“
Moses: God or crowd control?!?
”
”
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
“
To my surprise, I recognized Dimitri Belikov-Rose's boyfriend-among those doing crowd control. He was easy to spot since he was almost always taller than everyone around him. Dhampirs look very human, and even I could admit that he was pretty good-looking. There was a rugged handsomeness to him, and even in a still photograph, I could see a fierceness as he watched the crowd.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
It seemed as though he gave way all at once; he was so languid that he could not control his thoughts; they would wander to her; they would bring back the scene,- not of his repulse and rejection the day before but the looks, the actions of the day before that. He went along the crowded streets mechanically, winding in and out among the people, but never seeing them, -almost sick with longing for that one half-hour-that one brief space of time when she clung to him, and her heart beat against his-to come once again.
”
”
Elizabeth Gaskell (North and South)
“
I took it for granted that there must be a few men left in the world who had that kind of strength. I assumed that those men would also be looking for women with principle. I did not want to be among the marked-down goods on the bargain table, cheap because they’d been pawed over. Crowds collect there. It is only the few who will pay full price. "You get what you pay for.
”
”
Elisabeth Elliot (Passion and Purity: Learning to Bring Your Love Life Under Christ's Control)
“
The crowd, most on the verge of premature middle age, were mainly drinking in intimate pairs, whispering in one another’s ears, laughing, touching. Public intimacy was the new sexy and still carried a whiff of taboo.
”
”
Amy L. Bernstein (The Potrero Complex)
“
any event largely organized by elementary school teachers was likely to come off extremely well from a logistical and crowd-control standpoint.
”
”
Neal Stephenson (Seveneves)
“
I think that the real religion is about the understanding that if we can only still our egos for a few seconds, we might have a chance of experiencing something that is divine in nature. But in order to do that, we have to slice away at our egos and try to get them down to a manageable size, and then still work some practiced light meditation. So real religion is about reducing our egos, whereas all the churches are interested in is egotistical activities, like getting as many members and raising as much money and becoming as important and high-profile and influential as possible. All of which are egotistical attitudes. So how can you have an egotistical organization trying to teach a non-egotistical ideal? It makes no sense, unless you regard religion as crowd control. What I think most organized religion—simply crowd control.
”
”
John Cleese
“
My space chums think reality was once a primitive method of crowd control that got out of hand. In my view, it’s absurdity dressed up in a three-piece business suit.
”
”
Jane Wagner (The Search for Signs of Intelligent Life in the Universe)
“
I shove the horrible, screaming images in my head into the dark, silent place in my mind that is getting deeper and more crowded each day. One day soon, the things I stuff in there will burst out and infect the rest of me. Maybe that will be the day the daughter becomes like the mother. Until then, I am still in control.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
I hate when I can't control my loneliness
”
”
-Leju Thomas
“
It is more difficult to undermine faith than knowledge, love succumbs to change less than to respect, hatred is more durable than aversion, and at all times the driving force of the most important changes in this world has been found less in a scientific knowledge animating the masses, but rather in a fanaticism dominating them and in a hysteria which drove them forward.
”
”
Adolf Hitler (Mein Kampf)
“
I’m an anarchist. I’m implacably opposed to heirarchical systems of power and control. I also mistrust crowds, as they often operate according to their lowest common denominator. In terms of evolutionary psychology, the crowd is very close to a herd of stampeding wildebeest.
”
”
Will Self
“
All that meditation amounts to is a controlled imagination and a well sustained attention. Simply hold the attention on a certain idea until it fills the mind and crowds all other ideas out of consciousness. The power of attention shows itself the sure guarantee of an inner force.
”
”
Neville Goddard (Meditation: The Joyful Art of Persistence)
“
The great secret is a controlled imagination and a well sustained attention firmly and repeatedly focused on the feeling of the wish fulfilled until it fills the mind and crowds all other ideas out of consciousness.
”
”
Neville Goddard (The Power of Awareness)
“
Pimps make the best librarians. Psycho killers, the worst. Ditto con men. Gangsters, gunrunners, bank robbers- adept at crowd control, at collaborating with a small staff, at planning with deliberation and executing with contained fury- all possess the librarian's basic skill set.
”
”
Avi Steinberg (Running the Books: The Adventures of an Accidental Prison Librarian)
“
I have these thoughts that Dr. Karen Singh calls "intrusives" but the first time she said it, I heard "invasives," which I like better, because, like invasive weeds, these thoughts seem to arrive at my biosphere from some faraway land, and then they speed out of control. Supposedly everyone has them--you look out from over a bridge or whatever and it occurs to you out of nowhere that you could just jump. And then if you're most people, you think, Well, that was a weird thought, and move on with your life. But for some people, the invasive can kind of take over, crowding out all other thoughts until it's the only one you're able to have, the thought you're perpetually either thinking or distracting yourself from.
”
”
John Green (Turtles All the Way Down)
“
Crowd control.’ ‘Excuse me?’ ‘That’s all civilization is, T’riss. A means by which we manage the proliferation of our kind. It increases in complexity the more of us there are. Laws keep us muzzled and punishment delivers the necessary message when those laws are broken. Civilizations in decline are notable when certain of their members escape justice, and do so with impunity.
”
”
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy #1))
“
The Church's stand on birth control is the most absolutely spiritual of all her stands and with all of us being materialists at heart, there is little wonder that it causes unease. I wish various fathers would quit trying to defend it by saying that the world can support 40 billion. I will rejoice the day when they say: This is right whether we all rot on top of each other or not, dear children, as we certainly may. Either practice restraint or be prepared for crowding...
”
”
Flannery O'Connor
“
To control one’s own destiny takes a mastermind. To execute the plans takes a fool.
”
”
Daniel Keyes (The Minds of Billy Milligan: The book that inspired the hit series The Crowded Room starring Tom Holland)
“
Being simply “better than average” is not good enough. You have to be head and shoulders above the crowd to win a minus-sum game.
”
”
Alexander Elder (The New Trading for a Living: Psychology, Discipline, Trading Tools and Systems, Risk Control, Trade Management (Wiley Trading))
“
Here's the truth: People, even regular people, are never just any one person with one set of attributes. It's not that simple. We're all at the mercy of the limbic system, clouds of electricity drifting through the brain. Every man is broken into twenty-four-hour fractions, and then again within those twenty-four hours. It's a daily pantomime, one man yielding control to the next: a backstage crowded with old hacks clamoring for their turn in the spotlight. Every week, every day. The angry man hands the baton over to the sulking man, and in turn to the sex addict, the introvert, the conversationalist. Every man is a mob, a chain gang of idiots.
”
”
Jonathan Nolan (Memento Mori)
“
its mere existence is an insurance policy that will remind governments that the last object the establishment could control, namely, the currency, is no longer their monopoly. This gives us, the crowd, an insurance policy against an Orwellian future.
”
”
Saifedean Ammous (The Bitcoin Standard: The Decentralized Alternative to Central Banking)
“
Pimps make the best librarians. Psycho killers, the worst. Ditto conmen. Gangsters, gun runners, bank robbers – adept at crowd control, at collaborating with a small staff, at planning with deliberation and executing with contained fury – all possess the librarian’s basic skill set. Scalpers and loan sharks certainly have a role to play. But even they lack that something, the je ne sais quoi, the elusive it. What would a pimp call it? Yes: the love.
”
”
Avi Steinberg (Running the Books: The Adventures of an Accidental Prison Librarian)
“
What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural loving and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare?
”
”
Herman Melville (Moby-Dick or, The Whale)
“
That's when it happens. Maybe it was my argument. Maybe it was my scary zeal. Whatever the reason, as soon as Megan whistles, the crowd is on its feet.
They're blowing bubbles. They're raising their lighters high.
They're cheering through their fangs...
For Dawn Summers, for themselves and each other, for every sibling who got tossed into a situation beyond her control.
For me.
And for my sister, who whistles again...
Once more with feeling.
”
”
Cynthia Leitich Smith (Geektastic: Stories from the Nerd Herd)
“
Early on a difficult climb, especially a difficult solo climb, you constantly feel the abyss pulling at your back. To resist takes a tremendous conscious effort; you don’t dare let your guard down for an instant. The siren song of the void puts you on edge; it makes your movements tentative, clumsy, herky-jerky. But as the climb goes on, you grow accustomed to the exposure, you get used to rubbing shoulders with doom, you come to believe in the reliability of your hands and feet and head. You learn to trust your self-control. By and by your attention becomes so intensely focused that you no longer notice the raw knuckles, the cramping thighs, the strain of maintaining nonstop concentration. A trancelike state settles over your efforts; the climb becomes a clear-eyed dream. Hours slide by like minutes. The accumulated clutter of day-to-day existence—the lapses of conscience, the unpaid bills, the bungled opportunities, the dust under the couch, the inescapable prison of your genes—all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose and by the seriousness of the task at hand.
