Curl Single Quotes

We've searched our database for all the quotes and captions related to Curl Single. Here they are! All 100 of them:

He took something out of his jacket and handed it to her. It was a long thin dagger in a leather sheath. The hilt of the dagger was set with a single red stone carved in the shape of a rose. She shook her head. "I wouldn't even know how to use that--" He pressed it into her hand, curling her fingers around it. "You'd learn." He dropped his voice. "It's in your blood." She drew her hand back slowly. "All right." "I could give you a thigh sheath to put that in," Isabelle offered. "I've got tons." "CERTAINLY NOT," said Simon.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
This isn’t about romance. A proper kiss, a proper courtship. There’s a way these things should be done.” “For proper thieves?” The corners of her beautiful mouth curled and for a moment he was afraid she would laugh at him, but she simply shook her head and drew even nearer. Her body was the barest breath from his now. The need to close that scrap of distance was maddening. “The first day you showed up at my house for this proper courtship, I would have cornered you in the pantry,” she said. “But please, tell me more about Fjerdan girls.” “They speak quietly. They don’t engage in flirtations with every single man they meet.” “I flirt with the women too.” “I think you’d flirt with a date palm if it would pay you any attention.” “If I flirted with a plant, you can bet it would stand up and take notice. Are you jealous?” “All the time.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Now take a human body. Why wouldn't you like to see a human body with a curling tail with a crest of ostrich feathers at the end? And with ears shaped like acanthus leaves? It would be ornamental, you know, instead of the stark, bare ugliness we have now. Well, why don't you like the idea? Because it would be useless and pointless. Because the beauty of the human body is that is hasn't a single muscle which doesn't serve its purpose; that there's not a line wasted; that every detail of it fits one idea, the idea of a man and the life of a man.
Ayn Rand (The Fountainhead)
The Stars. Jared slept beneath them, uneasy in the rustling leaves. From the battlements Finn gazed up at them, seeing the impossible distances between galaxies and nebulae, and thinking they were not as wide as the distances between people. In the study Claudia sensed them, in the sparks and crackles on the screen. In the prison, Attia dreamt of them, She sat curled on the hard chair, Rix repacking his hidden pockets obsessively with coins and glass discs and hidden handkerchiefs. A single spark flickered deep in the coin Keiro spun and caught, spun and caught.
Catherine Fisher (Sapphique (Incarceron, #2))
Keefe?' Amy repeated, her lips curling into a grin. 'He's the supercute blonde guy you picked up cookies for, right? The one who keeps staring at you all intense when I met him, like you were the only person that mattered to him in the entire universe?' Someone coughed near the doorway. It was probably Grady, maybe Edaline too, but Sophie decided she would rather not know who was eavesdropping. 'He doesn't stare at me like that,' she said, hoping her cheeks weren't blushing too badly. It didn't help that Ro kept cackling beside her. ... 'I swear, you have no idea how lucky you are, getting to be around so many gorgeous boys all the time. I don't know how you haven't dated any of them--or have you?' 'She tried with Fitzy,' Ro answered for her. 'But then she realized he was too boring, so they broke up.' 'That's not what happened!' Sophie argued--over lots more coughing from the doorway. 'We didn't really date. We just sort of... liked each other... openly. But then it got super complicated, so we decided to focus on being friends. ... Why are we talking about this?' Sophie asked ... 'Because it's fun watching you get all red and fidgety!' Amy told her. 'Plus, there's a chance our boy is somewhere nearby, listening to this conversation,' Ro added before she raised her voice to a shout. 'Hear that, Hunkyhair? Get your overdramatic butt back here! Your girl is single--and the great Foster Oblivion is over! This is what you've been waiting for!' 'Hunkyhair?' Amy asked, raising one eyebrow as Sophie contemplated smothering herself with her blankets. 'Great Foster Oblivion?' 'Never mind,' Sophie mumbled, sinking deeper into her blankets.
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
Are you lecturing me again, Orion? Is that what this is?' ... 'I would never dream of lecturing you. I just thought it was interesting to think about.' 'Mmm-hmm. And how many times did you practice how you'd phrase this little gem of wisdom when you told me/' He runs a had through his thick, dark curls. 'Ah, umm...who says I practiced it?' I raise a single eyebrow at him. 'Two. Maybe three. Five. Not more that five
Kiersten White (The Chaos of Stars)
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me. He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late. "Your hands," I croak. "My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering. What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth. "Tris," he says, speaking against my fingers. "I'm all right." "Why were you there?" I ask, letting my hand drop. "I was coming back from the control room. I heard a scream." "What did you do to them?" I say. "I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say." "He's in bad shape?" "He'll live," he replies. He adds bitterly, "In what condition, I can't say." It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm. "Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead. Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful. "I could report this," he says. "No," I reply. "I don't want them to think I'm scared." He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that." "You think it would be a bad idea if I sat up?" "I'll help you." Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan. He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
Veronica Roth (Divergent (Divergent, #1))
if they didn’t have wood or kindling, they curled against one another, barely touching, but by morning, they’d be pressed together, breathing in tandem, cocooned in muzzy sleep, a single crescent moon.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Cheeks flushed, I was completely and utterly unprepared for what the half-naked man in front of me did next. Aaron’s eyes twinkled under the Spanish sun, one corner of his lips curled, gifting me with a full-fledged smirk, and then he winked. A single, quick, playful wink.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
There are times the lies get to me, times I weary of battering myself against the obstacles of denial, hatred, fear-induced stupidity, and greed, times I want to curl up and fall into the problem, let it sweep me away as it so obviously sweeps away so many others. I remember a spring day a few years ago, a spring day much like this one, only a little more sun, and warmer. I sat on this same couch and looked out this same window at the same ponderosa pine. I was frightened, and lonely. Frightened of a future that looks dark, and darker with each passing species, and lonely because for every person actively trying to shut down the timber industry, stop abuse, or otherwise bring about a sustainable and sane way of living, there are thousands who are helping along this not-so-slow train to oblivion. I began to cry. The tears stopped soon enough. I realized we are not so outnumbered. We are not outnumbered at all. I looked closely, and saw one blade of wild grass, and another. I saw the sun reflecting bright off the needles of pine trees, and I heard the hum of flies. I saw ants walking single file through the dust, and a spider crawling toward the corner of the ceiling. I knew in that moment, as I've known ever since, that it is no longer possible to be lonely, that every creature on earth is pulling in the direction of life--every grasshopper, every struggling salmon, every unhatched chick, every cell of every blue whale--and it is only our own fear that sets us apart. All humans, too, are struggling to be sane, struggling to live in harmony with our surroundings, but it's really hard to let go. And so we lie, destroy, rape, murder, experiment, and extirpate, all to control this wildly uncontrollable symphony, and failing that, to destroy it.
Derrick Jensen
Thomas looked like someone's painting of the forgotten Greek god of body cologne. He had long hair so dark that light itself could not escape it, and even fresh from the shower it was starting to curl. His eyes were the color of thunderclouds, and he never did a single moment of exercise to earn the gratuitous amount of ripple in his musculature. He was wearing jeans and no shirt--his standard household uniform. I once saw him answer the door to speak to a female missionary in the same outfit, and she'd assaulted him in a cloud of forgotten copies of The Watchtower. The tooth marks she left had been interesting.
Jim Butcher (Dead Beat (The Dresden Files, #7))
What. Are. Thooooooose?" the walrus moaned. On the holo-screen airing the happenings in Genevieve Square, a swarm of scorpspitters released by the Glass Eyes was scuttling toward Alyss and the other. Never before had a Wonderlander seen these scorpion-like contraptions that could bullets of deadly poison from their "tails"--not even Bibwit, who assumed they were the latest in a long line of armaments invented by Redd. But before a single scorpspitter curled its tail into a C to take aim at the queen, she imagined into existance a horde of disembodied boots with steel-plated soles, which hovered monetarily in the air, then-- With a slight nod, she brought them down hard, stomping the scorpspitters flat, squishing their armor-crapaces and making absract art of their wiry guts. Ooh, now why can't Queen Alyss do that to the Glass Eyes?" the walrus-bulter cried.
Frank Beddor (Seeing Redd)
He'd caught only a few brief glimpses of her without the mask over the course of the day, but he could see her clearly now, an outrageously beautiful woman who vibrated with energy. With her dark hair now an unbound mass of curls falling softly around her shoulders, full mouth curved in a smile, dark eyes sparkling, she was the kind of woman who stirred a man's blood. He couldn't tear his gaze away.
Sara Desai (The Singles Table (Marriage Game, #3))
This wasn’t to say that Julie had perfected only the major, most obvious dating milestones, however. She also knew how to finesse the subtler moments—those key moments where the breath caught and you thought, Yes, this. Julie could explain every single nuance, from the toe-curling euphoria when his hand brushed yours to the tingle when eyes held for just a beat too long. And then there was her personal favorite moment: the bone-deep satisfaction when you made him laugh for the first time—a real laugh.
Lauren Layne (After the Kiss (Sex, Love & Stiletto, #1))
By the time the plan's wheels touched down on a desolate stretch of desert runway, the sun had cleared a ridge of mountains and revealed a land the color of dust. The single building that served as a terminal was squat and seemingly of the same dust. The Middle East? Eliza wondered. Tattooine? A sign, handpainted, was illegible in exotic, curling letters. Arabic, at a guess. That probably eliminated Tattooine.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
There was a single golden hair on the pillow, curled in on itself as if asleep. Simon picked it up carefully, then lay down still holding it, his head in its place. The bed was cold, but it still smelled warm, like Matt.
J.L. Merrow
She seated herself on a dark ottoman with the brown books behind her, looking in her plain dress of some thin woollen-white material, without a single ornament on her besides her wedding-ring, as if she were under a vow to be different from all other women; and Will sat down opposite her at two yards' distance, the light falling on his bright curls and delicate but rather petulant profile, with its defiant curves of lip and chin. Each looked at the other as if they had been two flowers which had opened then and there. Dorothea for the moment forgot her husband's mysterious irritation against Will: it seemed fresh water at her thirsty lips to speak without fear to the one person whom she had found receptive; for in looking backward through sadness she exaggerated a past solace.
George Eliot (Middlemarch)
When I heard this story, I made the only good decision I had made for months: I enrolled in the university counseling service. I was assigned to a sprightly middle-aged woman with tight curls and sharp eyes, who rarely spoke in our sessions, preferring to let me talk it out, which I did, week after week, month after month. The counseling did nothing at first—I can’t think of a single session I would describe as “helpful”—but their collective power over time was undeniable. I didn’t understand it then, and I don’t understand it now, but there was something nourishing in setting aside that time each week, in the act of admitting that I needed something I could not provide for myself.
Tara Westover (Educated)
Why Roses Crave Thorns" Petals detach from a wilting bud—a single stem plucked before fully blossomed. They descend in hesitant swirls, too soft and limp to shatter like teardrops. One by one they light to blanket a single shadow below. She is a rose, young and innocent, with beauty incomparable to shame all others. She has flowered enough to stop the observer in his tracks, awestruck. He is compelled to reach out and touch. The petals delight at a silken caress, her bud everything desirable but defenseless—without a sharp edge to make an admirer pause, to warn the intrusive hand. ‘Stay back! Stay back!’ His fingers curl around the stem to tug, and suddenly the rose craves a thorn. It is madness not to want her and yet madness to cut her down. Let the flower thrive and blush to someday flaunt layers of silken favors! But the world will not have it. A single stem is severed in a selfish moment of desire—a yearning to hold and possess. Alone and forgotten her petals cry, raining in hesitant swirls where they accumulate to blanket her shadow below. Dry, withered, craving the thorns. Beautiful no more.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Her father would return from China. He’d come back with all his soldiers. He’d pick her up in his strong arms and say that he’d never meant to leave, that he hadn’t meant to sail away and leave her and her mother alone in the canals of the Drowned Cities as the Army of God and the UPF and the Freedom Militia came down like a hammer on every single person who’d ever trafficked with the peacekeepers. A stupid little dream for a stupid little war maggot. Mahlia hated herself for dreaming it. But sometimes she curled in on herself and held the stump of her right hand to her chest and pretended that none of it had happened. That her father was still here, and she still had a hand, and everything was going to get better.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
True that life is given, And received. But truer still: The single-act of giving Makes the offerer the beggar, too— For when down on the knees The man (or god) stretches the arms In giving, It is no accident the hands Are curled like bowls or cups, For he offers self, yet Begs it back again.
