outright. “Honey, I’m about as much a choirboy as you are a good girl.” Heat flooded her cheeks, and she distracted herself by taking a sip of coffee. When she was more composed, she said, “You and your sister are cut from the same cloth.” “I’m the more subtle of the two.” “More devious,” she muttered under her breath. “That’s another word.” Sam grinned. “And shameless.” “I’ve never seen the point in shame,” Sam said, and pointed to her. “You’ve got mud in your hair.” She

I knew the Tam were already a success by the greeting I got. The women in their canoes in the middle of the lake called out loud hellos that I heard over my engine, and a few men and children came down to the beach and gave me big floppy Tam waves. A noticeable shift from the chary welcome we’d received six weeks earlier. I cut the engine and several men came and pulled the boat to shore, and without my having to say a word two swaybacked young lads with something that looked like red berries woven in their curled hair led me up a path and down a road, past a spirit house with an enormous carved face over the entryway—a lean and angry fellow with three thick bones through his nose and a wide open mouth with many sharp teeth and a snake’s head for a tongue. It was much more skilled than the Kiona’s rudimentary depictions, the lines cleaner, the colors—red, black, green, and white—far more vivid and glossy, as if the paint were still wet. We passed several of these ceremonial houses and from the doorways men called down to my guides and they called back. They took me in one direction then, as if I wouldn’t notice, turned me around and doubled back down the same road past the same houses, the lake once again in full view. Just when I thought their only plan was to parade me round town all day, they turned a corner and stopped before a large house, freshly built, with a sort of portico in front and blue-and-white cloth curtains hanging in the windows and doorway. I laughed out loud at this English tea shop encircled by pampas grass in the middle of the Territories. A few pigs were digging around the base of the ladder. From below I heard footsteps creaking the new floor. The cloth at the windows and doors puffed in and out from the movement within. ‘Hallo the house!’ I’d heard this in an American frontier film once. I waited for someone to emerge but no one did, so I climbed up and stood on the narrow porch and knocked on one of the posts. The sound was absorbed by the voices inside, quiet, nearly whispery, but insistent, like the drone of a circling aeroplane. I stepped closer and pulled the curtain aside a few inches. I was struck first by the heat, then the smell. There were at least thirty Tam in the front room, on the floor or perched oddly on chairs, in little groups or even alone, everyone with a project in front of them. Many were children and adolescents, but

....Oh, what???.... Can you repeat... okay... I will say I'm against every your though (What can yo do about that?) (Oh, oh you poor little kid, oh, oh you poor little man you can't do anything here is the story)...Once upon a time there was two women and one man,... they weren't let to go outside... they both were married to the same man... it was said to them "If They go outside they won't come back", but the truth was who goes outside he will be slaughtered, every finger one by one will be cutted, then little pushing inside a knife in the body, a lot of blood goes outside in the same time the other woman also get punished if the one get's. She is punished to drink the other woman blood, when this process is going again and again the man removes the clothes and he start jerk off on their faces..., (Yeah I know you will try to kill him, but you can't), you are bound with metal and rope handcuffs your legs and your arms. On your head you have a mask, if you move it detectes and it explodes when it explodes your face goes ugly from ugly you goes disable you are dead because this mask kills the brain... The other woman is next to a trap which detectes if she goes out of one zone, it goes like this if there is so much pressure it won't happen this, but if there isn't it goes very bad... The man is above few meters and he jerkoff on their faces and he does what he wants... and so on and so on... YOu can't change it, once you are the killer (Very bad for you, ...man), once you are the victim wow that's very bad I few awful if I was a victim somebody will jerk off on my face and I'm not a gay....! If this happen remind me to kill my self, I can't live with the thought that I'm a gay...

Brötchen There’s nothing more German than this recipe. A staple for all true Schmidt bakers. These are best hot out of the oven with butter or cherry jam. That’s the way Mom did it. Here, I’ll give you Oma’s cherry jam recipe too. 2½ to 3 cups all-purpose flour 1 packet active dry yeast (rapid) 1 teaspoon sugar 1 cup warm water 1 tablespoon oil 1 teaspoon salt 1 egg white Put 2½ cups flour into a large bowl and make a well in the middle. Pour yeast, sugar, and two tablespoons of warm water (the water comes from the 1 cup) into the well. Mix yeast, sugar, and water in the well, but don’t mix in the flour yet. Cover the bowl with a cloth and set it in a warm place for 15 minutes until it proofs. Add the rest of the water and oil, and beat in the salt and flour good. Turn out the dough on a floured wooden board, and knead. Add the remaining ½ cup flour as needed to make it smooth. Put dough in a greased bowl, cover, and let it rise until it doubles in size. About an hour in that same warm spot. Punch down, then split it into 12 pieces. Shape into rolls and place 3 inches apart on a greased and floured baking tray. Cover and let rise one more time until they double again. Cut a cross on top of each. Beat egg white and 1 teaspoon water with a fork until frothy and brush the rolls. (Oh, I forgot—should have preheated the oven to 450°F already.) Then you bake for 15 to 20 minutes until the tops are golden.

They are all cut from the same cloth, so of course, the sleeve will not tell the collar it is not part of the garment.

To the sheep, the sheepdog looks like a wolf. They have fangs and a tendency to be violent, like the wolf. In many ways, the sheepdog and the wolf are cut from the same cloth. They have one significant difference, though: The sheepdog loves the sheep and could never use its gift of strength and violence against them.

