Cunningham Family Quotes

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We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep. It's as simple and ordinary as that. A few jump out windows, or drown themselves, or take pills; more die by accident; and most of us are slowly devoured by some disease, or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined, though everyone but children (and perhaps even they) know these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more. Heaven only knows why we love it so...
Michael Cunningham (The Hours)
Family is not whose blood runs in your veins, it's who you'd spill it for.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
But I promised to be reliable, not competent
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
If a killer is ever revealed and your ‘percentage read’ isn’t at least in the high eighties, they cannot be the real killer; there is simply too much of the book still to be read.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
There are times when you don't belong and you think you're going to kill yourself. Once I went to a hotel. Later that night I made a plan. The plan was I would leave my family when my second child was born. And that's what I did. I got up one morning, made breakfast, went to the bus stop, got on a bus. I'd left a note. I got a job in a library in Canada. It would be wonderful to say you regretted it. It would be easy. But what does it mean? What does it mean to regret when you have no choice? It's what you can bear. There it is. No-one's going to forgive me. It was death. I chose life." -Laura Brown-
Michael Cunningham (The Hours)
Owe, owe, owe. You use that word so much. A family is not a credit card.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Call me a reliable narrator. Everything I tell you will be the truth, or, at least, the truth as I knew it to be at the time that I thought I knew it.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
Anger is as much an heirloom as any Rolex.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep--it's as simple and ordinary as that. A few jump out of windows or drown themselves or take pills; more die by accident; and most of us, the vast majority, are slowly devoured by some disease or, if we're very fortunate, by time itself.
Michael Cunningham (The Hours)
You can tell a lot about someone from whether they can handle an uncomfortable silence. If they ride it out or snap it off.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
Every basic task starts to feel like a decision, and that becomes so draining that you end up unable to make any of them.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Constantine, eight years old, was working in his father's garden and thinking about his own garden, a square of powdered granite he had staked out and combed into rows at the top of his family's land.
Michael Cunningham (Flesh and Blood)
But a bad person who thinks they’re a good one—now, that’s what got him into trouble.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
The wind was cruel; it found every crevasse in my clothes, invaded and patted me down like I owed it money.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Have I killed someone? Yes. I have. Who was it? Let’s get started.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
a shitty personality can make even the finest man on earth seem ugly.
Ember Casey (His Wicked Games (His Wicked Games, #1; The Cunningham Family, #1))
...my editor had crossed out my first go at this sentence and written Hypo=cold, Hyper=hot in the margin, in that helpful yet smug voice editors are born with, wishing to both correct you and impart their correctness upon you at the same time.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
know some authors are incapable of having a woman throw up without it being a clue to a pregnancy. These same authors seem to think nausea is the only indication of childbearing, not to mention their belief that vomit shoots out the woman’s mouth within hours of plot-convenient fertilisation. By some authors, I mean male ones.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
I'm sorry about before," I said. Seeing as we were shoulder to shoulder, I spoke outwards, lobbing my apology into the void of the mountain. It's the only way blokes know how to show humility, by pretending we're at a urinal.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
We are seven chapters away from the next death.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
Just look at how they’ve treated you. And you still think you owe them? One day you’ll realise family isn’t about whose blood runs in your veins, it’s who you’d spill it for.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
There is only one plot hole you could drive a truck through.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
one of the kindest things you can do to someone is to cut them off.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
One day you’ll realize family isn’t about whose blood runs in your veins, it’s who you’d spill it for.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
This works to spoil films too: the highest-profile actor with the fewest lines is always the villain, and a sudden wide-shot of a character crossing a road means they are about to be hit by a car. A good author must not only wrong-foot the reader within the narrative, they must do it within the form of the novel itself. There are clues baked into the very object.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
But I have no patience for cheaters. I don’t care what people say—cheating never ‘just happens.’ If your eye’s wandering, then there’s something wrong with your relationship. Either work things out with your partner or have the balls to break things off before jumping into bed with someone else. It’s pretty simple.