”
”
Jon Krakauer (Into the Wild)
“
Fundamentalism is rooted in arrogance. It thrives in fear and control and darkness.
”
”
Michael Gungor (The Crowd, The Critic And The Muse: A Book For Creators)
“
When I call his name, it’s a sound almost entirely out of my control. It soars over the crowd and hits him. Even from where I’m standing, I can tell that he recognized my voice. Hastily he unwinds himself from the girl, stands to attention like an animal sensing danger. And I try to call him again, but that word, that name, was all I had the energy for. I barely have the strength left to stand.
I wait helplessly for him to find the sound, and when he does, when his heterochromatic eyes meet mine, my mouth forms the word again, but just barely. The girl at his side disappears. The crowd blurs into senseless shapes and colors. I can’t feel my heart or my body or the heat of the flames.
I can only see his face—his bewildered, beautifully familiar face.
”
”
Lauren DeStefano (Sever (The Chemical Garden, #3))
“
If life is a movie most people would consider themselves the star of their own feature. Guys might imagine they're living some action adventure epic. Chicks maybe are in a rose-colored fantasy romance. And homosexuals are living la vida loca in a fabulous musical. Still others may take the indie approach and think of themselves as an anti-hero in a coming of age flick. Or a retro badass in an exploitation B movie. Or the cable man in a very steamy adult picture. Some people's lives are experimental student art films that don't make any sense. Some are screwball comedies. Others resemble a documentary, all serious and educational. A few lives achieve blockbuster status and are hailed as a tribute to the human spirit. Some gain a small following and enjoy cult status. And some never got off the ground due to insufficient funding. I don't know what my life is but I do know that I'm constantly squabbling with the director over creative control, throwing prima donna tantrums and pouting in my personal trailor when things don't go my way.
Much of our lives is spent on marketing. Make-up, exercise, dieting, clothes, hair, money, charm, attitude, the strut, the pose, the Blue Steel look. We're like walking billboards advertising ourselves. A sneak peek of upcoming attractions. Meanwhile our actual production is in disarray--we're over budget, doing poorly at private test screenings and focus groups, creatively stagnant, morale low. So we're endlessly tinkering, touching up, editing, rewriting, tailoring ourselves to best suit a mass audience. There's like this studio executive in our heads telling us to cut certain things out, make it "lighter," give it a happy ending, and put some explosions in there too. Kids love explosions. And the uncompromising artist within protests: "But that's not life!" Thus the inner conflict of our movie life: To be a palatable crowd-pleaser catering to the mainstream... or something true to life no matter what they say?
”
”
Tatsuya Ishida
“
Excellent,” said Queen Scarlet, flicking her tongue between her teeth. “A thrilling demonstration. Everything I was hoping for. As you say, Queen Burn, so much for that prophecy now, right? Peril, back to your place.” I hope you know how to control your new champion, Mother. Because she’s not just a threat to me. The crowd of dragons surged back, struggling to stay out of Peril’s path, as the dragonet walked slowly back to the little cage of rocks. This dragon could destroy the entire world.
”
”
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
“
For all that has recently been said about ‘the wisdom of crowds’, the authors prefer to fly with airlines which rely on the services of skilled and experienced pilots, rather than those who entrust the controls to the average opinion of the passengers.
”
”
John Kay (Radical Uncertainty: Decision-Making Beyond the Numbers)
“
I could see the crowd gathered there, one hundred of them, I guessed, maybe more. All people who hated me, whose only objective was to keep me from my work. Under the pious, prayerful guise of religion, they were after control: Control of me. Control of the women coming to the clinic for help. Control of anyone who believed differently than they.
”
”
Susan Wicklund (This Common Secret: My Journey as an Abortion Doctor)
“
A crowd two hundred strong was the largest animal on the face of the earth. The heaviest, the hardest to control, the hardest to stop. The hardest to kill. Big targets, but after-action reports always showed that crowds took much less than one casualty per round fired.
”
”
Lee Child (Nothing to Lose (Jack Reacher, #12))
“
When every province of the world so teems with inhabitants that they can neither subsist where they are nor remove elsewhere, every region being equally crowded and over-peopled, and when human craft and wickedness have reached their highest pitch, it must needs come about that the world will purge herself in one or another of these three ways: floods, plague and famine
”
”
Niccolò Machiavelli
“
The Universe, as has been observed before, is an unsettlingly big place, a fact which for the sake of a quiet life most people tend to ignore. Many would happily move to somewhere rather smaller of their own devising, and this is what most beings in fact do.
For instance, in one corner of the Eastern Galactic Arm lies the large forest planet Oglaroon, the entire "intelligent" population of which lives permanently in one fairly small and crowded nut tree. In which tree they are born, live, fall in love, carve tiny speculative articles in the bark on the meaning of life, the futility of death and the importance of birth control, fight a few extremely minor wars and eventually die strapped to the underside of some of the less accessible outer branches.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
But Don you're still a human being, you still want to live, you crave connection and society, you know intellectually that you're no less worthy of connection and society than anyone else simply because of how you appear, you know that hiding yourself away out of fear of gazes is really giving in to a shame that is not required and that will keep you from the kind of life you deserve as much as the next girl, you know that you can't help how you look but that you are supposed to be able to help how much you care about how you look. You're supposed to be strong enough to exert some control over how much you want to hide, and you're so desperate to feel some kind of control that you settle for the appearance of control."
"Your voice gets different when you talk about this—"
"What you do is you hide your deep need to hide, and you do this out of the need to appear to other people as if you have the strength not to care how you appear to others. You stick your hideous face right in there into the wine-tasting crowd's visual meatgrinder, you smile so wide it hurts and put out your hand and are extra gregarious and outgoing and exert yourself to appear totally unaware of the facial struggles of people who are trying not to wince or stare or give away the fact that they can see that you're hideously, improbably deformed. You feign acceptance of your deformity. You take your desire to hide and conceal it under a mask of acceptance."
"Use less words.
”
”
David Foster Wallace (Infinite Jest)
“
What is power, after all? Every one of the power elite’s overwhelming advantages—military forces, surveillance systems, crowd control technology, control over the media, and nearly all the money in the world—depends on having people obeying orders and executing an assigned role. This obedience is a matter of shared ideologies, institutional culture, and the legitimacy of the systems in which we play roles. Legitimacy is a matter of collective perception, and we have the power to change people’s perceptions.
”
”
Charles Eisenstein (The More Beautiful World Our Hearts Know Is Possible (Sacred Activism Book 2))
“
Create your own “LUCK” in your personal life—instead of relying on “fate” and hoping that your happiness will spontaneously materialize sometime and somehow, as if by magic.
Be the “magician” of your own destiny. Take control of your own fate. Be aware. Instead of following the crowd of complainers and repeating their common mistakes, use the Smart Dating Strategies, which are clearly described in the chapters of our exclusive eBooks.
Be successful in your personal life and genuinely loved by the woman of your dreams.
Read how to do it; learn the secrets to use and master them.
Get the keys to the door of your own happiness.
Make things happen.
Choose to be a WINNER!
”
”
Sahara Sanders
“
Fear is one of the persistent hounds of hell that dog the footsteps of the poor, the dispossessed, the disinherited. There is nothing new or recent about fear—it is doubtless as old as the life of man on the planet. Fears are of many kinds—fear of objects, fear of people, fear of the future, fear of nature, fear of the unknown, fear of old age, fear of disease, and fear of life itself. Then there is fear which has to do with aspects of experience and detailed states of mind.
Our homes, institutions, prisons, churches, are crowded with people who are hounded by day and harrowed by night because of some fear that lurks ready to spring into action as soon as one is alone, or as soon as the lights go out, or as soon as one’s social defenses are temporarily removed.
The ever-present fear that besets the vast poor, the economically and socially insecure, is a fear of still a different breed. It is a climate closing in; it is like the fog in San Francisco or in London. It is nowhere in particular yet everywhere. It is a mood which one carries around with himself, distilled from the acrid conflict with which his days are surrounded. It has its roots deep in the heart of the relations between the weak and the strong, between the controllers of environment and those who are controlled by it.
When the basis of such fear is analyzed, it is clear that it arises out of the sense of isolation and helplessness in the face of the varied dimensions of violence to which the underprivileged are exposed. Violence, precipitate and stark, is the sire of the fear of such people. It is spawned by the perpetual threat of violence everywhere. Of course, physical violence is the most obvious cause. But here, it is important to point out, a particular kind of physical violence or its counterpart is evidenced; it is violence that is devoid of the element of contest. It is what is feared by the rabbit that cannot ultimately escape the hounds.
”
”
Howard Thurman
“
I found out too that you are bound to be jostled in "the crowded street of life." That in itself need not be dangerous unless you have the open razors of personal vanity in your pants pocket. The passers-by don't hurt you, but if you go around like that, they make you hurt yourself.
