Currents Band Quotes

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My present self is formed almost completely of the people around me. I am currently made up of 30 percent Mrs. Izumi, 30 percent Sugawara, 20 percent the manager, and the rest absorbed from past colleagues such as Sasaki, who left six months ago, and Okasaki, who was our supervisor until a year ago. My speech is especially infected by everyone around me and is currently a mix of that of Mrs. Izumi and Sugawara. I think the same goes for most people. When some of Sugawara’s band members came into the store recently they all dressed and spoke just like her. After Mrs. Izumi came, Sasaki started sounding just like her when she said, “Good job, see you tomorrow!” Once a woman who had gotten on well with Mrs. Izumi at her previous store came to help out, and she dressed so much like Mrs. Izumi I almost mistook the two. And I probably infect others with the way I speak too. Infecting each other like this is how we maintain ourselves as human is what I think.
Sayaka Murata (Convenience Store Woman)
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
He walked straight out of college into the waiting arms of the Navy. They gave him an intelligence test. The first question on the math part had to do with boats on a river: Port Smith is 100 miles upstream of Port Jones. The river flows at 5 miles per hour. The boat goes through water at 10 miles per hour. How long does it take to go from Port Smith to Port Jones? How long to come back? Lawrence immediately saw that it was a trick question. You would have to be some kind of idiot to make the facile assumption that the current would add or subtract 5 miles per hour to or from the speed of the boat. Clearly, 5 miles per hour was nothing more than the average speed. The current would be faster in the middle of the river and slower at the banks. More complicated variations could be expected at bends in the river. Basically it was a question of hydrodynamics, which could be tackled using certain well-known systems of differential equations. Lawrence dove into the problem, rapidly (or so he thought) covering both sides of ten sheets of paper with calculations. Along the way, he realized that one of his assumptions, in combination with the simplified Navier Stokes equations, had led him into an exploration of a particularly interesting family of partial differential equations. Before he knew it, he had proved a new theorem. If that didn't prove his intelligence, what would? Then the time bell rang and the papers were collected. Lawrence managed to hang onto his scratch paper. He took it back to his dorm, typed it up, and mailed it to one of the more approachable math professors at Princeton, who promptly arranged for it to be published in a Parisian mathematics journal. Lawrence received two free, freshly printed copies of the journal a few months later, in San Diego, California, during mail call on board a large ship called the U.S.S. Nevada. The ship had a band, and the Navy had given Lawrence the job of playing the glockenspiel in it, because their testing procedures had proven that he was not intelligent enough to do anything else.
Neal Stephenson (Cryptonomicon)
Lottie, I love you. You’re beautifully frustrating, annoyingly right most of the time, and you bring me more joy than I ever thought I’d be lucky enough to have. You complement my surly attitude. You put me in my place when I need it, and you listen to me when I need a listening ear. Plain and simple, you complete me, and I know for certain, I can’t live this life without you in it.” He pops open the ring box, revealing a beautiful, cushion-shaped diamond ring with diamond accents on the band. It’s different than the current ring on my finger, edgier, just like me. “I love you so goddamn much. Please, would you accept the contract, and will you also do me the honor of being my wife?
Meghan Quinn (A Not So Meet Cute (Cane Brothers, #1))
The science shows that . . . typical twentieth-century carrot-and-stick motivators—things we consider somehow a “natural” part of human enterprise—can sometimes work. But they’re effective in only a surprisingly narrow band of circumstances. The science shows that “if-then” rewards . . . are not only ineffective in many situations, but can also crush the high-level, creative, conceptual abilities that are central to current and future economic and social progress. The science shows that the secret to high performance isn’t our biological drive (our survival needs) or our reward-and-punishment drive, but our third drive—our deep-seated desire to direct our own lives, to extend and expand our abilities, and to fill our life with purpose.
Peter H. Diamandis (Bold: How to Go Big, Create Wealth and Impact the World (Exponential Technology Series))
At first the two of them stumbled along, but soon enough they were flying, soaring wing to wing and riding the music’s current until, inevitably, they ran out of sky.
Nicholas Eames (Bloody Rose (The Band, #2))
Some would blame our current problems on an organized conspiracy. I wish it were so simple. Members of a conspiracy can be rooted out and brought to justice. This system, however, is fueled by something far more dangerous than conspiracy. It is driven not by a small band of men but by a concept that has become accepted as gospel: the idea that all economic growth benefits humankind and that the greater the growth, the more widespread the benefits. This belief also has a corollary: that those people who excel at stoking the fires of economic growth should be exalted and rewarded, while those born at the fringes are available for exploitation.
John Perkins
Q: Assume everything about your musical tastes was reversed overnight. Everything you once loved, you now hate; everything you once hated, you now love. For example, if your favorite band has always been R.E.M., they will suddenly sound awful to you; they will become the band you dislike the most. By the same token, if you’ve never been remotely interested in the work of Yes and Jethro Tull, those two groups will instantly seem fascinating. If you generally dislike jazz today, you’ll generally like jazz tomorrow. If you currently consider the first album by Veruca Salt to be slightly above average, you will abruptly find it to be slightly below average. Everything will become its opposite, but everything will remain in balance (and the rest of your personality will remain unchanged). So—in all likelihood—you won’t love music any less (or any more) than you do right now. There will still be artists you love and who make you happy; they will merely be all the artists you currently find unlistenable. Now, I concede that this transformation would make you unhappy. But explain why.
