Cunning Woman Quotes

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Sometimes a beautiful woman just needs a hard, slow fuck against a wall with a perfect stranger. I understand.
Olivia Cunning (Double Time (Sinners on Tour, #5))
Nature wishes that woman should attract man, yet she often cunningly moulds into her face a little sarcasm, which seems to say, 'Yes, I am willing to attract, but to attract a little better kind of a man than any I yet behold
Ralph Waldo Emerson
There is such a thing as too much beauty in a woman and it is often a burden as crippling as homeliness and far more dangerous. It takes much luck and integrity to survive the gift of perfect beauty, and its impermanence is its most cunning betrayal.
Pat Conroy (The Prince of Tides)
If you disrespect my woman like that again, I’ll kick your fuckin’ ass. You won’t get back up.
Olivia Cunning (Hot Ticket (Sinners on Tour, #3))
What's truly sexy about a woman isn't what she wears. It isn't how much time and attention she spends on her hair. It's no that her bra matches her panties. It's the way she thinks, moves, speaks. That's what's sexy about a woman.
Olivia Cunning (Touch Me (One Night with Sole Regret, #4))
By the end of the four-year term, Americans hold a bifurcated view of Mrs. Trump. Many Republicans, especially women, revere her as elegant, graceful, beautiful and wronged by the press. A pastor in Missouri held up Melania as a wifely model to which other women should aspire — or risk losing their men. At the same time some southern preachers referred to then-Senator and presidential candidate Kamala Harris as Jezebel, the Bible’s most nefarious woman and archetype of female cunning. There could be no surer sign that the life stories of prominent women affect the lives of private women than when pastors hold them up as positive or negative role models.
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Eight Political Wives)
I tell you this not as aimless revelation but because I want you to know, as you read me, precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who somewhere along the line misplaced whatever slight faith she ever had in the social contract, in the meliorative principle, in the whole grand pattern of human endeavor. Quite often during the past several years I have felt myself a sleepwalker, moving through the world unconscious of the moment’s high issues, oblivious to its data, alert only to the stuff of bad dreams, the children burning in the locked car in the supermarket parking lot, the bike boys stripping down stolen cars on the captive cripple’s ranch, the freeway sniper who feels “real bad” about picking off the family of five, the hustlers, the insane, the cunning Okie faces that turn up in military investigations, the sullen lurkers in doorways, the lost children, all the ignorant armies jostling in the night. Acquaintances read The New York Times, and try to tell me the news of the world. I listen to call-in shows.
Joan Didion (The White Album)
If women had power, what would men be but women who can't bear children? And what would women be but men who can?" "Hah!" went Tenar; and presently, with some cunning, she said, "Haven't there been queens? Weren't they women of power?" "A queen's only a she-king," said Ged. She snorted. "I mean, men give her power. They let her use their power. But it isn't hers, is it? It isn't because she's a woman that she's powerful, but despite it.
Ursula K. Le Guin (Tehanu (Earthsea Cycle, #4))
This beautiful, wonderful, sexy-as-sin woman is mine. You may look—and seethe with envy—but never touch.
Olivia Cunning (Tempt Me (One Night with Sole Regret, #2))
My epiphany has been that none of you deserve me. You can look. You can fantasize. Like I've had to. Try to bring home a woman, and I'll make farting noises while wearing a dolphin costume and acting like I'm humping each of you. See how long you can hold an erection then.
Kristy Cunning (Four Psychos (The Dark Side, #1))
Three hundred years she's had to learn the color of his moods. She knows them all by now, the meaning of every shade, knows his temper, wants, and thoughts, just by judging those eyes. She marvels, that in the same amount of time, he never learned to read her own. Or perhaps he only saw what he expected: a woman’s anger, and her need, her fear and hope and lust, all the simpler, more transparent things. But he never learned to read her cunning, or her cleverness, never learned to read the nuances of her actions, the subtle rhythms of her speech. And as she looks at him, she thinks of all the things her eyes would say. That he has made a grand mistake.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
Owen rolled his eyes. You call out a guy's name once while enjoying an explosive orgasm as a woman fucks you in the ass, and she just won't let it rest.
Olivia Cunning (Touch Me (One Night with Sole Regret, #4))
For the first time she could see a man's head naked of its skull. Saw the cunning thoughts race in and out through the caves and promontories of his mind long before they darted through the tunnel of his mouth.
Zora Neale Hurston (Their Eyes Were Watching God)
Jace shrugged and looked at the floor. He wanted to leave. He couldn’t do this with her mother in the house, especially not after the woman had told him to keep his dick in his pants. The sole reason he was here was to put his dick in her daughter. Repeatedly and in excess.
Olivia Cunning (Hot Ticket (Sinners on Tour, #3))
So the steel chain forged with such reptilian cunning snapped at the link that had been fashioned from a woman’s heart.
Aleksandr Solzhenitsyn (In the First Circle)
Never dose a woman lie in a more cunning way than when she tells the truth to a man who doesn't believe her
Susie Yang (White Ivy)
The point is, we can’t enjoy a woman, unless we enjoy her together. It’s part of the bond. None of us have ever had a woman on our own.” “So if you were a boy band, you’d be One Erection,” I state, rambling because they have me nervous.
Kristy Cunning (Four Psychos (The Dark Side, #1))
Most love, I've observed, is narcissism at its finest and most cunning. Love is always about how you feel but not necessarily how the other person feels. The notion that simply because you love someone they should be willing to love you in return.
Kat Savage (Mad Woman)
What is she like? Evanjalin of the Monts?' he asked. Finnikin thought for a moment. 'Strong. In here,' he said, thumping his chest twice. 'Humbling. Ruthless. Cunning. She can love people with a fierceness that I have not seen before.' He smiled when he realized he was talking too much. 'And she looks like a Mont woman, so of course she's very beautiful.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
Sometimes when I am dusting the mirror with the grapes I look at myself in it, although I know it is vanity. In the afternoon light of the parlour my skin is a pale mauve, like a faded bruise, and my teeth are greenish. I think of all the things that have been written about me - that I am inhuman female demon, that I am an innocent victim of a blackguard forced against my will and in danger of my own life, that I was too ignorant to know how to act and that to hang me would be judicial murder, that I am fond of animals, that I am very handsome with a brilliant complexion, that I have blue eyes, that I have green eyes, that I have auburn and also have brown hair, that I am tall and also not above the average height, that I am well and decently dressed, that I robbed a dead woman to appear so, that I am brisk and smart about my work, that I am of a sullen disposition with a quarrelsome temper, that I have the appearance of a person rather above my humble station, that I am a good girl with a pliable nature and no harm is told of me, that I am cunning and devious, that I am soft in the head and little better than an idiot. And I wonder, how can I be all of these different things at once?
Margaret Atwood (Alias Grace)
The fundamental defect of the female character is a lack of a sense of justice. This originates first and foremost in their want of rationality and capacity for reflexion but it is strengthened by the fact that, as the weaker sex, they are driven to rely not on force but on cunning: hence their instinctive subtlety and their ineradicable tendency to tell lies: for, as nature has equipped the lion with claws and teeth, the elephant with tusks, the wild boar with fangs, the bull with horns and the cuttlefish with ink, so it has equipped woman with the power of dissimulation as her means of attack and defence, and has transformed into this gift all the strength it has bestowed on man in the form of physical strength and the power of reasoning. Dissimulation is thus inborn in her and consequently to be found in the stupid woman almost as often as in the clever one. To make use of it at every opportunity is as natural to her as it is for an animal to employ its means of defence whenever it is attacked, and when she does so she feels that to some extent she is only exercising her rights. A completely truthful woman who does not practice dissimulation is perhaps an impossibility, which is why women see through the dissimulation of others so easily it is inadvisable to attempt it with them. – But this fundamental defect which I have said they possess, together with all that is associated with it, gives rise to falsity, unfaithfulness, treachery, ingratitude, etc. Women are guilty of perjury far more often than men. It is questionable whether they ought to be allowed to take an oath at all.
