Cufflink Quotes

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Babcock fidgeted with one of his cufflinks while staring down the remaining brokers in his office. He then delivered something akin to a pep talk in a severe tone. "... The world depends on our services. Services that must not be impeded. We don't break our backs producing things that have no real value—food, shelter, clothes ... art. No! We're titans of finance. We move intangible things and ideas around the world on digital platforms. No one else in the world can accumulate as much wealth as we do by simply moving around one and zeros on computers.
Jasun Ether (The Beasts of Success)
A certain man once lost a diamond cuff-link in the wide blue sea, and twenty years later, on the exact day, a Friday apparently, he was eating a large fish - but there was no diamond inside. That’s what I like about coincidence.
Vladimir Nabokov (Laughter in the Dark)
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
Lemony Snicket
So, the wooden stake through the heart thing is apparently a myth, but you can be killed by fire. Anything else?" "Should I be concerned that one of your first questions is how to kill me?" Her jaw dropped. "What? No! I didn't mean... I was just curious." He snorted. "Well you can remain so." "What about the sun?" she asked. "Extra toasty?" "I'm not going to burst into flames, but I avoid tanning beds." "Silver?" "Some of my favorite cufflinks." "Garlic?" "Please," he sneered. "I'm Italian.
Elizabeth Hunter (A Hidden Fire (Elemental Mysteries, #1))
I will love you as a cufflink loves to drop from its shirt and explore the party for itself.
Lemony Snicket (The Beatrice Letters)
When the twins asked what cuff-links were for—“To link cuffs together,” Ammu told them—they were thrilled by this morsel of logic in what had so far seemed an illogical language. Cuff+link = cuff-link. This, to them, rivaled the precision of logic and mathematics. Cuff-links gave them an inordinate (if exaggerated) satisfaction, and a real affection for the English language.
Arundhati Roy (The God of Small Things)
They’re ice cream cufflinks,” I said brightly. “I know a jeweler on Rue de la Paix who makes customized pieces. The onyx is the soy sauce. The ruby is the cherry, even though you don’t eat it with cherry, but I think the red ties the design together.” It was a half-joke gift, half-sincere. Dante owned dozens of luxury cufflinks, but I wanted to give him something more personal. “Do you like them?” I asked. “I love them.” He removed his current cufflinks and replaced them with the new ones. “Thank you, mia cara.
Ana Huang (King of Wrath (Kings of Sin, #1))
Alan was expecting sarcasm. Something to hurt. Jack was very good at that, and Alan had just poked him in a piece of vulnerable history. But Jack said, almost roughly, 'I thought that you were one of the loveliest things I'd ever seen. And that you'd stolen my best cufflinks.
Freya Marske (A Power Unbound (The Last Binding, #3))
Emerald silk. Black suit. Cufflinks and an expensive watch that glinted in the dying rays of sunlight.  The perfect, effortless photo of a couple’s night out.
Ana Huang (Twisted Lies (Twisted, #4))
A young panther in cufflinks and a pinstriped suit—a panther ready to pounce.
Philip Roth (The Human Stain (The American Trilogy, #3))
cufflinks looked like polished bone,
Stephen King (The Stand)
Beckett stood in his office dressed to the nines: his best suit, cufflinks, amazing shoes, and expensive sunglasses. Underneath he had so many weapons that a good speed bump would blow him off the face of the earth.
