Curling Iron Quotes

I licked my lips and whispered, "Is this where you say you'll kill me?" One corner of his lips curled. "If you like," he murmured, a flicker of amusement finally crossing his face. "Though it's gotten far too interesting for that.

Good idea,” Puck echoed from the back of the cave. “Why don’t you take first watch, prince? You could actually be doing something that doesn’t make me want to gouge my eyes out with a spork.” Ash’s lips curled in a smirk. “I would think you’re better suited to the task, Goodfellow,” he said without turning around. “After all, that’s what you’re best at isn’t it? Watching?” “Oh, keep it up, ice-boy. You’re gonna have to sleep sometime.

Geez, you guys. I know I'm popular and all, but seriously, you're a bit too co-dependent for me. I'm going to need you to step away from my personal bubble." A wispy vine-woman curled ivy tendrils around his arm, and he sliced through them with his dagger. "No! Bad Wraith! No touchie!

My mother is from Cairo, Georgia. This makes everything she says sound like it went through a curling iron.

I thought of you,” he said again, “and it was as if you were there, with me. I saw your face. Your hair …” He wound a finger through a dangling curl beside her face. She could feel the warmth from his hand against her cheek. “And I was no longer afraid. I knew I would be able to come home, because of you. That you would lead me back. You are my constant star, Daisy.

Puck rolled his eyes. Holding out his hand, he gave me an encouraging smile. “Come on, Princess. Don’t want to get separated in here.” I clasped his hand, and he curled his fingers around mine. “Let’s go, then. Rusty can bring up the read. That way, if we’re jumped from behind, we won’t lose anything important.” I felt Ironhorse’s indignant snort as we entered the tunnel, and I pressed closer to Puck as the shadows closed in on us like grasping fingers. - Puck, Meghan Chase, and Ironhorse, page 152.

Scott Waldron.' 'What?' Robbie's lip curled in a glimace of disgust. 'The jockstrap? Why, does he need you to teach him how to read?' I scowled at him. 'Just because he's captain of the football team doesn't mean you can be a jerk. Or are you jealous?' 'Oh, of course, that's it,' Robbie said with a sneer. 'I've always wanted the IQ of a rock. No, wait. That would be an insult to the rock...

The bragging was the worst. I hear this in schools all over the country, in cafés and restaurants, in bars, on the Internet, for Pete's sake, on buses, on sidewalks: Women yammering about how little they eat. Oh, I'm Starving, I haven't eaten all day, I think I'll have a great big piece of lettuce, I'm not hungry, I don't like to eat in the morning (in the afternoon, in the evening, on Tuesdays, when my nails aren't painted, when my shin hurts, when it's raining, when it's sunny, on national holidays, after or before 2 A.M.). I heard it in the hospital, that terrible ironic whine from the chapped lips of women starving to death, But I'm not hun-greeee. To hear women tell it, we're never hungry. We live on little Ms. Pac-Man power pellets. Food makes us queasy, food makes us itchy, food is too messy, all I really like to eat is celery. To hear women tell it we're ethereal beings who eat with the greatest distaste, scraping scraps of food between our teeth with our upper lips curled. For your edification, it's bullshit.

He smelled so good, a mix of frost and something sharp, like peppermint. Lifting my head, I placed a kiss at the hollow of his neck, right beneath his jawbone, and he drew in a quiet breath, his hands curling into fists. I suddenly realized we were on a bed, alone in an isolated cabin, with no grownups-lucid ones anyway-to point fingers or condemn. My heart sped up, thudding in my ears, and I felt his heartbeat quicken, too. Shifting slightly, I went to trace another kiss along his jaw, but he ducked his head and our lips met, and suddenly I was kissing him as if I were going to meld him into my body. His fingers tangled in my hair, and my hands slid beneath his shirt, tracing the hard muscles of his chest and stomach. He groaned, pulled me into his lap, and lowered us back onto the bed, being careful not to crush me. My whole body tingled, senses buzzing, my stomach twisting with so many emotions I couldn't place them all. Ash was above me, his lips on mine, my hands sliding over his cool, tight skin. I couldn't speak. I couldn't think. All I could do was feel.

Tell me something real.” It comes out as a plea, just like it did last year. He sighs and curls around me. “I know who you really are, Violet. Even when you keep things from me, I know you,” he promises.

Yes, librarians use punctuation marks to make little emoticons, smiley and frowny faces in their correspondence, but if there were one for an ironic wink, or a sarcastic lip curl, they'd wear it out.

I hate to burst your bubble, but you're really not as scary as you think you are. I don't find you scary at all, actually," I lied casually. He stopped, raising his eyebrows in blatant disbelief. Then he flashed a wide, wicked smile. "You really shouldn't have said that," he chuckled. He growled, a low sound in the back of his throat; his lips curled back over his perfect teeth. His body shifted suddenly, half-crouched, tensed lika a lion about to pounce. I backed away from him, glaring. "You wouldn't." I didn't see him leap me - it was much too fast. I only found myself suddenly airborne, and then we crashed onto the sofa, knocking it into the wall. All the while, his arms formed an iron cage of protection around me - I was barely jostled. But I still was gasping as I tried to right myself. He wasn't having that. He curled me into a ball against his chest, holding me more securely than iron chains. I glared at him in alarm, but he seemed well in control, his jaw relaxed as he grinned, his eyes bright only with humor. "You were saying?" he growled playfully. "That you are a very, very terrifying monster," I said, my sarcasm marred a bit my breathless voice. "Much better," he approved.

She curled her fingers in under the blood-slick straps of his armour. His cracked leather gloves caught on her hair. 'You don’t have to kill if you don’t like it,' Key promised. 'I’ll kill them for you.' 'Kill who?' Against her hair, she felt his mouth curve. 'Everyone.

His jaw flexes, his hands curl at his sides, and his beautiful face… Well, he hasn’t looked at me with that much anger since discovering my last name at Parapet, back when he wanted to kill me. Guess I should be careful what I ask for, because I’m so fucked. “You aren’t where I left you, Violence.

My mother is from Cairo, Georgia. This makes everything she says sound like it went through a curling iron. Other people sound flat to my ear; their words just hang in the air. But when my mother says something, the ends curl.

Granuaile looked terminally depressed when she emerged from the bathroom with raven hair and, as a result rather Goth by accident. She didn't want to get her picture taken. "Aughh!" she said miserably, looking in the vanity mirror in the truck of the cab and fingering a wavy curl near her temple. "This sucks more than anything has ever sucked before. You know what we look like? A couple of emo douche bags." "Well, look at the bright side, Granuaile. Emo Douche Bags would be a great band name." [That's brilliant! It's already the unofficial name of more bands than I can count.]

Remember that, so that next time you can just agree with whatever I say and we’ll be fine.” Though he didn’t open his eyes, one corner of his mouth curled, ever so slightly. It was what I was hoping for. For a moment, the barriers had crumbled and we were all right again.

A memory: Isola as a toddler, sugarlump teeth, skin still smelling of milk. Hair that curled without use of an iron and sweet dresses that didn’t matter were dirtied. When she was old enough, she demanded the usual suspects at bedtime: The Little Mermaid, Hansel and Gretel, Beauty and the Beast. Even then, Mother’s contempt for non-Pardieu fairytales was obvious. ‘Hmph,’ she snorted derisively, folding up her knees to perch on Isola’s bed. ‘Listen to me, Isola. The original Beauty’s just an encouragement to young women to accept arranged marriages. What it’s really saying to impressionable girls is, “Don’t worry if your new husband is decades older than you, or ugly, or horrid. If you’re sweet and obedient enough, you might just discover he’s a prince in disguise!’’ Mother’s Most Lasting Advice ‘Never be that girl, Isola. Never pick the beast or the wolf on the off-chance he won’t devour you.

A scratch at the door interrupted us. Colin dropped and rolled under the bed again. One of the maids poked her head in. "Miss?" I tried not to look as if I was hiding a handsome young lad under the mattress. "Yes?" "Lord Jasper sent me up to see if you need help getting ready for a ball." She smiled proudly. "I have a fair hand with a curling iron." "Oh.Thank you." I needed to get Colin out before I ended up naked in the middle of my bedroom. "I,um, could I get some hot water? To wash my face?" "Certainly,miss. I'll have the footmen bring up the bathtub, if you like, before all the fine ladies start calling for their own baths." "That would be great, thanks." I'd never actually been in a full reclining tub before. We had a battered hip bath in the kitchen. The maid curtsied and closed the door behind her. I let out a breath. Colin crawled back out. "They need to sweep under there," he said, sneezing.