Edith L. Tiempo (An Edith Tiempo Reader)
Vargo climbed in, twisted and turned a few times to get comfortable on the pillow, then pulled the lid down and latched it. As the eye of narrative drew back from the coffin on its stand, two things happened. One happened comparatively slowly, and this was Vargo's realization that he never recalled the coffin having a pillow before. The other was Greebo deciding that he was as mad as hell and wasn't going to take it any more. He'd been shaken around in the wheely thing and then sat on by Nanny, and he was angry about that because he knew, in a dim, animal way, that scratching Nanny might be the single most stupid thing he could do in the whole world, since no one else was prepared to feed him. This hadn't helped his temper. Then he'd encountered a dog, which had tried to lick him. He'd scratched and bitten it a few times, but this had had no effect apart from encouraging it to try to be more friendly. He'd finally found a comfy resting place and had curled up into a ball, and now someone was using him as a cushion- There wasn't a great deal of noise. The coffin rocked a few times, and then pivoted around.
Terry Pratchett (Carpe Jugulum (Discworld, #23; Witches, #6))
Sebastian pulled her into his arms, and planted a kiss on her lips that made her toes curl. Heat and hunger combined with a teasing, caressing sense of mastery. This DeMarco had her number, all right. For all his fierce discipline, this was a man who took his time making love to a woman. He could make a single kiss last for hours.
Carol Storm (DeMarco's Captive)
It wasn't just the way he always looked at her- with a mix of genuine joy and longing rolled into one- or his appearance, although he wasn't hard on the eyes with those rippling pectorals. She found herself drawn to those kind blue eyes and the hard line of his jaw, which moved when he was thinking. It was the dimples in his cheeks when he flashed her that magnetic smile, and the way his reddish blond hair had a single curl that was always falling in front of his eyes. But mostly it was that earnest nature of his, and his need to find the good in every situation, which was so different from how she viewed life, and gave her hope that the world could be more than she imagined it to be.
Jen Calonita (Go the Distance)
DARCYBUTT: How can the entirety of your hair be as straight as a limp noodle except for one single curl smack in the middle of your forehead? I laugh. Eight games to go.
Ali Hazelwood (Check & Mate)
There was something strangely naked about it...and after a second I realized why. It wasn't just the lack of clutter and the minimalist décor...but the fact that there wasn't a single book in the whole place. It didn't even feel like a holiday cottage - every place I've ever stayed in has had a shelf of curling Dan Browns and Agatha Christies. It felt more like a show home.
Ruth Ware (In a Dark, Dark Wood)
enrolled in the university counseling service. I was assigned to a sprightly middle-aged woman with tight curls and sharp eyes, who rarely spoke in our sessions, preferring to let me talk it out, which I did, week after week, month after month. The counseling did nothing at first—I can’t think of a single session I would describe as “helpful”—but their collective power over time was undeniable. I didn’t understand it then, and I don’t understand it now, but there was something nourishing in setting aside that time each week, in the act of admitting that I needed something I could not provide for myself.
Tara Westover (Educated)
Being a woman is a pain in the ass. You have to look “good.” Your hair needs to be neat—not just combed through, but “done.” Blow-dried, ironed, curled, sprayed. Your face needs to be enhanced. Foundation, powder, eye shadow, mascara, lipstick, blush, contour. Your clothes have to look sharp, too. And you can never wear the same thing twice—at least not in the same week. A guy can throw on the same suit every single day for a year and no one would notice. I’m not exaggerating. An Australian broadcaster tested it out. His coanchor, a woman, kept getting letters, e-mails, and tweets from viewers criticizing what she was wearing. He was appalled. He never got notes. So he wore the same blue suit day in and day out. Three hundred sixty-five days. Surely someone would complain. No one did. “No one has noticed,” he said at the time. “No one gives a shit.
Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
I'm pulled, pushed and then I find my back against a wall. Eagan's taut frame is bent toward mine, and my body is arched toward his. We create a peculiar sculpture of opposite forces. He cups my face in his palms and makes me look up at him. His lips are so close to mine, that I feel the whisper of his breath against my mouth; I smell mint and a hint of beer. I desire a kiss so desperately, my body is humming with longing. I curl my fingers around his wrists. “I hate fighting with you,” he admits huskily. “I know. Me too.” “I need to hold you.” I nod and let him fold his arms around me. I bury my face against his chest and utter soft sounds of contentment as his warmth leaks into my skin. I glance at our shadows painted on the gravel by darkness and streetlights; we're not opposite forces any longer, we're one single being. ("A Veil of Glass and Rain")
Petra F. Bagnardi (A Veil of Glass and Rain)
How long have you been there?” He stroked a damp curl off her forehead and pressed a single soft kiss to the pulse racing at the base of her throat. “Just got there. You okay?” Lord, the things he could do her with those lips. “Y—yes.” “Sure?” “Uh-huh.” She tried to look innocent. Like maybe she always just sat around. On a washer. While it was running. “Why?” “Because you’re all breathless and a little sweaty.” His eyes were darkening, his voice lowering in timbre. “And you’re sitting on a washer.
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
Anna’s attention was focused on a single patient. Ariadne Bridgestock lay quietly against the white pillows. Her eyes were shut, and her rich brown skin was ashen, stretching tightly over the branching black veins beneath her skin. Anna slipped in between the screens surrounding Ariadne’s cot, and Cordelia followed, feeling slightly awkward. Was she intruding? But Anna looked up, as if to assure herself that Cordelia was there, before she knelt down at the side of Ariadne’s bed, laying her walking stick on the floor. Anna’s bowed shoulders looked strangely vulnerable. One of her hands dangled at her side: she reached out the other, fingers moving slowly across the white linen sheets, until she was almost touching Ariadne’s hand. She did not take it. At the last moment, Anna’s fingers curled and dropped to rest, beside Ariadne but not quite touching. In a low and steady voice, Anna said, “Ariadne. When you wake up—and you will wake up—I want you to remember this. It was never a sign of your worth that Charles Fairchild wanted to marry you. It is a measure of his lack of worth that he chose to break it off in such a manner.” “He broke it off?” Cordelia whispered. She was stunned. The breaking off of a promised engagement was a serious matter, undertaken usually only when one of the parties in question had committed some kind of serious crime or been caught in an affair. For Charles to break his promise to Ariadne while she lay unconscious was appalling. People would assume he had found out something dreadful about Ariadne. When she awoke, she might be ruined. Anna did not reply to Cordelia. She only raised her head and looked at Ariadne’s face, a long look like a touch. “Please don’t die,” she said, in a low voice, and rose to her feet. Catching up her walking stick, she strode from the infirmary, leaving Cordelia staring after her in surprise.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Now take a human body. Why wouldn't you like to see a human body with a curling tail with a crest of ostrich feathers at the end? And with ears shaped like acanthus leaves? It would be ornamental, you know, instead of the stark, bare ugliness we have now. Well, why don't you like the idea? Because it would be useless and pointless. Because the beauty of the human body is that it hasn't a single muscle which doesn't serve its purpose, you want to choke it with trimmings, you want to sacrifice its purpose to its envelope -- not knowing even why you want that kind of an envelope? You want it to look like a hybrid beast produced by crossing the bastards of ten different species until you get a creature without guts, without heart or brain, a creature all pelt, tail, claws and feathers? Why? You must tell me, because I've never been able to understand it.
Ayn Rand (The Fountainhead)
She didn't want to be that girl, the one curled up in a little ball. The one under the covers in the fetal position. She'd been there hundreds of times and every single time she'd told herself to stand up. This time, win or lose, if she just stood up, she had the very real opportunity, which would never come again, to be with a man she'd dreamt of.
Christine Feehan (Shadow Warrior (Shadow Riders, #4))
And under the fanning shade of the mango tree, as hands wove black curls into even rows, I heard all our voices begin to run together, the sound of three generations tumbling over each other like the currents of a slow-moving stream, my questions like rocks roiling the water, the breaks in memory separating the currents, but always the voices returning to that single course, a single story ….
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
My hands are shaking. he captures them and kisses my knuckles with a kind of reverence. ¨I want to tell you so many lies,¨ he says. I shudder, and my heart hammers as his hands skim over my skin,one sliding between my thighs. I mirror him, fumbling with the buttons of his breeches. He helps me push them down, his tail curling against his leg then twisting to coil against mine, soft as a whisper. I reach over to slide my hand over the flat plane of his stomach. I dont let myself hesitate, but my inexperince is obvious. His skin is hot under my palm, against my calluses. His fingers are too clever by half. I feel as though i am drowning in sensation. His eyes are open, watching my flushed face, my ragged breathing. I try to stop myself from making embarassing noises. Its more intimate than the way hes touching me, to be looked at like that. I hate that he knows what hes doing and i dont. I hate being vulnerable. I hate that I throw my head back, barring my throat. I hate the way i cling to him, the nails of one hand digging into his back, my thoughts splintering, and the single last thing in my head: that i like him better than ive ever liked anyone and that of all the things hes ever done to me, making me like him so much is by far the worst. pages 145-146
Holly Black (The Wicked King (The Folk of the Air, #2))
Lana started to make sounds, like the imprecations of a priestess, over the bills that the boy had given her. Whispered numerals and words floated upward from her coral lips, and, closing her eyes, she copied some figures onto a pad of paper. Her fine body, itself a profitable investment through the years, bent reverently over the Formica-top altar. Smoke, like incense, rose from the cigarette in the ashtray at her elbow, curling upward with her prayers, up above the host which she was elevating in order to study the date of its minting, the single silver dollar that lay among the offerings. Her bracelet tinkled, calling communicants to the altar, but the only one in the temple had been excommunicated from the Faith because of his parentage and continued mopping. An offering fell to the floor, the host, and Lana knelt to venerate and retrieve it.
John Kennedy Toole (A Confederacy of Dunces)
Violet turned in time to see Jay coming in. His grin was mischievous and wicked at the same time. She practically leaped into his arms as he closed the door behind him. He laughed against the top of her head. "I missed you too." She lifted her face to his, and he kissed her, his arms pulling her closer. "I just came to say good night," he said between hungry kisses. "So say it." He kissed her again, and then again, but he never said good night...or good-bye. "Good night," she finally whispered when his lips left hers. She was grateful ever single day that Jay had only been grazed by the first shot fired that night. Grateful that the wounded officer-the killer-in the hallway had been too dazed to fire straight. And even more grateful that her uncle had come around the corner in time to fire the second shot...the deadly one. Jay watched her, reading the thoughts clearly on her face. And then he smiled and lifted her into his arms, kissing her lightly on her forehead, her cheeks, her nose. "Maybe I can stay for a little while," he breathed as he finally found her lips. Violet knew that everything was going to be all right no. Jay was safe. The killer was dead. She curled into Jay as he pulled her down against his shoulder. Everything was better than all right-it was perfect.
Kimberly Derting (The Body Finder (The Body Finder, #1))
She had curled up with those books on more than one occasion, and yes, she had dreamt of a handsome, red-haired man of action, but it hadn’t been Dead-Eye Dan, drat it all. She’d dreamt of Daniel Barrett, the man who worked her father’s cattle, who trained the finest mules in the county, and whose sky-blue eyes could melt her heart with a single glance. Daniel Barrett had stolen her heart before she’d ever even heard of Dead-Eye Dan. “I
Karen Witemeyer (The Husband Maneuver (A Worthy Pursuit, #1.5))
Matteo didn't lick a woman's pussy because he felt obligated, or at the very least not mine. I might have argued he enjoyed it more than I did if he wasn't so damn good at it. That talented tongue explored every part of me, thrusting in and out until I whimpered. When he turned his attention to my clit, it was so he could slide a finger inside me. I clenched around him on a cry, feeling the way he moaned in response vibrate through me. He withdrew that finger, only to add a second and curl them to stroke that spot inside me that made me quiver. "Teo," I whimpered, and the sound of his name seemed to push him over the edge. He wrapped his lips around the bundle of nerves at the apex of my thigh, sucking gently. My legs tightened around his head; my hand buried in his hair to hold him exactly where I wanted him as I shattered in a blinding orgasm that stole my ability to function. I laid there, panting and trying to regain my ability to move. When I opened my eyes, it was to Matteo shoving his own underwear down his legs and kicking them off. He pulled his fingers free of me and spread my legs wide from where they'd wrapped around his head. Sliding up my body, his hips lined up with mine so he could grind his length against my wet core. His lips found mine in a bruising, claiming kiss that seemed even more primal because he tasted like me. He reached down, sliding himself through my wet and notching his head at my entrance. Pulling away from my lips, he groaned, "Tell me you're mine." Still recovering from my orgasm, I nodded in a daze. "Words, Angel. Give me the words." "Yours," I murmured, cupping his cheek with a delirious smile and tugging him down to kiss him again. He slid inside me slowly, filling me until there wasn't a single inch that couldn't feel him. "Fuck," he groaned against my mouth. He reached down, wrapping my legs around his hips. Our foreheads pressed together; our mouths not quite touching as he started to move inside me. Even without his lips on mine, I could taste him, taste me in his breath on my face. One of his hands grabbed mine, our fingers intertwining while he wrapped his other under my shoulder to hold me where he wanted me. He slid in and out in slow, hard thrusts.