Debra Anastasia (Saving Poughkeepsie (Poughkeepsie Brotherhood, #3))
Well I'll be damned Here comes your ghost again But that's not unusual It's just that the moon is full And you happened to call And here I sit Hand on the telephone Hearing a voice I'd known A couple of light years ago Heading straight for a fall As I remember your eyes Were bluer than robin's eggs My poetry was lousy you said Where are you calling from? A booth in the midwest Ten years ago I bought you some cufflinks You brought me something We both know what memories can bring They bring diamonds and rust Well you burst on the scene Already a legend The unwashed phenomenon The original vagabond You strayed into my arms And there you stayed Temporarily lost at sea The Madonna was yours for free Yes the girl on the half-shell Could keep you unharmed Now I see you standing With brown leaves falling all around And snow in your hair Now you're smiling out the window Of that crummy hotel Over Washington Square Our breath comes out white clouds Mingles and hangs in the air Speaking strictly for me We both could have died then and there Now you're telling me You're not nostalgic Then give me another word for it You who are so good with words And at keeping things vague 'Cause I need some of that vagueness now It's all come back too clearly Yes I loved you dearly And if you're offering me diamonds and rust I've already paid
Joan Baez
A RUSHED ACCOUNT OF THE DEW I who can blink to break the spell of daylight and what a sliding screen between worlds is a blink I who can hear the last three seconds in my head but the present is beyond me listen in this tiny moment of reflexion I want to work out what it's like to descend out of the dawn's mind and find a leaf and fasten the known to the unknown with a liquid cufflink and then unfasten to be brief to be almost actual oh pristine example of claiming a place on the earth only to cancel
Alice Oswald (Falling Awake)
It doesn't take much to get me in a sweat over someone -- a wink of vulnerability, a twitch, anything, from a choice of cufflinks to how they hold their knife and fork, almost always one wee thing about them that you'll find utterly overwhelming, and suddenly your day dreams are crowded with these folk who, on first look, seem completely unremarkable, or shitty, or savage but who're in fact full of light. What I understand now, lying here dying, is that that nonjudgmental quality I have is maybe the greatest gift of all.
Luke Sutherland
Everybody who consulted her was, in their way, hurting--even this rich man with his big Mercedes-Benz and his expensive cuff-links. Human hurt was like lightning; it did not choose its targets, but struck, with rough equality and little regard to position, achievement, or moral desert.
Alexander McCall Smith (Tea Time for the Traditionally Built (No. 1 Ladies' Detective Agency, #10))
We’re not evenly matched.” I pointed to his tie then put my hands on my hips and mimicked his stance. I hoped bravado and wine-haze would prop up my resolve. So far so good. He glared at me, looking resentful, and his voice was steely as he asked, “What, specifically, makes you think so?” I lifted my chin and indicated his tie again, “Your tie, Quinn. I have on nine pieces of clothing and, assuming you’re wearing underwear of some sort, you have on ten. Now I can either put on my hat or you can take off your tie.” His glare morphed into a perplexed frown as I spoke but then, when I reached the end of the last sentence, his features transitioned into something like petulant yet amused understanding and most of the rigidity left his shoulders and neck. We stared at each other, again almost for a half minute, before I broke the silence. “Or, you could take off your jacket…?” Quinn’s mouth hooked to the side and he smoothly removed his jacket; he tossed it to the pile created by my discarded clothes. He began unfastening his cufflinks at his sleeves and the breath he released while pinning me with an irritated stare sounded relieved.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
screeched, stumbling away and knocking over the bedtable. His combs, his brushes, the alarm clock, a little pile of change and some tieclips and cufflinks all jingled and fell to the floor. Now there was a smell, a corrupted, gassy smell, and the last of the protective fog which had wrapped her dissipated and she knew the truth. She fell to her knees and wrapped her arms around her head and wailed. She was not burying some life-sized doll; it was her father she was burying, and the last of his humanity, the very last, was the juicy, gassy smell that now hung on the air. And it would be gone soon enough.
Stephen King (The Stand)
When Sebastian reached his room, the Black Earl stood by his bed. Sebastian turned away, fingering the cufflink in his pocket. He didn't need the Black Earl's help in debauching Olivia anymore, he had apparently at last managed that well enough all on his own. He threw himself onto a chair, full of his memory of his hands on Olivia. Cold air sent a prickle along the backs of his arms. He opened his eyes and saw the Black Earl again. In one hand, he gripped a sword of unearthly silver, but held downward so that the point of the weapon touched the floor. He wept as if his heart were broken. "Aidez-la" Help her. Sebastian heard nothing but the roar of those words tearing through his soul. Help her. The Black Earl, weeping still, turned to the stone wall. A rent marred his crimson tunic, the edges jagged and blackened, and then he, too, vanished and left behind him nothing but an aching, unfillable emptiness. Help her.
