“
I borrowed this from Kyle. My other shirt was pretty filthy."
"Wow, you're wearing each other's clothes now. That's, like, best friend stuff."
"Feeling left out?" said Kyle. "I suppose you want to borrow a black T-shirt too."
"As long as everyone's wearing their own pants."
"I see have come in on a fascinating moment in the conversation." Eric poked his head through the curtain.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
You see the first thing we love is a scene. For love at first sight requires the very sign of its suddenness; and of all things, it is the scene which seems to be seen best for the first time: a curtain parts and what had not yet ever been seen is devoured by the eyes: the scene consecrates the object I am going to love. The context is the constellation of elements, harmoniously arranged that encompass the experience of the amorous subject...
Love at first sight is always spoken in the past tense. The scene is perfectly adapted to this temporal phenomenon: distinct, abrupt, framed, it is already a memory (the nature of a photograph is not to represent but to memorialize)... this scene has all the magnificence of an accident: I cannot get over having had this good fortune: to meet what matches my desire.
The gesture of the amorous embrace seems to fulfill, for a time, the subject's dream of total union with the loved being: The longing for consummation with the other... In this moment, everything is suspended: time, law, prohibition: nothing is exhausted, nothing is wanted: all desires are abolished, for they seem definitively fulfilled... A moment of affirmation; for a certain time, though a finite one, a deranged interval, something has been successful: I have been fulfilled (all my desires abolished by the plenitude of their satisfaction).
”
”
Roland Barthes (A Lover's Discourse: Fragments)
“
Many readers simply can't stomach fantasy. They immediately picture elves with broadswords or mighty-thewed barbarians with battle axes, seeking the bejeweled Coronet of Obeisance ... (But) the best fantasies pull aside the velvet curtain of mere appearance. ... In most instances, fantasy ultimately returns us to our own now re-enchanted world, reminding us that it is neither prosaic nor meaningless, and that how we live and what we do truly matters.
”
”
Michael Dirda
“
It was an overcast late November morning, the grass splintered by hoarfrost, and winter grinning through the gaps in the clouds like a bad clown peering through the curtains before the show begins.
”
”
John Connolly (The Unquiet (Charlie Parker, #6))
“
We are all actors, set on the stage of the world, as the curtains open we put on our best performance to this audience of life.
”
”
Anthony Liccione
“
want to draw you,” I said. “As my birthday present to me.” His smile was positively feline. I added, flipping open my sketchbook and turning to the first page, “You said once that nude would be best.” Rhys’s eyes glowed, and a whisper of his power through the room had the curtains parting, flooding the space with midmorning sunshine. Showing every glorious naked inch of him sprawled across the bed, illuminating the faint reds and golds of his wings. “Do your worst, Cursebreaker.” My very blood sparking, I pulled out a piece of charcoal and began.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
The best place for this kind of training is Holland where people, convinced of their utter innocence, do not use curtains. After dusk the windows turn into little stages on which actors act out their evenings. Sequences of images bathed in yellow, warm light are the individual acts of the same production entitled 'Life'. Dutch painting. Moving lives.
”
”
Olga Tokarczuk (Flights)
“
I was creeped out, though and dragged a chair into the bathroom and wedged it against the door so no one could come in without me knowing. That was the very reason why I had a see-through vinyl shower curtain. Norman Bates was never going to get the best of me.
-Jory
”
”
Mary Calmes (A Matter of Time Book IV (A Matter of Time, #4))
“
In my society we know how to say things, but we don't know how to realize them. In my society everyone has a perfect personality in public, and a dirty one behind the curtain.
”
”
Eyden I. (Woman's Book: Only For Men)
“
Remove the Curtain of your Heart and see the Beloved sitting inside yourself. Close your Ears to the Outside and hear the Cosmic Sound going on within you.
Intro to Part 2, Chapter 1. Credit given to Mira, poet-saint of Rajastan.
”
”
Deborah Moggach (The Best Exotic Marigold Hotel)
“
Some things in life are bad
They can really make you mad
Other things just make you swear and curse.
When you're chewing on life's gristle
Don't grumble, give a whistle
And this'll help things turn out for the best...
And...always look on the bright side of life...
Always look on the light side of life...
If life seems jolly rotten
There's something you've forgotten
And that's to laugh and smile and dance and sing.
When you're feeling in the dumps
Don't be silly chumps
Just purse your lips and whistle - that's the thing.
And...always look on the bright side of life...
Always look on the light side of life...
For life is quite absurd
And death's the final word
You must always face the curtain with a bow.
Forget about your sin - give the audience a grin
Enjoy it - it's your last chance anyhow.
So always look on the bright side of death
Just before you draw your terminal breath
Life's a piece of shit
When you look at it
Life's a laugh and death's a joke, it's true.
You'll see it's all a show
Keep 'em laughing as you go
Just remember that the last laugh is on you.
And always look on the bright side of life...
Always look on the right side of life...
(Come on guys, cheer up!)
Always look on the bright side of life...
Always look on the bright side of life...
(Worse things happen at sea, you know.)
Always look on the bright side of life...
(I mean - what have you got to lose?)
(You know, you come from nothing - you're going back to nothing.
What have you lost? Nothing!)
Always look on the right side of life...
”
”
Eric Idle
“
She always says I'm the best friend that she's ever had... how do you hang up on someone who needs you that bad? ~From 'Laura' on The Nylon Curtain
”
”
Billy Joel
“
The pageant and football pull this little town out of itself and turn it into something more. Because when those stadium lights are on or when that curtain parts, we are the best version of ourselves.
”
”
Julie Murphy (Dumplin' (Dumplin', #1))
“
Memory"
I’ve memorized all the fish in the sea
I’ve memorized each opportunity strangled
and
I remember awakening one morning
and finding everything smeared with the color of
forgotten love
and I’ve memorized
that too.
I’ve memorized green rooms in
St. Louis and New Orleans
where I wept because I knew that by myself I
could not overcome
the terror of them and it.
I’ve memorized all the unfaithful years
(and the faithful ones too)
I’ve memorized each cigarette that I’ve rolled.
I’ve memorized Beethoven and New York City
I’ve memorized
riding up escalators, I’ve memorized
Chicago and cottage cheese, and the mouths of
some of the ladies and the legs of
some of the ladies
I’ve known
and the way the rain came down hard.
I’ve memorized the face of my father in his coffin,
I’ve memorized all the cars I have driven
and each of their sad deaths,
I’ve memorized each jail cell,
the face of each new president
and the faces of some of the assassins;
I’ve even memorized the arguments I’ve had with
some of the women
I’ve loved.
best of all
I’ve memorized tonight and now and the way the
light falls across my fingers,
specks and smears on the wall,
shades down behind orange curtains;
I light a rolled cigarette and then laugh a little,
yes, I’ve memorized it all.
the courage of my memory.
”
”
Charles Bukowski (What Matters Most is How Well You Walk Through the Fire)
“
There are these rare moments when musicians together touch something sweeter than they've ever found before in rehearsals or performance, beyond the merely collaborative or technically proficient, when their expression becomes as easy and graceful as friendship or love. This is when they give us a glimpse of what we might be, of our best selves, and of an impossible world in which you give everything you have to others, but lose nothing of yourself. Out in the real world there exist detailed plans, visionary projects for peaceable realms, all conflicts resolved, happiness for everyone, for ever – mirages for which people are prepared to die and kill. Christ's kingdom on earth, the workers' paradise, the ideal Islamic state. But only in music, and only on rare occasions, does the curtain actually lift on this dream of community, and it's tantalisingly conjured, before fading away with the last notes.
”
”
Ian McEwan (Saturday)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted
on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps
can’t.
”
”
C.S. Lewis (A Grief Observed)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps can’t.
”
”
C.S. Lewis (A Grief Observed)
“
I look out my window a lot.
It’s just one of those things that keeps me grounded in this weird, one-with-nature kind of way. I hate curtains. They only gather dust. And I hate alarms even more. I enjoy the natural light to whisper across my face in the morning with gentle fingers, not some man-made sound that jars me into life with a harsh slap. It is the quiet moments of the morning that I savor most, in bed, looking out my window. It’s when I write my best work.
”
”
R.B. O'Brien
“
I have come upon the conviction that it is not the stern voice of a priest delivering the threat of brimstone, but the gentle and inquiring tones of a friend that will best draw back the curtain to her soul, District Commissioner.
”
”
Hannah Kent (Burial Rites)
“
The most fearsome monsters of all may inhabit the dark corners of our mind waiting for us to release them through our believes and gullibility. the phenomenon feeds on fear and believe. Sometimes it destroys us altogether other times it leads us upwards into the labyrinth of electromagnetic frequencies that form a curtain in the area we call windows and stalk us to drink our blood and create all kinds of mischievous beliefs and misconceptions in our feeble little terrestrial minds.
”
”
John A. Keel (The Best of John Keel: Volume I)
“
Rose sat all alone in the big best parlor, with her little handkerchief laid ready to catch the first tear, for she was thinking of her troubles, and a shower was expected. She had retired to this room as a good place in which to be miserable; for it was dark and still, full of ancient furniture, somber curtains, and hung all around with portraits of solemn old gentlemen in wigs, severe-nosed ladies in top-heavy caps, and staring children in little bobtailed coats or short-waisted frocks. It was an excellent place for woe; amd the fitful spring rain that pattered on the windowpane seemed to sob,"Cry away; I'm with you.
”
”
Louisa May Alcott
“
Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
”
”
William Shakespeare (Romeo and Juliet)
“
Oh," he said again and picked up two petals of cherry blossom which he folded together like a sandwich and ate slowly. "Supposing," he said, staring past her at the wall of the house, "you saw a little man, about as tall as a pencil, with a blue patch in his trousers, halfway up a window curtain, carrying a doll's tea cup-would you say it was a fairy?"