Ember Casey (Her Wicked Heart (Her Wicked Heart, #1; The Cunningham Family, #3))
I wanted a settled life and a shocking one. Think of Van Gogh, cypress trees and church spires under a sky of writhing snakes. I was my father's daughter. I wanted to be loved by someone like my tough judicious mother and I wanted to run screaming through the headlights with a bottle in my hand. That was the family curse. We tended to nurse flocks of undisciplined wishes that collided and canceled each other out. The curse implied that if we didn't learn to train our desires in one direction or another we were likely to end up with nothing. Look at my father and mother today. I married in my early twenties. When that went to pieces I loved a woman. At both of those times and at other times, too, I believed I had focused my impulses and embarked on a long victory over my own confusion. Now, in my late thirties, I knew less than ever about what I wanted. In place of youth's belief in change I had begun to feel a nervous embarrassment that ticked inside me like a clock. I'd never meant to get this far in such an unfastened condition. (p.142)
Michael Cunningham (A Home at the End of the World)
Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
We haven’t met properly,” I said, as she threaded me through housekeeping carts vomiting fluffy white towels. “People call me Ern.” “As in, cremated?” “It’s short for Ernest.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
Andy didn’t need to say aloud what I’d written under “Next of kin”—It’s a family reunion, so anyone here, unless Avalanche
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
Because now I know that in the months after something so devastating, everything feels like sleepwalking.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
I am normally resolute in declining any invitation that comes with an Excel spreadsheet attached.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
I pegged him as a country cop who’d spent most of his career with his feet on the desk or giving tourists like Lucy speeding tickets. He seemed more annoyed to have been pulled from his comfortable day than interested in the corpse.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
...a much younger woman, one of those round-faced, tiny-featured women who were touted as beauties though they were not in fact particularly beautiful. They were simply the daughters of wealthy families powerful enough to demand that the concept of beauty be expanded to include them.
Michael Cunningham (Flesh and Blood)
I’d been so desperate to make a family, to force Erin to make me one, that I’d forgotten the one that had formed around me. Family is gravity. I realized then what Sofia had told me back at the very start of all this. Family is not whose blood runs in your veins, it’s who you’d spill it for.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
Do you promise that your detectives shall well and truly detect the crimes presented to them using those wits which it may please you to bestow upon them and not placing reliance on nor making use of Divine Revelation, Feminine Intuition, Mumbo Jumbo, Jiggery-Pokery, Coincidence, or Act of God? —Membership oath of the Detection Club, 1930, a secret society of mystery writers including Agatha Christie, G. K. Chesterton, Ronald Knox, and Dorothy L. Sayers
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
He can play the gentleman all he wants. I know he's still an asshole at heart.
Ember Casey (His Wicked Games (His Wicked Games, #1; The Cunningham Family, #1))
She slid the book in—it was miscategorized, if you ask me, since Mary Westmacott is a pseudonym for Agatha Christie, but what’s in a name?—turned and frowned
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
Maybe I’m only the Watson after all.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Advertised as the highest drive-in accommodation in Australia, which, to be fair, is like bragging about being the world’s tallest jockey,
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
There are things that cannot be changed, and you don’t try to change them.
Kimi Cunningham Grant (Silver Like Dust: One Family's Story of America's Japanese Internment)
We all need people to protect us sometimes.
Ember Casey (His Wicked Games (His Wicked Games, #1; The Cunningham Family, #1))
I don’t trust a single one of them. You’re the only person I can talk to because you’re the only one who was willing to stand up in that courtroom and condemn me.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Well, in that case, could you tell this wannabe Poirot to stop harassing your guests? And if you want to quell panic, how about not throwing the word “murder” around?
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
If a killer is ever revealed and your “percentage read” isn’t at least in the high eighties, they cannot be the real killer; there is simply too much of the book still to be read.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Witty repartee is not well serviced by truth.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
You write books about how to write books that you’ve never written, bought by people who will never write one.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Apart from the murders, it's been a successful reunion after all." Ernest Cunningham
Benjamin Stevenson, Everyone In My Family Has Killed Someone
I promised to be reliable, not competent.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
the repetition was a comfort against the burden of decision-making.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Corporate law is just the next evolution of skulduggery: the criminals are the same, they just drive better cars.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
don’t want to get too deep into the meaning-of-life crap, but when you’ve killed someone – sorry, when you’ve made the decision to kill someone – you’ve got to weigh it up. You know?