Adelaide Forrest (Bloodied Hands (Bellandi Crime Syndicate, #1))
When I feel lonely, I scroll through Tinder and remind myself what I’m missing. Which is dudes with coconut-oiled beards all posing next to the same graffitied wall in Dumbo with profiles written entirely in emojis. And I remember that I’m not lonely. I’m alone. When I’m comatose from writing and mothering, when I’m hurting too badly to cook, talk, or smile, I curl up with ‘alone’ like a security blanket. Alone doesn’t care that I don’t shave my legs in the winter. Alone never gets disappointed by me.” Eva sighed. “It’s the best relationship I’ve ever been in.” “Are you speaking metaphorically,” asked Cece, “or are you dating a man named Alone?” “You can’t be serious.” “My doorman is a SoundCloud rapper named Sincere. One never knows.” “I like being single,” Eva continued quietly. “I don’t want anyone to have to really see me.” They sat in silence, Eva idly snapping the rubber band on her wrist.
Tia Williams (Seven Days in June)
Well?” pressed Amar. “Are we going or not?” We? I looked him over. The garland of red carnations hung limply around his neck. He held out his hand like a casual invitation, indifferent to the tumult outside the chambers. How could I trust him? What if he sold me to the enemies? He had no reason to protect me…unless I meant something to him. Something else guided my hands. Images flashing sideways--a different hand, a samite curtain. I was convinced that we owned this single moment, this sphere of breath, this heartbeat shared like a secret. I don’t know what possessed me, but I took the white garland and threw it around his neck. I stared at my hands, not quite believing what they’d done: With one throw, I had married him. Amar lifted the garland of white flowers and grinned. “I hoped you’d choose me.” The right corner of his lips curled faster than the left. It was such a small movement, but I couldn’t look away from it. His smile was disjointed, like he was out of practice.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
I was broken too, Dalton. Shattered. Unsalvageable.” My gaze falls to her lips, watching as they curl upward into a timid smile. “Until the day I met you, that is. The day that every single one of my fractured pieces permanently fused with yours, rebuilding me with renewed strength so I could stand strong and fight for you.” She shakes her head. “I won’t give up on you. I will never stop believing in you. And I will continue to fight for you until the day I die because without you here” – she brings my palm to her chest – “I do not exist.
L.B. Simmons (Under the Influence (Chosen Paths, #2))
For as long as I can remember, I’ve always been a cat guy. Every night as I go to sleep, I have this particular fantasy I indulge in. Most men dream about naked women, but not me. I dream about being isolated in a mountainous forest in the middle of winter, and all I have to stay warm is a single blanket and a cat. In my mind I curl up like a ball with Cap’n tucked in close as we keep each other warm despite the fierce winds raging like a bull around us. Then, after about five minutes of this, we are rescued by a helicopter full of nude models.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
The Wheel Revolves You were a girl of satin and gauze Now you are my mountain and waterfall companion. Long ago I read those lines of Po Chu I Written in his middle age. Young as I was they touched me. I never thought in my own middle age I would have a beautiful young dancer To wander with me by falling crystal waters, Among mountains of snow and granite, Least of all that unlike Po’s girl She would be my very daughter. The earth turns towards the sun. Summer comes to the mountains. Blue grouse drum in the red fir woods All the bright long days. You put blue jay and flicker feathers In your hair. Two and two violet green swallows Play over the lake. The blue birds have come back To nest on the little island. The swallows sip water on the wing And play at love and dodge and swoop Just like the swallows that swirl Under and over the Ponte Vecchio. Light rain crosses the lake Hissing faintly. After the rain There are giant puffballs with tortoise shell backs At the edge of the meadow. Snows of a thousand winters Melt in the sun of one summer. Wild cyclamen bloom by the stream. Trout veer in the transparent current. In the evening marmots bark in the rocks. The Scorpion curls over the glimmering ice field. A white crowned night sparrow sings as the moon sets. Thunder growls far off. Our campfire is a single light Amongst a hundred peaks and waterfalls. The manifold voices of falling water Talk all night. Wrapped in your down bag Starlight on your cheeks and eyelids Your breath comes and goes In a tiny cloud in the frosty night. Ten thousand birds sing in the sunrise. Ten thousand years revolve without change. All this will never be again.
Kenneth Rexroth (Collected Shorter Poems)
But soon Flush became aware of the more profound differences that distinguish Pisa—it was in Pisa that they were now settled—from London. The dogs were different. In London he could scarcely trot round to the pillar-box without meeting some pug dog, retriever, bulldog, mastiff, collie, Newfoundland, St. Bernard, fox terrier or one of the seven famous families of the Spaniel tribe. To each he gave a different name, and to each a different rank. But here in Pisa, though dogs abounded, there were no ranks; all—could it be possible?—were mongrels. As far as he could see, they were dogs merely—grey dogs, yellow dogs, brindled dogs, spotted dogs; but it was impossible to detect a single spaniel, collie, retriever or mastiff among them. Had the Kennel Club, then, no jurisdiction in Italy? Was the Spaniel Club unknown? Was there no law which decreed death to the topknot, which cherished the curled ear, protected the feathered foot, and insisted absolutely that the brow must be domed but not pointed? Apparently not. Flush felt himself like a prince in exile. He was the sole aristocrat among a crowd of canaille. He was the only pure-bred cocker spaniel in the whole of Pisa.
Virginia Woolf (Flush)
A snap and roar of fury echoed across the lands, scattering the birds. When I climbed out of the tree and walked into the little clearing, I merely crossed my arms and looked up at the High Lord, dangling by his legs from the snare I’d laid. Even upside down, he smiled lazily at me as I approached. “Cruel human.” “That’s what you get for stalking someone.” He chuckled, and I came close enough to dare stroke a finger along the silken golden hair dangling just above my face, admiring the many colors within it—the hues of yellow and brown and wheat. My heart thundered, and I knew he could probably hear it. But he leaned his head toward me, a silent invitation, and I ran my fingers through his hair—gently, carefully. He purred, the sound rumbling through my fingers, arms, legs, and core. I wondered how that sound would feel if he were fully pressed up against me, skin-to-skin. I stepped back. He curled upward in a smooth, powerful motion and swiped with a single claw at the creeping vine I’d used for rope. I took a breath to shout, but he flipped as he fell, landing smoothly on his feet. It would be impossible for me to ever forget what he was, and what he was capable of. He took a step closer to me, the laughter still dancing on his face. “Feeling better today?” I
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.
Virginia Woolf (Orlando)
He was the drop-dead-toe-curling-panty-melting-alpha variety. His deep-set green eyes were hypnotic, with ridiculously thick lashes that would’ve looked odd on a guy yet surprisingly looked arresting on him. He had a chiseled jawline, a strong, masculine nose and a sensual mouth that lived to its promise. Physically, he was a ten. But he was so much more than a handsome face. Those olive orbs blazed with obvious intelligence and undeniable confidence.He radiated an intense aura of danger and ruthlessness. A devilish, ‘I-don’t-care-what-people-think-of-me’ air. In her mind’s eye she could imagine him walking in a room full of people and every single one would be compelled to watch his every move.
Kat Madrid (Lonzo)
In 1994 another bombshell was dropped. Edward Witten of Princeton's Institute for Advanced Study and Paul Townsend of Cambridge University speculated that all five string theories were in fact the same theory-but only if we add an eleventh dimension. From the vantage point of the eleventh dimension, all five different theories collapsed into one! The theory was unique after all, but only if we ascended to the mountaintop of the eleventh dimension. In the eleventh dimension a new mathematical object can exist, called the membrane (e.g., like the surface of a sphere). Here was the amazing observation: if one dropped from eleven dimensions down to ten dimensions, all five string theories would emerge, starting from a single membrane. Hence all five string theories were just different ways of moving a membrane down from eleven to ten dimensions. (To visualize this, imagine a beach ball with a rubber band stretched around the equator. Imagine taking a pair of scissors and cutting the beach ball twice, once above and once below the rubber band, thereby lopping off the top and bottom of the beach ball. All that is left is the rubber band, a string. In the same way, if we curl up the eleventh dimension, all that is left of a membrane is its equator, which is the string. In fact, mathematically there are five ways in which this slicing can occur, leaving us with five different string theories in ten dimensions.)
Michio Kaku (Physics of the Impossible)
Before that, before it was ever a hotel at all, five full centuries ago, it was the home of a wealthy privateer who gave up raiding ships to study bees in the pastures outside Saint-Malo, scribbling in notebooks and eating honey straight from combs. The crests above the door lintels still have bumblebees carved into the oak; the ivy-covered fountain in the courtyard is shaped like a hive. Werner’s favorites are five faded frescoes on the ceilings of the grandest upper rooms, where bees as big as children float against blue backdrops, big lazy drones and workers with diaphanous wings—where, above a hexagonal bathtub, a single nine-foot-long queen, with multiple eyes and a golden-furred abdomen, curls across the ceiling.
Anthony Doerr (All the Light We Cannot See)
I couldn't stop picturing you naked and wet." "If you knew the things you've done in my imagination..." "I touched myself while thinking of you." He groaned against her lips. "Jesus Christ, that's one of them." She whimpered in protest as his fingers withdrew from her body. He slid his hands to her bottom and lifted her off her feet, carrying her across the room, to where a floor-length mirror in a thick gilded frame stood propped against the wall. It must have been too heavy to move. He spun her to face it, positioning himself behind her. Their gazes locked in the mirrored reflection. His eyes were dark, fierce, demanding. "Show me." He yanked her skirts to her waist- frock, petticoat, chemise, and all- exposing her completely. "Show me how you touched yourself." Penny's heartbeat stalled. The gruff command both scandalized and excited her. With a rough flex of his arms, he hauled her to him. His erection throbbed against the small of her back. "Show me." Penny stared into the mirror. A bolder, naughtier version of herself gazed back. She placed a hand on her belly and eased it downward, until her fingertips disappeared into a thatch of amber curls. She hesitated, holding her breath. "More," he demanded. "I want to see you." His gruffness aroused her, but she wasn't intimidated. With him, she knew she was safe. She raised her free arm above her head, clasping his neck for balance and resting her head against his chest. He wrapped his arm about her torso, holding her tight and pinning her lifted skirts at the waist. Her joints softened, and her thighs fell slightly apart. "That's it. Spread yourself for me. Let me see." The woman in the mirror did as she was told, sending her fingers downward to part the pink, swollen folds of her sex. A single fingertip settled over the sensitive bud at the crest, circling gently. His ragged breath warmed her ear. "God, you're beautiful." She stared at the reflection, transfixed by the eroticism of the image within. She felt like a woman in a boudoir painting, flushed with desire and unashamed of her body's curves and shadows. Aware of the power she held, even in her vulnerable, naked state. As her excitement mounted, she strummed faster. She was panting, arching her back.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
He was a captain in the air force, and now he is CEO of a security company. I didn't have time to find out more about him, but I'm sure he can tell you anything you need to know." A wave of nausea crashed through Zara's gut when she recalled their conversation in the bar. I'll bet he's one of those wannabe military types who spends his weekends playing paintball with his geek friends, pretending he's the real deal. What had she been thinking? But that was the problem. She was always living in the moment, not thinking at all. "Thank you for your service," she mumbled, her cheeks burning. She could only hope he'd been as drunk as she'd been and didn't remember the slight. "Pleasure." The deep rumble of his voice made her toes curl. "I'm the real deal, after all.
Sara Desai (The Singles Table (Marriage Game, #3))
He gave her a slow, sensual smile and released her long enough to grab a condom and sheathe himself. "Open for me, sweetheart." His voice deepened, husky and low, with a delicious hint of rough. She did as he asked, anticipation curling in her belly. Jay knew what he was doing in bed and she liked him taking the lead. Instead of wondering what came next and where she should touch and what he might like, she could just let go. Feel instead of think. Calm the frenetic activity in her mind. He kissed his way down her body, his heated breath sending ripples of electricity over her skin. His hand touched between her thighs and he spread her moisture, gently teasing. When his finger brushed over her clitoris, the spark of sensation sent a flush of heat through her veins.