”
”
Zora Neale Hurston (Dust Tracks on a Road)
“
Miss Manette!'
The young lady, to whom all eyes had been turned before, and were now turned again, stood up where she had sat. Her father rose with her, and kept her hand drawn through his arm.
'Miss Manette, look upon the prisoner.'
To be confronted with such pity, and such earnest youth and beauty, was far more trying to the accused than to be confronted with all the crowd. Standing, as it were, apart with her on the edge of his grave, not all the staring curiosity that looked on, could, for the moment, nerve him to remain quite still. His hurried right hand parcelled out the herbs before him into imaginary beds of flowers in a garden; and his efforts to control and steady his breathing shook the lips from which the colour rushed to his heart. The buzz of the great flies was loud again.
'Miss Manette, have you ever seen the prisoner before?'
'Yes, sir.
”
”
Charles Dickens (A Tale of Two Cities)
“
No more junk talk, no more lies. No more mornings in the hospital getting bad blood drained out of me. No more doctors trying to analyse what makes me a drug addict. No more futile attempts at trying to control my heroin use. No more defending myself when I know I am practically indefensible. No more police using me as practice. No more ODs, no more losses. No more trying to take an intellectual position on my heroin addiction when it takes more than it gives. No more dope-sick mornings, no more slow suicide, no more pain without end.
No more AA. No more NA. No more mind control. No more being a victim, no more looking for reasons in childhood, in God in anything but what exists in HERE. No more admitting I am powerless.
Down the dusty Los Angeles sidewalks, down the urine stained London back alleys … there goes the connection fading into the crowd like a 1960’s Polaroid.
“Business…?”
“Whachoo need…?”
“Chiva…?
”
”
Tony O'Neill (Digging the Vein)
“
Remember that, in any encounter, the only thing you can control is your own actions and reactions. You cannot dictate the actions of the other person, or in this case, the horse, but you can often send the right signals to get what you want. If you are often baffled by the reactions others have to you, it is probably because you are unaware of the silent signals you send through your posture, your facial gestures, your tone of voice, the amount of personal space you maintain, and so forth. Ever wondered why people don't listen when you try to assert yourself, or why people back away when you're trying to be friendly, or why you're never the one people seek out in a crowded room? Body language. Silent signals. Mixed signals. The trick is to focus outward, not inward.
”
”
Lisa Wingate (Over the Moon at the Big Lizard Diner (Texas Hill Country #3))
“
When I went on anyway, my body began to grow cold, and I thought I
was dead. Face pale, my dead self sat down on a bench and began to turn
toward my real self, who was watching this hallucination on the screen of the
night. My dead self came nearer, just as if it might want to shake hands with my
real self. That's when I panicked and tried to run. But my dead self pursued me
and finally caught me, entered me and controlled me. I'd felt then just the way I
felt now. I felt as if a hole had opened in my head from which consciousness
and memory leaked out and in their place the rash crowded in, and a cold like
spoiled roast chicken. But that time before, shaking and clinging to the damp
bench, I'd told myself, Hey, take a good look, isn't the world still under your
feet? I'm on this ground, and on this same ground are trees and grass and ants
carrying sand to their nests, little girls chasing rolling balls, and puppies running.
”
”
Ryū Murakami (Almost Transparent Blue)
“
The controlled-experiment people felt that public LSD orgies would lead to disaster for their own research. There was little optimism about what might happen when the Angels—worshiping violence, rape and swastikas—found themselves in a crowd of intellectual hipsters, Marxist radicals and pacifist peace marchers. It was a nervous thing to consider even if everybody could be expected to keep a straight head … but of course that was out of the question. With everyone drunk, stoned and loaded, there was nobody capable of taking objective notes, no guides to soothe the flip-outs, no rational spectator to put out fires or hid the butcher knives … no control at all.
”
”
Hunter S. Thompson (Hell's Angels)
“
For instance, in one corner of the Eastern Galactic Arm lies the large forest planet Oglaroon, the entire “intelligent” population of which lives permanently in one fairly small and crowded nut tree. In which tree they are born, live, fall in love, carve tiny speculative articles in the bark on the meaning of life, the futility of death and the importance of birth control, fight a few extremely minor wars and eventually die strapped to the underside of some of the less accessible outer branches. In
”
”
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
“
The consequences of this amassing of fortunes were first felt in the catastrophe experienced by small farmers in Europe and England. The peasants became impoverished, dependent workers crowded into city slums. For the first time in human history, the majority of Europeans depended for their livelihood on a small wealthy minority, a phenomenon that capitalist-based colonialism would spread worldwide. The symbol of this new development, indeed its currency, was gold. Gold fever drove colonizing ventures, organized at first in pursuit of the metal in its raw form. Later the pursuit of gold became more sophisticated, with planters and merchants establishing whatever conditions were necessary to hoard as much gold as possible. Thus was born an ideology: the belief in the inherent value of gold despite its relative uselessness in reality. Investors, monarchies, and parliamentarians devised methods to control the processes of wealth accumulation and the power that came with it, but the ideology behind gold fever mobilized settlers to cross the Atlantic to an unknown fate. Subjugating entire societies and civilizations, enslaving whole countries, and slaughtering people village by village did not seem too high a price to pay, nor did it appear inhumane. The systems of colonization were modern and rational, but its ideological basis was madness.
”
”
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
“
We modern people are problem-solvers, but the demand for answers crowds out patience—and perhaps, especially, patience with mystery, with that which we cannot control.
”
”
Ernest Kurtz (The Spirituality of Imperfection: Storytelling and the Search for Meaning)
“
His idea was that humans totally lose control of their behavior in a crowd.
”
”
Jon Ronson (So You've Been Publicly Shamed)
“
Once people with epilepsy were virtuously punished for their intimacy with Lucifer. Now we mandate that if their seizures aren’t under control, they can’t drive. And the key point is that no one views such a driving ban as virtuous, pleasurable punishment, believing that a person with treatment-resistant seizures “deserves” to be banned from driving. Crowds of goitrous yahoos don’t excitedly mass to watch the epileptic’s driver’s license be publicly burned. We’ve successfully banished the notion of punishment in that realm. It may take centuries, but we can do the same in all our current arenas of punishment.
”
”
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
“
This historic general election, which showed that the British are well able to distinguish between patriotism and Toryism, brought Clement Attlee to the prime ministership. In the succeeding five years, Labor inaugurated the National Health Service, the first and boldest experiment in socialized medicine. It took into public ownership all the vital (and bankrupted) utilities of the coal, gas, electricity and railway industries. It even nibbled at the fiefdoms and baronies of private steel, air transport and trucking. It negotiated the long overdue independence of India. It did all this, in a country bled white by the World War and subject to all manner of unpopular rationing and controls, without losing a single midterm by-election (a standard not equaled by any government of any party since). And it was returned to office at the end of a crowded term.
”
”
Christopher Hitchens
“
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
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Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
“
Man is compelled to compel beings to his control, and thus he becomes a slave of his will to control, a slave of his own rights. Individuals become so individualistic that they become nothing more than a lonely crowd.
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Marcia Sá Cavalcante Schuback
“
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
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E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
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Poxviruses keep herds and swarms of living things in check, preventing them from growing too large and overwhelming their habitats. Viruses are an essential part of nature. If all the viruses on the planet were to disappear, a global catastrophe would ensue, and the natural ecosystems of the earth would collapse in a spectacular crash under burgeoning populations of insects. Viruses are nature’s crowd control, and a poxvirus can thin a crowd in a hurry.
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Richard Preston (The Demon in the Freezer)
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A temple was worth a dozen barracks; a militia man carrying a gun could control a small unarmed crowd only for as long as he was present; however, a single priest could put a policeman inside the head of every one of their flock, for ever.
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Iain M. Banks
“
And when you are criticized, as you will be, remind your critics that you have the right to speak your mind. And if they shout you down, as they probably will, then inform them that since they insist on being asses, you will henceforth communicate with them with the appropriate part of your own anatomy. And turning to face them from the posterior, let them know where you stand. Let every fart count as a peal of thunder for liberty. Let every fart remind the nation of how much it has let pass out of its control. It is a small gesture, but one that can be very effective - especially in a large crowd. So fart, and if you must, fart often. But always fart without apology. Fart for freedom, fart for liberty - and fart proudly
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Carl Japikse
“
His eyes are cold and restless
His wounds have almost healed
And she'd give half of Texas
Just to change the way he feels
She knows his love's in Tulsa
And she knows he's gonna go
Well it ain't no woman flesh and blood
It's that damned old rodeo
Well it's bulls and blood
It's dust and mud
It's the roar of a Sunday crowd
It's the white in his knuckles
The gold in the buckle
He'll win the next go 'round
It's boots and chaps
It's cowboy hats
It's spurs and latigo
It's the ropes and the reins
And the joy and the pain
And they call the thing rodeo
She does her best to hold him
When his love comes to call
But his need for it controls him
And her back's against the wall
And it's So long girl I'll see you
When it's time for him to go
You know the woman wants her cowboy
Like he wants his rodeo
”
”
Garth Brooks
“
The Lady Vader has come. We would hear her words.'