Arthur Schopenhauer (Über die Weiber)
Do you remember that mother in the park who flung sacks of dog shit at a group of kids after one kid looked at her daughter wrong?” I ask her very seriously. “Of course I do. That woman was batshit crazy. Why are you—” “Because you’re more embarrassing
Kristy Cunning (Gypsy Rising (All the Pretty Monsters, #5))
He narrows his eyes. “If you think she’s deliberately fucking with us, why are you in a hurry to get over there?” I grin. “Because I positively love that in a woman.
Kristy Cunning (Gypsy Freak (All The Pretty Monsters, #2))
Was it wisdom? Was it knowledge? Was it, once more, the deceptiveness of beauty, so that all one’s perceptions, half-way to truth, were tangled in a golden mesh? Or did she lock up within her some secret which certainly Lily Briscoe believed people must have for the world to go on at all? Every one could not be as helter skelter, hand to mouth as she was. But if they knew, could they tell one what they knew? Sitting on the floor with her arms round Mrs. Ramsay’s knees, close as she could get, smiling to think that Mrs. Ramsay would never know the reason of that pressure, she imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like the treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out, would teach one everything, but they would never be offered openly, never made public. What art was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored? Could the body achieve, or the mind, subtly mingling in the intricate passages of the brain? or the heart? Could loving, as people called it, make her and Mrs. Ramsay one? for it was not knowledge but unity that she desired, not inscriptions on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge, she had thought, leaning her head on Mrs. Ramsay’s knee.
Virginia Woolf (To the Lighthouse)
In time,” he said with a sigh, “I found a woman in a lowly hut, a cunning woman, a healer, such a thing as men call a witch and a hag. Hesketh was her name. She was a prisoner of hideousness as was I.
Anne Rice (Prince Lestat (The Vampire Chronicles #11))
A female magician named Catherine Trianon, who lived together 'as man and wife' with another cunning-woman, was described as having more learning 'in the tip of her finger' than others acquired in a lifetime. When her house was searched in 1680 twenty-five manuscript volumes on the occult sciences were found.
Owen Davies (Grimoires: A History of Magic Books)
Guys like you don't usually talk to girls like me. Girls like me don't get invited to prom. Guys don't make fools of themselves for girls like me. Girls like me are ignored. Invisible. But I'm not a girl anymore. I'm a woman. Thanks for reminding me.
Olivia Cunning (Touch Me (One Night with Sole Regret, #4))
she swore in good mouth-filling oaths, but never smutty ones, and that was uncommon. She knew the prosody of profanity. . . . she knew the tune, as well as the words. She was not a raving beauty, but she had fine eyes and a Pre-Raphelite air of being too good for this world while at the same time exhibiting much of what this world desires in a woman, and I suppose I gaped at her and behaved clownishly.
Robertson Davies (The Cunning Man (Toronto Trilogy, #2))
Let me tell you right now that the ego is the most cunning and devious creature you will ever have to deal with. There is no man, woman, child, animal, rock, mineral, tree or sea monster you will ever meet that is as dark, pessimistic or challenging.
Saskia Lightstar (The Cancer Misfit: A Guide to Navigating Life After Treatment)
Is this man your hunka hunka burning love?” Elvis asked. Myrna laughed. “I’ll say.” “Does this woman have you all shook up?” Elvis asked. Brian grinned. “Yeah, she does.
Olivia Cunning (Sinners at the Altar (Sinners on Tour, #6))
There is in woman something of the unconscious function of drugs which are cunning without knowing it, like morphine.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
...she imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like the treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out, would teach one everything, but they would never be offered openly, never made public. What art was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored?
Virginia Woolf (To the Lighthouse)
They abolish the external form, they suppress the formal sales of slaves, and then they imagine and assure others that slavery is abolished. They are unwilling to see that it still exists, since people, as before, like to profit by the labor of others, and think it good and just. This being given, there will always be found beings stronger or more cunning than others to profit thereby. The same thing happens in the emancipation of woman. At bottom feminine servitude consists entirely in her assimilation with a means of pleasure. They excite woman, they give her all sorts of rights equal to those of men, but they continue to look upon her as an object of sensual desire, and thus they bring her up from infancy and in public opinion.
Leo Tolstoy (The Kreutzer Sonata)
Sitting on the floor with her arms round Mrs Ramsay’s knees, close as she could get, smiling to think that Mrs Ramsay would never know the reason of that pressure, she imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like the treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out, would teach one everything, but they would never be offered openly, never made public. What art was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored?
Virginia Woolf (To the Lighthouse)
I’d like to buy every rose in your store,” I tell the woman who remains silent, as though she’s stunned. “And if you have any apologetic balloons, I’ll buy those too,” I tell her as I scrub a hand over my face. “Better make it every single flower in your store. I have a lot more to apologize for than I can say with just roses. I don’t want her as frigid with me as she is with Vance. Personally, I still think he’s the bigger ass out of the two of us, but I still should apologize properly.” “I’m sorry?” she says. “Yes. That’s what I want every single card to say,” I tell her. “This is all very confusing,” she says quietly, more to herself than me. Staring at the partially eaten green apple in my hand, I tell her, “You have no idea.” - Damien
Kristy Cunning (Gypsy Freak (All The Pretty Monsters, #2))
Even though she’s insecure and anxious, she’s also cunning. Instead of telling you how she’s feeling she’ll mask her insecurities through challenges designed to make you just as uncomfortable as she might be. The man who remains unfazed while responding in kind with challenges of his own will win her heart.
Bruce Bryans (What Women Want When They Test Men: How to Decode Female Behavior, Pass a Woman’s Tests, and Attract Women Through Authenticity)
One recurring characteristic of the traditional British magical practitioner, whether they be labelled 'black witch', 'white witch', 'conjuror', 'cunning man', or 'wise woman' etc. is the presence of a familiar spirit; who it seems was a primary source of the practitioners occult power and magical knowledge.
Gemma Gary (Silent as the Trees: Devonshire Witchcraft, Folklore & Magic)
am fully convinced that it is impossible for a woman, even if she were born close to a throne, to acquire before the age of five-and-twenty the encyclopaedic knowledge of trifles, the practice of manoeuvring, the important small things, the musical tones and harmony of coloring, the angelic bedevilments and innocent cunning, the speech and the silence, the seriousness and the banter, the wit and the obtuseness, the diplomacy and the ignorance which make up the perfect lady.
Honoré de Balzac (Works of Honore de Balzac)
She sat in silence as he limped out, teeth gritted. Click, tap, grunt. Click, tap, grunt. That mixture of cunning, ruthlessness, burning ambition and constant pain was far from unfamiliar. She had heard it said that every woman ends up marrying her father. Until that moment, she had always imagined herself the exception.
