Crystal Child Quotes

(About Love)The most important thing in life, and you can't tell whether people have it or not. Surely this is wrong? Surely people who are happy should look happy, at all times, no matter how much money they have or how uncomfortable their shoes are or how little their child is sleeping; and people who are doing OK but have still not found their soul-mate should look, I don't know, anxious, like Billy Crystal in When Harry Met Sally; and people who are desperate should wear something, a yellow ribbon maybe, which would allow them to be identified by similar desperate people.

I am equivalent of what in the Harry Potter world is called a sqib. A damp Squib. As the seventh child, all had expected me to come loaded with the whole box of fireworlks. Instead they got a girl who could tell you where you left your keys. Yes, that's right. I'm equivalent of a whistling key fob.

Vamps who are dying, or think they are, give a piercing, eardrum-bursting shriek, like the love child of a screech owl and a mountain lion on crystal meth, amplified like a seventies rock band.

She could not fathom the hexagonal miracle of snowflakes formed from clouds, crystallized fern and feather that tumble down to light on a coat sleeve, white stars melting even as they strike. How did such force and beauty come to be in something so small and fleeting and unknowable? You did not have to understand miracles to believe in them, and in fact Mabel had come to suspect the opposite. To believe, perhaps you had to cease looking for explanations and instead hold the little thing in your hands as long as you were able before it slipped like water between your fingers. (kindle location 2950)

Two thousand years ago Jesus is crucified, three days later he walks out of a cave and they celebrate with chocolate bunnies and marshmallow Peeps and beautifully decorated eggs. I guess these were things Jesus loved as a child.

Do you ever plan to grow up, Veltan?” he asked. “Not if I can avoid it, no.

Woman, I would have been your child, to drink the milk of your breasts as from a well, to see and feel you at my side and have you in your gold laughter and your crystal voice. To feel you in my veins like God in the rivers and adore you in the sorrowful bones of dust and lime, to watch you passing painlessly by to emerge in the stanza-cleansed of all evil. How I would love you woman, how I would love you, love you as no one ever did! Die and still love you more. And still love you more and more.

The crystal trees among them were hung with glass-like trellises of moss. The air was markedly cooler, as if everything was sheathed in ice, but a ceaseless play of light poured through the canopy overhead. The process of crystallization was more advanced. The fences along the road were so encrusted that they formed a continuous palisade, a white frost at least six inches thick on either side of the palings. The few houses between the trees glistened like wedding cakes, white roofs and chimneys transformed into exotic miniarets and baroque domes. On a law of green glass spurs, a child’s tricycle gleamed like a Faberge gem, the wheels starred into brilliant jasper crowns.

She could not fathom the hexagonal miracle of snowflakes formed from clouds, crystallized fern and feather that tumble down to light on a coat sleeve, white stars melting even as they strike. How did such force and beauty come to be in something so small and fleeting and unknowable?

The education and training of children is among the most meritorious acts of humankind and draweth down the grace and favour of the All-Merciful, for education is the indispensable foundation of all human excellence and alloweth man to work his way to the heights of abiding glory. If a child be trained from his infancy, he will, through the loving care of the Holy Gardener, drink in the crystal waters of the spirit and of knowledge, like a young tree amid the rilling brooks. And certainly he will gather to himself the bright rays of the Sun of Truth, and through its light and heat will grow ever fresh and fair in the garden of life.

He was not notably vertebrate and could hardly look after himself, so how could he look after Crystal?

How can an innocent child effortlessly carry such burdens on his shoulders? It’s almost like he’s having a chat with the ancient sages about universal truths. I’ll go on record that he’ll be an incredible sculptor if that’s what he wants to be. Creative types with that kind of vision see their spirits with crystal clearness,” offered Starla.

In the folklore of science, there is the often-told story of the moment of discovery: the quickening of the pulse, the spectral luminosity of ordinary facts, the overheated, standstill second when observations crystallize and fall together into patterns, like pieces of a kaleidoscope. The apple drops from the tree. The man jumps up from a bathtub; the slippery equation balances itself. But there is another moment of discovery—its antithesis—that is rarely recorded: the discovery of failure. It is a moment that a scientist often encounters alone. A patient’s CT scan shows a relapsed lymphoma. A cell once killed by a drug begins to grow back. A child returns to the NCI with a headache.

The exact science of one molecule transformed into another -- that Mabel could not explain, but then again she couldn't explain how a fetus formed in the womb, cells becoming beating heart and hoping soul. She could not fathom the hexagonal miracle of snowflakes formed from clouds, crystallized fern and feather that tumble down to light on a coat sleeve, white stars melting even as they strike. How did such force and beauty come to be in something so small and fleeting and unknowable?

No, really. Just quiet. Nothing louder than waves lapping or ice melting in crystal glasses.

She looped one side of the closed necklace around it, and in twisting, pulled the chain very tight around Father’s throat. “Now go to sleep,” she whispered, “in chasms deep, with darkness all around you . . .” A lullaby. Shallan spoke the song through her tears—the song he’d sung for her as a child, when she was frightened. Red blood speckled his face and covered her hands. “Though rock and dread may be your bed, so sleep my baby dear.” She felt his eyes on her. Her skin squirmed as she held the necklace tight. “Now comes the storm,” she whispered, “but you’ll be warm, the wind will rock your basket . . .” Shallan had to watch as his eyes bulged out, his face turning colors. His body trembling, straining, trying to move. The eyes looked to her, demanding, betrayed. Almost, Shallan could imagine that the storm’s howls were part of a nightmare. That soon she would awaken in terror, and Father would sing to her. As he’d done when she was a child . . . “The crystals fine . . . will glow sublime . . .” Father stopped moving. “And with a song . . . you’ll sleep . . . my baby dear.

Words. I had always loved them. I collected them, like I had collected pretty stones as a child. I liked to roll words over my tongue like a lump of molten honeycomb, savoring the sweetness, the crackle, the crunch. Cerulean, azure, blue. Shadowy, sombre, secret. Voluptuous, sensuous, amorous. Kiss, hiss, abyss. Some words sounded dangerous. Pagan. Tiger. Some words seemed to shine. Crystal. Glissade. Some words changed their meaning as I grew older. Ravishing.

My father said to me when I was a child, 'Boy, set there until I come back.' That was his law and I had to obey him. He went off somewhere and forgot about me. I sat there all day waiting for my father and almost got a stroke from the sun. I said to my son one time, 'Boy, set there until I come back.' You know what he said to me? 'For what?' You're not going to cram down the throats of today's youth what got crammed down my father's. Young people want to know the facts now.

— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.

{From Lindsey's address at the funeral of renowned scientist Luther Burbank. Burbank was one of the most beloved people in the early 20th century due to his countless contributions to humanity, but when, in an interview, he revealed that he was an atheist, the public quickly turned on him, sending him hundreds of death threats. Upset and grief stricken, the kind-hearted Burbank tried to respond to every letter amiably, a task that ultimately led to his death} . . . Luther Burbank had a philosophy that actually works for human betterment, that dares to challenge the superstition, hypocrisy, and sham, which so often have worked for cruelties, inquisitions, wars and massacres. Superstition that stood across the road of Progress, commanded, not by a god or gods, but the meanest devils that we know--Ignorance, Intolerance, Bigotry, Fanaticism, and Hate. The prejudiced beneficiaries of organized theology refused to see what Burbank, the gifted child of Nature, saw with a vision as crystal as theirs is dense and dark. And so they assailed him. One of the saddest spectacles of our times is the effort of hidebound theologians, still desperately trying to chain us to the past--in other forms that would still invoke the inquisitions, the fears, and the bigotries of the dark ages, and keep the world in chains. The chains of lies, hypocrisies, taboos, and the superstitions, fostered by the dying, but still the organized, relentless outworn theology of another age. They refuse to see that in their stupid lust for power they are endangering all that is good.

I remembered all the Christmases we’d celebrated, always with a huge tree, situated next to the staircase where I now sat. As a child, I’d sat upon that same step, huddled up against the balus- ters, studying the tree, its shape and decorations; enthralled by the magical light and shadows upon the walls around me. Dancing. Over Christmas the only light in the hallway had come from the silver candelabra burning on the hallway table. But on Christmas Eve and Christmas Day night small candles were attached to the branches of the tree, their soft light reflected in the vast chande- lier suspended high above and thrown back across the walls like stars across the universe. I remembered the smell, that mingling of pine and wax and burning logs: the smell of home, the smell of happiness. I’d sat there in my nightgown, listening to the chime of crystal; the laughter, music and voices emanating from another room, an adult world I could only imagine. And always hoping for a glimpse of Mama, as she whooshed across the marble floor, beautiful, resplendent . . . invincible.

