Cushion With Reading Quotes

Not being the sort to throw a book, she pounded her fist on her cushion.

Irene made a private mental resolution that if she ever became a queen, her throne would incorporate a cushion. Also a convenient bookcase.

I dropped down on the cushion beside Lea and picked up the book she'd been reading. Turning the book over, my brows flew up as I got an eyeful of the hottie on the cover. "Wait. Is this book about aliens?" She snatched it back from me. "Yes." "Really?" "But they're hot aliens." She tapped on the guy's face with one thin finger. "And he can be my ET any day.

She sang, as requested. There was much about love in the ballad: faithful love that refused to abandon its object; love that disaster could not shake; love that, in calamity, waxed fonder, in poverty clung closer. The words were set to a fine old air -- in themselves they were simple and sweet: perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well: she breathed into the feeling, softness, she poured round the passion, force: her voice was fine that evening; its expression dramatic: she impressed all, and charmed one. On leaving the instrument, she went to the fire, and sat down on a seat -- semi-stool, semi-cushion: the ladies were round her -- none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her, as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality -- so unlike a school girl? Decidedly not: it was strange, it was unusual. What was strange must be wrong; what was unusual must be improper. Shirley was judged.

I look forward all day to evening, and then I put an "engaged" on the door and get into my nice red bath robe and furry slippers and pile all the cushions behind me on the couch, and light the brass student lamp at my elbow, and read and read and read. One book isn't enough. I have four going at once. Just now, they're Tennyson's poems and "Vanity Fair" and Kipling's "Plain Tales" and - don't laugh - "Little Women." I find that I am the only girl in college who wasn't brought up on "Little Women." I haven't told anybody though (that would stamp me as queer). I just quietly went and bought it with $1.12 of my last month's allowance; and the next time somebody mentions pickled limes, I'll know what she is talking about!

Austerity means to eliminate the comforts and cushions in your life that you have learned to snuggle into and lose wakefulness. Take away anything that dulls your edge. No newspapers or magazines. No TV. No candy, cookies, or sweets. No sex. No cuddling. No reading of anything at all while you eat or sit on the toilet. Reduce working time to a necessary minimum. No movies. No conversation that isn't about truth, love, or the divine. If you take on these disciplines for a few weeks, as well as any other disciplines that may particularly cut through your unique habits of dullness, then your life will be stripped of routine distraction. All that will be left is the edge you have been avoiding by means of your daily routine. You will have to face the basic discomfort and dissatisfaction that is the hidden texture of your life. You will be alive with the challenge of living your truth, rather than hiding form it. Unadorned suffering is the bedmate of masculine growth. Only by staying intimate with your personal suffering can you feel through it to its source. By putting all your attention into work, TV, sex, and reading, your suffering remains unpenetrated, and the source remains hidden. Your life becomes structured entirely by your favorite means of sidestepping the suffering you rarely allow yourself to feel. And when you do touch the surface of your suffering, perhaps in the form of boredom, you quickly pick up a magazine or the remote control. Instead, feel your suffering, rest with it, embrace it, make love with it. Feel your suffering so deeply and thoroughly that you penetrate it, and realize its fearful foundation. Almost everything you do, you do because you are afraid to die. And yet dying is exactly what you are doing, from the moment you are born. Two hours of absorption in a good Super Bowl telecast may distract you temporarily, but the fact remains. You were born as a sacrifice. And you can either participate in the sacrifice, dissolving in the giving of your gift, or you can resist it, which is your suffering. By eliminating the safety net of comforts in your life, you have the opportunity to free fall in this moment between birth and death, right through the hole of your fear, into the unthreatenable openness which is the source of your gifts. The superior man lives as this spontaneous sacrifice of love.

The tongue of a woodpecker can extend more than three times the length of its bill. When not in use, it retracts into the skull and its cartilage-like structure continues past the jaw to wrap around the bird’s head and then curve down to its nostril. In addition to digging out grubs from a tree, the long tongue protects the woodpecker’s brain. When the bird smashes its beak repeatedly into tree bark, the force exerted on its head is ten times what would kill a human. But its bizarre tongue and supporting structure act as a cushion, shielding the brain from shock.1 There is no reason you actually need to know any of this. It is information that has no real utility for your life, just as it had none for Leonardo. But I thought maybe, after reading this book, that you, like Leonardo, who one day put “Describe the tongue of the woodpecker” on one of his eclectic and oddly inspiring to-do lists, would want to know. Just out of curiosity. Pure curiosity.

I don’t consider myself a real peeper—they go in for bedrooms, but it’s families in sitting rooms or kitchens that thrill me. I can imagine their entire lives from a glimpse of bookshelves, or desks, or lit candles, or bright sofa cushions.

43. My couch is 92 inches; it’s a deep green three-cushion. It seats hundreds. But that’s not why I got it. I got it because, lying down the long way, in the spooning-in-front-of-a-movie way, in the head-to-toe lying with a pair of lamps burning and a pair of people reading, it fits me and another – it fits her – really well.

I used to think that happiness, like God, was an idea weaker people were sold on, to manage the grief of a world with so much suffering. It is just easier, I thought, to decide that you are doing something wrong and you just need to buy the right thing, read the right book, find the right guru, or pray more to be happy than to accept that life is a great long heartbreak. Happiness is not what I imagined that mirage to be: an unending ecstasy or state of perpetual excitement. Not a high or a mirage, it is just being okay. My happiness is the absence of fear that there won't be enough -- enough money, enough power, enough security, enough of a cushion of these things to protect me from the everyday heartbreaks of being human. Heartbreak doesn't kill you. It changes you.

I’d taken to situating myself in one of the little lounges overlooking the mountains, and had almost read an entire book in the deep-cushioned armchair, going slowly as I learned new words. But it has filled my time - given me quiet, steadfast company with those characters, who did not exist and never would, but somehow made me feel less … alone.

What do you want?” he growled. “I just want to talk.” I tried to keep my voice steady. “You don't have to try to scare me.” He kept a straight face, and his tone was seductively low. "There's hardly any room for fear when you're so bloody turned-on.” A flash of shock hit me at his audacity. His eyes lowered to my body, but he never moved away. “Ah, there's anger now,” he said coolly, “and a bit of embarrassment.” He was reading me — reading my colors! And I couldn't see his at all. I felt stripped bare before him, vulnerable. I concentrated on why I'd gone there to begin with. “I know what we are now.” I wished my voice weren't shaky. “Congratulations.” He stood over me for a second more, savoring his power, no doubt, and then walked away, tossing the knife in the general direction of the dartboard and hitting the bull's-eye. Never missing a beat, he swaggered to a white couch with oversize pillows. He fell back onto it, propping his big, black boots on the white cushions and lounging back with arms spread wide across the back of the sofa. He stared as if daring me to talk. I had no idea what to say or do. I didn't know anymore why I'd come. Had I just wanted to barge in and say, Ha, I know what we are! and then demand information?