Chuck Klosterman (Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas)
All over the world the teenage millions searched for routes out of their dank, personal labyrinths. Signing up for that perfect extracurricular, rehearsing fake smiles before toothpaste-flecked mirrors, rummaging through their personalities to come up with laid-back greetings and clever put-downs to be saved for that special occasion. Lying sprawled on their beds, ankles crossed, while they overanalyzed the lyric sheet of the band that currently owned their soul, until the words became a philosophy.
Colson Whitehead (Sag Harbor)
In this book we will not only be presenting a new history of humankind, but inviting the reader into a new science of history, one that restores our ancestors to their full humanity. Rather than asking how we ended up unequal, we will start by asking how it was that ‘inequality’ became such an issue to begin with, then gradually build up an alternative narrative that corresponds more closely to our current state of knowledge. If humans did not spend 95 per cent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what did they imply? What was really happening in those periods we usually see as marking the emergence of ‘the state’? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful possibilities, than we tend to assume.
David Graeber (The Dawn of Everything: A New History of Humanity)
He gently grasped her fingers. To touch her again after a week apart was bliss; heat and the faint hum of a current seemed to work its way up his arm to settle in his belly. His body recognized her immediately as need tore swiftly through him, the need to hold her against him and inhale her sweet scent, to feel the beat of her heart. The gold ring held a rose-cut emerald set in the middle of two matching diamonds with a scrollwork band.
Harper St. George (The Devil and the Heiress (The Gilded Age Heiresses, #2))
She swam nearer and her breath caught. Lying atop the rock was a bow and quiver full of arrows beside a pair of beaded moccasins. She spun around in the water, joy bubbling up inside her. But before she could take a breath, firm hands caught her ankles and tugged her under. She came up sputtering and laughing, but he’d still not surfaced. So he swims like a fish. She remembered he could also run like a deer, overtaking her in the woods all those years before. “Yellow Bird.” The voice behind her seemed almost to drown her with its depth. She turned to Captain Jack, hard pressed to keep her pleasure down. How many days since they had walked in the meadow? Too many, from the feeling inside her. In one glance she took in the doused eagle feathers of his headdress and the fine silver bands encircling his solid upper arms. Shimmering with water, Captain Jack’s hair was blue black. The beads about his neck were the same startling jade as his eyes and made him even more appealing. Suddenly shy, she ducked beneath the water, then swam away. Would he follow? They did a dance of sorts in the warm current, circling, gliding, swaying. Each time he caught her she pulled free and swam farther downriver than she’d ever been before. But he continued to woo her, pursuing her until she was so breathless she could only lie upon her back and float, the river like a watery bed.
Laura Frantz (The Frontiersman's Daughter)
What to Make a Game About? Your dog, your cat, your child, your boyfriend, your girlfriend, your mother, your father, your grandmother, your friends, your imaginary friends, your summer vacation, your winter in the mountains, your childhood home, your current home, your future home, your first job, your worst job, the job you wish you had. Your first date, your first kiss, your first fuck, your first true love, your second true love, your relationship, your kinks, your deepest secrets, your fantasies, your guilty pleasures, your guiltless pleasures, your break-up, your make-up, your undying love, your dying love. Your hopes, your dreams, your fears, your secrets, the dream you had last night, the thing you were afraid of when you were little, the thing you’re afraid of now, the secret you think will come back and bite you, the secret you were planning to take to your grave, your hope for a better world, your hope for a better you, your hope for a better day. The passage of time, the passage of memory, the experience of forgetting, the experience of remembering, the experience of meeting a close friend from long ago on the street and not recognizing her face, the experience of meeting a close friend from long ago and not being recognized, the experience of aging, the experience of becoming more dependent on the people who love you, the experience of becoming less dependent on the people you hate. The experience of opening a business, the experience of opening the garage, the experience of opening your heart, the experience of opening someone else’s heart via risky surgery, the experience of opening the window, the experience of opening for a famous band at a concert when nobody in the audience knows who you are, the experience of opening your mind, the experience of taking drugs, the experience of your worst trip, the experience of meditation, the experience of learning a language, the experience of writing a book. A silent moment at a pond, a noisy moment in the heart of a city, a moment that caught you unprepared, a moment you spent a long time preparing for, a moment of revelation, a moment of realization, a moment when you realized the universe was not out to get you, a moment when you realized the universe was out to get you, a moment when you were totally unaware of what was going on, a moment of action, a moment of inaction, a moment of regret, a moment of victory, a slow moment, a long moment, a moment you spent in the branches of a tree. The cruelty of children, the brashness of youth, the wisdom of age, the stupidity of age, a fairy tale you heard as a child, a fairy tale you heard as an adult, the lifestyle of an imaginary creature, the lifestyle of yourself, the subtle ways in which we admit authority into our lives, the subtle ways in which we overcome authority, the subtle ways in which we become a little stronger or a little weaker each day. A trip on a boat, a trip on a plane, a trip down a vanishing path through a forest, waking up in a darkened room, waking up in a friend’s room and not knowing how you got there, waking up in a friend’s bed and not knowing how you got there, waking up after twenty years of sleep, a sunset, a sunrise, a lingering smile, a heartfelt greeting, a bittersweet goodbye. Your past lives, your future lives, lies that you’ve told, lies you plan to tell, lies, truths, grim visions, prophecy, wishes, wants, loves, hates, premonitions, warnings, fables, adages, myths, legends, stories, diary entries. Jumping over a pit, jumping into a pool, jumping into the sky and never coming down. Anything. Everything.