"No," said Arrietty, "I'd say it was my father."
"Oh," said the boy, thinking this out, "does your father have a blue patch on his trousers?"
"Not on his best trousers. He does on his borrowing ones."
'Oh," said the boy again. He seemed to find it a safe sound, as lawyers do. "Are there many people like you?"
"No," said Arrietty. "None. We're all different."
"I mean as small as you?"
Arrietty laughed. "Oh, don't be silly!" she said. "Surely you don't think there are many people in the world your size?"
"There are more my size than yours," he retorted.
"Honestly-" began Arrietty helplessly and laughed again. "Do you really think-I mean, whatever sort of a world would it be? Those great chairs . . . I've seen them. Fancy if you had to make chairs that size for everyone? And the stuff for their clothes . . . miles and miles of it . . . tents of it ... and the sewing! And their great houses, reaching up so you can hardly see the ceilings . . . their great beds ... the food they eat ... great, smoking mountains of it, huge bogs of stew and soup and stuff."
"Don't you eat soup?" asked the boy.
"Of course we do," laughed Arrietty. "My father had an uncle who had a little boat which he rowed round in the stock-pot picking up flotsam and jetsam. He did bottom-fishing too for bits of marrow until the cook got suspicious through finding bent pins in the soup. Once he was nearly shipwrecked on a chunk of submerged shinbone. He lost his oars and the boat sprang a leak but he flung a line over the pot handle and pulled himself alongside the rim. But all that stock-fathoms of it! And the size of the stockpot! I mean, there wouldn't be enough stuff in the world to go round after a bit! That's why my father says it's a good thing they're dying out . . . just a few, my father says, that's all we need-to keep us. Otherwise, he says, the whole thing gets"-Arrietty hesitated, trying to remember the word-"exaggerated, he says-"
"What do you mean," asked the boy, " 'to keep us'?
”
”
Mary Norton (The Borrowers (The Borrowers, #1))
“
I had no cause to be awake,
My best was gone to sleep,
And morn a new politeness took
And failed to wake them up,
But called the others clear, 5
And passed their curtains by.
Sweet morning, when I over-sleep,
Knock, recollect, for me!
I looked at sunrise once,
And then I looked at them, 10
And wishfulness in me arose
For circumstance the same.
’T was such an ample peace,
It could not hold a sigh,—
’T was Sabbath with the bells divorced,
’T was sunset all the day.
So choosing but a gown
And taking but a prayer,
The only raiment I should need,
I struggled, and was there.
”
”
Emily Dickinson (Selected Poems)
“
He has demonstrated how the very worst thing that has ever happened in the history of the world ended up resulting in the very best thing that has ever happened in the history of the world.” “What do you mean? “I’m referring to dei-cide,” he replied. “The death of God himself on the cross. At the time, nobody saw how anything good could ever result from this tragedy. And yet God foresaw that the result would be the opening of heaven to human beings. So the worst tragedy in history brought about the most glorious event in history. And if it happened there—if the ultimate evil can result in the ultimate good—it can happen elsewhere, even in our own individual lives. Here, God lifts the curtain and lets us see it. Elsewhere he simply says, ‘Trust me.
”
”
Lee Strobel (The Case for Faith: A Journalist Investigates the Toughest Objections to Christianity)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps
can’t.
”
”
C.S. Lewis (A Grief Observed)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted
on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps can’t.
”
”
C.S. Lewis (A Grief Observed)
“
Did you say all that you meant to
Before the curtain closed?
Or did you feel so much more
Than we'll ever know?
You were an amazing person;
One of the very best.
You were here for part of my story;
I wish you could hear the rest.
I miss your smile most;
The smile you had for all.
Now I can only see it
In pictures on the wall.
”
”
Margo T. Rose (The Words)
“
Getting along with people, keeping an open house in one’s heart—that’s liberal, but nothing more than liberal. You can recognize hearts that are capable of noble hospitality by their many curtained windows and closed shutters: they keep their best rooms empty. But why?—Because they are waiting for guests that one does not “get along with”…
”
”
Friedrich Nietzsche (Twilight of the Idols: Or, How to Philosophize with the Hammer (Hackett Classics))
“
America is a nation of illusions; illusions in the media, schools and government — an iron curtain of propaganda.
”
”
Bryant McGill (Simple Reminders: Inspiration for Living Your Best Life)
“
Jesus might not think so, but maybe the dead are best left that way.
”
”
Chris Scofield (The Shark Curtain)
“
What a damn shame, to have the best views in the world, only to cover your walls with mirrors and brocade curtains.
”
”
Katharine McGee (The Dazzling Heights (The Thousandth Floor, #2))
“
Prehistory isn't like a 'veil' or a 'curtain' that 'lifts’ to reveal the pre-set 'stage' of history. Rather, prehistory is an absence of something: an absence of writing. So a better image of the ‘dawn of history’ might be an AM radio in the pre-dawn hours: you recognize wisps of words or music across the dial, inter blending, and noise obscures even the few clear-channel stations. The first ones we find, when we switch on the radio of history about 3200B.C.E., come from Mesopotamia, and those from Egypt soon emerge. Eventually the neighbouring lands produce records, with the effect that the ancient Near East is probably the best documented civilization before the invention of printing.” (Daniels and Bright, page 19)
”
”
Peter T. Daniels (The World's Writing Systems)
“
Aren’t you a little young to be a captain? Not that I’m sure you weren’t wonderful at it,” I added hastily, “but Frank’s got to be your same age, and Mr. Graces and Mr. Liu are both older than you. How on earth did it happen?”
He shut down. It was like a curtain being pulled across a window. This was a subject he definitely did not wish to discuss.
“The title is honorary,” he said, not meeting my gaze. “I can’t stop them calling me that, even though I’ve asked them not to. I was the highest-ranking officer to survive the…accident.”
Accident? I supposed this was another one of those things he didn’t want to tell me because it would make me hate him.
Recognizing that dropping that particular topic-for now at least-would probably be best. I said, “John, I can warn you about the Furies. And I know exactly where the coffin is. All you have to do is take me back to Isla Huesos-just this one time, to help Alex-and I’ll never mention going there again. I’ll even,” I said, reaching up to straighten the collar of his leather jacket, which had gone askew, “forgive you for the waffles-“
John seized me by both shoulders, pulling me towards him so abruptly that Hope gave an alarmed flap of her wings.
“Pierce,” he said. “Do you mean that?”
When I pushed back some of the hair that had tumbled into my face and raised my dark eyes to meet his light ones, I saw that he was staring down at me with an intensity that burned.
“You’ll never mention going back to Isla Huesos again if I take you there right now, this once, to talk to your cousin Alex?” he demanded. “You’ll give…cohabitation another chance?”
His sudden fierceness was making me nervous.
“Of course, John,” I said. “But it’s not like I have a choice.”
“What if you did?” he asked, his grip tightening.
I blinked. “But I can’t. You said-“
He gave me a little shake. “Never mind what I said. What if I was wrong?”
I reached up to lay a hand on his cheek. It felt a little scratchy, because he hadn’t shaved. I didn’t care about stubble. What I cared about was the desperate need I saw in his eyes. The need for me.
“I’d come back,” I said, simply, “to stay with you.”
A second later, the late-and everything around it-was gone.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
Curtains are our prisoners; they feel free only when they escape out of the windows and fly in the air freely! The moment they wave in the wind like a proud flag is the best moment of their lives!
”
”
Mehmet Murat ildan
“
And the rain makes a kind of curtain, which is probably for the best. Because all of a sudden, I'm leaning over the gear stick, and my hands are on his shoulders, and I'm trying to keep breathing.
”
”
Becky Albertalli
“
Instead, you let your massive ego get in the way. You wanted center stage, the spotlight on you, over everything else, even if staying behind the curtain would have ultimately been in your best interest.
”
”
Lee Goldberg (Bone Canyon (Eve Ronin, #2))
“
There is much in our Lord's pantry that will satisfy his children, and much wine in his cellar that will quench all their thirst. Hunger for him until he fills you. He is pleased with the importunity of hungry souls. If he delays, do not go away, but fall a-swoon at his feet. Every day we may see some new thing in Christ. His love has neither brim nor bottom. How blessed are we to enjoy this invaluable treasure, the love of Christ; or rather allow ourselves to be mastered and subdued in his love, so that Christ is our all, and all other things are nothing. O that we might be ready for the time our Lord's wind and tide call for us! There are infinite plies in his love that the saint will never be able to unfold. I urge upon you a nearer and growing communion with Christ. There are curtains to be drawn back in Christ that we have never seen. There are new foldings of love in him. Dig deep, sweat, labour, and take pains for him, and set by as much time in the day for him as you can; he will be won with labour. Live on Christ's love. Christ's love is so kingly, that it will not wait until tomorrow, it must have a throne all alone in your soul. It is our folly to divide our narrow and little love. It is best to give it all to Christ. Lay no more on the earthly, than it can carry. Lay your soul and your weights upon God; make him your only and best-beloved. Your errand in this life is to make sure an eternity of glory for your soul, and to match your soul with Christ. Your love, if it could be more than all the love of angels in one, would be Christ's due. Look up to him and love him. O, love and live! My counsel is, that you come out and leave the multitude, and let Christ have your company. Let those who love this present world have it, but Christ is a more worthy and noble portion; blessed are those who have him.
”
”
Samuel Rutherford
“
The ragged curtains were reaching out across the room and the foot of the bed was soaked with rain. She got up and closed the window to protect her from the storm outside. However, there was no protection from the storm that was always brewing in her mind.
”
”
Nancy B. Brewer (The House with the Red Light)
“
We worship entertainment as much as technology, and there's nothing less entertaining than grief. That's why God invented lorazepam, and selective serotonin reuptake inhibitors, and vodka and television - which in my experience work best in combination, with a pizza.
