Curse Someone Quotes

We've searched our database for all the quotes and captions related to Curse Someone. Here they are! All 100 of them:

Once someone's hurt you, it's harder to relax around them, harder to think of them as safe to love. But it doesn't stop you from wanting them.
Holly Black (White Cat (Curse Workers, #1))
I always wonder about raindrops. I wonder about how they're always falling down, tripping over their own feet, breaking their legs and forgetting their parachutes as they tumble right out of the sky toward an uncertain end. It's like someone is emptying their pockets over the earth and doesn't seem to care where the contents fall, doesn't seem to care that the raindrops burst when they hit the ground, that they shatter when they fall to the floor, that people curse the days the drops dare to tap on their doors. I am a raindrop. My parents emptied their pockets of me and left me to evaporate on a concrete slab.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
But she knows she has a curse on her, a curse she cannot win. For if someone gets too close to her, the pins stick further in.
Tim Burton
A woman who is not happy with herself can never be happy for someone else." -Toyi Ward
Kamryn Adams (Par for the Curse)
Voodoo Girl Her skin is white cloth, and she's all sewn apart and she has many colored pins sticking out of her heart. She has many different zombies who are deeply in her trance. She even has a zombie who was originally from France. But she knows she has a curse on her, a curse she cannot win. For if someone gets too close to her, the pins stick farther in.
Tim Burton
The biggest curse in life is not loosing your love, but not being loved by someone you love.
Kiran Joshi
The idea of bringing someone into the world fills me with horror. I would curse myself if I were a father. A son of mine! Oh no, no, no! May my entire flesh perish and may I transmit to no one the aggravations and the disgrace of existence.
Gustave Flaubert
A part of me was hoping someone would wake up and hear, so I wouldn't have to live with this lie anymore. But no one woke up and in the silence that followed, I understood the nature of my new curse: I was going to get away with it.
Khaled Hosseini (The Kite Runner)
I’m a wild girl from a cursed line of women. I paw at the ground and run under the moon. I like the feel of my own body. I’m not a slut or a nympho or someone who’s just asking for it. And if I talk too loud it’s just that I’m trying to be heard.
Libba Bray (Beauty Queens)
Once, when I was young and true. Someone left me sad - Broke my brittle heart in two; And that is very bad. Love is for unlucky folk, Love is but a curse. Once there was a heart I broke; And that, I think, is worse.
Dorothy Parker (Enough Rope)
Helping someone who didn't want help could be a curse. However, some people couldn't ask for help despite needing help. It was because they had never asked for it before.
Singshong (Omniscient Reader's Viewpoint, Vol. 3)
Magnus had always had a wanderer’s heart. Over the centuries, he had adventured in so many different places, always looking for something that would fulfill his restless hunger. He never realized how all the pieces could fall together, how home could be somewhere and someone. He belonged with Alec. His wandering heart could rest.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
She wanted to be someone's love, not their curse.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
when you truly love someone and they love you in return, you ruin your lives together. That is not a curse, it’s what life is, my girl. We all come to ruin, we turn to dust, but whom we love is the thing that lasts.
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
I'm looking for someone who will light candles, not just curse the darkness.
Joshua Harris (I Kissed Dating Goodbye)
He climbed up behind Hazel. Arion took off across the water, the nymphs screaming behind them, and Narcissus shouting, "Bring me back! Bring me back!" As Arion raced towards the Argo II, Leo remembered what Nemesis had said about Echo and Narcissus: Perhaps they'll teach you a lesson. Leo had thought she'd meant Narcissus, but now he wondered if the real lesson for him was Echo--invisible to her brethren, cursed to love someone who didn't care for her. A seventh wheel. He tried to shake that thought. He clung to the sheet of bronze like a shield. He was determined never to forget Echo's face. She deserved at least one person who saw her and knew how good she was. Leo closed his eyes, but the memory of her smile was already fading.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Because I cursed him to it. (Acheron) Be glad I’m not physically there or I’d slap you upside the head. You know how free will works, so stop the whining and get off the cross. Someone needs the wood. (Savitar)
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
A Very Short Song Once, when I was young and true, Someone left me sad- Broke my brittle heart in two; And that is very bad. Love is for unlucky folk, Love is but a curse. Once there was a heart I broke; And that, I think, is worse.
Dorothy Parker (The Complete Poems of Dorothy Parker)
If a man crosses a river and an empty boat collides with his own skiff, Even though he be bad tempered man He will not become very angry. But if he sees a man in the boat, He will shout at him to steer clear. If the shout is not heard, he will shout again, and yet again, and begin cursing. And all because someone is in the boat. Yet if the boat were empty, He would not be shouting, and not angry. If you can empty your own boat Crossing the river of the world, No one will oppose you, No one will seek to harm you
Zhuangzi
Then it hit her, not a feeling but a thought—a sharp, fragmented one. She had something important to tell someone.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
And when the girl looks at him, she doesn't see perfect. She sees someone who cares too much, who feels too much, who is lost, and hungry, and wasting inside his curse. She sees the truth, and he doesn't know how, or why, only knows that he doesn't want it to end. Because for the first time in months, in years, his whole life, perhaps, Henry doesn't feel cursed at all. For the first time, he feels seen.
Victoria Schwab (The Invisible Life of Addie LaRue)
GINNY: After I came out of hospital — everyone ignored me, shut me out — other than, that is, the boy who had everything — who came across the Gryffindor common room and challenged me to a game of Exploding Snap. People think they know all there is to know about you, but the best bits of you are — have always been — heroic in really quiet ways. My point is — after this is over, just remember if you could that sometimes people — but particularly children — just want someone to play Exploding Snap with.
Jack Thorne (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
SCORPIUS: There's nothing. Still, if I had to choose a companion to be at the return of eternal darkness with, I'd choose you. ALBUS: No offense, but I'd choose someone massive and really good at magic.
Jack Thorne (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
If you love someone, truly love them, you’ll bear your soul to them and let them be the keeper of your heart no matter how fragile or damaged it might be. And if they love you then they’ll do everything in their power to keep it safe, to nurture and protect it and heal over all the old wounds.
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
He runs to the sink to spit it out. I grin. There’s nothing quite as funny as someone else’s misery.
Holly Black (Black Heart (Curse Workers, #3))
This is never going to be over,” I shout. “Someone will always be after me. There’s always consequences. Well, BRING IT. I am done with being afraid, and I am done with you.
Holly Black (Black Heart (Curse Workers, #3))
Kira is evil ... There's no denying that ... But lately I've been starting to think of it more like this ... The real evil is the power to kill people. Someone who finds himself with that power is cursed. No matter how you use it, anything obtained by killing people can never bring true happiness.
Tsugumi Ohba (Death Note, Vol. 3: Hard Run (Death Note, #3))
For someone who is supposed to be a knight in shining armor, you're acting like an ass in aluminum foil.
