Curve Ball Quotes

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Life keeps throwing me curve balls and I don't even own a bat. At least my dodging skills are improving.
Jayleigh Cape
Life has a funny way of creating it's own tests. It throws curve balls that make you do and think and feel things that are in direct conflict with what you had planned and don't allow you to operate in terms of black and white.
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
Can I? Yeah. You bet I can. There's a million things in this world can't do. Couldn't hit a curve ball, even back in high school. Can't fix a leaky faucet. Can't roller-skate or make an F-chord on the guitar that sounds like anything but shit. I have tried twice to be married and couldn't do it either time. But if you want me to take you away, to scare you or involve you or make you cry or grin, yeah. I can. I can bring it to you and keep bringing it until you holler uncle. I am able. I CAN.
Stephen King (Misery)
Well, I believe in the soul, the cock, the pussy, the small of a woman's back, the hanging curve ball, high fiber, good scotch, that the novels of Susan Sontag are self-indulgent, overrated crap. I believe Lee Harvey Oswald acted alone. I believe there ought to be a constitutional amendment outlawing Astroturf and the designated hitter. I believe in the sweet spot, soft-core pornography, opening your presents Christmas morning rather than Christmas Eve and I believe in long, slow, deep, soft, wet kisses that last three days. Crash Davis Bull Durham
Ron Shelton
Wake up! Become more aware and alive of what feeds YOUR soul without seeking permission from others. Many curve balls have been thrown. Don’t hesitate—NOW is the time to hit a home run.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Life has a funny way of creating its own tests. It throws curve balls that make you do and think and feel things that are in direct conflict with what you had planned and don't allow you to operate in terms of black and white.
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
She had fouled off of the curves that life had thrown at her.
W.P. Kinsella (The Thrill Of The Grass)
Right then I should have also thought about the curve balls coming my way, but sometimes it’s really hard to see things until theyhit you upside the head. Then it’s too late.
Maria Rachel Hooley (Summer Sunsets (October Breezes #2))
When life throws you a curve ball just give up, no need messing around with that off speed shit
Bradley Bowman
Sometimes our Biggest Nightmare turns out to be our Biggest Gift. And it all comes down to our attitude. Life will throw us curve balls and disappointments, even heartbreak. But ultimately we can choose if we're going to be Bitter or Better for the experience.
Kathryn Orford
Life doesn’t exactly give us what we need when it’s the perfect time. It’s not a pitching machine straight over the plate. Life throws curve balls—hard and fast, unpredictable. But you still have to hit that sucker or strike out swinging.
Kandi Steiner (Revelry)
So, that’s how it feels to be glamoured by a siren,” he says, the corner of his mouth curving up just the slightest, “like I’ve been caught by my balls.” He comes in close, his smirk growing. “The whole thing was horribly invasive. I rather enjoyed it.
Laura Thalassa (Dark Harmony (The Bargainer, #3))
Life can throw curve balls of discouragement...
Asa Don Brown (Waiting to Live)
Bout time you got here,” Keefe called as they crested a hill and entered a grassy meadow peppered with tiny blue flowers. “I was getting tired of stomping Fitz to a pulp in bramble.” “Only because you cheat!” Fitz shouted, tossing a red tri-pointed ball at Keefe. Keefe caught it and whipped it back so fast Fitz had to dive to avoid being smacked in the face. Then the strange ball curved back like a boomerang and Keefe caught it one-handed. “Only losers play fair. Which is why I call Foster for my team today.” “Hey—why do you get her?” Fitz asked,
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
The emptiness of the narcissist often means that they are only focused on whatever is useful or interesting to them at the moment. If at that moment it is interesting for them to tell you they love you, they do. It’s not really a long game to them, and when the next interesting issue comes up, they attend to that. The objectification of others—viewing other people as objects useful to his needs—can also play a role. When you are the only thing in the room, or the most interesting thing in the room, then the narcissist’s charisma and charm can leave you convinced that you are his everything. The problem is that this is typically superficial regard, and that superficiality results in inconsistency, and emotions for the narcissistic person range from intense to detached on a regular basis. This vacillation between intensity and detachment can be observed in the narcissist’s relationships with people (acquaintances, friends, family, and partners), work, and experiences. A healthy relationship should feel like a safe harbor in your life. Life throws us enough curve balls in the shape of money problems, work issues, medical issues, household issues, and even the weather. Sadly, a relationship with a narcissist can be one more source of chaos in your life, rather than a place of comfort and consistency.
Ramani Durvasula (Should I Stay or Should I Go?: Surviving a Relationship with a Narcissist)
Dig Deep! When the task at hand seems to be very difficult. Dig Deep! Whenever you feel you're drifting away from your intended course. Dig Deep! When others doubt you and say it can't be done. Dig Deep! Whenever you feel like giving up. Dig Deep! When life throws you a curve ball. If you quit, you'll never hit that homerun
Amaka Imani Nkosazana (Sweet Destiny)
Life is going to through you curve balls, but you still go to swing and try to hit them.
Julia Metifier
sometimes life throws us a curve ball. It doesn’t go the way we planned. All that matters is how we handle it and the person we become on the other side.
Karina Halle (Before I Ever Met You)
But never underestimate me. Never. When life throws me a curve ball, I swing. Sometimes I hit, sometimes I miss, but you can bet every pressed suit in your closet that I give everything.
Maria G. Cope (Lowlife: A Bottom Feeder Novel)
Life inevitably throws us curve balls blazing with unexpected circumstances. Living life, taking risks.” She shrugs. “It’s something we all have to do in order to understand the miracle of it all; only then do true miracles happen. The best things in life are truly unexpected.
Kaylee Ryan (Tempting Tatum)
Checking the address, he knocked on the door. The door opened a crack. “We’re closed.” He recognized those violet eyes. His throat went dry. “Oh. You again.” Her eyes narrowed as she chuckled. “You must have women throwing themselves at you with lines like that. What are you doing here?” “I came to see if Flynn Enterprises has made an offer to buy your property.” His gaze wandered against his better judgement. On his ship, she’d been wearing jeans and a t-shirt. Now her curves were covered by a quality replica of a pirate’s frock coat, complete with deck boots, a bandana covering her hair, and a single hoop earring. “Didn’t take you for a pirate earlier today.” “You seriously came over here to talk to a stranger about private financial information, and then you have the balls to comment on her work attire?” She raised a brow. “We’re hardly strangers.” He struggled to hold back a smile and offered his hand. “I don’t think I introduced myself earlier. I’m Colton. Colton Hayes.” She looked at his hand and finally opened the door. “Skye Olson. And apparently I’m a glutton for punishment.
Lisa Kessler (Magnolia Mystic (Sentinels of Savannah, #1))
He who carved the edges of the cosmos curved Himself into a fetal ball in the dark, tethered Himself to the uterine wall of a virgin, and lets His cells divide, light splitting all white. He gave up the heavens that were not even large enough to contain Him and lets Himself be held in a hand. The mystery so large becomes the Baby so small, and infinite God becomes infant.
Ann Voskamp (The Greatest Gift: Unwrapping the Full Love Story of Christmas)
Do you even know women? They are the most complicated creatures on the planet. Just a single word can take your relationship from being happy to being so miserable that your balls crawl up your ass.
Milly Taiden (Curves 'em Right (Paranormal Dating Agency, #4))
Whenever life throws you a curve ball, embrace it. Embrace it as if it was the exact pitch you were hoping for. Embrace it. Control it. Conquer it. Then throw it back harder. And get ready for the next pitch!
José N. Harris
Superficiality results in vacillating inconsistency, and emotions for the narcissistic person range from intense to detached on a regular basis. A healthy relationship should feel like a safe harbor in your life. Life throws us enough curve balls in the shape of money problems, work issues, medical issues, household issues, and even the weather. Sadly, a relationship with a narcissist can be one more source of chaos in your life, rather than a place of comfort and consistency.
Ramani Durvasula (Should I Stay or Should I Go?: Surviving a Relationship with a Narcissist)
The movie Bull Durham was written by a man who grew up in the faith and was disillusioned by the church. It begins with the female lead saying, “I believe in the church of baseball. I've tried all the major religions and most of the minor ones … and the only church that truly feeds the soul is baseball.” Later in the movie the Kevin Costner character recites his creed: “I believe in the soul … the hanging curve ball, high fiber, good scotch … I believe there ought to be a constitutional amendment outlawing Astroturf and the designated hitter. I believe in long, slow, deep, soft kisses that last three days.”4 My wife liked that one. A little too much. My wife is a Kevin Costner fundamentalist. Kevin said it; she believes it; that settles it.
John Ortberg Jr. (Faith and Doubt: Embracing Uncertainty in Your Faith)
But the universe knows what it’s doing, Ellie. Sometimes it likes to throw curve balls. Make life a struggle. So you can come out the other end and appreciate it more than you did before. We just gotta trust that things will turn out the way they’re supposed to.