Joe Abercrombie (The Wisdom of Crowds (The Age of Madness, #3))
You.” Vlad pointed at Lada. “Come out. Now.” She did, still watching the door Vasilissa had disappeared through. “I am your father. But that woman is not your mother. Your mother is Wallachia. Your mother is the very earth we go to now, the land I am prince of. Do you understand?” Lada looked up into her father’s eyes, deep-set and etched with years of cunning and cruelty. She nodded, then held out her hand. “The daughter of Wallachia wants her knife back.” Vlad smiled and gave it to her.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
It was refreshing to flirt with a woman who didn’t think it meant she had to fall on his dick with a missile-seeking vagina.
Olivia Cunning (Take Me (One Night with Sole Regret, #3))
To get cunning and hard and live, or stay gentle and die. A woman who knew the rules.
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
there was something undeniably hot about a woman who could handle a stick shift.
Olivia Cunning (Wicked Beat (Sinners on Tour, #4))
If you think she’s deliberately fucking with us, why are you in a hurry to get over there?” I grin. “Because I positively love that in a woman.
Kristy Cunning (Gypsy Freak (All The Pretty Monsters, #2))
Mayhap he simply could not bring himself to marry a woman as cunning and unfeeling as Miss Bingley—
Jessie Lewis (Fallen)
Ithicana needed a queen who was a warrior. A woman who’d fight to the death for her people. A woman who was cunning and ruthless, not because she wanted to be, but because her country needed her to be. A woman who’d challenge him every day for the rest of his life. A woman Ithicana would respect. And there was one thing he was certain: Lara Veliant was not that woman.
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
my epiphany has been that none of you deserve me. You can look. You can fantasize. Like I’ve had to. Try to bring home a woman, and I’ll make farting noises while wearing a dolphin costume and acting like I’m humping each of you. See how long you can hold an erection then,” I carry on, feeling a little proud of that threat as they all eye me like the psychotic girl in the room.
Kristy Cunning (Four Psychos (The Dark Side, #1))
I left no ring with her. What means this lady? Fortune forbid my outside have not charmed her. She made good view of me; indeed, so much That, as methought, her eyes had lost her tongue, For she did speak in starts distractedly. She loves me sure; the cunning of her passion Invites me in this churlish messenger. None of my lord's ring? Why, he sent her none. I am the man. If it be so, as 'tis, Poor lady, she were better love a dream. Disguise, I see thou art a wickedness Wherein the pregnant enemy does much. How easy is it for the proper false In women's waxen hearts to set their forms! Alas, our frailty is the cause, not we, For such as we are made of, such we be. How will this fadge? My master loves her dearly; And I (poor monster) fond as much on him; And she (mistaken) seems to dote on me. What will become of this? As I am man, My state is desperate for my master's love. As I am woman (now alas the day!), What thriftless sighs shall poor Olivia breathe? O Time, thou must untangle this, not I; It is too hard a knot for me t' untie.
William Shakespeare
A woman’s body was a work of art. One to be explored and appreciated. Every curve, every valley, every freckle a treasure to discover. Every nerve ending a challenge to ignite with pleasure. Now, where to start?
Olivia Cunning (Double Time (Sinners on Tour, #5))
Standing in the courtyard with a glass eye; only half the world is intelligible. The stones are wet and mossy and in the crevices are black toads. A big door bars the entrance to the cellar; the steps are slippery and soiled with bat dung. The door bulges and sags, the hinges are falling off, but there is an enameled sign on it, in perfect condition, which says: “Be sure to close the door.” Why close the door? I can’t make it out. I look again at the sign but it is removed; in it’s place there is a pane of colored glass. I take out my artificial eye, spit on it and polish it with my handkerchief. A woman is sitting on a dais above an immense carven desk; she has a snake around her neck. The entire room is lined with books and strange fish swimming in colored globes; there are maps and charts on the wall, maps of Paris before the plague, maps of the antique world, of Knossos and Carthage, of Carthage before and after the salting. In the corner of the room I see an iron bedstead and on it a corpse is lying; the woman gets up wearily, removes the corpse from the bed and absent mindedly throws it out the window. She returns to the huge carven desk, takes a goldfish from the bowl and swallows it. Slowly the room begins to revolve and one by one the continents slide into the sea; only the woman is left, but her body is a mass of geography. I lean out the window and the Eiffle Tower is fizzing champagne; it is built entirely of numbers and shrouded in black lace. The sewers are gurgling furiously. There are nothing but roofs everywhere, laid out with execrable geometric cunning.
Henry Miller (Tropic of Cancer (Tropic, #1))
(The enemy) laughs at your attempts to fix your own issues with timely words and hard work - tactics that might affect matters for a moment but can't begin to touch his underhanded, cunning efforts down where the root issues lie.
Priscilla Shirer (Fervent: A Woman's Battle Plan to Serious, Specific and Strategic Prayer)
Well, I am no village cunning woman, no frightened merry-begot, but a woman born to riches, and educated from the time I can remember, and given all that I could possibly desire. And now in my twenty-second year, already a mother and soon perhaps to be a widow, I rule in this place. I ruled before my mother gave to me all her secrets, and her great familiar, Lasher, and I mean to study this thing, and make use of it, and allow it to enhance my considerable strength.
Anne Rice
Find somewhere safe, she’d told Abraxos. Had he somehow found the queen? Somehow known this was the only place she might stand a chance of surviving? Aelin braced her feet on the floor, boots thudding softly. There was a frank sort of impatience with any sort of bullshit that had not been there the last time Manon had seen the woman. As if the warrior who had laughed her way through their battle atop Temis’s temple had lost a bit of that wicked amusement but gained more of the cunning cruelty.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
my epiphany has been that none of you deserve me. You can look. You can fantasize. Like I’ve had to. Try to bring home a woman, and I’ll make farting noises while wearing a dolphin costume and acting like I’m humping each of you. See how long you can hold an erection then,
Kristy Cunning (Four Psychos (The Dark Side, #1))
I knew the moment I saw her, I would make her mine. A woman as powerful and strong willed as her is a spectacle to see, and I plan on drinking her in every day. Mesmerized and charmed in the same way I was when I first laid eyes on her. Fucking her into submission is another perk.
Kia Carrington-Russell (Cunning Vows (Lethal Vows, #3))
Well then, if chastity is one of the virtues that most embellish the soul and the body, why should the woman who’s loved for her beauty lose her chastity by responding to the advances of the man who, merely for his own pleasure, employs all his strength and cunning to make her lose it?
Miguel de Cervantes Saavedra (Don Quixote)
O, sir,' murmured Sheila, still on her knees, 'please forgive me.' 'Forgive you! 0, la, la, la!' cunningly cried the droll, and strutting like an actor. 'Forgiveness is easy, is it not? O, yes, it is nothing. You are a young woman full of pride. O. yes! - but that is nothing. And full of penitence, and that is nothing, too. Pride is nothing, penitence nothing, forgiveness nothing, but even a bargain in farthings must be paid to be made, and I am a plain business man. What costs nothing brings no balm, and you would not like that, you would not like that, now would you?' (“The Bogey Man”)
A.E. Coppard (Dusky Ruth and Other Stories)
Rousseau declares, that a woman should never, for a moment feel herself independent, that she should be governed by fear to exercise her NATURAL cunning, and made a coquetish slave in order to render her a more alluring object of desire, a SWEETER companion to man, whenever he chooses to relax himself.
Mary Wollstonecraft (A Vindication of the Rights of Woman)
Women deluded by these sentiments, sometimes boast of their weakness, cunningly obtaining power by playing on the WEAKNESS of men; and they may well glory in their illicit sway, for, like Turkish bashaws, they have more real power than their masters: but virtue is sacrificed to temporary gratifications, and the respectability of life to the triumph of an hour.