When I was a child I read books for entertainment and information; I now think of books as lifeboats.

Pregnancy had seemed a reasonable excuse for letting her metal-smithing tools languish, but that accounted for only eighteen months of the last twenty-six years. Motherhood wasn't the real problem, though it took him a long time to figure out what was. She needed resistance, the very quality that metal most demonstrably offered up. Suddenly Glynis had no difficulty to overcome, no hard artisan's life with galleries filching half the too-small price of a mokume brooch that had taken three weeks to forge. No, her husband made a good living, and if she slept late and dawdled the afternoon away reading Lustre, American Craft Magazine and Lapidary Journal, the phone bill would still get paid. For that matter, she needed need itself. She could overcome her anguish about embarking on an object that, once completed, might not meet her exacting standards only if she had no choice. In this sense, his helping had hurt her. By providing the financial cushion that should have facilitated making all the metal whathaveyou she liked, he had ruined her life. Wrapped in a slackening bow, ease was a poisonous present.

It is Sunday afternoon, preferably before the war. The wife is already asleep in the armchair, and the children have been sent out for a nice long walk. You put your feet up on the sofa, settle your spectacles on your nose, and open the News of the World. Roast beef and Yorkshire, or roast pork and apple sauce, followed up by suet pudding and driven home, as it were, by a cup of mahogany-brown tea, have put you in just the right mood. Your pipe is drawing sweetly, the sofa cushions are soft underneath you, the fire is well alight, the air is warm and stagnant. In these blissful circumstances, what is it that you want to read about? Naturally, about a murder.

Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.

No season lives here. This space has quite successfully shut out any such interference. The cunning designer saw to it that there is not even a mirror in which the reader might contemplate his own appearance or anxiously search for the marks of age. The climate is grammatical. Nothing here but books, as if I were swaddled in them, as if the porous walls of books were by now almost a second skin. Or as if they provided a padding like the walls of madhouses, a cushion constructed of the language of the dead.

Now, I have a question. When I get this wife, whom I can presume from the thrust of your remarks is not the same person as you - With mock indignation Eileen interrupted: Certainly she's not me. For one thing, I'm a lot better read than she is. He went on smiling to himself. Sure, he said. But once I find her, whoever she might be, will you and I still be friends? She sat back against the sofa cushions then, as if to consider the question. After a pause, she replied: No. I think when you find her, you'll have to give me up. It might even be that giving me up is the precondition for finding her in the first place. As I suspected, he said. I'll never find her, then. Eileen lifted her hands up in astonishment. Simon, she said. Be serious. This woman is your soulmate. God put her on earth for you. If God wanted me to give you up, he wouldn't have made me who I am.

When I get this wife, whom I can presume from the thrust of your remarks is not the same person as you - With mock indignation Eileen interrupted: Certainly she's not me. For one thing, I am a lot better-read than she is. He went on smiling to himself. Sure, he said. But once I find her, whoever she might be, will you and I still be friends? She sat back against the sofa cushions then, as if to consider the question. After a pause, she replied: No. I think when you find her, you'll have to give me up. It might even be that giving me up is the precondition for finding her in the first place.

I'd taken to situating myself in one of the little lounges overlooking the mountains, and had almost read an entire book in the deep-cushioned armchair, going slowly as I learned new words. But it had filled my time- given me quiet, steadfast company with those characters, who did not exist and never would but somehow made me feel less... alone.

As we are a doomed race, chained to a sinking ship (her favourite reading as a girl was Huxley and Tyndall, and they were fond of these nautical metaphors), as the whole thing is a bad joke, let us, at any rate, do our part; mitigate the sufferings of our fellow-prisoners (Huxley again); decorate the dungeon with flowers and air cushions; be as decent as we possibly can.

Do you get it now,Becks?" Jack wrapped a finger around a long strand of my hair, and we were quiet as it slipped through his grip. "You haven't moved on?" He chuckled. "I have a lifetime of memories made up of chestnut wars and poker games and midnight excursions and Christmas Dances...It's all you. It's only ever been you.I love you." The last part seemed to escape his lips unintentionally, and afterward he closed his eyes and put his head in his hands,as if he had a sudden headache. "I've gotta not say that out loud." The sight of how messed up he was made me want to wrap my arms around him and fold him into me and cushion him from everything that lay ahead. Instead,I reached for his hand. Brought it to my lips. Kissed it. He raised his head and winced. "You shouldn't do that," he said, even though he didn't pull his hand away. "Why?" "Because...it'll make everything worse...If you don't feel-" His voice cut off as I kissed his hand again, pausing with his fingers at my lips. He let out a shaky sigh and his hair flopped forward. Then he looked at my lips for a long moment. "What if...?" I bit my lower lip. "What?" "What if we could be like this again?" He leaned in closer with a smile, and as he did,he said, "Are you going to steal my soul?" "Um...it's not technically your soul that..." I couldn't finish my sentence. His lips brushed mine, and I felt the whoosh of transferring emotions,but it wasn't as strong as the last time. The space inside me was practically full again. The Shades were right. Six months was just long enough to recover. He kept his lips touching mine when he asked, "Is it okay?" Okay in that I wasn't going to suck him dry anymore. Not okay in that my own emotions were in hyperdrive. Only our lips touched.Thankfully there was space between us everywhere else. He took my silence to mean it was safe. We held our lips together, tentative and still. But he didn't let it stay that casual for long.He pressed his lips closer, parting his mouth against mine. I shivered,and he put his arms around me and pulled me closer so that our bodies were touching in so many places. He pulled back a little.His breath was on my lips. "What is it?" I asked. "I dreamed of you every night." He briefly touched his lips to mine again. "It felt so real.And when I'd wake up the next morning,it was like your disappearance was fresh. Like you'd left me all over again." I lowered my chin and tucked my head into his chest. "I'm sorry." He sighed and tightened his grip around me. "It never got easier.But the dreams themselves." I felt him shake his head. "It's like I had a physical connection to you. They were so real. Every night,you were in my room with me. It was so real." I tilted my head back so I could face him again, realizing for the first time how difficult it must've been for Jack. I kissed his chin, his cheek, and then his lips. "I'm sorry," I said again. He shook his head. "It's not your fault I dreamed of you, Becks.I just want to know if it was as real as it felt." "I don't know," I said. But I told him about the book I'd read on Orpheus and Eurydice, and my theory that it was her connection to Orpheus that saved her.

