Crossing Guard Quotes

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Trust. We stake our lives on it, but it's a subject that not even the Gallagher Academy can teach. When do you let your guard down? Who do you let in? And I knew at that moment, as I sat beside my mother, bathing in the warm spring light, that those were the questions a good spy never stops asking
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
They do love their pretty colors," grumbled Tolya. "Don't give me any ideas," I whispered. "Maybe I'll decide my personal guard should wear bright yellow pantaloons." For the first time, I saw an expression very much like fear cross his face.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
But the world turns, and even legends change; and somewhere there is a border, and sometime, perhaps, someone will decide to cross it, however well guarded with thorns it may be.
Robin McKinley (The Door in the Hedge)
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time." Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high. "You're one to laugh. You moan about the cold floor more than anyone else than I know." She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar." "Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin. "Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?" "Well, as long as your men don't object to seeing you knocked on your ass." "We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning. Ress quickly added, "Captain.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
A girl's life was defined by lines: fine lines, hairlines, bikini lines, class lines, the tightrope line between being a good girl and a slut. But there was always a moment when the lines blurred and a good girl had to decide whether to toe the line, cross the line, or stay safe behind the line that guarded her virtue.
Thea Devine
Racing up the wide staircase, I barreled through the double doors and smacked right into a brick wall. Stumbling backward, my arms flailed like a cracked-out crossing guard. My over-packed messenger bag slipped, pulling me to one side. My hair flew it front of my face, a sheet of auburn that obscured everything as I teetered dangerously. Oh dear God, I was going down. There was no stopping it. Visions of broken necks danced in my head. This was going to suck so— Something strong and hard went around my waist, stopping my free fall. My bag hit the floor, spilling overpriced books and pens across the shiny floor. My pens! My glorious pens rolled everywhere. A second later I was pressed against the wall. The wall was strangely warm. The wall chuckled. “Whoa,” a deep voice said. “You okay, sweetheart?
J. Lynn (Wait for You (Wait for You, #1))
An Irish Airman foresees his Death I Know that I shall meet my fate Somewhere among the clouds above; Those that I fight I do not hate Those that I guard I do not love, My country is Kiltartan Cross, My countrymen Kiltartan’s poor, No likely end could bring them loss Or leave them happier than before. Nor law, nor duty bade me fight, Nor public man, nor cheering crowds, A lonely impulse of delight Drove to this tumult in the clouds; I balanced all, brought all to mind, The years to come seemed waste of breath, A waste of breath the years behind In balance with this life, this death.
W.B. Yeats (The Wild Swans At Coole)
You don't like Blue, do you?" "No," Mira said, caught off guard by the change of subject. "I was worried he was doing his knight-in-tarnished-armor thing and it was winning you over.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
Diana gave her a measured look and ducked down behind the counter. She came up a moment later with a sword about the length of Clary's forearm. "What do you think of this?" Clary stared at the weapon. It was undoubtedly beautiful. The cross-guard, grip and pommel were gold chased with obsidian, the blade a silver so dark it was nearly black. "It's a shortsword. You might want to look at the other side," said Diana, and she flipped the sword over. On the opposite side of the blade, down the center ridge, ran a pattern of black stars. "Oh." Clary's heart thumped painfully; she took a step away and nearly bumped into Jace, who had come up behind her, frowning. "That's a Morgenstern sword." "Yes, it is." The sword-seller's eyes were shrewd. "Long ago the Morgensterns commissioned two blades from Wayland the Smith-a matched set. You have doubtless seen the the larger sword already, for Valentine Morgenstern carried it, and now his son carries it after him." "You know who we are," Jace said. It wasn't a question. "Who Clary is." "The Shadowhunter world is small," said Diana, and she looked from one of them to the other. "I'm on the Council. I've seen you give testimony, Valentine's daughter." Clary looked doubtfully at the blade. "I've seen two men bear the larger version of that sword, and I hated them both. There are no Morgensterns in this world now who are dedicated to anything but evil." Jace said, "There's you." "I'll give it to you," said Diana. "You're right that people hate the Morgensterns; it's not the sort of item I could sell elsewhere. Or would necessarily want to. It should go to good hands." "I don't want it," Clary said. "If you flinch from it, you give it power over you," said Diana. "Take it, and cut your brother's throat with it, and reclaim the honor of your blood.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
He had been content with daily labour and rough animal enjoyments, 'till Catherine crossed his path. Shame at her scorn, and hope of her approval, were his first prompts to higher pursuits; and, instead of guarding him from one and winning him to the other, his endeavors to raise himself had produced just the contrary result.