Mary Wollstonecraft (A Vindication of the Rights of Woman)
But if it was like that for you, if you were watchful and hesitant from first waking until sleep, then you know how it is to be a woman and especially to be a woman entering a profession. We are always strangers in a strange land. I think Ally is like that all the time, hunted and cunning, because she has had no safe place, no home. She is now and has always been afraid of her mother.
Sarah Moss (Signs for Lost Children)
Or perhaps he only saw what he expected: a woman’s anger, and her need, her fear and hope and lust, all the simpler, more transparent things. But he never learned to read her cunning, or her cleverness, never learned to read the nuances of her actions, the subtle rhythms of her speech. And as she looks at him, she thinks of all the things her eyes would say. That he has made a grand mistake.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
Maybe she would grow cunning, up here on the farm. Maybe she would absorb some of the darkness, which might not be darkness at all but only knowledge. She would turn into a woman others came to for advice. She would be called in emergencies. She would roll up her sleeves and dispense with sentimentality, and do whatever blood-soaked, bad-smelling thing had to be done. She would become adept with axes.
Margaret Atwood (Moral Disorder and Other Stories)
The only ghosts, I believe, who creep into this world, are dead young mothers, returned to see how their children fare. There is no other inducement great enough to bring the departed back. They glide into the acquainted room when day and night, their jailers, are in the grip, and whisper, "How is it with you, my child?" but always, lest a strange face should frighten him, they whisper it so low that he may not hear. They bend over him to see that he sleeps peacefully, and replace his sweet arm beneath the coverlet, and they open the drawers to count how many little vests he has. They love to do these things. What is saddest about ghosts is that they may not know their child. They expect him to be just as he was when they left him, and they are easily bewildered, and search for him from room to room, and hate the unknown boy he has become. Poor, passionate souls, they may even do him an injury. These are the ghosts that go wailing about old houses, and foolish wild stories are invented to explain what is all so pathetic and simple. I know of a man who, after wandering far, returned to his early home to pass the evening of his days in it, and sometimes from his chair by the fire he saw the door open softly and a woman's face appear. She always looked at him very vindictively, and then vanished. Strange things happened in this house. Windows were opened in the night. The curtains of his bed were set fire to. A step on the stair was loosened. The covering of an old well in a corridor where he walked was cunningly removed. And when he fell ill the wrong potion was put in the glass by his bedside, and he died. How could the pretty young mother know that this grizzled interloper was the child of whom she was in search? All our notions about ghosts are wrong. It is nothing so petty as lost wills or deeds of violence that brings them back, and we are not nearly so afraid of them as they are of us.
J.M. Barrie (The Little White Bird)
Continually, and in a thousand other ways, did she feel the innumerable throbs of anguish that had been so cunningly contrived for her by the undying, the ever-active sentence of the Puritan tribunal. Clergymen paused in the street to address words of exhortation, that brought a crowd, with its mingled grin and frown, around the poor, sinful woman. If she entered a church, trusting to share the Sabbath smile of the Universal Father, it was often her mishap to find herself the text of the discourse.
Nathaniel Hawthorne (The Scarlet Letter)
There's a whole history that never appears in the Bible, Detective. A secret history you can only find in Canaanite or Hebrew legends. They talk about the marriage between Adam and a free-spirited woman, a cunning temptress who refused to obey her husband, or to lie beneath him as a docile wife should. Instead she demanded wild sex in every position and taunted him when he couldn't satisfy her. She was the world's first truly liberated female, and she wasn't afraid to seek the pleasures of the flesh.
Tess Gerritsen (The Mephisto Club (Rizzoli & Isles, #6))
Sitting on the floor with her arm round Mrs. Ramsay's knees, close as she could get, smiling to think that Mrs. Ramsay would never know the reason of that pressure, she imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out, would teach one everything; but they would never be offered openly, never made public. What art was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored? Could the body achieve, or the mind, subtly mingling in the intricate passages of the brain? or the heart? Could loving, as people called it, make her and Mrs. Ramsay one? for it was not knowledge but unity that she desired, not inscriptions on tablets, nothing could be written in any language known to men, but intimacy itself, which is knowledge, she had thought, leaning her head on Mrs. Ramsay's knee.
Virginia Woolf (To the Lighthouse)
From thee, even from thy virtue! What's this, what's this? Is this her fault or mine? The tempter or the tempted, who sins most? Ha! Not she: nor doth she tempt: but it is I That, lying by the violet in the sun, Do as the carrion does, not as the flower, Corrupt with virtuous season. Can it be That modesty may more betray our sense Than woman's lightness? Having waste ground enough, Shall we desire to raze the sanctuary And pitch our evils there? O, fie, fie, fie! What dost thou, or what art thou, Angelo? Dost thou desire her foully for those things That make her good? O, let her brother live! Thieves for their robbery have authority When judges steal themselves. What, do I love her, That I desire to hear her speak again, And feast upon her eyes? What is't I dream on? O cunning enemy, that, to catch a saint, With saints dost bait thy hook! Most dangerous Is that temptation that doth goad us on To sin in loving virtue: never could the strumpet, With all her double vigour, art and nature, Once stir my temper; but this virtuous maid Subdues me quite. Even till now, When men were fond, I smiled and wonder'd how.
William Shakespeare (Measure for Measure)
Do you really want me to tell the girl you’re not allowing her to get her art piece because you think I want in her knickers?” he asks like he’s confused. “Violet! Vance is having daddy issues and is trying to talk him out of giving you the stained glass!” Anna yells very loudly. Vance’s eyes widen. “I’m going to fucking kill you for fifty-three years, you stupid son of a b—” He stops, calming himself, because his grandmomma was a damn fine woman who’d punch him in the nuts for calling her that word…if she knew what it meant. She always hated dogs. Especially female dogs.
Kristy Cunning (Gypsy Rising (All the Pretty Monsters, #5))
About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf. Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call "flight of ideas." Exhausted suddenly by this riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb. Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you. Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any. Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen. Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject.
James Gould Cozzens (Castaway)
To Eva Descending the Stair Clocks cry: stillness is a lie, my dear; The wheels revolve, the universe keeps running. (Proud you halt upon the spiral stair.) The asteroids turn traitor in the air, And planets plot with old elliptic cunning; Clocks cry: stillness is a lie, my dear. Red the unraveled rose sings in your hair: Blood springs eternal if the heart be burning. (Proud you halt upon the spiral stair.) Cryptic stars wind up the atmosphere, In solar schemes the titled suns go turning; Clocks cry: stillness is a lie, my dear. Loud the immortal nightingales declare: Love flames forever if the flesh be yearning. (Proud you halt upon the spiral stair.) Circling zodiac compels the year. Intolerant beauty never will be learning. Clocks cry: stillness is a lie, my dear. (Proud you halt upon the spiral stair.)
