Cryptic Quotes

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All right, Miss Cryptic. What's the new plan, then?" Glancing around the room, Cinder tipped up her chin. "It starts with kidnapping the groom." Iko's hand shot into the air. "Yes, Iko?" "That is the best idea ever. Count me in.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
I gave him my best cryptic smile. He did not fall down to his feet, kiss my shoes, and promise me the world. I must be getting rusty.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Put some clothes on, you weird, yellow-eyed, table-dancing, werewolf-training, cryptic, stare-me-right-in-the-eyes-and-don't-even-blink wench.
Jim Butcher (Fool Moon (The Dresden Files, #2))
I realize that if I wait until I am no longer afraid to act, write, speak, be, I'll be sending messages on a Ouija board, cryptic complaints from the other side
Audre Lorde
Boys! Are they always this impossible? Do they always say cryptic, indecipherable things? (Note to self: work with Liz to adapt her boy-to-English translator into a more mobile form—like maybe a watch or necklace.)
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
Cryptic Dad is cryptic,' I muttered ... We'd hung out all day today. Was there no time in there he could have said, 'Oh, hey, meet me at the magical bookcase at the butt-crack of dawn tomorrow, cool?
Rachel Hawkins (Demonglass (Hex Hall, #2))
Comes the tipping point in life, when we decide to a ‘stop and search’ and our emotional police bring us to a standstill. This allows us to scan all the little details in the spectrum of our being; scour all fuzzy or cryptic elements that are floating around in our mind and restore the fault lines in the cluttered tale of our life. ("The world was somewhere else")
Erik Pevernagie
Put up in a place where it is easy to see the cryptic admonishment T.T.T When you feel how depressingly slowly you climb it's well to remember that Things Take Time.
Piet Hein
Let’s not trust those who write in small letters, using cabalistic figures or enigmatic codes, as it frequently comes down to a manipulative strategy, orchestrated by disorientating marketers or cryptic felons, who, for that reason, often deserve to be sued for failing to provide assistance to persons in danger. (“The devil is in the small letters”)
Erik Pevernagie
Our lives are like a complex musical score. Filled with all sorts of cryptic writing, sixteenth and thirty-second notes and other strange signs. It's next to impossible to correctly interpret these, and even if you could, and could then transpose them into the correct sounds, there's no guarantee that people would correctly understand, or appreciate, the meaning therein. No guarantee it would make people happy. Why must the workings of people's lives be so convoluted?
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
When you are standing in the middle of a storm you have two choices: Pray to God that it goes away. Or, start praying to God that he gives you the wisdom to figure out why you're standing in the middle of a storm.
Shannon L. Alder
A psychic recently looked right into the eternal cosmos and then returned to me with this elegant yet cryptic message: Grow up.
Jenny Slate (Little Weirds)
Why always looking for someone to blame? Blame culture has become a plague with tortuous roots and cryptic motives. Why being tempted to bring about unpleasant or distressing issues? Blamestorming springs from a lack of empathy, laziness, boredom, or uncontrollable inner wrath. Over and over, people can be dissatisfied or angry with themselves, feel ashamed, and want to find a way out of their impasse. But, in the end, one thing is for sure, they don’t want to put the blame on themselves. (“The infinite Wisdom of Meditation“)
Erik Pevernagie
The heart wants what the heart wants," she says, somewhat cryptically. I purse my lips in disapproval. "You'd think the heart would know better.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
To: lostphoebe@theacademy.gr From: gblake@theacademy.gr Subject: If I could do it over... ...I wouldn't treat you so badly. I'm sorry. Today wasn't about the bet. Give me another chance. G Just like him: brief, cryptic, and full of crap.
Tera Lynn Childs (Oh. My. Gods. (Oh. My. Gods., #1))
Nix and Lothaire: When the collar dropped to the ground, Lothaire rolled his head on his neck. But instead of disappearing immediately, he traced to stand mere feet from Nïx. A towering vampire with skin like marble and chillingly flawless features was staring down a petite Valkyrie with crazed eyes and a cryptic smile. The tension between the two was palpable. Even on the verge of flipping the fuck out, Regin couldn’t look away. “The Accession grinds on, does it not?” Lothaire said. “Just like old times.” Nïx winked. “Alas, Dorada will come for you once she rises again.” “I’ll be ready.” He narrowed his red eyes. “You’ve likely foreseen this moment. Tell me, are we to fight now? As in the past?” “You defy foresight, Lothaire.” “That’s only fair, Phenïx, since you’ve long defied insight.” Phenïx? Nïx canted her head. “What does your Endgame tell you?” “That white queen will never take black king.” He gave her a formal bow. “Until our next match.” “There won’t be a next match, vampire.” His brow creased into a frown, the Enemy of Old disappeared.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
If anyone was going to fall prey to a handsome vampire, it was going to be me.
Ellen Schreiber (Cryptic Cravings (Vampire Kisses, #8))
Good night. I'm Cinderella without her prince. Do you know where to find me in Tokyo? You won't see me again.
Osamu Dazai (Schoolgirl)
Maps encourage boldness. They're like cryptic love letters. They make anything seem possible.
Mark Jenkins
The gods are fond of the cryptic and dislike the evident.
Elizabeth Gilbert (Eat, Pray, Love)
Why do you have to be so damn cryptic?
Amanda Hocking (Switched (Trylle, #1))
We went into the Dark Woods and I almost had to get gay fairy married again and now I feel really bad and Ryan got bad-touched by trees and Fairy King Dimitri was cryptic and annoying and apparently has a size kink.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
He was wondering if there was some cryptic, cultish mark on his door that told all the crazy people he'd have trouble saying no.