”
”
Tom Jokinen (Curtains: Adventures of an Undertaker-in-Training)
“
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me.
Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship.
Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell.
“Coming!”
I step back and see Aly stick her head out of her second-story window.
“No problem,” I call back up. “Take your time.”
More time to get my head on straight.
Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not.
I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves.
I grab a second stick and shove it in, too.
With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
”
”
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
“
When she was a girl, and still growing, ravenous, whenever there had been a cake - a sponge cake, dusted with sugar, which Mrs. Hill had conjured up out of eggs and flour and creamy butter - Sarah would never even let herself look at it, because she knew that it was not for her. Instead, she would carry it upstairs to be rendered into crumbs, and the crumbs lifted from the plate by a moistened Bennet finger, and the empty smeared plate carried back again. So Sarah would stare instead at the carpet underneath her feet, or at the painting of a horse with a strangely small head that hung at the end of the hall, or the rippled yellow curtains in the parlour, and would do her best not to breathe, not to inhale the scent of vanilla or lemon or almonds; event to glance at the cake was an impossible agony. And for months, she realized, James had hardly looked at her at all.
”
”
Jo Baker (Longbourn)
“
But no matter how loudly we called out for our mother we knew she could not hear us, so we tried to make the best of what we had. We cut out pictures of cakes from magazines and hung them on the walls. We sewed curtains out of bleached rice sacks. We made Buddhist altars out of overturned tomato crates that we covered with cloth, and every morning we left out a cup of hot tea for our ancestors. And at the end of the harvest season we walked ten miles into town and bought ourselves a small gift: a bottle of Coke, a new apron, a tube of lipstick, which we might one day have occasion to wear.
”
”
Julie Otsuka (The Buddha in the Attic)
“
Tyger Salazar had been his best friend—but such designations meant little after one has spent a year learning how to kill. Rowan imagined it must be what mortal-age soldiers felt when they returned from war. Old friendships seemed trapped behind a clouded curtain of experiences that old friends didn’t share.
”
”
Neal Shusterman (Thunderhead (Arc of a Scythe, #2))
“
On social barriers, VJ Simon, the Indian-Jewish venture capitalist in The Best People observed: "Some of those rich and powerful people I met risked a few dollars with me. They only risked money. They didn't risk their social status. We never met at one of their clubs. We had lunch at Elegante. I thought of it as the five o' clock curtain.
”
”
Marc Grossberg (The Best People: A Tale of Trials and Errors)
“
I would observe, by the way, that it costs me nothing for curtains, for I have no gazers to shut out but the sun and moon, and I am willing that they should look in. The moon will not sour milk nor taint meat of mine, nor will the sun injure my furniture or fade my carpet; and if he is sometimes too warm a friend, I find it still better economy to retreat behind some curtain which nature has provided, than to add a single item to the details of housekeeping. A lady once offered me a mat, but as I had no room to spare within the house, nor time to spare within or without to shake it, I declined it, preferring to wipe my feet on the sod before my door. It is best to avoid the beginnings of evil.
”
”
Henry David Thoreau (Walden)
“
What sort of noise does a balloon make, adrift? None. No, not quite. It noises itself, it soughs, like the wind billowing your curtains all white as breaths of foam. Or it makes a sound like the stars turning over in your sleep. Or it announces itself like moonrise and moonset. That last is best: like the moon sailing the universal deeps, so rides a balloon.
”
”
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
“
I loved it and have always loved it best of all, the moment when the lights go down, the curtain glows, you know that something wonderful is going to happen. It doesn't matter if what happens next spoils everything; the anticipation itself is always pure.
To travel hopefully is better than to arrive, as Uncle Perry used to say. I always preferred foreplay too.
”
”
Angela Carter (Wise Children)
“
Name: One Shade of Grey
Description: You'll recognise this phenomenon through an inability to tell where the pavement ends and the sky begins. Nothing has ever been achieved on a One Shade of Grey day, so if you notice one upon opening your curtains the best advice is to climb back into bed, drink gin through a straw and remember the 'Lost Sun' days of years past.
Most likely: Any of the 18 months of winter.
”
”
Rob Temple (Very British Problems: Making Life Awkward for Ourselves, One Rainy Day at a Time (Very British Problems, #1))
“
Late afternoon light filters in through his pale curtains, and it casts the room in a dreamy kind of filter. If I were going to name it, I would call it “summer in the suburbs.” Peter looks beautiful in this light. He looks beautiful in any light, but especially this one. I take a picture of him in my mind, just like this. Any annoyance I felt over him forgetting my yearbook melts away when he snuggles closer to me, rests his head on my chest, and says, “I can feel your heart beating.”
I start playing with his hair, which I know he likes. It’s so soft for a boy. I love the smell of his detergent, his soap, everything.
He looks up at me and traces the bow of my lip. “I like this part the best,” he says. Then he moves up and brushes his lips against mine, teasing me. He bites on my bottom lip playfully. I like all his different kinds of kisses, but maybe this kind best. Then he’s kissing me with urgency, like he is utterly consumed, his hands in my hair, and I think, no, these are the best.
Between kisses he asks me, “How come you only ever want to hook up when we’re at my house?”
“I--I don’t know. I guess I never thought about it before.” It’s true we only ever make out at Peter’s house. It feels weird to be romantic in the same bed I’ve slept in since I was a little girl. But when I’m in Peter’s bed, or in his car, I forget all about that and I’m just lost in the moment.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
There’s enough. It comes in the window and blows the curtains a little bit. Just enough to tell me.” “Look, why don’t you come and spend the night here?” said Herb Thompson looking around the lighted hall. “Oh, no. It’s too late for that. It might catch me on the way over. It’s a damned long distance. I wouldn’t dare, but thanks, anyway. It’s thirty miles, but thanks.” “Take a sleeping-tablet.” “I’ve been standing in the door for the past hour, Herb. I can see it building up in the west. There are some clouds there and I saw one of them kind of rip apart. There’s a wind coming, all right.” “Well, you just take a nice sleeping-tablet. And call me anytime you want to call. Later this evening if you want.” “Any time?” said the voice on the phone. “Sure.” “I’ll do that, but I wish you could come out. Yet I wouldn’t want you hurt. You’re my best friend and I wouldn’t want that. Maybe it’s best I face this thing alone. I’m sorry I bother you.
”
”
Ray Bradbury (Bradbury Stories: 100 of His Most Celebrated Tales)
“
I want to draw you,' I said. 'As my birthday present to me.'
His smile was positively feline.
I added, flipping open my sketchbook and turning to the first page, 'You said once that nude would be best.'
Rhys's eyes glowed, and a whisper of his power through the room had the curtains parting, flooding the space with midmorning sunshine. Showing every glorious naked inch of him sprawled across the bed, illuminating the faint reds and golds of his wings. 'Do your worst, Cursebreaker.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
You can't see anything properly while your eyes are blurred with tears. You can't, in most things, get what you want if you want it too desperately: anyway, you can't get the best out of it. "Now! Let's have a good talk," reduces everyone to silence, "I must get a good sleep tonight" ushers in hours of wakefulness. Delicious drinks are wasted on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead?
”
”
C.S. Lewis (A Grief Observed)
“
The best method for acquiring scientific data is direct observation. Nothing beats watching a subject in action. But scientist have an easier time gazing at intergalactic quasars than peeking into someone's bedroom. Quasars don't close the curtains out of modesty of suspicion. In contrast, most of us are unwilling to let curious scientists photograph us as we tumble between the sheets. Radio waves may be invisible, but they don't try do deceive curious physicists and they are incapable of self-deception. Humans are guilty of both.
”
”
Ogi Ogas (A Billion Wicked Thoughts: What the World's Largest Experiment Reveals about Human Desire)
“
Cumulative child sexual abuse pervades the curtains of great economies in the world today. From the fields to machines, to the locked doors and windows of every home, the silent horror grips every soul either as a victim or fear of being a victim;though the present socio-legal system boasts of several constitutional mandates, international laws, treaties , child protection laws , child protection cells,to prevalent national laws ,infinite papers presented etc all in the best interest of securing a child in its democracy, and the world at large
”
”
Henrietta Newton Martin
“
All summers take me back to the sea. There in the long eelgrass, like birds' eggs waiting to be hatched, my brothers and sister and I sit, grasses higher than our heads, arms and legs like thicker versions of the grass waving in the wind, looking up at the blue sky. My mother is gathering food for dinner: clams and mussels and the sharply salty greens that grow by the shore. It is warm enough to lie here in the little silty puddles like bathwater left in the tub after the plug has been pulled. It is the beginning of July and we have two months to live out the long, nurturing days, watching the geese and the saltwater swans and the tides as they are today, slipping out, out, out as the moon pulls the other three seasons far away wherever it takes things. Out past the planets, far away from Uranus and the edge of our solar system, into the brilliantly lit dark where the things we don't know about yet reside. Out past my childhood, out past the ghosts, out past the breakwater of the stars. Like the silvery lace curtains of my bedroom being drawn from my window, letting in light, so the moon gently pulls back the layers of the year, leaving the best part open and free. So summer comes to me.
”
”
Polly Horvath (My One Hundred Adventures (My One Hundred Adventures, #1))
“
I often dreamed of watching without being seen. Of spying. Of being the perfect observer. Like that camera obscura I once made out of a shoebox. It photographed for me a part of the world through a black closed space with a microscopic pupil through which light sneaks inside. I was training. The best place for this kind of training is Holland, where people, convinced of their utter innocence, do not use curtains. After dusk the windows turn into little stages on which actors act out their evenings. Sequences of images bathed in yellow, warm light are the individual acts of the same production titled Life.