Honus took out his healing kit, and set a pot of water to boil. “When the water’s ready,” he said, “I’ll tend your wound.”   Yim touched the cut on her chin. “Is it bad?”   Honus peered at it in the firelight. “No, but you’ll have a scar.”   Yim smiled wryly. “I’m catching up with your collection.”   “I’m keeping apace with you,” replied Honus.   For the first time, Yim noticed that Honus’s shirtsleeve was torn and blood-soaked. She gasped. “Honus! Why didn’t you tell me you were hurt?”   “I didn’t wish to trouble you. Besides, it’s not deep.” He rolled up his right sleeve to reveal a bloody gash on his forearm.   When the water boiled, Honus poured some into a wooden bowl and added powder from a vial in his healing kit. After cleaning the blood from Yim’s face, he wetted a cloth with the solution in the bowl. “This will sting,” he said.   “I remember,” replied Yim. She winced as the solution foamed inside her cut. Glimpsing the concern in Honus’s eyes, she tried to hide her pain. She took a deep breath and said, “I’m glad that’s over.”   Honus cleaned the gash on his arm with the same solution, then asked, “Would you stitch my wound closed? I’d rather not do it left-handed.”   “I’ll try,” said Yim, “but I’ve never done the like before.”   “It’s not hard, and I’m certain your dainty fingers will do finer work than Theodus’s thick ones ever managed.”   “Before you malign his stitching, you should compare it to mine,” said Yim. “As a girl, I was more adept with goats than needlework.”   “Then pretend I’m a goat.”   Honus took out a curved needle and a strand of gut from his kit and dipped them in the cleansin g solution. He declined Yim’s suggestion to prepare a brew for his pain, stating he wanted to stay alert. When Yim nervously sewed his wound, he was absolutely stoic. He guided her stitching calmly, tensing only slightly each time the needle pierced his flesh. The only evidence of his pain was the deep breath he took when Yim was done. Honus gazed at his stitches and smiled. “You underestimate your skill.”   “I’m glad you’re so easily pleased,” Yim replied. “The woman who raised me would’ve made me tear out the seam and restitch it.”   Honus winced. “Let’s talk of food, instead,” he said quickly. “Perhaps this would be a good night to have that cheese we were saving.”   “To celebrate our new scars?’   “To celebrate we’re both alive.

Be good to everyone who becomes attached to us; cherish every friend who is by our side; 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 love everyone who walks into our life.It must be fate to get acquainted in a huge crowd of people... 비닉스구입,비닉스구매,비닉스판매,비닉스가격,비닉스파는곳,비닉스팝니다,비닉스구입방법,비닉스구매방법,비닉스복용법 I feel, the love that Osho talks about, maybe is a kind of pure love beyond the mundane world, which is full of divinity and caritas, and overflows with Buddhist allegorical words and gestures, 아무런 말없이 한번만 찾아주신다면 뒤로는 계속 단골될 그런 자신 있습니다.저희쪽 서비스가 아니라 제품에대해서 자신있다는겁니다 팔팔정,구구정,네노마정,프릴리지,비맥스,비그알엑스,엠빅스,비닉스,센트립 등 많은 제품 취급합니다 확실한 제품만 취급하는곳이라 언제든 연락주세요 Zombie stories are life lessons for boys who don't mind thinking about bodies, but can't cope with emotions. Vampire stories are in many ways sex for the squeamish. We don't need Raj Persaud to tell us that plunging canines into soft warm necks, or driving stakes between heaving bosoms, are very basic sexual metaphors. 비아그라파는곳,시알리스파는곳,레비트라파는곳,엠빅스파는곳,센트립파는곳,센돔파는곳,카마그라젤파는곳,남성정력제파는곳,네노마정파는곳 There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls – every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.

Being the richest man in the cemetery doesn't matter to me ... Going to bed at night saying we've done something wonderful... that's what matters to me. 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 불개미구입,불개미구매,불개미판매,불개미파는곳,불개미가격,불개미구입방법,불개미구매방법,불개미구입사이트,불개미구매사이트,불개미판매사이트 비아그라팝니다,시알리스팝니다,레비트라팝니다,구구정팝니다,팔팔정팝니다,네노마정팝니다 I want to put a ding in the universe. Quality is more important than quantity. One home run is better than two doubles. Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Zombie stories are life lessons for boys who don't mind thinking about bodies, but can't cope with emotions. Vampire stories are in many ways sex for the squeamish. We don't need Raj Persaud to tell us that plunging canines into soft warm necks, or driving stakes between heaving bosoms, are very basic sexual metaphors. There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel.

Your negative emotions can also be controlled and directed. PMA and self-discipline can remove their harmful effects and make them serve constructive purposes. Sometimes fear and anger will inspire intense action. But you must always submit your negative emotions--and you positive ones--to the examination of your reason before releasing them. Emotion without reason is a dreadful enemy. 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 팔팔정판매,팔팔정파는곳,팔팔정가격,팔팔정후기,팔팔정구입방법,팔팔정복용법,팔팔정부작용,팔팔정구입사이트,팔팔정구매사이트,팔팔정판매사이트 구구정가격,비아그라가격,시알리스가격,레비트라가격,아드레닌가격,센돔가격,비닉스가격,센트립가격 What faculty provides the crucial balance between emotions and reason? It is your willpower, or ego, a subject which will be explored in more detail below. Self-discipline will teach you to throw your willpower behind either reason or emotion and amplify the intensity of their expression. There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls – every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.

Our current preoccupation with zombies and vampires is easy to explain. They're two sides of the same coin, addressing our fascination with sex, death and food. They're both undead, they both feed on us, they both pass on some kind of plague and they can both be killed with specialist techniques – a stake through the heart or a disembraining. But they seem to have become polarised. Vampires are the undead of choice for girls, and zombies for boys. Vampires are cool, aloof, beautiful, brooding creatures of the night. Typical moody teenage boys, basically. Zombies are dumb, brutal, ugly and mindlessly violent. Which makes them also like typical teenage boys, I suppose. 카톡►ppt33◄ 〓 라인►pxp32◄ 홈피는 친추로 연락주세요 발기부족으로 삽입시 조루증상 그리고 여성분 오르가즘늦기지 못한다 또한 페니션이 작다고 느끼는분들 이쪽으로 보세요 팔팔정,구구정,비닉스,센트립,네노마정,프릴리지,비맥스,비그알엑스 등 아주 많은 좋은제품들 취급하고 단골님 모시고 있는곳입니다.원하실경우 언제든 연락주세요 Zombie stories are life lessons for boys who don't mind thinking about bodies, but can't cope with emotions. Vampire stories are in many ways sex for the squeamish. We don't need Raj Persaud to tell us that plunging canines into soft warm necks, or driving stakes between heaving bosoms, are very basic sexual metaphors. There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls – every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.