'Then you will hear them in prison.' The dynast gestured, and two more of the official guard left their line, heading purposefully toward the steps.
It was, Leia judged, the right moment. Glancing down at her belt, she reached out through the Force with all the power and control she could manage--
And her lightsaber leaped from her belt, breaking free from its quick-release and jumping up in front of her. Her eyes and mind found the switch, and with a snap-hiss the brilliant green-white blade flashed into existence, carving out a vertical line between her and the line of dynasts.
There was a sound like a hissing gasp from the crowd. The two Noghri who had been moving toward the maitrakh froze in mid stride...and as the gasp vanished into utter silence, Leia knew that she'd finally gotten their complete attention. 'I am not merely the daughter of the Lord Vader,' she said, putting an edge of controlled anger into her voice. 'I am the Mal'ary'ush: heir to his authority and his power. I have come through many dangers to reveal the treachery that has been done to the Noghri people.'
She withdrew as much of her concentration as she could risk from the floating lightsaber to look slowly down the line of dynasts. 'Will you hear me? Or will you instead choose death?
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Timothy Zahn (Star Wars: Dark Force Rising (The Thrawn Trilogy, #2))
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Early on a difficult climb, especially a difficult solo climb, you constantly feel the abyss pulling at your back. To resist takes a tremendous conscious effort; you don't dare let your guard down for an instant. The siren song of the void puts you on edge; it makes your movements tentative, clumsy, herky-jerky. But as the climb goes on, you grow accustomed to the exposure, you get used to rubbing shoulders with doom, you come to believe in the reliability of your hands and feet and head. You learn to trust your self-control. By and by your attention becomes so intensely focused that you no longer notice the raw knuckles, the cramping thighs, the strain of maintaining nonstop concentration. A trancelike state settles over your efforts; the climb becomes a clear-eyed dream. Hours slide by like minutes. The accumulated clutter of day-to-day existence — the lapses of conscience, the unpaid bills, the bungled opportunities, the dust under the couch, the inescapable prison of your genes — all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose and by the seriousness of the task at hand. At such moments something resembling happiness actually stirs in your chest, but it isn't the sort of emotion you want to lean on very hard. In solo climbing the whole enterprise is held together with little more than chutzpah, not the most reliable adhesive.
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Jon Krakauer
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since she could not bring into play the deliberate glances, charged with a definite meaning, which one directs, in a crowd, towards people whom one knows, but must allow her vague thoughts to escape continually from her eyes in a flood of blue light which she was powerless to control,
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Marcel Proust (Swann's Way)
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Georges Sorel, to whom fascism is so much indebted, wrote at the beginning of our century that all great movements are compelled by 'myths.' A myth is the strongest belief held by the group, and its adherents feel themselves to be an army of truth fighting an army of evil. Some years earlier, in 1895, the French psychologist Gustav Le Bon had written of the 'conservatism of crowds' which cling tenaciously to traditional ideas. Hitler took the basic nationalism of the German tradition and the longing for stable personal relationships of olden times, and built upon them as the strongest belief of the group. In the diffusion of the 'myth' Hitler fulfilled what Le Bon had forecast: that 'magical powers' were needed to control the crowd. The Fuhrer himself wrote of the 'magic influence' of mass suggestion and the liturgical aspects of his movement, and its success as a mass religion bore out the truth of this view.
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George L. Mosse (Nazi Culture: Intellectual, Cultural and Social Life in the Third Reich)
“
Once in the crowd, a collar is worn around your neck; if the crowd runs to the left, you have to run to the left, if they run to the right, you have to run to the right, if they stop, you have to stop! If you are not in control, someone else is in control and then you become a puppet, a puppet of the mindless crowd!
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Mehmet Murat ildan
“
I've met people who say they don't want relationships; but it's not the relationships that they don't want: it is the mundane dynamic that is named the "relationship", which they despise. The struggle for control; the humdrum motions recycled by a billion other couples; the low rhythm that seems to cycle, repeating its monotonous hymn through the myriad crowds. They want to find someone and feel every vein in their body connect to that person, they want to fly with someone, they want what's natural; they want a partner. It's a partner they want. Not a "relationship"; but a partner. A whole other person who wants to stay with their own whole person. They want something meant for them, or nothing at all.
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C. JoyBell C.
“
Be a provocateur! Provoke people to think! Provoke sleepers to awake! Provoke slaves to revolt against their masters! Provoke everyone to gain control over their fates unchecked! Provoke the lonely to participate the crowds and provoke the crowds to visit the loneliness! Be a provocateur! Provoke people to cross the bridges so that they can see the other side!
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Mehmet Murat ildan
“
I explained Crime 101 to the kid. “Guns escalate things. They’re only good for crowd control. We’re going in after closing hours, so we don’t need crowd control.” “Yeah,” Augie said, “but what about security? What if they start bustin’ caps?” Bustin’ caps. I wondered how many hip-hop posters he had on his bedroom wall. “Site’s handled by Gold Star Security Northwest,” I explained. “They don’t carry guns, just Tasers and pepper spray. They also make thirteen bucks an hour, and heroics are highly discouraged in their training manual. Their standing orders in case of a burglary are to retreat to safe ground and call the real cops. That gives us plenty of time to bug out if we get spotted and blow it.” “Cool,” Augie said.
”
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Craig Schaefer (A Plain-Dealing Villain (Daniel Faust, #4))
“
Many people are driven by the need for approval. They allow the expectations of parents or spouses or children or teachers or friends to control their lives. Many adults are still trying to earn the approval of unpleasable parents. Others are driven by peer pressure, always worried by what others might think. Unfortunately, those who follow the crowd usually get lost in it.
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Rick Warren (The Purpose Driven Life: What on Earth Am I Here For?)
“
In the past I was a vicious hunter. I would stalk my prey with pinpoint accuracy. Ever since Monica came into my life I’ve abstained from the game. It almost feels strange to stand here and look to the crowd knowing I could pick one and f*ck them into oblivion. I won’t though. I may love her, but that isn’t the reason. If I were to pick someone for the sake of revenge sex then I’m giving control to Monica and Dalton for betraying me. I’m strong enough to wait. A good hunter is always patient and never stalks in anger.'
'I always crack it until Tobias stops flinching at the sound. It’s never the same amount of times. I don’t want it to become obvious so I always do it a few more times to create a sense of surprise.
I coil up the leather and with the flick of my wrist I set a perfect line against Monica’s back. She yelps in pain and surprise, and Tobias joins her. He thought he’d get the first blow.
I breathe through the pounding in my cock. It beats in time with my rapidly beating heart.
I flick my wrist again taking Monica across the shoulder. I see Tobias tense as she screams. Mustn’t allow the slaves to think they are taking even turns. The blow’s shock is what makes my cock burn for release. I palm my balls as they tighten, threatening to shoot my release up the stock of my dick. I inhale through my nose and breathe out my mouth until I regain my control.
I flick my wrist again and hit Monica across her thighs. She screams bloody murder at the ceiling and I smile to myself. It hurts like a bitch, but the marks will fade. I never break skin. This is my passion- my gift.
”
”
Erica Chilson (Dexter (Mistress & Master of Restraint, #3))
“
They’re not worthy to rule. None of them. I will go and get the Half-Breed and prove to you just how untrustworthy they are. All of them know about her. Every last one. I challenge Prince Galen to deny it.”
Galen locks eyes with Toraf. How could he do this to me? How could he do this to Emma? Now everyone present knows of her existence. She won’t be safe anywhere, not with Jagen in control. Especially because Toraf, the best Tracker in Syrena history, has just vowed to find her and bring her here.
Which will be excessively easy, since he knows exactly where she is. She trusts him. Rachel trusts him. It will be so simple for him. And I have no way of warning her, of getting to her. All I can do is protect her when she gets here.
Tandel quiets the crowd, one of his primary duties as of late. When he has achieved control, he turns to Galen. “Your Highness, would you like to address these accusations against you?”
Galen swims to the center stone without taking his eyes off Toraf. “If something happens to her because of you,” he whispers to his one-time friend, his voice raw with hurt, “your death will be my priority.”
Toraf opens his mouth to say something, but Galen cuts him off to address the crowd. There is nothing Toraf can say to him that will make this right. There is nothing Toraf can say to him that will hurt him more. “I have nothing at all to say to these accusations.”
Tandel sighs. “Very well, Highness. Thank you.”
Galen swims to the Trackers who hold his sister. His sister who now sobs uncontrollably. “Come on, minnow,” he says. “He’s not worth your tears.”
“Yes, he is,” she wails. The Trackers release her to her brother. They’re distressed with the task of comforting a hysterical female.