The Wolf curled his lip in distaste, eyeing the raft as if it might lunge at him. "You expect to reach the End of the World on that? Do you know the things that live in the River of Dreams? And we're not even at the nightmare stretch yet." "Aw, is the Big Bad Wolfie afraid of a few nasty fish?" The Wolf gave him a baleful stare. "You wouldn't say that if you'd seen some of the fish in the Deep Wyld, Goodfellow. But more important, how will you ever reach the End of the World if I bite your head off? (The Iron Knight)

Puck rolled his eyes. Holding out his hand, he gave me an encouraging smile. "Come on, Princess. Don't want to get separated in here." I clasped his hand, and he curled his fingers tight around mine. "Let's go then. Rusty can bring up the rear. That way, if we get jumped from behind, we won't lose anything important.

At ten seconds before the hour, they raise their bows and aim the flaming arrows at the waiting well of curling iron. As the clock begins to chime near the gates, the first archer lets his arrow fly, soaring over the crowd and hitting its mark in a shower of sparks. The bonfire ignites in an eruption of yellow flame. Then the second chime follows, the second archer sends his arrow into the yellow flames, and they become a clear sky-blue. A third chime with a third arrow, and the flames are a warm bright pink. Flames the color of a ripe pumpkin follow the fourth arrow. A fifth, and the flames are scarlet-red. A sixth brings a deeper, sparkling crimson. Seven, and the fire is soaked in a color like incandescent wine. Eight, and the flames are shimmering violet. Nine, and the violet shifts to indigo. A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue. On the penultimate chime, the dancing flames change from blue to black, and for a moment, it is difficult to discount the fire from its cauldron. And on the final strike, the dark flames are replaced with a blinding white, a shower of sparks falling like snowflakes around it. Huge curls of dense white smoke swirl up into the night sky.

Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers. Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.

Alarmed and bordering on terrified, Frankie reached for the closest thing she could find that might work as a weapon – which in Louise’s house was a curling iron – and tiptoed downstairs to confront the intruder - Chapter One

The wreath of cigarette smoke which curls about the head of the growing lad holds his brain in an iron grip which prevents it from growing and his mind from developing.

The smog curled between the streetlamps and the spokes of the wrought iron framework. It seemed through your body and into your bones.

I press my face against the wrought-iron bars on my window - they are arched and curl into the shape of roses, as i by making a pretty pattern, they can pretend they're something they're not.

Adam crossed to her bed and pulled off the blanket. He reached her at the window and draped it over her shoulders. “Adam?” Persephone looked up at him, so obviously confused. “You should have come in when the wolves first started.” Adam made his way to the door. “Come in?” she repeated. “And curled up on the bed.” He stopped at the door and turned toward her, waiting. “You knew?” Persephone whispered, her face paling noticeably. “I . . . I thought . . . I thought you were asleep.” “Asleep?” Adam answered, with an ironic raise of his eyebrows. “That’s the problem.” “Problem?” “I can’t sleep.

Wandering back into the bedroom, my gaze immediately strayed to the large bed along the wall and the lump beneath the covers. Pale light streamed through the half-open curtains, settling around the still-sleeping form of a Winter sidhe. Or a former Winter sidhe. Pausing in the doorframe, I took advantage of the serene moment just to watch him, a tiny flutter going through my stomach. Sometimes, it was still hard to believe that he was here, that this wasn’t a dream or a mirage or a figment of my imagination. That he was mine forever: my husband, my knight. My faery with a soul. He lay on his stomach, arms beneath the pillow, breathing peacefully, his dark hair falling over his eyes. The covers had slipped off his lean, muscular shoulders, and the early morning rays caressed his pale skin. Normally, I didn’t get to watch him sleep; he was usually up before me, in the courtyard sparring with Glitch or just prowling the halls of the castle. In the early days of our marriage, especially, I’d wake up in the middle of the night to find him gone, the hyper-awareness of his warrior days making it impossible for him to stay in one place, even to sleep. He’d grown up in the Unseelie Court, where you had to watch your back every second of every day, and centuries of fey survival could not be forgotten so easily. That paranoia would never really fade, but he was gradually starting to relax now, to the point where sometimes, though not often, I would wake with him still beside me, his arm curled around my waist. And given how rare it was, to see him truly unguarded and at ease, I hated to disturb him. But I walked across the room to the side of the bed and gently touched his shoulder. He was awake in an instant, silver eyes cracking open to meet mine, never failing to take my breath away. “Hey,” I greeted, smiling. “Sorry to wake you, but we have to be somewhere soon, remember?

Time neither flies nor sleeps. It is flexible, plastic, ever changing. Spend two hours watching a movie curled up with your lover and time ceases to exist. Spend two hours waiting for your lover to come and time is the iron bars of a prison

Well, then, how can you possibly trust them?" "For the same reason I can trust you Coll. Because I know them. Because I understand them." Carnac curled his hand around the cold iron railing. "Because at the end of the day, who else can one trust, if not one's family?

Call’s stomach felt as if it wanted to curl up inside him like a kicked puppy.

He held the door open for me and I walked past him, leaving my conscience on the porch. It curled up next to my principles.

Sinjin was sitting bare-chested with Petra’s blue feather boa wrapped around his neck and draped over his shoulder. His long dark curls had been teased and sprayed into a sexy mane. Heavy black eyeliner rimmed his eyes. “Am I not gorgeous? I want to snog myself. I’m like a postmodern Lord Byron.” “You put the ironic in Byronic,” Petra quipped. “Well said, luv.

Sontag writes, 'The hallmark of Camp is the spirit of extravagance. Camp is a woman walking around in a dress made up of three million feathers.' Camp is also a preteen getting a hot curling iron jabbed into her vagina.

Because I love you!" My voice breaks into a mortifying whisper that's almost half as embarrassing as the thoughts I can't keep from spinning in my brain. The thoughts that I've fought to hold at bay ever since my mother told me about the deal she made with him. Heat flushes my cheeks as he holds my stare, and frustration curls my hands into fists. "Because I want to think you kept me alive those first few months before Threshing because you were intrigued or impressed by me or attracted to me like I was to you, and not because you made a deal with my mother. Because it's horrifying to think that the only reason you fell in love with me is because of her. Because maybe you're right and I didn't want that particular truth, since I know there's a thin line between devotion and obsession, between cowardice and self-preservation, and I'm walking it when it comes to you. I love you so fucking much that I ignored every warning signal last year, and now half the time I don't know what side of that line I'm standing on because I'm too busy looking at you to watch my own feet!

Oh yes," said Randolph stretching his legs , lighting a mentholated cigarette, "do not take it seriously, what you see here: it's only a joke played on myself by myself... it amuses and horrifies... a rather gaudy grave, you might say. There is no daytime in this room, or night, the seasons are changeless here, and the years, and when I die, if indeed I haven't already, then let me be dead drunk and curled, as in my mother's womb, in the warm blood of darkness. Wouldn't that be an ironic finale for one who, deep in his goddamned soul, sought sweetly the clean-limbed life? bread and water, a simple roof to share with some beloved, nothing more.

Gregori stared with dismay at the small, two-story house enclosed in wrought-iron latticework and sandwiched between two smaller, rather rundown properties in the crowded French Quarter of New Orleans. He inserted the key in the lock and turned to look at Savannah's face. It was lit up with expectation, her blue eyes shining. "I have definitely lost all good sense," he muttered as he pushed open the door. The interior was dark, but he could see everything easily. The room was layered with dust, old sheets covered the furniture, and the wallpaper was peeling in small curls from the walls. "Isn't it beautiful?" Savannah flung out her hands and turned in a circle. Jumping into Gregori's arms, she hugged him tightly. "It's so perfect!" He couldn't help himself; he kissed her inviting mouth. "Perfect for torching. Savannah,did you even look at this place before you bought it?" She laughed and ruffled his thick mane of hair. "Don't be such a pessimist. Can't you see its potential?" "It is a firetrap," he groused.