How is Prudence?” she heard him ask. It hurt to hear the note of wary longing in his voice. “Quite well, I believe. She’s in London for the season.” Beatrix hesitated before adding carefully, “We are still friends, but perhaps not as fond of each other as we once were.” “Why?” His gaze was alert now. Clearly any mention of Prudence earned his close attention. Because of you, Beatrix thought, and managed a faint, wry smile. “It seems we have different interests.” I’m interested in you, and she’s interested in your inheritance. “You’re hardly cut from the same cloth.” Hearing the sardonic note in his voice, Beatrix tilted her head and regarded him curiously. “I don’t take your meaning.” He hesitated. “I only meant that Miss Mercer is conventional. And you’re…not.” His tone was seasoned with the merest hint of condescension…but there was no mistaking it. Abruptly all the feelings of compassion and tenderness disappeared as Beatrix realized that Christopher Phelan had not changed in one regard: he still didn’t like her. “I would never want to be a conventional person,” she said. “They’re usually dull and superficial.” It seemed he took that as a slight against Prudence. “As compared to people who bring garden pests to picnics? No one could accuse you of being dull, Miss Hathaway.” Beatrix felt the blood drain from her face. He had insulted her. The realization made her numb. “You may insult me,” she said, half amazed that she could still speak. “But leave my hedgehog alone.

You’re hardly cut from the same cloth.” Hearing the sardonic note in his voice, Beatrix tilted her head and regarded him curiously. “I don’t take your meaning.” He hesitated. “I only meant that Miss Mercer is conventional. And you’re…not.” His tone was seasoned with the merest hint of condescension…but there was no mistaking it. Abruptly all the feelings of compassion and tenderness disappeared as Beatrix realized that Christopher Phelan had not changed in one regard: he still didn’t like her. “I would never want to be a conventional person,” she said. “They’re usually dull and superficial.” It seemed he took that as a slight against Prudence. “As compared to people who bring garden pests to picnics? No one could accuse you of being dull, Miss Hathaway.” Beatrix felt the blood drain from her face. He had insulted her. The realization made her numb. “You may insult me,” she said, half amazed that she could still speak. “But leave my hedgehog alone.

How is Prudence?” she heard him ask. It hurt to hear the note of wary longing in his voice. “Quite well, I believe. She’s in London for the season.” Beatrix hesitated before adding carefully, “We are still friends, but perhaps not as fond of each other as we once were.” “Why?” His gaze was alert now. Clearly any mention of Prudence earned his close attention. Because of you, Beatrix thought, and managed a faint, wry smile. “It seems we have different interests.” I’m interested in you, and she’s interested in your inheritance. “You’re hardly cut from the same cloth.” Hearing the sardonic note in his voice, Beatrix tilted her head and regarded him curiously. “I don’t take your meaning.” He hesitated. “I only meant that Miss Mercer is conventional. And you’re…not.” His tone was seasoned with the merest hint of condescension…but there was no mistaking it. Abruptly all the feelings of compassion and tenderness disappeared as Beatrix realized that Christopher Phelan had not changed in one regard: he still didn’t like her. “I would never want to be a conventional person,” she said. “They’re usually dull and superficial.” It seemed he took that as a slight against Prudence. “As compared to people who bring garden pests to picnics? No one could accuse you of being dull, Miss Hathaway.” Beatrix felt the blood drain from her face. He had insulted her. The realization made her numb. “You may insult me,” she said, half amazed that she could still speak. “But leave my hedgehog alone.” Whirling around, she walked away from him in long, digging strides. Albert whimpered and began to follow, which forced Christopher to call him back. Beatrix didn’t glance over her shoulder, only plowed forward. Bad enough to love a man who didn’t love her. But it was exceptionally worse to love a man who actively disliked her. Ridiculously, she wished she could write to her Christopher about the stranger she had just met. He was so contemptuous, she would write. He dismissed me as someone who didn’t deserve a modicum of respect. Clearly he thinks I’m wild and more than a little mad. And the worst part is that he’s probably right. It crossed her mind that this was why she preferred the company of animals to people. Animals weren’t deceitful. They didn’t give one conflicting impressions of who they were. And one was never tempted to hope that an animal might change its nature.

She’s a tough one, Hermes,” he murmured to his lead horse, a giant black Shire that stood over seventeen hands, “but I think she’ll be worth the trouble.” He patted the beast’s neck, his gaze searching out Lewis to make sure the boy was keeping out of trouble. “Ma would like her, don’t you think? Seeing as how they’re cut from the same cloth. Smart, hardworking ladies, dedicated to their boys. Tori would fit right in at family dinners.” Helios,

As she left the wagons far behind, she felt more alone than she ever had in her life. Moonlight bathed the flats. Loretta turned in a slow circle but saw no one. If Hunter was out here, why didn’t he show himself? The call of the coyote trailed skyward again. Loretta whirled toward the sound and ran toward the rise. As she crested the slope, Hunter loomed up out of the shadows, tall and dark, his hair drifting in the wind. His upper chest and shoulder were crisscrossed with torn strips of cloth. Calico and muslin. Slowing her footsteps, she walked toward him a ways, then stopped. Did he even want her as his woman now? So much had happened since they last saw each other. So much pain and grief. His face was in shadow, so she could read nothing in his expression. When Loretta drew to a halt several feet away from him, Hunter’s heart skipped a beat, then started racing. Peering at her through the silvery darkness, he saw a tosi woman in tosi clothing, her pale skin and golden hair illuminated by the light of the Comanche moon. Just as the prophecy had foretold, they stood on a high place, she on the land of the tosi tivo, while he, Comanche to his bones, stood on the land of the People. A great distance divided them, a distance much harder to bridge than the few feet between them. Hunter ached with things he longed to say, but none of them seemed enough. He realized then that the great canyon filled with blood wasn’t a chasm in the earth but one in their hearts. There was an ache in Loretta’s eyes that cut clear through him. He knew the same ache was in his own. His father, Maiden of the Tall Grass, her parents. So many were lost to them. “Are you all right?” she asked. Hunter was weak from loss of blood. His shoulder felt as if it had a red-hot coal buried in it. “I am well. You came, yes? There is much we must talk about.