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Lucy commits to the rhetoric; she describes it as a business and tenses up whenever anyone says that specific word. So out of respect, I won't use it. I'll just say the Egyptians built them.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
I write how-to guides. You know - Ten easy steps to your first mystery; how to be an Amazon bestseller. That kind of thing. Oh, I get it, You write books about how to write books that you've never written, bought by people who will never write one
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
Milwaukee, Rebecca. Order and sobriety and a devotion to cleanliness that scours out the soul. Decent people doing their best to live decent lives, three's nothing really to hate them for, they do their jobs and maintain their property and love their children (most of the time); they take family vacations and visit relatives and decorate their houses for the holidays, collect some things and save up for other things; they're good people (most of them, most of the time), but if you were me, if you were young Pete Harris, you felt the modesty of it eroding you, depopulating you, all those little satisfactions and no big, dangerous ones; no heroism, no genius, no terrible yearning for anything you can't at least in theory actually have. If you were young lank-haired, pustule-plagued Pete Harris you felt like you were always about to expire from the safety of your life, its obdurate sensibleness, that Protestant love of the unexceptional; the eternal certainty of the faithful that flamboyance and the macabre are not just threatening but - worse - uninteresting.
Michael Cunningham (By Nightfall)
Cassie, you need to understand that he only agreed to undergo treatment because of you. He made this choice solely for you, and no one else. Despite being aware of the limited time he has left and the financial burden the treatment will impose on his family, he chose to stay by your side.” I knew, had known the moment he’d agree to undergo the treatment. I hated myself for being the cause of his pain. He continued to push. “Xuan is doing the cancer therapy stuff even though he didn’t want to. He loves you that much. And because you asked him to do this, he is. And one day, because of love, you will stand by Xuan until the end and you’ll have to watch him die. And because he loved you, you will eventually have to let him go, because that’s what he would want.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
Amy Cunningham, a funeral director in NY, ends a service, she purposefully tries to connect the grief of the family with that of mourners everywhere. She told me that she often ends her service by saying - 'May the source of peace grant you peace and grant peace to all who morn'. She connects this individual suffering to the larger existence of suffering in the world. Thereby making it both smaller and bigger.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
Yes, Clarissa thinks, it’s time for the day to be over. We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep—it’s as simple and ordinary as that. A few jump out of windows or drown themselves or take pills; more die by accident; and most of us, the vast majority, are slowly devoured by some disease or, if we’re very fortunate, by time itself. There’s just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we’ve ever imagined, though everyone but children (and perhaps even they) knows these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more.
Michael Cunningham (The Hours)
Do you ever think? What? They were lying together on the sofa that had always been there, the crappy beat-up biscuit-colored sofa that was managing, as best it could, its promotion from threadbare junk to holy artifact. You know. What if I don't know? You fucking do. Okay, yeah. Yes. I, too, wonder if Dad worried so much about every single little goddamned thing . . . That he summoned it. Thanks. I couldn't say it. That some god or goddess heard him, one time too many, getting panicky about whether she'd been carjacked at the mall, or had, like, hair cancer . . . That they delivered the think even he couldn't imagine worrying about. It's not true. I know. But we're both thinking about it. That may have been their betrothal. That may have been when they took their vows: We are no longer siblings, we are mates, starship survivors, a two-man crew wandering the crags and crevices of a planet that may not be inhabited by anyone but us. We no longer need, or want, a father. Still, they really have to call him. It's been way too long.
Michael Cunningham (The Snow Queen)
New people rarely went there to live. The same families married the same families until relationships were hopelessly entangled and the members of the community looked monotonously alike. Jean Louise, until the Second World War, was related by blood or marriage to nearly everybody in the town, but this was mild compared to what went on in the northern half of Maycomb County: there was a community called Old Sarum populated by two families, separate and apart in the beginning, but unfortunately bearing the same name. The Cunninghams and the Coninghams married each other until the spelling of the names was academic—academic unless a Cunningham wished to jape with a Coningham over land titles and took to the law. The only time Jean Louise ever saw Judge Taylor at a dead standstill in open court was during a dispute of this kind. Jeems Cunningham testified that his mother spelled it Cunningham occasionally on deeds and things but she was really a Coningham, she was an uncertain speller, and she was given to looking far away sometimes when she sat on the front porch. After nine hours of listening to the vagaries of Old Sarum’s inhabitants, Judge Taylor threw the case out of court on grounds of frivolous pleading and declared he hoped to God the litigants were satisfied by each having had his public say. They were. That was all they had wanted in the first place.