Lisa Logue (Cursed Secrets)
All over America, people were pulling credentials out of their pockets and sticking them under someone else's nose to prove they had been somewhere or done something. And I thought someday everyone in America will suddenly jump up and say, 'I don't take any shit!' and start pushing and cursing and clawing at the man next to him.
William S. Burroughs (And the Hippos Were Boiled in Their Tanks)
Someone could cut through the mess in our house and look at it like one might look at rings on a tree or layers of sediment. They'd find the black-and-white hairs of a dog we had when I was six, the acid-washed jeans my mother once wore, the seven blood-soaked pillowcases from the time I skinned my knee. All our family secrets rest in endless piles.
Holly Black (White Cat (Curse Workers, #1))
I'm not good at having friends. I mean, I can make myself useful to people. I can fit in. I get invited to parties and I can sit at any table I want in the cafeteria. But actually trusting someone when they have nothing to gain from me just doesn't make sense. All friendships are negotiations of power.
Holly Black (White Cat (Curse Workers, #1))
I can't - Kestrel, you must understand that I would never claim you. Calling you a prize - my prize - it was only words. But it worked. Cheat won't harm you, I swear that he won't, but you must...hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you're not better off dead. Swallow your pride." "Maybe it's not as easy for me as it is for you." He wheeled on her. "It's not easy for me," "You know that it's not. What do you think I have had to swallow these past ten years? What do you think I have had to do to survive?" "Truly," she said, "I haven't the faintest interest. You may tell your sad story to someone else." He flinched as if slapped. His voice came low: "You can make people feel so small.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I was stressed and scared and I had to hurry to be someone, become something, do something. I was running and talking and cursed myself when I wasted my time on things that wouldn’t get me anywhere. It was work and it was money and I was never where I was, always somewhere else in my head far, far away.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
Hunger gnawed at my stomach, but I was afraid someone would be in the kitchen again. So I found myself staring at the front door. Freedom seemed just a doorknob-turn away. When I did open the door, freedom didn't wait — a half-naked Hayden did.
Jennifer L. Armentrout (Cursed)
What responsibility are you avoiding... He wasn't avoiding responsibility... Though there was one thing he clung to. An excuse, perhaps, like the dead emperor. It was the soul of the wretch. Apathy. The belief that nothing was his fault, the belief that he couldn't change anything. If a man was cursed, or if he believed he didn't have to care, then he didn't need to hurt when he failed. Those failures couldn't have been prevented. Someone or something else had ordained them.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
I believe that the world isn't always what we can see...I believe there are secrets in the woods. And I believe that goodness wins out...So, if someone's changed overnight - by witch curse or poison apple or were-turtle - you have to show them what's good. You show them love. That works a surprising amount of the time.
Anne Ursu (Breadcrumbs)
Dulce Et Decorum Est Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of disappointed shells that dropped behind. GAS! Gas! Quick, boys!-- An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling And floundering like a man in fire or lime.-- Dim, through the misty panes and thick green light As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,-- My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.
Wilfred Owen (The War Poems)
I can walk into someone's house, kiss their wife, sit down at their table, and eat their dinner. I can lift a passport at an airport, and in twenty minutes it will seem like it's mine. I can be a blackbird staring in the window. I can be a cat creeping along a ledge. I can go anywhere I want and do the worst things I can imagine, with nothing to ever connect me to those crimes. Today I look like me, but tomorrow I could look like you. I could be you.
Holly Black (Black Heart (Curse Workers, #3))
How do you plan to scare people tonight?" asked a hollow-voiced spector. "I'll wait until they sit down to supper, then scream whenever someone sticks his knife in his meat." I'll haunt the bedchambers," said another. "A bloody ax at midnight always gets a good reaction." A ghost with a purplish tinge to his aura spoke next. "I can top both of you. I'm going to dress like a guard and haunt the privy. I'll hide in the hole and when anyone sits down I'll wail, 'Who goes there? State your business!
E.D. Baker (Once Upon a Curse (The Tales of the Frog Princess, #3))
Go to sleep, dweller-baby. I’ll kill Elowin as soon as we find her.” He didn’t sound like he was kidding. Each word was low and laced with truth. “Next time, just say like … sleep well, or something normal,” I said. “Not go to sleep, I’ll be murdering someone in no time. It doesn’t sound as comforting as you think it does.
Jaymin Eve (Trickery (Curse of the Gods, #1))
Poor, unhappy Erik! Shall we pity him? Shall we curse him? He asked only to be 'someone,' like everybody else. But he was too ugly! And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! He had a heart that could have held the empire of the world; and in the end had to content himself with a cellar. Surely we must pity the Opera ghost!
Gaston Leroux (The Phantom of the Opera)
A singer who refused to sing, a friend who wasn't her friend, someone who was hers and yet would never be hers. Kestrel looked away from Arin. She swore to herself that she would never look back
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
They said I would never remember how strong and powerful I am until someone reminded me," said Hanuman. "Sometimes I wonder if it is a curse that we are all under at some point or another.
Roshani Chokshi (Aru Shah and the End of Time (Pandava, #1))
At the end of a criminal’s life, it’s always the small mistake, the coincidence, the lark. The time we got too comfortable, the time we slipped up, the time someone aimed a little to the left. I’ve heard Grandad’s war stories a thousand times. How they finally got Mo. How Mandy almost got away. How Charlie fell. Birth to grave, we know it’ll be us one day. Our tragedy is that we forget it might be someone else first.
Holly Black (Black Heart (Curse Workers, #3))
One thing I can promise,” his voice was deep and sensual in the dark, “is you won’t ever doubt it’s real when I touch you.” Frustrated, embarrassed, and furious to have submitted to desiring him for even one second, I plucked up his shirt and roughly tugged it back on before flopping onto my side. “Someone’s cocky.” “Says the person rubbing up against my c—
Kerri Maniscalco (Kingdom of the Cursed (Kingdom of the Wicked, #2))
Sam: You know what I wish? Cassel: What? Sam: That someone would covert my bed into a robot that would fight other bed robots to the death for me.
Holly Black (White Cat (Curse Workers, #1))
Love in my world usually ended up with someone hearing “I smite thee!” as she was cursed to be some lame flower for the rest of her life.
Jennifer L. Armentrout (Daimon (Covenant, #0.5))
Because that’s what love is,” I said in a low voice, running my finger over a bare patch of skin on my right forearm thoughtfully. “It’s giving everything without expecting anything in return. It’s sacrificing your heart and happiness for someone else and it’s owning all of your mistakes and trying to make them right. Not because you expect to get something in return for it. But
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
Could you give me a boost up to the second floor?” “I will not,” Raphael said icily. “Sure, any friend of Magnus’s,” said Elliott, and then, off Raphael’s glare, added, “is someone we don’t like, definitely, not even a little bit, at all.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Dr. Bashiri, if I ever want to put a curse in someone, I say, 'May God give you a restaurant.