But in Jim O'Casey there had been a wariness, a quiet anger, and she had seen herself in him, had said to him once, We're both cut from the same piece of bad cloth. He had just watched her, eating his apple.

Abrams voice cut in over the comm. “My God, this place is breath-taking!” “It is a palace for the gods,” added Brock. The group stood gawking at the magnificence of the hall surrounding them. Delanda went to the table, placed her helmet and pack on it, and began pulling tablets, scanners, and other accessories out. She wrestled off her gloves, but had trouble with the suit torso so Wilson had to intervene and help. Without a thought to the revealing fit of the white stretch suit liner, she escaped the spacesuit bottom and placed it on the table. Then, with still no self-consciousness at all, she stripped the suit liner off down to athletic bra and slim panties and pulled her pink, rolled up vacuum-packed flight coveralls and cloth boots from the suit pack. After excitedly dressing, she hurriedly grabbed a scanner from her pack and began investigating the hall. Show over, one by one we all removed our suits and became visitors in white suit liners. Wilson gave his fatherly warning. “Everyone be very careful removing and folding those liners. If you tear or damage the thermal control system in any way you could have an unpleasant trip back to the ship. Also, be careful to tuck in your suit communicator since we’ll all be using wrist coms from now on. That is if they actually work here.” Delanda ignored his comments and headed for the far end of the hall. Wilson pulled on black coveralls, R.J.’s were farmhouse blue, Brock and Wen light green, Abrams in hospital scrubs green, and Sharma’s and Ansara’s in tan. Mine were captain’s blue. As we studied our celestial surroundings, Delanda returned and spoke in a commanding voice. “Gentlemen, if you would grab your tablets and gather around me here at this magnificent table we should get started.” For the first time there was a unanimous look of annoyance, although everyone quickly complied. R.J. and I stood opposite her feeling like two school kids being ushered around on a field trip. Delanda checked to be sure everyone was paying attention. “Okay, I’m assuming our intranet will work in here even though we’re out of contact with the ship. Let’s try it. All of you use your tablets to access mine and copy the file titled: Translations. Let me know if anyone has trouble.” Delanda’s tablet appeared on our screens. As she had guessed, there were no problems getting in. Once copied, I opened the file and found dozens of Altair symbols, some highlighted, most grayed-out. “Okay, everyone got in? Right? Okay, the symbols you see highlighted are the ones I believe I have a rudimentary translation for. Those that are in gray, your guess is as good as mine.” “How do you propose we proceed?” asked Brock. “Speaking as an experienced field researcher, I would suggest one of us photographs and documents this first chamber thoroughly while the rest of us split up and do the same with other chambers, periodically reporting back here after each excursion. We should have one central person remain here to monitor the progress of everyone in the event they get into trouble. I would think that would be you, Commander Mirtos, since you are the best at rescue. Does anyone have any objections?” R.J. leaned over. “I believe this is a non-hostile takeover. Are you going to step in?” “Not until she says something I disagree with.” Delanda continued. “So, if no one has any objections the first order of business will be to photograph every wall symbol we find along with any artifacts possibly associated

It seemed stupid that I had stayed in the cold stone room, knowing that as soon as the new day had crested, I was no longer in the Inquisitor’s service and no longer had to follow his orders. I finished eating and opened the package, revealing the complicated sections of leather pieces that somehow made up an outfit. Some of the sections were hardened with inlaid metal, a tarnished golden colour peeking through the stitching. I finally discerned something resembling the usual bodysuits worn beneath sectorian women’s clothing, though this one was different. It was thick brown leather, a silk underlining hidden on the inside. It moulded tightly to the body, two ovals cut into the sides, exposing the hips and the sides of the stomach and back. Some sort of covering fit over the top of the bodysuit, ending a few inches above the waist. The metal-inlaid patterns curved around the front of my chest and the top of my spine, connected with brown, buckled straps along my sides. A belted skirt slid over the hips, the belt pulling along the cut of the bodysuit, above my hips, another band looping around my hips. The skirt had two short layers. Yet another section of the outfit fit over my shoulders, metallic glimpses peering out from the leather that cupped my shoulders, attaching to the upper chest armour with straps. Another set of wraps covered my wrists and forearms, and I was glad to see the Inquisitor’s mark and the Spider’s mark disappearing from view. I was able to re-wear the same footwear, as there were also knee and thigh wraps in the same boiled brown leather that complemented the knee-high boots. The outfit was clearly some kind of warrior’s uniform. The Vold—and the Sentinels in particular—often wore revealing, scant clothing to show off their impressive physiques. With Calder’s cloak still on the ground, I could see half of his bare back above the golden armour that wrapped his torso. The muscles bunched and stretched as he pulled his forearm up for investigation. He had clearly stitched and re-dressed his wound after my dismal attempt at caring for it the night before. Despite my outfit showing so much skin, it was by far the heaviest thing I had ever worn, and I started to truly appreciate how quickly and silently Calder moved, weighed down as he must have been by so much armour. I tugged my hair over my shoulders, arranging the strands so that they might hide my face better. There was a lump in my throat when I stuffed everything back into my pack and muttered, “Done.

We may be cut from the same fucked-up cloth, but we're not shaped the same.

Cops and crooks, in Hong Kong at least, were cut from the same cloth.

Our natural response to reading or hearing about the darker qualities in human nature is to exclude ourselves. It is always the other person who is narcissistic, irrational, envious, grandiose, aggressive, or passive-aggressive. We almost always see ourselves as having the best intentions. If we go astray, it is the fault of circumstances or people forcing us to react negatively. The Laws will make you stop once and for all this Self-deluding process. We are all cut from the same cloth, and we all share the same tendencies. The sooner you realize this, the greater your power will be in overcoming these potential negative traits within you. You will examine your own motives, look at your own shadow, and become aware of your own passive-aggressive tendencies. This will make it that much easier to spot such traits in others.