Anne Tyler (Dinner at the Homesick Restaurant)
In keeping with his cryptic nature, all your Story Weaver said was 'The horses know where to go.' It's certainly not a military strategy I would use, but I've learned that the south uses its own strategy. And, strangely enough, it works.
Maria V. Snyder (Magic Study (Study, #2))
Wraith rolled his eyes. If there was anything he hated more than cryptic shit, it was fate shit.
Larissa Ione (Passion Unleashed (Demonica, #3))
Truth is not fully explosive, but purely electric. You don't blow the world up with the truth; you shock it into motion.
Criss Jami (Healology)
I’ll leave you here to finish your, er…conversation.” As he withdrew from the room, however, it seemed that he couldn’t keep from ducking his head back in and asking Marcus cryptically, “Once a week, did you say?” “Close the door behind you,” Marcus said icily, and Hunt obeyed with a smothered sound that sounded suspiciously like laughter.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Well, that was fabulous. Way to be cryptic and a traitor, Raquel. “Looks like Raquel joined Team Force Evie to Do Supernatural Crap.
Kiersten White (Endlessly (Paranormalcy, #3))
Trevor possessed many of the qualities of a vampire without actually being one. He constantly preyed on me, was deeply charismatic, and tried to suck the life out of me.
Ellen Schreiber (Cryptic Cravings (Vampire Kisses, #8))
Leave it to women to be cryptic rather than straightforward
Kaye Dacus (Ransome's Honor (The Ransome Trilogy, #1))
They used to say of me that I'd as many lucky escapes as Harry Smith!' 'Shouldn't be at all surprised: I've seen one of 'em myself,' Brough said cryptically.
Georgette Heyer (A Civil Contract)
If there is no destiny, there is no design. There's only life and death. My goal is to learn about life by living it, not by trying to figure out a cryptic plan that the Creator had in store for me.
Greg Graffin (Anarchy Evolution: Faith, Science, and Bad Religion in a World Without God)
People who are normal (i.e., sane, sensible) don’t try to open lines of communication with total strangers by writing them a series of disjointed, weird, cryptic messages.
Jon Ronson (The Psychopath Test: A Journey Through the Madness Industry)
A self without a shelf remains cryptic; a home without books naked.
Leah Price (Unpacking My Library: Writers and Their Books)
The symbologist made a cryptic sign. "That remains to be seen, as the cat said who voided into the sugar bowl.
Jack Vance (The Palace of Love (Demon Princes, #3))
I bet it breaks your heart to have two of your friends pine for me the way they do," he said proudly. "Luna...and now Scarlet. They can't keep their hands off of me." "It's just because you are foreign to them. It's like if they went to the zoo and stared at the monkeys. You are the monkey.
Ellen Schreiber (Cryptic Cravings (Vampire Kisses, #8))
Advice from a Caterpillar Chew your way into a new world. Munch leaves. Molt. Rest. Molt again. Self-reinvention is everything. Spin many nests. Cultivate stinging bristles. Don't get sentimental about your discarded skins. Grow quickly. Develop a yen for nettles. Alternate crumpling and climbing. Rely on your antennae. Sequester poisons in your body for use at a later date. When threatened, emit foul odors in self-defense. Behave cryptically to confuse predators: change colors, spit, or feign death. If all else fails, taste terrible.
Amy Gerstler (Dearest Creature)
I'd witnessed for the first time in my vampire- obsessed existence an actual vampire bite. The only problem was that it wasn't my neck being bitten.
Ellen Schreiber (Cryptic Cravings (Vampire Kisses, #8))
Trevor was as menacing as he was gorgeous. If he were a vampire, he'd be the dark kind, the kind that sneaks up on innocent girls and bites without a thought.
Ellen Schreiber (Cryptic Cravings (Vampire Kisses, #8))
I can't imagine why that would be frustrating at all - just because someone refuses to tell you what they're thinking, even if all the while they're making cryptic little remarks specifically designed to keep you up at night wondering what they could possibly mean...now, why would that be frustrating?
Stephenie Meyer (Twilight (The Twilight Saga, #1))
The Tower trembles; the worlds shudder in their courses. The rose feels a chill, as of winter.
Stephen King (UR)
If you really want me to be safe, maybe it's time." "I'd just feel safer if you'd start sleeping in a coffin." Just then my door creaked open. Billy's expression turned to surprise. "Get out!" I said, hopping off the bed. "Uh...we are making up lyrics to a song." But that didn't keep Billy out. Instead he was totally interested. "You're writing a song? That's so cool. I want to hear it." "It goes, 'Safer in a coffin, and if your brother doesn't leave, he'll be in one too.
Ellen Schreiber (Cryptic Cravings (Vampire Kisses, #8))
Maps encourage boldness. They’re like cryptic love letters. They make anything seem possible.
Mark Jenkins
Your kind has not been made wrong," War says cryptically, "but you have all collectively chosen wrong.
Laura Thalassa (War (The Four Horsemen, #2))
Why is it that the sun seems to take forever to reach the horizon and the minute it gets there it sinks so fast?” “It reflects life, don’t you think?” he asks cryptically. “How so?” “Sometimes our journeys in life seem to take forever to get to the culmination of our efforts—to achieving the goal. And once we get there, it goes so fast and then its over.” He shrugs, surprising me with this philosophical, introspective side to him. “We forget that the journey is the best part. The reason for taking the ride. What we learn the most from.
K. Bromberg (Driven (Driven, #1))
Commitment. That's what it's all about. Taking that convenant together. Bonding yourselves for all eternity. Isn't that what we are all looking for? Maybe Alexander wasn't ready to do that with me, but it's obvious he isn't ready to do that with you, either.
Ellen Schreiber (Cryptic Cravings (Vampire Kisses, #8))
All the words I had prepared turned coward and fled my mind like conscripts deserting a battlefield.