Emily Brontë (Wuthering Heights)
And St. Francis added: "My dear and beloved Brother, the treasure of blessed poverty is so very precious and divine that we are not worthy to possess it in our vile bodies. For poverty is that heavenly virtue by which all earthy and transitory things are trodden under foot, and by which every obstacle is removed from the soul so that it may freely enter into union with the eternal Lord God. It is also the virtue which makes the soul, while still here on earth, converse with the angels in Heaven. It is she who accompanied Christ on the Cross, was buried with Christ in the Tomb, and with Christ was raised and ascended into Heaven, for even in this life she gives to souls who love her the ability to fly to Heaven, and she alone guards the armor of true humility and charity.
Francis of Assisi (The Little Flowers of St. Francis of Assisi)
Dear Angel Juan, You used to guard my sleep like a panther biting back my pain with the edge of your teeth. You carried me into the dark dream jungle, loping past the hungry vines, crossing the shiny fish-scale river. We left my tears behind in a chiming silver pool. We left my sorrow in the muddy hollows. When I woke up you were next to me, damp and matted, your eyes hazy, trying to remember the way I clung to you, how far down we went. Was the journey too far, Angel Juan? Did we go too far?
Francesca Lia Block (Missing Angel Juan (Weetzie Bat, #4))
You survived as a child because others helped to maintain your life. It continues to be true today, even when you think you are abandoned, rejected, neglected, and unloved: the tomatoes you eat sustain you, the crossing guard stops the traffic so you can get to the other side of the street, the dinner offered to you on clean white plates nourishes you, the paper on which these words are printed informs you. Noticed or ignored, this web of others protects and holds you and makes it possible for you to make a difference: to take what came to you as seed and pass it on as blossom, and what came as blossom and ripen it to fruit.
Dawna Markova (Spot of Grace: Remarkable Stories of How You DO Make a Difference)
In this life,” she said, crossing these glorious gams, shimmering in the filmy light, “you can’t let your guard down. If you can control yourself, you can control everyone else.
Megan Abbott (Queenpin)
You couldn’t have been said to dance, exactly. Despite the music sounding around you, bodies being carried away by the whirling bass, it didn’t get inside you. You used to trace out the steps, but you were mimicking dancing, rather than doing it. You would dance alone. When a look crossed yours, you’d smile like someone caught off guard in an absurd situation.
Édouard Levé (Suicide)
Are you scared of me now?” She wanted the truth. “More than ever.” He had lowered his guard, putting himself at her mercy, because running away had only served to make him understand that he could never run away from who he was.
Mirella Muffarotto (Soccer Sweetheart)
May I be a guard for those who need protection; a guide for those on the path; a boat, a raft, a bridge for those to cross the flood; may I be a lamp in the darkness; a resting place for the weary, and a healing medicine for all who are sick. For as long as Earth and sky endure, may I assist until all living beings are awakened.
Jack Kornfield (A Lamp in the Darkness: Illuminating the Path Through Difficult Times)
I winced and Caleb stuck his head inside the door. "Everything alright in here?" "Yes, prince," my guard said sarcastically as he crossed his arms in the corner. "A needle stick isn't supposed to feel like cherries in springtime." I snorted a laugh. Caleb raised his eyebrow at me with a twist of his lips.
Shelly Crane (Defiance (Significance, #3))
It was in America that horses first roamed. A million years before the birth of man, they grazed the vast plains of wiry grass and crossed to other continents over bridges of rock soon severed by retreating ice. They first knew man as the hunted knows the hunter, for long before he saw them as a means to killing other beasts, man killed them for their meat. Paintings on the walls of caves showed how. Lions and bears would turn and fight and that was the moment men speared them. But the horse was a creature of flight not fight and, with a simple deadly logic, the hunter used flight to destroy it. Whole herds were driven hurtling headlong to their deaths from the tops of cliffs. Deposits of their broken bones bore testimony. And though later he came pretending friendship, the alliance with man would ever be but fragile, for the fear he'd struck into their hearts was too deep to be dislodged. Since that neolithic moment when first a horse was haltered, there were those among men who understood this. They could see into the creature's soul and soothe the wounds they found there. Often they were seen as witches and perhaps they were. Some wrought their magic with the bleached bones of toads, plucked from moonlit streams. Others, it was said, could with but a glance root the hooves of a working team to the earth they plowed. There were gypsies and showmen, shamans and charlatans. And those who truly had the gift were wont to guard it wisely, for it was said that he who drove the devil out, might also drive him in. The owner of a horse you calmed might shake your hand then dance around the flames while they burned you in the village square. For secrets uttered softly into pricked and troubles ears, these men were known as Whisperers.