Sara Desai (The Singles Table (Marriage Game, #3))
Being a woman is a pain in the ass. You have to look “good.” Your hair needs to be neat—not just combed through, but “done.” Blow-dried, ironed, curled, sprayed. Your face needs to be enhanced. Foundation, powder, eye shadow, mascara, lipstick, blush, contour. Your clothes have to look sharp, too. And you can never wear the same thing twice—at least not in the same week. A guy can throw on the same suit every single day for a year and no one would notice. I’m not exaggerating. An Australian broadcaster tested it out. His coanchor, a woman, kept getting letters, e-mails, and tweets from viewers criticizing what she was wearing. He was appalled. He never got notes. So he wore the same blue suit day in and day out. Three hundred sixty-five days. Surely someone would complain. No one did.
Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
The dogs skittered across the wet blacktop as silently as cockroaches, each so small it amazes me that they hadn’t been squashed underfoot. Easy to love. Easy to kill. I thought again of Ping Xi’s stuffed dogs, the preposterous myth of his industrial dog-killing freezer. A tight sheet of wind slapped me in the face. I pulled the collar of my fur coat up around my throat, and I pictured myself as a white fox curling up in the corner of Ping Xi’s freezer, the room whirling with smoky air, swinging sides of cow creaking through the the hum of cold, my mind slowing down until single syllables of thought abstracted from their meanings and I heard them stretched out as long-held notes, like foghorns or sirens for a blackout curfew or an air raid. “This has been a test.” I felt my teeth chatter but my face was numb. Soon. The freezer sounded really good.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Adam Parrish. This was how it had begun: Ronan Lynch had been in the passenger seat of Richard Campbell Gansey III's bright orange '73 Camaro, hanging out the window because walls couldn't hold him. Little historic Henrietta, Virginia, curled close, trees and streetlights alike leaning in as if to catch the conversation down below. What a pair the two of them were. Gansey, searching desperately for meaning. Ronan, sure that he wouldn't find any. Voted most and least likely to succeed, respectively, at Aglionby Academy, their shared high school. Those days, Gansey was the hunter and Ronan the hawkish best friend kept hooded and belled to prevent him tearing himself to shreds with his own talons. This was how it had begun: a student walking his bike up the last hill into town, clearly headed the same place they were. He wore the Aglionby uniform, although as they grew closer Ronan saw it was threadbare in a way school uniforms couldnt manage in a single year's use--secondhand. His sleeves were pushed up and his forearms were wiry, the thin muscles picked out in stark relief. Ronan's attention stuck on his hands. Lovely boyish hands with prominent knuckles, gaunt and long like his unfamiliar face. "Who's that?" Gansey had asked, and Ronan hadn't answered, just kept hanging out the window. As they passed, Adam's expression was all contradictions: intense and wary, resigned and resilient, defeated and defiant. Ronan hadn't known anything about who Adam was then and, if possible, he'd known even less about who he himself was, but as they drove away from the boy with the bicycle, this was how it had begun: Ronan leaning back against his seat and closing his eyes and sending up a simple, inexplicable, desperate prayer to God: Please.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
Remove this quote from your collection “The dogs skittered across the wet blacktop as silently as cockroaches, each so small it amazes me that they hadn’t been squashed underfoot. Easy to love. Easy to kill. I thought again of Ping Xi’s stuffed dogs, the preposterous myth of his industrial dog-killing freezer. A tight sheet of wind slapped me in the face. I pulled the collar of my fur coat up around my throat, and I pictured myself as a white fox curling up in the corner of Ping Xi’s freezer, the room whirling with smoky air, swinging sides of cow creaking through the the hum of cold, my mind slowing down until single syllables of thought abstracted from their meanings and I heard them stretched out as long-held notes, like foghorns or sirens for a blackout curfew or an air raid. “This has been a test.” I felt my teeth chatter but my face was numb. Soon. The freezer sounded really good.
Ottessa Moshfegh (My Year of Rest and Relaxation)
She murmured, “Keeping me alive…intact…just so I can work their damned stele and get Cohort blood…all over my hands. Gun to your neck…blood on my hands…saints against God.” “Don’t talk,” said Crown roughly. “You’re spouting nonsense.” “You haven’t talked sense in months.” She burbled with coughing again. “You’re the one facing the dark night of the soul, Princess.” “Love that melodrama. Is there Eighth somewhere in your family tree?” “Gave yourself up… gave all of us up…for what? Propaganda and a leash…promise of salvation without understanding the sin. Hect and the hideous Sixth House mechanism…and now they are taken too. For what? Our lives? Is this living, Corona?” “You’ve never lived a single day in your life,” said Corona bitterly. “It’d be against regulations.” The Captain said, “Name and rank: Captain Judith Deuteros. House…Second,” and Crown scrubbed at her face with her hand, little licks of hair escaping from their elastic and curling over her forehead like light. The Captain broke off and said, “You think you’re walking the tightrope with fast talking and your face…steeled myself to the talking long ago. But you’re slipping, Princess…can’t save you from that…Hect, my hands are too filthy to save you…” It was funny to think of anyone wanting to save Camilla. The Captain’s eyes passed restlessly to Nona. Sweat was beading on her temples. The Captain focused, and said hoarsely, “Ninth, where is the mercy of the Tomb? Where is your sword in the coffin? Who are your masters now, and who do you master? Where is my cavalier, Reverend Daughter? Where is yours?” Her voice rose. “Because I saw her—in the waves—she was there in the grey water—I saw them all—they hurt me—where is my hunger? I eat and eat and eat without surcease, my green thing, my green-and-breathing thing…
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
His heart was like a sensitive plant, that opens for a moment in the sunshine, but curls up and shrinks into itself at the slightest touch of the finger, or the lightest breath of wind. And, upon the whole, our intimacy was rather a mutual predilection than a deep and solid friendship, such as has since arisen between myself and you, Halford, whom, in spit of your occasional crustiness, I can liken to nothing so well as an old coat, unimpeachable in texture, but easy and loose - that has conformed itself to the shape of the wearer, and which he may use as he pleases, without being bothered with the fear of spoiling it; whereas Mr. Lawrence was like a new garment, all very neat and trim to look at, but so tight in the elbows that you would fear to split the seams by the unrestricted motion of your arms, and so smooth and fine in surface that you scruple to expose it to a single drop of rain.
Anne Brontë (The Tenant of Wildfell Hall)
What about the Valorian children?” she demanded. “What have you done with them? Have they been poisoned, too?” “No. Kestrel, no, of course not. They will be cared for. In comfort. By their nurses. This was always part of the plan. Do you think we’re monsters?” “I think you are.” Arin’s fingers curled against the door. He shoved it open. He led her to the dressing room, opened the wardrobe, and riffled through her clothes. He pulled out a black tunic, leggings, and jacket and thrust them at Kestrel. Coolly she said, “This is a ceremonial fighting uniform. Do you expect me to fight a duel on the docks?” “You’re too noticeable.” There was something strange about his voice. “In the dark. You…you look like an open flame.” He found another black tunic and tore it between his hands. “Here. Wrap this around your hair.” Kestrel stood still, the black cloth limp in her arms as she remembered the last time she had worn such clothes. “Get dressed,” said Arin. “Get out.” He shook his head. “I won’t look.” “That’s right. You won’t, because you are going to get out.” “I can’t leave you alone.” “Don’t be absurd. What am I going to do, take back the city single-handedly from the comfort of my dressing room?” Arin dragged a hand through his hair. “You might kill yourself.” Bitterly, she said, “I should think it was clear from the way I let you and your friend push me around that I want to stay alive.” “You might change your mind.” “And do what, exactly?” “You could hang yourself with your dagger belt.” “So take it away.” “You’ll use clothes. The leggings.” “Hanging is an undignified way to die.” “You’ll break the mirror to your dressing table and cut yourself.” Again Arin’s voice seemed foreign. “Kestrel, I won’t look.” She realized why his words sounded rough. She had switched, at some point, to speaking in Valorian, and he had followed her. It was his accent that she heard. “I promise,” he said. “Your promises are worth nothing.” Kestrel turned and began to undress.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Very few entities are powerful enough to create Patinas, and those that can guard them closely. The library is here. But Arriane’s right. We’ll need to figure out the way in.” “I heard you need an Announcer to get through one,” Arriane said. “Cosmic legend.” Annabelle shook her head. “Every Patina is different. Access is entirely up to the creator. They program the code.” “I once heard Cam tell a story at a party about how he accessed a Patina,” Rolan said. “Or was that a story about a party that he threw in a Patina?” “Luce!” Daniel said suddenly, making all of them startle in midair. “It’s you. It was always you.” Luce shrugged. “Always me what?” “You’re the one who always rang the bell. You’re the one who had entry to the library. You just need to ring the bell.” Luce looked at the empty street, the fog tinting everything around them brown. “What are you talking about? What bell?” “Close your eyes,” Daniel said. “Remember it. Pass into the past and find the bellpull-“ Luce was already there, back at the library the last time she’d been in Vienna with Daniel. Her feet were firmly on the ground. It was raining and her hair splayed all across her face. Her crimson hair ribbons were soaked, but she didn’t care. She was looking for something. There was a short path up the courtyard, then a dark alcove outside the library. It had been cold outside, and a fire blazed within. There, in the musty corner near the door, was a woven cord embroidered with white peonies hanging from a substantial silver bell. She reached into the air and pulled. The angels gasped. Luce opened her eyes. There, in the center of the north side of the street, the row of contemporary town houses was interrupted at its midpoint by a single small brown house. A curl of smoke rose from its chimney. The only light-aside from the angel’s wings-was the dim yellow glow of a lamp on the sill of the house’s front window. The angels landed softly on the empty street and Daniel’s grip around Luce softened. He kissed her hand. “You remembered. Well done.
Lauren Kate (Rapture (Fallen, #4))
Her drawers were pushed to her ankles, and his mouth wandered upward, his breath like puffs of steam against the tender skin of her leg. Evie made a low keening sound as he parted the private curls curls between her thighs. The two fingers he slipped inside her were immediately clasped and caressed, her inner muscles working as if to draw him deeper. Evie's eyes half closed, and a passion-blush swept over her body in uneven drifts of pink. "Sebastian." "Shhh..." His fingers pushed higher, and his mouth nudged past the swollen folds of her sex. He teased the straining little peak, licking in a sly counter-rhythm to the gentle thrust of his fingers. Evie arched against the door, her throat aching from the effort not to cry out. He did not pause or relent, did not allow her a single moment to catch her breath, only stroked and tormented her hot, twitching flesh, driving the sensation higher and higher until at last she choked back a scream and shuddered with rapture. His mouth stayed on her, drawing out every last ripple of fulfillment until she was finally still, her weary flesh emptied of sensation.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.
Virginia Woolf (Orlando)
She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered. For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swansdown, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet. That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swansdown,. It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic....
Eloisa James (The Ugly Duchess (Fairy Tales, #4))
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
Awake ye muses nine, sing me a strain divine, Unwind the solemn twine, and tie my Valentine! Oh the Earth was made for lovers, for damsel, and hopeless swain, For sighing, and gentle whispering, and unity made of twain. All things do go a courting, in earth, or sea, or air, God hath made nothing single but thee in His world so fair! The bride, and then the bridegroom, the two, and then the one, Adam, and Eve, his consort, the moon, and then the sun; The life doth prove the precept, who obey shall happy be, Who will not serve the sovereign, be hanged on fatal tree. The high do seek the lowly, the great do seek the small, None cannot find who seeketh, on this terrestrial ball; The bee doth court the flower, the flower his suit receives, And they make merry wedding, whose guests are hundred leaves; The wind doth woo the branches, the branches they are won, And the father fond demandeth the maiden for his son. The storm doth walk the seashore humming a mournful tune, The wave with eye so pensive, looketh to see the moon, Their spirits meet together, they make their solemn vows, No more he singeth mournful, her sadness she doth lose. The worm doth woo the mortal, death claims a living bride, Night unto day is married, morn unto eventide; Earth is a merry damsel, and heaven a knight so true, And Earth is quite coquettish, and beseemeth in vain to sue. Now to the application, to the reading of the roll, To bringing thee to justice, and marshalling thy soul: Thou art a human solo, a being cold, and lone, Wilt have no kind companion, thou reap'st what thou hast sown. Hast never silent hours, and minutes all too long, And a deal of sad reflection, and wailing instead of song? There's Sarah, and Eliza, and Emeline so fair, And Harriet, and Susan, and she with curling hair! Thine eyes are sadly blinded, but yet thou mayest see Six true, and comely maidens sitting upon the tree; Approach that tree with caution, then up it boldly climb, And seize the one thou lovest, nor care for space, or time! Then bear her to the greenwood, and build for her a bower, And give her what she asketh, jewel, or bird, or flower — And bring the fife, and trumpet, and beat upon the drum — And bid the world Goodmorrow, and go to glory home!
