Cupid Love Quotes

Love looks not with the eyes, but with the mind; And therefore is wing'd Cupid painted blind. Nor hath love's mind of any judgment taste; Wings and no eyes figure unheedy haste: And therefore is love said to be a child, Because in choice he is so oft beguil'd.

Oh, did you expect me to play fair?" Cupid laughed. "I am the god of love. I am never fair.

Love cannot live where there is no trust.

Love was the most savage monster of all.

Is this guy Love or Death?" Jason growled. Ask your friends, Cupid said. Frank, Hazel, and Percy met my counterpart, Thanatos. We are not so different. Except Death is sometimes kinder.

Love is on every side, Cupid said. And no one's side. Don't ask what Love can do for you. "Great," Jason said. "Now he's spouting greeting card messages.

Nico's voice was like broken glass. "I- I wasn't in love with Annabeth." "You were jealous of her," Jason said. "That's why you didn't want to be around her. Especially why you don't want to be around... him. It makes total sense.

Nothing?" Favonius cried. "The one you care for most... plunged into Tartarus, and you still will not allow the truth?" Suddenly Jason felt like he was eavedropping. The one you care for most.

Christianity gave Eros poison to drink; he did not die of it, certainly, but degenerated to Vice.

Things base and vile, holding no quantity, Love can transpose to form and dignity. Love looks not with the eyes, but with the mind, And therefore is winged Cupid painted blind. Nor hath Love's mind of any judgment taste; Wings and no eyes figure unheedy haste.

Sometimes it's the toughest moments that you learn the most about yourself, and the more you know yourself, the less you are willing to give away.

A world without men would consists of a bunch of fat, happy women with no crime.

Nico, you can do this," Jason said. "It might be embarrassing, but it's for the scepter." Nico didn't look convinced. In fact he looked like he was going to be sick. But he squared his shoulders and nodded. "You're right. I- I'm not afraid of a love god." Favonius beamed. "Excellent! Would you like a snack before you go?

For you know that I myself am a labyrinth, where one easily gets lost.

Still hiding, Cupid said, smashing another skeleton to pieces. You do not have the strength. "Nico," Jason managed to say, "it's okay. I get it." Nico glanced over, pain and misery washing across his face. "No you don't," he said. "There's no way you can understand." And so you run away again, Cupid chided. From your friends, from yourself.

The story of Psyche finally made sense to him- why a mortal girl would be so afraid. Why would she risk breaking the rules to look the god of love in the face, because she feared he might be a monster. Psyche had been right. Cupid was a monster. Love was the most savage monster of all.

Poor Nico di Angelo. The god's voice was tinged with disappointment. Do you know what you want, much less what I want? My beloved Psyche risked everything in the name of Love. It was the only way for her to atone for her lack of faith. And you- what have you risked in my name? "I've been to Tartarus and back," Nico snarled. "You don't scare me." I scare you very, very much. Face me. Be honest.

They looked like a pair of cupids who had decided they liked shooting people with real arrows better. They were horrible. I loved them so much.

Sometimes when we're not paying attention, relationships hap­pen. There is no rule that requires two people in love to be ex­actly alike. In fact, there is some scientific evidence to suggest that on a genetic level, the people who are the most opposite are the most likely to have a healthy and long-lasting pairing. But really, who can explain the mysteries of attraction? Blame it on Cupid. The moon. The shape of a smile. Both of you can thrive on your differences, as long as you respect them. You say tomato, he says tomahto . Let it happen, Dive in head first. We usually learn the most about ourselves from people who are different from us. —Miss Independent (ella varner)

Images flashed through his mind. He saw Nico and his sister on a snowy cliff in Maine, Percy Jackson protecting them from a manticore. Percy's sword gleamed in the dark. He'd been the first demigod Nico had ever seen in action. Later, at Camp Half-Blood, Percy took Nico by the arm, promising to keep his sister Bianca safe. Nico believed him. Nico looked into his sea-green eyes and thought, How can he possibly fail? This is a real hero. He was Nico's favorite game, Mythomagic, brought to life. Jason saw the moment when Percy returned and told Nico that Bianca was dead. Nico had screamed and called him a liar. He'd felt betrayed, but still... when the skeleton warriors attacked, he couldn't let them harm Percy. Nico had called on the earth to swallow them up, and then he'd run away- terrified of his own powers, and his own emotions.