Nicholas Evans (The Horse Whisperer)
The school crossing guard is a zombie?” screams the youngest Smiley. Then she starts crying. “I hugged her once, Mommy! Am I gonna turn into a zombie, too?” “Take it easy, dear,” says Aunt Smiley. “It’s just a joke. I think. Right, Jamie?
James Patterson (I Funny: A Middle School Story)
Although experience has taught me to trust my feelings, I did not go inside to stand guard near her. She had asked me to wait on the bench. I had no intention of crossing her. Like most men, I find it mortifying to be ass-kicked by a woman who doesn’t even weigh 110 pounds after Thanksgiving dinner.
Dean Koontz (Odd Thomas (Odd Thomas, #1))
Tightening his arms, he dropped his head and pressed his face against the side of her neck to inhale her delicate scent. The instant he did, a sharp gasp tore out of her, her slender body rippling with a shiver as the sexual energy arced between them. Cam couldn’t help but groan and gather her closer, nuzzling the velvety skin beneath her ear. She lifted her face, and took him off guard by kissing him full on the lips. Hard and fast, the gesture so full of hunger it made him ache.
Kaylea Cross (Deadly Descent (Bagram Special Ops, #1))
I didn’t want to blame her for the way the police treated me and every other nought I knew. I didn’t want to hold her responsible for the way security guards and store detectives followed me around every time I entered a department store.
Malorie Blackman (Noughts & Crosses (Noughts & Crosses, #1))
I used to think, that when my old inner demons started creeping back into my life, that it was a sign of failure or moral weakness. But the saints have shown me that part of the human condition is to struggle with the same sins and suffering over and over again. Once I accepted the fact that I’d probably always have to be on guard against spiritual attacks related to food and my weight, I began to really recover.
Kate Wicker (Weightless: Making Peace with Your Body)
Knighthood. Was he even worthy? Just a little while ago, he’d have answered yes without a doubt, but now, facing the cross and his own desires, he wasn’t so sure. Courage, loyalty, obedience, faith. If even a man like Ulric could act against those virtues, then they were not something one possessed, but something to be constantly guarded and reclaimed.
Aleksandr Voinov (The Lion of Kent)
Although, I reminded myself, the fact that you didn’t cross boundaries with me doesn’t mean you didn’t do it with girls less guarded, less wrapped in barbed wire.
Rebecca Makkai (I Have Some Questions For You)
Most of the blame goes to the director, who seems to have picked up her staging secrets from the school’s crossing guard.
David Sedaris
YO MAMA SO OLD... Yo mama so old the back of her head looks like a raisin. Yo mama so old her social security number is 1. Yo mama so old when she was a child rainbows were still in black and white. Yo mama so old when she was in school there was no history class. Yo mama so old she has a picture of Moses in her yearbook. Yo mama so old she was a crossing guard when Moses parted the red sea. Yo mama so old she was a waitress at the Last Supper. Yo mama so old she has an autographed bible. Yo mama so old she knew Mr. Clean when he had an afro. Yo mama so old she knew Gandalf before he had a beard.