J.A. Huss (Mr. & Mrs. (Mister, #7))
It’s just … You know. You drive me crazy. You’ve always driven me crazy." I think my mind is now all over the floor. "And you don’t think it might have been a good idea to maybe tell me this? I’ve spent the last ten years pining for you like an idiot, you idiot.
Charlotte Stein (Curve Ball (Away We Go, #1))
Life is always going to throw us curve balls. It is always going to rock the boat just when we are getting particularly settled. It is not an excuse to become a miserable wretch. Yes, I say this knowing that I have most certainly used it as an excuse to be a miserable wretch.
Stephanee Killen (Buddha Breaking Up: A Guide to Healing from Heartache & Liberating Your Awesomeness)
He already couldn’t remember what it’d been like before her. He’d thought everything was great in his life but then he’d been thrown a curve ball in the form of this gorgeous, passionate woman who he suddenly couldn’t get enough of. Which made it official. He was hers, completely.
Jill Shalvis (Accidentally on Purpose (Heartbreaker Bay, #3))
Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.” I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.” Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.” “Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again. “Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.” “Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?” His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.” I whispered the words as he brought his lips to mine. “Forever.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
A figure barred their way. It hadn’t been there a moment ago but it looked permanent now. It seemed to have been made of snow, three balls of snow piled on one another. It had black dots for eyes. A semi-circle of more dots formed the semblance of a mouth. There was a carrot for the nose. And, for the arms, two twigs. At this distance, anyway. One of them was holding a curved stick. A raven wearing a damp piece of red paper landed on one arm. ‘Bob bob bob?’ it suggested. ‘Merry Solstice? Tweetie tweet? What are you waiting for? Hogswatch?’ The dogs backed away. The snow broke off the snowman in chunks, revealing a gaunt figure in a flapping black robe. Death spat out the carrot. HO. HO. HO.
Terry Pratchett (Hogfather (Discworld, #20))
Dear Kai, The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went. I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me. Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make. After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands. But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that. And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle. Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom. I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know. Yours, Elliot Dear Elliot, I know. When will I see you again? Yours, Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
Just when he figured life was going to be easy and hand him a woman to bend over his desk, it threw him a nice fucking curve. Batter up! I want to play with some balls.
Ella Frank (Try (Temptation, #1))
After unlatching the tiny gold clasp, Pandora opened the case and beheld a double-stranded pearl necklace on a bed of red velvet. Her eyes widened, and she lifted one of the strands, gently rolling the lustrous ivory pearls between her fingers. "I never imagined having something so fine. Thank you." "Do they please you, sweet?" "Oh, so very much-" Pandora began, and stopped as she saw the gold clasp, glittering with diamonds. It was fashioned with two interlocking parts of swirling, deep cut leaves. "Acanthus scrolls," she said with a crooked grin. "Like the ones in the settee at the Chaworth ball." "I have a fondness for acanthus scrolls." His gaze caressed her as she put on the necklace. The double strands were so long that there was no need to unfasten the clasp. "They kept you in place just long enough for me to catch you." Pandora grinned, enjoying the cool, sensuous weight of the pearls as they slid against her neck and chest. "I think you were the one who was caught, my lord." Gabriel reached out to touch the curve of her bare shoulder with his fingertips, and followed the pearl strands over her breast. "Your captive for life, my lady.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Baseball is a game where a curve is an optical illusion, a screwball can be either a pitch or a person, stealing is legal, and you can spit anywhere you like except in the umpire's eye or the ball.
Ring Lardner (Lardner on Baseball)
It wouldn’t always be like this. Seven years of marriage had taught us that every day would be different, that life would throw us curve balls and we wouldn’t always get along. But our eyes were wide open now. We knew what we wanted. And that was each other. He would drive me crazy and I would inevitably make him furious. But he would also make me happier than I had ever been. He would also take care of me, adore me, love me. And I would love him in return. I would support him. And I would respect him.
Rachel Higginson (Every Wrong Reason)
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted. Each of his thumbs curved over the shells of my ears. "That's my girl." His girl. After all the crap that I'd gone through today, there couldn't have been three better words to hear. Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now. What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings. “What’cha thinkin’, Ritz?” I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?” Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine. "And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me." He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you." He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you." The feeling that swamped me was indescribable. He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it. "Dex," I exhaled his name. He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby." I choked out a laugh. Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass." Fire shot straight through my chest. "Yeah?" I panted. "Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
Mariana Zapata (Under Locke)
Again as during fetal development, synapses that underlie cognitive and other abilities stick around if they’re used but wither if they’re not. The systematic elimination of unused synapses, and thus unused circuits, presumably results in greater efficiency for the neural networks that are stimulated—the networks that support, in other words, behaviors in which the adolescent is actively engaged. Just as early childhood seems to be a time of exquisite sensitivity to the environment (remember the babies who dedicate auditory circuits only to the sounds of their native language, eliminating those for phonemes that they do not hear), so may adolescence. The teen years are, then, a second chance to consolidate circuits that are used and prune back those that are not—to hard-wire an ability to hit a curve ball, juggle numbers mentally, or turn musical notation into finger movements almost unconsciously. Says Giedd, “Teens have the power to determine their own brain development, to determine which connections survive and which don’t, [by] whether they do art, or music, or sports, or videogames.
Jeffrey M. Schwartz (The Mind & The Brain: Neuroplasticity and the Power of Mental Force)
The stage manager of this [life's] performance was neither God nor the devil. The former was far too gray, and venerable, and old-fashioned; and the latter, surfeited with other people’s sins, was a bore to himself and to others, as dull as rain … in fact, rain at dawn in the prison-court, where some poor imbecile, yawning nervously, is being quietly put to death for the murder of his grandmother. The stage manager whom Rex had in view was an elusive, double, triple, self-reflecting magic Proteus of a phantom, the shadow of many-colored glass balls flying in a curve, the ghost of a juggler on a shimmering curtain.
Vladimir Nabokov (Laughter in the Dark)
This is the heart of it, the scared woman who does not want to go alone to the man any longer, because when she does, when she takes of her baggy dress, displaying to him rancid breasts each almost as big as his own head, or no breasts, or mammectomized scar tissues taped over with old tennis balls to give her the right curves; when, vending her flesh, she stands or squats waiting, congealing the air firstly with her greasy cheesey stench of unwashed feet confined in week-old socks, secondly with her perfume of leotards and panties also a week old, crusted with semen and urine, brown-greased with the filth of alleys; thirdly with the odor of her dress also worn for a week, emblazoned with beer-spills and cigarette-ash and salted with the smelly sweat of sex, dread, fever, addiction—when she goes to the man, and is accepted by him, when all these stinking skins of hers have come off (either quickly, to get it over with, or slowly like a big truck pulling into a weigh station because she is tired), when she nakedly presents her soul’s ageing soul, exhaling from every pore physical and ectoplasmic her fourth and supreme smell which makes eyes water more than any queen of red onions—rotten waxy smell from between her breasts, I said, bloody pissy shitty smell from between her legs, sweat-smell and underarm-smell, all blended into her halo, generalized sweetish smell of unwashed flesh; when she hunkers painfully down with her customer on bed or a floor or in an alley, then she expects her own death. Her smell is enough to keep him from knowing the heart of her, and the heart of her is not the heart of it. The heart of it is that she is scared.
William T. Vollmann (The Royal Family)
I’ve never seen anything more beautiful in all my life. Which is your favorite?” “That’s like asking me which is my favorite ball.” I blinked then, utterly outraged, twisted to glower at him. “You did not just compare The Concert, Poppy Flowers, and Landscape with Obelisk to your testicles.” His lips curved into a smirk. “I did. Because I can’t choose. How can I? It’s nothing to do with value, and everything to do with how it makes you feel.
Serena Akeroyd (Filthy Dark (The Five Points' Mob Collection, #3))
The fairy- again, Wendy assumed- was an angry tinkling ball of light with the prettiest girl imaginable inside. Diminutive but... solid, with a scandalous lack of decorous dress. All she wore was a ragged green shift which barely covered her hips and thighs and breasts and was gathered dangerously over only one shoulder. This was both shocking and delightful; it made the tiny creature resemble statues of ancient nymphs and nereids Wendy had seen. Her hair was even done up in classical style, a goddess-like bun of hair so golden it glowed. Tiny pointed ears curved their way through the few dangling tresses. Her eyes were enormous and not even remotely human: they were far apart and glaring. The crowning glory was, of course, a pair of delicate iridescent wings sprouting from her back. Their shape was somewhere between butterfly and dragonfly. They were clear as glass and thin as onion skin.