Harper Lee (Go Set a Watchman)
Roddy outgunned Cunningham in the brain department. He hung
Michael McGarrity (Backlands (Kerney Family #2))
Today’s Children, The Woman in White, and The Guiding Light crossed over and interchanged in respective storylines.) June 2, 1947–June 29, 1956, CBS. 15m weekdays at 1:45. Procter & Gamble’s Duz Detergent. CAST: 1937 to mid-1940s: Arthur Peterson as the Rev. John Ruthledge of Five Points, the serial’s first protagonist. Mercedes McCambridge as Mary Ruthledge, his daughter; Sarajane Wells later as Mary. Ed Prentiss as Ned Holden, who was abandoned by his mother as a child and taken in by the Ruthledges; Ned LeFevre and John Hodiak also as Ned. Ruth Bailey as Rose Kransky; Charlotte Manson also as Rose. Mignon Schrieber as Mrs. Kransky. Seymour Young as Jacob Kransky, Rose’s brother. Sam Wanamaker as Ellis Smith, the enigmatic “Nobody from Nowhere”; Phil Dakin and Raymond Edward Johnson also as Ellis. Henrietta Tedro as Ellen, the housekeeper. Margaret Fuller and Muriel Bremner as Fredrika Lang. Gladys Heen as Torchy Reynolds. Bill Bouchey as Charles Cunningham. Lesley Woods and Carolyn McKay as Celeste, his wife. Laurette Fillbrandt as Nancy Stewart. Frank Behrens as the Rev. Tom Bannion, Ruthledge’s assistant. The Greenman family, early characters: Eloise Kummer as Norma; Reese Taylor and Ken Griffin as Ed; Norma Jean Ross as Ronnie, their daughter. Transition from clergy to medical background, mid-1940s: John Barclay as Dr. Richard Gaylord. Jane Webb as Peggy Gaylord. Hugh Studebaker as Dr. Charles Matthews. Willard Waterman as Roger Barton (alias Ray Brandon). Betty Lou Gerson as Charlotte Wilson. Ned LeFevre as Ned Holden. Tom Holland as Eddie Bingham. Mary Lansing as Julie Collins. 1950s: Jone Allison as Meta Bauer. Lyle Sudrow as Bill Bauer. Charita Bauer as Bert, Bill’s wife, a role she would carry into television and play for three decades. Laurette Fillbrandt as Trudy Bauer. Glenn Walken as little Michael. Theo Goetz as Papa Bauer. James Lipton as Dr. Dick Grant. Lynn Rogers as Marie Wallace, the artist.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Ruthledge himself was the guiding light, the good Samaritan. He had a daughter, Mary, who grew up without a mother. Helping him raise the child was a kindly housekeeper, Ellen. Then there was Ned Holden, abandoned by his mother, who just turned up one night; being about Mary’s age, he forged a friendship with the little girl that inevitably, as they grew up, turned to love. They were to marry, but just before the wedding Ned learned that his mother was convicted murderess Fredrika Lang. What was worse, Ruthledge had known this and had not told him. Feeling betrayed, Ned disappeared. He would finally return, crushing Mary with the news that he now had a wife, the vibrant actress Torchy Reynolds. Also prominent in the early shows was the Kransky family. Abe Kransky was an orthodox Jew who owned a pawnshop. Much of the action centered on his daughter Rose and her struggle to rise above the squalor of Five Points. Rose had a scandalous affair with publishing magnate Charles Cunningham (whose company would bring out Ned Holden’s first book when Ned took a fling at authorship), only to discover that Cunningham was merely cheating on his wife, Celeste. In her grief, Rose turned to Ellis Smith, the eccentric young artist who had come to Five Points as “Mr. Nobody from Nowhere.” Smith (also not his real name) took Rose in to “give her a name.” The Kransky link with the Ruthledges came about in the friendship of the girls, Rose and Mary. In 1939, in one of her celebrated experiments, Phillips shifted the Kranskys into a new serial, The Right to Happiness. The Ruthledge-Kransky era began to fade in 1944, when actor Arthur Peterson went into the service. Rather than recast, Phillips sent Ruthledge away as well, to the Army as a chaplain. By the time Peterson-Ruthledge returned, two years later, the focus had moved. For a time the strong male figure was Dr. Richard Gaylord. By 1947 a character named Dr. Charles Matthews had taken over. Though still a preacher, and still holding forth at Good Samaritan, Ruthledge had moved out of center stage. The main characters were Charlotte
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
First off, make sure you won’t be interrupted during your religious (or magical) rite. If you’re at home, tell your family that you’ll be busy and aren’t to be disturbed. If alone, take the phone off the hook, lock the doors, and pull the blinds, if you wish. It’s best if you can ensure that you will be alone and undisturbed for some time.