”
”
Olga Tokarczuk (Flights)
“
Reading Chip's college orientation materials, Alfred had been struck by the sentence New England winters can be very cold. The curtains he'd bought at Sears were of a plasticized brown-and-pink fabric with a backing of foam rubber. They were heavy and bulky and stiff. "You'll appreciate these on a cold night," he told Chip. "You'll be surprised how much they cut down drafts." But Chip's freshman roommate was a prep-school product named Roan McCorkle who would soon be leaving thumbprints, in what appeared to be Vaseline, on the fifth-grade photo of Denise. Roan laughed at the curtains and Chip laughed, too. He put them back in the box and stowed the box in the basement of the dorm and let it gather mold there for the next four years. He had nothing against the curtains personally. They were simply curtains and they wanted no more than what any curtains wanted - to hang well, to exclude light to the best of their ability, to be neither too small nor too large for the window that it was their task in life to cover; to be pulled this way in the evening and that way in the morning; to stir in the breezes that came before rain on a summer night; to be much used and little noticed. There were numberless hospitals and retirement homes and budget motels, not just in the Midwest but in the East as well, where these particularly brown rubber-backed curtains could have had a long and useful life. It wasn't their fault that they didn't belong in a dorm room. They'd betrayed no urge to rise above their station; their material and patterning contained not a hint of unseemly social ambition. They were what they were. If anything, when he finally dug them out of the eve of graduation, their virginal pinkish folds turned out to be rather less plasticized and homely and Sears-like than he remembered. They were nowhere near as shameful as he'd thought.
”
”
Jonathan Franzen (The Corrections)
“
One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him.
Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.”
Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?”
He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?”
Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?”
His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?”
Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets.
“It’s not like that,” she explained, hoping that would be enough.
Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?”
He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“
“Of course it’s changed, Violet, what’d you expect?”
Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Never esteem aught of advantage which will oblige you to break your faith, or to desert your honour; to hate, to suspect, or to execrate any man; to play a part; or to set your mind on anything that needs to be hidden by wall or curtain. He who to all things prefers the soul, the divinity within him, and the sacred cult of its virtues, makes no tragic groan or gesture. He needs neither solitude nor a crowd of spectators; and, best of all, he will live neither seeking nor shunning death. Whether the soul shall use its surrounding body for a longer or shorter space is to him indifferent. Were he to depart this moment he would go as readily as he would do any other seemly and proper action, holding one thing only in life-long avoidance—to find his soul in any case unbefitting an intelligent social being.
”
”
Marcus Aurelius (Meditations)
“
When she was a girl, and still growing, ravenous, whenever there had been a cake – a sponge cake, dusted with sugar, which Mrs Hill had conjured up out of eggs and flour and creamy butter – Sarah would never even let herself look at it, because she knew that it was not for her. Instead, she would carry it upstairs to be rendered into crumbs, and the crumbs lifted from the plate by a moistened Bennet finger, and the empty smeared plate carried back again. So Sarah would stare instead at the carpet underneath her feet, or at the painting of a horse with a strangely small head that hung at the end of the hall, or the rippled yellow curtains in the parlour, and would do her best not to breathe, not to inhale the scent of vanilla or lemon or almonds; even to glance at the cake was an impossible agony.
And for months, she realized, James had hardly looked at her at all.
”
”
Jo Baker
“
How can I be so captured by my own imagination that I can truly connect both to the person I'm playing and to the person I'm playing with...
I didn't know it, but what I was really looking for was compassion. Not consciously, of course. I didn't consciously want to become compassionate. Who in his right mind would want to give up his place at the center of the universe. Compassion is scary. If you open up too much to people, they have power over you and make you do things for them. Better to keep them at a distance, keep them on the other side of the footlights. Learn to juggle - learn to fall down in funny ways. Keep them as an audience where you can be in control. Keep the curtain up, keep the play going. It holds off judgment. See me up here? You love me, right? I'm the best, right? But if I wanted really to act, I was going to have to find the doorway to compassion...
”
”
Alan Alda
“
All night the fighting had been furious, with no let-up. Fur and Freedom Fighters had battled against flaming shafts with their bare paws and sand. Four lay dead and three wounded. Smoke-grimed and bleary-eyed, they had plucked burning arrows from the wood, strung them on their bows and returned them to stick blazing in the gates of Marshank. The javelin supply was depleted, one shaft being retained for each creature in the event that paw-to-paw combat would be their final stand. There were still plenty of rocks to sling, Keyla and Tullgrew taking charge of the slingers whilst Ballaw managed a frugal breakfast. The hare sat wearily against one of the sandbanks that had been shorn up either side of the cart, Rowanoak slumped beside him. Both were singed and smoke-grimed. Rowanoak drank half her water, passing the rest on to Brome, who distributed it among the wounded. The badger wiped a sandy paw across her scorched muzzle. ‘Well, Ballaw De Quincewold, what’s to report?’ The irrepressible hare wiped dust from his half-scone ration and looked up at the sky. ‘Report? Er, nothin’ much really, except that it looks like being another nice sunny day, wot!’ A flaming arrow extinguished itself in the sand close by Rowanoak. She tossed it on to a pile of other shafts waiting to be shot. ‘A nice day indeed. D’you think we’ll be around to see the sunset?’ Without waiting for an answer, she continued, ‘I wonder if that owl – Boldred, wasn’t it – I wonder if she ever managed to get through to this Martin the Warrior creature.’ Ballaw picked dried blood from a wound on his narrow chest. ‘Doesn’t look like it, does it? No, old Rowan me badger oak, I think the stage is all ours and it’ll be our duty to give the best performance we can before the curtain falls for the last time.
”
”
Brian Jacques (Martin the Warrior (Redwall Book 6))
“
She thinks she’s fighting against lethargy. She does jumping jacks in the motel courtyard, calls her best friend in Juneau from the motel pay phone and anxiously tries to reminisce about their shitty high school band. They sing an old song together, and she feels almost normal. But increasingly she finds herself powerless to resist the warmth that spreads through her chest, the midday paralysis, the hunger for something slow and deep and unnameable. Some maid has drawn the blackout curtains. One light bulb dangles. The dark reminds Angie of packed earth, moisture. What she interprets as sprawling emotion is the Joshua tree. Here was its birth, in the sands of Black Rock Canyon. Here was its death, and its rebirth as a ghostly presence in the human. Couldn’t it perhaps Leap back into that older organism? The light bulb pulses in time with Angie’s headache. It acquires a fetal glow, otherworldly.
”
”
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
“
There are these rare moments when musicians together touch something sweeter than they’ve ever found before in rehearsals or performance, beyond the merely collaborative or technically proficient, when their expression becomes as easy and graceful as friendship or love. This is when they give us a glimpse of what we might be, of our best selves, and of an impossible world in which you give everything you have to others, but lose nothing of yourself. Out in the real world there exist detailed plans, visionary projects for peaceable realms, all conflicts resolved, happiness for everyone, for ever—mirages for which people are prepared to die and kill. Christ’s kingdom on earth, the workers’ paradise, the ideal Islamic state. But only in music, and only on rare occasions, does the curtain actually lift on this dream of community, and it’s tantalisingly conjured, before fading away with the last notes. Naturally,
”
”
Ian McEwan (Saturday)
“
I think the desire to create will last all my life – I realize that the time for me to be that person has not been available, or should I say right – I have become aware that the young stage of my children’s life is passing and there will be more time for me later – it’s too easy to be a “want it now” person. But I am so glad that I will have more time very soon. Without doubt though, as luck would have it, the very best thing I have ever made is my children. I feel my spirit rise as I listen to Elizabeth’s words, and so I reach over and take the bowl… Before I had children I had a dream. A dream of the sort of mama I wanted to be. One who always had a homemade cake in a pretty tin and a jar of homemade cookies, a stylish handmade home with French-print curtains, a carefully tended cottage garden, lots of time to play together outside and making all our own Christmas presents. Happy children, happy stay-at-home mama and a beautiful life.
”
”
Lucy H. Pearce (The Rainbow Way: Cultivating Creativity in the Midst of Motherhood)
“
In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening.
Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives.
My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light.
In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide.
And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality.
What we find exotic abroad may be what we hunger for in vain at home.
”
”
Alain de Botton (The Art of Travel)
“
Nico looked very tall and thin wearing a opaque black sweatshirt hoodie and dark inked skinny jeans. His outer physical structure was handsome and gaunt, straight jet black hair razored and clipped in angles, a few purple highlights, and his white skin toned the color of alabaster. She had always liked the slender salamander type. He totally looked punk rock tonight, and that made him look absolutely awesome! A curtain of fog parted in front of him, giving him even more of the illusion as if he was part of a rock band at a rock band concert. Katty now saw Nico with exaggerated clarity. Nico Rocket looked so freakin' hot! He looked so good-looking at times, especially within the dark scenes of rolling fog and a pitchy darkness. She randomly wondered what he looked like before he was bit and turned into a Vampire. Had he been a Renaissance geek just like her? Before she could really examine him and fantasize of what he must have looked like before turning into a Vampire, the fog closed in all around him again, surrounding him with a ring of solitary imprisonment. He now lurked as a shadow among the shadows, disappearing into the illusion of gray’s. She didn't like him for not showing up on time, but all had been forgiven as soon as she had seen him all dressed up in his Gothic best. So what if he didn't believe in punctuality? His hotness sure made up for the rest! Through the fog, she saw his bright red eyes pierce through the heaviness of the darkness. He then broke free from the fog, leaving a trail of the thickened smoke lingering far behind, and wide.
”
”
Keira D. Skye (Bite!)