Liz Braswell (Straight On Till Morning)
The cheapest orbit available is LEO (Low Earth Orbit). People often think that "orbit" means there's no gravity. This is incorrect. In fact, the International Space Station (which is in LEO right now) is usually around 250 miles high and experiences about 90% of the gravity you experience on Earth. So why do the astronauts float around like there's no gravity? Although they are pulled toward the Earth all the time, they always "miss" it. Think of it like this: Imagine you fire a cannonball from the top of a tower. If you fire it softly, the ball will go a little ways then fall to the ground. If you fire it incredibly fast, it will just fly off into space. But between falling right down and going off into space, there are a lot of intermediate regimes. For a given height, there is some speed that is slow enough that it can't leave Earth, but fast enough that you'll never plop to the ground. If you were ridong that cannonball, you'd be falling, because gravity is tugging you down. At the same time, because you're going so fast, you'd be able to see Earth's curve. As you move from a point on the globe in a straight line, Earth curves down and away from you, increasing your distance from the surface. At this particular speed, you have two balanced effects: Gravity wants you down low, but your speed keeps you up high. So you just keep going around and around. You "orbit.
Kelly Weinersmith (Soonish: Ten Emerging Technologies That'll Improve and/or Ruin Everything)
Oh, Zachary, you're such a beautiful man.” She gathered herself against the wonderful wealth of hair on his chest, playing with the dark curls, brushing her mouth and fingers through them. A faint groan came from over her head. “You're the beautiful one.” His hands moved gently over her back and hips, savoring the texture of her skin. “I never recovered from my first glance at you, at the Bellemont ball.” “You saw me then? But it was dark outside.” “I followed you after I kissed you in the conservatory.” He pushed her to her back, his gaze sweeping over her naked body. “I watched as you went to your carriage, and I thought you were the loveliest thing I had ever seen.” He pressed a kiss to her shoulder, his tongue touching the fragile curve, and Holly trembled. “And you began to scheme,” she said breathlessly. “That's right. I thought of a hundred ways to get under your skirts, and I decided the best plan was to hire you. But somewhere in the middle of my efforts to seduce you, I fell in love with you.” “And your intentions became honorable,” she said, pleased. “No, I still wanted to get under your skirts.” “Zachary Bronson,” she exclaimed, and he grinned, bracing his forearms on either side of her head.
Lisa Kleypas (Where Dreams Begin)
Look at the stories of people who have changed the world - they have so often started with little, but they distinguished themselves by how they approached life, opportunity, relationships and struggle. Martin Luther King, Nelson Mandela, Gandhi. You name them. The list is huge but the common qualities are small. Resourcefulness and a determination to survive the ‘lemons’ are invariably at the heart of these successes. The secret to a life well lived is taking the resources around us - the people we know, the possessions we own, the skills we’ve acquired - and combining them in such a way that they add up to something greater than their constituent parts. That’s the lemonade bit. So often in the wild I have felt totally beaten, but I have kept going, kept trying to think smart, be resourceful, positive, energetic - despite the fatigue - and it has always made a critical difference. We can’t always choose our circumstances but we can choose how we respond to what life throws at us, and there is power when we realize our ability to alter our destiny. A life in the wild has taught me not to fear the unexpected, but to embrace it. In fact, I have learnt that those curve balls from left-field are very often the making of us.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
My mind is curiously alert; it's as though my skull had a thousand mirrors inside it. My nerves are taut, vibrant! the notes are like glass balls dancing on a million jets of water. I've never been to a concert before on such an empty belly. Nothing escapes me, not even the tiniest pin falling. It's as though I had no clothes on and every pore of my body was a window and all the windows open and the light flooding my gizzards. I can feel the light curving under the vault of my ribs and my ribs hang there over a hollow nave trembling with reverberations. How long this lasts I have no idea; I have lost all sense of time and place. After what seems like an eternity there follows an interval of semiconsciousness balanced by such a calm that I feel a great lake inside me, a lake of iridescent sheen, cool as jelly; and over this lake, rising in great swooping spirals, there emerge flocks of birds of passage with long slim legs and brilliant plumage. Flock after flock surge up from the cool, still surface of the lake and, passing under my clavicles, lose themselves in the white sea of space. And then slowly, very slowly, as if an old woman in a white cap were going the rounds of my body, slowly the windows are closed and my organs drop back into place.
Henry Miller (Tropic of Cancer (Tropic, #1))
something flat but pliant—a mattress, say, or a sheet of stretched rubber—on which is resting a heavy round object, such as an iron ball. The weight of the iron ball causes the material on which it is sitting to stretch and sag slightly. This is roughly analogous to the effect that a massive object such as the Sun (the iron ball) has on spacetime (the material): it stretches and curves and warps it. Now if you roll a smaller ball across the sheet, it tries to go in a straight line as required by Newton’s laws of motion, but as it nears the massive object and the slope of the sagging fabric, it rolls downward, ineluctably drawn to the more massive object. This is gravity—a product of the bending of spacetime.
Bill Bryson (A Short History of Nearly Everything)
I was halfway across when the planes came roaring, demolishing the sky over the Severn Valley. Tornados fly over our school several times a day, so I was ready to cover my ears with my hands. But I wasn’t ready for three Hawker Harrier Jump Jets, close enough to the ground to hit with a cricket ball. The slam of noise was incredible! I bent into a tight ball and peeped out. The Harriers curved before they smashed into the Malverns, just, and flew off toward Birmingham, screaming under Soviet radar height. When World War III comes, it’ll be MiGs stationed in Warsaw or East Germany screaming under NATO radar. Dropping bombs on people like us. On English cities, towns, and villages like Worcester, Malvern, and Black Swan Green. Dresden, the Blitz, and Nagasaki.
David Mitchell (Black Swan Green)
I pulled at the knot again and heard threads begin to pop. “Allow me, Miss Jones,” said Armand, right at my back. There was no gracious way to refuse him. Not with Mrs. Westcliffe there, too. I exhaled and dropped my arms. I stared at the lotus petals in my painting as the new small twists and tugs of Armand’s hands rocked me back and forth. Jesse’s music began to reverberate somewhat more sharply than before. “There,” Armand said, soft near my ear. “Nearly got it.” “Most kind of you, my lord.” Mrs. Westcliffe’s voice was far more carrying. “Do you not agree, Miss Jones?” Her tone said I’d better. “Most kind,” I repeated. For some reason I felt him as a solid warmth behind me, behind all of me, even though only his knuckles made a gentle bumping against my spine. How blasted long could it take to unravel a knot? “Yes,” said Chloe unexpectedly. “Lord Armand is always a perfect gentleman, no matter who or what demands his attention.” “There,” the gentleman said, and at last his hands fell away. The front of the smock sagged loose. I shrugged out of it as fast as I could, wadding it up into a ball. “Excuse me.” I ducked a curtsy and began my escape to the hamper, but Mrs. Westcliffe cut me short. “A moment, Miss Jones. We require your presence.” I turned to face them. Armand was smiling his faint, cool smile. Mrs. Westcliffe looked as if she wished to fix me in some way. I raised a hand instinctively to my hair, trying to press it properly into place. “You have the honor of being invited to tea at the manor house,” the headmistress said. “To formally meet His Grace.” “Oh,” I said. “How marvelous.” I’d rather have a tooth pulled out. “Indeed. Lord Armand came himself to deliver the invitation.” “Least I could do,” said Armand. “It wasn’t far. This Saturday, if that’s all right.” “Um…” “I am certain Miss Jones will be pleased to cancel any other plans,” said Mrs. Westcliffe. “This Saturday?” Unlike me, Chloe had not concealed an inch of ground. “Why, Mandy! That’s the day you promised we’d play lawn tennis.” He cocked a brow at her, and I knew right then that she was lying and that she knew that he knew. She sent him a melting smile. “Isn’t it, my lord?” “I must have forgotten,” he said. “Well, but we cannot disappoint the duke, can we?” “No, indeed,” interjected Mrs. Westcliffe. “So I suppose you’ll have to come along to the tea instead, Chloe.” “Very well. If you insist.” He didn’t insist. He did, however, sweep her a very deep bow and then another to the headmistress. “And you, too, Mrs. Westcliffe. Naturally. The duke always remarks upon your excellent company.” “Most kind,” she said again, and actually blushed. Armand looked dead at me. There was that challenge behind his gaze, that one I’d first glimpsed at the train station. “We find ourselves in harmony, then. I shall see you in a few days, Miss Jones.” I tightened my fingers into the wad of the smock and forced my lips into an upward curve. He smiled back at me, that cold smile that said plainly he wasn’t duped for a moment. I did not get a bow. Jesse was at the hamper when I went to toss in the smock. Before I could, he took it from me, eyes cast downward, no words. Our fingers brushed beneath the cloth. That fleeting glide of his skin against mine. The sensation of hardened calluses stroking me, tender and rough at once. The sweet, strong pleasure that spiked through me, brief as it was. That had been on purpose. I was sure of it.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!