The moment we walk into the suite, Tommy descends on us. “The Queen’s on the line. On Skype, Your Grace.” Anxiety rings in his voice like the ping of a tapped crystal glass. “She’s been waiting. She does’na like to be kept waiting.” I nod briskly. “Have David bring me a scotch.” “Oh, me too!” Henry pipes up. “He’ll have coffee,” I tell Tommy. And I think Henry sticks his tongue out at me behind my back. I head into the library and he follows, seeming marginally closer to sober—at least he’s walking straight and unassisted now. I sit behind the desk and open the laptop. On the screen, my grandmother looks back at me, wearing a pale pink robe, hair in rollers and a hairnet, gray eyes piercing, her expression as friendly as the grim reaper’s. This should be fun. “Nicholas.” She greets me without emotion. “Grandmother,” I return, just as flat. “Granny!” Henry calls, like a child, coming around the desk into view. Then he proceeds to hug the computer and kiss the screen. “Mwah! Mwah!” “Henry, oh, Hen—” My grandmother swats the air with her hands, like he’s actually there kissing her. And I do my damnedest not to laugh at them. “Mwah!” “Henry! Remember yourself! My gracious!” “Mmmmmwah!” He perches, grinning like a fool, on the arm of my chair, forcing me to shift over. “I’m sorry, Grandmother—it’s just so good to see you

Marketing jingles from every angle lure patrons to turn our backs on our locally owned stores, restaurants, and farms. And nobody considers that unpatriotic. This appears to aggravate Tod Murphy. "We have the illusion of consumer freedom, but we've sacrificed our community life for the pleasure of purchasing lots of cheap stuff. Making and moving all that stuff can be so destructive: child labor in foreign lands, acid rain in the Northeast, depleted farmland, communities where the big economic engine is crystal meth. We often have the form of liberty, but not the substance.

I fought to stay awake and keep the car on the road. And I thought back to texts I had read from the British Army in India, during the Raj, at the height of their empire. Young subalterns trapped in junior ranks had their own mess. They would dine together in splendid dress uniforms and talk about their chances of promotion. But they had none, unless a superior officer died. Dead men's shoes was the rule. So they would raise their crystal glasses of fine French wine and toast "bloody wars and dread diseases" because a casualty further up the chain of command was their only way to get ahead. Brutal, but that's how it's always been, in the military.

Hollis looked to see, but saw nothing. There were only the great diamonds and sapphires and emerald mists and velvet inks of space, with God’s voice mingling among the crystal fires. There was a kind of wonder and imagination in the thought of Stone going off in the meteor swarm, out past Mars for years and coming in toward Earth every five years, passing in and out of the planet’s ken for the next million centuries, Stone and the Myrmidone cluster eternal and unending, shifting and shaping like the kaleidoscope colors when you were a child and held the long tube to the sun and gave it a twirl. “So long, Hollis.” Stone’s voice, very faint now. “So long.

The girl was undeniably beautiful. She was tall, with a spectacular figure. Her white dress, shimmering with crystal beads, was cut low enough to prove the authenticity of her remarkable cleavage. Her long hair was almost white in its blondeness. But it was her face that held Anne’s attention, a face so naturally beautiful that it came as a startling contrast to the theatrical beauty of her hair and figure. It was a perfect face with a fine square jaw, high cheekbones and intelligent brow. The eyes seemed warm and friendly, and the short, straight nose belonged to a beautiful child, as did the even white teeth and little-girl dimples. It was an innocent face, a face that looked at everything with breathless excitement and trusting enthusiasm, seemingly unaware of the commotion the body was causing. A face that glowed with genuine interest in each person who demanded attention, rewarding each with a warm smile. The body and its accouterments continued to pose and undulate for the staring crowd and flashing cameras, but the face ignored the furor and greeted people with the intimacy of meeting a few new friends at a gathering.

baseball. The intestines may fill up completely with blood. The lining of the gut dies and sloughs off into the bowels and is defecated along with large amounts of blood. In men, the testicles bloat up and turn black-and-blue, the semen goes hot with Ebola, and the nipples may bleed. In women, the labia turn blue, livid, and protrusive, and there may be massive vaginal bleeding. The virus is a catastrophe for a pregnant woman: the child is aborted spontaneously and is usually infected with Ebola virus, born with red eyes and a bloody nose. Ebola destroys the brain more thoroughly than does Marburg, and Ebola victims often go into epileptic convulsions during the final stage. The convulsions are generalized grand mal seizures—the whole body twitches and shakes, the arms and legs thrash around, and the eyes, sometimes bloody, roll up into the head. The tremors and convulsions of the patient may smear or splatter blood around. Possibly this epileptic splashing of blood is one of Ebola’s strategies for success—it makes the victim go into a flurry of seizures as he dies, spreading blood all over the place, thus giving the virus a chance to jump to a new host—a kind of transmission through smearing. Ebola (and Marburg) multiplies so rapidly and powerfully that the body’s infected cells become crystal-like blocks of packed virus particles. These crystals are broods of virus getting ready to hatch from the cell. They are known as bricks. The bricks, or crystals, first appear near the center of the cell and then migrate toward the surface. As a crystal

I go back into the kitchen. There are mendiants cooling on a sheet of greaseproof paper; little discs of chocolate, scattered with pieces of crystallized fruit; chopped almonds and pistachios; dried rose petals and gold leaf. Mendiants were always my favorites; so simple to make that even a child- even Anouk at five years old- was able to make them unsupervised. A sour cherry for the nose; a lemon slice for the mouth. Even her mendiants were smiling.

We collect terabytes of information to turn our computers into crystal balls. Yet think of what would happen if our wishes were granted. If we knew everything about the future with certainty, our lives would be drained of emotion. No surprise and pleasure, no joy or thrill—we knew it all along. The first kiss, the first proposal, the birth of a healthy child would be about as exciting as last year’s weather report. If our world ever turned certain, life would be mind-numbingly dull.

electrical wires dragged down by the weight of the ice and flickering balefully, a row of sleet-covered planes stranded in an airport, a huge truck that’s jackknifed and tipped over and is lying on its side with smoke coming out. An ambulance is on the scene, a fire truck, a huddle of raingear-clad operatives: someone’s been injured, always a sight to make the heart beat faster. A policeman appears, crystals of ice whitening his moustache; he pleads sternly with people to stay inside. It’s no joke, he tells the viewers. Don’t think you can brave the elements! His frowning, frosted eyebrows are noble, like those on the wartime bond-drive posters from the 1940s. Constance remembers those, or believes she does. But she may just be remembering history books or museum displays or documentary films: so hard, sometimes, to tag those memories accurately. Finally, a minor touch of pathos: a stray dog is displayed, semi-frozen, wrapped in a child’s pink nap blanket. A gelid baby

THE ANTHEM OF HOPE Tiny footprints in mud, metal scraps among thistles Child who ambles barefooted through humanity’s war An Elderflower in mud, landmines hidden in bristles Blood clings to your feet, your wee hands stiff and sore You who walk among trenches, midst our filth and our gore Box of crayons in hand, your tears tumble like crystals Gentle, scared little boy, at the heel of Hope Valley, The grassy heel of Hope Valley. And the bombs fall-fall-fall Down the slopes of Hope Valley Bayonets cut-cut-cut Through the ranks of Hope Valley Napalm clouds burn-burn-burn All who fight in Hope Valley, All who fall in Hope Valley. Bullets fly past your shoulder, fireflies light the sky Child who digs through the trenches for his long sleeping father You plant a kiss on his forehead, and you whisper goodbye Vain corpses, brave soldiers, offered as cannon fodder Nothing is left but a wall; near its pallor you gather Crayon ready, you draw: the memory of a lie Kind, sad little boy, sketching your dream of Hope Valley Your little dream of Hope Valley. Missiles fly-fly-fly Over the fields of Hope Valley Carabines shoot-shoot-shoot The brave souls of Hope Valley And the tanks shell-shell-shell Those who toiled for Hope Valley, Those who died for Hope Valley. In the light of gunfire, the little child draws the valley Every trench is a creek; every bloodstain a flower No battlefield, but a garden with large fields ripe with barley Ideations of peace in his dark, final hour And so the child drew his future, on the wall of that tower Memories of times past; your tiny village lush alley Great, brave little boy, the future hope of Hope Valley The only hope of Hope Valley. And the grass grows-grows-grows On the knolls of Hope Valley Daffodils bloom-bloom-bloom Across the hills of Hope Valley The midday sun shines-shines-shines On the folk of Hope Valley On the dead of Hope Valley From his Aerodyne fleet The soldier faces the carnage Uttering words to the fallen He commends their great courage Across a wrecked, tower wall A child’s hand limns the valley And this drawing speaks volumes Words of hope, not of bally He wipes his tears and marvels The miracle of Hope Valley The only miracle of Hope Valley And the grass grows-grows-grows Midst all the dead of Hope Valley Daffodils bloom-bloom-bloom For all the dead of Hope Valley The evening sun sets-sets-sets On the miracle of Hope Valley The only miracle of Hope Valley (lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".

The implication was crystal clear: If you have a brain, use it! It’s all you need to overcome any problem life presents. “My mother instilled in us a deep respect for the potential of the human brain, and for me that respect has deepened over the years to an attitude I can only describe as awe. Every time I open a child’s head and see a brain, I marvel at the mystery. This is what makes every one of us who we are. This is what holds all our memories, all our thoughts, all our dreams. This is what makes us different from each other in millions of ways.

5-4-10 Tuesday 8:00 A.M. Made a large batch of chili and spaghetti to freeze yesterday. And some walnut fudge! Relieved the electricity is still on. It’s another beautiful sunny day with fluffy white clouds drifting by. The last cloud bank looked like a dog with nursing pups. I open the window and let in some fresh air filled with the scent of apple and plum blossoms and flowering lilacs. Feels like it’s close to 70 degrees. There’s a boy on a skate board being pulled along by his St. Bernard, who keeps turning around to see if his young friend is still on board. I’m thinking of a scene still vividly displayed in my memory. I was nine years old. I cut through the country club on my way home from school and followed a narrow stream, sucking on a jawbreaker from Ben Franklins, and I had some cherry and strawberry pixie straws, and banana and vanilla taffy inside my coat pocket. The temperature was in the fifties so it almost felt like spring. There were still large patches of snow on the fairways in the shadows and the ground was soggy from the melt off. Enthralled with the multi-layers of ice, thin sheets and tiny ice sickles gleaming under the afternoon sun, dripping, streaming into the pristine water below, running over the ribbons of green grass, forming miniature rapids and gently flowing rippling waves and all the reflections of a crystal cathedral, merging with the hidden world of a child. Seemingly endless natural sculptures. Then the hollow percussion sounds of the ice thudding, crackling under my feet, breaking off little ice flows carried away into a snow-covered cavern and out the other side of the tunnel. And I followed it all the way to bridge under Maple Road as if I didn't have a care in the world.