Anna Anthropy (Rise of the Videogame Zinesters)
HE WHO MUST NOT BE NAMED RETURNS ‘In a brief statement on Friday night, Minister for Magic Cornelius Fudge confirmed that He Who Must Not Be Named has returned to this country and is once more active. ‘“It is with great regret that I must confirm that the wizard styling himself Lord – well, you know who I mean – is alive and among us again,” said Fudge, looking tired and flustered as he addressed reporters. “It is with almost equal regret that we report the mass revolt of the Dementors of Azkaban, who have shown themselves averse to continuing in the Ministry’s employ. We believe the Dementors are currently taking direction from Lord – Thingy. ‘“We urge the magical population to remain vigilant. The Ministry is currently publishing guides to elementary home and personal defence which will be delivered free to all wizarding homes within the coming month.” ‘The Minister’s statement was met with dismay and alarm from the wizarding community, which as recently as last Wednesday was receiving Ministry assurances that there was “no truth whatsoever in these persistent rumours that You-Know-Who is operating amongst us once more”. ‘Details of the events that led to the Ministry turnaround are still hazy, though it is believed that He Who Must Not Be Named and a select band of followers (known as Death Eaters) gained entry to the Ministry of Magic itself on Thursday evening. ‘Albus Dumbledore, newly reinstated Headmaster of Hogwarts School of Witchcraft and Wizardry, reinstated member of the International Confederation of Wizards and reinstated Chief Warlock of the Wizengamot, has so far been unavailable for comment. He has insisted over the past year that You-Know-Who is not dead, as was widely hoped and believed, but is recruiting followers once more for a fresh attempt to seize power. Meanwhile, the “Boy Who Lived” –
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
He spent the morning at the beach. He had no idea which one, just some open stretch of coastline reaching out to the sea. An unbroken mantle of soft grey clouds was sitting low over the water. Only on the horizon was there a glimmer of light, a faint blue band of promise. The beach was deserted, not another soul on the vast, wide expanse of sand that stretched out in front of him. Having come from the city, it never ceased to amaze Jejeune that you could be that alone in the world. He walked along the beach, feeling the satisfying softness as the sand gave way beneath his slow deliberate strides. He ventured as close to the tide line as he dared, the white noise of the waves breaking on the shingles. A set of paw prints ran along the sand, with an unbroken line in between. A small dog, dragging a stick in its mouth. Always the detective, even if, these days, he wasn’t a very good one. Jejeune’s path became blocked by a narrow tidal creek carrying its silty cargo out to the sea. On each side of it were shallow lagoons and rock pools. When the tide washed in they would teem with new life, but at the moment they looked barren and empty. Jejeune looked inland, back to where the dark smudge of Corsican pines marked the edge of the coast road. He traced the creek’s sinuous course back to where it emerged from a tidal salt flat, and watched the water for a long time as it eddied and churned, meeting the incoming tide in an erotic swirl of water, the fresh intermingling with the salty in a turbulent, roiling dance, until it was no longer possible to tell one from the other. He looked out at the sea, at the motion, the color, the light. A Black-headed Gull swooped in and settled on a piece of driftwood a few feet away. Picture complete, thought Jejeune. For him, a landscape by itself, no matter how beautiful, seemed an empty thing. It needed a flicker of life, a tiny quiver of existence, to validate it, to confirm that other living things found a home here, too. Side by side, they looked out over the sea, the man and the bird, two beating hearts in this otherwise empty landscape, with no connection beyond their desire to be here, at this time. Was it the birds that attracted him to places like this, he wondered, or the solitude, the absence of demands, of expectations? But if Jejeune was unsure of his own motives, he knew this bird would have a purpose in being here. Nature always had her reasons. He chanced a sidelong glance at the bird, now settled to his presence. It had already completed its summer molt, crisp clean feathers having replaced the ones abraded by the harsh demands of eking out a living on this wild, windswept coastline. The gull stayed for a long moment, allowing Jejeune to rest his eyes softly, unthreateningly, upon it. And then, as if deciding it had allowed him enough time to appreciate its beauty, the bird spread its wings and effortlessly lifted off, wheeling on the invisible air currents, drifting away over the sea toward the horizon. p. 282-3
Steve Burrows (A Siege of Bitterns (Birder Murder Mystery, #1))
A shadow appeared on the awnings further up the land, gliding across each rectangle of canvas towards my table, sinking in the sag, rising again at the edge, and moving on to the next with a flicker of dislocation, then gliding onwards. As it crossed the stripe of sunlight between two awnings, it threaded the crimson beak of a stork through the air, a few inches above the gap; then came a long white neck, the swell of snowy breast feathers and the six-foot motionless span of its white wings and the tips of the black flight feathers upturned and separated as fingers in the lift of the air current. The white belly followed, tapering, and then, trailing behind, the fan of its tail and long parallel legs of crimson lacquer, the toes of each of them closed and streamlined, but the whole shape flattening, when the band of sunlight was crossed, into a two-dimensional shadow once more, enormously displayed across the rectangle of cloth, as distinct and nearly as immobile, so languid was its flight, as an emblematic bird on a sail; then sliding across it and along the nearly still corridor of air between the invisible eaves and the chimneys, dipping along the curl of the lane like a sigh of wonder, and, at last, a furlong away slowly pivoting, at a gradual tilt, out of sight. A bird of passage like the rest of us.