“
lay there fresh and raw from having been carved open to bring her granddaughter into the world—the past ran me down. I had a vision like the kind people describe when they’re near death. For one brief second, it was as if a curtain had been lifted. I saw a long line of people, faceless in the distance, familiar as they got closer: my great-grandparents, my grandparents, my parents. I was at the front of this row of human dominoes, my infant in my arms, and as my forefathers and -mothers toppled behind me, they pushed the next generation into motion. There was no escape; their collective weight would crush me and my baby. I had started out as an egg inside Malabar, just as she had begun as an egg inside Vivian, and so on, each of our fates charted from the depths of our mothers. What little I knew about my grandparents and great-grandparents had been constructed around a sturdy fact or two, embellished perhaps by a shy smile in a grainy photograph or an underlined sentence in a book or letter. The specifics of their lives would remain unknown to me, as mine would be to the baby I held. But our collective history would shape my daughter, and there was something noxious in our matrilineal line. Malabar was the only mother I had, but she was not the mother I wanted to be. Here was my choice: I could continue down the well-trod path upon which I’d been running for so very long and pass along this inheritance like a baton, as blithely as I did my light hair and fair skin. My daughter could do her best to outrun it. She would grow up to be beautiful and smart and agile, as I used to be, as her grandparents were, as her great-grandparents were before them. Or I could slow down, catch my breath, and look mindfully for a new path. There had to be another way and I owed it to my daughter to find it.
”
”
Adrienne Brodeur (Wild Game: My Mother, Her Secret, and Me)
“
For most people moving is a tiring experience. When on the verge of moving out to a new home or into a new office, it's only natural to focus on your new place and forget about the one you’re leaving. Actually, the last thing you would even think about is embarking on a heavy duty move out clean. However, you can be certain that agents, landlords and all the potential renters or buyers of your old home will most definitely notice if it's being cleaned, therefore getting the place cleaned up is something that you need to consider.
The process of cleaning will basically depend to things; how dirty your property and the size of the home. If you leave the property in good condition, you'll have a higher the chance of getting back your bond deposit or if you're selling, attracting a potential buyer. Below are the steps you need to consider before moving out.
You should start with cleaning. Remove all screws and nails from the walls and the ceilings, fill up all holes and dust all ledges. Large holes should be patched and the entire wall checked the major marks. Remove all the cobwebs from the walls and ceilings, taking care to wash or vacuum the vents. They can get quite dusty. Clean all doors and door knobs, wipe down all the switches, electrical outlets, vacuum/wipe down the drapes, clean the blinds and remove all the light covers from light fixtures and clean them thoroughly as they may contain dead insects. Also, replace all the burnt out light bulbs and empty all cupboards when you clean them. Clean all windows, window sills and tracks. Vacuum all carpets or get them professionally cleaned which quite often is stipulated in the rental agreement.
After you've finished the general cleaning, you can now embark on the more specific areas. When cleaning the bathroom, wash off the soap scum and remove mould (if any) from the bathroom tiles. This can be done by pre-spraying the tile grout with bleach and letting it sit for at least half an hour. Clean all the inside drawers and vanity units thoroughly. Clean the toilet/sink, vanity unit and replace anything that you've damaged. Wash all shower curtains and shower doors plus all other enclosures. Polish the mirrors and make sure the exhaust fan is free of dust. You can generally vacuum these quite easily. Finally, clean the bathroom floors by vacuuming and mopping.
In the kitchen, clean all the cabinets and liners and wash the cupboards inside out. Clean the counter-tops and shine the facet and sink. If the fridge is staying give it a good clean. You can do this by removing all shelves and wash them individually. Thoroughly degrease the oven inside and out. It's best to use and oven cleaner from your supermarket, just take care to use gloves and a mask as they can be quite toxic. Clean the kitchen floor well by giving it a good vacuum and mop . Sometimes the kitchen floor may need to be degreased.
Dust the bedrooms and living room, vacuum throughout then mop. If you have a garage give it a good sweep. Also cut the grass, pull out all weeds and remove all items that may be lying or hanging around.
Remember to put your garbage bins out for collection even if collection is a week away as in our experience the bins will be full to the brim from all the rubbish during the moving process. If this all looks too hard then you can always hire a bond cleaner to tackle the job for you or if you're on a tight budget you can download an end of lease cleaning checklist or have one sent to you from your local agent. Just make sure you give yourself at least a day or to take on the job. Its best not to rush through the job, just make sure everything is cleaned thoroughly, so it passes the inspection in order for you to get your bond back in full.
”
”
Tanya Smith
“
One day, at a quiet hour, I found myself alone in a certain gallery, wherein one particular picture of pretentious size set up in the best light, having a cordon of protection stretched before it, and a cushioned bench duly set in front for the accommodation of worshipping connoisseurs, who, having gazed themselves off their feet, might be fain to complete the business sitting. This picture, I say, seemed to consider itself the queen of the collection.
It represented a woman, considerably larger, I thought, than the life. I calculated that this lady, put into a scale of magnitude suitable for the reception of a commodity of bulk, would infallibly turn from fourteen to sixteen stone. She was indeed extremely well fed, very much butcher's meat, to say nothing of bread, vegetables, and liquids must she have consumed to attain that breadth and height, that wealth of muscle, that affluence of flesh. She lay half reclined on a couch – why, it would be difficult to say. Broad daylight blazed round her. She appeared in hearty health, strong enough to do the work of two plain cooks. She could not plead a weak spine. She ought to have been standing, or at least sitting bolt upright. She had no business to lounge away the noon on a sofa. She ought likewise to have worn decent garments – a gown covering her properly, which was not the case. Out of abundance of material, seven and twenty yards I should say, of drapery, she managed to make inefficient raiment. Then, for the wretched untidiness surrounding her, there could be no excuse. Pots and pans – or perhaps I ought to say, vases and goblets – were rolled here and there on the foreground, a perfect rubbish of flowers was mixed amongst them, and an absurd and disorderly mass of curtain upholstery smothered the couch and cumbered the floor. On referring to the catalog, I found that this this notable production bore name: 'Cleopatra.
”
”
Charlotte Brontë (Villette)
“
Ironically,” she commented, “this will be the first time I’ve ever done anything to please my father.”
With a sympathetic murmur, Matthew gathered Daisy close against him. He knew her father as well as anyone, having become well acquainted with the man’s tempers, his self-absorption, his impossible standards. And yet he understood what it had required for Bowman to build a great fortune from scratch, the sacrifices he’d had to make. Bowman had discarded everything that would have gotten in the way of achieving his goals. Including closeness with his wife and children.
For the first time it occurred to Matthew that Bowman and his family would benefit from someone acting as a mediator, to ease their communications with each other. If such a thing were in his power, he would find a way to do it.
“You,” he whispered in Daisy’s hair, “are the best thing he’s ever done. Someday he’ll realize that.”
He felt her smile against his skin. “I doubt it. But it’s nice of you to say so. You don’t have to be concerned on that account, you know. I reconciled myself to the way he was a long time ago.”
Once again Matthew was taken unaware by the extent of the feelings she inspired in him, his own limitless desire to fill her with happiness.
“Whatever you need,” he whispered, “Whatever you want, I’ll get it for you. Just tell me.”
Daisy stretched comfortably, a pleasant shiver running through her limbs. She touched his lips with her fingers, tracing the smoothness. “I want to know what your five-dollar wish was for.”
“Is that all?” He smiled beneath her exploring fingertips. “I wished you would find someone who wanted you as much as I did. But I knew it wouldn’t come true.”
The candlelight slid over Daisy’s delicate features as she raised her head to look at him. “Why not?”
“Because I knew no one could ever want you as much as I do.”
Daisy levered herself farther over him until her hair tumbled in a dark curtain around them both.
“What was your wish?” Matthew asked, combing his fingers through the fall of shimmering hair.
“That I could find the right man to marry.” Her tender smile stopped his heart. “And then you appeared.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
HEART OF TEA DEVOTION
Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And, while the bubbling and loud hissing urn Throws up a steamy column and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful ev ning in.
WILLIAM COWPER
Perhaps the idea of a tea party takes you back to childhood. Do you remember dressing up and putting on your best manners as you sipped pretend tea out of tiny cups and shared pretend delicacies with your friends, your parents, or your teddy bears? Were you lucky enough to know adults who cared enough to share tea parties with you? And are you lucky enough to have a little person with whom you could share a tea party today? Is there a little girl inside you who longs for a lovely time of childish imagination and "so big" manners?
It could be that the mention of teatime brings quieter memories-cups of amber liquid sipped in
peaceful solitude on a big porch, or friendly confidences shared over steaming cups. So many of my own special times of closeness-with my husband, my children, my friends-have begun with putting a kettle on to boil and pulling out a tea tray.
But even if you don't care for tea-if you prefer coffee or cocoa or lemonade or ice water, or if you like chunky mugs better than gleaming silver or delicate china, or if you find the idea of traditional tea too formal and a bit intimidating-there's still room for you at the tea table, and I think you would love it there! I have shared tea with so many people-from business executives to book club ladies to five-year-old boys. And I have found that few can resist a tea party when it is served with the right spirit.
You see, it's not tea itself that speaks to the soul with such a satisfying message-although I must confess that I adore the warmth and fragrance of a cup of Earl Grey or Red Zinger. And it's not the teacups themselves that bring such a message of beauty and serenity and friendship-although my teacups do bring much pleasure.
It's not the tea, in other words, that makes teatime special, it's the spirit of the tea party.
It's what happens when women or men or children make a place in their life for the
”
”
Emilie Barnes (The Tea Lover's Devotional)
“
In Hiding - coming summer of 2020
WAYNE ANTHONY SEEKS REDEMPTION FROM A BAD DAY -
Although warned about getting the stitches wet, he believed a hot shower was the only road to his redemption. Experienced taught him the best way to relieve the tightness in his lower back was by standing beneath the near-scalding water. Dropping the rest of his clothing, he turned the shower on full blast. The hot water rushed from the showerhead filling the tiny room with steam, instantly the small mirror on the medicine cabinet fogged up. The man quietly pulled the shower curtain back and entered the shower stall without a sound. Years of acting as another’s shadow had trained him to live soundlessly. The hot water cascaded over his body as the echo from the pounding water deadened slightly. Grabbing the sample sized soap, he pulled the paper off and tossed the wrapper over the curtain rail. Wayne rubbed the clean smelling block until his large hands disappeared beneath the lather.