No, the secret is that there's no reward and we have to endure our characters and our natures as best we can, because no amount of experience or insight is going to rectify our deficiencies, our self-regard, or our cupidity. We have to learn that our desires do not find any real echo in the world. We have to accept that the people we love do not love us, or not in the way we hope. We have to accept betrayal and disloyalty, and, hardest of all, that someone is finer than we are in character or intelligence.

She is a mortal danger to all men. She is beautiful without knowing it, and possesses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush! Anyone who has seen her smile has known perfection. She instills grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as you.

Well, in that hit you miss. She'll not be hit With Cupid's arrow. She hath Dian's wit, And, in strong proff of chastity well armed, From Love's weak childish bow she lives uncharmed. She will not stay the siege of loving terms, Nor bide th' encounter of assailing eyes, Nor ope her lap to saint-seducing gold. O, she is rich in beauty; only poor That, when she dies, with dies her store. Act 1,Scene 1, lines 180-197

Love and the Soul (for that is what Psyche means) had sought and, after sore trials, found each other; and that union could never be broken. (Cupid and Psyche)

I believe in love and lust and sex and romance. I don't want everything to add up to some perfect equation. I want mess and chaos. I want someone to go crazy out of his mind for me. I want to feel passion and heat and sweat and madness. I want valenties and cupids and all of that crap. I WANT IT ALL

Cupid is anything but cute. As for handing our hearts, he’s more likely to rip them out. (Julian) But he can make people fall in love. (Selena) No. What he offers is an illusion. No power from above can make one human love another. Love comes from within the heart. (Julian)

He moved closer to her, his face just inches away from her. They stood motionless. Jason looked deep into her eyes. He tore away her barriers and locked eyes. His nose two inches away, he slightly tilted his face and looked at her lips. She slightly turned her face at the opposite angle.

Maggie scoffed. "Denial will not save you when Cupid's arrow find its mark." "If i see Cupid anywhere in the vicinity, I'm ripping his chubby little arms off." Vanda yanked the door open to Romatech.

It is a difficult matter to keep love imprisoned.

If you can't laugh, you won't make it.

For the first time, Cupid's gaze seemed sympathetic. "Oh, I wouldn't say Love always makes you happy." His voice sounded smaller, much more human. "Sometimes it makes you incredible sad. But at least you've faced it now. That's the only way to conquer me.

It was February sixth: eight days until Valentine's Day. I was dateless, as usual, deep in the vice grip of unrequited love. It was bad enough not having a boyfriend for New Year's Eve. Now I had to cope with Valentine datelessness, feeling consummate social pressure from every retailer in America who stuck hearts and cupids in their windows by January second to rub it in.

Love looks not with the eyes, but with the mind, and, therefore, is winged cupid blind. I don't need to see you, Phillipe, to know you feel as I do.

I am part of everyone I ever dated on OK Cupid.

Cupid," Jason called, "where are you?" 'Where you least expect me,' Cupid answered. 'As love always is.

Find Cupid everywhere in Rome because we'd clipped one of his wings and he was forced to fly in circles.

Stupid cupid keeps on calling me, but I see nothing in his eyes. I miss my babe

People wish and the stars try to grant, but even as the stars sacrifice themselves and fall, so many wishes are wasted, just as so much love is lost.

Old boy," said Grimes, "you're in love." "Nonsense!" "Smitten?" said Grimes. "No, no." "The tender passion?" "No." "Cupid's jolly little darts?" "No." "Spring fancies, love's young dream?" "Nonsense!" "Not even a quickening of the pulse?" "No." "A sweet despair?" "Certainly not." "A trembling hope?" "No." "A frisson? a Je ne sais quoi?" "Nothing of the sort." "Liar!" said Grimes.

Cupid's not the only one with an arrow," I scowled

Women. You'll interpret anything as love. You see a man wearing an idiotic expression, and you assume he's been struck by Cupid's arrow when in reality, he's digesting a bad turnip.

Since my trips to Earth, I've only managed to assemble a few basics facts about humans, condensing them in to four, overall points: kids got Reese's, teens got recess, adults got recessions, and seniors got receding.

The more a woman appreciates the hunting prowess of her man, the more he will kill for her.