Galen squeezes her to him, but won’t let her turn around and look at Toraf. “He isn’t. In time you’ll see that.”
“Why would he bring Emma here, Galen? Why would he do this to us?”
Galen swallows the vomit creeping its way into his throat. “I don’t know, minnow. I don’t know.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Later, when the other Beatles arrived, the crowd in the street had swelled to an estimated twenty-thousand, some of whom were whipped up in a terrific heat. Others, many of them young girls who had been waiting since dawn, suffered from hunger and exhaustion. The police force, which had been monitoring the situation nervously, called in the army and navy to help maintain order, but it was short-lived. By late afternoon, with chants of "We want the Beatles!" ringing through the square, the shaken troops, now four-hundred strong, felt control slipping from their grasp. They didn't know where to look first: at the barricades being crushed, the girls fainting out of sight, the hooligans stomping on the roofs of cars or pushing through their lines. A fourteen-year-old "screamed so hard she burst a blood-vessel in her throat." It was "frightening, chaotic, and rather inhuman," according to a trooper on horseback. There most pressing concern was the hotels plate-glass windows bowing perilously against the violent crush of bodies. They threatened to explode in a cluster of razor-sharp shards at any moment. Ambulances screamed in the distance, preparing for the worst; a detachment of mounted infantry swung into position.
”
”
Bob Spitz (The Beatles: The Biography)
“
Crowdists love “competition” of a fixed nature, where a single vector determines the winner. They do not like real life competition, including evolution, as it assesses the individual as a whole and does not simply rank individuals by ability. For this reason crowds love both sports events and free market capitalism, as each allow people to gain power according to a linear system. The more time you put into the system with the sole goal of making profit, excluding all else, the more likely it is that you can get wealth – and it can happen to anyone! That is the promise that makes crowds flock to these ideas. It is like the dream of being a rock star, or a baseball hero, or a billionaire: what makes it attractive is the idea that anyone can do it, if they simply devote themselves to a linear path of ascension – one that is controlled by the whims of the crowd. The crowd decides who is a baseball hero, or what to buy and thus who to make rich. Control without control.
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Brett Stevens (Nihilism: A Philosophy Based In Nothingness And Eternity)
“
I’ve never understood the phenomenon, but everyone absolutely loses their minds whenever they see someone pull out a T-shirt gun. It’s a universal constant that transcends all cultural divides: Republicans, Democrats, rich, poor, glassblowers, Inuit Indians, Motown nostalgia acts: They all pay a fortune for their tickets and sit nicely dressed and civilized. Then the dudes with the T-shirt guns come out and everyone gets that crazy red demon glow in their eyes, ready to tear arms out of their sockets and dive off balconies for three dollars of cotton. On the other end, the guys with the guns are in complete control of the crowd and get a God complex, teasing them, faking shots and making thousands of screaming loons sway left and right with their slightest move. And yet nobody but me can see the potential, like the next time the rest of the world is giving America a bunch of shit, our president just goes before the UN General Assembly and busts out a T-shirt gun. Problem fucking solved.
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Tim Dorsey (Shark Skin Suite (Serge Storms #18))
“
One more thing. I...I kind of hate people. Seriously, I've thought about how to phrase this and the best thing I can say isn't, "I'm not a people person," or something like that. It's that I hate people. some persons, individual persons, I like and love, but when you get eight or more together in a group, I hate that. I mean HATE that. I hate cliques, I hate crowds, and the only reason i got anywhere in retails is that I was always moving around. I had a purpose. My idea of hell is being one of those people in the middle of those crowd shots you see in concerts, you know, where fifteen thousand people are watching some band or something. But it's not just the number of bodies; it's that a person gets stupid when they become people. They are easily convinced of things. So I guess if my story had a heading, like, in your book, it might be "How Clara stopped hating people because they started doing what she said," Or something less wordy that doesn't make me sound like a controlling bitch.
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Mike Bockoven (FantasticLand)
“
Turn it beautiful.
His words came faintly at first, but they came again and again, always softly, always with the insistence of an elder commanding wisdom.
Turn it all to beauty.
She walked to the rail. When she turned and sat upon it, she heard a sailor in the crowd murmur that she might play them a tune. She hoped he was right. She needed the voices to be wrong. Fin raised the instrument to the cleft of her neck and closed her eyes. She emptied her mind and let herself be carried back to her earliest memory, the first pain she ever knew: the knowledge that her parents didn’t want her. The despair of rejection coursed through her. It fathered a knot of questions that bound her, enveloped her. Waves of uncertainty and frailty shook her to the bones. Her body quivered with anger and hopelessness. She reeled on the edge of a precipice. She wanted to scream or to throw her fists but she held it inside; she struggled to control it. She fought to subjugate her pain, but it grew. It welled up; it filled her mind. When she could hold it no more, exhausted by defiance and wearied by years of pretending not to care, Bartimaeus’s words surrounded her.
Got to turn it beautiful.
She dropped her defenses. She let weakness fill her. She accepted it. And the abyss yawned. She tottered over the edge and fell. The forces at war within her raced down her arms and set something extraordinary in motion; they became melody and harmony: rapturous, golden. Her fingers coaxed the long-silent fiddle to life. They danced across the strings without hesitation, molding beauty out of the miraculous combination of wood, vibration, and emotion. The music was so bright she felt she could see it. The poisonous voices were outsung. Notes raged out of her in a torrent. She had such music within her that her bones ached with it, the air around her trembled with it, her veins bled it. The men around fell still and silent. Some slipped to the deck and sat enraptured like children before a travelling bard.
”
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A.S. Peterson (Fiddler's Green (Fin's Revolution, #2))
“
wasn’t until paramedics arrived on scene with a stretcher that I sprang into action, pushing my way through the crowd until I reached him. I hopped the fence and no one tried to stop me – it was chaos down there. As the paramedics lifted Nate onto the stretcher, I didn’t like the way his entire body flopped around like he had no control over it. His eyes were open but vacant, staring at something only he could see. Blood was gushing from his nose, intermingling with mud and dirt. His left arm was bent at an
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Octavia Wildwood (Shattered Hearts (Shattered, #1))
“
On a few occasions in his own books, Thomas [Mann] thought, he had risen above the ordinary world from which the work emerged. The death of Hanno in -Buddenbrooks-, for example, or the quality of the desire described in -Death in Venice-, or the séance scenes in -The Magic Mountain.- Maybe in other parts of other books too. But he did not think so.He had let dry humor and social settings dominate his writing; he was afraid of what might take over if he did not exercise caution and control.
He could imagine decency, but that was hardly a virtue in a time that had grown sinister. He could imagine humanism, but that made no difference in a time that exalted the will of the crowd. He could imagine a frail intelligence, but that meant little in a time that honored brute strength. As the slow movement [of Beethoven's String Quartet, op. 132] came gravely to an end, he realized that, if he could summon the courage, he would have to entertain evil in a book, he would have to open the door to what was darkly outside his own comprehension.
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Colm Tóibín (The Magician)
“
For half the young men, that was it. They were the control group. For the other half, there was a catch. As they walked down the hallway with their questionnaire, a man—a confederate of the experimenters—walked past them and pulled out a drawer in one of the filing cabinets. The already narrow hallway now became even narrower. As the young men tried to squeeze by, the confederate looked up, annoyed. He slammed the filing cabinet drawer shut, jostled the young men with his shoulder, and, in a low but audible voice, said the trigger word: “Asshole.” Cohen and Nisbett wanted to measure, as precisely as possible, what being called that word meant. They looked at the faces of their subjects and rated how much anger they saw. They shook the young men’s hands to see if their grip was firmer than usual. They took saliva samples from the students, both before and after the insult, to see if being called an asshole caused their levels of testosterone and cortisol—the hormones that drive arousal and aggression—to go up. Finally they asked the students to read the following story and supply a conclusion: It had only been about twenty minutes since they had arrived at the party when Jill pulled Steve aside, obviously bothered about something. “What’s wrong?” asked Steve. “It’s Larry. I mean, he knows that you and I are engaged, but he’s already made two passes at me tonight.” Jill walked back into the crowd, and Steve decided to keep his eye on Larry. Sure enough, within five minutes, Larry was reaching over and trying to kiss Jill. If you’ve been insulted, are you more likely to imagine Steve doing something violent to Larry?
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Malcolm Gladwell (Outliers: The Story of Success)
“
I woke a few moments ago from a fever and a host of interlocking fever dreams, one after the next. There was one where I was in London, walking through old abandoned formerly beautiful buildings, all of them about to be demolished. Sometimes I'd find myself walking past the enormous line of people waiting to attend the television memorial for a dead author friend of mine, but his memorial was a television spectacular with comedians and big band music. There was the one where I had accidentally connected my bank card to a portable printer and the little printer kept printing cash but on the wrong paper and at the wrong size, so my money had huge, incredibly detailed faces on it, works of art that could not be spent. Then I woke from one dream into another: I was asleep in the passenger seat of the car, and saw that we were driving through a densely populated town, and that the driver was also asleep. I tried hard to wake her up and failed, and knew that no one was in control, no one was at the wheel, and soon someone was going to be killed, and I was shouting and calling without effect; but I whimpered and snuffled enough in the real world that my wife stroked my face and said, "Honey? You're having a nightmare," and, finally, I woke for real.