Patrick Leigh Fermor (The Broken Road: From the Iron Gates to Mount Athos)
In order to conform to the current Empire style in fashion, the modiste had raised the waistline so that it fell just beneath Esme's small rounded breasts. Mrs. Benson had embellished further by adding a slender grosgrain ribbon there that matched the exact shade of tiny embroidered golden flowers scattered over the gown's ivory satin. Next she had shortened the sleeves so they were now small puffed caps edged against the arms with more narrow golden ribbon. As for the long length of material that had once run from shoulder to heel, she'd removed it and used the excess fabric to create a sweeping train that ended in a spectacular half circle that trailed after Esme as she walked. The entire hem was further enlivened by small appliquéd white lace rosettes, whose effect was nothing short of ethereal. On her feet, Esme wore a soft pair of ivory satin slippers with gold and diamond buckles that had been a last-minute gift from Mallory and Adam. On her hands were long white silk gloves that ended just above her elbows; her lustrous dark hair was pinned and styled in an elaborate upsweep with a few soft curls left to brush in dainty wisps against her forehead and cheeks. Carefully draped over head was a waist-length veil of the finest Brussels lace, which had been another present, this one from Claire, and in her hands she held creamy pink hothouse roses and crisp green holly leaves banded together inside a wide white satin ribbon.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
As he felt himself carried by the current, his brain hovered over the scene, observing the slowly spinning form--his own--in the inky water. He couldn’t save himself, he realized with dazed surprise. No one was going to save him. He had met the same untimely fate as all the Ravenel men, leaving far too much unfinished, and he couldn’t even bring himself to care. Somewhere in the rubble of his thoughts, he knew that West would manage without him. West would survive. But Kathleen… She would never know what she had meant to him. That pierced his failing awareness. Dear God, why had he waited, assuming he had time at his disposal? If he could have five minutes to tell her…bloody hell, one minute…but it was too late. Kathleen would go on without him. Some other man would marry her…grow old with her…and Devon would be nothing but a faded memory. If she remembered him at all. He struggled and flailed, a silent howl trapped inside. Kathleen was his fate, his. He would defy all the hells that ever were to stay with her. But it was no use; the river bore him steadily away into the darkness. Something caught at him. Tough, sinewed bands twined around his arm and chest like some monster from the deep. An inexorable force wrenched him painfully backward. He felt himself gripped and held fast against the current. “Oh, no, you don’t,” a man growled close to his ear, gasping with effort. The secure grip tightened around his midriff, and he began to cough, spikes of agony driving through him as the voice continued. “You’re not leaving me to manage that bloody estate on my own.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Something caught at him. Tough, sinewed bands twined around his arm and chest like some monster from the deep. An inexorable force wrenched him painfully backward. He felt himself gripped and held fast against the current. “Oh, no, you don’t,” a man growled close to his ear, gasping with effort. The secure grip tightened around his midriff, and he began to cough, spikes of agony driving through him as the voice continued. “You’re not leaving me to manage that bloody estate on my own.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
All who are familiar with satnav technology are well aware that there is usually an optimal route for reaching a particular destination. If we choose to ignore the directions and deviate from the ideal route, it doesn’t switch itself off in disgust but recalculates the journey to find the new route, starting from our current location. In the same way, God doesn’t write us off or force us out of the driving seat when, ignoring him, we steer our own way through life. He takes us on from where we are.
Chris Band (On My Knees: Rebuilding our confidence in prayer)
It also got a boost from a new online “Fit Finder” quiz, which replaced the smartphone sizing app in 2016. Because the app was tricky to use and was available only for iPhone owners, lead designer Ra’el Cohen worked with ThirdLove’s data team to develop a detailed questionnaire that was as accurate as the app in determining a customer’s size. It walked website visitors through a series of questions about their current bra—the maker, the size, the fit of the cup (cups gape a little … cups overflow a lot), band, and straps. And it asked them to select, from a series of drawings of different-shaped breasts, which pair most resembled theirs. Among the nine options: Asymmetric (one breast is larger than the other), Bell (slimmer at the top, fuller at the bottom), East West (nipples point outward, in opposite directions). By 2018, eleven million women had taken the Fit Finder quiz,
Lawrence Ingrassia (Billion Dollar Brand Club: How Dollar Shave Club, Warby Parker, and Other Disruptors Are Remaking What We Buy)
These are stories from the past, but they are still echoing now, in the present. As I write this, Russian forces are using rape as a weapon of war against Ukrainian women; deported mothers are being separated from their children in the US; border walls are being built and fortified at an unprecedented rate across the globe (there are currently seventy-four in existence). But this much is clear: when walls are built, people will find a way over or under them; when families are separated, they do everything in their power to be reunited; and when women are victims, they find the courage to speak up, to band together, to survive.