You might want to pop your collar." "Hey if the biker doesn't pop his, I'm not popping mine. Also? We're thirty years past that fashion faux pas." "Yeah, but it still comes in handy when you're sporting a hickey." "What?" My hands flew to my neck, and I found the tender spot. "Shit. No, that's not-- I burned it. My hair wasn't cooperating, so I dragged out the curling iron." "Gabriel has a curling iron?" "No, I meant--Damn it." I rooted through my bag for concealer. "I'm sorry. If I'd noticed, I'd have hidden it." "I know." His lips twitched. "It is kinda funny, though, watching you guys scramble with excuses. Gabriel told me you weren't answering my calls because you forgot your phone in the car. Which is about as likely as you leaving your arm behind. He dried his hair so fast the back was sticking up. And then he scarfed down half the food I brought for lunch. I've never seen him eat like that." He smiled. "But I do appreciate he's being circumspect." "He's not going to wave it in your face." "No, but we are talking about Gabriel, who never goes out of his way to cushion anyone's feelings but yours. He's being very thoughtful. It's sweet. Just don't tell him I said that." "I won't." I finished applying the concealer. "Better?" "Yep." He leaned over for a better look and then stopped. "Is that a bite on your collarbone?" "Shit! No. Damn it. Ricky laughed as I frantically applied more makeup.

Jax took Robb by the face, fingers spreading into his hair, dark curls wrapping around his fingers, snarling them, so Robb could look at no one else. He memorized the constellation of freckles crossing Robb's nose, peppering his sun-kissed cheeks. The way the human boy looked at him made a strange, burning feeling turn in his stomach. He wanted to kiss off the freckles and place them in the sky as guiding stars.

Being a woman is a pain in the ass. You have to look “good.” Your hair needs to be neat—not just combed through, but “done.” Blow-dried, ironed, curled, sprayed. Your face needs to be enhanced. Foundation, powder, eye shadow, mascara, lipstick, blush, contour. Your clothes have to look sharp, too. And you can never wear the same thing twice—at least not in the same week. A guy can throw on the same suit every single day for a year and no one would notice. I’m not exaggerating. An Australian broadcaster tested it out. His coanchor, a woman, kept getting letters, e-mails, and tweets from viewers criticizing what she was wearing. He was appalled. He never got notes. So he wore the same blue suit day in and day out. Three hundred sixty-five days. Surely someone would complain. No one did. “No one has noticed,” he said at the time. “No one gives a shit.

After fighting the natural curl in my hair for years with every weapon known to woman, I waved the white flag of surrender and shoved my collection of flat irons and other hair torture devices into the bottom drawer of my dresser.

My first sight of the fabled warrior was a surprise. He was not a mighty-thewed giant, like Ajax. His body was not broad and powerful, as Odysseos'. He seemed small, almost boyish, his bare arms and legs slim and virtually hairless. His chin was shaved clean, and the ringlets of his long black hair were tied up in a silver chain. He wore a splendid white silk tunic, bordered with a purple key design, cinched at the waist with a belt of interlocking gold crescents... His face was the greatest shock. Ugly, almost to the point of being grotesque. Narrow beady eyes, lips curled in a perpetual snarl, a sharp hook of a nose, skin pocked and cratered... A small ugly boy born to be a king... A young man possessed with fire to silence the laughter, to stifle the taunting. His slim arms and legs were iron-hard, knotted with muscle. His dark eyes were absolutely humourless. There was no doubt in my mind that he could outfight Odysseos or even powerful Ajax on sheer willpower alone.

The fabric of Lady Islay's gown certainly cost as much as Claribel's entire quarterly allowance. It was a pearly silk taffeta shot with threads of silver. Her breasts were scarcely covered, and from there the gown fell straight to the ground in a hauntingly beautiful sweep of cloth. The pink brought out the color of her hair- burnt amber enticed with brandy and buttercup. If only she had left it free around her face and perhaps created some charming curls! Claribel made up her mind to tell her privately about the newest curling irons. She herself had lovely corkscrew curls bobbing next to her ears.

At the root of the tree at the heart of the world, With a chain round his neck, the Wolf lies curled. His gleaming teeth and jaws are furled, And the sun shall rise in the morning. His chain, it is forged of the nerve of a bear, Of the voice of a fish, and a girl's chin-hair. His chain, it is light and strong and fair, And the sun shall rise in the morning. With a mountain's root, and a cat's foot-fall, And the spit of a bird, he is held in thrall, Though iron could bind him never at all, And the sun shall rise in the morning. The sun shall rise, the stars shall fade, For the binding which the good gods made Still loops the Wolf in its lovely braid, And the sun shall rise in the morning.

In the midst of them, the blackest and largest in that dark setting, reclined James Hook, or as he wrote himself, Jas. Hook, of whom it is said he was the only man that the Sea-Cook feared. He lay at his ease in a rough chariot drawn and propelled by his men, and instead of a right hand he had the iron hook with which ever and anon he encouraged them to increase their pace. As dogs this terrible man treated and addressed them, and as dogs they obeyed him. In person he was cadaverous [dead looking] and blackavized, and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the grand seigneur still clung to him, so that he even ripped you up with an air, and I have been told that he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding; and the elegance of his diction, even when he was swearing, no less than the distinction of his demeanour, showed him one of a different cast from his crew. A man of indomitable courage, it was said that the only thing he shied at was the sight of his own blood, which was thick and of an unusual colour. In dress he somewhat aped the attire associated with the name of Charles II, having heard it said in some earlier period of his career that he bore a strange resemblance to the ill-fated Stuarts; and in his mouth he had a holder of his own contrivance which enabled him to smoke two cigars at once. But undoubtedly the grimmest part of him was his iron claw.

Florence lives alone in the great dreary house, and day succeeded day, and still she lived alone; and the blank walls looked down upon her with a vacant stare, as if they had a Gorgon-like mind to stare her youth and beauty into stone. No magic dwelling-place in magic story, shut up in the heart of a thick wood, was ever more solitary and deserted to the fancy, than was her father's mansion in its grim reality, as it stood lowering on the street: always by night, when lightd were shining from neighbouring windows, a blot upon its scanty brightness; always by day, a frown upon its never-smiling face. There were not two dragon sentries keeping ward before the gate of this above, as in magic legend are usually found on duty over the wronged innocence imprisoned; but besides a glowering visage, with its thin lips parted wickedly, that surveyed all comers from above the archway of the door, there was a monstrous fantasy of rusty iron, curling and twisting like a petrification of an arbour over threshold, budding in spikes and corkscrew points, and bearing, one on either side, two ominous extinguishers, that seemed to say, 'Who enter here, leave light behind!

I hurried to the end of the Iron Wing and opened the door. Where I found myself face-to-face with Anne-Whatever-Whatever herself. I pulled my hand back to punch her. “What are you—” she started, when her eyes went wide and she collapsed on the ground, revealing Tasey in the hands of a teen boy with blond curls, blue eyes, dimples, and the most impish smile I’d ever seen. “Hey-oh, did you miss me?” Jack asked. Since my hand was already pulled back, I went ahead and punched Jack. “Bloody—What was that for?” he asked, hand over his nose. I stepped past the unconscious body of Anne-Whatever-Whatever lying on the white tile floor and snatched Tasey from the blond nightmare. “Are you kidding me? The last time I saw you, you left me for read.” “Well, yeah, there was that. But I thought rescuing you from IPCA might make up for it a bit.” “I’m in the middle of rescuing myself,” I snapped. “And how were you planning on getting past her?” He nudged the prone body with a none-too-gentle foot. “Improvising.” “And once you were past her, you were going to get out of here . . . how?” “Shut up!” I turned and tried to stomp down the hall, then cringed in pain from my ankle. Okay, no dramatic stomping. I opted for emphatic limping instead, which unfortunately allowed Jack to catch up quite quickly.

After a while, they leave you alone, curled around your wounds. They always do. It gives you time to think about what they have done to you, more importantly what else they have not yet done. The fevered imagining of what is still to come is almost as potent a tool in their hands as the heated irons and blades themselves. When you hear them returning, the echo of footsteps induces such fear that you vomit up what little bile you have left in your stomach.

Anomander Rake walked into Darujhistan. Howls rose like madness unleashed. The Son of Darkness reached up and unsheathed Dragnipur. Steam curled from the black blade, twisting into ephemeral chains that stretched out as he walked up the wide, empty street. Stretched out to drag behind him, and from each length others emerged and from those still more, a forest's worth of iron roots, snaking out, whispering over the cobbles. He had never invited such a manifestation before. Reigning in that bleed of power had been an act of mercy, to all those who might witness it, who might comprehend its significance. But on this night, Anomander Rake had other things on his mind. Chains of smoke, chains and chains and chains, so many writhing in his wake that they filled the breadth of the street, that they snaked over and under and spilled out into side streets, alleys, beneath estate gates, beneath doors and through windows.