Jess Franken (The 100 Best Yo Mama Jokes)
Sirs, I am but a nameless man, A rhymester without a home, Yet since I come of the Wessex clay And carry the cross of Rome, I will even answer the mighty earl That asked of Wessex men Why they be meek and monkish folk, And bow to the White Lord's broken yoke; What sign have we save blood and smoke? Here is my answer then. That on you is fallen the shadow, And not upon the Name; That though we scatter and though we fly, And you hang over us like the sky, You are more tired of victory, Than we are tired of shame. That though you hunt the Christian man Like a hare on the hill-side, The hare has still more heart to run Than you have heart to ride. That though all lances split on you, All swords be heaved in vain, We have more lust again to lose Than you to win again. Your lord sits high in the saddle, A broken-hearted king, But our king Alfred, lost from fame, Fallen among foes or bonds of shame, In I know not what mean trade or name, Has still some song to sing. Our monks go robed in rain and snow, But the heart of flame therein, But you go clothed in feasts and flames, When all is ice within; Nor shall all iron dooms make dumb Men wandering ceaselessly, If it be not better to fast for joy Than feast for misery. Nor monkish order only Slides down, as field to fen, All things achieved and chosen pass, As the White Horse fades in the grass, No work of Christian men. Ere the sad gods that made your gods Saw their sad sunrise pass, The White Horse of the White Horse Vale, That you have left to darken and fail, Was cut out of the grass. Therefore your end is on you, Is on you and your kings, Not for a fire in Ely fen, Not that your gods are nine or ten, But because it is only Christian men Guard even heathen things. For our God hath blessed creation, Calling it good. I know What spirit with whom you blindly band Hath blessed destruction with his hand; Yet by God's death the stars shall stand And the small apples grow.
G.K. Chesterton (The Ballad of the White Horse)
Who else knows about this besides us?” “Just Patti...” “Okay. That should be okay. Is that it?” “And Kaidan,” I added. My eyes darted everywhere but his face. I was in for it. “Who?” There was an edge to his voice. His eyes searched mine. I didn't want to tell him a single thing about Kaidan. I knew how it would sound. I took my hands from his, pulling the braid over my shoulder to mess with it. “He's my friend. He's the one who drove me here to see you.” “You told some human kid?” I coughed, buying time. “He's Neph, too.” Jonathan LaGray went rigid and his ruddy cheeks paled. I squirmed as his eyes bored into mine. “Which one's his father?” he asked through clenched teeth. “Richard Rowe. I guess you'd know him as Pharzuph.” Oh, boy. He wasn't pale anymore. “You came across the country—” “Shhh!” I warned him as people looked over. He lowered his voice to a shouted whisper. “-with the son of the Duke of Lust? Son of a—” He pounded a fist down on the table and a guard stepped toward us. I waved and nodded at the man, trying to reassure him it was fine, and my father pulled his balled hands down into his lap. After a moment the guard walked back to the wall and looked away. “Don't worry!” I whispered. “I told you; we're just friends.” He closed his eyes and massaged his forehead with his fingers to calm his temper. “You tell him that his father is never to know about you or whatever Sister Ruth tells you. Understand?” “He would never tell his father anything. But, um...” I swallowed. “Unfortunately, Pharzuph already knows about me.” His eyes flashed red again and it nearly stopped my heart. I pressed my back into the seat, causing it to wobble. “Aren't you worried people will see your eyes when you do that?” I asked, sure that my own eyes were gigantic at that moment. “Humans can't see it. And don't try to change the subject. I know Pharzuph,” he growled. “He's a real bastard on earth and in hell. He'd do anything to gain favour.” “Kaidan thinks he'll forget about me if I lie low.” “Maybe momentarily, while he's busy or distracted with his work, but you'll cross his mind again someday.
Wendy Higgins (Sweet Evil (Sweet, #1))
The German citizen is a soldier, and the policeman is his officer. The policeman directs him where in the street to walk, and how fast to walk. At the end of each bridge stands a policeman to tell the German how to cross it. Were there no policeman there, he would probably sit down and wait till the river had passed by. At the railway station the policeman locks him up in the waiting-room, where he can do no harm to himself. When the proper time arrives, he fetches him out and hands him over to the guard of the train, who is only a policeman in another uniform. The guard tells him where to sit in the train, and when to get out, and sees that he does get out. In Germany you take no responsibility upon yourself whatever. Everything is done for you, and done well.
Jerome K. Jerome (Three Men on the Bummel)
Prayer for Protection Against Curses, Harm and Accidents Lord Jesus, I ask Thee to protect my family from sickness, from all harm and from accidents. If any of us has been subjected to any curses, hexes or spells, I beg Thee to declare these curses, hexes or spells null and void. If any evil spirits have been sent against us, I ask Christ to decommission you and I ask that you be sent to the foot of His Cross to be dealt with as He will. Then, Lord, I ask Thee to send Thy holy Angels to guard and protect all of us.