Nancy Springer (The Case of the Cryptic Crinoline (Enola Holmes, #5))
Rant Casey used to say, "No matter what happens, it's always now..." Talk about cryptic. I think what Rant meant was, we live in the present moment of reality, and no matter what's come before, no matter how much we loved a person or a dog, when it attacks us we'll react to that moment of danger.
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
Dad got that faraway look in his eyes, the one that said he was about to go in search of really ancient books and cryptic passages.
Rachel Hawkins (Demonglass (Hex Hall, #2))
So what about that key?" I asked. "I knew you'd be asking me about it sooner or later." He pulled the cord out from underneath his shirt and dangled the key in front of me. "What do you want for it?" I sneered. "Five dollars?" "I don't want money," he said with a wicked grin. "What does it go to?" "A kiss will unlock more than this key will," he whispered in my ear.
Ellen Schreiber (Cryptic Cravings (Vampire Kisses, #8))
I saw a meme the other day with a picture of Marilyn Manson and Robin Williams. It said about the former, this isn’t the face of depression, and about the latter, this is. This really struck a chord and it’s been on my mind since then. As someone who has continuously dipped in and out of chronic depression and anxiety for close to three decades now, and I’ve never previously spoken about the subject, I finally thought it was time I did. These days it’s trendy for people to think they’re cool and understanding about mental illness, posting memes and such to indicate so. But the reality is far different to that. It seems most people think if they publicly display such understanding then perhaps a friend will come to them, open up, and calmly discuss their problems. This will not happen. For someone in that seemingly hopeless void of depression and anxiety the last thing they are likely to do is acknowledge it, let alone talk about it. Even if broached by a friend they will probably deny there is a problem and feel even more distanced from the rest of the world. So nobody can do anything to help, right? No. If right now you suspect one of your friends is suffering like this then you’re probably right. If right now you think that none of your friends are suffering like this then you’re probably wrong. By all means make your public affirmations of understanding, but at least take on board that an attempt to connect on this subject by someone you care about could well be cryptic and indirect. When we hear of celebrities who suffered and finally took their own lives the message tends to be that so many close friends had no idea. This is woeful, but it’s also great, right? Because by not knowing there was a problem there is no burden of responsibility on anyone else. This is another huge misconception, that by acknowledging an indirect attempt to connect on such a complex issue that somehow you are accepting responsibility to fix it. This is not the case. You don’t have to find a solution. Maybe just listen. Many times over the years I’ve seen people recoil when they suspect that perhaps that is the direct a conversation is about to turn, and they desperately scramble for anything that can immediately change the subject. By acknowledging you’ve heard and understood doesn’t mean you are picking up their burden and carrying it for them. Anyway, I’ve said my piece. And please don’t think this is me reaching out for help. If this was my current mindset the last thing I’d ever do is write something like this, let alone share it.
R.D. Ronald
Who I really am, you don't want to see.
Elizabeth Carlton (The Royal Rogue (The Rogue Trilogy #1))
Being cryptic is an art unto itself.
Shannon L. Alder
We have a very busy schedule of cryptic proclamations and appearing where we’re least expected to get back to.
Rachel Aaron (No Good Dragon Goes Unpunished (Heartstrikers, #3))
To put the issue bluntly, are the Beatitudes true? If so, why doesn't the church encourage poverty and mourning and meekness and persecution instead of striving against them? What is the real meaning of the Beatitudes, this cryptic ethical core of Jesus' teaching?
Philip Yancey (The Jesus I Never Knew)
The next morning, when I went in to the bathroom to brush my teeth, I noticed the index card over the sink. RIGHT FAUCET DRIPS EASILY, it said. TIGHTEN WITH WRENCH AFTER USING. And then there was an arrow, pointing down to where a small wrench was tied with bright red yarn to one of the pipes. This is crazy, I thought. But that wasn't all. In the shower, HOT WATER IS VERY HOT! USE WITH CARE was posted over the soap dish. And on the toilet: HANDLE LOOSE. DON'T YANK. (As if I had some desire to do that.) The overhead fan was clearly BROKEN, the tiles by the door were LOOSE so I had to WALK CAREFULLY. And I was informed, cryptically, that the light over the medicine cabinet works, BUT ONLY SOMETIMES.
Sarah Dessen (Keeping the Moon)
You're just being cryptic again. It's like soap opera sex. Lots of boring dialogue and when they finally do go to bed, everything's dark and covered by blankets.
Ragnar Tørnquist
When Lamar and I huddle up to do a conspiratorial cramming session, I don’t know if we sound like cryptic geniuses, or raving loons that make no sense.
Kristy Cunning (One Apocalypse (The Dark Side, #4))
Every fop and fool in London has been sniffing after her." Having said that, Jason returned his attention for the report. "Go ahead and read off the names, if you must." Frowning in surprise at Jason's dismissive attitude, Charles took the seat across the desk from him and put on his spectacles. "First, there is young Lord Crowley, who has already asked my permission to court her." "No. Too impulsive," Jason decreed flatly. "What makes you say so?" Charles said with a bewildered look. "Crowley doesn't know Victoria well enough to want to 'court' her, as you so quaintly phrased it." "Don't be ridiculous. The first four men on this list have already asked my permission to do the same thing- providing, of course, that your claim on her is not unbreakable.” “No, to all those four men- for the same reason,” Jason said curtly, leaning back in his chair, absorbed in the report in his hand. Who’s next?” “Crowley’s friend, Lord Wiltshire.” “Too young. Who’s next?” “Arthur Landcaster.” “Too short,” Jason said cryptically. “Next?” “William Rogers,” Charles shot back in a challenging voice, “and he’s tall, conservative, mature, intelligent, and handsome. He’s also the heir to one of the finest estates in England. I think he would do very well for Victoria.” “No.” “No?” Charles burst out. “Why not?” “I don’t like the way Roger sits a horse.” “You don’t like_” Charles bit out in angry disbelief; then he glanced at Jason’s implacable face and sighed. “Very well. The last name on my list is Lord Terrance. He sits horses extremely well, in addition to being and excellent chap. He is also tall, handsome, intelligent, and wealthy. Now,” he finished triumphantly, “what fault can you find with him?” Jason’s jaw tightened ominously.“I don’t like him.