Khaled Hosseini (And the Mountains Echoed)
The biggest curse in life is not loosing your love, but not being loved by someone you love.
Keran Pantth Joshi (Beyond forever...in love)
Our tragedy is that we forget it might be someone else first.
Holly Black (Black Heart (Curse Workers, #3))
You can’t make someone love you just because you want them to. It has to be freely given or it doesn’t mean anything.
S.J. West (Cursed (The Watchers, #1))
I wasn't really going to go. I ain't so heartless I'm gonna let someone be struck down with pain on account of me. Even if that someone is a murderer and a liar. Hell, murderers and liars used to sing me to sleep.
Cassandra Rose Clarke (The Assassin's Curse (The Assassin's Curse, #1))
If fame is a curse, successful people―by definition―can’t be seen. Almost every person I admire has a quiet life at home with someone they love, working on projects they love―designing their life as they love.
Vizi Andrei (Economy of Truth: Practical Maxims and Reflections)
You have an unusual definition of luck." She stiffens. "Spoken like someone who lives in a castle with an endless supply of food and wine, but calls himself cursed.
Brigid Kemmerer (A Curse So Dark and Lonely (Cursebreakers, #1))
I consider kissing her right there on the dirty couch, but self-preservation stops me. Once someone hurts you, it’s harder to relax around them, harder to think of them as safe to love. But it doesn’t stop you wanting them. Sometimes I actually think it makes the wanting worse
Holly Black (White Cat (Curse Workers, #1))
Looks like someone's suffering the Winner's Curse." Kestrel turned to her. "What do you mean?" "You don't come to auctions often, do you? The Winner's Curse is when you come out on top of the bid, but only by paying a steep price.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.' Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile. 'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.' He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.' Kel nodded. 'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble. 'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
Tamora Pierce (Squire (Protector of the Small, #3))
Love grew out of shared memories, shared stories, shared laughter. Love was a result of knowing the many things a person did that annoyed you to the ends of the earth, and yet, somehow, still wanting to hold them at the end of every day, and be held by then at sunrise every morning. Love was the comfort of knowing someone would stand by you, accept you, despite all your eccentricities, all your faults. Maybe loving you, in part, because of them.
Marissa Meyer (Cursed (Gilded, #2))
She's locked up with a spinning wheel She can't recall what it was like to feel She says, "This room's gonna be my grave And there's no one who can save me," She sits down to her colored thread She knows lovers waking up in their beds She says, "How long can I live this way Is there someone I can pay to let me go 'Cause I'm half sick of shadows I want to see the sky Everyone else can watch as the sun goes down So why can't I And it's raining And the stars are falling from the sky And the wind And the wind I know it's cold I've been waiting For the day I will surely die And it's here And it's here for I've been told That I'll die before I'm old And the wind I know it's cold... She looks up to the mirrored glass She sees a horse and rider pass She says, "This man's gonna be my death 'Cause he's all I ever wanted in my life And I know he doesn't know my name And that all the girls are all the same to him But still I've got to get out of this place 'Cause I don't think I can face another night Where I'm half sick of shadows And I can't see the sky Everyone else can watch as the tide comes in So why can't I But there's willow trees And little breezes, waves, and walls, and flowers And there's moonlight every single night As I'm locked in these towers So I'll meet my death But with my last breath I'll sing to him I love And he'll see my face in another place," And with that the glass above Her cracked into a million bits And she cried out, "So the story fits But then I could have guessed it all along 'Cause now some drama queen is gonna write a song for me," She went down to her little boat And she broke the chains and began to float away And as the blood froze in her veins she said, "Well then that explains a thing or two 'Cause I know I'm the cursed one I know I'm meant to die Everyone else can watch as their dreams untie So why can't I
Emilie Autumn
That's the blessing and the curse of loss: You don't get to choose what falls within the inevitable dissolution of recollection or what lingers and haunts you late at night, your head heavy with memories, while your husband dreams of scaling walls in spandex tights.This is who I am: someone who simultaneously longs for and fears the commitment of remembering. There is the forgetting, the disintegration of memory, morsel by morsel; and there is the impossibility of forgetting, the scar tissue, with is insulated layers of padding. Both haunt me in their own way.
Julie Buxbaum (The Opposite of Love)
There was a soft chiming sound, which meant, tragedy of tragedies, the angel had just popped himself up onto the countertop. “So, what are we doing tonight? Wait, let me guess, sitting in morose silence. Or, no…you’re mixing it up. Brooding with soulful intensity, right? What a fucking wild child you are. Whoo. Hoo. Next thing you know, you’ll be opening for Slipknot.” With a curse, Tohr stood up and went over to turn on the shower, hoping that if he refused to look at the loudmouth, Lassiter would get bored more quickly and move on to ruin someone else’s afternoon.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Price,” Wrath said, still looking at his brother. “Well, here’s the thing.” As the king cursed, the man, Lassiter, laughed. “It’s not a price, though.” “What. Is. It.” “We’re a two-for-one-deal.” “Excuse me?” “I come with him.” “The fuck you do.” The man lost any levity in his voice. “It’s past of the arrangement, and believe me, I wouldn’t choose this either. Fact is, he’s my last change, so yeah, I’m sorry, but I go with him. And if you say no, by the way, I’m going to level us all like that.” The man snapped his fingers, a brilliant white spark flaring against the night sky. After a moment, Wrath turned to John. “This is Lassiter, the fallen angel. One of the last times he was on earth, there was a plague in central Europe –“ “Okay, that was so not my fault –” “ – that wiped out two-thirds of the human population.” “I’d like to remind you that you don’t like humans.” “They smell bad when they’re dead.” “All you mortal types do.” John could barely follow the conversation; he was too busy staring into Tohr’s face. Open your eyes…open your eyes…please God… “Come on, John.” Wrath turned back to the Brotherhood and started walking. When he came up to them, he said softly, “Our brother is returned.” “Oh, Christ, is he alive,” someone said. “Thank God,” someone else groaned. “Tell them,” Lassiter demanded from behind. “Tell them he comes with a roommate.” As one, the Brothers’ heads snapped up. “Fuck. Me, “Vishous breathed. “I will so pass on that,” Lassiter muttered.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
I had the feeling that all over America such stupid arguments were taking place on street corners and in bars and restaurants. All over America, people were pulling credentials out of their pockets and sticking them under someone else's nose to prove they had been somewhere or done something. And I thought someday everyone in America will suddenly jump up and say "I don't take any shit!" and start pushing and cursing and clawing at the man next to him.