Other people think destiny is a time in one's life, such as the moment one becomes an adult, or the instant it becomes necessary to construct a hiding place out of sofa cushions. And still other people think that destiny is an invisible force, like gravity, or a fear of paper cuts, that guide everyone throughout their lives, whether they are embarking on a mysterious errand, doing a treacherous deed, or deciding that a book they have begun reading is too dreadful to finish,

If the room did not look quite so freshly scrubbed as most farm wives kept their homes—Tam’s piperack and The Travels of Jain Farstrider sat on the table, while another wood-bound book rested on the cushion of his reading chair; a bit of harness to be mended lay on the bench by the fireplace, and some shirts to be darned made a heap on a chair—if not quite so spotless, it was still clean and neat enough, with a lived-in look that was almost as warming and comforting as the fire.

Now, I have a question. When I get this wife, whom I can presume from the thrust of your remarks is not the same person as you - With mock indignation Eileen interrupted: Certainly she's not me. For one thing, I'm a lot better read than she is. He went on smiling to himself. Sure, he said. But once I find her, whoever she might be, will you and I still be friends? She sat back against the sofa cushions then, as if to consider the question. After a pause, she replied: No. I think when you find her, you'll have to give me up. It might even be that giving me up is the precondition for finding her in the first place. As I suspected, he said. I'll never find her, then. Eileen lifted her hands up in astonishment. Simon, she said. Be serious. This woman is your soulmate. God put her on earth for you. If God wanted me to give you up, he wouldn't have made me who I am. For a moment they looked at one another. She put her hand to her cheek then, her face was flushed. So you're not going to renounce our friendship, she said. Not for anything.

In his book Real Presences, George Steiner asks us to "imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a "republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogues and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer "invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art "embody an expository reflection which they pertain". In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middlemarch. "The best readings of art are art." No sooner has Steiner summoned this imaginary republic into existence than he sighs, "The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz.

ESTABLISHING A DAILY MEDITATION First select a suitable space for your regular meditation. It can be wherever you can sit easily with minimal disturbance: a corner of your bedroom or any other quiet spot in your home. Place a meditation cushion or chair there for your use. Arrange what is around so that you are reminded of your meditative purpose, so that it feels like a sacred and peaceful space. You may wish to make a simple altar with a flower or sacred image, or place your favorite spiritual books there for a few moments of inspiring reading. Let yourself enjoy creating this space for yourself. Then select a regular time for practice that suits your schedule and temperament. If you are a morning person, experiment with a sitting before breakfast. If evening fits your temperament or schedule better, try that first. Begin with sitting ten or twenty minutes at a time. Later you can sit longer or more frequently. Daily meditation can become like bathing or toothbrushing. It can bring a regular cleansing and calming to your heart and mind. Find a posture on the chair or cushion in which you can easily sit erect without being rigid. Let your body be firmly planted on the earth, your hands resting easily, your heart soft, your eyes closed gently. At first feel your body and consciously soften any obvious tension. Let go of any habitual thoughts or plans. Bring your attention to feel the sensations of your breathing. Take a few deep breaths to sense where you can feel the breath most easily, as coolness or tingling in the nostrils or throat, as movement of the chest, or rise and fall of the belly. Then let your breath be natural. Feel the sensations of your natural breathing very carefully, relaxing into each breath as you feel it, noticing how the soft sensations of breathing come and go with the changing breath. After a few breaths your mind will probably wander. When you notice this, no matter how long or short a time you have been away, simply come back to the next breath. Before you return, you can mindfully acknowledge where you have gone with a soft word in the back of your mind, such as “thinking,” “wandering,” “hearing,” “itching.” After softly and silently naming to yourself where your attention has been, gently and directly return to feel the next breath. Later on in your meditation you will be able to work with the places your mind wanders to, but for initial training, one word of acknowledgment and a simple return to the breath is best. As you sit, let the breath change rhythms naturally, allowing it to be short, long, fast, slow, rough, or easy. Calm yourself by relaxing into the breath. When your breath becomes soft, let your attention become gentle and careful, as soft as the breath itself. Like training a puppy, gently bring yourself back a thousand times. Over weeks and months of this practice you will gradually learn to calm and center yourself using the breath. There will be many cycles in this process, stormy days alternating with clear days. Just stay with it. As you do, listening deeply, you will find the breath helping to connect and quiet your whole body and mind. Working with the breath is an excellent foundation for the other meditations presented in this book. After developing some calm and skills, and connecting with your breath, you can then extend your range of meditation to include healing and awareness of all the levels of your body and mind. You will discover how awareness of your breath can serve as a steady basis for all you do.

Oddly enough, she was one of the most thorough-going sceptics he had ever met, and possibly (this was a theory he used to make up to account for her, so transparent in some ways, so inscrutable in others), possibly she said to herself, As we are a doomed race, chained to a sinking ship (her favourite reading as a girl was Huxley and Tyndall, and they were fond of these nautical metaphors), as the whole thing is a bad joke, let us, at any rate, do our part; mitigate the sufferings of our fellow-prisoners (Huxley again); decorate the dungeon with flowers and air-cushions; be as decent as we possibly can. Those ruffians, the Gods, shan’t have it all their own way—her notion being that the Gods, who never lost a chance of hurting, thwarting and spoiling human lives, were seriously put out if, all the same, you behaved like a lady.