Judith McNaught (Once and Always (Sequels, #1))
While she never actually taught me how to cook (Korean people tend to disavow measurements and supply only cryptic instructions along the lines of “add sesame oil until it tastes like Mom’s”), she did raise me with a distinctly Korean appetite.
Michelle Zauner (Crying in H Mart)
What if every creative idea that someone has is unconsciously borrowed from that person's experiences in another reality? Maybe all ideas are plagiarized without us knowing it, because they come to us through some cryptic and unprovable reality slippage?
Elan Mastai (All Our Wrong Todays)
I did it." Who leaves a message like that? Who is so paranoid that they have to be so cryptic? If this wasn't day one of my Summer of Nothing, I might be in a hurry to figure this out. but first: breakfast.
Julie Halpern (Don't Stop Now)
How convenient it is to declare that everything is totally ugly within the habit of the époque, rather than applying oneself to extract from it the dark and cryptic beauty, however faint and invisible it is.
Charles Baudelaire (Selected Writings on Art and Literature)
Did I hear it's going to be someone's birthday?" a familiar male's voice said from behind me. I didnt even bother turning around and continued walking, but that didn't stop my nemesis from disturbing me. He jumped in front of me, blocking my way. "It's been a whole year, has it?" he asked in a syrupy tone. "Maybe this birthday I'll finally give you what you've always wanted.
Ellen Schreiber (Cryptic Cravings (Vampire Kisses, #8))
I glory in the emotionally commonplace
Lionel Shriver (We Need to Talk About Kevin)
The Piper's playing again, and there's a full orchestra.' There was a long silence as Andrew deciphered the cryptic statement. 'A FULL orchestra?
D.J. Stutley
Some of them stole off to those cryptical realms which are known only to cats and which villagers say are on the moon's dark side, whither the cats leap from tall housetops; but one small black kitten crept upstairs and sprang in Carter's lap to purr and play, and curled up near his feet when he lay down at last on the little couch whose pillows were stuffed with fragrant drowsy herbs.
H.P. Lovecraft (The Dream-Quest of Unknown Kadath)
Hadrian gestured toward the sentinel. “So, what’s going on between you and Thranic, anyway? He appears to really hate you—even more than most people.” Royce did not look in his direction. He sat nonchalantly, pretending to ignore the world, as if they were the only two aboard. “Funny thing, that. I never met him, never heard of him until this voyage, and yet I know him rather well, and he knows me.” “Thank you, Mr. Esrahaddon. Can you provide me with perhaps a more cryptic answer?” Royce smiled. “I see why he does it now. It’s rather fun.
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
It is said that in Ulthar, which lies beyond the river Skai, no man may kill a cat; and this I can verily believe as I gaze upon him who sitteth purring before the fire. For the cat is cryptic, and close to strange things which men cannot see. He is the soul of antique Aegyptus, and bearer of tales from forgotten cities in Meroë and Ophir. He is the kin of the jungle’s lords, and heir to the secrets of hoary and sinister Africa. The Sphinx is his cousin, and he speaks her language; but he is more ancient than the Sphinx, and remembers that which she hath forgotten.
H.P. Lovecraft (The Cats of Ulthar)
He set the RAM on the desk, then reached into his back pocket to pull out his grimoire. The size of a small paperback novel, it'd been a gift from Ambrose to help him understand some of the madness that surrounded him, and to answer some of the "other" questions that came up. "All right, Nashira," Nick said in a low tone. "Talk to me. What the heck is watching me?" He slid his knife out of his pocket, opened the book, and pricked his finger, allowing three drops of blood to touch a blank page. "Dredanya eire coulet" he whispered, waking the female spirit who lived inside the enchanted pages. The moment he finished speaking, his blood began swirling until it formed words: Do not fear that which cannot be seen. For they are lost in between. 'Tis the ones who come alive That your blood will allow to thrive. Nick snorted at the cryptic stanzas. "Not really useful, Nashira. Doesn't answer my question." His blood crawled over to the next page. Answer, answer, you always say, But it doesn't work that way. In time, the truth you shall find. And then you will understand my rhyme. "I'm such a masochist to even try talking to you" Underneath the words, a picture of an obscene gesture formed. "Oh very nice, Nashira. Very nice. Wherever did you learn that?" In your pocket I reside. Ever privy to your deride. But more than that, I can see. And that includes bathroom stall graffiti Nick screwed his face up in distaste. "Oh my God, no. Tell me you haven't been spying on me in the rest room. You perv!" Calm yourself, you evil troll. My job is not to console. But if it is privacy you seek, Leave me in your backpack so I can't peek. Now he understood why other people got so aggravated with his attitude disorder. He wanted to strangle his book.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
Most of everything is very little of not very much at all.
Richard Edward Harding (The Summerhouse Project: Cryptic Visions)
You cannot be certain of what you create.
Trista DiGiuseppi (Nails Jane)
Isabel's infamous tweets ranged from the cartoonish and impossible: Im going to pull ur tongue out of ur mouth wrap it around ur neck n strangle u w it so hard ur eyes will pop out. i will pee in the sockets. To the quaint: Get ur fcking hands off him bitch i will cut u. #RupertLIsMine To the cryptically disturbing: I watch u in your sleep. I would never condone Isabel's scary tweets, but you had to give the girl credit for managing to stay under 140 characters every time.