Walt Whitman (I Sing the Body Electric)
We’re just discussing details of Bronte’s wedding.” Rose’s lips curved as she walked toward him. “Gentlemen discussing wedding details? I think the world must be ending.” Picking up his glass, she took a drink of lemonade. It was an innocent, innocuous gesture-and one of the most arousing things he’d ever seen. Archer chuckled, seemingly obviously to Grey’s dumb state. “Lucifer is putting on his ice skates as we speak. And on that note, I’m afraid it is time for me to take my leave. I promised Mama I would escort both she and Bronte to the ball tonight, and I have yet to find a suitable mask.” “I look forward to trying to ascertain your identity this evening,” Rose remarked with a smile that seemed only slightly strained. Regardless, the sight filled Grey with unease. “As do I.” Archer bowed over her hand before leaning down to whisper, “Arse,” in Grey’s ear and punched him in the arm. Hard. Sometimes, Grey hated his brother.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
The last encounter was one Ian enjoyed, because Elizabeth was with him after they’d had their second-and last permissible-dance. Viscount Mondevale had approached them with Valerie hanging on his arm, and the rest of their group fanned around them. The sight of the young woman who’d caused them both so much pain evoked almost as much ire in Ian as the sight of Mondevale watching Elizabeth like a lovelorn swain. “Mondevale,” Ian had said curtly, feeling the tension in Elizabeth’s fingers when she looked at Valerie, “I applaud your taste. I’m certain Miss Jamison will make you a fine wife, if you ever get up the spine to ask her. If you do, however, take my advice, and hire her a tutor, because she can’t write and she can’t spell.” Transferring his blistering gaze to the gaping young woman, Ian clipped, “’Greenhouse’ has a ‘u’ in it. Shall I spell ‘malice’ for you as well?” “Ian,” Elizabeth chided gently as they walked away. “It doesn’t matter anymore.” She looked up at him and smiled, and Ian grinned back at her. Suddenly he felt completely in harmony with the world. The feeling was so lasting that he managed to endure the remaining three weeks-with all the requisite social and courtship rituals and betrothal formalities-with equanimity while he mentally marked off each day before he could make her his and join his starving body with hers. With a polite smile on his face Ian appeared at teas and mentally composed letters to his secretary; he sat through the opera and slowly undressed her in his mind; he endured eleven Venetian breakfasts where he mentally designed an entirely new kind of mast for his fleet of ships; he escorted her to eighteen balls and politely refrained from acting our his recurring fantasy of dismembering the fops who clustered around her, eyeing her lush curves and mouthing platitudes to her. It was the longest three weeks of his life. It was the shortest three weeks of hers.
Judith McNaught (Almost Heaven (Sequels, #3))
She also saw an interesting sight. On a curve not far from Little Rock a busload of Elks had turned over. The bus was on its right side in the ditch, the front wheels still slowly turning, and the Elks were surfacing one at a time through the escape hatch on the left side, now topside. One Elk was lying on the grass, maybe dead, no ball game for him, and others were limping and hopping about and holding their heads. Another one, in torn shirt-sleeves, was sitting on a suitcase on top of the bus. He was not lifting a finger to help but as each surviving brother Elk stuck his head up through the hatchway, he gave a long salute from his compressed-air horn. The big Trailways cruiser began to slow down. When the man saw this he turned with his noise device and hooted it -- there could be no mistake -- at the driver. Norwood was talking to a man with bulging eyes across the aisle who had gone broke in Mississippi selling premium beer for $3.95 a case on credit, and they both missed it, that hooting part. They did help load the injured into ambulances. The former tavern keeper found a silver dollar in the grass and kept it.
Charles Portis (Norwood)
45. No Plan Survives First Contact With The Enemy No matter how well you have prepared for something in advance - whether it’s an expedition, an exam, a marriage or a race - when you find yourself in the thick of the action, however good your plan, things happen. Adventure is unpredictable, and you had better learn to be flexible and to swing with the punches, or you will get beaten - it’s as simple as that. Mike Tyson famously once said: ‘Everyone has a plan…until they get punched in the face!’ If the adventure is an exciting one, you can bet your bottom dollar you will get hit by the occasional punch in the face. So prepare for the unexpected, and remember that forewarned is forearmed. Knowing that things will and do go wrong in the heat of battle is actually half the battle. It means that when it happens you are ready for it - you can react fast, stay nimble and you can survive the barrage. We used to say in the military that when things took a turn for the worse you have to ‘improvise, adapt and overcome.’ IAO. It is a good one to remember. It gives us a road map to deal with the unexpected. Being caught out, being caught off guard often makes people freeze - it is a human reaction to shock. But freezing can cost you the edge. So learn to anticipate the unexpected, and when it happens, smile to yourself and treat it as a solid marker that you are doing something right on your road to success. If nothing ever goes wrong then you haven’t been ambitious enough! I also like to say that the real adventure begins in earnest when things go a little bit wrong. It is only then that you get to pit yourself against the worst the wild has to throw at you. When all is going to plan, with all the kit working perfectly and the weather benign, then it isn’t really a test of character. It is easy to be the hero when all is going your way. But when it all goes wrong and life feels like a battle, it is then that we can see what sort of people we have around us. It is only through the hardships that our character becomes forged. Without struggle there can be no growth - physically or emotionally. So embrace the unexpected, feed off it, train yourself to be a master of the curve ball, and you will have built yourself another solid ‘character’ rung on the ladder to success.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
AND TREMBLING, James stood alone out in the open, wondering what to do. The night was all around him now, and high overhead a wild white moon was riding in the sky. There was not a sound, not a movement anywhere. Most people—and especially small children—are often quite scared of being out of doors alone in the moonlight. Everything is so deadly quiet, and the shadows are so long and black, and they keep turning into strange shapes that seem to move as you look at them, and the slightest little snap of a twig makes you jump. James felt exactly like that now. He stared straight ahead with large frightened eyes, hardly daring to breathe. Not far away, in the middle of the garden, he could see the giant peach towering over everything else. Surely it was even bigger tonight than ever before? And what a dazzling sight it was! The moonlight was shining and glinting on its great curving sides, turning them to crystal and silver. It looked like a tremendous silver ball lying there in the grass, silent, mysterious, and wonderful. And then all at once, little shivers of excitement started running over the skin on James’s back. Something else, he told himself, something stranger than ever this time, is about to happen to me again soon. He was sure of it. He could feel it coming.
Roald Dahl (James and the Giant Peach)
Am I to assume the Valerie I was introduced to earlier was the Valerie of our greenhouse notes?” He realized his mistake the instant her eyes clouded over and she glanced in the direction he’d looked. “Yes.” “Shall I ask Willington to clear his ballroom so you have the requisite twenty paces? Naturally, I’ll stand as your second.” Elizabeth drew a shaky breath, and a smile curved her lips. “Is she wearing a bow?” Ian looked and shook his head. “I’m afraid not.” “Does she have an earring?” He glanced again and frowned. “I think that’s a wart.” Her smile finally reached her eyes. “It’s not a large target, but I suppose-“ “Allow me,” he gravely replied, and she laughed. The last strains of their waltz were dying away, and as they left the dance floor Ian watched Mondevale making his way toward the Townsendes, who’d returned to the ballroom. “Now that you’re a marquess,” Elizabeth asked, “will you live in Scotland or in England?” “I only accepted the title, not the money or the lands,” he replied absently, watching Mondevale. “I’ll explain everything to you tomorrow morning at your house. Mondevale is going to ask you to dance as soon as we reach the Townsendes, so listen closely-I’m going to ask you to dance again later. Turn me down.” She sent him a puzzled look, but she nodded. “Is there anything else?” she asked when he was about to relinquish her to her friends. “There’s a great deal else, but it will have to wait until tomorrow.” Mystified, Elizabeth turned her attention to Viscount Mondevale. Alex watched the byplay between Elizabeth and Ian but her mind was elsewhere. While the couple danced, Alex had told her husband exactly what she thought of Ian Thornton who’d first ruined Elizabeth’s reputation and now deceived her into thinking he was still a man of very modest means. Instead of agreeing that Thornton was completely without principles, Jordan had calmly insisted that Ian intended to set matters aright in the morning, and then he’d made her, and his grandmother, promise not to tell Elizabeth anything until Ian had been given the opportunity to do so himself. Dragging her thoughts back to the ballroom, Alex hoped more than anything that Ian Thornton would do nothing more to hurt her good friend. By the end of the evening a majority of the guests at the Willington ball had drawn several conclusions: first, that Ian Thornton was definitely the natural grandson of the Duke of Stanhope (which everyone claimed to have always believed); second, that Elizabeth Cameron had very probably rebuffed his scandalous advances two years ago (which everyone claimed to have always believed); third, that since she had rejected his second request for a dance tonight, she might actually prefer her former suitor Viscount Mondevale (which hardly anyone could really believe).
Judith McNaught (Almost Heaven (Sequels, #3))
Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.” “Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?” “Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery.” “Speaking of shrubbery,” she teased, pausing on the balcony to cast a last fond look at the “arbor” of potted trees with silk blossoms that occupied one-fourth the length of the entire ballroom, “everyone is talking about having gardens and arbors as themes for future balls. I think you’ve stared a new ‘rage.’” “You should have seen your face,” he teased, drawing her away, “when you recognized what I had done.” “We are probably the only couple,” she returned her face turned up to his in laughing conspiracy, “ever to lead off a ball by dancing a waltz on the sidelines.” When the orchestra had struck up the opening waltz, Ian had led her into the mock “arbor,” and they had started the ball from there. “Did you mind?” “You know I didn’t,” she returned, walking beside him up the curving staircase. He stopped outside her bed chamber, opened the door for her, and started to pull her into his arms, then checked himself as a pair of servants came marching down the hall bearing armloads of linens. “There’s time for this later,” he whispered. “All the time we want.