Josie Ferguson (The Silence In Between)
This wasn’t the first orphaned owl to come my way. In my twenties I had helped found a wildlife-rehabilitation group, I was currently a university ecologist, and I’d had permits for wildlife rehab, falconry, and bird banding.
Carl Safina (Alfie and Me: What Owls Know, What Humans Believe)
No one is interested with your past, non-professional relationship with Agent Harris, Detective Garner.” I cut them off. Seriously, nobody wants to hear it (I know I do not), since it is probably a perfect fairy tale of a prodigy guy and prodigy girl, and together they catch bad guys while looking excessively beautiful at doing it. They look so majestic side by side, like prom king and queen from some cheesy coming-of-age movie where they dance flawlessly and sing like pro despite that it’s their first gig. Also, their eyes sparkle. It takes a long, sort-of out-of-sense explanation why eyes can figuratively sparkle, but it just does. You know in romantic comedy movie where the guy stares far away and then he is smiling when he finally makes a decision involving the only girl he wants to spend eternity with? And girl when she meets a boy band member? Yeah, that’s how they look at each other. Jemma looks at this guy like how girl looks at boy (ah, it even sounds sexist in my head), but not at me. She looks like me like I am a special case that she wants to solve. She looks at me like she's trying to find my eyes (which is, always there, I don't know why it is so hard for her to see a pair of black dots above my nose), and maybe I am a little bit irritated because this Harris guy breathes and just like that, you can see the grace in Garner--how big, mushy twinkie, of a person she really is. Also, I am definitely irritated because Jemma's ex is terrifyingly perfect, it's alarming, but then there's me. She's settling down with me. I feel insecure and I do not like that feeling. So, like a literal five years old child, I stroll between them, ruining their unexpected reunion (hey, doesn't anyone want to talk about how Harris tracked down all cases at JCPD so he can jump into whatever his ex is currently working on? This is not reunion, it's stalking) and offer him a handshake. At the time like this, I wish I had electricity running through my palm. I probably couldn’t end this Harris guy’s life, but at least I could give his perfect blond hair a ‘struck by lightning’ makeover. “Hi, Detective Irving. Homicide Unit. Strategic Expert. By the way, I’m good at combining them, you know.” I introduce myself. Which is true, I can be writing a mental note on how to eliminate this threat in my head for all he knows. “Strategy, and murder. I can mix them up.
Rea Lidde (Haven (Clockwork #0.5))
Years before MTV, the system was for a band to appear on one of the celebrity shows then current. The presenter, usually a popular singer of a certain age anxious to extend his career, would sing a couple of numbers, and then bring guests on to chat, with musical interludes from the likes of us. With Syd approaching a catatonic state, you might think this was not a recipe for success, and you’d be right.
Nick Mason (Inside Out: A Personal History of Pink Floyd)
When he had ate his fill, and proceeded from the urgent first cup and necessary second to the voluntary third which might be toyed with at leisure, without any particular outcry seeming to suggest he should be on his guard, he leant back, spread the city’s news before him, and, by glances between the items, took a longer survey of the room. Session of the Common Council. Vinegars, Malts, and Spirituous Liquors, Available on Best Terms. Had he been on familiar ground, he would have been able to tell at a glance what particular group of citizens in the great empire of coffee this house aspired to serve: whether it was the place for poetry or gluttony, philosophy or marine insurance, the Indies trade or the meat-porters’ burial club. Ships Landing. Ships Departed. Long Island Estate of Mr De Kyper, with Standing Timber, to be Sold at Auction. But the prints on the yellowed walls were a mixture. Some maps, some satires, some ballads, some bawdy, alongside the inevitable picture of the King: pop-eyed George reigning over a lukewarm graphical gruel, neither one thing nor t’other. Albany Letter, Relating to the Behaviour of the Mohawks. Sermon, Upon the Dedication of the Monument to the Late Revd. Vesey. Leases to be Let: Bouwerij, Out Ward, Environs of Rutgers’ Farm. And the company? River Cargos Landed. Escaped Negro Wench: Reward Offered. – All he could glean was an impression generally businesslike, perhaps intersown with law. Dramatic Rendition of the Classics, to be Performed by the Celebrated Mrs Tomlinson. Poem, ‘Hail Liberty, Sweet Succor of a Briton’s Breast’, Offered by ‘Urbanus’ on the Occasion of His Majesty’s Birthday. Over there there were maps on the table, and a contract a-signing; and a ring of men in merchants’ buff-and-grey quizzing one in advocate’s black-and-bands. But some of the clients had the wind-scoured countenance of mariners, and some were boys joshing one another. Proceedings of the Court of Judicature of the Province of New-York. Poor Law Assessment. Carriage Rates. Principal Goods at Mart, Prices Current. Here he pulled out a printed paper of his own from an inner pocket, and made comparison of certain figures, running his left and right forefingers down the columns together. Telescopes and Spy-Glasses Ground. Regimental Orders. Dinner of the Hungarian Club. Perhaps there were simply too few temples here to coffee, for them to specialise as he was used.