William S. Burroughs (And the Hippos Were Boiled in Their Tanks)
If you were not cast into the abyss, you would have never groped, reached as far as you could reach, to grasp for anything that you could possibly touch, anything that you could possibly feel brushing against your fingertips! Funny how in the darkness, we come to find the things that we never saw before all the lights departed! It's like someone needed to turn the lights out, to make us find all the things that we never looked for when the lights were on! And it's in that blackness that we wake up to the true light! My friends, curse not the darkness! It has given you many things!
C. JoyBell C.
When I was a girl in Blundermeecen we wondered always if we would see each other again. Each day was uncertain. So, to say good-bye to someone was uncertain, too. Would you see them again? Who could say? Blundermeecen was a place of dark secrets, unmarked graves, terrible curses. Trolls were everywhere! So we said good-bye to each other the best way we could. We said: I promise to always turn back toward you.
Kate DiCamillo (Flora & Ulysses: The Illuminated Adventures)
Maria Owens did what she did for a reason. She was young and she thought damning anyone who loved us would protect us. But what she had with that terrible man wasn't love. She didn't understand that when you truly love someone and they love you in return, you ruin your lives together. That is not a curse, it's what life is, my girl. We all come to ruin, we turn to dust, but whom we love is the thing that lasts.
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
Gabriel nodded. “Sometimes love makes hard decisions for the sake of what needs protecting.” “But love should fight.” He nodded slowly. “Yes, love should fight. But there is a difference between a valiant fight and a selfish fight. And love is not selfish.” She turned to look at him across the grass. “For someone who is cursed to be without love you are quite wise on matters of the heart.” Sorrow filled her eyes. “I’m sorry for your curse.” He shrugged. “It could be worse. I could be cursed to an eternity of pain or a life without chocolate.
Chelsea Fine (Avow (The Archers of Avalon, #3))
You're safe with me, Mira. And I'm safe with you." He kissed her again to prove it. And when the clock struck one - that lone, ominous tone hovering in the dark - they were still kissing. Her razor blade had snagged his shirt and nicked his chest, and they'd ended up lying in the grass, hidden inside a shadow, ignoring their names whenever someone called them. He traced her mouth again and again, like he still couldn't believe it was real. There would always be a part of him she couldn't know. A secret place where his heartbreak was stored, where lost innocence and regret filled the air like smoke. She had no desire to open that door ... but she didn't know if that would change one day. If the key would tempt her, if a fairy would manipulate her or she would just be curious. But she had to believe she could be strong enough to resist. That what she wanted - what they both wanted - mattered more than the path that had been laid out for them. She let her hand slip under his shirt to touch the heart mark on his back, and he brought her other hand to his lips, and kissed every finger he'd entrusted with the key. He was so much more than his curse, and she was so much more than the girl who could betray him. Together ... they could be anything.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
That’s what you like in a girl: cute and sad, with enough disorders that you could count them to fall asleep. The kind you can show off at parties as the latest broken thing you fixed. Where will you hang your awards for loving someone who can’t walk in a straight line without being supported? Is there room next to your collection of glasses you shattered by holding them too tightly? The blood on your hands does not make you a martyr. Do not curse when your hammers do nothing but scar her. Do not use your words to remind her that everybody else would have left by now. If she could speak, she would tell you: you think it’s beautiful to love somebody as light as me but you don’t know how heavy I had to be to become this empty.
Lora Mathis
Alec remembered the old days and the old fears, the way Isabelle had occasionally tried to start conversations about boys and let Alec shut them down. He had always snapped at her, terrified to speak and have someone hear, but sometimes at night when he thought about the possibility of being disowned by his parents, rejected by the Clave, hated by Jace and Max, his only comfort was that his sister knew, and she still loved him.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
She put a hit on her boyfriend, so it's not like she hasn't murdered someone." "And you know that how?" Sam asks. I'm trying really hard to be honest, but telling the whole thing to Sam seems beyond me. Still, the fragments sound ridiculous on their own. "She said so. In the park." He rolls his eyes. "Because the two of you were so friendly." "I guess she mistook me for someone else." I sound so much like Philip that it scares me. I can hear the menace in my tone. "Who?" Sam asks, not flinching. I force my voice back to normal. "Uh, the person who killed him.
Holly Black (Red Glove (Curse Workers, #2))
Raindrops are my only reminder that clouds have a heartbeat. That I have one, too. I always wonder about raindrops. I wonder about how they’re always falling down, tripping over their own feet, breaking their legs and forgetting their parachutes as they tumble right out of the sky toward an uncertain end. It’s like someone is emptying their pockets over the earth and doesn’t seem to care where the contents fall, doesn’t seem to care that the raindrops burst when they hit the ground, that they shatter when they fall to the floor, that people curse the days the drops dare to tap on their doors. I am a raindrop.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in." "Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.” “My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle. “Yes, love?” "I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
He looked around for the most trustworthy person, for someone to be on his team. He took a gamble and dumped Bat into Lily's arms. "Watch him for me, will you?" he asked. "Make sure he gets out all right?" "Put that werewolf down immediately, Lily," Raphael ordered. "It really hurts that you would say that," Bat muttered, and shut his eyes. Lily considered Bat's head, pillowed on her lavender bosom. "I don't want to put him down," she announced. "The Shadowhunter gave this DJ to me." Bat opened one eye. "Do you like music?" "I do," said Lily. "I like jazz." "Cool," said Bat. Raphael threw up his hands. "This is ridiculous! Fine," he snapped. "Fine. Let's just vacate the collapsing mansion, shall we? Can we all agree on that one fun, non-suicidal activity.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of disappointed shells that dropped behind. GAS! Gas! Quick, boys!-- An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling And floundering like a man in fire or lime.-- Dim, through the misty panes and thick green light As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,-- My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.
Wilfred Owen (The Collected Poems of Wilfred Owen)
Kylie Major is no longer visible to anyone who supports me and my sister!” I called to the room and Seth flipped his fingers so my voice was amplified ten times over. I caught Darius’s eye and he nodded with a dark glint in his gaze before I continued. “You will not see her, hear her, or even smell the sickly sweet perfume she wears to hide the scent of evil on her,” I spoke clearly, my voice ringing around The Orb and Tory let out a little laugh of triumph. “That goes for anyone who supports the Heirs too,” Seth suddenly boomed and I looked to him with a smile twisting up the corner of my lips. It was dark and savage and tasted new on my mouth. But it felt good to wield our power at long last over someone who deserved it.