The light stayed wan, but reached further, every new minute, until the whole sky was gold, but pale, not enough to see by, too weak to cast the faintest shadow. Then warmer streaks bloomed, and lit the horizon, and finally the sun rose, unstoppable, for a second as red and angry as a sunset, then settling to a hot yellow blaze, half-clearing the horizon, and throwing immediate shadows, at first perfectly horizontal, then merely miles long. The sky washed from pale gold to pale blue, down through all the layers, so the world above looked newly deep as well as infinitely high and infinitely wide. The night dew had settled the dust, and until it dried the air was crystal. The view was pure and clear in every direction.

All of us have to learn how to invent our lives, make them up, imagine them. We need to be taught these skills; we need guides to show is how. Without them, our lives get made up for us by other people. Human beings have always joined in groups to imagine how best to live and help one another carry out the plan. The essential function of human community is to arrive at some agreement on what we need, what life ought to be, what we want our children to learn, and then to collaborate in learning and teaching so that we and they can go on the way we think is the right way. Small communities with strong traditions are often clear about the way they want to go, and good at teaching it. But tradition may crystallize imagination to the point of fossilizing it as dogma and forbidding new ideas. Larger communities, such as cities, open up room for people to imagine alternatives, learn from people of different traditions, and invent their own ways to live. As alternatives proliferate, however, those who take the responsibility of teaching find little social and moral consensus on way they should be teaching -- what we need, what life ought to be. In our time of huge populations exposed continuously to reproduced voices, images, and words used for commercial and political profit, there are too many people who want to and can invent us, own us, shape and control us through seductive and powerful media. It's a lot to ask of a child to find a way through all that alone. Nobody can do anything very much, really, alone. What a child needs, what we all need, is to find some other people who have imagined life along lines that make sense to us and allow some freedom, and listen to them. Not hear passively, but listen.

I keep saying that i wish our black women would not stop raising their sons to be like the niggas who left them. I see mothers covering for their deadbeat sons, putting some other child's mother through the same shit, her babyfather put her through. We have spent the last few decades blaming absentee fathers for the lack of "graces" among our young men forgetting that they are raised by women. Women have always been other women's worst enemies. Maybe we need to start asking our mothers, what have they been doing wrong. Trying to smother the only man who won't leave them cause he can't, hes biologically linked to her. Trying to make up for the men who dumped her. Raising monstrous, spoiled brats and then unleashing them on the female population. What we have today is a culture of men raised like daughters who do not know how to be a partner, a man and a father.

You have been a child, reader, and you would, perhaps, be very happy to be one still. It is quite certain that you have not, more than once (and for my part, I have passed whole days, the best employed of my life, at it) followed from thicket to thicket, by the side of running water, on a sunny day, a beautiful green or blue dragon-fly, breaking its flight in abrupt angles, and kissing the tips of all the branches. You recollect with what amorous curiosity your thought and your gaze were riveted upon this little whirlwind, hissing and humming with wings of purple and azure, in the midst of which floated an imperceptible body, veiled by the very rapidity of its movement. The aerial being which was dimly outlined amid this quivering of wings, appeared to you chimerical, imaginary, impossible to touch, impossible to see. But when, at length, the dragon-fly alighted on the tip of a reed, and, holding your breath the while, you were able to examine the long, gauze wings, the long enamel robe, the two globes of crystal, what astonishment you felt, and what fear lest you should again behold the form disappear into a shade, and the creature into a chimera! Recall these impressions, and you will readily appreciate what Gringoire felt on contemplating, beneath her visible and palpable form, that Esmeralda of whom, up to that time, he had only caught a glimpse, amidst a whirlwind of dance, song, and tumult.

At this point in the story, a child interrupted from the crowd, asking fearfully and loudly if the gods were terrible to behold. The storytellers smiled, and bowed to the philosophers. One of these, a venerable elderly man, spoke gravely to the child. “No, indeed. The gods are beautiful, and just. Those who reverence and obey them need fear nothing from the gods. The gods reward those who adhere to them. Those who stray, they punish. Then they are terrible, terrible in their perfection and magnificence.” “But,” said the child anxiously, “what do they look like?” The philosopher was done, however, and the storytellers proceeded with their tale. “Hush!” said the child’s nurse sharply. “But,” said the child, “if I cannot tell them from their looks, how am I to know them and beware of offending them?” Then a voice spoke to the child, a voice which brushed the insides of the child’s ears, wonderfully unexpected, like the sound of the sea inside a shell. “The gods are colorless as crystal for they have no blood in their veins. Neither do they possess breasts or genitals. Their eyes are cold as their country where everything is tinted by frost. But you will probably never meet them; they have no liking for the world.” “Oh,” said the child, and looked up and saw the pale face of a man bending over it, a face so astonishing it dazzled the eyes of the child like the moon. Then the child, dazzled, blinked, and in the little interval of that blink, the man was gone.

On the other side of the mountain, Drizzt Do'Urden opened his eyes from his daytime slumber. Emerging from the cave into the growing gloom, he found Wulfgar in the customary spot, poised meditatively on a high stone, staring out over the plain. "You long for your home?" the drow asked rhetorically. Wulfgar shrugged his huge shoulders and answered absently, "Perhaps." The barbarian had come to ask many disturbing questions of himself about his people and their way of life since he had learned respect for Drizzt. The Drow was an enigma to him, a confusing combination of fighting brilliance and absolute control. Drizzt seemed able to weigh every move he ever made in the scales of high adventure and indisputable morals. Wulfgar turned a questioning gaze on the drow. "Why are you here?" he asked suddenly. Now it was Drizzt who stared reflectively into the openness before them. The first stars of the evening had appeared, their reflections sparkling distinctively in the dark pools of the elf's eyes. But Drizzt was not seeing them; his mind was viewing long past images of the lightless cities of the drow in their immense cavern complexes far beneath the ground. "I remember," Drizzt recalled vividly, as terrible memories are often vivid, "'the first time I ever viewed this surface world. I was a much younger elf then, a member of a large raiding party. We slipped out from a secret cave and descended upon a small elven village." The drow flinched at the images as they flashed again in his mind. "My companions slaughtered every member of the wood elf clan. Every female. Every child." Wulfgar listened with growing horror. The raid that Drizzt was describing might well have been one perpetrated by the ferocious Tribe of the Elk. "My people kill," Drizzt went on grimly. "They kill without mercy." He locked his stare onto Wulfgar to make sure that the barbarian heard him well. "They kill without passion." He paused for a moment to let the barbarian absorb the full weight of his words. The simple yet definitive description of the cold killers had confused Wulfgar. He had been raised and nurtured among passionate warriors, fighters whose entire purpose in life was the pursuit of battle-glory - fighting in praise of Tempos. The young barbarian simply could not understand such emotionless cruelty. A subtle difference, though, Wulfgar had to admit. Drow or barbarian, the results of the raids were much the same. "The demon goddess they serve leaves no room for the other races," Drizzt explained. "Particularly the other races of elves." "But you will never come to be accepted in this world," said Wulfgar. "Surely you must know that the humans will ever shun you." Drizzt nodded. "Most," he agreed. "I have few that I can call friends, yet I am content. You see, barbarian, I have my own respect, without guilt, without shame." He rose from his crouch and started away into the darkness. "Come," he instructed. "Let us fight well this night, for I am satisfied with the improvement of your skills, and this part of your lessons nears its end." Wulfgar sat a moment longer in contemplation. The drow lived a hard and materially empty existence, yet he was richer than any man Wulfgar had ever known. Drizzt had clung to his principles against overwhelming circumstances, leaving the familiar world of his own people by choice to remain in a world where he would never be accepted or appreciated. He looked at the departing elf, now a mere shadow in the gloom. "Perhaps we two are not so different," he mumbled under his breath.