Goldy Moldavsky (Kill the Boy Band)
The well padded astrologer stroked his corpulent belly, as he stared down intently at his cowrie board. There was a frown on his moon shaped face, a face that had always considered good rich food his birthright, even as he strove to read the cryptic messages that the Gods were strewing before him.
Deepti Menon (Chronicles of Urban Nomads)
Chastity and moral purity were qualities McCandless mulled over long and often. Indeed, one of the books found in the bus with his remains was a collection of stories that included Tol¬stoy’s “The Kreutzer Sonata,” in which the nobleman-turned-ascetic denounces “the demands of the flesh.” Several such passages are starred and highlighted in the dog-eared text, the margins filled with cryptic notes printed in McCandless’s distinc¬tive hand. And in the chapter on “Higher Laws” in Thoreau’s Walden, a copy of which was also discovered in the bus, McCand¬less circled “Chastity is the flowering of man; and what are called Genius, Heroism, Holiness, and the like, are but various fruits which succeed it.” We Americans are titillated by sex, obsessed by it, horrified by it. When an apparently healthy person, especially a healthy young man, elects to forgo the enticements of the flesh, it shocks us, and we leer. Suspicions are aroused. McCandless’s apparent sexual innocence, however, is a corol¬lary of a personality type that our culture purports to admire, at least in the case of its more famous adherents. His ambivalence toward sex echoes that of celebrated others who embraced wilderness with single-minded passion—Thoreau (who was a lifelong virgin) and the naturalist John Muir, most prominently— to say nothing of countless lesser-known pilgrims, seekers, mis¬fits, and adventurers. Like not a few of those seduced by the wild, McCandless seems to have been driven by a variety of lust that supplanted sexual desire. His yearning, in a sense, was too pow¬erful to be quenched by human contact. McCandless may have been tempted by the succor offered by women, but it paled beside the prospect of rough congress with nature, with the cosmos it¬self. And thus was he drawn north, to Alaska.
Jon Krakauer (Into the Wild)
And still the text will remain, if it is really cryptic and parodying (and I tell you that it is so through and through. I might as well tell you since it won’t be of any help to you. Even my admission can very well be a lie because there is dissimulation only if one tells the truth, only if one tells that one is telling the truth), still the text will remain indefinitely open, cryptic and parodying.
Jacques Derrida (Spurs: Nietzsche's Styles/Éperons: Les Styles de Nietzsche)
To the one in the skies, this city must look like a scintillating pattern of speckled glows in all directions, like a firecracker going off amid thick darkness. Right now the urban pattern glowing here is in hues of orange, ginger, and ochre. It is a configuration of sparkles, each dot a light lit by someone awake at this hour. From where the Celestial Gaze is situated, from that high above, all these sporadically lit bulbs must seem in perfect harmony, constantly flickering, as if coding a cryptic message to God.
Elif Shafak (The Bastard of Istanbul)
She had lost herself in this old work, her personality dissolving into it, so that she had been set free. The immortality of the soul lies in its dissolution; this was the cryptic comment that so frustrated Olivier and which Julien had only ever grasped as evidence for the history of a particular school of thought. He had known all about its history, but Julia knew what it meant. He found the realization strangely reassuring.
Iain Pears (The Dream of Scipio)
For all the talk about the need to be a likable "team player," many people work in a fairly cutthroat environment that would seem to be especially challenging to those who possess the recommended traits. Cheerfulness, upbeatness, and compliance: these are the qualities of subordinates -- of servants rather than masters, women (traditionally, anyway) rather than men. After advising his readers to overcome the bitterness and negativity engendered by frequent job loss and to achieve a perpetually sunny outlook, management guru Harvey Mackay notes cryptically that "the nicest, most loyal, and most submissive employees are often the easiest people to fire." Given the turmoil in the corporate world, the prescriptions of niceness ring of lambs-to-the-slaughter.
Barbara Ehrenreich (Bait and Switch: The (Futile) Pursuit of the American Dream)
There are some who believe that the mind is a blank tablet, on which experience is writ until the page be full, and the cryptic world is known; but I see rather that my own life hath been one long forgetting, the erasure of what was drawn, a terrible redaction; til all that remains is blank white and comfortless. I know not what we have been; I know not what we are; but I know what we might be. And so I light out for the unknown regions.
M.T. Anderson (The Kingdom on the Waves (The Astonishing Life of Octavian Nothing, Traitor to the Nation, #2))
It was hard but very strengthening to remember that I could silent my whole life long and then be dead, flat out, and never have said or done what I wanted to do, what I needed to do, because of fear of pain, fear…If I waited to be right before I spoke, I would be sending little cryptic messages on the Ouija board, complaints from the other side.
Audre Lorde (I Am Your Sister: Collected and Unpublished Writings)
Verrà la morte e avrà i tuoi occhi- questa morte che ci accompagna dal mattino alla sera, insonne, sorda, come un vecchio rimorso o un vizio assurdo. I tuoi occhi saranno una vana parola, un grido taciuto, un silenzio. Così li vedi ogni mattina quando su te sola ti pieghi nello specchio. O cara speranza, quel giorno sapremo anche noi che sei la vita e sei il nulla. Per tutti la morte ha uno sguardo. Verrà la morte e avrà i tuoi occhi. Sarà come smettere un vizio, come vedere nello specchio riemergere un viso morto, come ascoltare un labbro chiuso. Scenderemo nel gorgo muti.
Cesare Pavese (Verrà la morte e avrà i tuoi occhi)
The two men had a conversation. Brief, cryptic, to the point. As though they had exchanged numbers and not words. No explanations seemed necessary. They were not friends, Comrade Pillai and Inspector Thomas Mathew, and they didn’t trust each other. But they understood each other perfectly. They were both men whom childhood had abandoned without a trace. Men without curiosity. Without doubt. Both in their own way truly, terrifyingly adult. They looked out at the world and never wondered how it worked, because they knew. They worked it. They were mechanics who serviced different parts of the machine.