Carolyn Jewel (The Spare)
Something I can help you find?” he asks. Because to be fair, I’m digging through his drawer. “Nope,” I tell him. “Found it.” “Everly, what in the hell are you doing?” He’s finished buttoning his shirt and is staring at me, hands on hips, the corners of his eyes creased as he frowns. “I’m putting on your underwear,” I tell him, stepping into a pair of his briefs. I was digging around for a black pair. Why the hell do they even sell them in white? Just, no. “Why?” He still looks bewildered, but he’s stopped staring at me to tuck in his shirt. “You got me all worked up and horny in there.” I point a thumb in the direction of the bathroom. “I gave you an orgasm.” He seems confused by my accusation. I snort. “Right. Which you know only makes me want your dick more.” I glance over at the clothing I brought, contemplating what will work with this underwear. I’ve been chatting with his assistant Sandra all week about what people wear to this party. Sawyer was zero help on that front. “Wear whatever you want,” he’d said. As if I can pick an outfit with that kind of direction. “I hope you’re wearing your new cufflinks with that shirt,” I tell him, eyeing his outfit of black slacks and grey dress shirt. He holds up the cat cufflinks I gave him at Christmas and fastens his left sleeve. “I still don’t understand what my underwear has to do with anything.” “Oh!” I pull a solid black sleeveless dress with a full skirt and a wide waistband off the hanger and step into it. “Because you’re obviously planning on having your way with me at this party. Probably gonna shove me into a coat closet and fuck me with your hand over my mouth so no one hears us. And if anyone’s panties are getting left behind at this party, it’s gonna be yours.” He nods slowly and fastens his right sleeve. “Do women your age still use the phrase ‘having your way with me?’” “I just did. Anyway, yours are more absorbent. Can you zip me?” I turn my back to him and swipe my hair over one shoulder, waiting. I feel his fingers on the zipper, the fabric gathering slowly up my back. He finishes and rests his thumbs on the back of my neck, rubbing small circles into my skin as he kisses the nape of my neck. I shudder, feeling his touch all the way to the black briefs. “That’s a pretty elaborate plan I came up with,” he murmurs. I turn and nod, sadly. “I know. You’re kind of a menace.” “It’s good of you to put up with me.” I shrug. “Someone’s got to.” “I’m not going to be able to rip those underwear off of you.” “Haha!” I point at him with one hand and slip a heel on with my other. “I knew it!
Jana Aston (Right (Cafe, #2))
Rhea survived an extended visit to the room housing Lord Nelson’s cufflinks, while I learned to my delight that even mere mortals could partake of the Covers, the most basic sources for most Royal Navy warship designs. It was Alan who taught me that the Covers were not enough, that I should go to the PRO, too.
Norman Friedman (The British Battleship 1906-1946)
In his bedroom, Barry looked at himself in the mirror. He wasn’t, it has to be said, entirely comfortable in the suit. Peevish had helped him put it on, which had felt a little weird as his mum and dad hadn’t helped him dress for a long time. But then again he didn’t normally wear suits. And certainly not shirts with cufflinks. And bow ties. Well, he had once worn a bow tie, to a party of
David Baddiel (The Parent Agency)
He had on polished loafers that were neatly laced and cufflinks made
K.J. Kalis (The Patriarch Code)
Paint me. Put me in a sports coat with a big pattern. In silk or wool or cotton. Padded shoulders. Nipped in at the waist. A wide tie. Silk, of course. Paint me in one of my light ties on a white shirt. Make my clean, heavily starched shirt jump from the canvas. Have my good Johnson and Murphy shoes shined. Make my creases sharp. Creases count all seasons of the year. If you don’t want to paint me in spring or autumn in a sports coat, paint me in winter when I have just come in from the cold wearing a suit, with a cashmere coat in the crook of my arm. Hat still on my head. Pocket square. Tie clip. All the Ziggy details in place. Or paint me in one of my shirts that let me wear a collar bar. Remind us that that is how, once upon a time, we did it. That ours was a world of pocket squares, and tie clips—tie clips were most important, as they held a dancer’s tie in place midflight—and stick pins, and gold cigarette lighters and silver key fobs and money clips of metal or a plain rubber band, and cufflinks, and good hats, and mohair V-neck golf sweaters and fine tuxedos and Murine. Don’t paint me dropping Murine in my eyes. Or me in my boxer shorts and white cotton V-neck shirt sitting at my dressing table in my room at the Gotham, my toes tickled by the wool wall-to-wall carpet. Or maybe paint that. How and where we got ready. And we were ready. Paint our readiness.