Because the number system is like human life. (emphasis added) First you have natural numbers. The ones that are whole and positive. The numbers of a small child. But human consciousness expands. The child discovers a sense of long, and do you know what the mathematical expression is for longing?’ He adds cream and several drops of orange juice to the soup. ‘The negative numbers. The formalization of the feeling that you are missing something. And human consciousness expands and grows even more, and the child discovers the in between spaces. Between stones, between pieces of moss on the stones, between people. And between numbers. And do you know what that leads to? It leads to fractions. Whole numbers plus fractions prouce rational numbers. And human consciousness doesn’t stop there. It wants to go beyond reason. It adds an operation as absurd as the extraction of roots. And produces irrational numbers.’ He warms French bread in the over and fills the pepper mill. ‘It’s a form of madness. Because the irrational numbers are infinite. They can’t be written down. They force human consciousness out beyond the limits. And by adding irrational numbers to rational numbers, you get real numbers.’ I’ve stepped into the middle of the room to have more space. It’s rare that you have a chance to explain yourself to a fellow human being. Usually you have to fight for the floor. And this is important to me. ‘It doesn’t stop. It never stops. Because now, on the spot, we expand the real numbers with imaginary square roots of negative numbers. These are numbers we can’t picture, numbers that normal human consciousness cannot comprehend. And when we add the imaginary numbers to the real numbers, we have the complex number system. The first number system in which it’s possible to explain satisfactorily the crystal formation of ice. It’s like a vast, open landscape. The horizons. You head toward them, and they keep receding. That is Greenland, and that’s what I can’t be without! That’s why I don’t want to be locked up

He crossed to the desk and took from a drawer a small package wrapped in black velvet. When he unfolded the cloth, Lyra saw something like a large watch or a small clock: a thick disc of brass and crystal. It might have been a compass or something of the sort. “What is it?” she said. “It’s an alethiometer. It’s one of only six that were ever made. Lyra, I urge you again: keep it private. It would be better if Mrs Coulter didn’t know about it. Your uncle –” “But what does it do?” “It tells you the truth. As for how to read it, you’ll have to learn by yourself. Now go – it’s getting lighter – hurry back to your room before anyone sees you.” He folded the velvet over the instrument and thrust it into her hands. It was surprisingly heavy. Then he put his own hands on either side of her head and held her gently for a moment. She tried to look up at him, and said, “What were you going to say about Uncle Asriel?” “Your uncle presented it to Jordan College some years ago. He might –” Before he could finish, there came a soft urgent knock on the door. She could feel his hands give an involuntary tremor. “Quick now, child,” he said quietly. “The powers of this world are very strong. Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current. Go well, Lyra; bless you, child; bless you. Keep your own counsel.” “Thank you, Master,” she said dutifully. Clutching the bundle to her breast, she left the study by the garden door, looking back briefly once to see the Master’s dæmon watching her from the windowsill. The sky was lighter already; there was a faint fresh stir in the air. “What’s that you’ve got?” said Mrs Lonsdale, closing the battered little suitcase with a snap. “The Master gave it me. Can’t it go in the suitcase?” “Too late. I’m not opening it now. It’ll have to go in your coat pocket, whatever it is. Hurry on down to the Buttery; don’t keep them waiting . . .” It was only after she’d said goodbye to the few servants who were up, and to Mrs Lonsdale, that she remembered Roger; and then she felt guilty for not having thought of him once since meeting Mrs Coulter. How quickly it had all happened! And now she was on her way to London: sitting next to the window in a zeppelin, no less, with Pantalaimon’s sharp little ermine-paws digging into her thigh while his front paws rested against the glass he gazed through. On Lyra’s other side Mrs Coulter sat working through some papers, but she soon put them away and talked. Such brilliant talk! Lyra was intoxicated; not about the North this time, but about London, and the restaurants and ballrooms, the soirées at Embassies or Ministries, the intrigues between White Hall and Westminster. Lyra was almost more fascinated by this than by the changing landscape below the airship. What Mrs Coulter was saying seemed to be accompanied by a scent of grown-upness, something disturbing but enticing at the same time: it was the smell of glamour.

ever. Amen. Thank God for self-help books. No wonder the business is booming. It reminds me of junior high school, where everybody was afraid of the really cool kids because they knew the latest, most potent putdowns, and were not afraid to use them. Dah! But there must be another reason that one of the best-selling books in the history of the world is Men Are From Mars, Women Are From Venus by John Gray. Could it be that our culture is oh so eager for a quick fix? What a relief it must be for some people to think “Oh, that’s why we fight like cats and dogs, it is because he’s from Mars and I am from Venus. I thought it was just because we’re messed up in the head.” Can you imagine Calvin Consumer’s excitement and relief to get the video on “The Secret to her Sexual Satisfaction” with Dr. GraySpot, a picture chart, a big pointer, and an X marking the spot. Could that “G” be for “giggle” rather than Dr. “Graffenberg?” Perhaps we are always looking for the secret, the gold mine, the G-spot because we are afraid of the real G-word: Growth—and the energy it requires of us. I am worried that just becoming more educated or well-read is chopping at the leaves of ignorance but is not cutting at the roots. Take my own example: I used to be a lowly busboy at 12 East Restaurant in Florida. One Christmas Eve the manager fired me for eating on the job. As I slunk away I muttered under my breath, “Scrooge!” Years later, after obtaining a Masters Degree in Psychology and getting a California license to practice psychotherapy, I was fired by the clinical director of a psychiatric institute for being unorthodox. This time I knew just what to say. This time I was much more assertive and articulate. As I left I told the director “You obviously have a narcissistic pseudo-neurotic paranoia of anything that does not fit your myopic Procrustean paradigm.” Thank God for higher education. No wonder colleges are packed. What if there was a language designed not to put down or control each other, but nurture and release each other to grow? What if you could develop a consciousness of expressing your feelings and needs fully and completely without having any intention of blaming, attacking, intimidating, begging, punishing, coercing or disrespecting the other person? What if there was a language that kept us focused in the present, and prevented us from speaking like moralistic mini-gods? There is: The name of one such language is Nonviolent Communication. Marshall Rosenberg’s Nonviolent Communication provides a wealth of simple principles and effective techniques to maintain a laser focus on the human heart and innocent child within the other person, even when they have lost contact with that part of themselves. You know how it is when you are hurt or scared: suddenly you become cold and critical, or aloof and analytical. Would it not be wonderful if someone could see through the mask, and warmly meet your need for understanding or reassurance? What I am presenting are some tools for staying locked onto the other person’s humanness, even when they have become an alien monster. Remember that episode of Star Trek where Captain Kirk was turned into a Klingon, and Bones was freaking out? (I felt sorry for Bones because I’ve had friends turn into Cling-ons too.) But then Spock, in his cool, Vulcan way, performed a mind meld to determine that James T. Kirk was trapped inside the alien form. And finally Scotty was able to put some dilithium crystals into his phaser and destroy the alien cloaking device, freeing the captain from his Klingon form. Oh, how I wish that, in my youth or childhood,

According to folk belief that is reflected in the stories and poems, a being who is petrified man and he can revive. In fairy tales, the blind destructiveness of demonic beings can, through humanization psychological demons, transformed into affection and love of the water and freeing petrified beings. In the fairy tale " The Three Sisters " Mezei de-stone petrified people when the hero , which she liked it , obtain them free . In the second story , the hero finding fairy , be petrified to the knee , but since Fairy wish to marry him , she kissed him and freed . When entering a demonic time and space hero can be saved if it behaves in a manner that protects it from the effects of demonic forces . And the tales of fortune Council hero to not turn around and near the terrifying challenges that will find him in the demon area . These recommendations can be tracked ancient prohibited acts in magical behavior . In one short story Penina ( evil mother in law ) , an old man , with demonic qualities , sheds , first of two brothers and their sister who then asks them , iron Balot the place where it should be zero as chorus, which sings wood and green water . When the ball hits the ground resulting clamor and tumult of a thousand voices, but no one sees - the brothers turned , despite warnings that it should not , and was petrified . The old man has contradictory properties assistants and demons . Warning of an old man in a related one variant is more developed - the old man tells the hero to be the place where the ball falls to the reputation of stones and hear thousands of voices around him to cry Get him, go kill him, swang with his sword , stick go ! . The young man did not listen to warnings that reveals the danger : the body does not stones , during the site heroes - like you, and was petrified . The initiation rite in which the suffering of a binding part of the ritual of testing allows the understanding of the magical essence of the prohibition looking back . MAGICAL logic respectful direction of movement is particularly strong in relation to the conduct of the world of demons and the dead . From hero - boys are required to be deaf to the daunting threats of death and temporarily overcome evil by not allowing him to touch his terrible content . The temptation in the case of the two brothers shows failed , while the third attempt brothers usually releases the youngest brother or sister . In fairy tales elements of a rite of passage blended with elements of Remembrance lapot . Silence is one way of preventing the evil demon in a series of ritual acts , thoughts Penina Mezei . Violation of the prohibition of speech allows the communication of man with a demon , and abolishes protection from him . In fairy tales , this ritual obligations lost connection with specific rituals and turned into a motive of testing . The duration of the ban is extended in the spirit of poetic genre in years . Dvanadestorica brothers , to twelve for saving haunted girls , silent for almost seven years, but eleven does not take an oath and petrified ; twelfth brother died three times , defeat the dragon , throw an egg at a crystal mountain , and save the brothers ( Penina Mezei : 115 ) . Petrify in fairy tales is not necessarily caused by fear , or impatience uneducated hero . Self-sacrificing hero resolves accident of his friend's seemingly irrational moves, but he knows that he will be petrified if it is to warn them in advance , he avoids talking . As his friend persuaded him to explain his actions , he is petrified ( Penina Mezei : 129 ) . Petrified friends can save only the blood of a child , and his " borrower " Strikes sacrifice their own child and revives his rescuers . A child is a sacrificial object that provides its innocence and purity of the sacrificial gift of power that allows the return of the forces of life.