But I woke into a world in which, somewhere, I am still being driven through my life by a sleeping driver, in which money is only good as art, in which we can write the finest books but at the end the crowds will come out and say good-bye for the entertainment, in which the buildings and cities we inhabit will relentlessly be destroyed by progress and time: a world colored by dreams and illuminated by them, too.
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Neil Gaiman (The Sandman: Overture)
“
Most Adult Children report that they have always felt that they were a “mess” deep down and have protected themselves and others from the embarrassment of seeing or feeling that “mess.” They have felt alone in a crowd or isolated all their lives. They have taken care of others compulsively, but never let others care for them. They have sought out relationships where needs weren’t possible, or intimacy could never be achieved. Children of Alcoholics tend to have caseloads, not friends, and feel that they have to work harder than anyone else—to be more perfect, tougher, or more independent and in control. They feel they must hide the craziness they feel inside, and they must earn the right to have relationships or merely live in the world like everyone else.
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Jane Middelton-Moz (After the Tears: Helping Adult Children of Alcoholics Heal Their Childhood Trauma)
“
As an institution that could not tell a lie, they were unique in the contrivances of gods and men since the Oracle of Delphi. As office managers, they were no more than adequate, but now, as autumn approached, with the exiles crowded awkwardly into their new sections, they were broadcasting in the strictest sense of the word, scattering human voices into the darkness of Europe, in the certainty that more than half must be lost, some for the rook, some for the crow, for the sake of a few that made their mark. And everyone who worked there, bitterly complaining about the short-sightedness of their colleagues, the vanity of the news readers, the remoteness of the Controllers and the restrictive nature of the canteen’s one teaspoon, felt a certain pride which they had no way to express, either then or since.
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Penelope Fitzgerald (Human Voices)
“
mental actions in the list are completely involuntary. You cannot refrain from understanding simple sentences in your own language or from orienting to a loud unexpected sound, nor can you prevent yourself from knowing that 2 + 2 = 4 or from thinking of Paris when the capital of France is mentioned. Other activities, such as chewing, are susceptible to voluntary control but normally run on automatic pilot. The control of attention is shared by the two systems. Orienting to a loud sound is normally an involuntary operation of System 1, which immediately mobilizes the voluntary attention of System 2. You may be able to resist turning toward the source of a loud and offensive comment at a crowded party, but even if your head does not move, your attention is initially directed to it, at least for a while. However, attention can be moved away from an unwanted
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Daniel Kahneman (Thinking, Fast and Slow)
“
You are a passenger. We are all, often, passengers. The boat, history, is going somewhere. You are not the captain. But you have excellent accommodations. Of course, down there in the hold are famished immigrants or enslaved Africans or press-ganged tars. You can’t help them—you do feel sorry for them—and you can’t control the captain, either. Cosseted though you may be, you are actually quite powerless. A gesture on your part might relieve your bad conscience, if you have a bad conscience, but would not materially improve their situation. How would it help them to give up your own spacious cabin, with the room you require for your copious belongings, since, although those below have very few belongings, there are so many of them? The food you are eating would never be enough to feed all of them; indeed, if prepared with them in mind as well, it would no longer be as refined; and of course the view would be spoiled (crowds spoil a view, crowds litter, etc.). So you have no choice but to enjoy the excellent food and the view. Nevertheless, assuming you are not indifferent, you think a lot about what is going on. Even if it is not your responsibility, how can it be your responsibility, you are still a participant and a witness. (First- or second-class passengers, these are the points of view from which most accounts of history are written.) And if those being persecuted are those who might have had accommodations as agreeable as your own, people of your own rank or who have your interests, you are far less likely to be indifferent to their present distress. Of course, you cannot prevent them from being punished if they are in fact guilty. But, assuming you are not indifferent, that you are a decent person, you will try to intervene when you can. Counsel leniency. Or at least prudence. The
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”
Susan Sontag (The Volcano Lover: A Romance)
“
The physical structure of the Internet presents a suggestive story about the concentration of power - it contains "backbones" and "hubs" - but power on the Internet is not spatial but informational; power inheres in protocol. The techno-libertarian utopianism associated with the Internet, in the gee-whiz articulations of the Wired crowd, is grounded in an assumption that the novelty of governance by computer protocols precludes control by corporation or state. But those entities merely needed to understand the residence of power in protocol and to craft political and technical strategies to exert it. In 2006, U.S. telecommunications providers sought to impose differential pricing on the provision of Internet services. The coalition of diverse political interests that formed in opposition - to preserve "Net Neutrality" - demonstrated a widespread awareness that control over the Net's architecture is control of its politics.
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Samir Chopra (Decoding Liberation: The Promise of Free and Open Source Software (Routledge Studies in New Media and Cyberculture))
“
Harry Truman,” Mark was saying to the crowd,” had only one regret in his Presidency, according to his sister’s testimony, and that is signing the National Security Act into power. Truman felt he had been tricked into signing it, and foresaw it as the downfall of the country he loved and served so well. The 1947 National Security Act fully allows for the takeover of the American government by a secret government, or shadow government as it has been called. Here in the United States of America we have laws, Constitutional Laws, and the Bill of Rights enabling we-the-people from succumbing to such takeover; yet the National Security Act overrides them all. We don’t need more laws to stop the proliferation of these criminals in control of our country and their blatant child abuse, mind control, erosion of justice, drug dealings, murders, genocide, and dominance of the world’s technology and resources. We only need to repeal the 1947 National Security Act!
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Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
“
The intelligent man may have the same violent and unsocial impulses as the ignorant man, but surely he will control them better, and slip less often into imitation of the beast. And in an intelligently administered society—one that returned to the individual, in widened powers, more than it took from him in restricted liberty—the advantage of every man would lie in social and loyal conduct, and only clear sight would be needed to ensure peace and order and good will. But if the government itself is a chaos and an absurdity, if it rules without helping, and commands without leading, how can we persuade the individual, in such a state, to obey the laws and confine his self-seeking within the circle of the total good? No wonder an Alcibiades turns against a state that distrusts ability, and reverences number more than knowledge. No wonder there is chaos where there is no thought, and the crowd decides in haste and ignorance, to repent at leisure and in desolation.
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Will Durant (The Story of Philosophy)
“
Unlike the rain-slicked streets of Oblakgrad, Dírorth was a stir of activity. The streets were lined with vendors selling greasy meat pies to passersby. The clogging crowd of Humans cramped together as they pushed past one another, rushing from one errand to the next. The shouting of a thousand voices melted together into a perpetual buzz, like a great swarm of bees hovering over the street.
And yet a strange silence hung over the city. It filled in the background, inhabiting dark corners where the din of the crowd could not squelch it. It had a strange omnipresence, like something that you are subconsciously aware of, but do not consciously see with your eyes.
It was a silence ignored, hidden by the façade of hectic traffic. You wouldn’t really notice it, not unless you were looking for it. Not unless you actually stopped to listen.
If the city folk had stopped, frozen, if they had stilled themselves for a moment, the silence would have gaped wide open like a dark, hungry maw. But they ignored it. For the past century, they had covered that silence with the commotion of everyday life, refusing to let it control them. To define them. They did not hear it. They would not hear it.
I myself did not hear it for years and years, not until the day that I actually stopped to listen.
Can you hear it, now? Can you hear it in the words your reading, the words I say to you? Listen. Hear its empty resonance across the cobbles. Feel it in the dust beneath Notak’s boot, damp with last night’s rain. Smell it on the ragged clothes of the peasants, hidden in the folds of dirty fabric. See it in their eyes, latent beneath the gloss of the everyday. Taste it in the clamor of the streets, clamor born out of a unconscious urge to fill the quiet with something, anything to drive it away, anything to stave off the silence that reeked with defeat.
It was the echo of a hundred years of slavery. It was the song of a people, waiting for God.
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S.G. Night (Attrition: the First Act of Penance (Three Acts of Penance, #1))
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Aboard the crowded ships, the men grew restless, and some began asking why their promised semiannual salary payment had not yet been made. They sent a petition to Sir James Houblon, asking that salaries be paid out to the sailors or their wives, as previously agreed. In response, Houblon told his agent to put several petitioners in irons and lock them in the ships’ dank brigs. Such reaction did not put the sailors’ minds at rest. While visiting other vessels in La Coruna’s sleepy harbor, some of the married sailors were able to send word back to their wives in England. A letter informed the women of their husbands’ plight and urged them to meet Houblon in person to demand the wages they no doubt needed to survive. The women then confronted Houblon, a wealthy merchant and founding deputy governor of the Bank of England, whose brother was chief governor of the Bank and would soon become Lord Mayor of London. His response chilled them to the bone. The ships and their men were now under the king of Spain’s control and as far as he was concerned the king could “pay them or hang them if he pleased.