Nowadays there are jeans in the most varied styles and cuts. What really matters is what kind of look you want and what will suit your frame best. The shape and cut of jeans is called a fit and there are many different fits. There are four main names to note and, luckily, the various fit names are pretty self-explanatory: A snug fit that's snug against the leg and tapers at the ankle. A little stretch is often added to jeans for comfort. Works best with a slim frame. Still tight but not too tight, this cut wraps around the thighs, knees and calves and is less constricting around the ankle. This is a tight cut that is great for a slender to normal figure. Sometimes referred to as Regular, this is a traditional style of denim that is cut straight from the waist to the hem. Some variations can be narrow at the ankle. Fits normal to athletic physique. Nothing better than good jeans for women, right? It is such a versatile fabric that it only improves with age and wear. We owe the French jeans. Denim is a strong and durable material for all women in their old age. Denim made from 100% cotton. Traditionally, so true denim fabrics have different colors on both sides (for true fabric fanatics, if your denim is the same color on both sides , it's actually denim, not denim! ) We recently started stocking denim, you can see our collection here and we stock a wide range of weights and colors. We also have stretch jeans, which are great for clothing brands. When I look at my jeans options in my closet, I see a lot of dark skinny jeans. While I still think this style of denim always has a place in my closet, I really enjoy seeing the more relaxed, lighter washes for spring. I found a great pair of Target straight leg jeans that I wore a few times. You get the right amount of stress without looking overly casual. I like to wear a chic top with pointy heels to balance the casual character with jeans. But they are also a great “weekend”, a pair of blankets that match a shirt and sneakers. Here are some of my favorite straight leg women's jeans, from chic dark ankle-length jeans to more casual washes in lighter colors with a worn look. Mouse over the image and click on the product to buy the items. I wore my jeans many times this spring. I love the wash and texture of the jeans, and they have good stretch too! Navy makes a really nice straight leg jeans and comes in a classic dark wash. The jeans I'm wearing in the photos above are Universal Thread High-Rise Distressed Straight Cropped Jeans. I would never have bought these based on the image on the internet, but personally they are a great cropped option. I have curves and am wearing a size 7. cut my leg in half. These were just the right length and the skyscraper is also a nice addition. They are comfortable and casual, but I would like them to be a little tighter as they are lighter.

I understand she didn't take very good care of Prince Cardan.' I am thinking of the crystal globe in Eldred's rooms and the memory trapped inside. 'It wasn't as though she didn't dress him in velvets or furs; it's that she left them on until they grew ragged. Nor was it that she didn't feed him the most delectable cuts of meat and cake; but she forgot him for long enough that he had to scavenge for food in between. I don't think she loved him, but then I don't think she loved anyone. He was petted and fed wine and adored, then forgotten. But for all that, if he was bad with her, he was worse without her. They are cut from the same cloth.' I shudder, imagining the loneliness of that life, the anger. The desire for love. There is no banquet too abundant for a starving man. 'If you're looking for reasons why he disappointed you,' Oriana says, 'by all accounts, Prince Cardan was a disappointment from the beginning.

Revenge and regret are cut from the same cloth. Both are infectious. Both are cured by forgiveness and forgetting.

Impressionists, Cubists, and Surrealists who had stunned the world between 1870 and 1960 by entirely redefining art. VAN GOGH… SEURAT… PICASSO… MUNCH… MATISSE… MAGRITTE… KLIMT… KANDINSKY… JOHNS… HOCKNEY… GAUGUIN… DUCHAMP… DEGAS… CHAGALL… CÉZANNE… CASSATT… BRAQUE… ARP… ALBERS… This section terminated at one last architectural rib, and Langdon moved past it, finding himself in the final section of the library. The volumes here appeared to be dedicated to the group of artists that Edmond, in Langdon’s presence, liked to call “the school of boring dead white guys”—essentially, anything predating the modernist movement of the mid-nineteenth century. Unlike Edmond, it was here that Langdon felt most at home, surrounded by the Old Masters. VERMEER… VELÁZQUEZ… TITIAN… TINTORETTO… RUBENS… REMBRANDT… RAPHAEL… POUSSIN… MICHELANGELO… LIPPI… GOYA… GIOTTO… GHIRLANDAIO… EL GRECO… DÜRER… DA VINCI… COROT… CARAVAGGIO… BOTTICELLI… BOSCH… The last few feet of the final shelf were dominated by a large glass cabinet, sealed with a heavy lock. Langdon peered through the glass and saw an ancient-looking leather box inside—a protective casing for a massive antique book. The text on the outside of the box was barely legible, but Langdon could see enough to decrypt the title of the volume inside. My God, he thought, now realizing why this book had been locked away from the hands of visitors. It’s probably worth a fortune. Langdon knew there were precious few early editions of this legendary artist’s work in existence. I’m not surprised Edmond invested in this, he thought, recalling that Edmond had once referred to this British artist as “the only premodern with any imagination.” Langdon disagreed, but he could certainly understand Edmond’s special affection for this artist. They are both cut from the same cloth. Langdon crouched down and peered through the glass at the box’s gilded engraving: The Complete Works of William Blake. William Blake, Langdon mused. The Edmond Kirsch of the eighteen hundreds. Blake had been an idiosyncratic genius—a prolific luminary whose painting style was so progressive that some believed he had magically glimpsed the future in his dreams. His symbol-infused religious illustrations depicted angels, demons, Satan, God, mythical creatures, biblical themes, and a pantheon of deities from his own spiritual hallucinations

She pulled out a blue dress made of washed silk that was so soft it felt like skin. Size six. There was another dress in a champagne color- the same cut, very simple, a slip dress to just above the knee. There was a third outfit- a tank and skirt in the same silk, bottle green. "These are for me?" "Let's see how they look." She took the bag into the ladies' room and slipped the blue dress on over her bikini. It fell over Adrienne's body like a dress in a dream- and it would look even better when she had the right underwear. So here was her look. She checked the side of the shopping bag. The clothes had come from a store called Dessert, on India Street, and Adrienne recognized the name of the store as the one owned by the chef's wife, the redhead who had been so kind during soft opening. If you come in, I'd love to dress you, free of charge. So maybe Thatch didn't pay for these clothes. Still, it was weird. Weird that Thatcher had told her she needed a look, weird that he (or the redhead) had perfectly identified it, and weird that she now had to model it for him, proving him right. She stepped out into the dining room. He gazed at her. And then he gave a long, low whistle. That did it: Her face heated up, the skin on her arms tingled. She had never felt so desirable in all her life.