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
The Tomorrow Man theory. It’s pretty basic. Today, right here, you are who you are. Tomorrow, you will be who you will be. Each and every night, we lie down to die, and each morning we arise, reborn. Now, those who are in good spirits, with strong mental health, they look out for their Tomorrow Man. They eat right today, they drink right today, they go to sleep early today–all so that Tomorrow Man, when he awakes in his bed reborn as Today Man, thanks Yesterday Man. He looks upon him fondly as a child might a good parent. He knows that someone–himself–was looking out for him. He feels cared for, and respected. Loved, in a word. And now he has a legacy to pass on to his subsequent selves…. But those who are in a bad way, with poor mental health, they constantly leave these messes for Tomorrow Man to clean up. They eat whatever the hell they want, drink like the night will never end, and then fall asleep to forget. They don’t respect Tomorrow Man because they don’t think through the fact that Tomorrow Man will be them. So then they wake up, new Today Man, groaning at the disrespect Yesterday Man showed them. Wondering why does that guy–myself–keep punishing me? But they never learn and instead come to settle for that behavior, eventually learning to ask and expect nothing of themselves. They pass along these same bad habits tomorrow and tomorrow and tomorrow, and it becomes psychologically genetic, like a curse. Looking at you now, Maven, I can see exactly where you fall on this spectrum. You are a man constantly trying to fix today what Yesterday Man did to you. You make up your bed, you clean those dirty dishes from the night before, and pledge not to start drinking until six, thinking that’s the way to keep an even keel. But in reality you’re always playing catch-up. I know this because I’ve been there. The thing is–you can’t fix the mistakes of Yesterday. Yesterday Man is dead, he’s gone forever, and blame and atonement aren’t worth a damn. What you can do is help yourself today. Eat a vegetable. Read a book. Cut that hair of yours. Leave Tomorrow Man something more than a headache and a jam-packed colon. Do for Tomorrow Man what you would have wanted Yesterday Man to do for you.
Chuck Hogan
She was smart like that, and lucky like that, and people loved the hell out of her. They didn’t love the hell out of me; they ran the hell away from me. It wasn’t like I was a bad person or anything, I just … had a lot of accidents. I didn’t mean accidents like I ate glue and then peed myself on a regular basis. I just tripped more than usual, and accidently set things on fire more than what would be considered ‘normal’. I got kicked out of the village school only one moon-cycle before graduation for accidently making one of the teachers bald. How do you accidently make someone bald? That’s a good question. All you really need is a bucket of warm tar to accidently toss onto the back of their head. How do you get a bucket of warm tar? You don’t go looking for it or anything—or at least I didn’t. It was just sitting on the road outside the school and I thought I should carry it inside to ask what it was.
Jaymin Eve (Trickery (Curse of the Gods, #1))
About Bane. Don’t hurt him,” Raphael said abruptly. Alec hesitated. “No,” he said, his voice softer. “I would never—” Raphael held up a peremptory hand. “Stop being disgusting, please,” he said. “I don’t care if you wound his, as the kids say, ‘wittle fee-fees.’ Dump him like a ton of magic bricks. I wish you would. I just meant, don’t kill him.” “I’m not going to kill him,” Alec said, appalled. His blood ran cold at the idea, and colder as he looked down into Raphael’s face. The vampire was serious. “Aren’t you?” Raphael asked. “Shadowhunter.” He said the word the same way as the Downworlders of the Shadow Market had, but it sounded different in service of protecting someone Alec would gladly give his life to shield from harm. It made Alec wonder if the people of the Market were all looking at him and seeing a threat to someone they cared for. “Stop it, Raphael,” said Lily. She gave Alec a brief, surprisingly sympathetic look. “Kid’s obviously in love.” “Ugh,” said Raphael. “Terrible business. Let’s get out of here.” Elliott cheered. “Can we go to the after-party?” “No,” Raphael said with distaste. He left Alec and walked away without a look back. After a quick last glance, Lily and then Elliott turned to follow.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
I wanted a settled life and a shocking one. Think of Van Gogh, cypress trees and church spires under a sky of writhing snakes. I was my father's daughter. I wanted to be loved by someone like my tough judicious mother and I wanted to run screaming through the headlights with a bottle in my hand. That was the family curse. We tended to nurse flocks of undisciplined wishes that collided and canceled each other out. The curse implied that if we didn't learn to train our desires in one direction or another we were likely to end up with nothing. Look at my father and mother today. I married in my early twenties. When that went to pieces I loved a woman. At both of those times and at other times, too, I believed I had focused my impulses and embarked on a long victory over my own confusion. Now, in my late thirties, I knew less than ever about what I wanted. In place of youth's belief in change I had begun to feel a nervous embarrassment that ticked inside me like a clock. I'd never meant to get this far in such an unfastened condition. (p.142)
Michael Cunningham (A Home at the End of the World)
The Byronic hero, incapable of love, or capable only of an impossible love, suffers endlessly. He is solitary, languid, his condition exhausts him. If he wants to feel alive, it must be in the terrible exaltation of a brief and destructive action. To love someone whom one will never see again is to give a cry of exultation as one perishes in the flames of passion. One lives only in and for the moment, in order to achieve "the brief and vivid union of a tempestuous heart united to the tempest" (lermontov). The threat of mortality which hangs over us makes everything abortive. Only the cry of anguish can bring us to life; exaltation takes the place of truth. To this extent the apocalypse becomes an absolute value in which everything is confounded—love and death, conscience and culpability. In a chaotic universe no other life exists but that of the abyss where, according to Alfred Le Poittevin, human beings come "trembling with rage and exulting in their crimes" to curse the Creator.
Albert Camus (The Rebel)
The Dire Wolf killed the Jakes,” he said. “Who’s this Dire Wolf?” I asked. Figured he was talking about someone he knew. He spoke in a whisper, almost reverently. “The Dire Wolf is the curse of the Downstream People, the Arkansa. He is an evil spirit of the Quapaw.” I sighed and shook my head, knowing how these old Indians liked to throw in a bunch of mythical tribal mumbo-jumbo and superstition to deflect blame from someone they knew. “Well, you know where I can find this Dire Wolf fella?” I asked. “He cannot be found,” the old man said. “Really. You have reason to believe he’s taken off to other parts?” He said nothing for a full quarter minute, his black eyes intently on mine, searching. I could see contempt in them and a sadness. Made me nervous. “No,” old Long Walker answered at last. “He has not departed. Now that he has awakened, he will kill again.
Phil Truman (Dire Wolf of the Quapaw: a Jubal Smoak Mystery (Jubal Smoak Mysteries Book 1))
Yeah, that's not what you call her. You call her Jennifer… or baby… or smart ass, and even once I think you called her a mouthy little thing." Jacque waved her hand as she said, "Moving on. Okay. So, Jen, Decebel's been cursed." Jacque waited for Decebel to pass it on. The girls watched as Decebel bowed his head and started shaking it from side to side. They looked at each other, confused by his behavior. Then his shoulders began to shake. "Are you laughing?" Sally asked, bewildered. Decebel finally composed himself and looked up. "She said, 'So someone else has cursed him. What's the big deal? I curse him all the time'." They all started laughing; not only Jen's words, but at the puzzled tone with which Decebel relayed Jen's words. Jacque rolled her eyes. "No, you dimwit. Cursed as in its 'Leviosa' not 'Leviosa'. Not curse as in dumb ass." "She's asking why the hell you're quoting Harry Potter… again?" Decebel was getting more and more confused by the conversation the two girls were having--through his thoughts.