One of them was a young fellow of about twenty-seven, not tall, with black curling hair, and small, grey, fiery eyes. His nose was broad and flat, and he had high cheek bones; his thin lips were constantly compressed into an impudent, ironical—it might almost be called a malicious—smile; but his forehead was high and well formed, and atoned for a good deal of the ugliness of the lower part of his face. A special feature of this physiognomy was its death-like pallor, which gave to the whole man an indescribably emaciated appearance in spite of his hard look, and at the same time a sort of passionate and suffering expression which did not harmonize with his impudent, sarcastic smile and keen, self-satisfied bearing. He wore a large fur—or rather astrachan—overcoat, which had kept him warm all night, while his neighbour had been obliged to bear the full severity of a Russian November night entirely unprepared. His wide sleeveless mantle with a large cape to it—the sort of cloak one sees upon travellers during the winter months in Switzerland or North Italy—was by no means adapted to the long cold journey through Russia, from Eydkuhnen to St. Petersburg.

Chivalry looks good on you, ma'alor," he said, brushing a dark curl out of Robb's face. "And I hate that I like it." "Your flattery will only get you so far," Robb joked, trying to grin, but it turned sour and bitter. "I like you, but I have no right to say that. For what my mother did--for what I did. But...if there was a way for you to forgive me, no matter how long it takes, would you let me? Will you let me try to be worthy of you?" The question took Jax by surprise. He sat back, quite unable to find a response. I've seen you stars, he wanted to say, and this is impossible. All his life he'd thought that all fates flowed in a continuous, never-ending river, but now the current was disrupted, the path unsettled. They had changed the stars, and he was falling in love with a boy who should have died. Robb shifted, uncomfortable. "Or--or if you don't feel the same way--" "I'm sorry," Jax began, but when he looked into Robb's eyes, there were tears there. Alarmed, he quickly added, "No, no! That's not what I meant! I don't mean--" "I knew you wouldn't. I'm sorry, I'm so sorry." Tears curved down Robb's cheeks, and almost exasperated, Jax wiped them away. "I can't LIE, you insufferable Ironblood," he chided. "I'm apologizing because I can't forgive you right now, but that doesn't mean I don't want to kiss you, ma'alor. And it doesn't mean I don't like you. I do. I like you, but do you really want ME? Someone who can't touch other people? That's my reality. I'll never kiss you without seeing your fate. I'll never touch you without seeing how you'll die. Am I someone you could be happy with?" Robb's brow furrowed. "Screw fate. I'll tear down the stars for you." For HIM? Even though Jax had to wear gloves, and could never brush his lips against Robb's jawline without seeing the stars, never kiss Robb's ears, or traced the lines of his body, or feel the heat that pulsed just beneath his skin, hot and red and wanting. Jax felt his throat tighten as tears pooled at the edges of his eyes. He didn't cry. He never cried. Robb took Jax's hand, and kissed his gloved knuckles. "And lucky for you," Robb added, "I'm not planning to ever die, so you don't have to worry about my stars." He laughed. "You make being mad at you hard, ma'alor." "I plan on making it impossible," replied Robb, and raised an eyebrow. "What does ma'alor mean?" Jax chewed on his bottom lip. 'It means..." But he couldn't bear that sort of embarrassment, so he simply leaned into the Ironblood and kissed him. Savoring the moment, the unknowingness of it all. Until new images came flooding across his senses like a wave of darkness across the stars.

That’s one of the harsh realities I learned early on about the modeling industry: ultimately, your body doesn’t really belong to you. It belongs to the client. Since they’re paying, they figure they can do pretty much whatever they want to you. They can curl your hair, straighten it, dye it, cut it –even shave it. I’ve seen hair extensions being pulled out by the roots and smoke billowing out of flat irons while the hair inside gets singed and fried. I’ve watched models squeeze their feet into shoes so small their feet literally bled, and I’ve seen false eyelashes torn off so quickly that the natural lashes came off with them. Modeling may look glamorous on the outside, but believe me, beauty can be an ugly business.

Being a woman is a pain in the ass. You have to look “good.” Your hair needs to be neat—not just combed through, but “done.” Blow-dried, ironed, curled, sprayed. Your face needs to be enhanced. Foundation, powder, eye shadow, mascara, lipstick, blush, contour. Your clothes have to look sharp, too. And you can never wear the same thing twice—at least not in the same week. A guy can throw on the same suit every single day for a year and no one would notice. I’m not exaggerating. An Australian broadcaster tested it out. His coanchor, a woman, kept getting letters, e-mails, and tweets from viewers criticizing what she was wearing. He was appalled. He never got notes. So he wore the same blue suit day in and day out. Three hundred sixty-five days. Surely someone would complain. No one did.

We entered the grove, and a few yards in, the trees opened to another clearing. In the center was a Sunbeam bread truck, the tires missing, mounted on cinder blocks. It had to have been from the 50s. Little Miss Sunbeam, blond curls framing her face, looking down from the side of the truck with one blue eye. The other missing, replaced by a large spot of rust. Innocent and poised, forever taking a bite out of a piece of buttered white bread. The slogan above her head, Reach for Sunbeam! ENERGY-PACKED! Under Miss Sunbeam the truck was lined and stacked head high with crosses of all sizes, the artificial flowers attached to them faded by the sun. I realized they were roadside crosses, many I recognized that were placed at accident scenes along Death Road and disappeared shortly after. An eighteen-foot four-by-four utility pole and meter leaned dangerously inward toward the truck, anchored by nothing but mud and rocks after the rain. A deep cast iron pot sat a few feet in front of the truck surrounded by ashes, bits of charred wood and odd shaped tree stumps.

It's funny how you get under his skin.' At first, I'm not sure I heard him right. I almost ask whom he's talking about, because I can't quite believe he's admitting that high and mighty Cardan is affected by anything. 'Like a splinter?' I say. 'Of iron. No one else bothers him quite the way you do.' He picks up a towel and wets it, then kneels down beside me and carefully wipes my face. I suck in a breath when the cold cloth touches the sensitive part of my eye, but he is far gentler than I would have been to myself. His face is solemn and focused on what he's doing. He doesn't seem to notice my studying him, his long face and sharp chin, his curling red-brown hair, the way his eyelashes catch the light. Then he does notice. He's looking at me, and I'm looking back at him, and it's the strangest thing, because I thought Locke would never notice anyone like me. He is noticing, though. He's smiling like he did that night at the Court, as though we share a secret. He's smiling as if we're sharing another one. 'Keep it up,' he says. I wonder at those words. Can he really mean them? As I make my way back to the tournament and my sisters, I can't stop thinking of Cardan's shocked face, nor can I stop considering Locke's smile. I am not altogether sure which is more thrilling and which more dangerous.

A shadow appeared on the awnings further up the land, gliding across each rectangle of canvas towards my table, sinking in the sag, rising again at the edge, and moving on to the next with a flicker of dislocation, then gliding onwards. As it crossed the stripe of sunlight between two awnings, it threaded the crimson beak of a stork through the air, a few inches above the gap; then came a long white neck, the swell of snowy breast feathers and the six-foot motionless span of its white wings and the tips of the black flight feathers upturned and separated as fingers in the lift of the air current. The white belly followed, tapering, and then, trailing behind, the fan of its tail and long parallel legs of crimson lacquer, the toes of each of them closed and streamlined, but the whole shape flattening, when the band of sunlight was crossed, into a two-dimensional shadow once more, enormously displayed across the rectangle of cloth, as distinct and nearly as immobile, so languid was its flight, as an emblematic bird on a sail; then sliding across it and along the nearly still corridor of air between the invisible eaves and the chimneys, dipping along the curl of the lane like a sigh of wonder, and, at last, a furlong away slowly pivoting, at a gradual tilt, out of sight. A bird of passage like the rest of us.

Breathe. Pause. Move. Pause. Breathe. Pause. Move. Pause. It is unending. I heave myself over the final lip and strain to pull myself clear of the edge. I clear the deep powder snow from in front of my face. I lie there hyperventilating. Then I clear my mask of the ice that my breath has formed in the freezing air. I unclip off the rope while still crouching. The line is now clear for Neil to follow up. I get to my feet and start staggering onward. I can see this distant cluster of prayer flags semisubmerged in the snow. Gently flapping in the wind, I know that these flags mark the true summit--the place of dreams. I feel this sudden surge of energy beginning to rise within me. It is adrenaline coursing around my veins and muscles. I have never felt so strong--and yet so weak--all at the same time. Intermittent waves of adrenaline and fatigue come and go as my body struggles to sustain the intensity of these final moments. I find it strangely ironic that the very last part of this immense climb is so gentle a slope. A sweeping curve--curling along the crest of the ridge toward the summit. Thank God. It feels like the mountain is beckoning me up. For the first time, willing me to climb up onto the roof of the world. I try to count the steps as I move, but my counting becomes confused. I am now breathing and gasping like a wild animal in an attempt to devour the oxygen that seeps into my mask. However many of these pathetically slow shuffles I take, this place never seems to get any closer. But it is. Slowly the summit is looming a little nearer. I can feel my eyes welling up with tears. I start to cry and cry inside my mask. Emotions held in for so long. I can’t hold them back any longer. I stagger on.