I have a complicated spiritual history. Here's the short version: I was born into a Mass-going Roman Catholic family, but my parents left the church when I was in the fifth grade and joined a Southern Baptist church—yes, in Connecticut. I am an alumnus of Wheaton College—Billy Graham's alma mater in Illinois, not the Seven Sisters school in Massachusetts—and the summer between my junior and senior year of (Christian) high school, I spent a couple of months on a missions trip performing in whiteface as a mime-for-the-Lord on the streets of London's West End. Once I left home for Wheaton, I ended up worshiping variously (and when I could haul my lazy tuckus out of bed) at the nondenominational Bible church next to the college, a Christian hippie commune in inner-city Chicago left over from the Jesus Freak movement of the 1960s, and an artsy-fartsy suburban Episcopal parish that ended up splitting over same-sex issues. My husband of more than a decade likes to describe himself as a “collapsed Catholic,” and for more than twenty-five years, I have been a born-again Christian. Groan, I know. But there's really no better term in the current popular lexicon to describe my seminal spiritual experience. It happened in the summer of 1980 when I was about to turn ten years old. My parents had both had born-again experiences themselves about six months earlier, shortly before our family left the Catholic church—much to the shock and dismay of the rest of our extended Irish and/or Italian Catholic family—and started worshiping in a rented public grade school gymnasium with the Southern Baptists. My mother had told me all about what she'd experienced with God and how I needed to give my heart to Jesus so I could spend eternity with him in heaven and not frying in hell. I was an intellectually stubborn and precocious child, so I didn't just kneel down with her and pray the first time she told me about what was going on with her and Daddy and Jesus. If something similar was going to happen to me, it was going to happen in my own sweet time. A few months into our family's new spiritual adventure, after hearing many lectures from Mom and sitting through any number of sermons at the Baptist church—each ending with an altar call and an invitation to make Jesus the Lord of my life—I got up from bed late one Sunday night and went downstairs to the den where my mother was watching television. I couldn't sleep, which was unusual for me as a child. I was a champion snoozer. In hindsight I realize something must have been troubling my spirit. Mom went into the kitchen for a cup of tea and left me alone with the television, which she had tuned to a church service. I don't remember exactly what the preacher said in his impassioned, sweaty sermon, but I do recall three things crystal clearly: The preacher was Jimmy Swaggart; he gave an altar call, inviting the folks in the congregation in front of him and at home in TV land to pray a simple prayer asking Jesus to come into their hearts; and that I prayed that prayer then and there, alone in the den in front of the idiot box. Seriously. That is precisely how I got “saved.” Alone. Watching Jimmy Swaggart on late-night TV. I also spent a painful vacation with my family one summer at Jim and Tammy Faye Bakker's Heritage USA Christian theme park in South Carolina. But that's a whole other book…

The average pagan, like the average agnostic, would merely say that he was content with himself, but so insolently self-satisfied, that there were many better and many worse ... This proper pride does not lift the heart like the tongue of trumpets; you cannot go glad in crimson and gold for this. On the other hand, this mild rationalist modesty does not cleanse the soul with fire and make it clear like crystal; it does not (like a strict and searching humility) make a man as a little child, who can sit at the feet of the grass. It does not make him look up and see marvels ... Thus it loses both the poetry of being proud and the poetry of being humble.

McCarthy’s movie career wasn’t limited to The Stupids. In 1998, she had a small role in BASEketball and the following year in Diamonds , directed by John Asher, whom she married in September 1999. A few years later, on May 18, 2002, their only child, Evan, was born in Los Angeles. But all was not well. Following a chance encounter with a stranger, McCarthy knew that something was different about her son. “One night I reached over and grabbed my Archangel Oracle tarot cards and shuffled them and pulled out a card,” she wrote. “It was the same card I had picked over and over again the past few months. It was starting to drive me crazy. It said that I was to help teach the Indigo and Crystal children. [Later,] a woman approached Evan and me on the street and said, ‘Your son is a Crystal child,’ and then walked away. I remember thinking, ‘Okay, crazy lady,’ and then I stopped in my tracks. Holy shit, she just said ‘Crystal child,’ like on the tarot card.” McCarthy realized that she was an Indigo adult and Evan a Crystal child. Although Evan would soon be diagnosed with autism, McCarthy took heart in the fact that Crystal children were often mislabeled as autistic. According to Doreen Virtue, author of The Care and Feeding of Indigo Children, “Crystal Children don’t warrant a label of autism! They aren’t autistic, they’re AWE-tistic.

I highly recommend a crystal salt lamp in the room to help to balance the ions and improve the electro-magnetic balance of the air. The benefits of these naturally beautiful lamps are well known. While most ionizers on the market are just so many more man-made machines, the salt crystal lamp is a beautiful alternative of Mother Nature, without any noise and no harmful ozone added to our homes. Salt crystal lamps are highly beneficial for daily use in the whole house. Bed rooms, living rooms, dining rooms, and especially near televisions, computers and around smokers, to neutralize the damage being put out from those sources. Use these lovely lamps to reduce your own fatigue, a crystal salt lamp near your child’s computer will minimize the ill effect of all that radiation and bring a soothing effect to the surroundings of your child’s work area; they improve concentration and refresh the child naturally by neutralizing the effects of an artificial environment. Please place a small crystal salt light in your child’s

A PROCESSION OF ANGELS Then I saw a powerful angel walk up to Jesus. The Lord spoke to this angel, although I did not understand the words that passed back and forth between them. However, I did understand that this angel had been working in Tanzania and had been on an important assignment. I really do not understand how I knew what was transpiring. I just had a supernatural revelation of what was taking place as the Lord stood over me and gave instruction to the angel. Perhaps just being so close to the Lord allowed me to have some understanding of the things that were unfolding before me in the spirit. Shortly, I saw this angel “ascend” upon Jesus. I knew that this angel was returning into the realms of Heaven, and that the assignment that it had been on had now been completed. I was astonished to see the angel ascend into the heavens “on” Jesus. It was very similar to the night in Springdale when I saw Jesus ascend back through the open heaven spinning in the sanctuary in Living Waters Church. (See John 1:51.) The Lord looked at me and gave me a big smile. He began to speak to me again, just as a loving friend would to a small child. In just a moment or two, He was again interrupted by a second strong angel. This time the angel descended from the realms of Heaven upon Jesus and stepped onto the beach. Once again the Lord and the angel began to speak, though again I was unable to understand the language that they spoke. I could see this second angel was powerful and very strong. He carried himself in the manner of a warrior, and there was a large sword in his right hand. He also had a large, polished, shiny golden shield in his left hand. Upon his belt were other weapons, including an ornate buckler and a smaller type of sword. As I was looking, I suddenly saw Jesus pat the angel upon his powerful shoulder and point with His right hand. Immediately, the angel turned in military fashion and ran off in the direction that the Lord had indicated. I was astonished, but I was also absolutely certain that Jesus had just commissioned the strong second angel to an important mission in the nation of Tanzania. Then Jesus turned His loving gaze back upon me as I lay on the beach. The waters were still billowing around me. The Lord again began to speak to me and told me that it was important that I began to study and learn to understand about the “seer anointing.” At that moment, I did not have any knowledge of the seer anointing, so I was a little concerned about my ignorance. As if sensing I was uncomfortable, the Lord smiled and gently began to speak with me about the seer prophets of old. This encounter with the Lord continued from about 4:15 A.M. until about 6:30 A.M. in the natural. However, in the realm of the spirit, it seemed to last for many more hours. The Lord continued to speak to me in great detail about the seer gift or anointing. I could determine the passage of time because the sun shifted its position over the sea of glass-like crystal as He continued to speak. The other reason I was aware of time passing was that there began to be a steady stream of angels ascending and descending upon the Lord Jesus Christ. ANGELS ON MISSIONS This procession of angels was quite impressive. After the first few, I began to relax. I had been

King and Cross Glistening nighttime dew, and she is walking with me. From the house of red, I hear a child crying. Foxes heading home, their prey hangs from their jaws. And the forest knows, but it won’t share the secret. When the king takes sides, Leaving moral minds; soldiers take their share. Nighthawks seem to sense that now is the time. Deep inside them burns the raging fire of life. He’ll take back what he owns. Death cannot take hold, if I can keep momentum. Fortresses of stone, turn into crystal tears Soothed by southern winds; I’ve found my strength now. And nobody knows, and we must keep their secret. When the king takes sides, Leaving moral minds; soldiers take their share. Nighthawks seem to sense that now is the time. Deep inside them burns the raging fire of life. He’ll take back what he owns. When the king takes sides, Leaving moral minds; soldiers take their share. Nighthawks seem to sense that now is the time. Deep inside them burns the raging fire of life. He’ll take back what he owns.

She loved him. She did. But how could she be sure it would last? She had loved Norman so much she'd wanted to marry him, and at the time her love had been as true as thing as she'd ever known. Ten years later, she'd had to leave him to survive. It seemed impossible that both of those things could be true, and yet they were. Which made it hard, now that she was disabused of the romanticism of her youth, to imagine having a baby with someone else. What if the love she felt for Owen left her? What of Owen's feelings changed? She could not bear the though of being separated from another child, of fighting over 'access' to her baby with another adult who claimed her or him. And what would it do to her boys to take Owen into their hearts, only to see him go? They were already exposed to that risk with Dina. If Norman's new choice of partner turned out to be unreliable, fine. Norman was unreliable anyway. If hers did, she feared it would shake the boys loose from the foundation she had worked so hard to construct. She believed it was possible to love for life. It was getting harder and harder to imagine a world with Owen in it where she would not want to be by his side. But she also knew there were no guarantees in matters of the heart. Which meant that unless Owen could produce a crystal ball and prove to her without a doubt that they would never, ever part, her fear of their relationship ending very nearly exceeded her need for it.

