Curtis Jackson Quotes

We've searched our database for all the quotes and captions related to Curtis Jackson. Here they are! All 16 of them:

You belong to me. We are not in a temporary relationship or whatever fucked up nonsense you want to call it. We are real, and you are mine. You became mine the first time I held you in my arms, and I swore to myself, I would protect you always." - Jackson Cole
Sarah Curtis (Alluring (Alluring, #1))
You are the breath I need to breathe. I live for you, Alexis. Without you, I am nothing.” - Jackson Cole
Sarah Curtis (Alluring (Alluring, #1))
Let not a single soul discharge you, because we are a group of beautiful people...and you two are richer, with greater potential than this soil.
Curtis W. Jackson (Waiting for Regina)
Hey.” Curtis caughCurtis admitted sheet her arm. “Are you seeing anyone?
Jenny Jackson (Pineapple Street)
...that society with its hurtful views on race and class distinction would make it difficult for us to succeed.
Curtis W. Jackson (Waiting for Regina)
All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief  by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief  (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle
Andrew Clements (The Losers Club)
It was the Baader-Meinhof phenomenon, whereby once you noticed something new you saw it all over the place. Had Curtis McCoy always been bumping around the periphery of her life and she’d just never noticed? Because he was suddenly impossible to avoid.
Jenny Jackson (Pineapple Street)
I don't care where you come from or what you look like - if you've created success, I want to learn from you.
Curtis Jackson; 50 Cent
Get Rich or Die Tryin
50 cent - Curtis Jackson
What’s more they are also some of the best-paid entertainers in history: Curtis Jackson, aka 50 Cent, raked in U.S. $150 million in 2008 alone, placing him on top of Forbes’s “Hip-Hop Cash Kings” list.
Peter Mcallister (Manthropology: The Science of Why the Modern Male Is Not the Man He Used to Be)
For the Broadway production, playwright Douglas Carter Beane was brought in to rework the script and Menken and Slater made a few changes in the score. The gangster was now called Curtis Jackson and he owns the Philadelphia nightclub where Deloris sings. The plot doesn’t change much until the second act when Deloris, knowing that Jackson is on to her disguise, tries to leave town but the other nuns say they will protect her. The climax is the same and the musical ends with the nuns performing for the Pope. Beane beefed up the comedy in the script, turning Jackson’s henchmen into comic buffoons, and Jerry Zaks directed Sister Act as a farce, tightening up the pace and broadening some of the characters. Patina Miller was again Deloris and Victoria Clark brought a warmth to Mother Superior that played off of Miller’s brashness nicely.
Mark A. Robinson (Musical Misfires: Three Decades of Broadway Musical Heartbreak)
caughCurtis admitted sheet her arm.
Jenny Jackson (Pineapple Street)
She pressed Send and listened to the whoosh as her missive made its way across the air, chopped into little data packets, hopped between hubs, carried by the airlines of cyberspace to reassemble before Curtis’s eyes.
Jenny Jackson (Pineapple Street)
One of the secrets to getting whatever you want in life, is creating the perception that you don’t need a thing.
NOT A BOOK
You'll be successful as the mother fu*kers you talk to no reason
50 cent - Curtis Jackson (The 50th Law)
Tuve que ahorrar un poco para mi siguiente obsesión. Los discos de mi padre se me habían quedado cortos, así que finalmente dejé de desayunar durante unas semanas y reuní lo suficiente para una nueva adquisición. Un disco. Era Temptin' Temptations, de los Temptations. En la portada aparecían cinco jóvenes negros vestidos de blanco inmaculado, con chaquetas cortas de un botón y zapatos negros. Recuerdo la primera vez que lo puse en el tocadiscos. Primero un crujido. Y luego, BAM. Una música elegante, evocadora, romántica. Chirriando, algo lejana, tomando la habitación. La canción era «Since I lost my baby». Mirándolo, comprendí. Esa foto pintaba un mundo superior en el que los hombres eran dandis y toda la música era gloriosa, sus trajes nítidos, blancos, sus caras de ébano, sus zapatos relucientes. Donde cada minuto de vida era así: refinado y pleno, hermoso. Sin manchas. Un mundo irreal en el que nadie envejecía y había códigos de honor, y todo era puro y bello. Un mundo que no se parecía en nada a mi pueblo, a mi instituto, a los jugadores de fútbol que me perseguían para mantearme. Mi tía abuela me ha contado muchas veces cómo entraba en mi cuarto y me encontraba dormido al lado del tocadiscos, durmiendo plácidamente en el suelo. Aquellos discos eran mi medicina y mi vaso de leche caliente, mi primer compadre, mi escondite y mi refugio, mis armas. Con el tiempo llegaron las Marvelettes y los Impressions, los Temptations y Betty Harris, Bobby Womack y Al Green, Sam Dees y los Miracles. También Gloria Jones, Kim Weston, Barbara Acklin, Esther Williams, Curtis Mayfield, los 4 Tops, las Supremes, Chuck Jackson, Z.Z. Hill, Tommy Hunt, Billy Stewart, Sly & The Family Stone, Nina Simone, Billy Butler, Gene Chandler, Shirley Ellis y J.J. Jackson. Nunca volví a escuchar otra cosa
Kiko Amat