It's possible, and I stress possible, that such a moment may never come: you may not fall in love, you may not be able to or you may not wish to give your whole life to anyone, and, like me, you may turn forty-five one day and realize that you're no longer young and you have never found a choir of cupids with lyres or a bed of white roses leading to the altar. The only revenge left for you then will be to steal from life the pleasure of firm and passionate flesh - a pleasure that evaporates faster than good intentions and is the nearest thing to heaven you will find in this stinking world where everything decays, beginning with beauty and ending with memory.

Please, Nico. Look at me.’ The voice had changed. It was warm, like honey, like a late-summer sunset, like the first rush of heat from a campfire. It was Cupid. No. It was love. Nico turned slowly, and there stood Will Solace, his golden hair lit oh-so- perfectly in the dreamlike daylight of Salona.

That hallmark image of cupid as a fat cherub with arrows? I think the real cupid is some kind of psycho juvie with a taser.

I would have to break the ice with a warm smile that would melt her heart.

Love is a two-way street.

My name? My name is nothing compared to Orion.” “No, I love your name. You’ve got tons of nickname opportunities. I got O, and that’s it. Oh, actually, I also had people calling me ‘Oreo’ in high school. Hated that.” “That’s bad, but at least you didn’t have to deal with ‘Valentino’s Day’ every Valentines Day. I had to ask out my friends’ crushes for them like I was Cupid.” “I’m so sorry, Cupid.” “It’s okay, Oreo.

..,No love cannot leave where there is no trust..,~cupid and psyche..,"Greek mythology of Edith Hamilton

[...] "boy meets the girl, they fall in love but - oh - they can't possibly be together because of some terrible but really very easy-to-resolve misunderstanding" plots that always ended happily ever after with a passionate kiss and/or a wedding [...]

What a woman should know -When to just let him zone out on video games, his computer, or phone. -When to let him control the day or situation. -When to just shut up and kiss him.

Falling in love is dying by the cupid's bow.

Falling in love can be likened to someone, falling from a high building. The possible result will be unconsciousness if not death. Take it that, anybody that falls in love is either unconscious or dead.

Because all villains have a heart, even if they choose not to embrace it.

…you know how hard it is to be utterly, drop dead gorgeous," she said, twirling that shiny instrument of torture she liked to call her hair.

I’ll tell you what love is. Love is walking up and down Archer Road in Gainesville, Florida and feeling like Cupid. Too bad the cops took issue with me hitch hiking with a bow and arrow.

It wasn‟t even desire. It was far more than that. It was love. Love. With a capital L and swirly script and hearts and flowers and whatever else the angels— and yes, all those annoying little cupids—wished to use for embellishment.

If we wear our worst reviews like a backpack, they travel with us.

Cupid and Bacchus my saints are, May drink and love still reign, With wine I wash away my cares, And then to cunt again.

I guess, all he was ever guilty of, was making me fall in love with him, and making me believe that he liked me too. But I guess that's just what boys do.

Yet another sign that love turned the most level-headed of people into fools. It was enough to make a man want to hunt Cupid down and string the bastard up using his own arrows.

Venus of Eryx, from her mountain throne, Saw Hades and clasped her swift-winged son, and said: 'Cupid, my child, my warrior, my power, Take those sure shafts with which you conquer all, And shoot your speedy arrows to the heart Of the great god to whom the last lot fell When the three realms were drawn. Your mastery Subdues the gods of heaven and even Jove, Subdues the ocean's deities and him, Even him, who rules the ocean's deities. Why should Hell lag behind? Why not there too Extend your mother's empire and your own....? Then Cupid, guided by his mother, opened His quiver of all his thousand arrows Selected one, the sharpest and the surest, The arrow most obedient to the bow, And bent the pliant horn against his knee And shot the barbed shaft deep in Pluto's heart.

Love is the most complex of all emotions. Hate is clean and uncomplicated, but love will turn you inside out and when it goes awry you’re left wondering what you did wrong. You always blame yourself even though the only wrong you’ve done is to give your heart to someone who was not part of your plan.

Romantic comedies are there to give us dreams and butterflies, but what we can create in our own lives could be not only better but real.

Cupid's arrow is straight and sharp, never misses its mark, but it leaves one hell of an exit wound.