Game of Thrones - Feast for Crows. “Ser? My lady?" said Podrick. "Is a broken man an outlaw?" "More or less," Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world . . . "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them . . . but he should pity them as well.

Shh,” I murmur, taking care to keep my voice low. “It is only a dream. You’re safe. I’ve got you.” [...] "A dream,” she repeats, pupils dilated as she stares up at me. She licks her lips, and I follow the movement with my eyes, a heat pulsing low at the base of my spine. “It was just a dream.” I nod, trying to angle my hips away from her in a futile attempt to hide my thickening cock. But her body is pressed close to mine, tucked beside me under my and Jadi’s wool traveling blankets. I see the moment she realizes, my preternatural vision able to take in the details of her shock. I see the way her pale eyes go wide, cheeks flushing pink. Hear her breath hitch in surprise. I feel my own cheeks heat in response, a flush of shame tightening in my chest. Shame at how much I want her. At how I’ve treated her. Shame at how jealously I guarded Jadi’s affections. At the way I cruelly tried to drive him away from her. “Asterion?” My name is barely a whisper on her lips, but she doesn’t pull away from me. Instead, her thigh presses against my hardening length. Almost like she’s seeking me out. But of course, that can’t be right. No woman would seek me out. Not after the way I’ve treated her. “Yes?” My voice catches in my throat, but I don’t dare look away. “Do you – are you…” her voice trails off, but she keeps her eyes locked on mine. Guilt tightens its hold behind my ribs, but I nod. There’s no point in denying it. No point in lying to her. Not when she can feel the proof of my attraction to her pressing against her. “I’m sorry,” I grit out, pulling my hand away from her face. “I don’t mean to… Please, just ignore it.” I roll away until I’m lying on my back, my erection almost painful as it pushes against the weight of the blankets. “Because of Jadi?” she asks, her voice thready and uncertain. I furrow my brow, glaring with irritation into the darkness. “Jadi? What does Jadi have to do with it?” “I mean – just that you and Jadi are together. Lovers? I not know word,” she babbles. “And I know that. Respect that. I not want come between you and Jadi. At party, he asked if he could court me,” she confesses. “I sorry if I…” I cut her off with a frustrated hiss, hating myself even more for this proof of how I’ve hurt Jadi. How successfully I have pushed her away from him. “You have nothing to apologize for,” I grind out. “Jadi has every right to court you. Every right. The only one who could deny him that is you.” “But you and Jadi…” “Are lovers? Intertwined as closely as two threads woven into the same cloth? Yes.” I bark out a bitter, mirthless laugh. “Which makes my treatment of him – of you – even worse.” The words are spilling out now, like water into the hull of a ship once the wood has cracked. Now that I’ve started, there is no stopping it. “I’ve known for moon cycles that he cares for you, and I hurt him for it. I was cruel to him and tried to chase you away. Because I was afraid you would steal him away from me, and he’s all I have. He’s everything to me. He’s my heart. My heart.” I clutch my fist against my chest in emphasis, still staring at the ceiling, not daring to turn and meet her eyes with my own. “I was jealous, and it was wrong, and now the gods are probably laughing at me. Because I want you. I want you. After trying to drive Jadi away from you, now I want you for myself. But I don’t deserve you. Not after the way I’ve treated you. And even then, even if I hadn’t…” [...] “I want you too.” Her words are no more than a whisper, and I tense, my first instinct to dismiss them the moment I register what she’s said. “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief.

Aspen understands. She and I are cut from the same cloth. We need the same things.

Oh, my little muse. We're cut from the same cloth, you and I. Well, not identical cloth, but it's similar enough. And if I have to prove it, so be it.

Mayim Bialik: This is a case where I don’t know that I agreed with our writers, but also I have ultimate faith in them, and that’s part of being a team player on a show. I loved that I got to wear some nicer clothes, and it was really a thrill to have my hair cut after having the same [style] for all those years. It was straightened [all those years], which damaged my hair in ways it may never recover from, which is fine, because now I have short hair and I’ve stopped trying to see if it can ever be healthy again. [Laughs] But honestly, it was so exciting that I didn’t have to wear it straight anymore, and I could have some more character to my hair and my face. So it felt really good that people could see me that way, but in some ways, it did feel like a betrayal of our Amy. We didn’t go crazy and have her dressing in ways that completely didn’t look like her. She still wore kind of sensible things—like what’d you get at Loehmann’s. She had an old-lady Loehmann’s shopping trip! But it was definitely something I had conflict about… I thought it would be, Let’s dress Amy up and take her out for the night! I didn’t think it would be like, here’s her new normal!

Your fatal flaw, Ethan, is that you’re under the mistaken impression that people are like you. That they have your courage, your fearlessness, your will. You and I are exceptions, cut from the same cloth. Even my people in the mountain struggle with the fear. But not you and me. We know the truth. We aren’t afraid to look it in the eye.

Faith was a permanent and unquestioned part of my life. My family-- everyone around me, really-- was cut the same cloth. We were churchgoers and Methodists, and those facts permeated just about every aspect of our lives. It was an intimate part of me, as connected to me as an arm or a leg. It was the air from which I drew breath. Faith is different for everyone, determined by the way each of us is wired. For me, my faith operates as both a floor to ground me and a ceiling to reach for. It champions me and humbles me. It connects me to the larger community, and it makes me feel singular. It tells me I'm one of many, while making me feel as though only I can stand on the spot where I'm standing. It questions me, and it guides me. It reminds me that no matter how good things get, we could lose everything tomorrow. And it assures me that no matter how bad things can be, it's all going to be okay.