Emily Dickinson (The Complete Poems from Emily Dickinson: (Annotated Edition))
Not with more glories, in th' etherial plain, The sun first rises o'er the purpled main, Than, issuing forth, the rival of his beams Launch'd on the bosom of the silver Thames. Fair nymphs, and well-dress'd youths around her shone, But ev'ry eye was fix'd on her alone. On her white breast a sparkling cross she wore, Which Jews might kiss, and infidels adore. Her lively looks a sprightly mind disclose, Quick as her eyes, and as unfix'd as those: Favours to none, to all she smiles extends; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride, Might hide her faults, if belles had faults to hide: If to her share some female errors fall, Look on her face, and you'll forget 'em all. This nymph, to the destruction of mankind, Nourish'd two locks, which graceful hung behind In equal curls, and well conspir'd to deck With shining ringlets the smooth iv'ry neck. Love in these labyrinths his slaves detains, And mighty hearts are held in slender chains. With hairy springes we the birds betray, Slight lines of hair surprise the finney prey, Fair tresses man's imperial race ensnare, And beauty draws us with a single hair. - Erguvan deniz üstünde gökler katında, İhtişamla yükselir ya güneş, saltanatında Yoktur rahibesinden doğarak gümüş Renkli Thames'in göğsüne yayılan ışınlardaki cümbüş. Hoş giyimli delikanlılar, çok sayıda güzel kız Arasında tüm bakışlar onun üstünde yalnız. Ak gerdanından bir haç, öyle bir Haç ki Yahudi görse öper, hayran olur kafir. İşlek bir aklın işareti canlı bakışları Gözleri fıldır fıldır, uçarı mı uçarı: Kimseye iltifat yok, herkese gülümsüyor, Çoğunluk reddediyor ama kimse ona küsmüyor. Gözleri sanki güneş, değen gözün sahibi Çarpılıyor, herkese eşit parlıyor yine güneş gibi. Örtüyor kusurlarını o soylu rahatlık, O kibirsiz şirinlik, kızların kusurları olursa artık: Ama düşmüşse onun da payına bütün hanımlardan, Yüzüne bakın, hepsini unutursunuz o an. Bu perinin saçı insanlığın mahvı demek Olan iki zarif bukle halinde ve birbirine denk İki kavis çizerek dökülürdü, elbirliğiyle ışık oyunu İçinde halka halka süsleyerek fildişi boynu. Kölelerini Aşk işte bu labirentte bekletir, Dağ gibi kalpleri bağlar ip incesi bir zincir. Kuşları aldatmaya yarar kıldan tuzaklar, İncecik tüylere kanar kapılır balıklar, Bir kaküle teslim ederiz, erkekler, ülkemizi Ve güzellik tek bir saç teliyle boğar bizi.
Alexander Pope (Rape of the Lock and Other Poems)
He held her down in the cushioning billows of the bed, kissed her, fondled and provocatively caressed until she arched, with her body begged; breaking from the kiss, he trailed hot, wet, openmouthed kisses down the taut line of her throat, over the creamy upper swell of her breast, and gave her the first course of what she'd asked for. He feasted on her breasts without quarter, licked, suckled, and laved as she writhed and gasped beneath him, as her hands gripped and tightened on his skull as he drew every last gasp and moan he could from her, then moved on. Over her midriff, down over her waist, pausing to pay homage to the sensitive indentation of her navel, then he shifted still lower. Trapping one of her long legs beneath him, lifting and draping the other over his shoulder, he held it there, held her steady as he pressed an ardent kiss to the curls shielding her mons. He heard her breath hitch, felt her body tremble, then tense and coil. Glancing at her face, he caught a glimpse of intense cornflower blue burning beneath her heavy lids, saw her lips slick and swollen from his kisses, parted in shocked disbelief. Deliberately he slid lower, bent and set his lips to the slick, swollen flesh between her thighs. She jerked, moaned. He licked and she screamed. She reached for him, but could only touch his head. Her fingers twined in his hair, tightened; she tensed to tug, but he licked again, then slowly, expertly probed, and she didn't move. Panting, eyes shut, she waited. Inwardly smug, he settled to worship her in that way, too, to taste her, to fill his senses with her, and hers with him. She let him have his way, let him taste her as he wished, let him try her with his tongue and drive her mindless. He asked, and she surrendered; he took, and she gave. In return, he pleasured her with unwavering devotion until she sobbed and cried out his name. Rising, he rolled her firmly onto her back, trailed kisses like fire up her belly and breasts as he loomed over her, spreading her thighs wide, settling between. He held himself over her, arms braced as he kissed her, tasted her desperation on her lips. Then with one, single powerful thrust he joined them. She closed about him like a glove, and he gasped; like the goddess he'd named her she welcomed her servant into her temple and embraced him. He moved, and she moved with him, fluidly meeting him as they gave themselves up to the now familiar dance. His thoughts fractured, ripped from him as a whirlpool of sensation rose up, drenched, then drowned him.
Stephanie Laurens (The Taste of Innocence (Cynster, #14))
Don’t look so grim. When you get home, I’m sure Randall will buy you all the rings you want. One for every day of the week,” Oscar said, thick with sarcasm, as they walked back toward the harbor. “I don’t care about the ring!” Camille shouted. She stopped walking and turned to Oscar. “I’m sorry, it’s just that…” Oscar patiently waited for her to finish her sentence. Camille looked away, embarrassed. She had scraped Randall’s skin with the ring, too. It had been one of their rare moments alone. He’d run his fingers down her back, nibbled on her neck, and she’d waited for her legs to turn to warm butter. She’d waited to feel the desire to kiss him. But the feelings hadn’t come. Camille had swept her hand up to stop him, and the ring had left a puffy red scratch on his arm. Oscar watched her fumble for words, his expression one of concern. “Never mind,” she said quickly and stepped up onto a raised sidewalk, out of the mud. “Never mind what?” “It’s private.” He continued walking in the street, his head level with hers. “Private between who?” “Between me and Randall. You wouldn’t understand,” she said and lifted her skirt as she descended back down into the muddy street where the sidewalk ran out. “And why is that?” he asked, sounding put off. Daphne’s place came into view. The air smelled of bitter salt water and of wood smoke curling up from the kitchen chimney. “Oh, Oscar, you’re a man of the sea. What could you possibly know about relationships?” He’d never courted a woman as far as Camille knew. She slowed her pace. Or had he? Oscar stopped in the middle of the cobblestoned walkway leading to Daphne’s front door. His eyes blazed with hurt and resentment. “I do apologize, Miss Rowen, I forgot mere sailors aren’t worthy of marriage. Isn’t that what your father always said?” Camille’s cheeks seared with heat. It was a stance her father had never parted from, but she hadn’t known he’d also impressed it upon Oscar. She fidgeted with her hands and fumbled for an apology. “No, that’s not what I meant. You’re a bachelor, that’s all.” Oscar shook his head, unable to meet her eyes. She’d sounded so patronizing. Oscar was handsome, young, and single, and for a man of his class, he made a decent living. Enough to attract an equally decent amount of attention from women, she supposed. Why hadn’t she ever thought of that? He retreated to the street. “I’m going for a walk.” “Oscar, wait-“ He pivoted on his heel. “You know, you’re wrong, Camille. And your father was wrong, too.” Oscar turned and disappeared behind the boxwood hedges. Camille clenched two fistfuls of her skirt and stomped up the steps, aggravated over her careless words. She’d been pompous and arrogant, and she hated that she’d hurt him. She cringed at the wounded way he’d looked at her.
Angie Frazier (Everlasting (Everlasting, #1))
An upbeat song played over the loudspeaker, and everyone's attention focused on the Jumbotron above the basketball court. "It's time for the Bulls' Kiss Cam. So, pucker up for your sweetie and kiss them." The camera found an older couple in their fifties. The man pulled his wife, I assumed, in for a quick peck on the lips. "Aww. That is so sweet," Trina said. She proceeded to yank poor Owen to his seat in case the spotlight landed on them. She'd do just about anything to get on television, even if it meant not kissing Owen tonight to do so. "That is so staged," I said and sneaked a quick peek at my phone, seeing if he messaged me back. He didn’t. "Really?" she countered and slapped my arm. Once I glanced her way, she pointed towards the large screen looming above. On the screen was Sebastian and me as the camera had just so happened to find us. It stayed there zooming closer. And closer. And closer. "Come on," the announcer called out, prodding us. "Just one kiss won't hurt." He had no idea what he was asking. A kiss would initiate feelings I couldn't avoid any longer. I momentarily forgot how to breathe as the song, “Kiss the Girl” from the Little Mermaid hummed at my lips. Not the best choice, but still. Everything became much worse once my giant moved into view, smiling my favorite smile. Sebastian inched closer; eyebrow cocked to dare me."No pressure or anything." I was quiet for a moment before whispering, "Game on, buddy." My eyes closed a few heartbeats shy of Sebastian's lips meeting mine. His hands rose, cupping my cheeks to keep me from pulling away. Like that was going to happen. Sebastian’s mouth moved against mine, and I conceded, kissing him in return. He tasted sweet and minty, like the home I’d been missing. The kiss turned from soft and tame to fierce and wantingas if neither of us could get enough. And already, I considered myself a goner. Everything became a haze. My heart thumped so wildly against my chest, I swore Sebastian could hear. The crowd surrounding us was whistling and cheering us on, and it only kept gaining momentum as the moments passed. The noise quickly faded until it was as if we were the only two people in the room. We could have been the only two people on earth. "Okay, guys." Trina tapped my shoulder, garnering my attention. "Camera has moved on now." That was our cue to separate, and I slowly drew away from Sebastian. He, in turn, slipped his hand to the back of my neck, holding me here. "Don't," he sighed against my lips. I didn't budge another inch. I didn't want to. Sebastian rewarded me by deepening the kiss. Dear God. There were sparks. My stomach flipped. My toes curled. My body warmed. Every single inch of me only wanted one thing and one thing only. If this continued for too much longer, it was easy to guess my new favorite hobby: Kissing Sebastian Freaking Birch. Needing some air, I pressed my palm flat against his chest. This time he released me as we both were breathless. Sebastian's eyes carefully studied me. He kept staring as if he could read my heart, my mind. And for those brief few seconds, I honestly didn't believe there were any secrets between us. His gaze shifted as he gauged what to do next, and I had no freaking idea where we went from here. We'd done it now. We crossed that line, and there was no way of ever going back.