In the midst of them, the blackest and largest in that dark setting, reclined James Hook, or as he wrote himself, Jas. Hook, of whom it is said he was the only man that the Sea-Cook feared. He lay at his ease in a rough chariot drawn and propelled by his men, and instead of a right hand he had the iron hook with which ever and anon he encouraged them to increase their pace. As dogs this terrible man treated and addressed them, and as dogs they obeyed him. In person he was cadaverous and blackavized, and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the grand seigneur still clung to him, so that he even ripped you up with an air, and I have been told that he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding; and the elegance of his diction, even when he was swearing, no less than the distinction of his demeanour, showed him one of a different cast from his crew. A man of indomitable courage, it was said that the only thing he shied at was the sight of his own blood, which was thick and of an unusual colour. In dress he somewhat aped the attire associated with the name of Charles II, having heard it said in some earlier period of his career that he bore a strange resemblance to the ill-fated Stuarts; and in his mouth he had a holder of his own contrivance which enabled him to smoke two cigars at once.

Then she bent her head over at the waist and tossed her head around to separate the curls. The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell. She looked at them, her mouth watering. Yep. Enrique’s. The best in town. He whirled around to punch the door-close button. “Hey,” she said. “I’m getting off here.” Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.” Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops. He grabbed her up off her feet and bent his head. Found her mouth with his. “Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!” Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides. And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before. The door slid closed. The girls began banging on it. “We know your room number, Chase, honey,” they yelled. “See you there.” Loud giggles. “We’ll show you a real good time.” The elevator moved up, the voices faded away. But Chase kept on kissing her. She had to make him stop it. Right now. Who did he think he was, anyway? Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes. He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . . When he finally let her go she pulled back and away, fighting to get a handle on her breathing. “What’s the matter?” he demanded. Her blood rushed through her so fast it made her dizzy. “You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?” She touched her lips. They were still on fire. “You have got a helluva nerve, Chase Lomax.” He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted. “I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.” “I was drying my hair.” He stared, then burst out laughing. “Oh, well, then.” His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good. “Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?” He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?” He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat. “You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.” Something flashed deep in his brown eyes. “Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.

I dispelled my invisibility for a few seconds in his full view, a finger resting provocatively on my lower lip, giving him a come-hither look under a streetlight. His jaw and the bottle of Żubrówka dropped at the same time. It shattered, drawing his eyes to the sidewalk, and I took the opportunity afforded by his distraction to disappear again. "That was mean," Oberon said, watching the man look wildly around for me and pawing at his eyes as if to clear them. Why? I asked. I’ve done him no harm. "Yes, you have. You will haunt him for the rest of his life. I know from experience." You’re haunted by someone flashing you on a street corner? "No. It was a dog park. Atticus and I were just arriving and she was leaving." Oh, here we go. "She was so fit and her coat was tightly curled and she had a perfect pouf on the end of her tail like a tennis ball. I saw her for maybe five seconds, until she hopped into a Honda and her human drove her away. And now I can’t see a Honda without seeing her." But that’s a good thing, isn’t it? Kind of romantic? A vision of perfection you can treasure forever, unspoiled by reality. "Well, I don’t know. In reality I’d like to try spoiling her, if she was in the mood." Look, Oberon, that man is lonely. He’s too skinny and sweaty, and I’m willing to bet you five cows that he’s socially awkward or he wouldn’t be staggering drunk at this hour. But now, for the rest of his life, he will remember the na**d woman on the street who looked at him with desire. When people treat him like something untouchable, he will have that memory to comfort him. "Or obsess over. What if he starts wandering the streets every night looking for you?" Then he’s misunderstood the nature of beauty. It doesn’t stay, except in our minds. "Oh! I think I see. That’s true, Clever Girl! Sausage never stays, because I eat it, but it’s always beautiful in my mind.

Lottie pressed her face into the crook of his neck and shoulder. She had to stop him now, before her will was completely demolished. “No. Please stop. I’m sorry.” His hand slid from her blouse, and he touched her damp lips with his fingers. “Have I frightened you?” he whispered. Lottie shook her head, somehow resisting the urge to curl into his embrace like a sun-warmed cat. “No… I’ve frightened myself.” For some reason her admission made him smile. His fingers moved to her throat, tracing the fragile line with a sensitivity that made her breath catch. Tugging the peasant blouse back up to her shoulder, he retied the frayed ribbon that secured the neckline. “Then I’ll stop,” he said. “Come— I’ll take you to the house.” He stayed close to her as they continued through the forest, occasionally moving to push a branch out of the way, or taking her hand to guide her over a rough place on the path. As familiar as she was with the woods of Stony Cross Park, Lottie had no need of his assistance. But she accepted the help with demur. And she did not protest when he paused again, his lips finding hers easily in the darkness. His mouth was hot and sweet as he kissed her compulsively… swift kisses, languid ones, kisses that ranged from intense need to wicked flirtation. Drugged with pleasure, Lottie let her hands wander to the thick dishevelment of his hair, the iron-hard nape of his neck. When the blistering heat rose to an untenable degree, Lord Sydney groaned softly. “Charlotte…” “Lottie,” she told him breathlessly. He pressed his lips to her temple and cuddled her against his powerful body as if she were infinitely fragile. “I never thought I would find someone like you,” he whispered. “I’ve looked for you so long… needed you…” Lottie shivered and dropped her head to his shoulder. “This isn’t real,” she said faintly. His lips touched her neck, finding a place that made her arch involuntarily. “What’s real, then?” She gestured to the yew hedge that bordered the estate garden. “Everything back there.” His arms tightened, and he spoke in a muffled voice. “Let me come to your room. Just for a little while.” Lottie responded with a trembling laugh, knowing exactly what would happen if she allowed that. “Absolutely not.” Soft, hot kisses drifted over her skin. “You’re safe with me. I would never ask for more than you were willing to give.” Lottie closed her eyes, her head spinning. “The problem is,” she said ruefully, “I am willing to give you entirely too much.” She felt the curve of his smile against her cheek. “Is that a problem?” “Oh, yes.” Pulling away from him, Lottie held her hands to her hot face and sighed unsteadily. “We must stop this. I don’t trust myself with you.” “You shouldn’t,” he agreed hoarsely. -Lottie & Nick

You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?” His cock was a rod of iron. “Jane…” He covered her hand to stay it, but she ignored his attempt. “I love it when you can’t control yourself,” she whispered. “I love having you at my mercy. You have no idea…how much I enjoy seeing Dom the Almighty brought low.” He barely registered her words. What she was doing felt so good. So bloody damned good. If she stroked him much more… “I want to be inside you.” He gripped her wrist. “Please, Jane…” Her sensuous smile faltered. “You’ve never said ‘please’ to me before. Not in your whole life.” “Really?” Had he only ever issued orders? If so, no wonder she’d refused him last night. Perhaps it was time to show her she didn’t have to seduce him to gain control. That he could give up his control freely…to her, at least. “Then let me say it now. Please, Jane, make love to me. If you don’t mind.” She stared at him. “I…I don’t know what you mean.” He nodded to his cock, which looked downright ecstatic over the idea. “Get up on your knees and fit me inside you.” Realizing he’d just issued yet another order, he added, “Please. If you want.” Jane got that sultry look on her face again. Like the little seductress she was rapidly showing herself to be, she rose up and then came down on him. By degrees. Very slow degrees. He had trouble breathing. “Am I hurting you?” Her smile broadened as she shimmied down another inch. “Not really.” Stifling a curse, he clutched her arms. “You just…enjoy torturing me.” “Absolutely,” she said and moved his hands to cover her breasts. He was more than happy to oblige her unspoken request, happy to thumb her nipples and watch as her lovely mouth fell open and a moan of pure pleasure escaped her. His cock swelled, and he thrust up involuntarily. “Please…” he said hoarsely. “Please, Jane…” With a choked laugh, she sheathed herself on him. Then her eyes went wide. “Oh, that feels amazing.” “It would feel more amazing if you…would move,” he rasped, though the mere sensation of being buried inside her was making him insane. When she arched an eyebrow, he added, “Please.” “I could get to like this,” she said teasingly. “The begging.

revealing a line of chest hair long enough for a curling iron.