When the Bishop Projectius brought the relics of St. Stephen to the town called Aquae Tibiltinae, the people came in great crowds to honour them. Amongst there was a blind woman, who entreated the people to lead her to the bishop who had the HOLY RELICS. They did so, and the bishop gave her some flowers which he had in his hand. She took them, and put them to her eyes, and immediately her sight was restored, so that she passed speedily on before all the others, no longer requiring to be guided." In Augustine's day, the formal "worship" of the relics was not yet established; but the martyrs to whom they were supposed to have belonged where already invoked with prayers and supplications, and that with the high approval of the Bishop of Hippo, as the following story will abundantly show: Here, in Hippo, says he, there was a poor and holy old man, by name Florentius, who obtained a living by tailoring. This man once lost his coat, and not being able to purchase another to replace it, he came to the shrine of the Twenty Martyrs, in this city, and prayed aloud to them, beseeching that they would enable him to get another garment. A crowd of silly boys who overheard him, followed him at his departure, scoffing at him, and asking him whether he had begged fifty pence from the martyrs to buy a coat. The poor man went silently on towards home, and as he passed near the sea, he saw a large fish which had been cast up on the sand, and was still panting. The other persons who were present allowed him to take up this fish, which he brought to one Catosus, a cook, and a good Christian, who bought it from him for three hundred pence. With this he meant to purchase wool, which his wife might spin, and make into a garment for him. When the cook cut up the fish, he found within its belly a ring of gold, which his conscience persuaded him to give to the poor man from whom he brought the fish. He did so, saying, at the same time, "Behold how the Twenty Martyrs have clothed you!" Thus did the great Augustine inculcate the worship of dead men, and the honouring of their wonder-working relics. The "silly children" who "scoffed" at the tailor's prayer seem to have had more sense than either the "holy old tailor" or the bishop. Now, if men professing Christianity were thus, in the fifth century, paving the way for the worship of all manner of rags and rotten bones;

State wants the alleged techniques, presumably.” “I’ve been wondering about that,” Norman said. “I wonder if we do want them.” “How do you mean?” “It’s a bit difficult to explain … Look, have you been following television at all since you came home?” “Occasionally, but since the Yatakang news broke I’ve been much too busy to catch more than an occasional news bulletin.” “So have I, but—well, I guess I’m more familiar with the way trends get started here nowadays, so I can extrapolate from the couple or three programmes I have had time for.” Norman’s gaze moved over Elihu’s head to the far corner of the room. “Engrelay Satelserv blankets most of Africa, doesn’t it?” “The whole continent, I’d say. There are English-speaking people in every country on Earth nowadays, except possibly for China.” “So you’re acquainted with Mr. and Mrs. Everywhere?” “Yes, of course—these two who always appear in station identification slots, doing exotic and romantic things.” “Did you have a personalised set at any time, with your own identity matted into the Everywhere image?” “Lord, no! It costs—what? About five thousand bucks, isn’t it?” “About that. I haven’t got one either; the basic fee is for couple service, and being a bachelor I’ve never bothered. I just have the standard brownnose identity on my set.” He hesitated. “And—to be absolutely frank—a Scandahoovian one for the shiggy half of the pair. But I’ve watched friends’ sets plenty of times where they had the full service, and I tell you it’s eerie. There’s something absolutely unique and indescribable about seeing your own face and hearing your own voice, matted into the basic signal. There you are wearing clothes you’ve never owned, doing things you’ve never done in places you’ve never been, and it has the immediacy of real life because nowadays television is the real world. You catch? We’re aware of the scale of the planet, so we don’t accept that our own circumscribed horizons constitute reality. Much more real is what’s relayed to us by the TV.” “I can well understand that,” Elihu nodded. “And of course I’ve seen this on other people’s sets too. Also I agree entirely about what we regard as real. But I thought we were talking about the Yatakangi claim?” “I still am,” Norman said. “Do you have a homimage attachment on your set? No, obviously not. I do. This does the same thing except with your environment; when they—let’s see … Ah yes! When they put up something like the splitscreen cuts they use to introduce SCANALYZER, one of the cuts is always what they call the ‘digging’ cut, and shows Mr. and Mrs. Everywhere sitting in your home wearing your faces watching the same programme you’re about to watch. You know this one?” “I don’t think they have this service in Africa yet,” Elihu said. “I know the bit you mean, but it always shows a sort of idealised dream-home full of luxy gadgetry.” “That used to be what they did here,” Norman said. “Only nowadays practically every American home is full of luxy gadgetry. You know Chad’s definition of the New Poor? People who are too far behind with time-payments on next year’s model to make the down-payment on the one for the year after?” Elihu chuckled, then grew grave. “That’s too nearly literal to be funny,” he said. “Prophet’s beard, it certainly is! I found time to look over some of Chad’s books after Guinevere’s party, and … Well, having met him I was inclined to think he was a conceited blowhard, but now I think he’s entitled to every scrap of vanity he likes to put on.

Senhor Milo knows cattlemen, he's cut from the same cloth. No one goes unpunished. They're men of cattle and blood.

Christ to Satan, we are cut from the same cloth, every one of us. And we have the choice to be in eternity anything we wish. Man or woman. Genius or idiot, and all between. Physical beauty means nothing. God sees the heart. Wealth is only a test of what we would do with it. It is a loan from God, as are our talents, a way to prove whether we will use them well or ill. The judgment is awaiting us.