Alice Randall (Black Bottom Saints)
wore a three-piece blue suit, a striped tie, and ivory cufflinks. His gray hair was combed along the sides of his head, and he looked as if he had just come from a concert.
Raymond Carver (Cathedral)
Every gal needs a great white shirt. The good news: you don’t have to spend a bundle. Find one that tapers in at the waist for a sleek silhouette. Or choose one with a crisp collar, worn un-tucked, à la Audrey Hepburn, for a chic, casual look. For instant elegance, try a classic French cuff dress shirt; the required cufflinks lend built-in style.
Jodi Kahn (The Little Pink Book of Elegance)
He stood in my quaint kitchen, looking somewhere between intrigued and mildly bored, the picture of sophisticated elegance in his obscenely expensive suit. Cufflinks reflected the light while his eyes captured it. Immortal. Ageless. Infinite. So toxic, he should come with a danger-of-death warning sign.
Pippa DaCosta (Darkest Before Dawn (The Veil, #3))
I blow a lock of hair off my face, exasperated with his way of ‘discussing’ the situation. As it is, I can do little more than glare at him, our eyes locked in silent communication that we have perfected over many years. A smug, self-satisfied smile touches his lips as he lowers me to the floor. I nod, place my hands on his chest and rest my head there, smiling to myself as the frantic heartbeat against my cheek belies his cocky attitude. He brushes his lips lightly against my hair, cups my ass in his hands and gives it a firm smack before stepping away. “Very well,” he says briskly as he straightens his cufflinks, lightly brushes imaginary lint from an arm of his tailored jacket, and turns for the door. “I’ll see you at home, then -- where you will sit by my side at dinner, in full view of the household, and then fuck me in my bed.” I’m practically hissing and spitting at his retreating back as I bellow, “Lock the fucking door!” His sardonic laughter echoes off the walls as his footsteps fade.
Suzanne Steele (The Cleaner (Born Bratva, #4))
Noah undid his cuffs, removing the cufflinks and pushing the sleeves further up his arms. It was then I realised there was such a thing as forearm porn.
Annie Dyer (The Wedding Agreement (The Green Family, #1))
Rydbeck was less conservative than most bankers, particularly in Sweden. He looked the part of a banker, though, with rounded jowls, a high forehead, and a neatly trimmed moustache. He dressed the part, too, with a traditional Gladstone collar, gold cufflinks, and a neatly folded front pocket handkerchief. But Rydbeck, like Ivar, was a big picture man and a dreamer. He had cozy relationships with banking regulators, who had permitted him to lend money to Ivar in novel and unconventional ways. Ivar had raised most of the money that generated his early fortune from Swedish banks, with Rydbeck as his point man. Although Rydbeck had been lending money to Ivar and his Swedish companies for nearly two decades, he still wasn’t sure whether to think of Ivar as a friend. Notwithstanding his central role in Ivar’s success, Rydbeck hadn’t made it into Ivar’s closest circle. Ivar and Rydbeck had pioneered an early version of “off balance sheet financing,” loans that a company obtains without showing any debts on its balance sheet. The debts are real, but because they are “off” the balance sheet, the company appears healthier than if it had taken out a straightforward loan.
Frank Partnoy (The Match King: Ivar Kreuger and the Financial Scandal of the Century)
I tucked the white cotton dress shirt into my slacks and reached for the drawer where I’d kept my cufflinks, sweeping a pair of black diamonds into my palm. I folded the cuffs one at a time and inserted the small links. After I was fully dressed I unbound the royal blue tie, turned, and faced the mirror. I stood alone in the large closet, it was more of a room that housed my clothes, but they only filled one side. I was tall and needed to back away from the floor-length mirror to see how I looked. It was my typical dark suit, flashy, vibrant tie, and handkerchief. I finished the trinity knot, slid the dark hand stitched jacket on, and exited the bedroom expecting to see Bella.