They had entombed her in darkness and iron. She slept, for they had forced her to—had wafted curling, sweet smoke through the cleverly hidden airholes in the slab of iron above. Around. Beneath. A coffin built by an ancient queen to trap the sun inside. Draped with iron, encased in it, she slept. Dreamed. Drifted through seas, through darkness, through fire. A princess of nothing. Nameless. The princess sang to the darkness, to the flame. And they sang back. There was no beginning or end or middle. Only the song, and the sea, and the iron sarcophagus that had become her bower. Until they were gone. Until blinding light flooded the slumbering, warm dark. Until the wind swept in, crisp and scented with rain. She could not feel it on her face. Not with the death-mask still chained to it. Her eyes cracked open. The light burned away all shape and color after so long in the dim depths. But a face appeared before her—above her. Peering over the lid that had been hauled aside. Dark, flowing hair. Moon-pale skin. Lips as red as blood. The ancient queen’s mouth parted in a smile. Teeth as white as bone. “You’re awake. Good.” Lovely and cold, it was a voice that could devour the stars. From somewhere, from the blinding light, rough and scar-flecked hands reached into the coffin. Grasped the chains binding her. The queen’s huntsman; the queen’s blade. He hauled the princess upright, her body a distant, aching thing. She did not want to slide back into this body. Struggled against it, clawing for the flame and the darkness that now ebbed away from her like a morning tide. But the huntsman yanked her closer to that cruel, beautiful face watching with a spider’s smile. And he held her still as that ancient queen purred, “Let’s begin.

So you think this treasure is here in one of Bissel’s hiding places. And all this time you’ve been trying to find it. Your offer of friendship—your regret for having abandoned me—that was all a sham! For the sake of some wild-goose chase.” “It wasn’t all a sham.” Christopher gave her a scornful, vaguely pitying glance. “My interest in renewing our relationship was genuine, until I realized you had taken up with a Gypsy. I don’t accept soiled goods.” Infuriated, Amelia started for him with her fingers curled into claws. “You aren’t fit to lick his boots!” she cried, struggling as Cam hauled her backward. “Don’t,” Cam muttered, his hands like iron clamps on her body. “It’s not worth it. Calm yourself.

Five years Gebrail had hated them. Hated the stone buildings and metaled roads, the iron bridges and glass windows of Shepheard’s Hotel which it seemed were only different forms of the dead sand that had taken his home. ‘The city,’ Gebrail often told his wife, just after admitting he’d come home drunk and just before beginning to yell at his children—the five of them curled blind in the windowless room above the barber like so many puppy-bodies—'the city is only the desert in disguise.

My fingers flex as I extend my palms toward the creatures and the light. Energy pulses through me as the core of this dead land calls to me. More metal surrounds me, and I can feel it surging through me: the machine beast, the netting, even the faces of these creatures all consist of metal. The creature snaps its head back at me and lunges, aiming its weapon at me. I jump to the side in terror, raising my hands to protect me from the blow. The creature flies backward, landing on the ground with a thud. “What the hell is she doin’?” “Jab her!” I feel the energy rising within me. Or fear. Or both. Voices yell. Feet trample the ground. They run toward me. A grunt rises in my chest as my arms thrust forward, acting on their own. I watch it like a dream as my hands clench, and my fingers retract into claws. A thunderous shrill of ripping metal pierces the air. The iron fist rips in two. The creatures shout words as the two massive pieces of metal hover in the air. My arms cross then swing outward, sending the pieces hurtling beyond the lights and into the darkness. Several of them dash toward me. I scream. My fingers aim at the creatures and curl. As my arms drop to my sides, I watch in terror as the creatures fall to the ground by their bronze faces. My eyes burn from the stinging air. I feel like I am in a nightmare. I cannot control this power within me, and it terrifies me.

He's on to sashimi now, fanning and curling slices of snapper and fugu into white roses on his cutting board. Before Toshio can plate the slices, Shunichi reaches over and calmly replaces the serving plate his son has chosen with an Edo-era ceramic rectangle more to his liking. Three pieces of tempura- shrimp, eggplant, new onion- emerge hissing and golden from the black iron pot in the corner, and Toshio arranges them on small plates with wedges of Japanese lime. Before the tempura goes out, Shunichi sneaks in a few extra granules of salt while Toshio's not looking. By now Dad is shadowing his son's every move. As Toshio waves a thin plank of sea cucumber eggs over the charcoal fire, his dad leans gently over his shoulder. "Be careful. You don't want to cook it. You just want to release its aroma." Toshio places a fried silverfish spine on a craggy ceramic plate, tucks grated yuzu and sansho flowers into its ribs, then lays a sliver of the dried eggs over the top. The bones shatter like a potato chip, and the sea cucumber detonates in my mouth.

Tell me what you are thinking when you look at me like that." There was iron and ice in his voice. Not even a hint of tenderness. For some reason, his harsh manner did not bother her. She sensed something beautiful and elusive existed behind his daunting facade. The possibility of discovering what it was filled her with delicate anticipation. She looked into his eyes and answered truthfully. "I am thinking about how you make me feel." The muscles along his jaw tensed, and his eyelids lowered just the barest fraction. He brought his hands around to clasp them behind his back. To keep from reaching for her? "How do I make you feel?" Her skin tingled in reaction to the raw note in his voice. Lily took a moment as she thought about how to put it into words. It was a difficult thing to explain, and she wanted it to come out right. "I feel..." she began, then hesitated. Her breath caught in her chest, and she had to force it out on a heavy sigh. "I feel strong and weak at the same time. When you look at me, I feel exposed, as if you can see my most private thoughts. And though it frightens me- you frighten me- it is such an exquisite sensation that I do not want it to end. Because I want you to know me, to see the deepest parts of me." At first he did not respond beyond a fierce clenching of his teeth, and Lily wondered if he wanted to hear something else. Had she revealed too much of her inexperience? Should she have said something more provocative, more sophisticated? "Do you desire me?" he asked finally. The molten heat running through his words curled around her, heating her breath, her skin, her blood. She looked into his eyes and felt a swirling deep within. It tingled like white fire and spread to the most intimate places in her body.

Jane cupped her coffee in both hands and blew across the steam so it curled from her lips like a musing dragon’s breath.

He wanted to close his eyes at the declaration, remembering the heat of a crimson iron close enough to curl his lashes. The hand that did not hold his cane tightened on a bit of silk in his socket, and something pricked him. The enchanted nail Kit had given him, and Will drew strength from it.

Keith dreamed of dragons again, and awoke cold in his bed, curled into a ball that would have been his tail tucked tight across his nose and eyes if he had been in wolf’s shape.

His wild dark hair, though glazed into ringlets, had defeated whatever product he’d worked through it, and the curls tumbled over his forehead to brush his brows.

But things that take their power from explosions contained in iron, things operated by an intricacy of mechanical devices—I mislike them, I’m afraid, and I mishandle them more often than not. Some of humankind’s creations trouble me not at all. The ones that deal in directing the flow of electricity, for example.” He indicated the stereo with the turn of his hand. “But the internal combustion engine…” “But why would it bother you to drive one, and not to ride it?” “A reasonable question, though I’m not sure it has a reasonable answer. I’ve—a mental block? A moral objection?—to being put in control of such a machine. Being borne along one I can put up with.” “But cars make you uncomfortable.” He raked his hands through the black curls at his temples and smiled crookedly. “I am a creature of earth and air,” he said. “Enclosed in a car, I feel sickened and weak, and as panicky as an animal that chews through its own leg to escape a trap.” Eddi stared at him, surprised. She knew he’d been uncomfortable in the car, but she hadn’t dreamed he’d been uncomfortable as all that.

My mother is from Cairo, Georgia. This makes everything she says sound like it went through a curling iron.

The door slid shut. It hit Hugh like a gut punch – she was gone. For the few blissful hours she was with him, he had forgotten about the death, the blood, and the void. He’d poured his rage and wretched ache into her, and she’d drained him so completely, the only thing that remained was a satiated calm. Happiness, he realized. For the first time in years he felt happy. She was only a few feet away, walking to her bedroom. The sheets where she’d lain, curled up against him, still held the warmth of her body. He missed her the moment the door closed behind her. His mind conjured up her face, her scent, the way her skin glided against his. The ache rose in him. He wanted her back. He would get her back. But first, he had to make sure they survived.