Quinn Loftis (Out of the Dark (The Grey Wolves, #4))
I AM ROWING (a hex poem) i have cursed your forehead, your belly, your life i have cursed the streets your steps plod through the things your hands touch i have cursed the inside of your dreams i have placed a puddle in your eye so that you cant see anymore an insect in your ear so that you cant hear anymore a sponge in your brain so that you cant understand anymore i have frozen you in the soul of your body iced you in the depths of your life the air you breathe suffocates you the air you breathe has the air of a cellar is an air that has already been exhaled been puffed out by hyenas the dung of this air is something no one can breathe your skin is damp all over your skin sweats out waters of great fear your armpits reak far and wide of the crypt animals drop dead as you pass dogs howl at night their heads raised toward your house you cant run away you cant muster the strength of an ant to the tip of your feet your fatigue makes a lead stump in your body your fatigue is a long caravan your fatigue stretches out to the country of nan your fatigue is inexpressible your mouth bites you your nails scratch you no longer yours, your wife no longer yours, your brother the sole of his foot bitten by an angry snake someone has slobbered on your descendents someone has drooled in the mouth of your laughing little girl someone has walked by slobbering all over the face of your domain the world moves away from you i am rowing i am rowing i am rowing against your life i am rowing i split into countless rowers to row more strongly against you you fall into blurriness you are out of breath you get tired before the slightest effort i row i row i row you go off drunk tied to the tail of a mule drunkenness like a huge umbrella that darkens the sky and assembles the flies dizzy drunkenness of the semicircular canals unnoticed beginnings of hemiplegia drunkeness no longer leaves you lays you out to the left lays you out to the right lays you out on the stony ground of the path i row i row i am rowing against your days you enter the house of suffering i row i row on a black blinfold your life is unfolding on the great white eye of a one eyed horse your future is unrolling I AM ROWING
Henri Michaux
Brewster Place became especially fond of its colored daughters as they milled like determined spirits among its decay, trying to make it home. Nutmeg arms leaned over windowsills, gnarled ebony legs carried groceries up double flights of steps, and saffron hands strung out wet laundry on backyard lines. Their perspiration mingled with the steam from boiling pots of smoked pork greens, and it curled on the edges of the aroma of vinegar douches and Evening in Paris cologne that drifted through the street where they stood together - hands on hips, straight-backed, round-bellied, high-behinded women who threw their heads back when they laughed and exposed strong teeth and dark gums. They cursed, badgered, worshiped, and shared their men. Their love drove them to fling dishcloths in someone else's kitchen to help him make the rent, or to fling hot lye to help him forget that bitch behind the counter at the five-and-dime. They were hard-edged, soft-centered, brutally demanding, and easily pleased, these women of Brewster Place. They came, they went, grew up, and grew old beyond their years. Like an ebony phoenix, each in her own time and with her own season had a story.
Gloria Naylor (The Women of Brewster Place)
Magnus was the one who hesitated. "Can I ask you something? You loved a Shadowhunter." "Do you think I stopped?" "When you loved a Shadowhunter, were you ever afraid?" "I was always afraid," said Tessa. "It's natural to be afraid of losing the most previous thing in the world. But don't be too afraid, Magnus. I know warlocks and Shadowhunters are very different, and there is a divide between your worlds that can be hard to cross. But as someone once said to me, the right man will not care. You can build a bridge over the divide and find each other. You can build something much greater than either of you could ever have built on your own." There was a silence after she spoke, as they both thought of the ages they had seen pass already, and the ages to come. The sunlight was still bright through the window outside Magnus's Rome hotel room, but it would not last. Magnus said reluctantly, "But we do lose love, in the end. We both know that." "No," said Tessa. "Love changes you. Love changes the world. You cannot lose that love, no matter how long you live, I think. Trust love. Trust him." Magnus wanted to, but he could not forget Asmodeus telling him he was a curse upon the world.. He remembered begging Shinyun with his eyes not to tell Alec who Magnus's father was. He did not want to lie to Tessa. He did not know how to promise he would do what she advised. "What if I lost him by telling the truth?" "What if you lost him by hiding it.?
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
No one could simply overturn the tide. Thanks to that, even if someone had their misgivings, they wouldn’t do anything about it. You can’t overturn popular opinion. There are times when you have no choice but to act against your true feelings. Because “everyone” said so, “everyone” was doing it, so if you didn’t do it too, you wouldn’t be one of “everyone” anymore. But no one person is “everyone”. They don’t speak and they don’t beat you up. They don’t get angry and they don’t laugh. “Everyone” is an illusion created by the magic of group-think. It is an apparition born without anyone’s knowledge. It is a ghostly spirit created for the sake of shrouding the individual’s miniscule evils. Through a monstrous transformation, it would devour anyone outside their circle of friends and even scatter curses on its own friends. Former members would also become obstacles to it. That’s why I despise it. I despise a world that emphasizes “everyone”. I despise the vulgar peace built upon the backs of scapegoats. I despise the empty ideas created solely through lies, blotting away even kindness and justice, making them out to be mere opportunism, a thorn in your side with the passing of time. You cannot change the past nor the world. You cannot change what has happened, nor can you change “everyone”. But like I said before, it’s not as if you are obligated to enslave yourself to the system.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。4)
Should I leave you two alone?" he asked, changing the subject. "He's taken," I said, accepting the fact that forgiving himself was something Reyes didn't do. "Osh. By someone very special." "And who might that be?" This might be a little hard for him to swallow. Tact was definitely in order. Or I could just blurt it out and watch his expression go from content to disbelief to horror to a bristly, murderous kind of fury. I chose door number two. "He's destined to be with our daughter." Reyes's expression slowly changed from content to disbelief to horror to a bristly, murderous kind of fury. "Oh, hell, no." He shot to his feet. "A Daeva? Are you fucking kidding me?" Just like a dad. "Yes, a Daeva. But I wouldn't dismiss him so offhandedly." He whirled around and scowled. Not really at me. Just in general. "What do you mean?" I pressed one corner of my mouth together in thought. "Okay, you know how I was the grim reaper all of my life, then suddenly I'm also this god from another dimension? And how you're the son of Satan all your life, then suddenly you're a god from this dimension? Who does that? Our lives are so weird. I think that maybe Osh is something else, too." I traced one of the dark lines on his face. "I think there's more than meets the eye. I see greatness in him, Reyes. I see a power beyond our imaginings. I see him giving his life for our daughter." "Oh." He sat back down, satisfied. "As long as he dies in the end.