He ignored the folded washcloth, opting to use his hands across his body. Gently he cleaned the injury allowing the slime of bacterial soap to remove the residual of the rust-colored betadine. All that remained when he finished was the pale orange smear from the antiseptic. This scar was not the only mar to his body. The water cascaded down hard muscles making rivulets throughout the thatches of dark hair. He raised his arms gingerly as he washed beneath them; the tight muscles of his abdomen glistened beneath the torrent of water. Opening a bottle of shampoo-slash-conditioner, he applied a dab then ran his hands across his scalp. Finally, the tension in his square jaw had eased, making his handsome face more inviting. The cords of his neck stood out as he rinsed the shampoo from his hair. It coursed down his chest leading down to his groin where the scented wash caught in his pelvic hair.
Wayne's body was one of perfection for any woman; if that was, she could ignore the mutilations. Knife injuries left their mark with jagged white lines. Most of these, he had doctored himself; his lack of skill resulted in crude scars. The deepest one, undulated along the left side of his abdomen, that one had required the art of a surgeon. Dropping his arms, he surrenders himself to the pelting deluge from the shower. The steamy water cascaded down his body, pulling the soap toward the drain. Across his back, it slid down several small indiscernible pockmarks left by gunshot wounds, the true extent of their damage far beneath his skin. Slowly the suds left his body, snaking down his muscular legs. It slithered down the scars on his left knee, the result of replacement surgery after a thug took a bat to it. Wayne stood until the hot water cooled, and ran translucent over his body. Finally, he washes the impact of the long day from his mind and spirit.
”
”
Caroline Walken
“
He ran long at the White House, and arrived late to his next meeting with Hillary Clinton, Jake Sullivan and Frank Ruggiero—their first major strategy session on Taliban talks after the secret meeting with A-Rod. She was waiting in her outer office, a spacious room paneled in white and gilt wood, with tasseled blue and pink curtains and an array of colorfully upholstered chairs and couches. In my time reporting to her later, I only ever saw Clinton take the couch, with guests of honor in the large chair kitty-corner to her. She’d left it open for him that day. “He came rushing in. . . . ” Clinton later said. “And, you know, he was saying ‘oh I’m so sorry, I’m so sorry.’ ” He sat down heavily and shrugged off his coat, rattling off a litany of his latest meetings, including his stop-in at the White House. “That was typical Richard. It was, like, ‘I’m doing a million things and I’m trying to keep all the balls in the air,’ ” she remembered. As he was talking, a “scarlet red” flush went up his face, according to Clinton. He pressed his hands over his eyes, his chest heaving. “Richard, what’s the matter?” Clinton asked. “Something horrible is happening,” he said. A few minutes later, Holbrooke was in an ambulance, strapped to a gurney, headed to nearby George Washington University Hospital, where Clinton had told her own internist to prepare the emergency room. In his typically brash style, he’d demanded that the ambulance take him to the more distant Sibley Memorial Hospital. Clinton overruled him. One of our deputies on the SRAP team, Dan Feldman, rode with him and held his hand. Feldman didn’t have his BlackBerry, so he scrawled notes on a State Department expense form for a dinner at Meiwah Restaurant as Holbrooke dictated messages and a doctor assessed him. The notes are a nonlinear stream of Holbrooke’s indomitable personality, slashed through with medical realities. “Call Eric in Axelrod’s office,” the first read. Nearby: “aortic dissection—type A . . . operation risk @ > 50 percent”—that would be chance of death. A series of messages for people in his life, again interrupted by his deteriorating condition: “S”—Secretary Clinton—“why always together for medical crises?” (The year before, he’d been with Clinton when she fell to the concrete floor of the State Department garage, fracturing her elbow.) “Kids—how much love them + stepkids” . . . “best staff ever” . . . “don’t let him die here” . . . “vascular surgery” . . . “no flow, no feeling legs” . . . “clot” . . . and then, again: “don’t let him die here want to die at home w/ his fam.” The seriousness of the situation fully dawning on him, Holbrooke turned to job succession: “Tell Frank”—Ruggiero—“he’s acting.” And finally: “I love so many people . . . I have a lot left to do . . . my career in public service is over.” Holbrooke cracked wise until they put him under for surgery. “Get me anything you need,” he demanded. “A pig’s heart. Dan’s heart.
”
”
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
“
Curtains are funny?'
'In comparison to all my other thoughts, yes, curtains can be amusing. But you, sir, are the best thing that's happened to me all day, all week, and, now that I think about it, all season.
”
”
Maria V. Snyder (Fire Study (Study, #3))
“
I present... the courtyard!" The curtain slid away to reveal a wall of glass. Several production workers slid the transparent panels along the tracks until the entire room opened up onto a massive outdoor kitchen.
The contestants filed outside, stunned by the extravagance. It doubled the size of their workspace. Stovetops and grills were set into brick counters. Refrigerators were tucked safely under a canvas canopy. And best of all- most thrilling of all- was a lush, vibrant perennial border that surrounded the entire kitchen, filled with edible plants, herbs, and flowers. Bright orange nasturtiums nodded in the afternoon sunshine, tender peas twined about a chicken wire fence. Bees hovered over patches of fuzzy thyme. Sophia laughed out loud. This was utterly delightful.
"Your dream come true, Miss Garden Fairy?" The Scot's thick arms crossed his chest. He looked utterly disinterested.
"There are fully-stocked pantries inside, as well. But the outdoor facility takes advantage of our beautiful Vermont landscape. Edibles in the garden." Mr. Smith pointed to glass-fronted coolers. "Local cheeses and other dairy products." He sauntered over to the canopied area and the cameras followed him. Baskets of fresh produce lined the tables. "We locally farmed proteins, fruits, and vegetables. Honey. Maple syrup. Anything and everything you can imagine." He took a perfectly ripe strawberry from one of the boxes and popped it into his mouth.
”
”
Penny Watson (A Taste of Heaven)
“
My Lord,
It was very kind of you to send the lovely gift which is very useful now that the weather has turned. I am pleased to relate that the cashmere absorbed an application of black dye quite evenly so that it is now appropriate for mourning.
Thank you for your thoughtfulness.
Lady Trenear
“You dyed it?” Devon asked aloud, setting the note on his desk with mixture of amusement and irritation.
Reaching for a silver penholder, he inserted a fresh nib and pulled a sheet of writing paper from a nearby stack. That morning he had already written a half-dozen missives to lawyers, his banker, and contractors, and had hired an outside agent to analyze the estate’s finances. He grimaced at the sight of his ink-stained fingers. The lemon-and-salt paste his valet had given him wouldn’t entirely remove the smudges. He was tired of writing, and even more so of numbers, and Kathleen’s letter was a welcome distraction.
The challenge could not go unanswered.
Staring down at the letter with a faint smile, Deon pondered the best way to annoy her.
Dipping the pen nib into the inkwell, he wrote,
Madam,
I am delighted to learn that you find the shawl useful in these cooler days of autumn.
On that subject, I am writing to inform you of my recent decision to donate all the black curtains that currently shroud the windows at Eversby Priory to a London charitable organization. Although you will regrettably no longer have use of the cloth, it will be made into winter coats for the poor, which I am sure you will agree is a far nobler purpose. I am confident in your ability to find other ways of making the atmosphere at Eversby Priory appropriately grim and cheerless.
If I do not receive the curtains promptly, I will take it to mean that you are eager for my assistance, in which case I will be delighted to oblige you by coming to Hampshire at once.
Trenear
Kathleen’s reply was delivered a week later, along with massive crates containing the black curtains.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
Promotion stocks came to the retailer ahead of the rest of the market. Also, they usually got an extra lot even after the end of the promotion Newly launched products came to the retailer first. The customers got more choice, faster, leading to favourable word-of-mouth publicity Local display and consumer sampling budgets were always directed liberally at the retailer Vendors ensured that no slow moving inventory was stuck in the retailer’s stores; they wanted nothing to choke the pipeline The retailer also received the best in-class margin from the distributor If some items were in short supply, the vendor would ensure the retailer was the last one to go out of stock In effect, the consumers found more products, fresher stocks and more promotions in the retailer’s stores compared to the general market. This wasn’t something actively created by either the vendors or the retailer, but was a byproduct of good trading practices. Just one move based on a trading community insight— everyone has less money in the bank than needed — hurled the retailer into a virtuous growth cycle, with all the vendors pushing in one direction, with them. Most people in the business would not give a second look at changing these trading practices. If the payment norm is eight days why modify it? Surely the wholesalers, too, know what they’re letting themselves in for? And the vast volumes offered by organised retail should offset the stress of extending credit. Isn’t that how it works? One retailer managed to peep behind the curtain of wholesaler business practices and understood what a boon more money in the bank was to the trade. And look at the gains they reaped for this seemingly insignificant insight!