Francis Spufford (Golden Hill)
However, if humans don’t band together and start making noise about Ebola, half of the planet will be dead 2 years from now. Half of everyone currently living on Earth will no longer exist.
Steve King (Ebola: Ebola Survival Guide 2015 - 10 Things you Must Know to Survive the Coming Ebola Outbreak! (Kindle Unlimited Guides by Steve King))
In the 1950s, the Canadian physicist Gilbert Plass used new, detailed measurements of the infrared absorption bands and created an early computerized model of infrared radiative transfer. He calculated that a CO2 doubling would increase temperature by 3.6°C. Assuming that CO2 emissions would continue at their current rate, he expected that human activity would raise the average global temperature “at the rate of 1.1°C per century.”23 He warned that “temperature rise from this cause may be so large in several centuries that it will present a serious problem to future generations.”24
Dale Jamieson (Reason in a Dark Time: Why the Struggle Against Climate Change Failed -- and What It Means for Our Future)
I love my fans [and] Slayer fans,” wrote Lombardo. “But the fact is: Today's Slayer is not SLAYER. They can play all of the songs, but the heart and the backbone is gone.  If the current mindset was present at the beginning, we would have never made it this far.  We were not greedy sellouts, going through the motions on stage merely to cash a check. We were the epitome of the punk/thrash mentality. If they ever get back
D.X. Ferris (Slayer 66 2/3: A Metal Band Biography (POST-REUNION UPDATE… REBORN RE-REMASTERED 4th EDITION, Version 4.0),: or, How F*kin' Slayer Kicked F*kin' @ss)
The Stillborn God is not a fairy tale. It is a book about the fragility of our world, the world created by the intellectual rebellion against political theology in the West. This may seem an unusual, even perverse, theme, given that Western nations are currently at peace with one another and that the norms of liberal democracy, especially regarding religion, are generally accepted. The West does appear to have passed some kind of historical watershed, making it barely imaginable that theocracies could spring up among us or that armed bands of religious fanatics could set off a civil war. Even so, our world is fragile—not because of the promises our political societies fail to keep, but because of the promises our political thought refuses to make.
Mark Lilla (The Stillborn God: Religion, Politics, and the Modern West)
On Hispaniola, tensions between French and Spanish officials eased considerably in 1764 after the Spanish governor allowed a detachment of the maréchaussée (mounted militia) from Saint-Domingue to cross the border in pursuit of a band of runaways which had inhabited the mountainous stretches separating the colonies since 1728.
Julius S. Scott (The Common Wind: Afro-American Currents in the Age of the Haitian Revolution)
She was a current that dragged you underwater and you were miles from home before you even realized it
Kim Gordon (Girl in a Band)
piss-takes. I slumped down into a chair next to Ramin. ‘When did you get back?’ ‘Yesterday.’ ‘And you went for a drink straight away? Man, do you even have a brain?’ I groaned. ‘Not currently. Currently, I have a brass band rioting in my head. I assume that the polar bear over there’s a hallucination?’ Ramin didn’t bother looking where I was pointing.
Eva St. John (The Quantum Curators and the Fabergé Egg (The Quantum Curators #1))
Its a brand new day, it's never too late to start
Against The Current (Band)
He moved behind her then and encircled her in his arms, taking her hand and placing the handle of the baton properly in her palm and adjusting her small delicate fingers into the correct position. She was acutely aware of his chest pressed against her back and realized she had never been in such close proximity to him before. As he guided her hand though the motions of the proper movement of the baton, she could feel his warm breath on her neck and realized she had been holding her own for what felt like minutes. Her heart was hammering so hard that she felt as though the entire drum section of a marching band had taken up residence in her chest, and she was amazed Charles couldn't feel her pulse racing as he continued to hold her hand in place on the baton. His touch sent chills down her spine. Charles could feel the same electric current surge through his body that Tori had. His lips gently brushed her hair as he spoke to her from behind, and he caught the smell of vanilla emanating from her soft curls. He would have liked nothing better in that moment than to bury his face in her luxurious mane of hair and lose himself in her scent. Instead, he moved away and demonstrated the balance of the baton. That's How You Know by Julie Simmons (Chapter 4)
Julie Simmons (That's How You Know)
When I answer, a piercing electronic shriek crashes out of the speakers. Warped digital feedback: the kind of thing Aphex Twin used to put on his records (Eleanor: I know you’ll ask me to update this reference and make it a more current band. Sorry, but it sounded like Aphex Twin. Not my fault you’re too young to remember him.)