Judith McNaught (Almost Heaven (Sequels, #3))
In retrospect, however, her mother's irreverence might have been one of her greatest gifts as a parent. Such as the day when Merritt had run crying to her because a group of boys hadn't wanted her to play rounders with them. Lillian had hugged and comforted her, and said, "I'll go tell them to give you a turn." "No, Mama," Merritt had sobbed. "They don't want me to play because I'm not good at it. I mostly can't hit the ball, and when I do, it doesn't go anywhere. They said I have baby arms." The indignity of that had been intolerable. But Mama, who'd always understood the fragility of a child's pride, had curved her fingers around Merritt's upper arm and said, "Make a muscle for me." After feeling Merritt's biceps, her mother had lowered to her haunches until their faces were level. "You have very strong arms, Merritt," she'd said decisively. "You're as strong as any of those boys. You and I are going to practice until you're able to hit that blasted ball over all their heads." For many an afternoon after that, Mama had helped her to learn the right stance, and how to transfer her weight to the front foot during the swing, and how to follow through. They had developed her eye-hand coordination and had practiced until the batting skills felt natural. And the next time Merritt played rounders, she'd scored more points than anyone else in the game. Of the thousands of embraces Mama had given her throughout childhood, few stood out in Merritt's mind as much as the feel of her arms guiding her in a batting stance. I want you to attack the ball, Merritt. Be fierce." Not everyone would understand, but "Be fierce" was one of the best things her mother had ever told her.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.” Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.” A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.” He grinned. “I have more.” She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts. By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes. “I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.” “I wouldn’t have done it without you.” She shook her head. “You did it for yourself not for me.” Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.” She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.” “Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.” Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased. His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him. Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life. Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face. Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it. “I heard you that night,” he admitted. “When you told me you loved me.” Her head tilted. “I thought you were asleep.” “No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.” Her smile was smug. “I know.” She kissed him again. “Make love to me.” His entire body pulsed. “I intend to, but there’s one thing I have to do first.” Rose frowned. “What’s that?” Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
It was at night,” I say. “What was?” “What happened. The car wreck. We were driving along the Storm King Highway.” “Where’s that?” “Oh, it’s one of the most scenic drives in the whole state,” I say, somewhat sarcastically. “Route 218. The road that connects West Point and Cornwall up in the Highlands on the west side of the Hudson River. It’s narrow and curvy and hangs off the cliffs on the side of Storm King Mountain. An extremely twisty two-lane road. With a lookout point and a picturesque stone wall to stop you from tumbling off into the river. Motorcycle guys love Route 218.” We stop moving forward and pause under a streetlamp. “But if you ask me, they shouldn’t let trucks use that road.” Cool Girl looks at me. “Go on, Jamie,” she says gently. And so I do. “Like I said, it was night. And it was raining. We’d gone to West Point to take the tour, have a picnic. It was a beautiful day. Not a cloud in the sky until the tour was over, and then it started pouring. Guess we stayed too late. Me, my mom, my dad.” Now I bite back the tears. “My little sister. Jenny. You would’ve liked Jenny. She was always happy. Always laughing. “We were on a curve. All of a sudden, this truck comes around the side of the cliff. It’s halfway in our lane and fishtailing on account of the slick road. My dad slams on the brakes. Swerves right. We smash into a stone fence and bounce off it like we’re playing wall ball. The hood of our car slides under the truck, right in front of its rear tires—tires that are smoking and screaming and trying to stop spinning.” I see it all again. In slow motion. The detail never goes away. “They all died,” I finally say. “My mother, my father, my little sister. I was the lucky one. I was the only one who survived.
James Patterson (I Funny: A Middle School Story)
Newton had bequeathed to Einstein a universe in which time had an absolute existence that tick-tocked along independent of objects and observers, and in which space likewise had an absolute existence. Gravity was thought to be a force that masses exerted on one another rather mysteriously across empty space. Within this framework, objects obeyed mechanical laws that had proved remarkably accurate—almost perfect—in explaining everything from the orbits of the planets, to the diffusion of gases, to the jiggling of molecules, to the propagation of sound (though not light) waves. With his special theory of relativity, Einstein had shown that space and time did not have independent existences, but instead formed a fabric of spacetime. Now, with his general version of the theory, this fabric of spacetime became not merely a container for objects and events. Instead, it had its own dynamics that were determined by, and in turn helped to determine, the motion of objects within it—just as the fabric of a trampoline will curve and ripple as a bowling ball and some billiard balls roll across it, and in turn the dynamic curving and rippling of the trampoline fabric will determine the path of the rolling balls and cause the billiard balls to move toward the bowling ball. The curving and rippling fabric of spacetime explained gravity, its equivalence to acceleration, and, Einstein asserted, the general relativity of all forms of motion.92 In the opinion of Paul Dirac, the Nobel laureate pioneer of quantum mechanics, it was “probably the greatest scientific discovery ever made.” Another of the great giants of twentieth-century physics, Max Born, called it “the greatest feat of human thinking about nature, the most amazing combination of philosophical penetration, physical intuition and mathematical skill.
Walter Isaacson (Einstein: His Life and Universe)
When Evie awakened alone in the large bed, the first thing she beheld was a scattering of pale pink splashes over the snowy white linens, as if someone had spilled blush-colored wine in bed. Blinking sleepily, she propped herself up on one elbow and touched one of the pink dabs with a single fingertip. It was a creamy pink rose petal, pulled free of a blossom and gently dropped to the sheet. Gazing around her, she discovered that rose petals had been sprinkled over her in a light rain. A smile curved her lips, and she lay back into the fragrant bed. The night of heady sensuality seemed to have been part of some prolonged erotic dream. She could hardly believe the things she had allowed Sebastian to do, the intimacies that she had never imagined were possible. And in the drowsy aftermath of their passion, he had cradled her against his chest and they had talked for what seemed to be hours. She had even told him the story of the night when she and Annabelle and the Bowman sisters had become friends, sitting in a row of chairs at a ball. "We made up a list of potential suitors and wrote it on our empty dance cards," Evie had told him. "Lord Westcliff was at the top of the list, of course. But you were at the bottom, because you were obviously not the marrying kind." Sebastian had laughed huskily, tangling his bare legs intimately with hers. "I was waiting for you to ask me." "You never spared me a glance," Evie had replied wryly. "You weren't the sort of man to dance with wallflowers." Sebastian had smoothed her hair, and was silent for a moment. "No, I wasn't," he had admitted. "I was a fool not to have noticed you. If I had bothered to spend just five minutes in your company, you'd never have escaped me." He had proceeded to seduce her as if she were still a virginal wallflower, coaxing her to let him make love to her by slow degrees, until he was finally sheathed in her trembling body.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Like any place in Reality, the Street is subject to development. Developers can build their own small streets feeding off of the main one. They can build buildings, parks, signs, as well as things that do not exist in Reality, such as vast hovering overhead light shows, special neighborhoods where the rules of three-dimensional spacetime are ignored, and free-combat zones where people can go to hunt and kill each other. The only difference is that since the Street does not really exist -- it's just a computer-graphics protocol written down on a piece of paper somewhere -- none of these things is being physically built. They are, rather, pieces of software, made available to the public over the worldwide fiber-optics network. When Hiro goes into the Metaverse and looks down the Street and sees buildings and electric signs stretching off into the darkness, disappearing over the curve of the globe, he is actually staring at the graphic representations -- the user interfaces -- of a myriad different pieces of software that have been engineered by major corporations. In order to place these things on the Street, they have had to get approval from the Global Multimedia Protocol Group, have had to buy frontage on the Street, get zoning approval, obtain permits, bribe inspectors, the whole bit. The money these corporations pay to build things on the Street all goes into a trust fund owned and operated by the GMPG, which pays for developing and expanding the machinery that enables the Street to exist. Hiro has a house in a neighborhood just off the busiest part of the Street. it is a very old neighborhood by Street standards. About ten years ago, when the Street protocol was first written, Hiro and some of his buddies pooled their money and bought one of the first development licenses, created a little neighborhood of hackers. At the time, it was just a little patchwork of light amid a vast blackness. Back then, the Street was just a necklace of streetlights around a black ball in space. Since then, the neighborhood hasn't changed much, but the Street has. By getting in on it early, Hiro's buddies got a head start on the whole business. Some of them even got very rich off of it. That's why Hiro has a nice big house in the Metaverse but has to share a 20-by- 30 in Reality. Real estate acumen does not always extend across universes.