I little esteeme to see your visage and figure, little doe I regard the night and darknesse thereof, for you are my only light.

If they wanted Prince Charming, then he was just going to have to put on the greatest act of his entire life and become the ultimate Prince Uncharming.

After centuries of promoting romance, Kordelia finally became the receiver to the very arrow of love, that she was once the archer to.

This wimpled, whining, purblind, wayward boy, this Senior Junior, giant dwarf...Cupid.

I can taste one sugar crystal, just like I can feel one Cupid (the metric unit of measurement for love).

If I canot know your name, may I light a lamp so I can see your face?' If you sould ever see my face, you will lose me forever.' Why?' Psyche wanted to know. 'Are you ugly? Are you afraid I won't love you if I see your face?' Perhaps I am afraid that if you see my face, it will be THAT that you will love and not me.' I understand, believe me. I know what that feels like.

There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.

The god of Delos, proud in victory, Saw Cupid draw his bow's taut arc, and said: 'Mischievous boy, what are a brave man's arms To you? That gear becomes my shoulders best. My aim is sure; I wound my enemies, I wound wild beasts; my countless arrows slew But now the bloated Python, whose vast coils Across so many acres spread their blight. You and your loves! You have your torch to light them!Let that content you; never claim my fame!' And Venus' son replied: 'Your bow, Apollo, May vanquish all, but mine shall vanquish you. As every creature yields to power divine, So likewise shall your glory yield to mine.

Games?" Cupid struck, slapping Nico sideways into a granite pedestal. "Love is no game! It is no flowery softness! It is hard work- a quest that never ends. It demands everything from you- especially the truth. Only then does it yield rewards.

There is a lady sweet and kind, Was never a face so pleased my mind; I did but see her passing by. And yet I'll love her till I die. Her gesture, motion, and her smiles, Her wit, her voice my heart beguiles, Beguiles my heart, I know not why, And yet I'll love her till I die. Cupid is winged and he doth range, Her country, so, my love doth change. But change she earth, or change she sky, Yet, I will love her till I die.

Love goes by haps, Some cupid kills with arrows, Some with traps

Rest assured that I, Kordelia Silverheart, will find your happy ending, even if I have to create it myself.

It’s hard for men like him to accept the supernatural. They’re used to following rigid scientific frameworks. They often think with their minds, not with their hearts.

love's heralds should be thoughts, Which ten times faster glide than the sun's beams, Driving back shadows over louring hills: Therefore do nimble-pinion'd doves draw love, And therefore hath the wind-swift Cupid wings.

In Poetry class, Professor Sappho teaches us how to compose love ballads. She's a swell teacher and all but I'm not sure I understand her. She's always going on and on about her weekend trips with the other goddesses to the island of Lesbos.

Special. Cute. Friends. He wished she'd just cut his testicles off and be done with it already. Depending on the next adjective she chose for him, he would either qualify as a card-carrying member of Emasculated Men's Club or a Muppet. No wonder he avoided love for as long as he had. When it went unrequited, it truly sucked.

She feels like the first drags of fresh cigaretter but last crunches of cherry suckers. She feels like final coats of nail polish. She feels like lines of coke. She feels like knuckles you crack after a long day. She feels like Miami rain. She feels like empty football fields. She feels like full stadiums. She feels like absinthe. She feels like dangling from a helicopter. She feels like classical music. She feels like standing on a motorcycle. She feels like train tracks. She feels like frozen yogurt. She feels like destroying a piano. She feels like rooftops. She feels like fleeing from cops. She feels like stitches. She feels like strobe lights. She feels like blue carnival bears. She feels like curbs at 2 am. She feels like Cupid's Chokehold. She feels like running through Chicago. She feels like 1.2 million dollars. She feels like floors. She feels like everything he's ever wanted in life. […] “I love you more than I planned.

Love happened. Love came to show you that you could be more than you could ever imagine, because love forced you out of the narrows of yourself and thrust you into a vastness that stretched from one end of time to the other. Nothing mattered except being in the presence of love, the greatest beauty of all.