Patty Carothers and Amy Brewer (Texting Prince Charming)
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?” “Yes,” she breathed out. “Yes.” I dropped to the marble, resting my back against the vanity. “Ask nicely.” “Please.” “Nicer.” She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth. My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed. I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could. Her lips drifted to the shell of my ear. “Please, please, please.” I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt. Her head fell forward. She bit my shoulder, drawing blood, her hips bucking. She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum. I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours. The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph. I entered her from behind. She drove back, meeting each of my thrusts. My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth. Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass. “Rom,” she whined. “I need to come.” “What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps. I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.” I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock. More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples. “Who owns your ass?” I growled. “You.” “Louder.” “You.” “Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.” With a reluctant moan, she inched away from my cock, writhing about two feet away. She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.” She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet. I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of. I grinned, the release tickling my shaft. “Embarrassed?” “No. Empty.” Fuck me sideways. How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception. (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
You still want me?” she murmured, a seductive husk to her voice. Gods, this woman could do me in with a single question. My gaze drifted down to my very proud, very erect cock and back to her face. “I think you know I’ll always want you. But right now? I want you more than I want air.” Lust bloomed through our connection, nearly knocking me for a loop. “That’s good. You know, I almost touched myself in the shower without you,” she admitted, opening her towel and showing me her perfect skin. “Almost made myself come all over my fingers just thinking about you tied up out here.” She threw a leg over mine, straddling me, my cock mere inches from Heaven. But did Wren even graze my aching, leaking head? No. No, she did not. Instead, she held herself from me as she grazed her own skin, palming her breasts, plucking her already-tight nipples.    “Fuuuuccccckkkkk,” I groaned, shifting restlessly on the sheets, trying for just a brush of her sex against mine. The pleasure she was giving herself threaded through me—enough that I was ready to rip out of these cuffs and take her over my knee. Her hands traveled down her stomach, her fingers threading through her auburn curls. “Just like this,” she said. “But I thought you’d want to see me. And you want to, don’t you? Watch me fuck myself?” My mouth was as dry as the Sahara. “Yes,” I croaked. “I want to see everything.” She whimpered as she grazed her clit with her thumb, fucking that sweet pussy with her fingers, her delicious heat so far out of reach. “Let me taste you,” I ordered, the thread of command thick in my voice. Wren raised an eyebrow, not giving an inch. “Good boys say please, Nico. Everyone knows that.” “Please,” I whispered, needing her taste on my tongue. Needing it, craving it. If she was going to torture me this way, I wanted something, anything of hers. Wren’s smile widened as she crawled up my body, grazing her luscious tits up my belly and chest. I tried capturing a nipple in my mouth, but she kept it just out of reach. She straddled my chest, her wet, slick heat so close and so far—all at the same time. I wanted her to sit on my face, wanted to lap her up, and drink her down. Wanted her pleasure for my own. But instead of letting me taste her, she went back to work, milking herself of pleasure just out of reach. Her scent filled my nose so much I could almost savor her sweetness, and as her pleasure ramped up, it got thicker in the air. She let her hair down, the wet strands curling over her gorgeous tits as she writhed. She plucked at her nipples, making herself hiss in desire. “That’s it, beautiful,” I growled. “Make yourself come all over my chest. Fuck that gorgeous pussy.” My words must have done the trick because Wren went off like a bomb, her orgasm slamming into both of us, nearly taking me over with it. But she didn’t come to me, didn’t press her body against mine, and that’s when I decided I’d had about enough of this shit. A flick of my wrists later, and Wren was on her back in my bed, her eyes wide. I nearly hissed at her warm skin against mine, but I was too preoccupied with her surprise. It was fucking adorable. “Yo-you just broke out of… How did you… How strong are you?” Like a pair of steel cuffs were a match for any shifter, let alone an Alpha. “Sweetheart, I’m an Acosta Alpha, next in line to take my father’s place if he ever decides to step down. A shifter is strong. I am stronger. Now, you’ve had your fun. It’s my turn.” Her wide green-gold eyes flared as her mouth parted, and even though she’d just had an orgasm, Wren’s desire blazed through us. As reluctant as I was to move,
Annie Anderson (Magic and Mayhem: Arcane Souls World (The Wrong Witch Book 2))
Then he was striding toward me. His mesmerizing gaze pinned me in place as he cupped my face. When his lips covered mine, I gasped. He took the opportunity to deepen the kiss, groaning into the contact. His hands tightened on my face. His sexy groans made my toes curl, muddling my thoughts. Block that out! I was Aric’s wife. I’d wronged him in the past, had consigned him to misery for hundreds—no, thousands—of years. I needed to make this right. Like penance. There was something vaguely threatening about his words. Misgivings about this arose. Too fast. “If you have feelings for him, fight them,” Aric commanded me. “By going to him, you’d be stoking them once more. Don’t you understand? He can find another woman—I cannot. If you choose him, you’ll be consigning me to a hellish fate. As you’ve done again and again. No, this will be even worse, because I’ve had a greater glimpse of what I’ll be missing.” “I just want to talk to him. I’m leaving this weekend,” I said in an unwavering voice. “No, you will not.” His arrogant demeanor back in place, he said, “Understand me, I’m not surrendering the one woman who was born for me alone. Not to a human, not to anyone.” “You can’t keep me here against my will any longer. What are you going to do? Put that cuff back on me?” I held up my hand to stop him. “I understand why you did it. But I won’t be a prisoner anymore.” He snatched up his shirt, threading his arms into the sleeves. “You say you keep your promises now? You made a vow before gods to be my wife. In this life, you will keep your promises to me—before you ever honor one to him!” “You can’t stop me from leaving. I have my powers back. I earned my powers back.” With a cruel curve of his lips, he said, “You promised never to harm me, Empress. Know that you’ll have to kill me before I would ever let you go.” As he strode out the door, I said, “And know that you’ll have to put that cilice on me to keep me prisoner again.” He whirled around, fury in his expression. “You refused—twice—to beg me for your own life, but you’d beg for his?” I whispered, “Yes.” With a calculating gleam in his eyes, he said, “This isn’t an impossible task you ask of me. I could call in ancient favors, contact old allies. They could be here in mere hours. We’d ride out as one.” “T-truly?” “On one condition: you’ll become my wife in truth, mine in every way. Beginning tonight. Comply, and I’ll take on an army for you.” My lips parted with shock. “How can you do this to me?” “Deveaux is lost to you in one way or another. He’ll either be slaughtered by the Lovers—or saved by my female, by her sacrifice.” He offered his hand. “Come with me, and begin this.” “Don’t, Aric! Don’t destroy what I do feel for you.” “I’ll take”—he seized my hand, yanking me close—“what I can get.” Despite myself, I shivered from the contact, from his husky voice. His hold on me was firm, proprietary. Because he believed I was about to become his. The red witch in me whispered, Death thinks he has you at his mercy. But the Empress doesn’t get collared or caged—or controlled. Take his head and pay the Tower. Shut up! “Please, Aric. I’ll grow to hate you for this. I don’t want to feel that way about you. Never again. Don’t force me to do this.” “Force?” Unmoved, he led me toward his bedroom. “I’m not forcing you to do anything. Just as you can’t force me to save your lover’s life. We each make sacrifices to get what we want.” With my heart pounding, I crossed the threshold into his dark world. Black walls, black ceiling, black night beyond his windows. Yet outside I thought I saw . . . a single fluttering snowflake. Like a sign.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
You and I are not getting out of this alive. An exception will not be made in our case so that we’ll live forever. So what are you going to do with that? Are you going to curl up into a fetal position? Sure. It’s a reasonable existential response to that reality. Or what do you do? You make art, you make music, you have ideas, you come to people, you talk, you make films, you write, whatever it is. You know what it’s like to be at a party and to be talking to someone and looking beyond them. You’re not present. We’re human beings, not human doings. And I think that is the great challenge. That we’re not getting out of this alive.
Tom Roston (Ken Burns: The Kindle Singles Interview (Kindle Single))
No!” She yanked it away, curling protectively around it. He felt like she had slapped him. “What do you think I am going to do, snatch it and throw it in the lake?” he demanded in an angry voice. She took a step back, and he followed. “Do you?” “Shhhh!” she said in a fierce whisper. “People are still sleeping!” He stepped closer, his face inches from hers. “And I am dying here because a woman I have hankered after for years just kicked me in the teeth. Again.” Mollie blanched. “Why do you keep talking like that? We barely know each other!” He was mad enough to spit fire. “I couldn’t court a woman who did business with Hartman’s,” he ground out. “That was the quickest route for me to get canned, but after the fire, I don’t care anymore about rules. You are a woman I want in my life, but my hand to God, if you keep accusing me of trying to swindle you, I am liable to combust.” Her eyes narrowed in distrust, and he was smart enough to know that blasted scrap of paper was going to be a wedge between them forever unless he could figure a way to dispose of it. He settled his hands on her shoulders. “Mollie, you have a piece of paper. In the coming years, the court system in this city is going to be swamped with a legal quagmire the likes of which this country has never seen before. With the archives of the courthouse in ashes, there is no way to prove the legitimacy of that deed.” “No way to disprove it either.” “Exactly.” He turned her around and cupped the side of her face. He tried using a gentle pressure to nudge her face up to look at him, but she resisted. “Mollie, I have cared about you for years. I have made a great study of Mollie Knox and the way she runs her business, but you know nothing about me. I suppose it is not fair for me to expect you to trust me when I’ve never been more than the man signing off on your quarterly revenue statements. Come live at my house. Bring Frank. Heaven help me, you can even bring Sophie, but come. I can’t stand the thought of you shivering in that church. No matter what it takes, I intend to earn your trust, and after that, you’d better put an armed guard around your heart, because I plan on winning you and folding you into my life. Fair warning, woman.” Mollie squinted at something over his shoulder, and Zack realized she had not been paying attention to a single word he’d said.
Elizabeth Camden (Into the Whirlwind)
Oh, and Asher?” “Yes, sir?” “I looked her up. She’s a mighty pretty thing. If she’s not the girl for you, I guess she won’t be single for too long, huh?” Then he grinned and sat back down at his desk, immediately turning his attention to the files waiting there. Asher closed the door, standing in the small waiting room with his good hand curled into a fist. The idea of Savannah with someone else, anyone else but him, made him so desperate and so furious he wanted to hit something. He still wasn’t sure what to do, but he missed her fiercely, and while he wasn’t ready to talk to her, he at least needed to find out if she’d started moving on.
Katy Regnery (The Vixen and the Vet (A Modern Fairytale, #1))
Two hours later, the drawing room converted, the costumes wrapped, the electric-kerosene lamps flickering in a semicircle at their feet, the performers enacted the thirty-minute ode to love and the Mediterranean, Home by the Sea. Miss Charming kept a ferocious grip on her script and gave oily air kisses to Colonel Andrews. Amelia was calm and sweet, melting into her dialogue with Captain East as though into his arms. Jane knelt beside Mr. Nobley, the wounded war captain, as he nearly died, and did her best to sound earnest. Old Jane would’ve run away or laughed self-consciously throughout. New Jane decided to feel as enchanting as Miss Charming and performed each line with relish and passion. It didn’t matter that she wasn’t a very good actress. Mr. Nobley’s character miraculously recovered all the same, leading to the part where he stood and took her hands. They were still cold. He paused, as though trying to remember what came next. He looked. Looked at her. At her and into her. Into her eyes as though he couldn’t bear to look away. And there was a delicious curl in his smile. “I love you,” he said. Zing, thought Jane. It was his line, more or less, though simplified. Stripped of similes and farms and rain and moon and all, it pierced her. She opened her mouth to say her own line but couldn’t remember a single word. And she didn’t want to. He leaned. She leaned. Then Aunt Saffronia, who’d been laughing encouragingly during the parts that were supposed to be sad and clapping gleefully whenever a new character came onstage, now cleared her throat as though intensely uncomfortable. Mr. Nobley hesitated, then kissed Jane’s cheek. His lips were warm, his cheek slightly scratchy. She smiled and breathed him in. At length, the six actors stood side by side, pretending the bright yellow wall of the drawing room opened to a view of the Mediterranean Sea, and said their closing lines. Jane: Trying to sound actress-y. “At last, we are all truly happy.” Miss Charming: Pause. Crinkling of paper. Frantic searching for line. “Indeed.” Amelia: With a shy smile for the tall man beside her. “Our travels are ended.” Captain East: With a manly smile for his lady. “We can rest peacefully in each other’s arms.” Colonel Andrews: As always, with panache! “And no matter where we may roam…” Mr. Nobley: A sigh. “This will always be our home.” His voice unhappy with the line. “By the sea.” And, silence as the audience waited for who knows what--a better ending line? A better play? Colonel Andrews cleared his throat, and Jane inclined her head in a hurried curtsy. “Oh,” Aunt Saffronia said and started the applause. The audience clapped enthusiastically and arhythmically, and the cast bowed, Miss Charming giggling. Jane squinted past the lamps to get her first good look at the audience, now that the play was over and stage fright couldn’t prickle her. Aunt Saffronia, beaming. Mrs. Wattlesbrook, looking for all the world like a proud schoolmarm. Matilda, bored, and a few other servants, equally bored.