Sylvia Plath
We had been out for one of our evening rambles, Holmes and I, and had returned about six o’clock on a cold, frosty winter’s evening. As Holmes turned up the lamp the light fell upon a card on the table. He glanced at it, and then, with an ejaculation of disgust, threw it on the floor. I picked it up and read: CHARLES AUGUSTUS MILVERTON, Appledore Towers, Hampstead. Agent. “Who is he?” I asked. “The worst man in London,” Holmes answered, as he sat down and stretched his legs before the fire. “Is anything on the back of the card?” I turned it over. “Will call at 6:30--C.A.M.,” I read. “Hum! He’s about due. Do you feel a creeping, shrinking sensation, Watson, when you stand before the serpents in the Zoo, and see the slithery, gliding, venomous creatures, with their deadly eyes and wicked, flattened faces? Well, that’s how Milverton impresses me. I’ve had to do with fifty murderers in my career, but the worst of them never gave me the repulsion which I have for this fellow. And yet I can’t get out of doing business with him--indeed, he is here at my invitation.” “But who is he?” “I’ll tell you, Watson. He is the king of all the blackmailers. Heaven help the man, and still more the woman, whose secret and reputation come into the power of Milverton! With a smiling face and a heart of marble, he will squeeze and squeeze until he has drained them dry. The fellow is a genius in his way, and would have made his mark in some more savoury trade. His method is as follows: He allows it to be known that he is prepared to pay very high sums for letters which compromise people of wealth and position. He receives these wares not only from treacherous valets or maids, but frequently from genteel ruffians, who have gained the confidence and affection of trusting women. He deals with no niggard hand. I happen to know that he paid seven hundred pounds to a footman for a note two lines in length, and that the ruin of a noble family was the result. Everything which is in the market goes to Milverton, and there are hundreds in this great city who turn white at his name. No one knows where his grip may fall, for he is far too rich and far too cunning to work from hand to mouth. He will hold a card back for years in order to play it at the moment when the stake is best worth winning. I have said that he is the worst man in London, and I would ask you how could one compare the ruffian, who in hot blood bludgeons his mate, with this man, who methodically and at his leisure tortures the soul and wrings the nerves in order to add to his already swollen money-bags?” I had seldom heard my friend speak with such intensity of feeling.
Arthur Conan Doyle (The Complete Sherlock Holmes)
One after another, Jake posed his riddles; one after another, Blaine answered them. When Jake turned to the last page, he saw a boxed message from the author or editor or whatever you called someone who put together books like this: We hope you've enjoyed the unique combination of imagination and logic known as RIDDLING! Jake: (in his mind) I haven't. I haven't enjoyed it one little bit, and I hope you choke. Yet when he looked at the question above the message, he felt a thin threat of hope. It seemed to him that, in this case, at least, they really HAD saved the best for last. Susannah: Hurry up, Jake! Jake: Blaine? Blaine: YES, JAKE OF NEW YORK. Jake: With no wings, I fly. With no eyes, I see. With no arms, I climb. More frightening than any beast, stronger than any foe. I am cunning, ruthless, and tall; in the end, I rule all. What am I? Blaine: (promptly) THE IMAGINATION OF MAN AND WOMAN.
Stephen King (Wizard and Glass (The Dark Tower, #4))
The bottom drawer. Last chance. Camping equipment. Vuarnet sunglasses, three pairs without cases. She had three, six, ten of everything. Except! Except! And there it was. There it was. The gold. His gold. At the bottom of the bottom drawer, where he should have begun in the first place, in among a jumble of old schoolbooks and more teddy bears, a simple Scotties box, design of white, liliac, and pale green flowers on a lemony-white background "Each box of Scotties offers the softness and strength you want for your family..." You're no fool, D. Handwritten label on the box read, "Recipes." You cunning girl. I love you. Recipes. I'll give you teddy bears up the gazoo! Inside the Scotties box were her recipes - "Deborah's Sponge Cake," "Deborah's Brownies", "Deborah's Chocolate Chip Cookies," "Deborah's Divine Lemon Cake" - neatly written in blue ink in her hand. A fountain pen. The last kid in America to write with a fountain pen. You won't last five minutes in Bahia. A short, very stout woman was standing in the doorway of Deborah's bedroom screaming.
Philip Roth (Sabbath's Theater)
Is there another city in the world where husbands are so patient as here? Do we not meet with them in every variety, and well provided with everything? One heaps up wealth, which his wife shares with those who are eager to make him a dupe; another, slightly more fortunate, but not less infamous, sees his wife receive presents day after day, and is not troubled in mind by any jealous twinge when she tells him that they are the rewards of virtue. One makes a great noise, which does him not the slightest good; another lets matters take their course in all meekness, and, seeing the gallant arrive at his house, very politely takes up his gloves and his cloak. One married woman cunningly pretends to make a confident of her confiding husband, who slumbers securely under such a delusion, and pities the gallant for his pains, which, however, the latter does not throw away. Another married woman, to account for her extravagance, says that the money she spends has been won at play; and the silly husband, without considering at what play, thanks Heaven for her winnings.
Molière (Delphi Complete Works of Molière (Illustrated) (Delphi Series Nine Book 18))
She can’t die, and not just because there’s a chance I won’t survive. She can’t die because I know I can’t live without her even if I do. Somewhere between the shock of our attraction at the top of that turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I’ve allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing, I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren’s treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
She can’t die, and not just because there’s a chance I won’t survive. She can’t die because I know I can’t live without her even if I do. Somewhere between the shock of our attraction at the top of that turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I’ve allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing, I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren’s treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell. We hadn’t even kissed, and I fell.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Women are, therefore, to be considered either as moral beings, or so weak that they must be entirely subjected to the superior faculties of men. Let us examine this question. Rousseau declares, that a woman should never, for a moment feel herself independent, that she should be governed by fear to exercise her NATURAL cunning, and made a coquetish slave in order to render her a more alluring object of desire, a SWEETER companion to man, whenever he chooses to relax himself. He carries the arguments, which he pretends to draw from the indications of nature, still further, and insinuates that truth and fortitude the corner stones of all human virtue, shall be cultivated with certain restrictions, because with respect to the female character, obedience is the grand lesson which ought to be impressed with unrelenting rigour. What nonsense! When will a great man arise with sufficient strength of mind to puff away the fumes which pride and sensuality have thus spread over the subject! If women are by nature inferior to men, their virtues must be the same in quality, if not in degree, or virtue is a relative idea; consequently, their conduct should be founded on the same principles, and have the same aim.
Mary Wollstonecraft (Vindication of the Rights of Woman)
At Prim’s side was a woman with a politician’s face (supercilious, sanctimonious, vacuous, terrified, smarmy, disingenuous, small-minded, vengeful, coldhearted, opportunistic, petty, deceitful, evidence-ignoring, bullying, arrogant, smug, obnoxious, contemptuous, ignorant, reactionary, condescending, patronizing, blinkered, vacillating, corrupt, morally bankrupt, blackmailing, blackmailable, dodgy, wavering, backstabbing, bought, sold, stinking rich, unqualified, sleazy, teeth-capped, kneecapping, corporate-owned, hate-mongering, fear-mongering, button-pushing, deflecting, evading, brazening, hit-song-stealing, nostalgia-worshipping, distorting, no-tax-returning, tax-evading, offshore-holding, shady-business-partnering, election-stealing, arms-dealing, collateral-damage signing-offing, hypocritically family-value bleating but sexually deviant-ing, honest-forthright-honorable—a paragon-of-integrity [lying], spiteful, unreliable, Teflon-coated, Saran-wrapped, white-breaded, xenophobic, cynical, uncomprehending of irony-ing, witless, thin-skinned, insecure, unfulfilled, blindly ambitious, power-hungry, sadistic, self-righteous, incapable of contemplation-ing, prevaricating, privileged, pampered, Ivy League–educated [in something useless like political science, economics, or law], pompous, ego-centered, centered, narcissistic, shallow, bullshitting, manipulative, backtracking, quote-denying, what-climate-changing?, alternate-truth-ing, prejudice-feeding, hate-inciting, racketeering, blame-shifting, warmongering, autocratic, megalomaniacal, possibly sociopathic, blathering, self-serving, unreliable, cliquey, cagey, crafty, cunning, daft, dull, ethically destitute, irredeemable, oil-burning, fracking [but NIMBY], self-pay-raising, self-congratulating, self-aggrandizing, but all that was just first impressions so who can say?).