Scott Cunningham (Wicca: A Guide for the Solitary Practitioner)
The backstory: Three years ago, my brother Michael arrived on my doorstep, with a man named Alan Holton in the back
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
I was glad my brother was into hotboxing, because the weed smoke lingering in the upholstery masked the smell of death.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
When the waiter left, I asked Xuan, “Have you ever wondered about God? Or religions other than your own?” “Most of my family is Buddhist. Growing up, every year my grandparents on my mother’s side organized a chaoshan jinxiang—what I think you know as a pilgrimage. We’d go to the city’s most important religious site, Miaofengshan, or the Mountain of the Wondrous Peak, which is considered one of the five holy mountains that match cardinal directions in geomancy. They still go yearly to pay their respects to the mountain and to present incense. Honestly, I’ve only stepped foot into one church in my life, and that was with my nǎi nai.” I knew nǎi nai meant “grandmother” in Chinese. “You did?” I asked, a little surprised. He’d never mentioned that. “Yeah,” he nodded. “I used to spend weekends at her house. She had a lot of paintings of Jesus, and a beautiful jade rosary. When I was young, she took me to a Catholic church, and I remember watching her as she asked God for several things and lit prayer candles. Nǎi nai believed a church was a place where dreams were realized. She told me to tell God my wishes and He would grant them. I remember what I said to her when she told me to make a wish.” Xuan offered an indulgent half smile. “Where is God, huh? Look around us. Look at all the bad things that happen in this world. God isn’t a genie, and a church isn’t a place for wishes to be granted. It’s a place for the lonely, sick, weak, and broken. It’s a place people go to not feel alone. But my nǎi nai still went back, every Sunday.” I continued watching Xuan, not quite sure where this conversation was going. I patiently waited for him to make his point. “I didn’t make any wishes that day. I had never made a wish or spoken to God until the night of the mudslide. But I remember, in Colombia, looking out onto the road and seeing your vehicle trapped, and silently I prayed. I’ll believe in you. So please... . save her. If you let her live, I’ll happily give up the rest of the time I have left alive. Take me and let Cassie live.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
He seemed surprised to hear from me now, his tone holding a note of shock. “Saint, how are you? What can I do for you?” “Kenneth. I just heard about the new volunteer counselor. I was hoping to get a copy of his credentials. As you know, the situation with some of the kids is pretty tenuous and new people scare them,” I said. “Oh! Didn’t you know he was coming? He said he had been approved months ago but he had delayed his start date due to traveling out of state for a family death. His name is Roland Cunningham. He’s been a high school counselor for fifteen years and now he’s semi-retired and wants to give back. He says that he saw so many gay kids who needed an ear.” I rolled my eyes so hard I almost hurt myself and Rio frowned at me questioningly. I shook my head and pulled in one deep breath before I spoke. “No, he hasn’t been approved for months. I’ve never heard of him. I suspect he’s a spy who belongs to Clay Greene.” I could hear Kenneth suck air, then chuckle disbelievingly. “Oh, no, Saint. That’s impossible. He had a copy of a volunteer application that you signed and dated in January. You probably just forgot, I know you’ve had a lot on your mind with your sister and everything.” I heard him click his tongue and had to work to not reach through the phone and wring his neck. “He’s going to make sure the kids have someone else to talk to. Don’t worry about it, I’m taking care of everything.” Rio’s frown had morphed into mild alarm, and I wasn’t sure what my face was doing that was causing it but whatever it was must have been interesting. He edged closer as I took several deep breaths. “Kenneth. Listen to me. You need to be cautious. Have you seen the security reports from Mr. Rao? Did make sure you let him know about this Cunningham? Did you run the background check?” “I glanced through the reports, yes, but no, I didn’t tell him about Roland. Mr. Rao is the night guard and Roland is scheduled for afternoons.” He chuckled lightly. “I didn’t see the overlap.” I did not grind my teeth, but it was a near thing. Rio hovered, not touching me, which I was grateful for. Once I got off this phone I was going to go off. “What about the background check, Ken? You know the background check policy.” “Oh, yes,” Kenneth said. “We did the background check. Completely clean, exemplary record with several awards from his career. Really, you need to calm down. I have it all under control.” “Right,” I said. “Well, I’ll let you get back to it then, Ken. Thank you.” I hung up before Kenneth could reply and Rio looked at me warily. “I am going to have him kicked off the board so fast his fucking head is going to spin. Shouldn’t be too hard, it’s full of ball bearings and broken gravel,” I snarled. “So that didn’t go well,” Rio observed quietly. He was still hovering, clearly unsure of how best to handle me.