4Paul Gaydos My Books Browse ▾ Community ▾ The Way of the Superior Man Quotes The Way of the Superior Man by David Deida The Way of the Superior Man: A Spiritual Guide to... by David Deida Read Austerity means to eliminate the comforts and cushions in your life that you have learned to snuggle into and lose wakefulness. Take away anything that dulls your edge. No newspapers or magazines. No TV. No candy, cookies, or sweets. No sex. No cuddling. No reading of anything at all while you eat or sit on the toilet. Reduce working time to a necessary minimum. No movies. No conversation that isn't about truth, love, or the divine. If you take on these disciplines for a few weeks, as well as any other disciplines that may particularly cut through your unique habits of dullness, then your life will be stripped of routine distraction. All that will be left is the edge you have been avoiding by means of your daily routine. You will have to face the basic discomfort and dissatisfaction that is the hidden texture of your life. You will be alive with the challenge of living your truth, rather than hiding form it. Unadorned suffering is the bedmate of masculine growth. Only by staying intimate with your personal suffering can you feel through it to its source. By putting all your attention into work, TV, sex, and reading, your suffering remains unpenetrated, and the source remains hidden. Your life becomes structured entirely by your favorite means of sidestepping the suffering you rarely allow yourself to feel. And when you do touch the surface of your suffering, perhaps in the form of boredom, you quickly pick up a magazine or the remote control. Instead, feel your suffering, rest with it, embrace it, make love with it. Feel your suffering so deeply and thoroughly that you penetrate it, and realize its fearful foundation. Almost everything you do, you do because you are afraid to die. And yet dying is exactly what you are doing, from the moment you are born. Two hours of absorption in a good Super Bowl telecast may distract you temporarily, but the fact remains. You were born as a sacrifice. And you can either participate in the sacrifice, dissolving in the giving of your gift, or you can resist it, which is your suffering. By eliminating the safety net of comforts in your life, you have the opportunity to free fall in this moment between birth and death, right through the hole of your fear, into the unthreatenable openness which is the source of your gifts. The superior man lives as this spontaneous sacrifice of love.

She is thinking, as she walks, about that argument with her father, on an evening just before bed when the fire was dying down, and Kitty, her mother and the grandmother were busy with what they called their handwork and her mother had just asked her where was the tapestry square she’d given her. And Esme couldn’t reply that she had hidden it, stuffed it down behind the chair cushions in her room. ‘Put the book away, Esme,’ her mother had said. ‘You have read enough for tonight.’ But she couldn’t because the people on the page and the room they were in were holding her fast but then her father was there in front of her and he snatched the book away, shut it without saving her page, and suddenly there was only the room she was in. Do as your mother asks,’ he said, ‘for God’s sake.’ She’d sat up and the fury was within her, and instead of saying, please give me my book, she said, I want to stay on at school. She hadn’t meant to. She knew it wasn’t the time to bring this up, that it would get nowhere, but it felt sore within her, this desire, and she couldn’t help herself. The words came out from where they’d been hidden. Her hands felt strange and useless without the book and the need to stay at school had risen up and come out of her mouth without her knowing.

It was when they determined that I had been born dead That my life became easier to understand. For a long time, I wondered why rooms felt colder when I entered them, Why nothing I said seemed to stick in anyone’s ear, Frankly, why I never had any money. I wondered Why the cities I walked through drifted into cloud Even as I admired their architecture, as I pointed out The cornerstones marked “1820,” “1950.” The only songs I ever loved were filled with scratch, dispatches from A time when dead ones like me were a dime a dozen. I spent my life in hotels: some looked like mansions, Some more like trailer parks, or pathways toward A future I tried to point to, but how could I point, With nothing but a hand no hand ever matched, With fingers that melted into words that no one read. I rehearsed names that others taught me: Caravaggio, Robert Brandom, Judith, Amber, Emmanuelle Cat. I got hungry the way only the dead get hungry, The hunger that launches a thousand dirty wars, But I never took part in the wars, because no one lets A dead man into their covert discussions. So I drifted from loft to cellar, ageless like a ghost, And America became my compass, and Europe became The way that dead folks talk, in short, who cares, There’s nothing to say because nobody listens, There’s no radio for the dead and the pillows seem Like sand. Let me explain: when you’re alive, As I understand it, pillows cushion the head, the way A lover might soothe the heart. The way it works for me, In contrast, is everything is sand. Beds are sand, The women I profess to love are sand, the sound of music In the darkest night is sand, and whatever I have to say Is sand. This is not, for example, a political poem, Because the dead have no politics. They might have A hunger, but nothing you’ve ever known Could begin to assuage it.

IN HIS 2005 COLLECTION of essays Going Sane, Adam Phillips makes a keen observation. “Babies may be sweet, babies may be beautiful, babies may be adored,” he writes, “but they have all the characteristics that are identified as mad when they are found too brazenly in adults.” He lists those characteristics: Babies are incontinent. They don’t speak our language. They require constant monitoring to prevent self-harm. “They seem to live the excessively wishful lives,” he notes, “of those who assume that they are the only person in the world.” The same is true, Phillips goes on to argue, of young children, who want so much and possess so little self-control. “The modern child,” he observes. “Too much desire; too little organization.” Children are pashas of excess. If you’ve spent most of your adult life in the company of other adults—especially in the workplace, where social niceties are observed and rational discourse is generally the coin of the realm—it requires some adjusting to spend so much time in the company of people who feel more than think. (When I first read Phillips’s observations about the parallels between children and madmen, it so happened that my son, three at the time, was screaming from his room, “I. Don’t. Want. To. Wear. PANTS.”) Yet children do not see themselves as excessive. “Children would be very surprised,” Phillips writes, “to discover just how mad we think they are.” The real danger, in his view, is that children can drive their parents crazy. The extravagance of children’s wishes, behaviors, and energies all become a threat to their parents’ well-ordered lives. “All the modern prescriptive childrearing literature,” he concludes, “is about how not to drive someone (the child) mad and how not to be driven mad (by the child).” This insight helps clarify why parents so often feel powerless around their young children, even though they’re putatively in charge. To a preschooler, all rumpus room calisthenics—whether it’s bouncing from couch cushion to couch cushion, banging on tables, or heaving bowls of spaghetti onto the floor—feel normal. But to adults, the child looks as though he or she has suddenly slipped into one of Maurice Sendak’s wolf suits. The grown-up response is to put a stop to the child’s mischief, because that’s the adult’s job, and that’s what civilized living is all about. Yet parents intuit, on some level, that children are meant to make messes, to be noisy, to test boundaries. “All parents at some time feel overwhelmed by their children; feel that their children ask more of them than they can provide,” writes Phillips in another essay. “One of the most difficult things about being a parent is that you have to bear the fact that you have to frustrate your child.

So, what did you want to watch?’ ‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’ Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’ Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’ ‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’ ‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake. For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’ ‘I think I’ll pass.’ ‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’ ‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’ ‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’ ‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table. ‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working. ‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’ It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board. Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’ When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round. It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.