Jason Arnopp (The Last Days of Jack Sparks)
The Dutch East India Company, which was headquartered in Batavia (now the Indonesian capital of Jakarta), was the great mercantile engine of the seventeenth century, and all the major geographic discoveries in the Pacific during this period were made by Dutch captains in search of new markets and new goods for trade. One of these was a commander named Abel Janszoon Tasman, who, in 1642, set out with a pair of ships bound for the southern Pacific Ocean. Tasman followed what looks, on the face of it, like the most unlikely route imaginable. Departing from the island of Java, he sailed west across the Indian Ocean to Mauritius, a small island off the coast of Madagascar, which itself is a large island off the coast of southeastern Africa. There, he turned south and continued until he reached the band of powerful westerlies that would sweep him back eastward, all the way across the Indian Ocean, until he finally reached the Pacific. Tasman followed this lengthy and unintuitive route—sailing nearly ten thousand miles to reach an ocean that was less than twenty-five hundred miles from where he had begun—because the winds and currents in the Indian Ocean operate the same way they do in the Pacific, circling counterclockwise in a similar gyre.
Christina Thompson (Sea People: The Puzzle of Polynesia)
Moral imagination means to view other people’s problems as if they were your own, and to begin to discern how to tackle those problems. And then to act accordingly. It summons us to understand and transcend the realities of current circumstances and to envision a better future for ourselves and others. Moral imagination starts with empathy, but it does not content itself simply to feel another’s pain. Empathy without action risks reinforcing the status quo. Rather, moral imagination is muscular, built from the bottom up and grounded through immersion in the lives of others. It involves connecting on a human level, analyzing the systemic issues at play, and only then envisioning how to go beyond applying a Band-Aid to making a long-term difference.
Jacqueline Novogratz (Manifesto for a Moral Revolution: Practices to Build a Better World)
Shortly after that, a young band named Gun, currently enjoying a top forty disco hit, was announced as the Stones’ London warm-up.
Christopher Sandford (The Rolling Stones: Fifty Years)
Check out our website for information about our current European tour. Spreading metal and cannabis all over Europe!Cannaiss is a Death Metal Band that Loves Cannabis and CBD!
Cannaiss EUR Tour
scientists contribute to writing and reviewing the IPCC’s reports, which are then reviewed by governments. I myself know well the climate scientists at my own university, University of Massachusetts Amherst, who are involved in various IPCC projects. These are very committed, capable, and credible people. So it is fair to say that the IPCC does bring together current, high-quality assessments of mainstream climate science on any given set of questions. There remains a small band of climate deniers, whose positions are given credence and then amplified in the mainstream media far beyond what is warranted given the scientific findings they have produced.24 Nevertheless, while it is implausible, we cannot totally rule out the possibility that some of their positions may have merit. But, exactly to this point, it is also the case that the IPCC is scrupulous in recognizing a high degree of uncertainty in all of its estimates. For example, its targets for the needed level of emissions reductions are never presented as a single figure, as in, say, “we must reduce emissions by 80 percent within twenty years or face these certain terrible consequences.” Rather, the IPCC always presents its conclusions in terms of ranges and probabilities. It is also true that the IPCC has regularly changed its assessments to a significant degree, as illustrated in recent years by some of its most important publications. Thus, in its 2007 Fourth Assessment Report, the IPCC concluded that in order to stabilize the global average (mean) temperature
Noam Chomsky (Climate Crisis and the Global Green New Deal: The Political Economy of Saving the Planet)
The new GST: A halfway house In spite of all the favourable features of the GST, it introduces the anomaly of having an origin-based tax on interstate trade he proposed GST would be a single levy. 1141 words From a roadblock during the UPA regime, the incessant efforts of the BJP government have finally paved way for the introduction of the goods and services tax (GST). This would, no doubt, be a major reform in the existing indirect tax system of the country. With a view to introducing the GST, Union finance minister Arun Jaitley has introduced the Constitution (122nd Amendment) Bill 2014 in Parliament. The new tax would be implemented from April 1, 2016. Both the government and the taxpayers will have enough time to understand the implications of the new tax and its administrative nuances. Unlike the 119th Amendment Bill, which lapsed with the dissolution of the previous Lok Sabha, the new Bill will hopefully see the light of the day as it takes into account the objections of the state governments regarding buoyancy of the tax and the autonomy of the states. It proposes setting up of the GST Council, which will be a joint forum of the Centre and the states. This council would function under the chairmanship of the Union finance minister with all the state finance ministers as its members. It will make recommendations to the Union and the states on the taxes, cesses and surcharges levied by the Union, the states and the local bodies, which may be subsumed in the GST; the rates including floor rates with bands of goods and services tax; any special rate or rates for a specified period to raise additional resources during any natural calamity or disaster etc. However, all the recommendations will have to be supported by not less than three-fourth of the weighted votes—the Centre having one-third votes and the states having two-third votes. Thus, no change can be implemented without the consent of both the Centre and the states. The proposed GST would be a single levy. It would aim at creating an integrated national market for goods and services by replacing the plethora of indirect taxes levied by the Centre and the states. While central taxes to be subsumed include central excise duty (CenVAT), additional excise duties, service tax, additional customs duty (CVD) and special additional duty of customs (SAD), the state taxes that fall in this category include VAT/sales tax, entertainment tax, octroi, entry tax, purchase tax and luxury tax. Therefore, all taxes on goods and services, except alcoholic liquor for human consumption, will be brought under the purview of the GST. Irrespective of whether we currently levy GST on these items or not, it is important to bring these items under the Constitution Amendment Bill because the exclusion of these items from the GST does not provide any flexibility to levy GST on these items in the future. Any change in the future would then require another Constitutional Amendment. From a futuristic approach, it is prudent not to confine the scope of the tax under the bindings of the Constitution. The Constitution should demarcate the broad areas of taxing powers as has been the case with sales tax and Union excise duty in the past. Currently, the rationale of exclusion of these commodities from the purview of the GST is solely based on revenue considerations. No other considerations of tax policy or tax administration have gone into excluding petroleum products from the purview of the GST. However, the long-term perspective of a rational tax policy for the GST shows that, at present, these taxes constitute more than half of the retail prices of motor fuel. In a scenario where motor fuel prices are deregulated, the taxation policy would have to be flexible and linked to the global crude oil prices to ensure that prices are held stable and less pressure exerted on the economy during the increasing price trends. The trend of taxation of motor fuel all over the world suggests that these items
Anonymous
Finally, Hartley stated, in accord with Nyquist, that the amount of information which can be transmitted is proportional to the band width times the time of transmission. But this makes us wonder about the number of allowable current values, which is also important to speed of transmission. How are we to enumerate them?