Neal Stephenson (Snow Crash)
I’m sure we can manage to tolerate each other’s company for one meal.” “I won’t say anything about farming. We can discuss other subjects. I have a vast and complex array of interests.” “Such as?” Mr. Ravenel considered that. “Never mind, I don’t have a vast array of interests. But I feel like the kind of man who does.” Amused despite herself, Phoebe smiled reluctantly. “Aside from my children, I have no interests.” “Thank God. I hate stimulating conversation. My mind isn’t deep enough to float a straw.” Phoebe did enjoy a man with a sense of humor. Perhaps this dinner wouldn’t be as dreadful as she’d thought. “You’ll be glad to hear, then, that I haven’t read a book in months.” “I haven’t gone to a classical music concert in years,” he said. “Too many moments of ‘clap here, not there.’ It makes me nervous.” “I’m afraid we can’t discuss art, either. I find symbolism exhausting.” “Then I assume you don’t like poetry.” “No . . . unless it rhymes.” “I happen to write poetry,” Ravenel said gravely. Heaven help me, Phoebe thought, the momentary fun vanishing. Years ago, when she’d first entered society, it had seemed as if every young man she met at a ball or dinner was an amateur poet. They had insisted on quoting their own poems, filled with bombast about starlight and dewdrops and lost love, in the hopes of impressing her with how sensitive they were. Apparently, the fad had not ended yet. “Do you?” she asked without enthusiasm, praying silently that he wouldn’t offer to recite any of it. “Yes. Shall I recite a line or two?” Repressing a sigh, Phoebe shaped her mouth into a polite curve. “By all means.” “It’s from an unfinished work.” Looking solemn, Mr. Ravenel began, “There once was a young man named Bruce . . . whose trousers were always too loose.” Phoebe willed herself not to encourage him by laughing. She heard a quiet cough of amusement behind her and deduced that one of the footmen had overheard. “Mr. Ravenel,” she asked, “have you forgotten this is a formal dinner?” His eyes glinted with mischief. “Help me with the next line.” “Absolutely not.” “I dare you.” Phoebe ignored him, meticulously spreading her napkin over her lap. “I double dare you,” he persisted. “Really, you are the most . . . oh, very well.” Phoebe took a sip of water while mulling over words. After setting down the glass, she said, “One day he bent over, while picking a clover.” Ravenel absently fingered the stem of an empty crystal goblet. After a moment, he said triumphantly, “. . . and a bee stung him on the caboose.” Phoebe almost choked on a laugh. “Could we at least pretend to be dignified?” she begged. “But it’s going to be such a long dinner.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
When life throws you a curve ball, it can also throw you a crooked bat.
Roger McGinty
And the solid thwack of leather and wood colliding in perfect disharmony. The first made his dick hard, the second melted his heart, and the third brought a smile to his face. Todd rounded first base, his lips curving upward as the baseball soared into the centerfield stands. He stepped on second base, vaguely aware of fans scrambling to see who would come up with the homerun ball. Rounding third, his smile faded, even though the entire Mustangs team waited just beyond home plate to celebrate his ninth inning, game-winning homer. High-fiving his teammates, he accepted their jubilant accolades, removed his batting helmet, and waved to the crowd before ducking his six-foot-two frame into the dugout that had been his home for his entire Major League career. Thinking about the yet-to-be-determined dugout he would call home next season made his stomach cramp. Less than twenty-four hours ago, he told the Mustangs team
Roz Lee (Free Agent (Mustangs Baseball, #0.5))
Not to mention the effect of Steven Stark, and his ability to be absolutely everywhere, all at once. I turn around and he’s right there, like the Incredible Hulk. Only bigger. Oh God, he’s so big that his presence everywhere is practically a law of physics. He has to be in ten places at once, just to cram in his massive pecs.
Charlotte Stein (Curve Ball (Away We Go, #1))
Life can throw some real curve balls.  You may be having fun baking cookies with your kids, the phone rings and you find out your husband has been taken to the hospital.  How do you stay positive in such a situation?  The first thing to do is to examine what just happened.
Barbara Steinhoff Schneider (Positive Thinking: Leave Your Problems Behind and Focus On Living Positively)
You take lessons on how to better swing a golf club or a tennis racket, or to learn the proper techniques for shooting a basketball or throwing a curve ball, but what about running?
Danny Abshire (Natural Running: The Simple Path to Stronger, Healthier Running)
Reveille echoed in the first light of dawn. Susannah opened one eye to see Jesse blowing on a bugle formed with his two fists. She pulled the covers over her head and rolled into a ball. “None of that, slugabed.” He lifted the quilts from her legs. Air chilled by yesterday’s storm hit her feet and she squeaked. He yanked the covers off. “Atten’hut!” She glared at him. “What rank did you attain?” “Oh, I’ve held a number of ranks. Busted out of a few too. This morning I’m your sergeant. Fall in!” He saluted her, then pulled her into his arms. “Soldiers aren’t this beautiful to roust. Men look their worst in the morning, a night’s growth of beard scabbing their faces, hair sticking up like rabid porcupines.” Susannah snuggled into the curve of his arm. “That so?” “Whereas women look all soft and lazy in the morning. Especially lazy.” He set her upright. “Private Mason, you have stable duty this morning.” Susannah groaned. “I liked you better when your orders were for bed rest.” “Maybe later.” He patted her backside. “Now I’ll show you why our door opens inward.
Catherine Richmond (Spring for Susannah)
Okay, Mr. Balls of Steel, I’m not dissing my curves.
Mina Carter (Her Bodyguard)
When life throws you a curve ball, have a good eye.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
Mel was fascinated by the way they talked about their women with lusty smiles and glittering eyes. No jokes about the old ball and chain here. Rather, they sounded as though they couldn’t wait to get home to them. “How’s Patti doing?” someone asked Josh. He curved his hands over his flat belly to indicate a pregnant tummy and grinning boastfully, said, “She’s ripe as a tomato. I can hardly keep my hands off her.” “If she’s ripe as a tomato, I bet you get slapped down like crazy,” Zeke laughed. “I got another one on Christa.” “No way! I thought she said you were through!” “She said that two kids ago—but I snuck one more by her. She’s cooking number four. What can I say—that girl’s been lightin’ my fire since high school. You should see her, man. She’s lit up like a beacon. Nobody cooks ’em like Christa. Whew.” “Hey, buddy, congratulations, man! But I don’t think you know when to quit.” “I don’t. It’s like I can’t quit. But Christa says she’s all done with me. She said after this one, snip snip.” “I think I can go one more,” Corny said. “Got my girls. I feel a boy coming on.” No one could better appreciate this kind of enthusiasm for pregnant women than a midwife. Mel was loving it. Loving them. “Yeah, I’ve heard that a lot,” Jack said. “Eight nieces later, no one got their boy. My brothers-in-law have run through all their chances, I think.” “Maybe you’re packin’ a boy, Jack.” “I don’t even kid myself about that,” he laughed. Jack
Robyn Carr (Virgin River (Virgin River, #1))
We must send Daisy to London as soon as possible,” Lillian fretted. “It’s the height of the season, and she’s buried in Hampshire away from all the balls and soirées—” “It was her choice to come here,” Marcus reminded her, reaching for her other foot. “She would never forgive herself if she missed the baby’s birth.” “Oh, bother that. I would rather Daisy miss the birth and meet eligible men instead of having to wait here with me until her time runs out and she has to marry Matthew Swift and move with him to New York and then I’ll never see her again—” “I’ve already thought of that,” Marcus said. “Which is why I undertook to invite a number of eligible men to Stony Cross Park for the stag-and-hind hunt.” “You did?” Her head lifted from the pillow. “St. Vincent and I came up with a list and debated the merits of each candidate at length. We settled on an even dozen. Any one of them would do for your sister.” “Oh, Marcus, you are the most clever, most wonderful—” He waved away the praise and shook his head with a grin, remembering the lively arguments. “St. Vincent is damned finicky, let me tell you. If he were a woman, no man would be good enough for him.” “They never are,” Lillian told him impudently. “Which is why we women have a saying…‘Aim high, then settle.’” He snorted. “Is that what you did?” A smile curved her lips. “No, my lord. I aimed high and got far more than I’d bargained for.” And she giggled as he crawled over her prone body and kissed her soundly.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Sometimes, life likes to throw winding curve balls. Whether you decide to swing and hit ’em out of the park or let them fly by and strike out . . . that’s your choice. As
Faith Andrews (Feel Again (Fate, #1))
Yuguo fell apart, into a thousand little pieces. He felt it happen, fragments of his mind detaching from the rest, splitting off, becoming their own, being mapped by Nexus. Here was Yuguo’s knowledge of coding, his comprehension of data structures, of objects and methods, of intents and game players, of threads and loops and conditions. Here was football Yuguo, the precise way his left foot grounded into the grass and his hips swiveled and his arm balanced as his right foot shot forward to kick the checked ball at the goal. Here was Yuguo’s shy lust for girls, the patterns his eyes drew over their curves when he saw them, the anxiety that struck him dumb when they were near. Here was Yuguo’s despair that had led him to this room, his quiet dread that his country and the world were getting worse instead of better, that the future was one of slow strangulation at the electronic hands of smiling tame AIs with famous faces, their forked tongues lapping out of the viewscreens to feed saccharine to the masses, the old men who’d always ruled China laughing and holding their leashes. Here were the words a young woman had said to him just minutes ago. “Critical mass. Weak apart, strong together.” Here were her eyes, fiery eyes, hanging in space. Here was her name: Lifen. Then those pieces fell apart, into smaller pieces, which fell apart into fragments even smaller: Yuguo’s sensation of red. Yuguo’s concept of 1 and 0. Yuguo’s left thumb. The sound in Yuguo’s head when he heard the third note of his favorite pop song. Yuguo’s yes. Yuguo’s no. Yuguo’s and. Yuguo’s or. Yuguo’s xor. Yuguo’s now. Yuguo’s future. Yuguo’s past. He could see himself now. He was a golden statue of Yuguo, immobile, one foot in front of the other, standing in a space of white light. But the statue wasn’t solid, it was made of grains, millions of grains, flecks of gold dust, millions of parts of him. And as he watched they were separating, pulling gradually apart, so that he was no longer a single entity but a cloud, a fog, a fog of Yuguo, and if a strong wind came, he would just blow away, and if the pieces split any more he knew there wouldn’t be any such thing as Yuguo left at all. Yuguo’s fear. Yuguo’s end. And then the pieces rushed together, and he was inside that statue, he was that statue, and he was all of it, 1 and 0, yes and no, future and past, sound and sight, football and coding. He was all of it. He was whole. He was a mind. I’m Yuguo, he realized. I’m him. I’m me. I’m Yuguo! His eyes snapped open. He was in his body. His body made of molten gold. No, not gold, flesh and blood.