Alyosha heard Shukhov’s whispered prayer, and, turning to him: “There you are, Ivan Denisovich, your soul is begging to pray. Why don’t you give it it’s freedom?” Shukhov stole a look at him. Alyosha’s eyes glowed like two candles. “Well, Alyosha,” he said with a sigh, “it’s this way. Prayers are like those appeals of ours. Either they don’t get through or they’re returned with ‘rejected’ scrawled across ’em.” Outside the staff quarters were four sealed boxes–they were cleared by a security officer once a month. Many were the appeals that were dropped into them. The writers waited, counting the weeks: there’ll be a reply in two months, in one month. . . . But the reply doesn’t come. Or if it does it’s only “rejected.” “But, Ivan Denisovich, it’s because you pray too rarely, and badly at that. Without really trying. That’s why your prayers stay unanswered. One must never stop praying. If you have real faith you tell a mountain to move and it will move. . . .” Shukhov grinned and rolled another cigarette. He took a light from the Estonian. “Don’t talk nonsense, Alyosha. I’ve never seen a mountain move. Well, to tell the truth, I’ve never seen a mountain at all. But you, now, you prayed in the Caucasus with all that Baptist society of yours–did you make a single mountain move?” They were an unlucky group too. What harm did they do anyone by praying to God? Every damn one of them had been given twenty-five years. Nowadays they cut all cloth to the same measure–twenty-five years. “Oh, we didn’t pray for that, Ivan Denisovich,” Alyosha said earnestly. Bible in hand, he drew nearer to Shukhov till they lay face to face. “Of all earthly and mortal things Our Lord commanded us to pray only for our daily bread. ‘Give us this day our daily bread.'” “Our ration, you mean?” asked Shukhov. But Alyosha didn’t give up. Arguing more with his eyes than his tongue, he plucked at Shukhov’s sleeve, stroked his arm, and said: “Ivan Denisovich, you shouldn’t pray to get parcels or for extra stew, not for that. Things that man puts a high price on are vile in the eyes of Our Lord. We must pray about things of the spirit–that the Lord Jesus should remove the scum of anger from out hearts. . . .” Page 156: “Alyosha,” he said, withdrawing his arm and blowing smoke into his face. “I’m not against God, understand that. I do believe in God. But I don’t believe in paradise or in hell. Why do you take us for fools and stuff us with your paradise and hell stories? That’s what I don’t like.” He lay back, dropping his cigarette ash with care between the bunk frame and the window, so as to singe nothing of the captain’s below. He sank into his own thoughts. He didn’t hear Alyosha’s mumbling. “Well,” he said conclusively, “however much you pray it doesn’t shorten your stretch. You’ll sit it out from beginning to end anyhow.” “Oh, you mustn’t pray for that either,” said Alyosha, horrified. “Why do you want freedom? In freedom your last grain of faith will be choked with weeds. You should rejoice that you’re in prison. Here you have time to think about your soul. As the Apostle Paul wrote: ‘Why all these tears? Why are you trying to weaken my resolution? For my part I am ready not merely to be bound but even to die for the name of the Lord Jesus.

Being thoroughly a man, one whose nature was rooted in competition, Zachary had experienced jealousy before. But nothing like this. Not this mixture of rage and alarm that shredded his insides. He was no idiot—he had seen the way Holly was looking at Ravenhill in the ballroom, and he had understood it all too well. They were cut from the same cloth, and they shared a past that he'd had no part of. There were bonds between them, memories, and even more, the comfort of knowing exactly what to expect from each other. All of a sudden Zachary hated Ravenhill with an intensity that approached fear. Ravenhill was everything he was not… everything he could never be. If only this were a more primitive time, the period of history when simple brute force overrode all else and a man could have what he wanted merely by staking his claim. That was how most of these damned bluebloods had originated, in fact. They were the watered-down, inbred descendents of warriors who had earned their status through battle and blood. Generations of privilege and ease had tamed them, softened and cultured them. Now these pampered aristocrats could afford to look down their noses at a man who probably resembled their revered ancestors more than they themselves did. That was his problem, Zachary realized. He had been born a few centuries too late. Instead of having to mince and prance his way into a society that was clearly too rarefied for him, he should have been able to dominate… fight… conquer. As Zachary had seen Holly leave the ballroom, her small hand tucked against Ravenhill's arm, it had required all his will to appear collected. He had nearly trembled with the urge to snatch Holly into his arms and carry her away like a barbarian. For a moment, the rational part of his brain had commanded him to let Holly go without a struggle. She had never been his to lose. Let her make the right decisions for herself, the comfortable decisions. Let her find the peace she deserved. The hell I will, he had thought savagely. He had followed the pair, intent as a prowling tiger, letting nothing stand in the way of what he wanted. And now he found Holly sitting here alone in the garden, looking dazed and dreamy, and he wanted to shake her until her hair cascaded loose and her teeth rattled.

Another thing etched into my memory, was that someone stole my swimming suit from the wash line that ran from an upstairs window to a rickety wooden pole behind the house. That someone would steal clothing from a clothesline puts the desperation of people during the depression years into focus. Discovering this, I ran to tell Charlie the Cop…. Charlie was a mounted policeman who sat tall in the saddle, and he was my idol. He cut quite an impressive figure of authority in his blue uniform, badge, and highly shined, black riding boots. Charlie, Jersey City’s finest, carefully listened to my tale of woe and promised to get to the bottom of this serious criminal matter. I believed what he said and trusted him to get my itchy two- piece, woolen, swimsuit back. Years went by and he never did apprehend the culprits, but in my heart I know that this is still an open case with the Jersey City Police Department and Charlie is still out there looking! We respected the police and thought of them as friends. Charlie on his horse patrolled our area and was known and trusted by everyone. I wish that the police were thought of in the same way today.

How is Prudence?" she heard him ask. It hurt to hear the note of wary longing in his voice. "Quite well, I believe. She's in London for the season." Beatrix hesitated before adding carefully, "We are still friends, but perhaps not as fond of each other as we once were." "Why?" His gaze was alert now. Clearly any mention of Prudence earned his close attention. Because of you, Beatrix thought, and managed a faint, wry smile. "It seems we have different interests." I'm interested in you, and she's interested in your inheritance. "You're hardly cut from the same cloth." Hearing the sardonic note in his voice, Beatrix tilted her head and regarded him curiously. "I don't take your meaning." He hesitated. "I only meant that Miss Mercer is conventional. And you're... not." His tone was seasoned with the merest hint of condescension... but there was no mistaking it. Abruptly all the feelings of compassion and tenderness disappeared as Beatrix realized that Christopher Phelan had not changed in one regard: he still didn't like her. "I would never want to be a conventional person," she said. "They're usually dull and superficial." It seemed he took that as a slight against Prudence. "As compared to people who bring garden pests to picnics? No one could accuse you of being dull, Miss Hathaway." Beatrix felt the blood drain from her face. He had insulted her. The realization made her numb. "You may insult me," she said, half amazed that she could still speak. "But leave my hedgehog alone.