”
”
Damodar Mall (Supermarketwala: Secrets To Winning Consumer India)
“
Trudy let out a long breath and hung her head. “Actually, it’s kinda embarrassing,” she said from beneath a curtain of curls. “My mum, she’s been perfecting bioluminescent yeast and lactobacillus strains, some with firefly splices, some with blue glowing Noctiluca plankton splices. Last week, for a lark she grabbed the wrong starter—the perils of using lab equipment for lab work and yogurt starter, I guess—and cultured some goats milk. We enjoyed it for breakfast. The cats got intae it, they ate it as weel. There was also some question, possible contamination of the kraut,” she said brightly. “We first noticed Boo’s—my baby brother, Boo’s short for the ‘Nobu’ in ‘Schrödinger Nobu Duncan Yamaguchi’—glowing nappy later thae evening when I helped put him tae bed. Next we saw the litter box, the glowing cat box, full of glowing cat turds.” She made a disgusted, resigned face. “Ye ken whit they’re like! They play catty-cake with their leavings and as ye can see, whaur kitty’s shitty paws go so does the yellow glow. Nar, I know,” she finished. “Wait, not so fast Yamaguchi,” said Olivia. “Does this mean you’ve been dropping glow sticks off at the pool, leaving bioluminescent raver monkey arms in the bowl, stocking the ole’ lake with incandescent brown trout much?” Trudy looked truly horrified, mortified. “SHUT UP,” she whispered in crisply articulated exasperation, pale green eyes bulging. “I really, really dinna want tae talk aboot it, much less think aboot it,” she added with a convulsive shiver. “Ye, Rosebeetle, dinna even think aboot it either!” He gave her his best what-who-me-? look in reply. “And stop looking at my bahookie!” With difficulty he and Olivia tore their eyes from her curvy derrière. “Glow-poops,” said Byron quickly, “we’re all thinking it.” Trudy glared at him.
”
”
Johannes Johns (The Redwood Revenger)
“
Next!’ The judgement issues summarily from the review panel before Sexecutioner has even a chance to drop his first motherfucker. For a moment, the boys remain rooted to the spot in ungangsta-like attitudes of woundedness, mocked by the drumbeat that is still thumping around them; then, unplugging the ghettoblaster, they clamber down and make the walk of shame to the exit.
‘What in God’s name was that?’ the Automator says as soon as they have left.
Trudy peers down at her clipboard. ‘ “Original material.” ’
‘Our old friend original material,’ the Automator says grimly. ‘I’ve had some plumbing mishaps that sounded a little like those guys.’
‘It did have a certain rough-hewn vitality,’ Father Laughton moderates.
‘I’ve said it before, Padre, this concert’s not about rough-hewn. It’s not about “doing your best”. I want professionalism. I want pizazz. I want this concert to put the Seabrook name out there, tell the world what we’re all about.’
‘Education?’
‘Quality, damn it. A brand right at the top of the upper end of the market. God knows that’s not going to be easy. I’ve given serious thought to bussing in other kids, talented kids, just so we don’t have to drop the curtain after half an hour –
”
”
Paul Murray (Skippy Dies)
“
You’re hot for Quinn.” For a moment Amy froze like a bunny in the car headlights. Then she made a rude noise. “Am not. Don’t be ridiculous.” “Bull. Shit. You want to get busy with him. You want to climb him like a cat on a curtain,” Denise said with undisguised relish.
”
”
Sarah Mayberry (Her Best Friend (More than Friends))
“
There were curtains of night gray that curved against the wind and in them it was almost as if he could see the lives of his mother and of his best friend, their spirits, coming to him. It was not as if they lived, exactly, but maybe they were not lost forever to the great dark.
”
”
Peter Heller (The Guide)
“
That night, was not an unusual night at all. Although it was quiet and still, Daniela sat, keeping vigil. A single star swam, brighter than the rest, in the cosmos. And then, it plummeted softly, like a bird settling on Earth. Daniela drew the curtain again, and crouched in the fetal position, slept as best she could. Even the air smelled foreign.
”
”
Suzy Davies (The Nightingale and The Sunflower)
“
The prophet is not diverted by illusions of past, present and future. The fixity of language determines such linear distinctions. Prophets hold a key to the lock in a language. The mechanical image remains only an image to them. This is not a mechanical universe. The linear progression of events is imposed by the observer. Cause and effect? That's not it at all. The prophet utters fateful words. You glimpse a thing "destined to occur." But the prophetic instant releases something of infinite portent and power. The universe undergoes a ghostly shift. Thus, the wise prophet conceals actuality behind shimmering labels. The uninitiated then believe the prophetic language is ambiguous. The listener distrusts the prophetic messenger. Instinct tells you how the utterance blunts the power of such words. The best prophets lead you up to the curtain and let you peer through for yourself.
”
”
Frank Herbert (God Emperor of Dune (Dune #4))
“
Five things I could see. The window had six panes. The curtains were blue. The rug was thin and old. Mósí was looking at me like I was crazy. My sheet had flowers. Four things I could feel. My pajamas were soft and warm. The floor was cold. I plopped down beside Mósí and stroked his soft fur. He headbutted me and his nose was a little wet, but when I kissed him and he rubbed my chin and I kissed him again, my heart started to feel a little better. Three things I could hear. Mósí purring, really loud. That made me smile, and I kissed him again, and he crawled up in my lap and I hugged him. His purr was so loud I couldn’t really hear anything else, but I guess silence is a thing. And when I listened very, very hard, I could hear the sea. Two things I could smell. I breathed in and tried to name it, like I was one of my characters. It smelled like dampness and stone. And Mósí, who always smells clean and sweet and nice. I kissed him again, closing my eyes, and felt tears stinging my eyelids. I love him so much. He is the best cat ever in the world. I was supposed to think of one thing I could taste, but I didn’t want to get up, and anyway my heart felt better. My dad did a good thing with Mósí. My cat doesn’t care what happened to me, what I did. He just wants me to love him.
”
”
Barbara O'Neal (The Lost Girls of Devon)
“
...But I am the most horrified at the slim young man who is upon his knees, clad in the same white trousers as I, his long, black hair framing his face like soft, shining curtains as he rests his head on his clasped, shackled hands and prays.
"Brian," I sob, my anguish causing my voice to break. "I don't want you in this place..."
He raises his head and pulls me down beside him. His sightless eyes seem to look straight into mine.
"You aren't alone anymore, Obadiah," he says gently. I weep, and take him back against me the best that I can, with my shackled wrists, and we rest against one another...two vessels ready for the last journey.
"I couldn't let you go without me, 'Baddy," he says softly. "I'd never find a love like yours again, even if I lived for a million years! There is only one you. When a person is gifted with a love like this, it should be defended at all costs..."
I weep then, for real...for this precious child, who will pay the ultimate price for loving me...how he must love me, indeed...
”
”
Lioness DeWinter (Southern Cross)
“
As the iron door swung open, I followed Summer into a plain, gray stone room that held the strangest object I’d ever seen by far. A giant frame, four by four of nothing but obsidian blocks. But instead of a picture, this frame encased a curtain of energy. At least, that’s the best way I can describe it. Swirling, purplish pink eddies attracted glowing violet flakes that seemed to appear out of nowhere. And the sound: a high, echoing rasp. Was it breathing? Was it alive?
”
”
Max Brooks (Minecraft: The Mountain: An Official Minecraft Novel)
“
But no CEO, company, or entrepreneur ever has it all together the way they seem to on a panel or web page. I have seen behind that curtain. But they sure seem like it. They seem more successful, more happy, more savvy, and more hardworking (than us). These curb appeal fantasies, based on the slimmest of superficial observations, prime the pump of never enough.
”
”
Juliet Funt (A Minute to Think: Reclaim Creativity, Conquer Busyness, and Do Your Best Work)
“
said to expect such thoughts when I returned home, and that those thoughts would fade with time. I sure hoped she was right. I still had a shock every time I looked in the mirror, a pleasant shock mind you, but nevertheless a shock. Even though my life had immeasurably changed for the better, I was still having trouble coming to terms with the change itself. I had been told time and time again that this was normal, but that didn’t make it any easier to experience. I suppose I had been depressed before the accident. I looked around my cottage, surprised that this had been my taste. The curtains were hideous, and everything was dark. I suppose I had been trying to hide away from the world. Still, my job wouldn’t have helped. I had been the marketing manager for a local small art gallery. The boss had been a screaming banshee, and that was a polite description for her. She had been impossible to deal with and had a regular staff turnover. I had been there years longer than any other employee. Looking back, I wondered how I had taken her verbal abuse and yelling for years, but I suppose I had been used to being bullied since school. I shook myself. That was all behind me now, and my only connection with that was a desire to work in some way to help people who had been bullied. There was altogether way too much bullying in the world. Now I had enough money to buy a nice place, but first things first. I was going to concentrate on starting my business. I would simply buy some bright new cushions to make the place look a little better and make sure all the curtains were open. I’d buy some nice smelling incense and an oil burner, and burn lavender oil. I was craving nice fragrances, after being accustomed to the antiseptic smell of the hospital, a smell I am sure I will never forget.
”
”
Morgana Best (Sweet Revenge (Cocoa Narel Chocolate Shop, #1))
“
Your special someone!
In the vastness of her inner mind,
In the confines of her selective memories,
In the visions of her eyes refined,
I want to discover our love stories,
In the blinking of her eyelids,
In the movement of her hands,
In the flickering of her lips and their deliberate wet slides,
I wish to create our empire of love lands,
In the mere act of her standing and doing nothing,
Just standing there staring at time,
In her thoughts, in her feelings, and in her everything,
I want to be her companion, or a mere shadow always cast on her moment of time,
In the idleness of her mind and its moments of thinking,
In the days of her life and the nights of her dreams,
In the smile that springs from her face when her beautiful eyes are blinking,
I wish to be her happy dreams and those infinite love beams,
In her playful mood, in her pensive moments,
In her feelings that originate from somewhere within her,
In her heart beats and her life’s pavements,
I want to be her blissful destiny, just like a feeling always living within her,
In the moments of her secret confessions,
When her heart secretly talks to her mind,
In her secret love breeding sessions,
I wish to be her passion, her emotion, her feeling, her everything that she wishes to find,
In her North, her South, her East and in her West,
In her quest to seek her moment of glory,
In the adventures of her heart where she is the best,
I wish to be the beginning and the end of her life’s every story,
In the day when she is awake,
And during the night when she is asleep,
In the silence of her mind, where she, her darling worlds does make,
I wish to be her treasure, her feelings, that always towards me leap,
In the sensitivity of her actions,
In the beauty that glows on her beautiful face,
In her simple, yet charming attractions,
I wish to be that ingredient of eternal grace,
In the silence of her room,
In the tender fluttering of her window curtains,
In the beauty of her Summer bloom,
I wish to be her heart’s only happy bulletins,
In the tip-toeing of her feet,
In the humming of her favorite song,
In the relaxing rhythm of her every heart-beat,
I wish to be her movement, leading her to my heart and memories, where she truly does belong,
In the feelings of her passionate kiss,
In the passions of her midnight dreams,
In the moments of her sensual bliss,
I wish to be her desire, and the loveliest dream, that so real seems,
In the sunshine of the beautiful Summer day,
In the calm of the warm Summer night,
In the sweet corner of her room, where, she her dreams of passion does display,
I wish to be her anxiety, and her love’s delight,
In that every thought where she thinks of someone,
In that step that she takes towards that special someone,
In her need to be with someone,
Irma, I wish to be the only one, that special someone!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Your special someone!
