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Amy, listen to me. Listen to me. Don't you ever let them tell you you're ugly! Don't ever let them tell you you're dirty. You're a beautiful person, inside and out, thoughtful, sensitive and kind. I don't care what Sylvanus says, or what anyone else thinks. You'll find yourself a nice man to marry someday, and if your family's trying to convince you otherwise, it's only because they have an unpaid servant in you and they don't want to lose you." He heard what sounded like a gulp, then a sniffle. "Amy?" "I — I'm sorry, Ch-Charles. No one's ever said anything like that to me before, and . . . and I j-just don't know what to make of it —" "Oh, God, don't cry. I don't know how to deal with tearful females, truly I don't." "I c-can't help it, you're being so nice to me, saying that I'm beautiful when really, I'm not, and — "You are beautiful, Amy, and don't you ever forget it." "You can't say that, you've never even seen me!" "Come here." "I am here." "Come closer, then, and let me judge the issue for myself." She did. "Now, place my hands on your face." Sniffling, she took his hands within her own. Or tried to, given that hers were half the size of his and dainty as a bird's foot. And then she raised them to her face, placing one on each hot, tearstained cheek. The minute he felt her flesh beneath his, Charles knew this was a mistake. A big mistake. But to stop now would crush her. "Ah, Amy. How can you think you're ugly? Your skin is so soft that it feels like roses after a morning rain." "It's too dark. Bronzy. Not at all the color of Ophelia's and Mildred's." "And who says skin has to be milk-white to be beautiful?" "Well . . . no one, I guess." He gently pressed his thumbs against her cheeks, noting that they were hot with blush, soft as thistledown, and that the delicate bones beneath were high and prominent. "And look at these cheekbones! I know women — aristocratic women, mind you — who'd kill for cheekbones like these. High cheekbones are a mark of great beauty, you know." "High cheekbones are a mark of Indian blood." "Amy." "Yes?" "Stop it." "I'm sorry." He continued on, now tracing the curve of her brow, and the bridge of her nose. He had lost his eyesight, but it was amazing what his hands could see. "You have a lovely nose," he said. "It's too strong." "No it isn't. Close your eyes." She did. He could feel the fragile veneer of her eyelids, trembling faintly beneath his fingertips, and long, long lashes that brushed those cheekbones he had so admired. "What color are your eyes, Amy?" "Brown." "What color brown? Brown like conkers? Brown like nutmeg? Brown like black?" "Brown like mud." "Can you think of a more flattering word?" "No." His hands moved out over her face, learning its shape, before touching the plaited, pinned-up mass of her hair. It was straight, he could tell that much. Shiny like glass, as soft as a fern. He wished it was down. Good God, man, whatever are you thinking?! "My hair's brown, too," Amy said, her voice now a tremulous, barely audible whisper. "Brown like mud?" he cajoled. "No. Brown like black. And when the sun comes out, it's got reddish undertones." "It sounds very pretty." "It's not, really. It's just hair." "Just hair. Do you ever wear it down?" "No." "Why not?" "It gets in the way of things." "Don't you think that someday, a man will wish to drag his fingers through all this hair?" "No . . . no respectable man." He shook his head, his heart aching for her. "Oh, Amy." He
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