She couldn’t help but think of Falco. She touched the amethyst necklace that he had given her, which she was wearing beneath her bodice. She had grabbed the loop of purple stones at the last minute, slipping it around her neck but tucking it out of sight. She’d told herself she only wore it because she meant to return it to Falco the next time their paths crossed. But now her certainty from last night that Falco was a murderer began to dissipate. He couldn’t be a murderer. He couldn’t. Maybe he was painting something for the creepy physician. A special canvas that his master was insisting he keep a secret. She had to find him again and force him to be honest with her. She was sure he had an explanation for what she had seen and heard. “Signore, pietà.” Madalena recited the words along with the rest of the congregation. Cass sighed. Everyone else was apologizing to God for their sins, and here she was dreaming up some new ones. Cass took a seat on the cushioned bench and tried to focus as the priest began the first reading. It was something about honesty. Fitting.

Signore, pietà.” Madalena recited the words along with the rest of the congregation. Cass sighed. Everyone else was apologizing to God for their sins, and here she was dreaming up some new ones. Cass took a seat on the cushioned bench and tried to focus as the priest began the first reading. It was something about honesty. Fitting.

One of the books that has had the most influence on me is a little manual called Rhinoceros Success by Scott Alexander. I know, it’s a weird title, but give it a read. I read it first when I was 12 years old and I still read it once a year to this day. It teaches you in life to be like a rhino - to have a single purpose, to charge at obstacles and goals with total commitment and to develop a thick skin to deal with the slings and arrows that try to slow you down. Still to this day, Shara loves to buy me things for my birthday with a rhino on. Lampshades, slippers, cushions, door knobs…you name it. In fact, it’s become a bit of a family joke to get me the most obscure rhino trinket they can find. But it means that at home wherever I look I am reminded of the simple (and fun!) truths of the book. They are all daily reminders to me to be a rhino in life. So find a way, whatever way works for you, of making motivation part of your daily life. Write notes to yourself on your bathroom mirror, keep a book that inspires you next to the loo, and feed your mind with the good whenever you can. If you do this every day, it’ll soon become a habit. A good habit. One that empowers you every day to climb high, aim big, and have fun along the way.

I’d taken to situating myself in one of the little lounges overlooking the mountains, and had almost read an entire book in the deep-cushioned armchair, going slowly as I learned new words. But it had filled my time—given me quiet, steadfast company with those characters, who did not exist and never would, but somehow made me feel less … alone.

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Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?” “I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.” Another silence. Then, “Why are you facing downward?” “Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask. “Isn’t it?” His face was blank. “Has no one ever told you?” “No, but I’ve read about it.” Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?” “Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals, and--” She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. “Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all--” She broke off and frowned. “Why are you laughing at me?” Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m…I’m not laughing at you.” “You are!” “No I’m not. It’s just…” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels…” “Well, it may be humorous to you, but it’s a very serious matter to the squirrels.” That set him off again. In a display of rank insensitivity to the reproductive rights of small mammals, Christopher had buried his face in a pillow, his shoulders shaking. “What is so amusing about fornicating squirrels?” Beatrix asked irritably. By this time he had gone into near apoplexy. “No more,” he gasped. “Please.” “I gather it’s not the same for people,” Beatrix said with great dignity, inwardly mortified. “They don’t go about it the same way that animals do?” Fighting to control himself, Christopher rolled to face her. His eyes were brilliant with unspent laughter. “Yes. No. That is, they do, but…” “But you don’t prefer it that way?” Considering how to answer her, Christopher reached out to smooth her disheveled hair, which was falling out of its pins. “I do. I’m quite enthusiastic about it, actually. But it’s not right for your first time.” “Why not?” Christopher looked at her, a slow smile curving his lips. His voice deepened as he asked, “Shall I show you?” Beatrix was transfixed. Taking her stillness as assent, he pressed her back and moved over her slowly. He touched her with care, arranging her limbs, spreading them to receive him. A gasp escaped her as she felt his hips settle on hers. He was aroused, a thick pressure fitting against her intimately. Bracing some of his weight on his arms, he looked down into her reddening face. “This way,” he said, with the slightest nudge, “…is usually more pleasing to the lady.” The gentle movement sent a jolt of pleasure through her. Beatrix couldn’t speak, her senses filled with him, her hips catching a helpless arch. She looked up at the powerful surface of his chest, covered with a tantalizing fleece of bronze-gold hair. Christopher lowered further, his mouth hovering just over hers. “Front to front…I could kiss you the entire time. And the shape of you would cushion me so sweetly…like this…” His lips took hers and coaxed them open, wringing heat and delight from her yielding flesh. Beatrix shivered, her arms lifting around his neck. She felt him all along her body, his warmth and weight anchoring her.

It’s unthinkable, now to live as her parents had done, going to work from nine to five and enjoying the benefits of the newly-formed health and education services. What paradise it had seemed! Now, in order to pay their exorbitant mortgages, and ever more exorbitant fuel prices, British adults have to work long hours – the longest, it is said, in Europe… Everyone they know, everyone they see, is just like them, living in houses like these, reading the same papers, seeing the same films and TV programmes and plays, buying from the same shops and sending their children to the same schools; and they think it will go on for ever, either ever-mounting property prices cushioning them. But it can’t.

As if Kane had read his thoughts, he opened the door and yelled out, "Yes, you're on the sofa. You should've called to let me know you were okay, but you didn't, you stayed gone and that's not right." The bedroom door shut again, and Avery smiled, running his fingers through his hair. Kane knew him too well and they had finally had their first big fight. He was sleeping on the sofa tonight. He guessed it was better than a hotel. He could use the guest bedroom, but he looked around and, though he hadn't noticed them before, saw his pillow and blanket on the sofa. The sheet was already tucked across the seat cushion where Kane had been sitting when he came in.