Kimberly Soto
I tucked the white cotton dress shirt into my slacks and reached for the drawer where I’d kept my cufflinks, sweeping a pair of black diamonds into my palm. I folded the cuffs one at a time and inserted the small links. After I was fully dressed I unbound the royal blue tie, turned, and faced the mirror. I stood alone in the large closet, it was more of a room that housed my clothes, but they only filled one side. I was tall and needed to back away from the floor-length mirror to see how I looked. It was my typical dark suit, flashy, vibrant tie, and handkerchief. I finished the trinity knot, slid the dark hand stitched jacket on, and exited the bedroom expecting to see Bella
Kimberly Soto
they aren’t sterling silver or even gold. They’re this deep copper color, blackened at the edges. Realization washes over me, as potent and clear as an ocean wave. It’s a penny. A real penny that has been attached to a bracket, melded to make this cufflink that he wears on his body. I pick one up and find it warm. My gaze rises to meet his. “Where is this from?” I already know the answer, but it still makes me shiver to hear him say, “They’re two of the breadcrumbs you left me. So I never forget.
Skye Warren (The King (Masterpiece Duet, #1))
Tell me honestly’ he says. ‘Do I look my age?’ Frankly Scobie looks anybody’s age; older than the birth of tragedy, younger than the Athenian death. Spawned in the Ark by a chance meeting and mating of the bear and the ostrich; delivered before term by the sickening grunt of the keel on Ararat. Scobie came forth from the womb in a wheel chair with rubber tyres, dressed in a deer-stalker and a red flannel binder. On his prehensile toes the glossiest pair of elastic-sided boots. In his hand a ravaged family Bible whose fly-leaf bore the words ‘Joshua Samuel Scobie 1870. Honour thy father and thy mother’. To these possessions were added eyes like dead moons, a distinct curvature of the pirate’s spinal column, and a taste for quinqueremes. It was not blood which flowed in Scobie’s veins but green salt water, deep-sea stuff. His walk is the slow rolling grinding trudge of a saint walking on Galilee. His talk is a green-water jargon swept up in five oceans — an antique shop of polite fable bristling with sextants, astrolabes, porpentines and isobars. When he sings, which he so often does, it is in the very accents of the Old Man of the Sea. Like a patron saint he has left little pieces of his flesh all over the world, in Zanzibar, Colombo, Togoland, Wu Fu: the little deciduous morsels which he has been shedding for so long now, old antlers, cuff-links, teeth, hair…. Now the retreating tide has left him high and dry above the speeding currents of time, Joshua the insolvent weather-man, the islander, the anchorite.
LAWRENCE DURELL (The Alexandria Quartet (The Alexandria Quartet, #1-4))
Oh, really, Johnny. You’ll be calling yourself a gentleman next.’ She finished putting on the cufflinks and began to struggle with his collar. Johnny grinned and attempted a West Country burr. He liked to play at being the humble servant to her corrupting mistress of the house. ‘I ain’t no gentleman, right and proper. Just a humble civil servant true enough, but I’m the best you’ll ever get.’ ‘That blatantly isn’t true, is it, Johnny?’ Libby smiled patiently.
Alan Bardos (The Assassins)
A tailored and pleated version of men’s striped trousers flapped around her long legs and pinched in tightly at her waist – a black silk shirt, complete with silver cufflinks, rippled from broad shoulders across a small bosom. A single strand of pearls at the the throat. This was hardly a gesture to femininity, for the whole appearance contrived femininity in irony.
John Lawton (Black Out (Inspector Troy, #1))
entered the room in my black suit with matching black tie. My silver cufflinks caught the dim light as I took my seat across the table from Joseph,
Penelope Sky (The Scotch Series: The Complete Series (Scotch, #1-3))
Well, yes and no. Mostly no. You can still perform magic without an Esprit, but it’s just not as strong, or as accurate.” “Esprit?” I frowned, my gaze darting between Alton’s cufflinks and Wade’s rings. “An object of soul,” Alton replied. “It’s
Bella Forrest (Harley Merlin and the Secret Coven (Harley Merlin, #1))
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