Ramez Naam (Apex (Nexus, #3))
Life has the habit of throwing curve balls to determine if you are paying attention.
Steven Redhead (Life Is Simply A Game)
Life will throw you curve balls, learn how to read the pitch.
Troy Gathers (Take Me With You)
How’s your abdominal wound?” I ask, draping my arms over the sides. My tits are wantonly exposed. I’m honestly enjoying the hell out of this; I hope the horseman is rattled. Famine narrows his gaze on me. “Gone.” “Too bad.” “My balls are better too—thanks for asking,” he says. “I wasn’t worried about your balls. It seems you have no use for them.” My mouth curves into a smirk as I speak. I really am enjoying myself.
Laura Thalassa (Famine (The Four Horsemen, #3))
If a quarterback starts throwing it sideways, the ball is going to curve when it comes out of his hand
Bruce Arians (The Quarterback Whisperer: How to Build an Elite NFL Quarterback)
On 24 July, Captain La Corne Saint-Luc left with another body of nearly four hundred Indians and two hundred Canadians. His departure had been delayed for two days – because of a lacrosse tournament between the Abenakis and Iroquois. The game was played with a ball and sticks curved in the shape of a crosier; it was this fancied resemblance to a bishop’s staff that inspired the French name for the tribal sport. The stakes in this grudge-match were high: one thousand crowns worth of wampum in belts and strings. Amongst the Indians, lacrosse was a serious business; it could result in broken bones and even the occasional death; it was not for nothing that the Cherokees dubbed it the little brother of war. The mission communities clustered around Montréal were particular aficionados; a 1743 plan of the settlement at the Lake of the Two Mountains shows an extensive lacrosse field. The neighbouring Caughnawagas were no less dedicated to the game and long remained so; a team of Mohawks from the village toured Britain in 1876. Their dazzling exhibition matches sparked the interest that led to the sport’s adoption, in a slightly less violent form, by British schoolgirls. Even that glum widow Queen Victoria considered the game very pretty to watch. It is unlikely that she would have used the same words to describe the Abenaki-Iroquois clash of July 1758.
Stephen Brumwell (White Devil: A True Story of War, Savagery, and Vengeance in Colonial America)
It measures just 9 inches in circumference, weighs only about 5 ounces, and it made of cork wound with woolen yarn, covered with two layers of cowhide, and stiched by hand precisely 216 times. It travels 60 feet 6 inches from the pitcher's mound to home--and it can cover that distance at nearly 100 miles an hour. Along the way it can be made to twist, spin, curve, wobble, rise, or fall away. The bat is made of turned ash, less than 42 inches long, not more than 2 3/4 inches in diameter. The batter has only a few thousandths of a second to decide to hit the ball. And yet the men who fail seven times out of ten are considered the game's greatest heroes. It is played everywhere. In parks and playground and prison yards. In back alleys and farmers fields. By small children and by old men. By raw amateurs and millionare professionals. It is a leisurely game that demands blinding speed. The only game where the defense has the ball. It follows the seasons, beginning each year with the fond expectancy of springtime and ending with the hard facts of autumn. Americans have played baseball for more than 200 years, while they conquered a continent, warred with one another and with enemies abroad, struggled over labor and civil rights and the meaning of freedom. At the games's heart lie mythic contradictions: a pastoral game, born in crowded cities; an exhilarating democratic sport that tolerates cheating and has excluded as many as it has included; a profoundly conservative game that sometimes manages to be years ahead of its time. It is an American odyssey that links sons and daughters to father and grandfathers. And it reflects a host of age-old American tensions: between workers and owners, scandal and reform, the individual and the collective. It is a haunted game, where each player is measured by the ghosts of those who have gone before. Most of all, it is about time and timelessness, speed and grace, failure and loss, imperishable hope, and coming home.
John Chancellor
The more you knew about people, the better you coped when they threw you a curve ball
Clare Chase (Mystery at the Abbey Hotel (Eve Mallow Mystery #5))
A joke is a curve ball—a pitch that bends at the last instant and fools the batter. “You throw a perfectly straight line at the audience and then, right at the end, you curve it. Good jokes do that,” Burrows said. To achieve the unexpected twist, it’s sometimes necessary to sacrifice grammar and even logic.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
But, of course, everyone was looking at my dick. I was bigger than most men. My pubic hair was dark and trimmed neatly. My tip had folds of foreskin. It was rising between my legs, curving at all the eyes on my cock. My balls were low hangers and swinging slightly because, let’s face it, I was horny. When was I not? I had three guys staring at my junk like it was the cock of a god. Most days I liked to think it was. “Turn
James Cox (Chaos Unchained (Outlaw MC #1))
Hunter spread his hand under the cloth of the woman’s gown and stared at the clear outline of his fingers. As incredible as it seemed, the sun had gone right through the thin material and cooked her fair skin. Comanches sometimes got sunburned, but never like this. With a snort of disgust, he wadded the gown into a ball and tossed the useless thing on the fire. From now on he would dress the girl in leathers. The material ignited explosively, and the light from the heightened flames played upon her body, flickering on her small breasts, shadowing her curves. He stared down at her, more angry than he had ever been, with himself. No matter how he tried not to think of it, his mind circled back to his behavior tonight, immediately after stopping to make camp, then later down at the river. How could he have treated a White-Eyes so kindly?
Catherine Anderson (Comanche Moon (Comanche, #1))
Whining songs of desire that curved my waist brown and sweet like tea, sour and salt like tamarind balls crusted with raw sugar.
Leah Lakshmi Piepzna-Samarasinha (Dirty River: A Queer Femme of Color Dreaming Her Way Home)
Emery was kneeling outside “gardening” when Ceony and Langston stepped through the illusion that masked the paper magician’s house. He had positioned himself outside the curving garden of meticulously crafted paper flowers, and seemed to be replacing all the red, tulip-shaped flower heads with blue, lily-shaped ones. Fennel chewed on the discarded spells as Emery worked, crumpling them in his paper mouth and then spitting the balls into an overturned trash receptacle.
Charlie N. Holmberg (The Glass Magician (The Paper Magician, #2))
Dom leaned back to study the flesh in front of him. He was long and curved, not quite as thick as Dom, and the purple head was already leaking fluid. Dom took a quick lick, then used his hands to test the weight of Logan’s balls. “Please,
Sloane Kennedy (A Family Chosen: Volume 2 (The Protectors and Barrettis #2))
There was actually something very important I wanted to ask you, but it can wait until we see each other in the fl … face to face.’ ‘What kind of something?’ Neve asked. William was being so cryptic that suddenly she was intrigued and all kinds of curious. ‘It’s a surprise. A really pleasant surprise,’ William said. She’d forgotten how warm his voice sounded, so when he spoke to you, you felt as if you were the most important person in the world, or in his world. ‘You’ll never guess, so don’t even try.’ ‘Not even a little guess?’ ‘Honestly, it’s such a curve ball that I could give you a hundred guesses and you still wouldn’t come close,’ William said, then he chuckled and Neve smiled too. ‘Curve ball? Do you talk American now, William?’ ‘Fluently, yo.