He sighs and curls around me. “I know who you really are, Violet. Even when you keep things from me, I know you,” he promises.

A couple strolled by behind my chair. For a moment, they got between us and the closest light, casting Freddie in a patch of shadow. As the light peeled away, so did the facade. A desiccated corpse reclined on the divan, with skin turned blue and chapped by arctic windburn. The corpse grinned at me from a lipless mouth, showing sharp yellowed teeth. Her nose and most of one cheek had rotted away, the ragged wounds black with frostbite, and iron talons three inches long curled around the stem of her martini glass. Then the light flooded back and the moment was gone. Freddie must have caught the look on my face. She smiled and gave me a wink.

I’m not going to marry Denny.” He paused. “You have told him this?” “Not yet. I will tell him soon.” “When did you decide?” “Last night.” She lifted her face to his and read pure male arrogance in the set of his brow, the little quirk at the corner of his lips. How like him, to think that disastrous kiss had changed everything. “No, not in the drawing room. I knew it later, in the forest.” He clucked his tongue. “Ah, Cecy. Don’t tell me you’ve fallen in love with the werestag? I fear he will make you a prickly husband.” “Don’t be absurd. And stop deriding me for my honesty, while you hide behind that ironic smirk.” His eyes hardened, and he set his jaw. Curse him, he still wouldn’t let her in. Exasperated, she pushed back the piano bench and stood. “Of course I do not mean to wed a werestag,” she said, crossing to the window. “But that encounter showed me what I truly desire. I want the man who will be there when I need him. The man who will protect me, fight for me.” “I have fought for you, Cecily.” His voice was low, and resonant with emotion. “I have fought for you, protected you. I have suffered and bled for you.” He approached her, covering the Aubusson carpet with a lithe grace that made her weak in the knees. For a moment, she was reminded of the majestic white stag: the innate pride that forbade him to heed her commands; the sheer, wild beauty of his form. They were so alike, he and Luke. Cecily’s breath caught. What did he mean, he had fought for her, bled for her? Was he referring to last— “I have fought for you,” he repeated, thumping a fist to his chest. “Risked my life on battlefields— for you, and for Denny, and for Brooke and Portia and every last soul who calls England home. Is that not enough?” Mere inches separated them now. She swayed forward, carving the distance in half. Her heart drummed in her breast as she whispered, “No.” His eyes flared. “Cecy . . .” “It’s not enough.” She lifted one hand to his neck, curling her fingers into the velvety hair at his nape. Yes, every bit as soft as it looked. “I want more.” If their game was taunting, victory was hers. Grasping her by the hips, he crushed her to the wall and kissed her with abandon.

Sensation Hunters (January 3, 1934), features Brennan as a stuttering waiter in a nightclub, whose scenes usually end before he can finish a sentence. Dressed in a short cutaway jacket with a lock of hair curled in the middle of his forehead, he is ridiculously slow on the uptake when he is addressed ironically by his employer—“Hey, Handsome,” “Hey, Honey”—as she brushes past him. Before he can say much, she is gone, leaving him to stare dumbly at the tray in his hands. This a typical example of the comic relief he brought to otherwise ordinary scenes, but in this case he also serves as a foil to the fast-paced world of showgirls, con artists, and pickpockets. In a way, Brennan became a specialist, employed to get scenes off to a fast start, or to make a snappy transition with just a little bit of the actor’s business—in this case straining for words that his impatient employer cannot bother to take in. His one moment of joy comes when several showgirls jostle him on their way to the stage, his one brush with stardom. And then he vanishes from the film, no longer of use to the plot.

Go get dressed, Eddie,” she called out. “If any hopeful murderers attack us, Lizzy has promised to beat them with her curling iron.

The woman was tall, wearing stretch leggings and a big red bulky sweater. Even though it was thick, it left no doubt that she filled it out a lot better than I filled out mine. Dolly Parton to my . . . well, let’s just say that the greatly endowed wagon had passed me by. Her blonde hair was cascading in glorious waves around her shoulders instead of hanging in tight curls like mine. She no doubt knew her way around a curling iron. She was resting a hand on Aunt Sue’s shoulders like they were the very best of friends. I couldn’t explain it, but I took an immediate dislike to her. Probably because Brad couldn’t take his eyes off her and was starting to drool. “Hey, everyone, this is Cynthia,” Aunt Sue announced, like we should all care when I definitely did not. “She’s staying at the condo next to yours. This is my niece, Kate, my nephew, Sam, and their friends.” “It’s great to meet you all,” Cynthia said a little too breathlessly, her voice having a little squeal to it, like she was trying really hard to sound sexy but she just came across sounding like a cat whose tail had been stepped on.

But she stopped, leaned against the wall, and started to son. Horrible, silent cries that made her bend double, curling around her stomach, as though it hurt to weep like that. Lowering herself to the floor, she crouched down, almost soundless. Tears ran over her cheeks and dropped off her chin as she rocked back and forth. Hazel never cried. She was forged from iron;she never broke. No one was tougher than his sister. The worst part was how quietly she wept, as if she's taught herself how, as if she was so used to doing it that it had just become the way she cried.

To Style: Always use a vent brush or pick for curly styles and a wire brush for straight styles. Avoid using standard hair brushes, as these brushes can create excessive tension, over-stretching the hair with abrasive strokes that may damage the hair. Think in reverse when brushing your wig. Start from the ends and work gradually toward the ends and work gradually toward the root area of the hairpiece. When using a wire pick work the curls from ends to root area as well. Styling is greatly enhanced between washings with Jacquelyn's Liquid Mousse. For curly or wavy styles, it is considered an essential styling tool. Just mousse, hand scrunch and pick the style into curls. On straight styles, mousse and brush lightly. Jacquelyn's Conditioners also are recommended to maintain your hairwear. To Restyle: To spot style, add mousse or gel and use electric rollers on a medium setting. Only hair directly in contact with rollers will be spot set. Remember never to use a curling iron with your wig. To completely restyle, we recommend taking your wig to a professional stylist. If you decide to restyle at home, going from curly to straight or vice versa, please read these guidelines. 1. Place wig securely on wig stand. Use electric rollers, regular rollers or pin curls. End papers are recommended with rollers or pin curls. 2. Removes tangles with a wig brush. 3. Using the same directional styling as on a human head of hair, pick up hair and wind on roller or curl, smoothing ends as you go. 4. Use a medium setting with electric rollers or hair dryer. With a hair blower, be sure to circulate medium heat evenly and continously, keeping about 12" from wig. 5. Allow hair to cool before removing rollers or pincurls. 6. Lightly backbrush or backcomb and tease up on areas desired. Brush style in place, using Jacquelyn's Liquid Mousse. Jacquelyn Wigs delivers the most natural and beautiful human hair wigs in the world. For over 40 years, we have consistently provided the highest quality of wigs in the industry at amazingly reasonable prices. To have a free consultation please call us or visit our website.

I didn't cry. But it hurt. The betrayal ran deep. But, I have to admit, there was a also a small sense of relief. Because now I knew: I had not failed. I just didn't own the wig. Successful, powerful working mother mothers who keep silent about how they take care of their homes and families, who behave as if they maybe have to clone themselves or possess Hermione Granger's Time-Turner so they can be two places at once... well, they are making everyone else get out their curling irons. Don't do that. Don't make me get my curling iron out for no reason.