Joy Danvers (Saint's Shelter (Alden Security #4))
Just look at how they’ve treated you. And you still think you owe them? One day you’ll realize family isn’t about whose blood runs in your veins, it’s who you’d spill it for.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
Там стояла група людей, лише деякі з них були зі мною однієї крові і ще менше носили моє прізвище. Вони чекали на мене. Колекція дефісів, префіксів, шлюбних прізвищ, колишній той-то, прийомний того-то. А поряд зі мною лежав і боровся за життя ще один Каннінгем. Мені так хотілося жити сім'єю, змусити Ерін, щоб вона подарувала мені дитину, що я забув про сім'ю, яка вже була в мене. Тепер я зрозумів слова, які сказала Софія на початку цієї історії. Сім'я – це не ті люди, кров яких тече у твоїх венах, це ті, за кого ти готовий пролити свою.
Бенджамін Стівенсон (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
Ви пишете книги про те, як писати книги, які самі ніколи не писали і які купують люди, які ніколи нічого не напишуть.
Бенджамін Стівенсон (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
- Хочеш піднятися сходами? Я розумів, що бажання близькості у неї – це реакція на смерть Майкла. Знав, що все буде фальшивим і порожнім, а вранці заново нахлине біль. Я знав усе це, але лежав на своєму дивані і не наважувався відповісти. – Найбільше в світі, – нарешті промовив я. – Але не думаю, що це зроблю.
Бенджамін Стівенсон (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
Even their environments were opposites, and that matters. A painter can paint anywhere; the subject can spring from the painter’s mind. Photographers must be in the presence of their subjects. Stieglitz lived in and photographed a long-tamed landscape, from his skyscraper forests to the fenced pastures of his family’s summerhouse outside the city. Edward could see the snow-capped San Gabriel Mountains from his front porch, and even Los Angeles had been wilderness not that long before.
Mary Street Alinder (Group f.64: Edward Weston, Ansel Adams, Imogen Cunningham, and the Community of Artists Who Revolutionized American Photography)
Family is gravity.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
When you’re older, you look back and you realize there are people who lifted you up, who helped you.
Kimi Cunningham Grant (Silver Like Dust: One Family's Story of America's Japanese Internment)
Marriage and family therapist Ryan Pannell defines prolonged adolescence as having too much privilege and not enough responsibility.
Ted Cunningham (Young and in Love: Challenging the Unnecessary Delay of Marriage)
He described himself as a “transplant” and not an “outsider.
Kimi Cunningham Grant (Silver Like Dust: One Family's Story of America's Japanese Internment)
It was a day of new beginnings. A day of hope.
Kimi Cunningham Grant (Silver Like Dust: One Family's Story of America's Japanese Internment)
A nation cannot thrive if people decide to create their own rules,
Kimi Cunningham Grant (Silver Like Dust: One Family's Story of America's Japanese Internment)
Be like the Japanese,” she wrote. “Learn to compartmentalize.
Kimi Cunningham Grant (Silver Like Dust: One Family's Story of America's Japanese Internment)
You might be the only Japanese a person ever meets,” he insisted, “and that person will judge the entire race based on how you act. It might not seem fair, but it’s true.