John R. Pierce (An Introduction to Information Theory: Symbols, Signals and Noise (Dover Books on Mathematics))
had also become the familiar given, the necessary condition of life, viewed with a mixture of friendliness and, yes, condescension. They were simply the goyim, the routine term, still used today, for all Gentiles short of aristocratic status. Sometimes they were — in an inversion of “our Jews” — “our goyim.” And although Poles and Jews retained their spiritual separateness, their daily culture — habits, language, cooking, ordinary aesthetics — inevitably intermingled and influenced each other. They lived in similarly constructed wooden houses. Some of the gorgeous wooden synagogues of Polish towns and villages were decorated with Polish folk motifs. Yiddish was permeated by Polish vocabulary: shmata for rag, czajnik for kettle, paskudny for odious, among many others. The peasants picked up Yiddish words, and Jewish themes appeared in their proverbs. Even today, people in Brańsk say, “It’s as noisy as a cheder”, or “She’s dressed as for a Jewish wedding” — meaning, dressed ostentatiously. We no longer know whether the origins of chicken soup were Jewish or Polish. And then there was the music. Each village had its Jewish musicians, to whom everyone was willing to listen. People from Brańsk still remember the Jewish fiddlers and klezmer bands that played at Polish weddings. Their melodies combined Jewish and Gypsy and Polish and Russian influences — that vivid, energetic, melancholy mix that is the Eastern European equivalent of the blues. And surely if they played like that, moving their audiences to dancing and to tears, then their souls must have caught something of the genius loci — the tune, the temper, the spirit of the place. But toward the end of the nineteenth century, the balance began once again ineluctably to shift. In the Yizkor Book, several revealing details suggest new winds, new currents. Perhaps the most important changes were caused by sudden migrations, both inward and outward. The influx of new immigrants began after the assassination of the liberal Tsar Alexander II in 1881, an event followed by a wave of pogroms and other anti-Semitic persecutions within the Russian Pale. In the aftermath, tens of thousands of Jews, known as Litvaks — so named because most of them came from Lithuania or from parts of Belarus commonly called Lithuania in those days — fled to the Polish territories to seek refuge.
Eva Hoffman (Shtetl)
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When Wings toured Britain, Europe, Australia and North America between 1972 and 1976, Paul made a point of setting aside hefty rehearsal periods and working until the arrangements were tight and the performances were polished. But in October 1979, with a British tour set to begin at the end of November, Wings had barely rehearsed. And the British tour was just the start of what promised to be an extended touring period, with a visit to Japan planned for January pending the approval of the band’s visas—still a matter of concern, given the Japanese government’s refusal to allow Wings into the country in 1975 because of Paul’s earlier pot busts. Now, barely a month before their British tour was set to open, Wings did not even have a setlist. Paul had been able to suppress his feeling of discontent with Wings—not its current incarnation, particularly, but the idea of fronting a permanent band—while he was working on his solo project, and through all the activity in the weeks that followed. The question now was whether he could rekindle his love for the concept. The fact is, leading a band had been more of a slog than he bargained for, and the natural chemistry he had with the Beatles—developed as they grew from adolescent amateurs into stage-tested adults—had been impossible to replicate with a group of experienced players. He had been so desperate to have a band, after the Beatles broke up, that he approached it naively, believing it could be a band of equals. It took the departure of Henry McCullough and Denny Seiwell—the implosion of Wings Mark I—for him to realize that this was implausible. As the only marketable star in the band, it would never be equal, and more crucially, equality was not something he was suited for: he always had a clear idea of what he wanted to do and how he wanted to do it, and he was unwilling to brook any opposition. When Jimmy McCulloch, Geoff Britton and then Joe English joined the band, they were younger and the power relationships were clearer. But in Wings Mark II, Paul found himself having to sort out his young charges’ personal problems, and while he was generally there for them, the combined role of musician and guidance counselor grew tiresome. Laurence Juber and Steve Holley were excellent players and entirely professional, but Back to the Egg had not won critical accolades, and there were some in Paul’s circle who thought Juber and Holley lacked their predecessors’ rock and roll rawness.
Allan Kozinn (The McCartney Legacy: Volume 2: 1974 – 80)