Sarra Manning (You Don't Have to Say You Love Me)
As I racked the balls, I held the last one in my palm, the way you might cradle the weight of a breast when your lover moves over you and your breath is searing in and out, in and out. As I leaned over the cue I let the yellow light handing low over the table slide over the hollows in my wrist up the long smooth muscle of my bare arms and lose itself in the dip and shadowed curve of collarbone and breasts. As I drew the cue-the long beautifully polished warm strong cue-back over the sensitive webbing between thumb and index finger, I enjoyed the sensation and let my face show it, and then I thrust with my hips with my arm with my cue, into the ball, through it, and the pretty-coloured triangle exploded into a dozen rolling pieces. I threw back my head and laughed as the balls dropped in the pockets: one, two, three. Around the table with the cue now, picking up the chalk-stroke it, rub it around the tip, the rounded velvet tip, cherish it, make sure that not a millimeter is ignored-laying my left breast plump against the felt and stroking that cue back and forth, back and forth, calculating, measuring, waiting as my breathing quickened my breathing quickened and the moment trembled then thrusting again, and round the table and again, and again and again until the felt was all green and clean and I straightened, nipples hard against the silk of my waistcoat, and smiled a slow, satiated smile. And then she smiled back at me from a table and stood and stepped forward like a young deer leaving the shelter of the trees.
Nicola Griffith (The Blue Place (Aud Torvingen, #1))
Let’s say I have cancer.” He opens his eyes to glare at me. “I don’t like this.” “Just hear me out. I have cancer, and there’s nothing more they can do for me.” He goes still, and for a moment I don’t even feel his heartbeat through his chest, like the thought of my heart stopping stopped his. “I don’t have much time left,” I whisper, letting him feel the possibility of me being gone. “But then someone discovers the cure for cancer.” He tips his mouth to the left and he traces the curves of my knees. “There’s just one catch.” I dip my head to capture his eyes. “The man who discovered the cure—he’s a white supremacist.” He looks back at me unblinkingly for a second before allowing himself one blink—just one. “Do you accept the cure for cancer?” “What good is this when—” “Answer the question. Do you accept the cure for cancer from a white supremacist to save my life?” “I’d accept the cure from the devil himself to save you. You know that.” He sighs. “It’s not the same.” “What’s the title of Dr. Hammond’s book?” He rolls his eyes. “You know the title, Bris.” “Humor me.” “Virus. The title of his book is Virus.” “And the point is that racism is a virus that’s constantly changing, constantly adapting, right?” I ask. “That it adapted when slavery was outlawed and when Jim Crow was eradicated and when segregation was legally struck down. It works its way into our systems, like our penal system, right? It’s a nasty bastard that just keeps morphing and surviving like a cockroach.” Now I have his attention. He’s stopped countering my every word, stopped protesting and thinking this is a useless exercise. He’s finally listening. “The person who finally cures cancer won’t be perfect,” I tell him. “They’ll just be the person who figured out the cure for cancer, and the people who live because of that won’t care that he cheated on his taxes or stepped out on his wife. They’ll care that he cured cancer. Dr. Hammond has a cure, at least for part of the problem. With his ideas and your resources and influence, imagine how much good you can do.” “He doesn’t think we should be together, thinks I’ve been societally conditioned to ‘acquire’ you.” Grip’s flinty look doesn’t dissuade me, even though that is some bullshit. “I bet there are more things you agree on than disagree.” I prop my elbows on his shoulders, leaning into him and persisting. “I bet when he gets to know me, I’ll go from being a ‘they’ to being Bristol. Isn’t that what you said months ago when you performed ‘Bruise’ for the Black and Blue Ball? That sometimes it takes us being around each other and getting to know each other, at least giving us the chance to go from being a category to who we really are? As individuals, who we really are?” He shakes his head, genuine humor apparent for the first time since his steps stuttered through our front door. “So, what?” A grin tilts his mouth. “You remember every word I say?” He really has no idea. “If I only get one life with you,” I mutter into his neck, “then, yes, I’m holding on to every moment and every word you say.” He pulls me away from the crook of his neck, studying my face. His eyes darken, emotion redolent in the air between us. “You’re so precious to me, Bristol,” he says, his voice the perfect blend of raw and reverent.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
The tent where the beer was sold was slushy with black mud. Country people stood sturdily about, some bursting with glee like ripe, rosy apples, others grim, lined and dour like cadaverous cheeses, glistening in the lamplight. The soft greyness outside faintly pricked with stars and seemingly transparent to all eternity had suddenly turned to inky blackness enclosing them tightly in a little glittering cave. All seemed aware of each other's perspiring faces and eager to communicate either good cheer or gloom; or held proudly apart with shining eye-balls and a flashing ring displayed on brown fingers curved round the smooth column of a glass. A man in corduroy trousers and a thick jacket, tilted his battered felt to the back of his head and bravely began to sing above the hurdy-gurdy din.
Isobel Strachey
His lips grazed her earlobe---deliberately, she was sure---his hand rested on the small of her back, and she was overwhelmed by having him so near. With all the attention leveled their way, they were awkwardly conspicuous in a fashion she hated, so she deigned to act as normally as possible. She gripped the mallet, but just when she would have attempted her initial swing, Mr. Stevens reached around her, effectively trapping her in the circle of his arms. "Permit me to instruct you," he said, and chills sped down her spine. "The game goes like this." Warm and magnetic, the entire front of his body was flattened against the back of hers, and she could feel the solid plane of his chest, the curve of his abdomen as he arched over her, the strength of his legs as he balanced her between them. His groin was directly against her posterior, and the sensation produced an exhilarating swirl of butterflies that cascaded through her stomach. Wrapping her small hands in his large ones, he controlled the arc of the stick as it landed with a firm thump, and their ball careened down the hillside. "Very nice," he murmured, though she was quite sure he wasn't referring to the ball or the swing at all.
Cheryl Holt (Total Surrender)
GOLF (Men’s Journal, 1992) The smooth, long, liquid sweep of a three wood smacking into the equator of a dimpled Titleist … It makes a potent but slightly foolish noise like the fart of a small, powerful nature god. The ball sails away in a beautiful hip or breast of a curve. And I am filled with joy. At least that’s what I’m filled with when I manage to connect. Most of my strokes whiz by the tee the way a drunk passes a truck on a curve or dig into the turf in a manner that is more gardening than golf. But now and then I nail one, and each time I do it’s an epiphany. This is how the Australopithecus felt, one or two million years ago, when he first hit something with a stick. Puny hominoid muscles were amplified by the principles of mechanics so that a little monkey swat suddenly became a great manly engine of destruction able to bring enormous force to bear upon enemy predators, hunting prey, and the long fairway shots necessary to get on the green over the early Pleistocene’s tar pit hazards. Hitting things with a stick is the cornerstone of civilization. Consider all the things that can be improved by hitting them with a stick: veal, the TV, Woody Allen. Having a dozen good sticks at hand, all of them well balanced and expertly made, is one reason I took up golf. I also wanted to show my support for the vice president. I now know for certain that Quayle is smarter than his critics. He’s smart enough to prefer golf to spelling. How many times has a friend called you on a Sunday morning and said, “It’s a beautiful day. Let’s go spell potato”? I waited until I was almost forty-five to hit my first golf ball. When I was younger I thought golf was a pointless sport. Of course all sports are pointless unless you’re a professional athlete or a professional athlete’s agent, but complex rules and noisy competition mask the essential inanity of most athletics. Golf is so casual. You just go to the course, miss things, tramp around in the briars, use pungent language, and throw two thousand dollars’ worth of equipment in a pond. Unlike skydiving or rugby, golf gives you leisure to realize it’s pointless. There comes a time in life, however, when all the things that do have a point—career, marriage, exercising to stay fit—start turning, frankly, golflike. And that’s when you’re ready for
P.J. O'Rourke (Thrown Under the Omnibus: A Reader)
When the club’s face looks to the right of the direction in which the head is traveling, the ball spins around an equator tilted from left to right and thus curves to the right during flight. I’ll do you a favor and not tell you about every stroke. Or any stroke at all. Though I got off some very nice drives. True, they didn’t land on the correct fairway, but that was due to wind. And I will stand mute on the subject of technique except to say I learned that many chip shots are best played with a sharp kick from the toe of a golf shoe. And if you cut a hole in your pants pocket you can drop a ball down your trouser leg and “discover” that your shot landed remarkably close to the green. And putting, for a person of my socioeconomic background, is best done by envisioning the cup as being behind a little windmill or inside the mouth of a cement whale. I also found out that all the important lessons of life are contained in the three rules for achieving a perfect golf swing: 1. Keep your head down. 2. Follow through. 3. Be born with money. There’s a fine camaraderie on a golf course—lumbering around with your fellow Republicans, encompassed by a massive waste of space and cash, bearing witness to prolific use of lawn chemicals, and countenancing an exploitative wage scale for the maintenance employees. Golf is the
P.J. O'Rourke (Thrown Under the Omnibus: A Reader)
She had a dozen rings in each ear, and she looked as if her lithe curves had been poured into her Hijun hide leather jumpsuit. Stiletto-heeled knee-high boots rounded out the senior citizen cool look.
M.R. Forbes (Eight Ball (Starship for Sale, #6))