Arundhati Roy (The God of Small Things)
Oooh!" Bill squealed. "Very rococo." "So,I'm really doing this? I'm just going to go down there and pretend-" "No pretending." Bill shook his head. "Own it. Own that cleavage, girl, you know you want to." "Okay,I am pretending you didn't say that." Luce laughed-winced. "So I go downstairs and 'own it' or whatever. But what do I do when I find my past self? I don't know anything about her.Do I just-" "Take her hand," Bill said cryptically. "She'll be very touched by the gesture,I'm sure.
Lauren Kate (Passion (Fallen, #3))
So begins the exhausting analysis of the cavalcade of unknowable smiles and cryptic sentences uttered by someone your newly interested in. When everything boils down to a succession of enigmatic moments. Moments played and replayed from the perspective you attribute to your lover-to-be, but that are actually from the part of you that's sure you're far too flawed to be loved.
Liza Palmer (More Like Her)
[W]hen the modern mythmaker, the writer of literary fairy tales, dares to touch the old magic and try to make it work in new ways, it must be done with the surest of touches. It is, perhaps, a kind of artistic thievery, this stealing of old characters, settings, the accoutrements of magic. But then, in a sense, there is an element of theft in all art; even the most imaginative artist borrows and reconstructs the archetypes when delving into the human heart. That is not to say that using a familiar character from folklore in the hopes of shoring up a weak narrative will work. That makes little sense. Unless the image, character, or situation borrowed speaks to the author’s condition, as cryptically and oracularly as a dream, folklore is best left untapped.
Jane Yolen (Touch Magic: Fantasy, Faerie & Folklore in the Literature of Childhood)
Their wedding night was in all truth a thing of beauty: the splendor of the celebrations, the hushed intimacy of a private walk under the cryptic light of a large moon, the unexpected delight discovered in the reflection of a candle's flicker in a decanter of aged wine, finally the silent weeping in each other's arms through a night that seemed infinite in its innumerable dimensions.
Robert Coover (Pricksongs and Descants)
Notebooks. There are dozens of notebooks. I always carry notebooks with me. I scribble in them in a barely readable scrawl. I do not write jokes. I write moments. Thoughts. Fragments that I have to sweat over as if they’re cryptic texts in a lost language when I try to interpret them. That shouldn’t be part of my process—decoding my own writing—but it has been for my entire life. What does that say about me? Why can’t I make it easy? I need to complicate everything to protect myself from success and to remain complicated and overwhelmed.
Marc Maron (Attempting Normal)
I want all of him – the large hands with scars that excited me, his nimble grace, how I feel when he touches me, his strangeness, his thoughts, his hair, how he looks at me, his stubbled jaw, the way his eyes crinkles when he laughs, his unexpectedness and familiarity, every secret I’ve yet to discover, mundane details of his life I’ve yet to take for granted, even the traits that I dislike and I know in time, had we the time, would make me hate him, his arrogance and conceit, his faithlessness, his maddeningly cryptic remarks – I want it all. But I want it all to myself. I don’t want to share.
Ava Zavora (Forever Elude Me)
Most people seem to think being a wizard is all about casting spells and being cryptic, but, really, most of it is really boring. A big chunk of it is research. Reading old books, cross-referencing them against other books, and then double-checking all of that against other sources. Then, for the big finish, writing down your own conclusions in your own journal, detailing what you did and how you did it so that someone else can repeat the process with your notes in a hundred years. Yeah, I was in for a glamorous life. That's why mages get invited to all of the good parties. The thing is, it worked.
Ben Reeder (Page of Swords (The Demon's Apprentice, #2))
IT ALL BEGAN with the High Court case about the madman and the watermelons. The man in question, named Ivan, lived along the River Dell in an eastern section of the city near the merchant docks. To one side of his house resided a cutter and engraver of gravestones, and to the other side was a neighbor’s watermelon patch. Ivan had contrived somehow in the dark of night to replace every watermelon in the watermelon patch with a gravestone, and every gravestone in the engraver’s lot with a watermelon. He’d then shoved cryptic instructions under each neighbor’s door with the intention of setting each on a scavenger hunt to find his missing items, a move useless in one case and unnecessary in the other, as the watermelon-grower could not read and the gravestone-carver could see her gravestones from her doorstep quite plainly, planted in the watermelon patch two lots down. Both had guessed the culprit immediately, for Ivan’s antics were not uncommon. Only a month ago, Ivan had stolen a neighbor’s cow and perched her atop yet another neighbor’s candle shop, where she mooed mournfully until someone climbed the roof to milk her, and where she was compelled to live for several days, the kingdom’s most elevated and probably most mystified cow, while the few literate neighbors on the street worked through Ivan’s cryptic clues for how to build the rope and pulley device to bring her down.
Kristin Cashore (Bitterblue (Graceling Realm, #3))
Only three of the naturally occurring elements were manufactured in the big bang. The rest were forged in the high-temperature hearts and explosive remains of dying stars, enabling subsequent generations of star systems to incorporate this enrichment, forming planets and, in our case, people. For many, the Periodic Table of Chemical Elements is a forgotten oddity—a chart of boxes filled with mysterious, cryptic letters last encountered on the wall of high school chemistry class. As the organizing principle for the chemical behavior of all known and yet-to-be-discovered elements in the universe, the table instead ought to be a cultural icon, a testimony to the enterprise of science as an international human adventure conducted in laboratories, particle accelerators, and on the frontier of the cosmos itself.