Kimi Cunningham Grant (Silver Like Dust: One Family's Story of America's Japanese Internment)
Living alone in a foreign country without parents, siblings, or friends, trying to keep pace with society here, was painful and sad.
Kimi Cunningham Grant (Silver Like Dust: One Family's Story of America's Japanese Internment)
Our job as parents is to raise children who love Jesus and leave home as responsible adults. We prepare them for a lifetime of following Christ, working hard, being married, and raising a family. When kids spend their childhood years fulfilling Mom and Dad’s desires and dreams, they lose out on discovering who God created them to be and what He has prepared for them to do. When parents push their personal agendas, the kids miss out on identifying their God-given personality, passions, and spiritual gifts.
Ted Cunningham (Trophy Child: Saving Parents from Performance, Preparing Children for Something Greater Than Themselves)
Wicked
Ember Casey (Completely (The Cunningham Family, #4.5))
We all need people to protect us sometimes.” “And sometimes,” I say, stepping out of his grip, “we need the freedom to fight our own battles.
Ember Casey (His Wicked Games (His Wicked Games, #1; The Cunningham Family, #1))
Я вважав її популярною, бо про неї говорили на родинних барбекю, коли вона не могла прийти. Але з віком на все дивишся трохи по-іншому, тож із часом я зрозумів, що, коли про тебе постійно згадують, це ще не означає, що ти популярний.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
I’m guessing, Sofia, that you’re a high-functioning addict. After all, you continued to work, even operate
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
all did.’ Her voice was venom. ‘If only he’d left us a weapon to fight it with. But he didn’t. Nothing in the bank. And you did the same thing to Michael.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
I don’t really know. I’ve never buried a body before.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
There’s no blaze of glory in dying in a gunfight with police. It wasn’t a brave death, a death to be proud of. It was a death to be forgotten
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Let me in so I can keep pretending to be a lawyer and you can keep pretending to be a detective.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
All I can hope for, when I die, is to be a buzzing topic of conversation over breakfast.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Одного дня ти збагнеш, що родина — це не ті, чия кров тече у твоїх жилах, а ті, заради кого ти її проливаєш.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
У фільмах жахів люди помирають, коли розділяються, але в горах усе інакше: вони помирають, коли кидаються шукати одне одного.
Benjamin Stevenson (Everyone in My Family Has Killed Someone (Ernest Cunningham, #1))
She is a Small Business Owner in the same way Andy is a Feminist, in that she declares it loudly, often, and she’s the only one who believes it.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Life becomes a stuporous fulfillment of routine where even walking to the supermarket feels like you’re dragging your limbs through air as heavy as the Drying Room’s. Every basic task starts to feel like a decision, and that becomes so draining that you end up unable to make any of them.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Robert could justify anything. The way every robbery was the big ticket, the last one. He talked himself into absolution, too.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Erin’s request to stay with me had been borne out of loneliness and fear, not flirtation, and so there was never any expectation that I would head up the ladder with her. There are no sex scenes in this book.
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
The Kennedys, those beneficiaries and victims of fate, Catholics with Anglican looks and pagan luck, tended to come up all the time back then. Their myth, their thing, hovered in the air over the campaign. The Senator reminded people of JFK, for one: he was handsome and spoke well and had a pretty family. And then, it felt good to see Camelot in a guy who wasn’t white.
Vinson Cunningham (Great Expectations)
Cunningham derived inspiration from studying the funeral rituals of various cultures. And she ended up adopting one from the Jewish tradition. In it, the person presiding over the funeral asks everyone except for the immediate family to form two lines facing each other, making a kind of human hallway from the gravesite to the cars. Then the rabbi asks the immediate family to turn away from the grave and walk down that makeshift aisle, and as they do so, to look into the eyes of their friends, who “are now like pillars of constancy and love.” Cunningham described it as “a way to usher them into the next part of their journey, and the next stage of their grieving.” As the family walks by, the people at the farthest-back part of the line fold in and follow them, and then the rest, slowly, join a kind of procession out of the cemetery. It is a simple structural process that helps organize a group and facilitate a graceful exit. Yet it does so in a purposeful way that supports the people who most need it, connects them to the people still present, and gives everyone a way to move forward together.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)