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Colin Woodard (The Republic Of Pirates: Being the True and Surprising Story of the Caribbean Pirates and the Man Who Brought Them Down)
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The economic system founded on isolation is a circular production of isolation. The technology is based on isolation, and the technical process isolates in turn. From the automobile to television, all the goods selected by the spectacular system are also its weapons for a constant reinforcement of the conditions of isolation of 'lonely crowds.' . . .
'With the present means of long-distance mass communication, sprawling isolation has proved an even more effective method of keeping a population under control,' says Lewis Mumford in The City in History, describing 'henceforth a one-way world.' But the general movement of isolation, which is the reality of urbanism, must also include a controlled reintegration of workers depending on the needs of production and consumption that can be planned. Integration into the system requires that isolated individuals be recaptured and isolated together: factories and halls of culture, tourist resorts and housing developments are expressly organized to serve this pseudo-community that follows the isolated individual right into the family cell. The widespread use of receivers of the spectacular message enables the individual to fill his isolation with the dominant images―images which derive their power precisely from this isolation.
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Guy Debord (Panegyric: Books 1 & 2)
“
Not long ago, Malthusian thinking was revived with a vengeance. In 1967 William and Paul Paddock wrote Famine 1975!, and in 1968 the biologist Paul R. Ehrlich wrote The Population Bomb, in which he proclaimed that “the battle to feed all of humanity is over” and predicted that by the 1980s sixty-five million Americans and four billion other people would starve to death. New York Times Magazine readers were introduced to the battlefield term triage (the emergency practice of separating wounded soldiers into the savable and the doomed) and to philosophy-seminar arguments about whether it is morally permissible to throw someone overboard from a crowded lifeboat to prevent it from capsizing and drowning everyone.10 Ehrlich and other environmentalists argued for cutting off food aid to countries they deemed basket cases.11 Robert McNamara, president of the World Bank from 1968 to 1981, discouraged financing of health care “unless it was very strictly related to population control, because usually health facilities contributed to the decline of the death rate, and thereby to the population explosion.” Population-control programs in India and China (especially under China’s one-child policy) coerced women into sterilizations, abortions, and being implanted with painful and septic IUDs.12
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Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
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Hefner explained in an interview that was published in Playboy: “Man is the only animal capable of controlling his environment, and what I’ve created is a private world that permits me to live my life without a lot of the wasted time and motion that consume a large part of most people’s lives. The man who has a job in the city and a house in the suburbs is losing two or three hours a day simply moving himself physically from where he lives to where he works and back again. Then he has to take the time and energy to go out for lunch in some crowded restaurant, where he’s more than likely dealt with in a rushed and impersonal fashion. He’s living his life according to a preconceived notion—certainly not his own—of what a daily routine ought to be…. The details of most people’s daily regimen,” Hefner went on, “are dictated by the clock. They eat breakfast, lunch and dinner at a time generally prescribed by social custom. They work during the day and sleep at night. But in the mansion it is, quite literally, the time of day that you want it to be…. One of the greatest sources of frustration in contemporary society is that people feel so powerless, not only in relation to what happens in the world around them but in influencing what happens in their own lives. Well, I don’t feel that frustration, because I’ve taken control of my life.
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”
Gay Talese (Thy Neighbor's Wife)
“
As we came off, you were moving at the dawdling speed of a small child. A white woman pushed you and said, “Come on!” Many things now happened at once. There was the reaction of any parent when a stranger lays a hand on the body of his or her child. And there was my own insecurity in my ability to protect your black body. And more: There was my sense that this woman was pulling rank. I knew, for instance, that she would not have pushed a black child out on my part of Flatbush, because she would be afraid there and would sense, if not know, that there would be a penalty for such an action. But I was not out on my part of Flatbush. And I was not in West Baltimore. And I was far from The Mecca. I forgot all of that. I was only aware that someone had invoked their right over the body of my son. I turned and spoke to this woman, and my words were hot with all of the moment and all of my history. She shrunk back, shocked. A white man standing nearby spoke up in her defense. I experienced this as his attempt to rescue the damsel from the beast. He had made no such attempt on behalf of my son. And he was now supported by other white people in the assembling crowd. The man came closer. He grew louder. I pushed him away. He said, “I could have you arrested!” I did not care. I told him this, and the desire to do much more was hot in my throat. This desire was only controllable because I remembered someone standing off to the side there, bearing witness to
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”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
After years of fighting, the war was a complete stalemate and would have ended almost immediately in a negotiated settlement (as had most other European conflicts) had not the U.S. declared war on Germany. As soon as Wilson's re-election had been engineered through the "he kept us out of war" slogan, a complete reversal of propaganda was instituted. In those days before radio and television, public opinion was controlled almost exclusively by newspapers. Many of the major newspapers were controlled by the Federal Reserve crowd. Now they began beating the drums over the "inevitability of war." Arthur Ponsonby, a memebr of the British parliament, admitted in his book Falsehood In War Time (E. P. Dutton & Co., Inc., New York, 1928): "There must have been more deliberate lying in the world from 1914 to 1918 than in any other period of the world's history." Propaganda concerning the war was heavily one-sided. Although after the war many historians admitted that one side was as guilty as the other in starting the war, Germany was pictured as a militaristic monster which wanted to rule the world. Remember, this picture was painted by Britain which had its soldiers in more countries around the world than all other nations put together. So-called "Prussian militarism" did exist, but it was no threat to conquer the world. Meanwhile, the sun never set on the British Empire! Actually, the Germans were proving to be tough business competitors in the world's markets and the British did not approve.
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Gary Allen (None Dare Call It Conspiracy)
“
Bannon thrived on the chaos he created and did everything he could to make it spread. When he finally made his way through the crowd to the back of the town house, he put on a headset to join the broadcast of the Breitbart radio show already in progress. It was his way of bringing tens of thousands of listeners into the inner sanctum of the “Breitbart Embassy,” as the town house was ironically known, and thereby conscripting them into a larger project. Bannon was inordinately proud of the movement he saw growing around him, boasting constantly of its egalitarian nature. What to an outsider could look like a cast of extras from the Island of Misfit Toys was, in Bannon’s eyes, a proudly populist and “unclubbable” plebiscite rising up in defiant protest against the “globalists” and “gatekeepers” who had taken control of both parties. Just how Phil Robertson of Duck Dynasty figured into a plan to overthrow the global power structure wasn’t clear, even to many of Bannon’s friends. But, then, Bannon derived a visceral thrill anytime he could deliver a fuck-you to the establishment. The thousands of frustrated listeners calling in to his radio show, and the millions more who flocked to Breitbart News, had left him no doubt that an army of the angry and dispossessed was eager to join him in lobbing a bomb at the country’s leaders. As guests left the party, a doorman handed out a gift that Bannon had chosen for the occasion: a silver hip flask with “Breitbart” imprinted above an image of a honey badger, the Breitbart mascot. — Bannon’s cult-leader magnetism was a powerful draw for oddballs and freaks, and the attraction ran both ways. As he moved further from the cosmopolitan orbits of Goldman Sachs and Hollywood, there was no longer any need for him to suppress his right-wing impulses. Giving full vent to his views on subjects like immigration and Islam isolated him among a radical fringe that most of political Washington regarded as teeming with racist conspiracy theorists. But far from being bothered, Bannon welcomed their disdain, taking it as proof of his authentic conviction. It fed his grandiose sense of purpose to imagine that he was amassing an army of ragged, pitchfork-wielding outsiders to storm the barricades and, in Andrew Breitbart’s favorite formulation, “take back the country.” If Bannon was bothered by the incendiary views held by some of those lining up with him, he didn’t show it. His habit always was to welcome all comers. To all outward appearances, Bannon, wild-eyed and scruffy, a Falstaff in flip-flops, was someone whom the political world could safely ignore. But his appearance, and the company he kept, masked an analytic capability that was undiminished and as applicable to politics as it had been to the finances of corrupt Hollywood movie studios. Somehow, Bannon, who would happily fall into league with the most agitated conservative zealot, was able to see clearly that conservatives had failed to stop Bill Clinton in the 1990s because they had indulged this very zealotry to a point where their credibility with the media and mainstream voters was shot. Trapped in their own bubble, speaking only to one another, they had believed that they were winning, when in reality they had already lost.
”
”
Joshua Green (Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency)
“
He’s a murdering chud,” Zil was yelling.
“What do you want to do? Lynch him?” Astrid demanded.
That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered.