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
By noon Carter reached the jasper terraces of Kiran which slope down to the river's edge and bear that temple of loveliness wherein the King of Ilek-Vad comes from his far realm on the twilight sea once a year in a golden palanquin to pray to the god of Oukranos, who sang to him in youth when he dwelt in a cottage by its banks. All of jasper is that temple, and covering an acre of ground with its walls and courts, its seven pinnacled towers, and its inner shrine where the river enters through hidden channels and the god sings softly in the night. Many times the moon hears strange music as it shines on those courts and terraces and pinnacles, but whether that music be the song of the god or the chant of the cryptical priests, none but the King of Ilek-Vad may say; for only he had entered the temple or seen the priests. Now, in the drowsiness of day, that carven and delicate fane was silent, and Carter heard only the murmur of the great stream and the hum of the birds and bees as he walked onward under the enchanted sun.
H.P. Lovecraft (The Dream-Quest of Unknown Kadath)
In The Sunset Sky The sunset sky dazzling with the golden hues, Taking bow in brilliant sparkle of experience Is it not a climax, of the story so far, that was today? Or is it building anticipation of the night yet to come. Watch the days go, some proud of their accomplishments Some leaving sighs of disappointments, Leaving all in awe of its Amaranthine twists and turns And the fortunate get to see the moon trying to steal the show from setting sun, Oh she is such a show off, isn't she, basking in reflected glory Its magical, the sunset sky,Puzzling, sometimes just like a riddle, Leaving the nature stunned and amazed For it has been filling the canvas whole day with colours And now the sunset threatens to hide them all And in dark all the colours will be same A cue for the wise. Sunset sky has so much to offer, is she not a fine exampleof how uncertain a life can be Often reminding no matter what you planned, there will besome unexpected returns For End has its own brain, its own script Charting its own course So why just the beginning,every moment of the life should be grand, meted with equal passion and fervor She has been so clever; the sunset sky Leaving Twinkling cryptic messages for the night sky For even the dark has sparkle and hope if you keep your head up, A constant reminder that exuberance is an attitude of deep,rich, warm hearts I want my sunset sky to be grand, magical, and full of stories of my life that has been And its memories to linger on in this world, in the tomorrow and a few more years to come
Soma Mukherjee
champagne, n. You appear at the foot of the bed with a bottle of champagne, and I have no idea why. I search my mind desperately for an occasion I've forgotten - is this some obscure anniversary or, even worse, a not-so-obscure one? Then I think you have something to tell me, some good news to share, but your smile is silent, cryptic. I sit up in bed, ask you what's going on, and you shake your head, as if to say that nothing's going on, as if to pretend that we usually start our Wednesday mornings with champagne. You touch the bottle to my leg - I feel the cool condensation and the glass, the fact that the bottle must have been sleeping all night in the refrigerator without me noticing. You have long-stemmed glasses in you other hand, and you place them on the nightstand, beside the uncommenting clock, the box of kleenex, the tumbler of water. "The thing about champagne," you say, unfailing the cork, unwinding its wire restraint, "is that it is the ultimate associative object. Every time you open a bottle of champagne, it's a celebration, so there's no better way of starting a celebration than opening a bottle of champagne. Every time you sip it, you're sipping from all those other celebrations. The joy accumulates over time." You pop the cork. The bubbles rise. I feel some of the spray on my skin. You pour. "But why?" I ask as you hand me my glass. You raise yours and ask, "Why not? What better way to start the day?" We drink a toast to that.
David Levithan (The Lover's Dictionary)
It’s normally agreed that the question “How are you?” doesn’t put you on your oath to give a full or honest answer. So when asked these days, I tend to say something cryptic like, “A bit early to say.” (If it’s the wonderful staff at my oncology clinic who inquire, I sometimes go so far as to respond, “I seem to have cancer today.”) Nobody wants to be told about the countless minor horrors and humiliations that become facts of “life” when your body turns from being a friend to being a foe: the boring switch from chronic constipation to its sudden dramatic opposite; the equally nasty double cross of feeling acute hunger while fearing even the scent of food; the absolute misery of gut–wringing nausea on an utterly empty stomach; or the pathetic discovery that hair loss extends to the disappearance of the follicles in your nostrils, and thus to the childish and irritating phenomenon of a permanently runny nose. Sorry, but you did ask... It’s no fun to appreciate to the full the truth of the materialist proposition that I don’t have a body, I am a body. But it’s not really possible to adopt a stance of “Don’t ask, don’t tell,” either. Like its original, this is a prescription for hypocrisy and double standards. Friends and relatives, obviously, don’t really have the option of not making kind inquiries. One way of trying to put them at their ease is to be as candid as possible and not to adopt any sort of euphemism or denial. The swiftest way of doing this is to note that the thing about Stage Four is that there is no such thing as Stage Five. Quite rightly, some take me up on it. I recently had to accept that I wasn’t going to be able to attend my niece’s wedding, in my old hometown and former university in Oxford. This depressed me for more than one reason, and an especially close friend inquired, “Is it that you’re afraid you’ll never see England again?” As it happens he was exactly right to ask, and it had been precisely that which had been bothering me, but I was unreasonably shocked by his bluntness. I’ll do the facing of hard facts, thanks. Don’t you be doing it too. And yet I had absolutely invited the question. Telling someone else, with deliberate realism, that once I’d had a few more scans and treatments I might be told by the doctors that things from now on could be mainly a matter of “management,” I again had the wind knocked out of me when she said, “Yes, I suppose a time comes when you have to consider letting go.” How true, and how crisp a summary of what I had just said myself. But again there was the unreasonable urge to have a kind of monopoly on, or a sort of veto over, what was actually sayable. Cancer victimhood contains a permanent temptation to be self–centered and even solipsistic.