In the vastness of her inner mind,
In the confines of her selective memories,
In the visions of her eyes refined,
I want to discover our love stories,
In the blinking of her eyelids,
In the movement of her hands,
In the flickering of her lips and their deliberate wet slides,
I wish to create our empire of love lands,
In the mere act of her standing and doing nothing,
Just standing there staring at time,
In her thoughts, in her feelings, and in her everything,
I want to be her companion, or a mere shadow always cast on her moment of time,
In the idleness of her mind and its moments of thinking,
In the days of her life and the nights of her dreams,
In the smile that springs from her face when her beautiful eyes are blinking,
I wish to be her happy dreams and those infinite love beams,
In her playful mood, in her pensive moments,
In her feelings that originate from somewhere within her,
In her heart beats and her life’s pavements,
I want to be her blissful destiny, just like a feeling always living within her,
In the moments of her secret confessions,
When her heart secretly talks to her mind,
In her secret love breeding sessions,
I wish to be her passion, her emotion, her feeling, her everything that she wishes to find,
In her North, her South, her East and in her West,
In her every quest to seek her moment of glory,
In the adventures of her heart where she is the best,
I wish to be the beginning and the end of her life’s every story,
In the day when she is awake,
And during the night when she is asleep,
In the silence of her mind, where she, her darling worlds does make,
I wish to be her treasure, her feelings, that always towards me leap,
In the sensitivity of her actions,
In the beauty that glows on her beautiful face,
In her simple, yet charming attractions,
I wish to be that ingredient of eternal grace,
In the silence of her room,
In the tender fluttering of her window curtains,
In the beauty of her Summer bloom,
I wish to be her heart’s only happy bulletins,
In the tip-toeing of her feet,
In the humming of her favorite song,
In the relaxing rhythm of her every heart-beat,
I wish to be her movement, leading her to my heart and memories, where she truly does belong,
In the feelings of her passionate kiss,
In the passions of her midnight dreams,
In the moments of her sensual bliss,
I wish to be her desire, and the loveliest dream, that so real seems,
In the sunshine of the beautiful Summer day,
In the calm of the warm Summer night,
In the sweet corner of her room, where, she her dreams of passion does display,
I wish to be her sweet anxiety, and her love’s delight,
In every thought where she thinks of someone,
In every step that she takes towards that special someone,
In her every need to be with someone,
Irma, I wish to be the only one, that special someone!
”
”
Javid Ahmad Tak
“
Passing Through Her Mirror!
When the time was right,
And there was light and delight,
But now nothing can undo her present plight,
Unless she bows a bit and ruffles the curtains to allow in some graceful light!
She seems to try but only to fail,
Because she still wears the past like an invisible veil,
But today it is midsummer day again,
And the rose is peeping through the window glass again,
Alas the mirror with just the black base can’t reflect its colours now,
And the old lady lies lifeless with a bent back and a fallen head in a perfect bow!
Time has won yet again,
But the eternal question remains “who lost her life to time and who was slain?
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
I can’t decide whether you’re my savior or my worst nightmare.” “Best think of me as both then, it’s safer that way.
”
”
Greer Rivers (Rouge (Tattered Curtain, #2))
“
We are great fools. 'He has spent his life in idleness,' we say, and 'I have done nothing today.' What! have you not lived? That is not only the fundamental, but the most noble of your occupations. 'If I had been put in charge of some great affair, I might have shown what I could do.' Have you been able to reflect on your life and control it? Then you have performed the greatest work of all. To reveal herself and do her work, nature has no need of fortune. She manifests herself equally at all levels, and behind curtains as well as in the open. Our duty is to compose our character, not to compose books, to win not battles and provinces, but order and tranquility in our conduct. Our great and glorious masterpiece is to live properly. All other things -- to reign, to lay up treasure, to build -- are at best but little aids and additions.
”
”
Montaigne
“
Anna periodically whipped the curtain back to reveal the results and deliver her verdict. Electric-blue lace mini: ‘Inside Soap Awards, winner of “Best Bitch”.’ Cabbage-rose floral with lavender sash: ‘An Alice band away from The 40-Year-Old Virgin.’ Sugar-mouse pink tulip skirt, with silver embellishment: ‘I have Sylvanian Families on my windowsill and kiss the McDigger Mole family good night individually.
”
”
Mhairi McFarlane (Here's Looking at You)
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Things, shapeless feelings, nightmarish and strange as mountains fighting, as landslides and ranges rising out of the sea, were best curtained off by the gold light of day. It was right to keep days and nights in separate compartments the way Felix did. Fortunately, fortunately, people had the sense not to go about in the mornings, in the streets, as if they guessed, or even (the thought really stunned her) had similar secrets.
”
”
Elizabeth Harrower (The Watch Tower)
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She stepped up to the door and knocked.
The television voice cut off, replaced by the sound of pattering activity. “Just a moment,” said a male voice.
The door opened. It was Martin, aka Theodore the gardener, in pajama pants and no top, a towel hanging around his neck. Unclothed, he had the kind of build that made her want to say, “Yow.” She was glad she was wearing her favorite dress.
“Trick or treat?” she said.
“What?”
“Sorry to interrupt.” She indicated the towel. “You’re working out?”
“Miss, uh, Erstwhile, right? Yes, hello. No, I just couldn’t find my shirt. Are you lost?”
“No, I was walking and I…I don’t suppose you could give me the Knicks-Pacers score?”
Martin stared blankly for a moment, then looking around as if trying to spy out eavesdroppers, pulled her inside and shut the door behind her.
“You could hear that?”
“The TV? Yes, a little, and I saw the light through your window.”
“Blasted paper-thin curtains.” He grimaced and ran his fingers through his hair. “You are going to catch me at everything bad, aren’t you? Let’s hope you’re not her spy. She’ll have my balls for stew.”
“Who, Mrs. Wattlesbrook?”
“Yes, in whose presence I signed a dozen nondisclosure and proper-behavior and first-child and I don’t know what other kinds of promises, in one of which I swore to keep any modern thingies out of sight of the guests.”
“Tell me that Wattlesbrook isn’t her real name.”
“It is, actually.”
“Oh, no,” she said with a laugh in her voice.
“Oh, yes.” He sat on the edge of his bed. “I take it, then, you’re not spying for her? Good. Yes, dear Mrs. Wattlesbrook, descended from the noble water buffalo. It’s a decent job, though. Best pay for being a gardener I’ve ever had.” He met her eyes. “I’d hate to lose it, Miss Erstwhile.”
“I’m not going to tattletale,” she said in tired big-sister tones. “And you can’t call me Miss Erstwhile when you have a towel around your neck. To real people I’m Jane.”
“I’m still Martin.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
And so that chapter of our hero’s life was closed and a new chapter opened. He moved into his early forties and the end of his second marriage, which also, by this time, had produced a child—his third daughter—another love of his life who could not, as no child can ever do, repair a broken marriage. During the years that followed, he became about the best anyone could be in his now chosen profession. He learned the secrets he thought were hidden. He married a woman far bigger than the others, had two more children, fought battles with his ignorance at times titanic in scope, moved through one obstacle after another, wrote books, spoke throughout the world, built a great business, only to watch it almost fail, persisted in building it up again, lanced, jabbed, wrestled, grappled, laughed, sang, loved, and roared, and through it all, remembered one simple thing that meant more to him than anything else he had ever thought: the curtain, the curtain. Keep the curtain up at all cost.
”
”
Michael E. Gerber (The E-Myth Revisited: Why Most Small Businesses Don't Work and What to Do About It)
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CONCERT CHECKLIST 1. Secure a date on the calendar. Be sure it is listed on the official school calendar to protect it. 2. Reserve a performance venue for the concert and for final rehearsals. 3. Have tickets printed if they are to be used. 4. Plan the printed program and get it to the printer by the deadline date. 5. Plan the publicity. The following types of publicity can be utilized to draw a sizable concert audience: Radio releases Television releases Newspaper releases Online listings School announcements Notices to other schools and/or organizations in the area Posters for public placement 6. Send complimentary tickets to: Civic leaders Board of Education Superintendent People who have helped in some way Key supporters Key people to stimulate their interest 7. Have the president of the choir send personal letters of invitation to people that are special to the music program (newspaper editor, Board of Education, Superintendent, civic club presidents, supporters etc.). 8. Appoint a stage manager. He should be someone who can control the stage lighting, pull curtains, shut off air circulation fans that are noisy, and see that the stage is ready for the concert. 9. Arrange for ushers. 10. Check wearing apparel. Be sure that all singers have the correct accessories (same type and color of shoes, no gaudy jewelry for girls, etc.). 11. Post on bulletin board and tell students the time they will meet for a pre-concert warm-up. High school students will perform best if they meet together at least forty-five minutes before the concert.
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Gordon Lamb (Choral Techniques)