Steven Erikson (Willful Child: The Search for Spark (Willful Child, 3))
When Egil was twelve years old, he was grown so big that there were but few men howso large and strong that he could not overcome in games. In his twelfth winter he was often at games. Thord Grani's son was then twenty years old; he was very strong. As the winter wore on, if often chanced that the two, Egil and Thord, were matched against Skallagrim. And once in the winter it so befell that there was ball-play at Borg, southwards in Sandvik. Thord and Egil were set against Skallagrim in the game; and he became weary before them, so that they had the best of it. But in the evening after sunset it began to go worse with Egil and his partner. Skallagrim then became so strong and he caught up Thord and dashed him down so violently that he was all bruised and died on the spot. Then he seized Egil. Now there was a handmaid of Skallagrim's named Thorgerdr Brak, who had nursed Egil when a child; she was a big woman, strong as a man, and of magic cunning. Said Brak: 'Dost thou turn they shape-strength, Skallagrim, against thy son?' Whereat Skallagrim let Egil loose, but clutched at her. She broke away and took to her heels with Skallagrim after her. So went they to the utmost point of Digra-ness. Then she leapt out from the rock into the water. Skallagrim hurled after her a great stone, which struck her between the shoulders, and neither ever came up again. The water there is now called Brakar-sound. But afterwards, in the evening, when they came home to Borg, Egil was very angry. Skallagrim and everybody else were set at table, but Egil had not yet come to his place. He went into the fire-hall, and up to the man who there had the overseeing of work and the management of moneys for Skallagrim, and was most dear to him. Egil dealt him his deathblow, then went to his seat. Skallagrim spoke not a word about it then, and thenceforward the matter was kept quiet. But father and son exchanged no word good or bad, and so that winter passed.
Egill Skallagrímsson (Egil's Saga)
The ownership of land is not natural. The American savage, ranging through forests who game and timber are the common benefits of all his kind, fails to comprehend it. The nomad traversing the desert does not ask to whom belong the shifting sands that extend around him as far as the horizon. The Caledonian shepherd leads his flock to graze wherever a patch of nutritious greenness shows amidst the heather. All of these recognise authority. They are not anarchists. They have chieftains and overlords to whom they are as romantically devoted as any European subject might be to a monarch. Nor do they hold as the first Christians did, that all land should be held in common. Rather, they do not consider it as a thing that can be parceled out. “We are not so innocent. When humanity first understood that a man’s strength could create good to be marketed, that a woman’s beauty was itself a commodity for trade, then slavery was born. So since Adam learnt to force the earth to feed him, fertile ground has become too profitable to be left in peace. “This vital stuff that lives beneath our feet is a treasury of all times. The past: it is packed with metals and sparkling stones, riches made by the work of aeons. The future: it contains seeds and eggs: tight-packed promises which will unfurl into wonders more fantastical than ever jeweller dreamed of -- the scuttling centipede, the many-branched tree whose roots, fumbling down into darkness, are as large and cunningly shaped as the boughs that toss in light. The present: it teems. At barely a spade’s depth the mouldy-warp travels beneath my feet: who can imagine what may live a fathom down? We cannot know for certain that the fables of serpents curving around roots of mighty trees, or of dragons guarding treasure in perpetual darkness, are without factual reality. “How can any man own a thing so volatile and so rich? Yet we followers of Cain have made of our world a great carpet, whose pieces can be lopped off and traded as though it were inert as tufted wool.
Lucy Hughes-Hallett (Peculiar Ground)
The man was impossible. To her every retort,he had a counter. "A beak you may want to avoid for I will use it." His dimples turned into craters. "Aye, my lady,that you most certainly are not afraid of using. I think I actually see the small scars along your wrists and hands from where you missed your intended target and clipped yourself." Edythe opened her mouth,ready to send out another assualt, when the sparkle in his hazel eyes captured her attention. Tyr was not making fun of her. Rather,he was truly enjoying their conversation, and if she was being honest, so was she. Inclining her head in agreement, she curled her lips mischievously and said, "Inflictions all finches must learn to endure." "Indeed they must," Tyr replied with a bow. "You,Lady Finch,are a genuine surprise. These past few days,your elder sister has been gracious, kind, and all things a lady should be when welcoming a guest, but it seems that only my friend Ranulf can turn her into a fiery tempest. And each time she does, it pulls him farther in.I see now why he is susceptible to such treatment." Edythe briefly closed her eyes and gave a quick shake to her head. "You enjoy being insulted?" "You have not insulted me, you couldn't. You don't know me well enough.Nor I you. We just merely sparred and I am finding that I like wit in a woman, a most uncommon trait where I have been. If I were not so decided in my ways,you,dear Finch, would be in trouble." "Well,then I thank the Lord you are decided, for I am not easily swayed by a pretty face and you have a ways to go before you seem even moderately charming. And before you try to convince me otherwise,I must go see to Lily for she is looking overly animated and all too often the results of such excitement negatively affect me.Excuse me,sir." Tyr bowed and stared as Edythe left his side and headed toward her younger sister. He had not lied. She was probably the most intriguing woman he had ever encountered.But it changed nothing.Marriage was not for him. Still,a pretty redhead with a cunning mind and a sharp tongue would be fun to pass the time with until he had to leave.
Michele Sinclair (The Christmas Knight)
Life is strewn with these miracles, for which people who are in love can always hope. It is possible that this one had been artificially brought about by my mother who, seeing that for some time past I had lost all interest in life, may have suggested to Gilberte to write to me, just as, when I was little and went first to the sea-side, so as to give me some pleasure in bathing, which I detested because it took away my breath, she used secretly to hand to the man who was to ‘dip’ me marvellous boxes made of shells, and branches of coral, which I believed that I myself had discovered lying at the bottom of the sea. However, with every occurrence which, in our life and among its contrasted situations, bears any relation to love, it is best to make no attempt to understand it, since in so far as these are inexorable, as they are unlooked-for, they appear to be governed by magic rather than by rational laws. When a multi-millionaire—who for all his millions is quite a charming person—sent packing by a poor and unattractive woman with whom he has been living, calls to his aid, in his desperation, all the resources of wealth, and brings every worldly influence to bear without succeeding in making her take him back, it is wiser for him, in the face of the implacable obstinacy of his mistress, to suppose that Fate intends to crush him, and to make him die of an affection of the heart, than to seek any logical explanation. These obstacles, against which lovers have to contend, and which their imagination, over-excited by suffering, seeks in vain to analyse, are contained, as often as not, in some peculiar characteristic of the woman whom they cannot bring back to themselves, in her stupidity, in the influence acquired over her, the fears suggested to her by people whom the lover does not know, in the kind of pleasures which, at the moment, she is demanding of life, pleasures which neither her lover nor her lover’s wealth can procure for her. In any event, the lover is scarcely in a position to discover the nature of these obstacles, which her woman’y cunning hides from him and his own judgment, falsified by love, prevents him from estimating exactly. They may be compared with those tumours which the doctor succeeds in reducing, but without having traced them to their source. Like them these obstacles remain mysterious but are temporary. Only they last, as a rule, longer than love itself. And as that is not a disinterested passion, the lover who is no longer in love does not seek to know why the woman, neither rich nor virtuous, with whom he was in love refused obstinately for years to let him continue to keep her. Now the same mystery which often veils from our eyes the reason for a catastrophe, when love is in question, envelops just as frequently the suddenness of certain happy solutions, such as had come to me with Gilberte’s letter. Happy, or at least seemingly happy, for there are few solutions that can really be happy when we are dealing with a sentiment of such a kind that every satisfaction which we can bring to it does no more, as a rule, than dislodge some pain. And yet sometimes a respite is granted us, and we have for a little while the illusion that we are healed.