Christopher Hitchens (Mortality)
Ife onye metalu' ['what a man commits'] - a statement unclear and menacing in its very inconclusiveness. What a man commits...Follows him? Comes back to take its toll? Was that all? No, that was only part of it ... The real burden of that cryptic scripture seemed to turn the matter right around. Whatever we see following a man, whatever fate comes to take its revenge on him, can only be what that man in some way or another, in a previous life if not in this, has committed. That was it! So those three words wrapped in an archaic tongue and tucked away at the tail of the bus turn out to be the opening segment of a full-blooded heathen antiphony offering a primitive and quite deadly exposition of suffering. The guilty suffers; the sufferer is guilty. As for the righteous, those whose arms are straight, they will always prosper!
Chinua Achebe (Anthills of the Savannah)
LOST is often lauded as one of the best fantasy dramas in television history, as well as one of the most cryptic and - occasionally – maddening. But confirmation of just how important it is came with an almost unbelievable communiqué from the White House last week. President Obama’s office reassured Lost fans that the commander in chief wouldn’t move his yearly state of the union address from late January to a date that would coincide with the premiere episode of the show’s sixth and final season. That’s right. Obama might have had vital information to impart upon the American people about health care, the war in Afghanistan, the financial crisis – things that, you know, might affect real lives. But the most important thing was that his address didn’t clash with a series in which a polar bear appears on a tropical island. After extensive lobbying by the ABC network, the White House surrendered. Obama’s press secretary promised: “I don’t foresee a scenario in which millions of people who hope to finally get some conclusion with Lost are pre-empted by the president.
Ben East
She had just given Liger his food when a tap sounded on the connecting door. Priss’s heart leaped into her throat. With excitement. Not dread, or annoyance, or even indifference. Pure, sizzling stimulation. Suddenly she was wide-awake. Tamping down her automatic smile, Priss leaned on the door. “Yeah?” “Open up.” Still fighting that twitching grin, Priss tried to sound disgruntled as she asked, “Why?” Something hit the door—maybe his head—and Trace said, “I heard you up and moving around, Priss. I have coffee ready, but if you don’t want any—” Being a true caffeine junkie, she jerked open the door. “Oh, bless you, man.” She took the cup straight out of Trace’s hand, drank deeply and sighed as the warmth penetrated the thick fog of novel sentiment. “Ahhhh. Nirvana. Thank you.” Only after the caffeine ingestion did she notice that Trace wore unsnapped jeans and nothing else. Her eyes flared wide and her jaw felt loose. Holy moly. “That was my cup,” Trace told her, bemused. But Priss could only stare at him. Despite the delicious coffee she’d just poured in it, her mouth went dry. When she continued to stare at him, at his chest and abdomen, her gaze tracking a silky line of brown hair that disappeared into his jeans, Trace crossed his arms. Her gaze jumped to his face and she found him watching her with equal fascination. A little lost as to the reason for that look, Priss asked with some belligerence, “What?” With a cryptic smile, Trace shook his head. “Never mind. Help yourself, and I’ll get another.” Oh, crap, she’d snatched away his cup! “Sorry.” He lifted a hand in dismissal and went to the coffee machine sitting atop the dresser. His jeans rode low on his hips. The sun had darkened his skin, creating a sharp contrast to his fair hair. Another drink was in order, and another sigh of bliss. Hoping to regain her wits, Priss said, “God, nothing in the world tastes better than that first drink of coffee.” Trace looked over his shoulder, his attention zeroing in on her mouth, then her chest and finally down to her bare legs. “Oh, I don’t know about that.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
The usual short story cannot have a complex plot, but it often has a simple one resembling a chain with two or three links. The short short, however, doesn't as a rule have even that much - you don't speak of a chain when there's only one link. ... Sometimes ... the short short appears to rest on nothing more than a fragile anecdote which the writer has managed to drape with a quantity of suggestion. A single incident, a mere anecdote - these form the spine of the short short. Everything depends on intensity, one sweeping blow of perception. In the short short the writer gets no second chance. Either he strikes through at once or he's lost. And because it depends so heavily on this one sweeping blow, the short short often approaches the condition of a fable. When you read the two pieces by Tolstoy in this book, or I.L. Peretz's 'If Not Higher,' or Franz Kafka's 'The Hunter Gracchus,' you feel these writers are intent upon 'making a point' - but obliquely, not through mere statement. What they project is not the sort of impression of life we expect in most fiction, but something else: an impression of an idea of life. Or: a flicker in darkness, a slight cut of being. The shorter the piece of writing, the more abstract it may seem to us. In reading Paz's brilliant short short we feel we have brushed dangerously against the sheer arbitrariness of existence; in reading Peretz's, that we have been brought up against a moral reflection on the nature of goodness, though a reflection hard merely to state. Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short. ... Writers who do short shorts need to be especially bold. They stake everything on a stroke of inventiveness. Sometimes they have to be prepared to speak out directly, not so much in order to state a theme as to provide a jarring or complicating commentary. The voice of the writer brushes, so to say, against his flash of invention. And then, almost before it begins, the fiction is brought to a stark conclusion - abrupt, bleeding, exhausting. This conclusion need not complete the action; it has only to break it off decisively. Here are a few examples of the writer speaking out directly. Paz: 'The universe is a vast system of signs.' Kafka in 'First Sorrow': The trapeze artist's 'social life was somewhat limited.' Paula Fox: 'We are starving here in our village. At last, we are at the center.' Babel's cossack cries out, 'You guys in specs have about as much pity for chaps like us as a cat for a mouse.' Such sentences serve as devices of economy, oblique cues. Cryptic and enigmatic, they sometimes replace action, dialogue and commentary, for none of which, as it happens, the short short has much room. There's often a brilliant overfocussing. ("Introduction")
Irving Howe (Short Shorts)