Shannon Hale (Austenland (Austenland, #1))
Emma ripped the sticky note off the bathroom mirror and threw it in the trash. Sean didn’t have to worry about her rubbing the back of his neck again anytime soon. And he certainly didn’t have to worry about her wanting to get naked. Not with him. If they were a real couple, she’d throw his pillow onto the couch and let his feet dangle over the edge for a change. It was pathetic how fast he’d come up with a lame excuse to run away just because he’d kissed her. It was just a kiss. A great kiss, yes, but still just a kiss. She hadn’t asked him to marry her—to really marry her, of course—or told him she wanted to have his baby. A hot, steamy, toe-curling, bone-melting kiss between two single adults was nothing to run from. But now he’d made a big deal out of it and everything was going to be even more awkward than it had been for the past few days. She’d been curled up on the couch, fuming, for almost an hour when she heard Sean’s truck pull in to the driveway. It was another ten minutes before he crept into the bedroom and closed the door behind him. Since she was facing the back of the couch, she didn’t have to make much of an effort to ignore him. He was in the shower so long she must have fallen asleep to the drone of running water, because the next thing Emma knew, her alarm was going off and it was time to face another day in the hell she’d created. But first she had to face Sean. She got first crack at the bathroom, and when she came out, he was sitting on the side of the bed, fully clothed. Thank goodness. He scrubbed his hands over his face. “We should talk about last night.” “How’s Kevin?” “He’s good. And I meant before that.” “You should have stayed for the end of the movie. It was good.” “Dammit, Emma, you know that’s not what I’m talking about.” “Oh, you mean the practice kiss?” She clipped her cell phone onto her front pocket. “We’re getting better at it. That was almost convincing.” “Practice kiss?” He stood, probably so he could look down at her, but she was tall enough it didn’t make much of an impact. “Almost convincing?” “Yeah,” she said, though she turned her back on him, heading toward the door to avoid eye contact, because that was no practice kiss and it could have convinced even the CIA’s finest. He was muttering when she left the room, but she shut the door on him and went downstairs. She didn’t want to talk about it. And she didn’t want to think about the fact he wasn’t happy she called it a practice kiss. That meant he considered it a real kiss. And not only a real kiss, but one that had shaken him up. The only reason kissing a woman should bother a man like him was if he was trying to fight being attracted to her. Hopefully, he’d win, she thought as she headed toward the kitchen, because she was waging that battle herself and didn’t appear to be headed for a victory. Maybe he had enough willpower and self-control for both of them.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
She stared at the water until the sun’s reflection became too much, and then reached for her single bag of belongings. Digging around, she found the clay turtle. It was made of earth. It was tiny. She could use it for practice. Small, she thought as she cradled it with both hands. Precise. Silent. Small. She curled her lips in concentration. It was like crooking the tip of her pinky while wiggling her opposite ear. She needed a whole-body effort to keep her focus sufficiently narrow. There was another reason why she didn’t want to seek instruction from a famous bending master with a sterling reputation and wisdom to spare. Such a teacher would never let her kill Jianzhu in cold blood. Her hunger to learn all four elements had nothing to do with becoming a fully realized Avatar. Fire, Air, and Water were simply more weapons she could bring to bear on a single target. And she had to bring her earthbending up to speed too. Small. Precise. The turtle floated upward, trembling in the air. It wasn’t steady the way bent earth should be, more of a wobbling top on its last few spins. But she was bending it. The smallest piece of earth she’d ever managed to control. A minor victory. This was only the beginning of her path. She would need much more practice to see Jianzhu broken in pieces before her feet, to steal his world away from him the way he had stolen hers, to make him suffer as much as possible before she ended his miserable worthless life— There was a sharp crack. The turtle fractured along innumerable fault lines. The smallest parts, the blunt little tail and squat legs, crumbled first. The head fell off and bounced over the edge of the saddle. She tried to close her grip around the rest of it and caught only dust. The powdered clay slipped between her fingers and was taken by the breeze. Her only keepsake of Kelsang flew away on the wind.
F.C. Yee (Avatar: The Rise of Kyoshi (The Kyoshi Novels, #1))
Helen stayed on that wood floor, her knees curled toward her chest, as though she could hold herself together that way when everything inside felt like it was exploding. How she hated these episodes. The first time one had happened to her so many years ago, she had thought it was a heart attack, but now she knew all too well the sensation of her organs rebelling. It forced her body to shake furiously against her will. Hot tears coursed down her cheeks, and she couldn’t seem to produce a single positive thought to counter her panic. That was my only chance! What am I going to do? What am I going to do!? How long she lay there, she did not know. When Helen finally came back to her senses enough to notice the world around her, she saw that the light through the window had shifted to a sunset glow. Breathe. Just breathe, she commanded herself. It was then that her gaze caught on a rectangle of cream paper stuck under the kitchen drawers. How had she missed it? She knew she had swept thoroughly.
Corinne Beenfield (The Ocean's Daughter : (National Indie Excellence Award Finalist))
Hold still, you little bitch,” he croaked and she saw him for the first time—huge, rough, flushed, fleshy—lips curled back to reveal crooked yellow doglike teeth, fresh blood from his forehead or scalp coursing down—and got a glimpse of the electrical device he had poised over her face and plunged into her neck. The sensation was sudden and massive and debilitating. She no longer had control of her body, which stiffened, and she had an image of lightninglike electricity firing out from the tips of her fingers and toes. Every muscle and sinew seemed fused together with steel and she felt welded into a single mass of flesh.
C.J. Box (The Highway (Highway Quartet #2))
Darcy set the decanter down on the tray with a hard clang. "Surely even you will acknowledge that a single woman in possession of no brothers must be in want of a husband."   Bingley shook his head and laughed. "You can hardly claim that to be a universal truth."   Darcy ran his hands through his close-cropped dark curls. 
Nancy Kelley (His Good Opinion: A Mr. Darcy Novel (Brides of Pemberley, #1))
Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees Mercy could not keep up the pace. Gradually the line passed her by, until she was walking with Eben Nims, and she must not fall farther behind than that, because the Indians behind Eben were the end of the line. Daniel held tight and sucked his thumb. But not only did Marah refuse to walk, she kept yelling that her feet were cold, and she wanted Stepmama, and she needed her mittens, and she was hungry. Mercy could walk, though not fast enough, and she could carry, though not easily. But she could not supply food, warmth or Stepmama. Mercy tried to believe that Stepmama was up ahead of her with the baby; that it was so crowded and chaotic Mercy could not spot her. But in her heart, she did not think Stepmama had left the stockade. “The savage put food in my pack, Mercy,” said Eben quietly. “If you slip your hand into the opening near my left shoulder, there’s a loaf of bread on top.” They walked on, considering whether the Indians would tomahawk her for stealing Eben’s own bread. Well, they’d shortly tomahawk Marah for whining, so Mercy might as well get on with it. She set the two children down, and Eben bent his knees so she could reach and Mercy fished around in the pack. She slid the loaf out. It was long and fat and crusty. Her Indian was watching. Mercy looked straight at him while she ripped off a chunk for Marah. He did nothing. Mercy decided to give some to Jemima too, which would give her something to do besides whine. She would give bread to Eliza and hope food would break Eliza’s grieving stupor. Marah didn’t take a single bite. She threw the bread across the snow. “I want Mama!” she said fiercely. She glared at Mercy, as if all this hiking and shivering were Mercy’s fault. Mercy could not abandon the bread out there in the snow. She was going to need that bread. It was all they had, and somehow Mercy had become responsible for Marah and Daniel and Ruth and Eliza and Jemima, and probably even for Eben. Mercy stepped off the trodden path to retrieve the crust, but her Indian stopped her, shaking his head. On his face was no expression but the one painted in black. His arms were tattooed with snakes that curled their fangs when he tightened his muscles. How could he go half bare in this weather? she thought, and then remembered that she wore his rabbit-lined cloak. Daniel, sitting happily on her hip, reached out from under the rabbit fur and patted the snake. The Indian tensed his upper arm to make the snake slither. Daniel giggled, so the Indian did it again, and it seemed to Mercy that he actually smiled at Daniel. Then, blessedly, he took Marah for her.
Caroline B. Cooney (The Ransom of Mercy Carter)
There is a pleasure you could allow me, Anna.” He kept using her name, she thought, using it like a caress, a reminder that he knew the taste of her. “There are many pleasures I could allow you,” she said, caution in her tone, “few that I will.” “So I’m to earn your favors?” He merely smiled. “Then, allow me this: The heat and our rambling are threatening the integrity of your coiffure. Let me brush your hair.” “Brush my…?” Anna blinked and gave him a puzzled look. “I used to brush Her Grace’s hair when I was small, then my sisters’. I’ve taken a turn or two with Rose, but she demands a certain dispatch only her step-papa and mama seem to have perfected.” “You want to brush my hair,” Anna said, as if to herself. “That is an unusual request.” “But not too unusual. It requires no removal of clothing nor touching of the hands nor lascivious glances.” “All right,” Anna said, more perplexed than alarmed, but then, she was in the company of a man who scheduled his passions. She fished inside the hamper and withdrew her reticule, producing a small bone-handled brush. “Pretty little thing,” the earl remarked, thumbing the bristles. “Now”—he sat up—“sit you here.” He thumped the blanket beside him, and Anna scooted, only to find that the earl had shifted so she sat between his bent knees. “Is this decent?” she murmured. “Have another glass of wine,” the earl suggested. “It will feel frustratingly decent.” They fell silent, and Anna felt the earl’s fingers easing through her hair to find her hairpins. He slid them free carefully and began piling them to one side. When the bun at the nape of Anna’s neck was loosened, he let her thick plait tumble down her back. “I like this part,” he said. “When you free up a braid, and a single shiny rope becomes skeins and curls and riots of silky, soft hair. How do you keep it so fragrant?” She felt him lean in for a sniff, and her heart nearly skipped a beat. “I make a shampoo scented with roses.” And ye gods, it had been a struggle to utter that single coherent sentence. His hands were lacing through her unbound hair to massage her scalp and the back of her neck. His touch was perfect—deliberate, knowing, and competent without using too much strength. He trailed her hair down her back, leaving little trickles of pleasure to skitter along her spine, and then she felt him gathering the mass of it, to move it to one side. “It’s beautiful,” he murmured, his words breathed near her ear. “I’m going to forbid you to wear those hideous caps of yours when we return to Town.” His
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Mostly to divert her, he reached over and tucked the errant curl behind her ear, finding her hair every bit as silky and pleasing to the touch as he’d imagined. He could write a sonnet to that single lock of hair. Perhaps he would. “It’s
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Across from it was a parking lot crowded by Mercedes with darkened windows and high-performance tires, the status symbols of the country’s elite and of its criminals, each aping the other, comfortably sharing the pleasures of the night in Roppongi’s tawdry demimonde. The street itself was illuminated only by the indifferent glow of a single arched lamplight, its base festooned with flyers advertising the area’s innumerable sexual services, in the shadows of its own luminescence looking like the elongated neck of some antediluvian bird shedding diseased and curling feathers.
Barry Eisler (A Lonely Resurrection (John Rain #2))
Warning signs went unheeded as the ferocious kisses continued, kicking Trevor’s need into high gear. But the unfamiliar prickle of Edgard’s beard on his cheek began to rouse him from that dark desire. Coupled with the low-pitched masculine moans—not Chassie’s feminine sighs—and Trevor broke away, knocking Edgard’s hands free. “Stop. No.” “Yes,” Edgard grabbed Trevor’s shirt. “This is why I’m here. Because it’s still there, Trevor. This need didn’t go away just because I did.” “It don’t matter.” “It should. God. Please let it matter.” “Ed—” “Don’t. Just…don’t.” Edgard gently rested his forehead against Trevor’s and retreated into silence. The heat of their bodies, the cold air, the confusion, the passion, the anger, the guilt, all swirled in Trevor’s head until he didn’t know which way was up. Unable to squirm either closer or away, damn near unable to breathe, Trevor squeezed his eyes shut and gave in, leaning against Edgard, just for a moment. Finally he dredged up a semblance of sanity. “I love her, Ed. I’m not with her because she was my second choice.” “I know. Why do you think it hurts me so bad, meu amore?” My love. That single, familiar endearment could prove to be his undoing. Another pause lingered before Trevor said, “I can’t do this. I swear to f**king God I cannot do this again.” “We’ll figure something out this time.” “No.” “Look at me.” Trevor shook his head. “Goddammit. Look. At. Me.” Heart thumping crazily, Trevor pulled back and caught the golden gaze that’d haunted his dreams since the day they’d gone from friends to something more. Edgard curled one hand around Trevor’s face, keeping the other fisted in his shirt. “Tell me how to fix this.” “We can’t and talkin’ about it ain’t gonna change nothin’.” “We were always better at f**king away our problems rather than talking them out, eh?” No hint of a smile graced either of their faces.