Deep inside the crystal forest, where many fear to go, is a place of peace and harmony where the springs of eternity flow. This is where the faeries live and pass away the hours dancing through the trees, playing in the flowers. Faeries flitting on gossamer wings are a common sight. Their wings of rainbow colors unfold quietly, taking flight.Come and take the journey to find your child within. Open up your heart and mind, and watch the magic begin.

energy. To be the most persuasive you have to be full of energy and you have to know how to transfer that energy to others. You have to be able to infuse them, motivate them and leave them feeling invigorated. It may be a simple case of eye contact, a physical touch or showing excitement in their responses o it may be something a little harder to do. Aster it and the world is your oyster.                      Clear Communication is Vital If a younger child cannot gap your concept in a way that they can easily communicate to others, then it is simply too complicated. You have to simplify things, break it down into easy to understand bites and communicate it as clear as crystal. If people don’t understand your message, you have no hope of persuading them.                      Be Prepared When you begin your attempt to persuade people, it is important that you start from a position of knowing – knowing more than they do about themselves and their surrounding situations. Do

As child, when the elders spoke their wise words, it only echoes in my ears. As adult, I have crystal clear insight to the wise aphorisms by the elderly.

As child, when the elders spoke their wise words, it only echoes in my ears. As an adult, I have crystal clear insight to the wise aphorisms by the elderly.

How many fathers pay no mind to their daughter's clothes? How many care not when the police drop her off after finding her somewhere? How many have no sense of the shame or potential shame brought on their homes? They do not care, but for the moment, a permanent reminder of their failure, a new baby, enters the home. Then the household swarms to protect. This is a maternal move. Often, the father is enraged, but his wife tells him they will provide for this new child. This only encourages more dishonorable behavior.Who is watching the babies of young single moms? The grandparents will care for it and raise the bastard child because it is the right thing, the honorable thing to do. A good father helps in this moment. Honor matters then, but it is a fraud. It is a crystal statue that shatters when the smallest of observers knock on it. “Where were you for the days,week,months and years leading up to that moment," we might ask. "Where was your honor then?" No one asks this because it would be rude. Such a comment implies a functioning community with corrective mechanisms, but it would be shouted down in this matriarchal culture that celebrates single mothers.

I was born and raised in a communist country where all religion's were forbitten. when I immigrated to the USA I told my husband now,. I want to get married in church because I don't want my children to grow up with out faith like I did! We went to Albanian church and got married but 1st we had to be baptized so on December 8, 1991 I converted to Christianity and got married, that very the same nigh I see God & Jesus on my dream! I see my self I was dropped on the side of the cross road of my childhood neighborhood ( Rusi Katolik) Shkoder, Albania! I'm standingh up on the and look around me it was raining and poring and the rain splashing down on ground, and catching on fire. I see people runging and hear them skreaming but around me was s sunshine spotlight. I hear a very firm voice come from up saying "My child tell your people in your languages stop screaming, and start praying" I tried to resist His order, and God said "DO AS YOU BEEN TOLD MY CHILD" with an very firm voice, and orderly voice. I can hear my self telling people "Moss bertit por lutu, mos bertit por lutu" (Don't scream, and start praying, don't scream start praying). I can hear people praying. The rain stopped and a bright sun come out. I hear God telling me "Well done my child" as I'm leaving going west Jesus showed up on the sky with his arms wide open. He have an light olive skin, light brawn shine waive hair , coming down to his both side of his chest. he have crystal watery blue eyes color, and pinkish lips, he smile at me and I see his pearly bright teeth. I wake up went to balcony to see if that was real or dream because it felt so real! since then I never felt the same, I felt a big burden was lifted out of my chest!

All of us have to learn how to invent our lives, make them up, imagine them. We need to be taught these skills; we need guides to show us how. Without them, our lives get made up for us by other people. Human beings have always joined in groups to imagine how best to live and help one another carry out the plan. The essential function of human community is to arrive at some agreement on what we need, what life ought to be, what we want our children to learn, and then to collaborate in learning and teaching so that we and they can go on the way we think is the right way. Small communities with strong traditions are often clear about the way they want to go, and good at teaching it. But tradition may crystallize imagination to the point of fossilizing it as dogma and forbidding new ideas. Larger communities, such as cities, open up room for people to imagine alternatives, learn from people of different traditions, and invent their own ways to live. As alternatives proliferate, however, those who take the responsibility of teaching find little social and moral consensus on what they should be teaching -- what we need, what life ought to be. In our time of huge populations exposed continuously to reproduced voices, images, and words used for commercial and political profit, there are too many people who want to and can invent us, own us, shape and control us through seductive and powerful media. It's a lot to ask of a child to find a way through all that alone. Nobody can do anything very much, really, alone. What a child needs, what we all need, is to find some other people who have imagined life along lines that make sense to us and allow some freedom, and listen to them. Not hear passively, but listen.

I thought back to texts I had read from the British Army in India, during the Raj, at the height of their empire. Young subalterns trapped in junior ranks had their own mess. They would dine together in splendid dress uniforms and talk about their chances of promotion. But they had none, unless a superior officer died. Dead men’s shoes was the rule. So they would raise their crystal glasses of fine French wine and toast bloody wars and dread diseases, because a casualty further up the chain of command was their only way to get ahead. Brutal, but that’s how it’s always been, in the military. I

As a child, I always loved the time when I was alone.

As a child what you see is creation. As an adult what you see is destruction.

If we acknowledge that housing is a basic right of all Americans, then we must think differently about another right: the right to make as much money as possible by providing families with housing- and especially to profit excessively from the less fortunate. Since the founding of this country, a long line of American visionaries have called for a more balanced relationship, one that protects people from the profit motive, "not to destroy individualism," in Franklin D. Roosevelt's words, "but to protect it." Child labor laws, the minimum wage, workplace safety regulations, and other protections we now take for granted came about when we chose to place the well-being of people above money. There are losers and winners. There are losers because there are winners. "Every condition exists," Martin Luther King Jr. once wrote, "simply because someone profits by its existence. This economic exploitation is crystallized in the slum.

He designed every ice crystal that floats down from the clouds to your child’s snowflake-tasting tongue. We know, from looking at creation, that our ability is not worth comparing to the Lord’s. But instead of looking to God for the deliverance we need, we keep reaching down for our own bootstraps to try to pull ourselves up.

I tend to have really interested conversations with employers. They enjoy my interviews and they always last a little longer than norm for i have so much to say and as one said, i am but a breath of fresh air. I was asked what motivates me? I told them my children. When i was a child, i wanted to be like Oprah. I want to be the kind of person my children will be aspire to be. I want my daughter to say she wants to be like me.

I saw the massive stone altar first begin to glow like a ruby; then it was a heart of liquid gold like a solid single-crystal chrysoprase: the gold intensified into ice-cold emerald and passed into the dark sapphire of an arctic sky; this again withdrew into a violet so deep that the visual purple of the eye itself seemed absorbed in that depth, that abyss of color in which sight was being drowned. And as this intensification of vibrancy seemed to sweep across the visible spectrum up to those ranges where energy absorbs all mass and that which can pierce the most solid is itself fine beyond all substance, so it seemed with hearing. That abyss of sound which I had been thinking of as only depth, it, too, seemed to rise or, rather, I suppose I was carried up on some rising wave which explored the deep of the height. As the light drew toward the invisible, I experienced a sound so acute that I can only remember feeling to myself that this was the note emitted when the visible universe returns to the unmanifest—this was the consummatum est of creation. I knew that an aperture was opening in the solid manifold. The things of sense were passing with the music of their own transmutation, out of sight. Veil after veil was evaporating under the blaze of the final Radiance. Suddenly I knew terror as never before. The only words which will go near to recreating in me some hint of that actual mode are those which feebly point toward the periphery of panic by saying that all things men dread are made actually friendly by this ultimate awfulness. Every human horror, every evil that the physical body may suffer, seemed, beside this that loomed before me, friendly, homely, safe. The rage of a leaping tiger would have been a warm embrace. The hell of a forest wrapped in a hurricane of fire, the subzero desolation of the antarctic blizzard, would have been only the familiar motions of a simple well-known world. Yes, even the worst, most cunning and cruel evil would only be the normal reassuring behavior of a well-understood, much-sympathized-with child. Against This, the ultimate Absolute, how friendly became anything less, anything relative.

She considers a tray of flaky 'jesuites,' their centers redolent of frangipani cream, decorated with violet buds preserved in clouds of black crystal sugar. Or 'dulce de leche' tarts- caramelized swirls on a 'pate sucree' crust, glowing with chocolate, tiny muted peaks, ruffles of white pastry like Edwardian collars. But nothing seems special enough and nothing seems right. Nothing seems like Stanley. Avis brings out the meticulous botanical illustrations she did in school, pins them all around the kitchen like a room from Audubon's house. She thinks of slim layers of chocolate interspersed with a vanilla caramel. On top she might paint a frosted forest with hints of white chocolate, dashes of rosemary subtle as deja vu. A glissando of light spilling in butter-drops from one sweet lime leaf to the next. On a drawing pad she uses for designing wedding cakes, she begins sketching ruby-throated hummingbirds in flecks of raspberry fondant, a sub-equatorial sun depicted in neoclassical butter cream. At the center of the cake top, she draws figures regal and languid as Gauguin's island dwellers, meant to be Stanley, Nieves, and child. Their skin would be cocoa and coffee and motes of cherry melded with a few drops of cream. Then an icing border of tiny mermaids, nixies, selkies, and seahorses below, Pegasus, Icarus, and phoenix above.

She placed the soapy cloth on his shoulder, briskly stroking over smooth skin, trying not to notice how firm the muscles beneath her fingers were. She kept her gaze strictly on her hand. Still, it was impossible to ignore the elegant sweep of his collarbone, the bulge of his upper arm, the way a single vein ran along the inside of his forearm... She realized that her hand had slowed along his arm. The room was very quiet. Nicoletta had left with the dirty water and Ubertino was somewhere, perhaps fetching more clean water. She and the duke were alone in the bedroom with her hands on his body. She daren't raise her eyes to his. She took his hand in hers and ran the cloth over the veins that roped the back. His fingers were long and strong, and they dwarfed hers, the nails square and pale. She carefully washed each one and then cupped his hand in hers to wash his palm. It was an intimate act. A... caring act. One a mother might perform for a child. Or a woman might perform for her lover. Iris caught her breath and straightened to rinse the cloth. When she turned back her gaze caught his. He was watching her, his crystal eyes half-lidded, his twisted lips parted.