Marcel Proust (In the Shadow of Young Girls in Flower)
I’m first up, love,” Arion says as he starts invading my space again. “I thought the only thing holding you back was your fear. Clearly the fear is absent if you’re willing to turn yourself over to the very darkest part of me. It’s amazing you’re in one piece, so clearly you played submissive very well, Violet. It’s because you were ready for me to save you and overcame your fear of me. Now we can be together.” When I say nothing and simply stare at him like he’s forever losing his mind more and more when we speak, he frowns like he’s genuinely perplexed. “Arion, no matter what you did, I couldn’t have endured another second of those cries. And you were at Abby’s mercy while in that state. You ripped my throat out and told me to put on some healing potion so you could sit down and watch the fight.” Apparently, I guess right, because his pupils widen marginally. “I held your hand when you finished,” he says like he’s defending himself. “So you could watch the fight.” “Vance was focused. It’s been ages since he focused. Thing of beauty while it happens,” he says as if that’s important information. I gesture between us. “That’s sort of the problem. I feel like the conduit for your feelings for them because you have heterosexual body parts with a homosexual mentality. I’m not sure I’m okay with simply being a conduit,” I carefully explain, causing his eyes to widen a little more, as several muffled sounds of amusement spring from somewhere else in the room. “I’m sorry, love, but you’ve really lost me,” Arion says very seriously, brow crinkling. “You want this to be a thing between you and me, even though Idun is returning, because you want them back. It looks like you’re getting that without me, so we can be friends,” I suggest, completely rambling. I don’t think I’m explaining this very well, since they’re all muffling laughter down the hall. Even Vance makes a choked sound of amusement. Or they’re just really immature about these things… That’s definitely possible. Arion scrubs a hand over his face, as someone struggles to cover a surprise laugh with a cough. “I’m so sorry. I shouldn’t be having this conversation right now. It’s inappropriate to do with an audience,” I babble. “But you’re really intense. And I’ve just survived an apocalyptic wolf storm with your mostly naked beta, whose threads are still in my bra because one set of clothes ended up being enough.” The look of frustrated confusion on his face doubles. “I could use a small break before we discuss curses, some really confusing relationship statuses, and the somewhat terrifying woman you’ve all loved rising very soon. And those wolves stole my oranges, so I need to go back and get all of them.” “I’ve already returned them to your cellar,” Emit says from somewhere behind Arion. “Then I need to go start using them while they’re useable,” I say as I quickly disentangle myself from Arion and attempt to escape. “I’ll return the shirt.” “Keep it,” he says quietly from behind me, as I finally take in the other three all standing somewhat close together, smirking at me. “I’ll drive you home,” Damien says with a slow grin. “I’m not talking to you, and if you’re a smart man, you’ll figure out why,” I state firmly. “Only when you figure it out will we discuss it.” “I’ll take you—” “I don’t want to talk to you right now, because I need to get my cool back,” I tell Emit, whose eyes immediately flick away, as his jaw tics. He’s had multiple opportunities to explain to me why he told Damien I was a monster, and yet didn’t even bother telling me what I was. All this time, I’ve been patiently waiting, refusing to get too angry. Now…I’m getting sort of freaking angry, because he still hasn’t said one word about it. “Guess that just leaves me,” Vance says as he puts his hand at the small of my back and starts guiding me out.
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
What are you saying, Argus?” Jason came out of the darkness like a murdered man’s ghost. “I heard you mention my name.” “Only telling Atalanta here about your own exploits as a hunter,” Argus said as naturally as if it were true. “You ought to show her that leopard-skin trophy of yours. It’s a beauty.” “There’ll be time enough to show her that later.” Jason tried to look annoyed, but I could tell that Argus’s smooth talk had flattered him. “When I choose to do it, not when you try to send me off on an errand. I still lead this venture, not you.” I hated his arrogant attitude toward Argus, to whom he owed so much, but there was little I could do about it. The best I could manage was a ruse to divert him. “A leopard skin?” I put the proper note of awe into my voice. “You should wear it when Lord Aetes summons us to his hall. One look at such a prize and he’ll know who our leader is without asking!” “You think that will be necessary?” Jason growled, giving Argus a hard, resentful stare. I pretended I hadn’t heard that. “A leopard! Not even Herakles could boast such a kill. He wore a lion’s pelt, but brute strength’s all you need to slay one of those beasts. You need strength and brains to overcome a leopard.” “Would you really like to see the pelt?” Jason asked eagerly. I nodded. “For you, then, honored huntress,” he said in a low, honeyed voice. He leaped back aboard the Argo with so much vigor that Argus had to bite his lips to hold back the laughter. “I’ll never call you ‘girl’ again,” Argus said to me. “A woman twice your age would envy your cunning!” “If I were still ‘Glaucus,’ you’d say I was smart or clever, not cunning,” I chided him. “Pfff! What does one little word matter?” “So you won’t mind if I call the Argo a ferryboat?” I replied sweetly.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
Friedrich tugged on the collar of his military jacket and shook his head. Duchess Lacreux was a cunning woman—not at all what he expected. She was much more vivacious and sly than he’d believed any Trieux noblewoman could be. He
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
I’ll never call you ‘girl’ again,” Argus said to me. “A woman twice your age would envy your cunning!” “If I were still ‘Glaucus,’ you’d say I was smart or clever, not cunning,” I chided him. “Pfff! What does one little word matter?” “So you won’t mind if I call the Argo a ferryboat?” I replied sweetly.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
In Zilboorg’s interpretation of the primal scene, women become sexual and economic slaves in the family. The co-operative socialist William Thompson provided a similar conjectural history of the origin of marriage. He argued that, ‘in the beginning’, men’s greater strength, aided by cunning, enabled them to enslave women. Men would have turned women into mere labourers except that they depend on women to satisfy their sexual, desires. If men had no sexual desire, or if the propagation of the species did not depend on men’s intervention in a form which also provided sexual gratification, there would have been no need for the institution in which ‘each man yokes a woman to his establishment, and calls it a contract.’ Women are ‘parcelled out amongst men, . . . one weak always coupled and subjected to one strong’.
Carole Pateman (The Sexual Contract)
When I Found Thee (The Sonnet) When I found thee, 40 inch chest turned 50. When I found thee, A savage mind realized humanity. When I found thee, A poor vagabond became a beacon. When I found thee, A cowardly heart became a lion. Every cunning tradesman says, The trade of love is sheer torment. I say, better love and be hurt, For wounds of love are a lover's ornament. You appeared, and I found hope in every corner. Even amidst all hell I saw paradise appear.