Gil handed Henny one of the cushions and a one-pound coffee can from under the seat. Henny was very suspicious. “What’s this for?” he asked. “Why are you giving me this stuff?” “The cushion is for your sitter,” Gil said, “and the can is for the water.” “What water?” said Henny. He didn’t look too good. “Well, there’s bound to be a little extra water with the three of us sitting here,” said Gil. “And your friend hasn’t done much rowing. He splashes a bit over the side.” Henny glared at me. “Quit it,” he said. “Just quit splashing water into the boat.” I tried to be smooth. By the time we got out into the river, I was doing better. “Two steps forward, one step backward,” said Gil. “We aren’t making much progress against this current.” “I’ll go out a little farther,” I said. “Maybe the current won’t be so strong out there.” I felt very good about things. My rowing was getting better. We were closer to the bowl. The crew was busy and in high spirits. Gil was reading from The Journals of Lewis and Clark. Henny was searching his photographic memory for loose information. “Says here that one time, the expedition had nothing to eat but bear fat and candles,” said Gil. “Now that’s real interesting.” Henny sighed. “Sometimes they ate buffalo humps, and wolf meat, and a root called Wappato. Wappato is supposed to taste like potatoes. Boy, am I hungry. Did anybody bring a snack?” “There might be a few crackers under your seat,” said Gil. “Then again, there might not be.” “There is a box of Wheat Thins,” said Henny after he rummaged around under the seat. “It is soggy, dirty, crushed, and unfit for human consumption.” “I never eat them,” said Gil. “I feed them to the kingfishers. But if you’re really hungry, they’re better than candles.” Henny waved the box in the air. “Is anything going to go right on this trip?” he said. A sea gull swooped down and almost got the box. The crew was starting to feel the hardships. Desperation and hunger had set in. I figured the people from my island would look to the turtle for an answer to this situation, so I tried to do the same. The only thing I could come up with was that the armor on a turtle was much better protection than an old rowboat.

Two steps forward, two steps backward,” said Gil. “The current is worse out here. We are not getting anywhere.” “Just give me a little time,” I said. I thought of a turtle out of water, slow, plodding, finally getting somewhere, but not very fast. “We’ll get there eventually,” I added. “Slow, but sure.” Henny bailed out a few tablespoons of water. “We might sink first,” he said. “We should go back.” “Hang on to your cushion,” said Gil. “That should give you a sense of security.” Henny grabbed the cushion and held it out for us to examine. “Look at this thing,” he said. “Cracked, split, stained, torn, with a little fish-hook on the handle. Here’s a label. Maybe it has directions.” Henny gasped. “Do not use this as a flotation device,” he read aloud. “Why can’t I use this as a flotation device? You said I could use it.” Henny’s voice squeaked. “You can use it,” Gil said. “I’m telling you, you can use it.” “Well, now,” said Henny. “That is simply a great relief. Sure I can use it. But will it hold me up?” Gil picked up his book and started to read. “Did you know that everyone wanted to trade Lewis and Clark for blue beads?” he said. “Have you ever found any blue beads?” “You’re trying to change the subject,” said Henny. “I want to know if this cushion will hold me up.

People slip spontaneously into moments of concentration all the time—while reading a book, exercising, playing chess, or creating art. A yogi seeks to experience that same level of concentration intentionally in a practice known as dharana—the act of purposefully narrowing the mind’s focus on the breath, the sensations of the body, a mantra, or a prayer bead. This consistent and purposeful focusing of the mind while on the yoga mat or meditation cushion gives the yogi the same level of focus in life, allowing for wild creativity and unfathomable productivity.

I love the way you eat pizza – always picking off the pepperoni and piling it up in the corner of your plate – it’s essentially a margherita when you do that, you know? …and I love that you can’t watch a scary movie with me without hiding behind a cushion, and I love that you point-blank refuse to watch a movie with a sad ending – and that you read the end of every book you pick up in the shop before you buy it – just in case! And I love that you leave your shoes in the middle of the floor – and your jackets on the back of the chairs in the kitchen – and that you never put your stuff in the dishwasher…

I get a vivid image of Belle curled up on a sofa in her parents’ flat with our questionnaire on an iPad, her tiger eyes widening in disbelief or arousal, that plump lower lip cushioning the stylus as she reads the option upon option of pure filth that awaits her. It’s less a menu than a dirty, decadent smorgasbord for her to feast on.

It’s the best thing about firewater.” A.J. said sleepily from where she lay cushioned in his arms. “No hangover and you wake up feeling better than you did when you went to sleep.” He smiled down at her wondering if he would ever get used to the fact that she could read his thoughts, and that he couldn’t read hers.

I'd taken to situating myself in one of the little lounges overlooking the mountains, and had almost read an entire book in the deep-cushioned armchair, going slowly as I learned new words. But it had filled my time -- given me quiet, steadfast company with those characters, who did not exist and never would, but somehow made me feel less alone.

You do know scones are not donuts, right?" Nina wasn't one to pass up any baked goods, but a donut was a donut. No scone would do. "This is not your white, British-royals high tea, my friend. This is Highland Park high tea. It opened a month ago, and I think we're about to have our whole world rocked." The Jam's exterior was black-and-white---- if you blinked you'd miss it. But when they went inside Nina immediately spotted a colorful mural of dinosaurs seated on velvet cushions, eating donuts and drinking out of porcelain cups. A pristine glass display case on the opposite wall featured rows and rows of endless donuts--- a happy welcoming committee of frosting and dough. "We'll be having tea for two," Jasmine said at the counter. "And for my donut, could I get the Swirly Rosewater, please?" As soon as she saw the names and flavors of the donuts, she instantly knew two things: one, she was going to love these, and two, Leo would absolutely hate them. Nina suddenly felt sympathy for Leo any time a contestant created a unique flavor pairing on the show. She raced to find the donut her friend had ordered in the case, and landed on a frosted pink cake donut that had a lemon rosewater glaze topped with roasted pistachios. "You live your life in pink, Jas." "No better color. So from what I read online, the deal is that instead of scones, they do vegan donuts---" Nina's eyes narrowed, and Jasmine glared right back. "Don't judge. What are you going to get?" "I need chocolate," Nina said. She scanned the rows in search of the perfect solution. "May I recommend our Chocolate from the Crypt donut?" the saleswoman suggested from behind the display. Her sharp bangs and blunt ponytail bobbed as she explained, "It's our fall-themed donut--- chocolate cake with a chocolate glaze, and it's got a kick from the cayenne pepper and cinnamon we add in." "Oh, my donut," Nina said. In the case was an absolutely gorgeous chocolate confection--- the cayenne and cinnamon flakes on the outside created a black-and-orange effect. "I am sold." "You got it." The saleswoman nodded and rang them up. A narrow hallway covered in murals of cartoon animals drinking tea led them to the official tearoom. Soaring ceilings revealed exposed beams and brick walls, signaling that the building was likely older and newly restored. Modern, barrel-back walnut chairs were clustered around ultrasleek Scandinavian round tables. Nina felt like she'd followed Jasmine down a rabbit hole and emerged into the modern interpretation of the Mad Hatter's tea party. "This is like..." Nina began. "It's a fun aesthetic." "I know, right?" Jasmine replied as they sat down. "It makes me feel like I'm not cool enough to be here, but glad I got invited." Nina picked up the prix fixe high tea menu on the table. The Jam's version of finger sandwiches were crispy "chicken" sliders, potato-hash tacos and mini banh mi, and in lieu of scones, they offered cornbread with raspberry jam and their signature donuts. "And it's all vegan...?" "Yes, my friendly carnivore, and hopefully delicious.