The stars of morning twinkled brightly overhead, the moon having already surrendered its light. The backyard was a crystal palace bejeweled with ice that sparkled under the starlight.

No, what little inspiration I have in life comes not from any sense of racial pride. It stems from the same age-old yearning that has produced great presidents and great pretenders, birthed captains of industry and captains of football; that Oedipal yen that makes men do all sorts of shit we’d rather not do, like try out for basketball and fistfight the kid next door because in this family we don’t start shit but we damn sure finish it. I speak only of that most basic of needs, the child’s need to please the father. Many fathers foster that need in their children through a wanton manipulation that starts in infancy. They dote on the kids with airplane spins, ice cream cones on cold days, and weekend custody trips to the Salton Sea and the science museum. The incessant magic tricks that produced dollar pieces out of thin air and the open-house mind games that made you think that the view from the second-floor Tudor-style miracle in the hills, if not the world, would soon be yours are designed to fool us into believing that without daddies and the fatherly guidance they provide, the rest of our lives will be futile Mickey Mouseless I-told-ya-so existences. But later in adolescence, after one too many accidental driveway basketball elbows, drunken midnight slaps to the upside of our heads, puffs of crystal meth exhaled in our faces, jalapeño peppers snapped in half and ground into our lips for saying “fuck” when you were only trying to be like Daddy, you come to realize that the frozen niceties and trips to the drive-thru car wash were bait-and-switch parenting. Ploys and cover-ups for their reduced sex drives, stagnant take-home pay, and their own inabilities to live up to their father’s expectations. The Oedipal yen to please Father is so powerful that it holds sway even in a neighborhood like mine, where fatherhood for the most part happens in absentia, yet nevertheless the kids sit dutifully by the window at night waiting for Daddy to come home. Of course, my problem was that Daddy was always home.

O, the thrill when each knows its own guilt, travels the thorny paths. Thus did he find the white form of the child in the thorn bush, bleeding after the cloak of its bride-groom. Yet he stood before her buried in his steely hair, mute and suffering. O, the radiant angels scattered by the purple night winds. Long nights did he dwell in a crystal cave and leprosy grew all silvery upon his brow. A shadow, he walked down the boundary path beneath autumnal stars. Snow fell and the blue darkness filled the house. As a blind man's, Father's harsh voice resounded and called up dread. Woe, the bowed appearance of women. Beneath petrified hands fruit and implements mouldered to the appalled race. A wolf devoured the first-born and my sisters fled into dark gardens to skeletal old men. A deranged seer, that man sang by the derelict walls and God's wind consumed his voice. O ecstasy of death. O you children of a midnight race. All silver the evil flowers of the blood shimmer about that man's brow, the cold moon within his broken eyes. O, the creatures of night; O, those who are accursed.

As you wished, the Narcemesis crystal will be forever with you, exuding the malice of three and a half centuries-worth of tormented souls. I shall embed it within your child's skull. Try to remove it? Well, your baby will die.

Look into this one,' the Bomb says with a strange expression. It's Cardan as a very small child. He is dressed in a shirt that's too large for him. It hangs down like a gown. He is barefoot, his feet and shirt streaked with mud, but he wears dangling hoops in his ears, as though an adult gave him their earrings. A horned faerie woman stands nearby, and when he runs to her, she grabs his wrists before he can put his dirty hands on her skirts. She says something stern and shoves him away. When he falls, she barely notices, too busy being drawn in to conversation with other courtiers. I expect Cardan to cry, but he doesn't. Instead, he stomps off to a tree that an older boy is climbing. The boy says something, and Cardan grabs for his ankle. A moment later, the boy is on the ground, and Cardan's small grubby hand is forming a fist. At the sound of the scuffle, the faerie woman turns and laughs, clearly delighted by his escapade. When Cardan looks back at her, he's smiling, too. I shove the crystal ball back in to the drawer. Who would cherish this? It's horrible.

Perhaps. Once when I was a child,” says Pandey, “I was walking along a dry creek bed. I walked it many times in my youth, but that day I saw one of the creek bed walls had fallen in, General. And inside this wall, in all the loose earth piled there, were dozens and dozens of crystals. Quartz, of course. I didn’t know that it was a commonly found thing, not then. I couldn’t imagine something like this just existing. You know? It was beautiful and wonderful to me, because I didn’t know any better. So now, faced with this strange stuff, I have to wonder if we just don’t know any better.

I’m sorry we’re late, but somebody decided to step in a fresh horse plop and needed a bath.” He turned a mock-solemn glare at the smaller child. Crystal Ingrid looked away in the manner of a four-year-old who thinks that if she doesn’t see trouble, it’s not there.

If he wants to treat me like a child, I’ll act like one.

excessive attachments are to be avoided, especially in relationships. For example, a parent can be so possessive of a child it becomes harmful to the child, a friend may lead one to sin, and so on. Excessive desires cloud our recognition of truth. They keep us from thinking clearly and cause anxiety. It is why you see agitation in so many persons here.

There were outlaw bikers and meth labs close by. Berenson was readier to believe that. Stories about the badlands were legion. But a pained echo in a chance remark about Dean’s daughter led her to believe that the kid was in some way the problem. She was fourteen years old. Berenson put two and two together and made five. She figured maybe the kid was hanging with the bikers or experimenting with crystal and causing big problems at home. Then she revised her opinion. The quality problems up at Highland Park became common knowledge inside the company. Berenson knew that Dean had a difficult split responsibility. As a director of the corporation he had a fiduciary duty to see it do well. But he also had a parallel responsibility to the Pentagon to make sure New Age sold it only the good stuff. Berenson figured

Eventually, she held up the page, satisfied. It depicted Yalb and the porter in detail, with hints of the busy city behind. She’d gotten their eyes right. That was the most important. Each of the Ten Essences had an analogous part of the human body—blood for liquid, hair for wood, and so forth. The eyes were associated with crystal and glass. The windows into a person’s mind and spirit. She set the page aside. Some men collected trophies. Others collected weapons or shields. Many collected spheres. Shallan collected people. People, and interesting creatures. Perhaps it was because she’d spent so much of her youth in a virtual prison. She’d developed the habit of memorizing faces, then drawing them later, after her father had discovered her sketching the gardeners. His daughter? Drawing pictures of darkeyes? He’d been furious with her—one of the infrequent times he’d directed his infamous temper at his daughter. After that, she’d done drawings of people only when in private, instead using her open drawing times to sketch the insects, crustaceans, and plants of the manor gardens. Her father hadn’t minded this—zoology and botany were proper feminine pursuits—and had encouraged her to choose natural history as her Calling. She took out a third blank sheet. It seemed to beg her to fill it. A blank page was nothing but potential, pointless until it was used. Like a fully infused sphere cloistered inside a pouch, prevented from making its light useful. Fill me. The creationspren gathered around the page. They were still, as if curious, anticipatory. Shallan closed her eyes and imagined Jasnah Kholin, standing before the blocked door, the Soulcaster glowing on her hand. The hallway hushed, save for a child’s sniffles. Attendants holding their breath. An anxious king. A still reverence. Shallan opened her eyes and began to draw with vigor, intentionally losing herself. The less she was in the now and the more she was in the then, the better the sketch would be. The other two pictures had been warm-ups; this was the day’s masterpiece. With the paper bound onto the board—safehand holding that—her freehand flew across the page, occasionally switching to other pencils. Soft charcoal for deep, thick blackness, like Jasnah’s beautiful hair. Hard charcoal for light greys, like the powerful waves of light coming from the Soulcaster’s gems. For a few extended moments, Shallan was back in that hallway again, watching something that should not be: a heretic wielding one of the most sacred powers in all the world. The power of change itself, the power by which the Almighty had created Roshar. He had another name, allowed to pass only the lips of ardents. Elithanathile. He Who Transforms. Shallan could smell the musty hallway. She could hear the child whimpering. She could feel her own heart beating in anticipation. The boulder would soon change. Sucking away the Stormlight in Jasnah’s gemstone, it would give up its essence, becoming something new. Shallan’s breath caught in her throat. And then the memory faded, returning her to the quiet, dim alcove. The page now held a perfect rendition of the scene, worked in blacks and greys. The princess’s proud figure regarded the fallen stone, demanding that it give way before her will. It was her. Shallan knew, with the intuitive certainty of an artist, that this was one of the finest pieces she had ever done. In a very small way, she had captured Jasnah Kholin, something the devotaries had never managed. That gave her a euphoric thrill. Even if this woman rejected Shallan again, one fact would not change. Jasnah Kholin had joined Shallan’s collection.