Night fell, and her husband came to bed, and as soon as they had finished kissing and embracing each other, he fell fast asleep. Psyche was not naturally either very strong or very brave, but the cruel power of fate made a virago of her. Holding the carving knife in a murderous grip, she uncovered the lamp and let its light shine on the bed. At once the secret was revealed. There lay the gentlest and sweetest of all wild creatures, Cupid himself, the beautiful Love-god, and at sight of him the flame of the lamp spurted joyfully up and the knife turned its edge for shame. Psyche was terrified. She lost all control of her senses, and pale as death, fell trembling to her knees, where she desperately tried to hide the knife by plunging it in her own heart. She would have succeeded, too, had the knife not shrunk from the crime and twisted itself out of her hand.

How come love sounds so violent? You fall head over heels. You’re struck by Cupid’s arrow. You take the risk of having your heart broken. From an outside perspective, it sounds impossibly painful, not worth the trouble. And yet we do it every day. We keep coming back for more. Why? If it weren’t so perilous, maybe we wouldn’t crave it so much. Maybe it has to be brutal, in order to work. People come in so many shapes and sizes that it takes a bit of force in order to fit together perfectly. But you know what they say about a break that heals: it’s always stronger than before.

Cupid, that chubby cherub love dispenser, is dead. But before he died, he appointed me his apprentice in love. I loved Cupid, and that was precisely why I killed him. I strangled him. Then I shot him 17 times with his heart-shaped arrows. Then I burned his body while I roasted and toasted marshmallows and toasted to the good times he brought to the world. Then I took his ashes and mixed them in cake batter and literally consumed him. Mark it down: I have officially taken over as the foremost authority on love. I can't fly around like he could, but I have other endearing qualities. I can’t think of any at the moment, but I must have some.

... deep inside you was a frantic longing to be something or someone other than you are. It is the greatest scourge a man can suffer, and the most painful. Life becomes bearable only when one has come to terms with who one is, both in one's own eyes and in the eyes of the world. We all of us must come to terms with what and who we are, and recognize that this wisdom is not going to earn us any praise, that life is not gong to pin a medal on us for recognizing and enduring our own vanity or egoism or baldness or our pot-belly. No, the secret is that there's no reward and we have to endure our characters and our natures as best we can, because no amount of experience or insight is going to rectify our deficiencies, our self-regard, or our cupidity. We have to learn that our desires do not find any real echo in the world. We have to accept that the people we love do not love us, or not in the way we hope. We have to accept betrayal and disloyalty, and hardest of all, that someone is finer than we are in character or intelligence.

No, we never sicken with love twice. Cupid spends no second arrow on the same heart. Love's handmaids are our life-long friends. Respect, and admiration, and affection, our doors may always be left open for, but their great celestial master, in his royal progress, pays but one visit and departs. We like, we cherish, we are very, very fond of--but we never love again.

8 April 1891 The obscenity of nostrils and mouths; the ignominious cupidity of smiles and women encountered in the street; the shifty baseness on every side, as of hyenas and wild beasts ready to bite: tradesmen in their shops and strollers on their pavements. How long must I suffer this? I have suffered it before, as a child, when, descending by chance to the servant's quarters, I overheard in astonishment their vile gossip, tearing up my own kind with their lovely teeth. This hostility to the entire race, this muted detestation of lynxes in human form, I must have rediscovered it later while at school. I had a repugnance and horror for all base instincts, but am I not myself instinctively violent and lewd, murderous and sensual? Am I any different, in essence, from the members of the riotous and murderous mob of a hundred years ago, who hurled the town sergeants into the Seine and cried, 'String up the aristos!' just as they shout 'Down with the army!' or 'Death to the Jews!

The Holy Mother has many faces, but you know it's her from her blue cloak. She is said to be the spirit in all women." "Look, here she is naked and the baby Jesus has wings, " said Lucien. "That is not the Holy Mother, that's Venus and that's not Jesus, that is Cupid, the Roman god of love." "Wouldn't she have the spirit of the Holy Mother as well?" "No, she is a pagan myth." "What about Maman? Is the spirit of the Holy Mother in her?" "No, Lucien, your mother is also a pagan myth. Come, look at these paintings of wrestlers.

Tonight, some thirty thousand couples will have their first date because of OkCupid. Roughly three thousand of them will end up together long-term. Two hundred of those will get married, and many of them, of course, will have kids. There are children alive and pouting today, grouchy little humans refusing to put their shoes on right now, who would never have existed but for the whims of our HTML.