I want to marry your sister,” he announced after he and Rupert had consumed the better part of a chicken, along with mashed potatoes, gravy, and corn, at the simple table in Rupert’s kitchen. Lily had no illusions that Caleb meant what he said. It was just that even he wouldn’t have the gall to stand there flat-footed and tell Rupert he wanted to keep his sister as a mistress. He and Rupert each took a cigar and lit up. “Don’t I have anything to say about this?” Lily demanded, slamming the cast-iron skillet she’d been about to scour back onto the stove top. Caleb leaned forward in the fog of blue smoke that curled between him and Rupert and said confidentially, “I’ve compromised her, you see. There’s nothing to do but tie the knot before she’s ruined.” Lily would have exploded if she hadn’t been so surprised at Rupert’s reaction. He should have been angry—outraged, even—but he only sat back in his chair and puffed on that damnable cigar. “I see,” he said. “I will not marry this—this pony soldier!” Lily raved. “He’s only fooling, anyway! Do you hear me, Rupert? There will be no wedding!” Rupert assessed her thoughtfully. “Is it true that he’s compromised you?” Lily’s face was red as an ember. She couldn’t have answered that question to save her life. “There might be a child,” he reasoned. “Did you ever think of that?” “Yes,” Caleb collaborated. “Did you ever think of that?” Lily groped for a chair and sank into it. Pregnancy was a possibility she hadn’t once considered. She’d been too wrapped up in her problems for that. “Shut up, both of you,” she murmured, feeling ill. “I think you’d better marry the major,” said Rupert. “I think I’d sooner marry the devil,” countered Lily. Caleb chuckled. “Isn’t she beautiful?” Rupert frowned. “Personally, I think she needs a spanking.” “I agree,” said Caleb. “Will you two please stop talking about me as if I weren’t here? And it would take a bigger man than either of you to get the best of me.” Caleb leaned forward in his chair. “Is that a challenge?” “No,” Lily said, and the word took a great piece of her pride with it as it left her mouth. “I thought not,” said Caleb.

I want to marry your sister,” he announced after he and Rupert had consumed the better part of a chicken, along with mashed potatoes, gravy, and corn, at the simple table in Rupert’s kitchen. Lily had no illusions that Caleb meant what he said. It was just that even he wouldn’t have the gall to stand there flat-footed and tell Rupert he wanted to keep his sister as a mistress. He and Rupert each took a cigar and lit up. “Don’t I have anything to say about this?” Lily demanded, slamming the cast-iron skillet she’d been about to scour back onto the stove top. Caleb leaned forward in the fog of blue smoke that curled between him and Rupert and said confidentially, “I’ve compromised her, you see. There’s nothing to do but tie the knot before she’s ruined.” Lily would have exploded if she hadn’t been so surprised at Rupert’s reaction. He should have been angry—outraged, even—but he only sat back in his chair and puffed on that damnable cigar. “I see,” he said. “I will not marry this—this pony soldier!” Lily raved. “He’s only fooling, anyway! Do you hear me, Rupert? There will be no wedding!” Rupert assessed her thoughtfully. “Is it true that he’s compromised you?” Lily’s face was red as an ember. She couldn’t have answered that question to save her life. “There might be a child,” he reasoned. “Did you ever think of that?” “Yes,” Caleb collaborated. “Did you ever think of that?” Lily groped for a chair and sank into it. Pregnancy was a possibility she hadn’t once considered. She’d been too wrapped up in her problems for that. “Shut up, both of you,” she murmured, feeling ill. “I think you’d better marry the major,” said Rupert. “I think I’d sooner marry the devil,” countered Lily. Caleb chuckled. “Isn’t she beautiful?” Rupert frowned. “Personally, I think she needs a spanking.” “I agree,” said Caleb. “Will you two please stop talking about me as if I weren’t here? And it would take a bigger man than either of you to get the best of me.” Caleb leaned forward in his chair. “Is that a challenge?” “No,” Lily said, and the word took a great piece of her pride with it as it left her mouth. “I thought not,” said Caleb. “Don’t push your luck,” said Lily. Nothing

I sit her at the vanity in Sawyer’s bathroom and go to work putting big loose curls into Sandra’s hair. “Who is Everly trying to set you up with?” Chloe asks her, while digging through my makeup bag, so she misses the startled expression on Sandra’s face. “What?” Sandra’s eyes dart over to Chloe. “She’s setting you up, you know that, right?” Chloe, finding my hand lotion, looks up. “I’m not setting anyone up.” I shake my head. I’m not. I’m merely creating opportunities. “She put me on a dating site without telling me.” Chloe squeezes some lotion out of the tube and rubs her hands together. I don’t think she needs the lotion. I think she was just looking for an excuse to rub her hands together in glee over having someone new to share my wrongdoings with. “Sent me on a date I didn’t even know I was on,” she adds. “One time. That happened one time.” I unplug the curling iron, wrapping the cord around the handle. “Just make sure it doesn’t happen again.” “It won’t!

Standing in front of my bathroom mirror while music blares from my speakers, I wipe away the third crooked line I’ve drawn beneath my eye. My hands are shaking, damn it. Starting senior year of high school and seeing my boyfriend after a summer apart shouldn’t be so nerve-racking, but I’ve gotten off to a disastrous start. First, my curling iron sent up smoke signals and died. Then the button on my favorite shirt popped off. Now, my eyeliner decides it has a mind of its own. If I had any choice in the matter, I’d stay in my comfy bed and eat warm chocolate chip cookies all day.

BLOOD ORANGE MIMOSAS Hands-on: 10 min. Total: 12 min. We love the color blood oranges give this classic brunch cocktail. A dash of bitters adds depth. Look for orange bitters—such as Fee Brothers or Stirrings— at liquor stores or specialty grocers. The sugar cube dissolves as you sip, balancing the bitters and giving of bubbles for a festive touch. Juice the oranges and keep chilled up to a day ahead. 12 sugar cubes 1 ⁄ 2 teaspoon blood orange bitters or angostura bitters 1 7 1 ⁄ 2 cups sparkling wine, chilled 3 cups fresh blood orange juice (about 6 oranges) blood orange rind curls (optional) 1. Place 1 sugar cube in each of 12 Champagne futes or slender glasses; add 1 drop bitters to each fute. Combine wine and juice. Divide wine mixture evenly among futes. Garnish with rind, if desired. SErVES 12 (serving size: about 3 ⁄ 4 cup) CalOriES 143; FaT 0g; prOTEiN 0g; CarB 11g; FiBEr 0g; CHOl 0mg; irON 0mg; SODiUM 0mg; CalC 5mg

Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.

None of them would ever forget the time they were going at it and she picked up a curling iron that she was using at the time and pressed it against his face.

I broke some part of you, didn’t I?” I name you Elentiya, “Spirit That Could Not Be Broken.” Aelin traced her metal-encrusted fingers over her palm. Where a scar should be. Where it still remained. Would always remain, even if she could not see it. Nehemia—Nehemia, who had given everything for Eyllwe. And yet… And yet, Nehemia had still felt the weight of her choices. Still wished to be free from her burdens. It had not made her weak. Not in the slightest. Cairn surveyed her chained body, assessing where he would begin. His breathing sharpened in anticipatory delight. Her hands curled into fists. Iron groaned. Spirit that could not be broken. You do not yield. She would endure it again, if asked. She would do it. Every brutal hour and bit of agony. And it would hurt, and she would scream, but she’d face it. Survive against it. Arobynn had not broken her. Neither had Endovier. She would not allow this waste of existence to do so now.

They drove into the residential area. The houses no longer looked the same to him. Whereas he would have categorized them as sort of humble in their opulence before—just big and grand and enough, not unwieldy in their extravagance, now they were a carnival show. The Craftsmans and Colonials and Federalists and Tudors of his youth were still there, but every third one had been razed to make way for something that looked like either a Frankenstein of architectural indecision or an effigy of an important building in another country: a huge expanse of a house that looked like an Italian palazzo or an English castle or the Taj Mahal or a Spanish villa made by someone who had only heard of those things but had never actually seen them. Or a mixed-media half-Tudor half-midcentury-modern disaster complete with a Texan ziggurat and a turret that made no sense. And the scale! Each lot of land in Middle Rock was inherently generous; the town code stated that houses have to sit on at least half an acre. The lots were still the same size, but now those houses were so large they encroached on the neighboring property lines. And the details were just atrocious: curling wrought-iron gates and shutters that couldn’t possibly work and stone-ish siding and my god, the columns: Corinthian, Doric, Ionic, tragic. Now here is a separate paragraph just for the doors. The doors on these homes were huge, at least two whole people high, like they led into a king’s chambers or the palace of an ancient ruin.

My lip curled into a smile. I had a chance at being happy for once in my life. She brought the wolf back to me. She brought me from the brink of losing myself, and she didn’t even know.

It was said that only in the second before death that you had a life defining moment of clarity. It was ironic and so very telling that his last vision, his last hope wasn't of a beautiful queen with long blonde hair and a neck dripping in jewels. It was of a wicked grin, and a cute smile, and the black curls that felt so good running through his fingers, and the full lips that felt even better

curling-iron bangs

With her snide remark, Ashley thrust the searing curling iron into Jane's vagina.

Curled tight as a caterpillar, his fingers laced through the bridle as if the touch of iron could ease his agony, he still flinched when the light struck his face.