The world is supposed to make sense. We want and need the things that happen to us and to those around us to adhere to laws of order and justice and reason. We want to believe that if we live wisely and follow the rules, things will work out, more or less, for us and for those we love. Psychologists refer to this as the Just World Hypothesis, a theory first developed by the social psychologist Melvin Lerner. Lerner postulated that people have a powerful intuition that individuals get what they deserve. This intuition influences how we judge those who suffer. When a person is harmed, we instinctually look for a reason or a justification. Unfortunately, this instinct leads to victim-blaming. As Oliver Burkeman writes in The Guardian, “Faced with evidence of injustice, we’ll certainly try to alleviate it if we can—but, if we feel powerless to make things right, we’ll do the next best thing, psychologically speaking: we’ll convince ourselves that the world isn’t so unjust after all.” Burkeman cites as evidence a 2009 study finding that Holocaust memorials can increase anti-Semitism: “Confronted with an atrocity they otherwise can’t explain, people become slightly more likely, on average, to believe that the victims must have brought it on themselves.” So what happens when the victim is a child, a little boy walking to school, a little girl riding her bike, a baby in a car, victims impossible to blame? Whom can we hold accountable when a child is killed or injured or abused or forgotten? How can one take in this information, the horror of it, and keep on believing the world is just? In his history of childhood in America, the historian Steven Mintz defines a “moral panic” as the term used by sociologists to describe “the highly exaggerated and misplaced public fears that periodically arise within a society.” Mintz suggests that “eras of ethical conflict and confusion are especially prone to outbreaks of moral panic as particular incidents crystallize generalized anxieties and provoke moral crusades.” The late 1970s through the early 1990s was a period in American history rife with sources of ethical conflict and confusion.

They can’t know what you are,” he continued. “They wouldn’t stop coming for you once they saw your shadows. We’d waste our efforts just to guard you instead of helping others, and you can’t control that magic anyway. You aren’t ready for this.” ‘You aren’t ready for this’. ‘What you are’. Because she was a thing to those monsters across the mountains. Not a child with beautiful magic, but a creature, a cultist, a cursed trickster.

Yes. She would learn to kill these men. After all, it had felt so good to watch those two soldiers suffer. She would no longer be the helpless little child. She’d never let anyone sneak up on her again, take advantage of her, kill her people. She’d stop running. She’d become their worst nightmare. “Teach me how to make it hurt,

When I was a child, charlottes--- French desserts made traditionally out of brioche, ladyfingers, or sponge and baked in a charlotte mold--- were everywhere. Charlotte au chocolat wasn't the only variety, though being chocolate, it had the edge on my mother's autumn-season apple charlotte braised with brioche and poached in clarified butter, and even on the magnificent charlotte Malakoff she used to serve in the summer: raspberries, slivered almonds, and Grand Marnier in valleys of vanilla custard. But it is charlotte au chocolat, being my namesake dessert, that I remember most, for we offered it on the menu all year long. I walked into the pastry station and saw them cooling in their rusted tin molds on the counter. I saw them scooped onto lace doilies and smothered in Chantilly cream, starred with candied violets and sprigs of wet mint. I saw them lit by birthday candles. I saw them arranged, by the dozens, on silver trays for private parties. I saw them on customers' plates, destroyed, the Chantilly cream like a tumbled snowbank streaked with soot from the chocolate. And charlottes smelled delightful: they smelled richer, I thought, than any dessert in the world. The smell made me think of black velvet holiday dresses and grown-up perfumes in crystal flasks. It made me want to collapse and never eat again.

When I was a child, I associated my parents with individual flavors. It was the same way you might filter someone through a prism of color--- thinking of some people in blues, other people in reds--- but instead of color, the sensation I latched on to was flavor. My mother's flavors were always those of the desserts she made--- suave caramels and milk chocolates and the delicate, utterly feminine accents of crystallized violets or buttery almonds. But my father's flavors--- my father's flavors were something else altogether. They were subtle and elusive and melted on the tongue only to vanish before you could place them. Dark, adult flavors, and slightly bitter: veal carpaccio. silvery artichokes. And, most of all, mushrooms: chanterelles, chicken of the woods, and--- my father's favorite mushroom of all--- trumpets of death.

If there is one satisfactory mode, it is in the intermixture of art and criticism, of creativity and curiosity, which is the essential way to love and think such dense and rich human experience. It is the poetic attitude, shadowed closely by its critical child, which alone together sustain the species. The melancholics have forgotten or betrayed poiesis, limiting it the display of the unbearable. Nevertheless, this bleakness about life, the inability to stand in the face of finitude's complexities that this reflects, betrays the species' fundamental quality of mimesis, of imagination as part of the answer to the human question. The consequences of this inability have been dire for intellectual life; it does not have confidence that imagination can, in the here and now, achieve an albeit always limited victory in struggle. Bleakness and weakness live in the allegorical, in the infinite deferral of hope over a utopian horizon. Committed to ruin, it cannot see or accept the hard truths of limit, love, and beauty. Therefore, it impoverishes the human, its capacities, and its challenges. It devalues its creations, their beauties, and their successes - simply because none of them is final, apocalyptic, erasure of the finitude that makes the secular world. It not only crystallizes the work of imagination in one key but condemns the imagination to the endless iteration of the same monotone. For the melancholics, bleakness is all.

Healing the Solar Plexus Chakra: Balancing and opening the chakra of the solar plexus lets you feel centered in your mind, body and spirit.  Relaxed in your own clothes, and relaxed.  This chakra's energy permeates the other chakras softening many physical and psychological discomforts or disorders.  This helps you to be more mindful of your own strength and being, confident in your actions, and mentally linked to your "right" emotions so that you can respond with conviction appropriately.  Wearing or carrying crystals/gemstones is important for healing the chakra of the solar plexus and for maintaining its positive energy flow. •       Healing the Heart Chakra: Balancing and opening the chakra of the heart reinforces love for oneself and others.  It enables you to feel compassion, empathy, and forgiveness for others, and to reconnect with the world of love around you.  You will interact with the child-like world-view of beauty in which you were born, creating excitement and everlasting zest.  Unity and unity thrive in interactions with others and with one's own self.

When you’re a child you believe your parents know a special truth about the world, that they know what is right, and that life unfolds in a predictable manner. “That understanding does not get shaken unless something very dramatic happens. Then you see your parents are fallible humans making imperfect choices given their circumstances. There are no crystal balls like the witch had. In truth we are all much more like the great and powerful Wizard of Oz. We are people pretending we have more skills than we do.

You know,” Mundana sighed, “I always told myself I’m not like the people we hear about in the news. I never murdered anyone or robbed a bank, so I thought I was okay. Now I see how sinful I am.” “My dear child, you have repented. You made peace with your sister and contacted friends you may have hurt in the past. And most important, you went to confession and received forgiveness. Trust in the power of that sacrament. You have been forgiven; now you must forgive yourself.

Even as a child, I understood my family was a casualty of war. It could not be helped.

The words of Ralph Waldo Emerson came back to me: To laugh often and much, to win the respect of intelligent people and the affection of children . . . To find the best in others, to leave the world a bit better, whether by a healthy child, a garden path . . . to know even one life has breathed easier because you have lived. This is to have succeeded! It became crystal clear then

I made a sticky mock ambrosia cake from honey and apples, to be served by one of the prettiest slaves, dressed as a handmaiden to Venus. I hoped when people left they would be raving about both the atmosphere and the food. "I came to go over the menu," Apicius said, jolting me out of my thoughts. He was like an eager child just given a fresh plum. Sotas settled on a stool near the door and raised a hand in greeting. "Of course. I can make a variety of dishes and cut them up for easy sampling. I wanted to start with roasted hyacinth bulbs, some soft cheese drenched in raisin wine with bread, and slices of sow's udder with garum and lovage. I thought we could serve the Lucanian sausage I made earlier this week. And remember my hard egg mice with the almond ears and the clove eyes? I think those might go over well." "Perfect! The mice will delight the ladies!

Oh, my dear Apicata, how you have changed since we last met!" Apicata didn't respond, or if she did we couldn't hear her. "Apicata has been studying philosophy," Aelia said, trying to be conversational. "Apicata, recite for us some Plato, will you?" I could hear a waver in her voice, although it was slight. I wondered if Apicius could hear it too. "Yes, Mother." She was as obedient as you would ever hope a well-educated Roman child to be. She cleared her throat and her voice rang out in a loud, clear tone. "From his Republic: 'The man who finds that in the course of his life he has done a lot of wrong often wakes up at night in terror, like a child with a nightmare, and his life is full of foreboding; but the man who is conscious of no wrongdoing is filled with cheerfulness and with the comfort of old age." Oh, I could not have had more pride than I did then. Our little bird had spread her wings and let her voice take flight. I wished I could see the look on Sejanus's face. There was silence, then a brief flurry of applause. "Lovely, my dear!" Aelia crowed, clearly pleased with her daughter's choice of words. "Oh, Sejanus, I'm sure you would be even more delighted by her poetry.

You are so fixated on the now, but what if you could see the future, if you could tell what lies ahead, i guarantee your reaction would be different, in the now. You see this place, where we were born will never be remembered as your birthplace, only mine. Thousand years, it is me, i will be remembered as a child of this district.

Childhood, Anna thought, is a crystal ball circling around sometimes this way, sometimes that, its facets occasionally flashing with radiance; gleaming with grey lustre; or black. Childhood is not a straight line, so you cannot say: in this year I was a child and in that year I was not. To treat it, or indeed anything, as a series, is somehow to falsify.

English teacher. Though it's been made less secret by the Sold a Story podcast, American schools have been peddled and been disseminating a flawed program for teaching reading for decades. Its known as 3-cueing. This has badly exacerbated literacy deficiencies and the general decline of American schools. What's scarier is this: research overwhelmingly shows that reading skills crystallize after traditional phonics instruction ends. It's known as the Matthew effect. In other words, if a child isn't reading proficiently by the time they're supposed to, they will likely NEVER become proficient readers. So as a secondary language Arts Teacher, there's a really depressing undercurrent to what I do: if a student is a poor reader when they get to me...well, the damage is done.