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
The last werewolf tripped over Raphael Santiago’s foot. Alec hastily hit him in the back of the head with the hilt of his seraph blade, and the werewolf stayed down. “That was an accident,” said Raphael, with Lily and Elliott sticking close behind him. “He got in my way as I was trying to leave.” “Okay,” Alec panted. He wiped dust and sweat out of his eyes. Bat the DJ staggered toward them, claws out, and Alec flipped his seraph blade so he was holding the hilt again. “Someone dropped a piece of roof on me,” Bat told him, blinking in a way that was more owlish than wolfish. “Inconsiderate.” Alec realized Bat was not so much on a murderous out-of-control rampage as mildly concussed. “Easy there,” he said, as Bat tumbled against his chest. He looked around for the most trustworthy person, for someone to be on his team. He took a gamble and dumped Bat into Lily’s arms. “Watch him for me, will you?” he asked. “Make sure he gets out all right.” “Put that werewolf down immediately, Lily,” Raphael ordered. “It really hurts that you would say that,” Bat muttered, and shut his eyes. Lily considered Bat’s head, pillowed on her lavender bosom. “I don’t want to put him down,” she announced. “The Shadowhunter gave this DJ to me.” Bat opened one eye. “Do you like music?” “I do,” said Lily. “I like jazz.” “Cool,” said Bat. Raphael threw up his hands. “This is ridiculous! Fine,” he snapped. “Fine. Let’s just vacate the collapsing mansion, shall we? Can we all agree on that one fun, non-suicidal activity?
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
You've finally understood! Kirillov cried out rapturously. So it can be understood, if even someone like you understands! You understand now that the whole salvation for everyone is to prove this thought to them all. Who will prove it? I! I don't understand how, up to now, an atheist could know there is no God and not kill himself at once. To recognize that there is no God, and not to recognize at the same time that you have become God, is an absurdity, otherwise you must necessarily kill yourself. Once you recognize it, you are king, and you will not kill yourself but live in the chiefest glory. But one, the one who is first, must necessarily kill himself, otherwise who will begin and prove it? It is I who will necessarily kill myself in order to begin and prove it. I am still God against my will, and I am unhappy, because it is my duty to proclaim self-will. Everyone is unhappy, because everyone is afraid to proclaim self-will. That is why man has been so unhappy and poor up to now, because he was afraid to proclaim the chief point of self-will and was self-willed only on the margins, like a schoolboy. I am terribly unhappy, because I am terrible afraid. Fear is man's curse...But I will proclaim self-will, it is my duty to believe that I do not believe. I will begin, and end, and open the door. And save. Only this one thing will save all men and in the next generation transform them physically. for in the present physical aspect, so far as I have thought, it is in no way possible for man to be without the former God. For three years I have been searching for the attribute of my divinity, and I have found it: the attribute of my divinity is--Self-will! That is all, by which I can show in the main point my insubordination and my new fearsome freedom. For it is very fearsome. I kill myself to show my insubordination and my new fearsome freedom.
Fyodor Dostoevsky (Demons)
I’m also really sorry that I’ve been so rude to you. I’m not normally. I don’t know where all the sarcasm comes from.” Ren raised an eyebrow. “Okay. I have a cynical, evil side that is normally hidden. But when I’m under great stress or extremely desperate, it comes out.” He set down my foot, picked up the other one, and began massaging it with his thumbs. He didn’t say anything, so I continued, “Being cold-hearted and nasty was the only thing I could do to push you away. It was kind of a dense mechanism.” “So you admit you were trying to push me away.” “Yes. Of course.” “And it’s because you’re a radish.” Frustrated, I said, “Yes! Now that you’re a man again, you’ll find someone better for you, someone who complements you. It’s not your fault. I mean, you’ve been a tiger so long that you just don’t know how the world works.” “Right. And how does the world work, Kelsey?” I could hear the frustration in his voice but pressed on. “Well, not to put too fine a point on it, but you could be going out with some supermodel-turned-actress. Haven’t you been paying attention?” Angrily, he shouted, “Oh, yes, indeed I am paying attention! What you are saying is that I should be a stuck-up, rich, shallow, libertine who cares only about wealth, power, and bettering my status. That I should date superficial, fickle, pretentious, brainless women who care more about my connections than they do about me. And that I am not wise enough, or up-to-date enough, to know who I want or what I want in life! Does that sum it up?” I squeaked out a small, “Yes.” “You truly feel this way?” I flinched. “Yes.” Ren leaned forward. “Well, you’re wrong, Kelsey. Wrong about yourself and wrong about me!” He was livid. I shifted uncomfortably while he went on. “I know what I want. I’m not operating under any delusions. I’ve studied people from a cage for centuries, and that’s given me ample time to figure out my priorities. From the first moment I saw you, the first time I heard your voice, I knew you were different. You were special. The first time you reached your hand into my cage and touched me, you made me feel alive in a way I’ve never felt before.” “Maybe it’s all just a part of the curse. Did you ever think of that? Maybe these aren’t your true feelings. Maybe you sensed that I was the one to help you, and you’ve somehow misinterpreted your emotions.” “I highly doubt it. I’ve never felt this way about anyone, even before the curse.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
You know, sleeping outdoors isn’t all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and,” he made eye contact with me, “so does your hair.” I blushed and grumbled, “Well, I’m glad someone enjoyed it.” He smiled smugly and said, “I did.” I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand. “Well, listen, Ren, you’re changing the subject. I don’t appreciate the way you manipulated me into being here. Mr. Kadam should’ve told me at the circus.” He shook his head. “We didn’t think you’d believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything.” I admitted, “You’re probably right. If you had changed to a man there, I don’t think I would have come” “Why did you come?” “I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you.” I blushed. He grinned lopsidedly. “I would have missed you too.” I wrung the hem of my shirt between my hands. Misreading my thoughts, he said, “Kelsey. I’m truly sorry for the deception. If there’d been any other way-“ I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me that I should believe him and help him. The strong emotional connection that drew me to the tiger tugged at my heart even more powerfully with the man. I felt pity for him and his situation. Softly, I asked, “When will you change into a tiger?” “Soon.” “Does it hurt?” “Not as much as it used to.” “Do you understand me when you are a tiger? Can I still speak to you?” “Yes, I’ll still be able to hear and understand you.” I took a deep breath. “Okay. I’ll stay here with you until the shaman comes back. I still have a lot of questions for you though.” “I know. I’ll try to answer them as best I can, but you’ll have to save them for tomorrow when I’ll be able to speak with you again. We can stay here for the night. The shaman should be back around dusk.” “Ren?” “Yes?” “The jungle frightens me, and this situation frightens me.” He let go of the apron string and looked into my eyes. “I know.” “Ren?” “Yes?” “Don’t…leave me, okay?” His face softened into a tender expression, and his mouth turned up in a sincere smile. “Asambhava. I won’t.” I felt myself responding to his smile with one of my own when a shadow fell across his face. He clenched his fists and tightened his jaw. I saw a tremor pass through his body, and the chair fell forward as he collapsed to the ground on his hands and knees. I stood to reach out to him and was amazed to see his body morph back into the tiger form I knew so well. Ren the tiger shook himself, then approached my outstretched hand and rubbed his head against it.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