And when wine has soaked Cupid’s drunken wings, he’s stayed, weighed down, a captive of the place. ... Wine rouses courage and is fit for passion: care flies, and deep drinking dilutes it. ... Don’t trust the treacherous lamplight overmuch: night and wine can harm your view of beauty. Paris saw the goddesses in the light, a cloudless heaven, when he said to Venus: ‘Venus, you win, over them both.’ Faults are hidden at night: every blemish is forgiven, and the hour makes whichever girl you like beautiful. Judge jewellery, and fabric stained with purple, judge a face, or a figure, in the light.

In your study of anatomy, did you ever learn the name of the place between the nose and the lip?” Her lips parted, and she resisted the urge to lean toward him, to force him to touch her. She answered on a whisper. “The philtrum.” He smiled. “Clever girl. It is Latin. Do you know its meaning?” “No.” “It means love potion. The Romans believed it was the most erotic place on the body. They called it Cupid’s bow, because of the way it shapes the upper lip.” As he spoke, he ran his finger along the curve of her lip, a temptation more than a touch, barely there. His voice grew softer, deeper. “They believed it was the mark of the god of love.” She

Love hurts. Think back over romance novels you’ve loved or the genre-defining books that drive our industry. The most unforgettable stories and characters spring from crushing opposition. What we remember about romance novels is the darkness that drives them. Three hundred pages of folks being happy together makes for a hefty sleeping pill, but three hundred pages of a couple finding a way to be happy in the face of impossible odds makes our hearts soar. In darkness, we are all alone. So don’t just make love, make anguish for your characters. As you structure a story, don’t satisfy your hero’s desires, thwart them. Make sure your solutions create new problems. Nurture your characters doubts and despair. Make them earn the happy ending they want, even better…make them deserve it. Delay and disappointment charge situations and validate character growth. Misery accompanies love. It’s no accident that many of the stories we think of as timeless romances in Western Literature are fiercely tragic: Romeo and Juliet, Tristan and Isolde, Cupid and Psyche… the pain in them drags us back again and again, hoping that this time we’ll find a way out of the dark. Only if you let your characters get lost will we get lost in them. And that, more than anything else, is what romance can and should do for its protagonists and its readers: lead us through the labyrinth, skirt the monstrous despair roaming its halls, and find our way into daylight.

Ah…” Favonius nodded sympathetically. “I don’t blame you for being nervous, Nico di Angelo. Do you know how I ended up serving Cupid?” “I don’t serve anyone,” Nico muttered. “Especially not Cupid.” Favonius continued as if he hadn’t heard. “I fell in love with a mortal named Hyacinthus. He was quite extraordinary.” “He…?” Jason’s brain was still fuzzy from his wind trip, so it took him a second to process that. “Oh…” “Yes, Jason Grace.” Favonius arched an eyebrow. “I fell in love with a dude. Does that shock you?” Honestly, Jason wasn’t sure. He tried not to think about the details of godly love lives, no matter who they fell in love with. After all, his dad, Jupiter, wasn’t exactly a model of good behavior. Compared to some of the Olympian love scandals he’d heard about, the West Wind falling in love with a mortal guy didn’t seem very shocking. “I guess not. So…Cupid struck you with his arrow, and you fell in love.

She feels like the first drags of fresh cigarettes but last crunches of cherry suckers. She feels like final coats of nail polish. She feels like lines of coke. She feels like knuckles you crack after a long day. She feels like Miami rain. She feels like empty football fields. She feels like full stadiums. She feels like absinthe. She feels like dangling from a helicopter. She feels like classical music. She feels like standing on a motorcycle. She feels like train tracks. She feels like frozen yogurt. She feels like destroying a piano. She feels like rooftops. She feels like fleeing from cops. She feels like stitches. She feels like strobe lights. She feels like blue carnival bears. She feels like curbs at 2 am. She feels like Cupid's Chokehold. She feels like running through Chicago. She feels like 1.2 million dollars. She feels like floors. She feels like everything he's ever wanted in life. […] “I love you more than I planned.