Abhijit Naskar (Woman Over World: The Novel)
FOREWORD When Commander Perry opened up to the occidental world that shut-tight little island Kingdom, Japan, he did more than merely contact for our manufacturers a people who bought "Nifty Clothes," with two pair of pants. He gave us an insight into a world that was thoroughly organized and civilized long before Columbus discovered West where the East should have been. The Japanese learned much from the so-called civilized world, -but they taught us something we could never have learned from intercourse with any other nation. They gave our governmental forces of law and order a weapon that aided materially in the suppression of disorderly elements throughout our great cities. It took time, of course, to break down the prejudices that our early enforcement officers, in common with our then wild and wooly population, had against anything that was foreign. But when the great police forces of our largest metropolises realized that guns and billies alone would not be proof against big, burly lawbreakers, and that to instil respect in the hearts of "bruisers" they needed something other than armaments—pistols that could not be drawn fast enough,—they then discovered the wonder of Jiu-jitsu. They found that the wily little brown man depended on brain instead of brawn and that he had developed a Science and an Art that utilized another's strength to his own undoing. Strangely enough it was the layman who first appreciated the potential value of Jiu-jitsu. For many years before the Police Forces of our cities put a study of this Science into the training of every rookie policeman, there were physical culture experts in America who advocated the use of it by everyone who had any respect for physical prowess but who found the spirit more willing than the flesh. They showed that it needed no possession of unusual strength to overcome an opponent that depended entirely on his bulk and ferocious appearance to cow the meeker ones of the earth into submission. The Japanese, by the very fact of their small stature, are compelled to place more emphasis on strategy than on force. Thus they have thoroughly developed Jiu-jitsu and there is barely a saffron-hued tot in Japan that doesn't know something about the "Gentle-Art" as it is known. President Masaryk of Czechoslovakia, one of the world's greatest educators, who, together with millions of his enlightened and progressive countrymen, is a firm believer in "a strong mind in a strong body," sought to teach every schoolboy in his country some knowledge of the wisest of all physical sciences. While it does not itself develop and build muscle, it is an invaluable aid to the sensible use of the body. It is a form of wrestling that combines the cunning of the fox with the lithe grace and agility of the panther. It sharpens the brain and quickens the nerve centers. The man or woman who has self-respect must not sit by and permit our people to become a nation of spectators watching athletic specialists perform, while we become obese and ungainly applauders. Jiu-jitsu gives the man, woman and child, denied by nature a great frame, the opportunity to walk without fear, to resist successfully the bullies of their particular world, and the self-confidence which only a "well-armed" athlete can have. By its use, differences in weight, height and reach are practically wiped out, so that he who knows, may smilingly face superior odds and conquer.
Louis Shomer (Police Jiu-Jitsu: and Vital Holds In Wrestling)
She had fallen in love with the carnelians there and then. They were all different. In the light of the peat fires and wall torches of the hall, some had gleamed like the jewels of her mother’s dream, garnets in milk; others were more like pearls in blood, or amber in wine. But in the sun, they burnt like a living legend, something forged by a god from a dragon’s heart. They were strung on a cord of yellow silk braided with gold, fastened with a cunning interlocking gold clasp, the string long enough for a grown woman to wear around her neck and draped over her breast. Hild wore them wrapped four times around her left wrist. When the sun struck them, the toasted-bread colour of her skin, of the stone, of the gold and yellow silk was like a world she had never dreamt of.
Nicola Griffith (Hild (The Hild Sequence, #1))
Sidetracked,” Jude butts in. “The point is, we can’t enjoy a woman, unless we enjoy her together. It’s part of the bond. None of us have ever had a woman on our own.” “So if you were a boy band, you’d be One Erection,
Kristy Cunning
Sidetracked,” Jude butts in. “The point is, we can’t enjoy a woman, unless we enjoy her together. It’s part of the bond. None of us have ever had a woman on our own.” “So if you were a boy band, you’d be One Erection.
Kristy Cunning (Four Psychos & Three Trials (The Dark Side, #1-2))
Christopher lit a Marlboro. “Have you given any thought to how you’re going to make your approach?” “To Françoise Vionnet? I thought I’d start with bonjour and hope for the best.” “How cunning.” “Maybe I’ll tell her I was sent by a mystical Corsican woman who cured me of the occhju. Or better yet, I’ll say that I’m a friend of the Corsican organized crime figure she hired to kill a Spanish art dealer.” “That should win her over.
Daniel Silva (Portrait of an Unknown Woman (Gabriel Allon, #22))
The cunning woman of the village becomes a witch only when her powers to heal do not work. Before that, she is everyone's good sorceress, and there is nary the slightest talk of devils.
Anne Rice (The Witching Hour)
She can’t die, and not just because there’s a chance I won’t survive. She can’t die because I know I can’t live without her even if I do. Somewhere between the shock of our attraction at the top of that turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I’ve allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing, I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren’s treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell. We hadn’t even kissed, and I fell. Or maybe it was when she threw her knives at Barlowe or when jealousy ate me alive seeing Aetos kiss the mouth I’d dreamed about countless times. Looking back, there were a thousand tiny moments that pulled me over the edge for the woman asleep in the bed I always pictured her in.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Although she was gifted, her magic was too weak to stand against the lake beast. She asked a local cunning woman what she could do. “Find your True Name, girl,” the cunning woman told her, “and all power will be yours. The Lady of the Lake knows all things. Give an offering and declare your truest desire. If you want it with every part of yourself, she will grant you a Name.
Clare Sager (Stolen Threadwitch Bride (Bound by a Fae Bargain, #1))
I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I’ve allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing, I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren’s treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
That the golden cup is "full of abominations and filthiness" indicates that her wealth has been acquired through abominable means. Cardinal Baronius, though a defender of the papacy, confessed that in St. Peter's Chair have sat monsters "filled with fleshly lusts and cunning in all forms of wickedness [having] prostituted the Chair of St. Peter for their minions and paramours." In his sixteenth-century Ecclesiastical Annals he wrote:       The Roman Church was. . . covered with silks and precious stones, which publicly prostituted itself for gold. . . . Never did priests, and especially popes, commit so many adulteries, rapes, incests, robberies, and murders. . . [as in the Middle Ages].24
Dave Hunt (A Woman Rides the Beast)
Think of the hero's journey as perceived by Joseph Campbell. The mythical hero, usually an unlikely male, undertakes a physical journey to an unknown land. One the way, he is faced with a series of challenges that he can meet only through his superior physical strength and cunning. If he succeeds in getting through all the barriers, he wins the prize, which he can then take home for the benefit of his people. Although this model has some application to the experience of women, it is not adequate to describe what a woman must do in order to live beyond the stultifying expectations of the culture in which she's raised. If she has small children, she can't take a trip or move to a new place, and very rarely is she called upon to beat down her opponent with force. Instead, her journey is an inner one where the demons are her demons of the self. Her task as the heroine is to return from her inner journey and share her knowledge, wisdom, and energy with the people around her.
Helen LaKelly Hunt
Gilly had decided that this was a dream. The Witches' Carnival didn't exist in the real world. And the Gilly who existed in the real world was not brave or cunning enough to have done everything that she'd done in the past day. The real Gilly was not beautiful enough to be lying in bed beside a woman like Maggie. Gilly had decided this was a dream, and also that she'd let that real Gilly, deep asleep somewhere in the outskirts of Birmingham, wither away and never wake up. Already, Gilly could see herself arcing across the earth bright as a comet, moving too fast for the Ashleys and Tracyes, the thousand tiny insults and humiliations of the waking world, to ever catch.
Kristopher Reisz (Tripping to Somewhere)