“I saw him do it. He used his powers to kill Harry.”
“I was trying to stop you from smashing my head in!” Hunter shouted.
“You’re a lying mutant freak!”
“They think they can do anything they want,” another voice shouted.
Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.”
“They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.”
That earned a laugh.
“And now they’re starting to kill us,” Zil cried.
Angry cheers.
Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.”
“No way,” Hank said. But he didn’t seem too certain.
“You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.”
Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?”
“Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?”
Zil blinked. But he said, “Dude, I’m not scared of Sam.”
“Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.”
Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us."
“I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.”
“No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face.
Someone yelled in pain.
Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked.
Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars.
He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun.
Astrid screamed and launched herself down the stairs to protect Edilio.
Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face.
Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!”
There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
”
”
Michael Grant (Hunger (Gone, #2))
“
You’re awfully quiet,” Travis said, glancing up from the road. “Are you falling asleep on me?”
“Not yet.” Cat swallowed a yawn. “Just thinking.”
“About what?”
“This and that. Mostly that.”
Travis smiled. “Sounds important.”
Cat gave up and yawned openly. “Nope. You’ve unraveled my brain.”
He changed lanes to pass a huge motor home that belonged on the multilane interstate highway, not on Laguna’s crowded street.
She enjoyed watching him control the car with ease and precision. When he downshifted, sunlight ran like gold water over the tawny hair on his arm. As he transferred his grip from gearshift to steering wheel, the tendons on the back of his hand moved beneath tanned skin. His fingers closed firmly over the leather-sheathed wheel.
Cat remembered the intense pleasure Travis could give to her with a simple caress. Sudden, stark need coursed through her, leaving her shaken. She wanted to touch him, taste him, take him so deeply into her body that she could feel every wild pulse of his release.
“If you keep looking at me like that,” Travis said, “I’m going to pull over to the side of the road and do things to you that will get us arrested.”
His husky drawl did nothing to cool Cat’s blood. She looked away from his knowing hands to his lips smiling beneath his tawny mustache. She remembered the feel of his beard sliding down her skin, the exciting silky roughness against her neck, her breasts, her stomach. She wondered what it would be like to feel him . . . everywhere.
With a small groan Cat closed her eyes. “What am I going to do with you?”
“I’ll pull over so we can find out.”
“Not a good idea.”
“Chicken.”
“Cluck cluck. I can’t afford bail.”
“I can.”
“They’ll put us in separate cells.”
“Damn. I didn’t think of that.
”
”
Elizabeth Lowell (To the Ends of the Earth)
“
The children crowded about the women in the houses. What we going to do Ma? Where we going to go?
The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring.
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses.
The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor.
He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
”
”
John Steinbeck (The Grapes of Wrath)
“
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?"
He was answered with a growl.
The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him.
His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . .
"God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself."
"Blasphemer!" A rock caught him just over his left eye and blood welled forth.
Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other."
More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together."
A rock caught the glass and shattered it. Another struck him in the mouth.
Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God."
Jubal whispered it back to him. . . .
"Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation.
"Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit
Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened."
"God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!"
The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
”
”
Robert A. Heinlein
“
them.” “Okay, Arceus and Calvin,” I said. “Yes?” they answered. “I need you guys to get horses and track down Team Scorpion. Once you have their location, we will assemble a team and attack their hideout.” Arceus nodded. “It sounds like a good plan.” “But what if they just keep running and they never stop?” asked Calvin. “They have to stop sometime,” said Shadow. “Plus, they have to stash their loot somewhere.” Calvin nodded. “Okay, we’ll head to Thane’s stable. I’ll pick up Rose too, she can help us track them.” “Good idea,” I said. Before leaving, Arceus turned to Cindy and said, “Alas, our time reunited was so short, and now we must part again, my love.” “Uh, why are you calling me that? I’m not your love,” Cindy replied. “Oh, but you are, darling. I love you, so therefore, you are my love.” “You love me…?” Cindy had a shocked expression on her face. “Yes, of course. If not for you, I would have left this town a long time ago.” “Really?” "To be honest, I hate this town. There's always some troubling event going on here. But this is your hometown, and I know you love it so. Therefore, I will gladly fight to my dying breath to defend it if I must.” Cindy blushed. “Um… that’s… very sweet of you…” “Well, we should head out now. Until we meet again, my love.” Arceus hugged Cindy and then he left with Calvin to go to the stable. “What should we do in the meantime?” asked Devlin. “We’ll go home and check up on everyone. We gotta make sure they’re okay.” “And then?” “We’ll prepare for the assault on Team Scorpion’s hideout.” Knight-Captain Devlin nodded. We made our way back to town. When we arrived, we saw a bunch of villagers by town hall. They were drowning the mayor with questions. “Who were those jerks?!” a villager asked. “What did they want?!” asked another. “I thought this place was safe!” yelled a new villager. “How are you going to protect us from them?!” The questions went on and on. The mayor lost the crowd, he had no control over them whatsoever. They were becoming restless.
”
”
Steve the Noob (Diary of Steve the Noob 23 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
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When a country’s economy is in trouble—when it has a balance of trade deficit, for instance, and when its debts are mounting—and when the currency, therefore, is declining in value because everybody can see that the economy is bad, politicians, throughout history, have found a way of making things worse with the imposition of exchange controls. They run to the press and they say, “Listen, all you God-fearing Americans, Germans, Russians, whatever you are, we have a temporary problem in the financial market and it is caused by these evil speculators who are driving down the value of our currency—there is nothing wrong with our currency, we are a strong country with a sound economy, and if it were not for these speculators everything would be OK.” Diverting attention away from the real cause of the problem, which is their own mismanagement of the economy, politicians look to three crowds of people to blame for the regrettable situation. After the speculators come bankers and foreigners. Nobody likes bankers anyway, not even in good times; in bad times, everybody likes them less, because everybody sees them as rich and growing richer off the bad turn of events. Foreigners as a target are equally safe, because foreigners cannot vote. They do not have a say-so in national affairs, and remember, their food smells bad. Politicians will even blame journalists: if reporters did not write about our tanking economy, our economy would not be tanking. So we are going to enact this temporary measure, they say. To stem the scourge of a declining currency, we are going to make it impossible, or at least difficult, for people to take their money out of the country—it will not affect most of you because you do not travel or otherwise spend cash overseas. (See Chapter 9 and the Bernanke delusion.) Then they introduce serious exchange controls. They are always “temporary,” yet they always go on for years and years. Like anything else spawned by the government, once they are in place, a bureaucracy grows up around them. A constituency now arises whose sole purpose is to defend exchange controls and thereby assure their longevity. And they are always disastrous for a country. The free flow of capital stops. Money is trapped inside your country. And the country stops being as competitive as it once was.
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Jim Rogers (Street Smarts: Adventures on the Road and in the Markets)
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A phobia is an excessive or unreasonable fear of an object, situation or place. Phobias are quite common and often take root in childhood for no apparent reason. Other times they spring from traumatic events or develop from an attempt to make sense of unexpected and intense feelings of anxiety or panic.
Simple phobias are fears of specific things such as insects, infections, or even flying. Agoraphobia is a fear of being in places where one feels trapped or unable to get help, such as in crowds, on a bus or in a car, or standing in a line. It is basically an anxiety that ignites from being in places or situations from which escape might be difficult (or embarrassing). A social phobia is a marked fear of social or performance situations.
When the phobic person actually encounters, or even anticipates, being in the presence of the feared object or situation, immediate anxiety can be triggered. The physical symptoms of anxiety may include shortness of breath, sweating, a racing heart, chest or abdominal discomfort, trembling, and similar reactions. The emotional component involves an intense fear and may include feelings of losing control, embarrassing oneself, or passing out.
Most people who experience phobias try to escape or avoid the feared situation wherever possible. This may be fairly easy if the feared object is rarely encountered (such as snakes) and avoidance will not greatly restrict the person’s life. At other times, avoiding the feared situation (in the case of agoraphobia, social phobia) is not easily done. After all, we live in a world filled with people and places. Having a fear of such things can limit anyone’s life significantly, and trying to escape or avoid a feared object or situation because of feelings of fear about that object or situation can escalate and make the feelings of dread and terror even more pronounced.
In some situations of phobias, the person may have specific thoughts that contribute some threat to the feared situation. This is particularly true for social phobia, in which there is often a fear of being negatively evaluated by others, and for agoraphobia, in which there may be a fear of passing out or dying with no one around to help, and of having a panic attack where one fears making a fool of oneself in the presence of other people.
Upon recognizing their problem for what it is, men should take heart in knowing that eighty percent of people who seek help can experience improvement of symptoms or, in male-speak, the illness can be “fixed.
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Sahar Abdulaziz (But You LOOK Just Fine: Unmasking Depression, Anxiety, Post-Traumatic Stress Disorder, Obsessive-Compulsive Disorder, Panic Disorder and Seasonal Affective Disorder)