A feeling struck me one fine day that people call ‘love’, Before that my life was empty, all I had was loneliness and sorrow… I loved the way it felt being with him, for I felt up above, Now everything was complete and nothing remained hollow… That person who cupid made me fall for, was a God descended from heavens, I loved him with all I had, a true heart and a pure soul… I thought I achieved the meaning of life, never did I felt so glad, But when he left me amidst a chaos, I had no one with me to console… I cried, it hurt, I wept and screamed, everyone called me ‘mad’, And still I wonder if in my life, that actually was his role… But a string still binds me to my past of untold vow, Some unsaid promises that linger between us even now, Although I don’t know where he went after that fateful day… I still try to convince myself every day, I know how, Each moment has been tough, each day a new challenge… Each hour passed as if it was my heart that always allowed, One more day to live without him, one more day to cherish… One more day to spend without the love of my life somehow, But he doesn’t know that one day, the girl herself would perish… Who loved him and lived each day of her life in his wait, For the man who never returned, for the man who wasn’t in her fate…

Dearest Reece, I know you think it improper, or at the very least imprudent, for us to write to one another, but I don't care.There are too many rules as it is and they would choke me if I let them. Between corsets and lessons and curtsies and etiquette, I am hardly myself, and that is how they want it. They would prefer we all dress and talk and think (or not think) alike, like paper dolls. I do not wish to be a paper doll. Surely you can see that I am stronger than that.I don't give a fig for the scandalbroth or the gossipmongers. Let us remove to Paris, where no one knows us to care and where they dine on scandal with eclairs every morning. You will say again that it is impossible but I refuse to believe it. I know with every touch of your hand on mine, with every stolen kiss, that nothing is impossible. Perhaps love isn't meant to be simple. Perhaps this is merely a test, such as Psyche went through to prove herself to Cupid. Would you have me count lentils, beloved? And as you claim I have the most to lose, I pray you will let me decide for myself what it is I want and need. Which is you. Not silks or lobster soup in crystal bowls or diamonds around my neck. Just you. You say again and again that you love me. Prove it.

What makes my bed seem hard seeing it is soft? Or why slips downe the Coverlet so oft? Although the nights be long, I sleepe not tho, My sides are sore with tumbling to and fro. Were Love the cause, it's like I shoulde descry him, Or lies he close, and shoots where none can spie him? T'was so, he stroke me with a slender dart, Tis cruell love turmoyles my captive hart. Yeelding or striving doe we give him might, Lets yeeld, a burden easly borne is light. I saw a brandisht fire increase in strength, Which being not shakt, I saw it die at length. Yong oxen newly yokt are beaten more, Then oxen which have drawne the plow before. And rough jades mouths with stubburn bits are tome, But managde horses heads are lightly borne, Unwilling Lovers, love doth more torment, Then such as in their bondage feele content. Loe I confesse, I am thy captive I, And hold my conquered hands for thee to tie. What needes thou warre, I sue to thee for grace, With armes to conquer armlesse men is base, Yoke VenusDoves, put Mirtle on thy haire, Vulcan will give thee Chariots rich and faire. The people thee applauding thou shalte stand, Guiding the harmelesse Pigeons with thy hand. Yong men and women, shalt thou lead as thrall, So will thy triumph seeme magnificall. I lately cought, will have a new made wound, And captive like be manacled and bound. Good meaning, shame, and such as seeke loves wrack Shall follow thee, their hands tied at their backe. Thee all shall feare and worship as a King, Jo, triumphing shall thy people sing. Smooth speeches, feare and rage shall by thee ride, Which troopes hath alwayes bin on Cupids side: Thou with these souldiers conquerest gods and men, Take these away, where is thy honor then? Thy mother shall from heaven applaud this show, And on their faces heapes of Roses strow. With beautie of thy wings, thy faire haire guilded, Ride golden Love in Chariots richly builded. Unlesse I erre, full many shalt thou burne, And give woundes infinite at everie turne. In spite of thee, forth will thy arrowes flie, A scorching flame burnes all the standers by. So having conquerd Inde, was Bacchus hew, Thee Pompous birds and him two tygres drew. Then seeing I grace thy show in following thee, Forbeare to hurt thy selfe in spoyling mee. Beholde thy kinsmans Caesars prosperous bandes, Who gardes the conquered with his conquering hands. -- ELEGIA 2 (Quodprimo Amore correptus, in triumphum duci se a Cupidine patiatur)