All languages that derive fromLatin form the word 'compassion' by combining the prefix meaning 'with' (com-) and the root meaning 'suffering' (Late Latin, passio). In other languages- Czech, Polish, German, and Swedish, for instance- this word is translated by a noun formed of an equivalent prefixcombined with the word that means 'feeling' (Czech, sou-cit; Polish, wsspół-czucie; German, Mit-gefühl; Swedish, medkänsla). In languages that derive from Latin, 'compassion' means: we cannot look on coolly as others suffer; or, we sympathize with those who suffer. Another word with approximately the same meaning, 'pity' (French, pitié; Italian, pietà; etc.), connotes a certain condescension towards the sufferer. 'To take pity on a woman' means that we are better off than she, that we stoop to her level, lower ourselves. That is why the word 'compassion' generally inspires suspicion; it designates what is considered an inferior, second-rate sentiment that has little to do with love. To love someone out of compassion means not really to love. In languages that form the word 'compassion' not from the root 'suffering' but from the root 'feeling', the word is used in approximately the same way, but to contend that it designates a bad or inferior sentiment is difficult. The secret strength of its etymology floods the word with another light and gives it a broader meaning: to have compassion (co-feeling) means not only to be able to live with the other's misfortune but also to feel with him any emotion- joy, anxiety, happiness, pain. This kind of compassion (in the sense of soucit, współczucie, Mitgefühl, medkänsla) therefore signifies the maximal capacity of affective imagination, the art of emotional telepathy. In the hierarchy of sentiments, then, it is supreme. By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, 'Throw me out!' But instead of throwing her out, he seized her and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain. Anyone who has failed to benefit from the the Devil's gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas's fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina's letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more.
Milan Kundera
Umm, Ren? We have something important we need to discuss. Meet me on the veranda at sundown, okay?” He froze with his sandwich halfway to his mouth. “A secret rendezvous? On the veranda? At sundown?” He arched an eyebrow at me. “Why, Kelsey, are you trying to seduce me?” “Hardly,” I dryly muttered. He laughed. “Well, I’m all yours. But be gentle with me tonight, fair maiden. I’m new at this whole being human business.” Exasperated, I threw out, “I am not your fair maiden.” He ignored my comment and went back to devouring his lunch. He also took the other half of my discarded peanut butter sandwich and ate that too, commenting, “Hey! This stuff’s pretty good.” Finished, I walked over to the kitchen island and began clearing away Ren’s mess. When he was done eating, he stood to help me. We worked well together. It was almost like we knew what the other person was going to do before he or she did it. The kitchen was spotless in no time. Ren took off his apron and threw it into the laundry basket. Then, he came up behind me while I was putting away some glasses and wrapped his arms around my waist, pulling me up against him. He smelled my hair, kissed my neck, and murmured softly in my ear, “Mmm, definitely peaches and cream, but with a hint of spice. I’ll go be a tiger for a while and take a nap, and then I can save all my hours for you this evening.” I grimaced He was probably expecting a make-out session, and I was planning to break up with him. He wanted to spend time with a girlfriend, and my intention was to explain to him how we weren’t meant to be together. Not that we were ever officially together. Still, it felt like a break-up. Why does this have to be so hard? Ren rocked me and whispered, “’How silver-sweet sound lovers’ tongues by night, Like soft music to attending ears.’” I turned around in his arms, shocked. “How did you remember that? That’s Romeo and Juliet!” He shrugged. “I paid attention when you were reading it to me. I liked it.” He gently kissed my cheek. “See you tonight, iadala,” and left me standing there. The rest of the afternoon, I couldn’t focus on anything. Nothing held my attention for more than a few minutes. I rehearsed some sentences in front of the mirror, but they all sounded pretty lame to me: “It’s not you, it’s me,” “There are plenty of other fish in the sea,” “I need to find myself,” “Our differences are too big,” “I’m not the one,” “There’s someone else.” Heck, I even tried “I’m allergic to cats.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
What’s wrong?” Before I could stop myself, I mumbled, “I’m used to resting my head on a warm tiger-fur pillow is what’s wrong.” He grunted, “Hmm, let me see what I can do.” Panicky, I squeaked out, “No, really. I’m okay. Don’t bother.” He ignored my protests, scooped up my mummy-wrapped self, and set me down again on his side of the fire. He turned me on my side so I faced the fire, lay down behind me, and slid an arm under my neck to cradle my head. “Is that more comfortable for you?” “Uh, yes and no. My head can definitely rest better in this position. Unfortunately, the rest of me is feeling the complete opposite of relaxed.” “What do you mean? Why can’t you relax?” “Because you’re too close for me to relax.” Bemused, he said, “Me being too close never bothered you when I was a tiger.” “The tiger you and the man you are two completely different things.” He put his arm around my waist and tugged me closer so we were spooned together. He sounded irritated and disappointed when he muttered, “It doesn’t feel different to me. Just close your eyes and imagine I’m still a tiger.” “It doesn’t exactly work like that.” I lay stiffly in his arms, nervous, especially when he began nuzzling the back of my neck. He said softly, “I like the smell of your hair.” His chest rumbled against my back, sending massaging vibrations through my body as he purred. “Ren, can you not do that right now?” He lifted his head. “You like it when I purr. It helps you sleep better.” “Yes, well, that only works with the tiger. How can you do that as a man anyway?” He paused, and said, “I don’t know. I just can,” then buried his face in my hair again and stroked my arm. “Uh, Ren? Explain to me how you plan to keep watch like this.” His lips grazed my neck. “I can hear and smell the Kappa, remember?” I twitched and shivered, with nerves, or anticipation, or something else, and he noticed. He stopped kissing my neck and lifted his head to peer at my face in the flickering firelight. His voice was solemn and calm. “Kells, I hope you know that I would never hurt you. You don’t need to be afraid of me.” Rolling toward him, I lifted my hand and touched his cheek. Looking into his blue eyes, I sighed. “I’m not afraid of you, Ren. I trust you with my life. I’ve just never been close to someone like this before.” He kissed me softly and smiled. “I haven’t either.” He shifted, lying down again. “Now, turn around and go to sleep. I’m warning you that I plan to sleep with you in my arms all night long. Who knows when, or if, I’ll ever get to do it again. So try to relax, and for heaven’s sake, don’t wiggle!” He pulled me back against his warm chest, and I closed my eyes. I ended up sleeping better than I had in weeks.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)