He heard a page turning beside him: Paola obviously had kept some text secreted about her person or under the cushion where she sat, left there in the event that life presented her with the necessity of spending three minutes with nothing to read.

stamp or where they sealed the envelope?” I asked. “Sure, we’ll check those too. That’s common procedure, but we have nothing to compare it to.” Jack added his two cents. “The message itself sounds kind of like the hell-and-damnation type of speech. Somebody in the clergy or even a religious zealot could have written it.” Clayton slowly read the message out loud again. “Yeah, I see where you’re coming from, Jack. It does sound kind of preachy.” “Yes it does,” I said, “but we still don’t know if it’s a serious threat or just someone blowing smoke.” Clark stood. “Okay, guys, check out whatever you can as far as forensic evidence. Make ten copies of that letter before you get started. The rest of you, keep your eyes and ears peeled for somebody with an ax to grind. That’s all we can do for now.” Chapter 2 The long driveway beyond the dead-end road led to the small, faded clapboard house. The walls inside the home held family secrets that were as dead and buried as the family dog. Nobody spoke of Alice’s incident anymore—it was neatly tucked away, hopefully forgotten, and life carried on. Forced smiles and the cautious daily routine filled the family’s waking hours. Alice’s eyes darted toward Mandy and then at the clock. She watched as her twenty-year-old daughter crossed the living room, barefoot and still wearing her green flannel bathrobe. Mandy took a seat on the old floral couch, as she did every day at eleven o’clock. The dark-paneled living room in that house held the sofa, a rocker, two end tables, and two velvet wall hangings of horses. The sofa had seen better days—sun fading had taken a toll on it after being in front of windows year after year. What used to be vibrant colors on that threadbare couch now appeared as pastel hues at best. Two flattened cushions looked as though somebody had let the air out of them; they held permanent indentions from years of use.

Fancy,” he said as Day draped herself over it. She looked so much like Lehabah that his chest ached. “Seeing me like this causes you distress.” “No,” he said, puzzled as to how she’d read his emotions when night and stars covered his features. “No, it’s … I, ah, lost a friend a few months ago. She loved to sit on a couch like that one. She was a fire sprite, so your whole fire thing … struck a little close to home.” She angled her head, flame shifting with her. “How did she die?” He checked himself before he could reveal too much. “It’s a long story. But she died saving my—someone I love.” “Then her death was noble.” “I should have been there.” Ruhn leaned back against the cushions and gazed toward the endless black above them. “She didn’t need to make that sacrifice.” “You would have traded your life for a fire sprite’s?” There was no condescension in the question—merely bald curiosity. “Yeah. I would have.” He lowered his stare back to her. “Anyway, we made the intel drop-off. Nearly got caught, but we did it.” She straightened slightly. “By whom?” “Mordoc. The Hind. The Harpy.” She stilled. Her fire guttered to that violet blue. “They are lethal. If you’re caught, you will be lucky to just be killed.

Before she could open her camera, she noticed a notification and swiped to open it. Elle had tagged her in a photo on Instagram. She frowned because she wasn’t in the photo. Elle had snapped a picture selfie-style of her, Margot, Darcy, and Brendon seated around the coffee table, where Monopoly was spread out. Annie tapped the photo and pressed her lips together, her eyes watering viciously. Elle had tagged her on the empty cushion beside Brendon. His arms were resting casually on his knees and his smile was the brightest thing in the photo. She could hear his throaty chuckle when she shut her eyes, knew exactly how his lips felt curving against her mouth in that same grin. The caption read, The gang’s all here minus @anniekyriakos. We miss you!

Zen is much more about stripping away than it is about adding anything. Lao Tzu also said that the Tao the sage follows is a taking away, the World an adding on. We don’t have to read sutras or agonizing koans to get Zen. Neither do we have to buy robes or beliefs, and especially not meditation cushions or gilded buddhas. “Your mind is Buddha,” said Bodhidharma, “so you don’t need a buddha to worship Buddha.” A cup of tea will do just fine. Zen is also much more about the letting-go than it is about learning or any of the other spiritual catch phrases, like “insight” or “enlightenment”. We cast off the body and mind. The real withdrawal from the World of Dust is this detachment. And it isn’t just about letting go of the clutter in our homes, but more importantly (or perhaps exclusively) the clutter in our minds: opinions and beliefs, thoughts about the way we think people or things “really are”, thoughts about “clutter” and “simplicity”—even the idea of Zen as an ‘ism’.

Rhys returned at the end of the week. I’d taken to situating myself in one of the little lounges overlooking the mountains, and had almost read an entire book in the deep-cushioned armchair, going slowly as I learned new words. But it had filled my time—given me quiet, steadfast company with those characters, who did not exist and never would, but somehow made me feel less … alone.

I know my alphabet,' I said sharply as he laid a piece of paper in front of me. 'I'm not that stupid.' I twisted my fingers in my lap, then pinned my restless hands under my thighs. 'I didn't say you were stupid,' he said. 'I'm just trying to determine where we should begin.' I leaned back in the cushioned seat. 'Since you've refused to tell me a thing about how much you know.' My face warmed. 'Can't you hire a tutor?' He lifted a brow. 'Is it that hard for you to even try in front of me?' 'You're a High Lord- don't you have better things to do?' 'Of course. But none as enjoyable as seeing you squirm.' 'You're a real bastard, you know that?' Rhys huffed a laugh. 'I've been called worse. In fact, I think you've called me worse.' He tapped the paper in front of him. 'Read that.' A blur of letters. My throat tightened. 'I can't.' 'Try.' The sentence had been written in elegant, concise print. His writing, no doubt. I tried to open my mouth, but my spine locked. 'What exactly, is your stake in all this? You said you'd tell me if I worked with you.' 'I didn't specify when I'd tell you.' I peeled back from him as my lip curled. He shrugged. 'Maybe I resent the idea of you letting those sycophants and war-mongering fools in the Spring Court make you feel inadequate. Maybe I indeed enjoy seeing you squirm. Or maybe-' 'I get it.' He snorted. 'Try to read it, Feyre.' Prick. I snatched the paper to me, nearly ripping it in half in the process. I looked at the first word, sounding it out in my head. 'Y-you...' The next I figured out with a combination of my silent pronunciation and logic. 'Look...' 'Good,' he murmured. 'I didn't ask for your approval.' Rhys chuckled. 'Ab... absolutely.' It took me longer than I wanted to admit to figure that out. The next word was even worse. 'De... Del...' I deigned to glance at him, brows raised. 'Delicious,' he purred. My brows knotted. I read the next two words, then whipped my face toward him. 'You look absolutely delicious today, Feyre?! That's what you wrote?' He leaned back in his seat. As our eyes met, sharp claws caressed my mind and his voice whispered inside my head. It's true, isn't it? I jolted back, my chair groaning. 'Stop that!' But those claws now dug in- and my entire body, my heart, my lungs, my blood yielded to his grip, utterly at his command as he said, The fashion of the Night Court suits you.