Lorelei James (Rough, Raw and Ready (Rough Riders, #5))
As Red Buffalo disappeared into the darkness, Hunter’s hand, which was riding Loretta’s thickened waist, tightened. He glanced down, his brows lifting in question. With a wondrous expression on his face, he placed his other palm on her slightly swollen abdomen. “Blue Eyes, what is this?” Loretta looked up at him through tears. “Our child, Hunter.” His warm fingers flexed and curled protectively. A slow smile spread across his mouth. “A child…” The words were a reverent whisper. “Our child.” Loretta placed her hand over his, so filled with love for him that she felt she might die of it. The future was filled with uncertainty. The way ahead might be fraught with danger. And they would be completely alone. Two people, against a world of hostility. None of that really frightened her, though. Theirs was no ordinary love, and she knew the course of their lives would have a far greater purpose than that of simply being together. They would find their way west, just as the prophecy had foretold. She knew they would. The Comanche nation was doomed. There was no stopping the tide of white settlers that washed over their land. An entire race of people would eventually be conquered and all but destroyed. She and Hunter were like a seed floating on the wind. Somehow, somewhere, they would find a fertile place, where they could put down roots and grow strong. Through them, the People would live on. The gods had sent her and Hunter a sign to help them believe, to give them faith, and she no longer had a single doubt that all the words of Hunter’s song would somehow come to pass. Within her grew a child, both tosi tivo and Comanche, the child of the great warrior with indigo eyes and his honey-haired maiden. A child who brought new hope for the People and tomorrow.
Catherine Anderson (Comanche Moon (Comanche, #1))
Kissing her all the while, he stroked toward her center, tangling for a few brief seconds in the nest of short curls he found there before slipping a single finger between the tender folds of her femininity. Wet heat dampened his hand, a reaction he seemed to expect and enjoy, the fragrant moisture turning her slick against his touch. She gasped, the sound muffled against his lips as he tilted her hips a little more to slide deeper, using his fingers, and even the heel of his hand, in ways that drove every rational thought from her brain. Tiny breaths panted from her mouth as he caressed her in the most shockingly delicious manner, her initial embarrassment fading against a compulsive need for more. Breaking their kiss, he pressed her face against his neck. "Let go," he murmured into her ear. "Let yourself fly." And after another pair of rapturous, stroking caresses, she did- her entire body shuddering in a great, cataclysmic burst of pleasure that set every nerve and sinew afire. He held her as she shook, her cries muffled against the starched linen of his neck cloth.
Tracy Anne Warren (Tempted by His Kiss (The Byrons of Braebourne, #1))
Meredith turned to look at Chaz just then and let out a high-pitched squeak when she saw Kyle had overheard every single word that our friend had said. Me staring speechlessly at him wasn’t enough to get his attention, but apparently, both of us doing it got the point across. Chaz’s eyes widened in alarm when he realized what was going on. “That
Aimee Nicole Walker (Dyed and Gone to Heaven (Curl Up and Dye Mysteries, #3))
EUPHORIA   Holding her in my arms makes me feel young and makes me feel old. Here there is no question as to how strong our love is and always will be. Reaching for her face, both my hands now caress her above the eyes before drawing a single finger down the side of her face in close examination of her perfect beauty. She now takes each breath in congruence to my every touch. Holding her close to me I follow the main artery reaching up into her brain cavity, ever so gently grabbing a hold of her shape with each amalgamating crimp of my lip’s kiss. Her honeyed lips now overlap in a mesmerizing sequence of twists and turns defining all of nature within this gravitating romance. Beautifully naked in a sciatic squirm of innate belonging her igneous hourglass-like figure curls up against mine in a deliquescent manner formulating the equilibrium of our edifying.   She woos me with her altruism and her childlike glow. Gliding over the emollient ewer of her extricating kiss our hearts conjoin in this luminescent rectitude of irrepressible euphoria. Sketching down her solar plexus by my touch abreast we bask in the bounteous espy of everlasting jubilance. When we kiss it’s as if we are dancing in the serene existence of Mother Nature’s melody. Her slender arms and hands revolve around my face and shoulders with an enchanting gentleness like gracious fireflies gleaming against the starry dusk of a fervid fantasia. Intertwined within the gradient of our love’s desiderated gavotte her second nature becomes aware of herself in me–and I in her.
Luccini Shurod
Apple’s MirrorPhone played a measure of One Reflection’s single “You Don’t Know You’re Charming” to announce she’d received another hext message. This one was from Briar Beauty. Apple typed with one hand while brushing her blond curls with the other. Her hair never seemed to need
Shannon Hale (Apple White's Story (Ever After High, #0.1))
But she was barely listening. “There’s this newish thing from Amazon? Called an AMI—an Amazon Machine Image. Basically it runs a snapshot of an operating system. There are hundreds of them, loaded up and ready to run.” Evan said, “Um.” “Virtual machines,” she explained, with a not-insubstantial trace of irritation. “Okay.” “But the good thing with virtual machines? You hit a button and you have two of them. Or ten thousand. In data centers all over the world. Here—look—I’m replicating them now, requesting that they’re geographically dispersed with guaranteed availability.” He looked but could not keep up with the speed at which things were happening on the screen. Despite his well-above-average hacking skills, he felt like a beginning skier atop a black-diamond run. She was still talking. “We upload all the encrypted data from the laptop to the cloud first, right? Like you were explaining poorly and condescendingly to me back at the motel.” “In hindsight—” “And we spread the job out among all of them. Get Hashkiller whaling away, throwing all these password combinations at it. Then who cares if we get locked out after three wrong password attempts? We just go to the next virtual machine. And the one after that.” “How do you have the hardware to handle all that?” She finally paused, blowing a glossy curl out of her eyes. “That’s what I’m telling you, X. You don’t buy hardware anymore. You rent cycles in the cloud. And the second we’re done, we kill the virtual machines and there’s not a single trace of what we did.” She lifted her hands like a low-rent spiritual guru. “It’s all around and nowhere at the same time.” A sly grin. “Like you.
Gregg Andrew Hurwitz (Hellbent (Orphan X, #3))
Sometimes the best way to relax, unwind, and get everything straightened out... is to curl up with a good book. – Douglas Pagels, from 100 Things to Always Remember and One Thing to Never Forget Give something of yourself to the day... even if it’s just a smile to someone walking the other way. – Douglas Pagels, from 100 Things to Always Remember and One Thing to Never Forget Even if you can’t just snap your fingers and make a dream come true, you can travel in the direction of your dream, every single day, and you can keep shortening the distance between the two of you. – Douglas Pagels, from 100 Things to Always Remember and One Thing to Never Forget Rest assured that, whenever you need them, your guardian angels are great about working overtime. – Douglas Pagels, from A Special Christmas Blessing Just for You Never forget what a treasure you are. That special person in the mirror may not always get to hear all the compliments you so sweetly deserve, but you are so worthy of such an abundance... of friendship, joy, and love. – Douglas Pagels, from You Are One Amazing Lady I love that I get to wake up every morning in a world that has people like you in it. – Douglas Pagels, from You Are One Amazing Lady Be someone who doesn’t make your guardian angel work too hard or worry too much. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Each day is a blank page in the diary of your life. Every day, you’re given a chance to determine what the words will say and how the story will unfold. The more rewarding you can make each page, the more amazing the entire book will be. And I would love for you to write a masterpiece. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Practice your tree pose. I want you to have a goal of finding a way to bring everything in your life into balance. Let the roots of all your dreams go deep. Let the hopes of all your tomorrows grow high. Bend, but don’t break. Take the seasons as they come. Stick up for yourself. And reach for the sky. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Remember that a new morning is good medicine... and one of the joys of life is realizing that you have the ability to make this a really great day. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Find comfort in knowing that “rising above” is something you can always find a way to do. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Look up “onward” in the thesaurus and utilize every one of those synonyms whenever you’re wondering which direction to go in. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Don’t judge yourself – love yourself. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! If you have a choice between a la-di-da life and an ooh-la-la! one, well... you know what to do. Choose the one that requires you to dust off your dancing shoes. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Write out your own definition of success. Fill it with a mix of stardust and wishes and down-to-earth things, and provide all the insight you can give it. Imagine what it takes to have a really happy, rewarding life. And then go out... and live it. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life!
Douglas Pagels
He leaned in and kissed her. His lips were dry, and tasted of gritty stone and dust. Alice's fingers curled so hard against the book that they ached, and after a moment or two she closed her eyes. It seemed like an age before he pulled away. Her lips tingled, as though he'd passed on an electric charge. "I'm sorry," he said, with a lopsided grin. "It's part of the spell." Alice had a single moment to be furious before the music of the Siren rose all around her, a quiescent orchestration building to an unexpected crescendo. As her mind drifted away on that exquisite, all-encompassing melody, the last thing she felt were his hands on hers, gently tugging the book from her slackening fingers.
Django Wexler (The Forbidden Library (The Forbidden Library, #1))
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Arun Tiwari (A.P.J. Abdul Kalam: A Life)
Luka tucks a strand of hair behind my ear. My heart takes off. Beat, beat, beat—faster than the wings of a hummingbird. “It’s like fire and oxygen.” He traces my jaw with the pad of his thumb. “I touch you and everything ignites. You walk into the room and every single one of my senses comes to life.” He takes my wrist and places my hand against his chest. His muscles are hard and warm beneath my palm. “You push me away, and it’s torture. You hurt, and I’m in agony. You smile, and it’s like I’ve won the world. Don’t even get me started on your laugh.” I can’t breathe. My lungs have officially stopped working. “Anima, Tess. Breath of life.” Luka curls his fingers around the back of my neck. “It’s not your safety I care about. It’s your being.
K.E. Ganshert (The Awakening (Gifting, #2))
Look,” she said, holding up his bowl. “You finished all of it.” This boy, who was standing in the corner, voluntarily and unhappily, when I first saw him; who wouldn’t interact with the other kids, who frowned chronically, who wouldn’t respond to me when I tickled and prodded him, trying to get him to play—this boy broke immediately into a wide, radiant smile. It brought joy to everyone at the table. Twenty years later, writing it down today, it still brings me to tears. Afterward, he followed my wife around like a puppy for the rest of the day, refusing to let her out of his sight. When she sat down, he jumped in her lap, cuddling in, opening himself back up to the world, searching desperately for the love he had been continually denied. Later in the day, but far too soon, his mother reappeared. She came down the stairs into the room we all occupied. “Oh, SuperMom,” she uttered, resentfully, seeing her son curled up in my wife’s lap. Then she departed, black, murderous heart unchanged, doomed child in hand. She was a psychologist. The things you can see, with even a single open eye. It’s no wonder that people want to stay blind.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
The progressive form of the verb go has been available for centuries in constructions such as I am going home, in which go clearly retains its ordinary verbal sense. This same construction could also be used with a complement of purpose, in cases like I am going to visit Mrs Pumphrey, in which the verb go still had its ordinary meaning: the structure of such a sentence was [I] [am going] [to visit Mrs Pumphrey], broadly parallel to [I] [am going] [home]. Such a sentence could be uttered by a speaker who was actually on her way to Mrs Pumphrey’s house, but equally, and crucially, it could be uttered by someone just about to set out, just like I’m going home. As a consequence, speakers began to reanalyse such utterances as expressing, not actual motion, but rather an intention for the near future. Accordingly, it became possible for something like I am going to buy a new carriage to be said by someone curled up comfortably at home with no immediate intention of moving. This largely happened in the early nineteenth century, but the new usage has extended its domain very rapidly, and today we routinely say things like You’re going to like this book, in which no relevant motion is even conceivable: the be going to construction has entirely lost its original connection with movement and become a mere grammatical marker of the (near) future. Together with this grammaticalization, the structure has been reanalysed: we no longer have the old structure [I] [am going] [to buy a new car]; instead, we have [I] [am] [going to] [buy a new car], in which going to forms part of a single grammatical marker. To see this, observe that this new going to can now be reduced to gonna, as in I’m gonna buy a new car. The same is not possible with the ordinary progressive of the verb go, as in *I’m gonna the beach, in which going and to do not constitute parts of a single grammatical form.
Robert McColl Millar (Trask's Historical Linguistics)
A small ginger cat arrives on my terrace every afternoon, to curl up in the sun and slumber peacefully for a couple of hours. When he awakes, he gets on his feet with minimum effort, arches his back and walks away as he had come. The same spot every day, the same posture, the same pace. There may be better spots—sunnier, quieter, frequented by birds that can be hunted when the cat is rested and restored. But there is no guarantee, and the search will be never-ending, and there may rarely be time to sleep after all that searching and finding. It occurs to me that perhaps the cat is a monk. By this I do not mean anything austere. I doubt anyone in single minded pursuit of enlightenment ever finds it. A good monk would be a mild sort of fellow, a bit of a sensualist, capable of compassion for the world, but also for himself. He would know that it is all right not to climb every mountain. A good monk would know that contentment is easier to attain than happiness, and that it is enough.
Ruskin Bond (A Book of Simple Living)