I'd taken to situating myself in one of the little lounges overlooking the mountains, and had almost read an entire book in the deep-cushioned armchair, going slowly as I learned new words. But it had filled my time- given me quiet, steadfast company with those characters, who did not exist and never would, but somehow made me feel less... alone.

We passed stacks of books and parchments, the shelves either built into the stone itself or made of dark, solid wood. Hallways lined with both vanished into the mountain itself, and every few minutes, a little reading area popped up, full of tidy tables, low-burning glass lamps, and deep-cushioned chairs and couches. Ancient woven rugs adorned the floors beneath them, usually set before fireplaces that had been carved into the rock and kept well away from any shelves, their grates fine-meshed enough to retain any wandering embers. Cosy, despite the size of the space; warm, despite the unknown terror lurking below.

Her heart was bleeding for David Copperfield. Laurel never read David Copperfield when her mother was with her. Today the book, as usual, would be returned to its hiding place behind the cushion in the little parlor when she had finished with it.

After changing into a yellow day dress with airy pagoda sleeves that ended at the elbow, she went to the family's private upstairs parlor. The family dogs, a pair of small black spaniels named Napoleon and Josephine, saw her in the hallway and trotted after her. The parlor was comfortably cluttered with heaps of colorful cushions on the furniture, a battered piano in the corner, and piles of books everywhere. She sat cross-legged on the carpet with the dogs, smiling as they bounded in and out of her lap excitedly. "We don't need Prince Charming, do we?" she asked them aloud. "No, we do not. There's a patch of sun on the carpet and books nearby- that's all we need to be happy." The spaniels stretched out in a bright yellow rectangle, wriggling and sighing in contentment. After petting and scratching the dogs for a while, Cassandra reached out to a stack of books on a low table, and sorted through them idly. Double Wedding... The Secret Duke... My Dashing Suitor, and other romantic novels she had read and reread. Much lower in the pile, there were books such as History of the Thirty Years' Peace and Life of Nelson, the kind one read in case one was called upon to make insightful comments at dinner.

I was so caught up in the discussion that I almost didn't notice Apicata sneaking shy glances at young Casca. Celera had, however, and was watching with amusement. She winked at me when she saw I had also noticed their interest. As Casca mouthed a sweet nothing to Apicata, Celera seized the moment. "Apicata, I understand you have begun reading the Histories of Herodotus. Tell me, how do you like them?" She almost choked on her honey water, not expecting to be addressed. Casca averted his eyes when he saw me looking in his direction and both of them turned as red as the cushions upon which we were seated. Apicata recovered quickly. "I've almost finished them. Father was entertaining Annaeus Seneca and when he heard I had not yet read it, he sent me a copy." "Have you reached the part about how the Ethiopians bury their dead in crystal coffins?" Casca asked, turning his body to rest his chin on both hands and stare at her directly. "Oh, yes, I'm long past that! I'm reading about how Xerxes had the waters of Hellespont whipped for not obeying him." Her eyes sparkled. "Wait till you reach the Battle of Thermopylae. What a heroic story!" The exchange continued for a few minutes with additional commentary from the others, who were oblivious to the undercurrent between the youths.

So, here is my “open letter to myself: today, a loser, but tomorrow, probably not:” If you are reading this, it is because you are within ______ of your loss limit today. Let’s slow down and consider how we got here. There are three ways this usually happens. If you got here because you lost track of your risk on a trade or a number of trades, you are just an idiot and I can’t help you. It is also possible that you just aren’t seeing the market clearly today, for whatever reason. Think hard about that. If either of those things are true, maybe you should pack it in and just go home. Tomorrow is a new day. However, it is more likely that today’s market is not the kind of market that plays to your strengths. You have a specific skill set, and within this realm you are probably as good as anyone out there. You understand the ebb and flow of a trending market, and how to press trades in those markets to maximum advantage. You usually don’t get shaken out by noise—you can hold trades in this kind of market better than almost anyone else… and, more often than not, you catch the turn at the end so you know when to get out. You do need to remember that maybe 1 in 5 trading days really rewards this style of trading. Chances are, today is not one of those days or you wouldn’t be reading this right now. What do you do now? Well, first of all take a deep breath and go for a short walk. Now. You are not going to make a brilliant trade in the next 15 seconds. You do not have to be here. In fact, your brain chemistry is compromised so you aren’t quite in your right mind—you cannot make good decisions right now. There is a really good chance the next trade you make will be your last one for the day, and then you can sit there and think about what an idiot you are for the rest of the day. Not pleasant or productive, so go for that walk right now. When you come back to the screen, the right course of action is to chip away at this loss. Think carefully about your next trading decision. You are going to be tempted to put on a lot of risk to try to make a big dent in your loss, but you know that almost never works. On a day you’re really in sync with the market, you can recover this loss in a single trade in a few minutes, but this clearly is not that day or you wouldn’t be reading this right now. Make a few ticks on small size and then use that cushion to take larger risk. Make $10 at first… $5 is even ok. Green is good. Hit singles, not home runs.

Well…I like your attitude,” he told me, smiling. “Although I don’t like yours Mr Lewiston,” he added, his voice suddenly going harsh. “Try to bring a whoopie cushion into my class again and you’ll find that your end of term Maths paper might just be mysteriously downgraded.

He did not want to crush their unfolding story. But he hoped he was not in love with love. That was like wanting to read, but only good news. Love could fill, but not make whole; it could cushion loneliness, not cure it. What it did was broaden your circumference of concern beyond yourself to encompass another person. Even if—when—that person caused you grief.