Chad A. Ripperger (Deliverance Prayers: For Use by the Laity)
My son, I want you to be shrewd, careful, and to guard your party affiliation carefully beneath the shadow of the cross. Donkeys and elephants be hanged. Because that’s the only allegiance that offers a roadmap out of the mire of the political mess we’ve made.
Jasmine L. Holmes (Mother to Son: Letters to a Black Boy on Identity and Hope)
I KNOW that I shall meet my fate Somewhere among the clouds above; Those that I fight I do not hate, Those that I guard I do not love; My county is Kiltartan Cross, My countrymen Kiltartan's poor, No likely end could bring them loss Or leave them happier than before. Nor law, nor duty bade me fight, Nor public men, nor cheering crowds, A lonely impulse of delight Drove to this tumult in the clouds; I balanced all, brought all to mind, The years to come seemed waste of breath, A waste of breath the years behind In balance with this life, this death.
W.B. Yeats
I am a harmless old seller of apples," she said, in a voice more appropriate for the opening of hostilities in a middle-range war. "Pray let me past, dearie." The last word had knives in it. "No-one must enter the castle," said one of the guards. "Orders of the duke." Granny shrugged. The apple-seller gambit had never worked more than once in the entire history of witchcraft, as far as she knew, but it was traditional. "I know you, Champett Poldy," she said. "I recall I laid out your grandad and I brought you into the world." She glanced at the crowds, which had regathered a little way off, and turned back to the guard, whose face was already a mask of terror. She leaned a little closer, and said, "I gave you your first good hiding in this valley of tears and by all the gods if you cross me now I will give you your last." There was a soft metallic noise as the spear fell out of the man's fearful fingers. Granny reached and gave the trembling man a reassuring pat on the shoulder. "But don't worry about it," she added. "Have an apple.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
 I’m . . . concerned. You appear to be upset. What’s wrong?” His voice gentled and his eyes searched mine. “What’s happened? And what can I do to help?” I crossed my arms because my stupid heart was fluttering again. He caught me off guard. I was not at all prepared for Cletus Winston’s concern. “Nothing. Nothing is wrong. I just wanted to bring y’all muffins. Can’t I bring y’all muffins?” He was scrutinizing me again. “No. Something’s off. Is it Jackson James? Do I need to maim him? Because I will. I could give him leprosy, you know. Armadillos are carriers.” My mouth fell open and a bubble of laughter emerged unchecked. “Cletus Winston, you will do no such thing.” “Sheriff’s deputy or not. Just say the word. It might improve him, actually.” “You are terrible.” I laughed, even though he was terrible, and I felt terrible laughing at such a terrible joke. At least, I hope it’s a joke
Penny Reid (Beard Science (Winston Brothers, #3))
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
Wendy Higgins (Sweet Evil (Sweet, #1))
so evenly was strained their war and battle, till the moment when Zeus gave the greater renown to Hector, son of Priam, who was the first to leap within the wall of the Achaians. In a piercing voice he cried aloud to the Trojans: "Rise, ye horse-taming Trojans, break the wall of the Argives, and cast among the ships fierce blazing fire." So spake he, spurring them on, and they all heard him with their ears, and in one mass rushed straight against the wall, and with sharp spears in their hands climbed upon the machicolations of the towers. And Hector seized and carried a stone that lay in front of the gates, thick in the hinder part, but sharp at point: a stone that not the two best men of the people, such as mortals now are, could lightly lift from the ground on to a wain, but easily he wielded it alone, for the son of crooked-counselling Kronos made it light for him. And as when a shepherd lightly beareth the fleece of a ram, taking it in one hand, and little doth it burden him, so Hector lifted the stone, and bare it straight against the doors that closely guarded the stubborn-set portals, double gates and tall, and two cross bars held them within, and one bolt fastened them. And he came, and stood hard by, and firmly planted himself, and smote them in the midst, setting his legs well apart, that his cast might lack no strength. And he brake both the hinges, and the stone fell within by reason of its weight, and the gates rang loud around, and the bars held not, and the doors burst this way and that beneath the rush of the stone. Then glorious Hector leaped in, with face like the sudden night, shining in wondrous mail that was clad about his body, and with two spears in his hands. No man that met him could have held him back when once he leaped within the gates: none but the gods, and his eyes shone with fire. Turning towards the throng he cried to the Trojans to overleap the wall, and they obeyed his summons, and speedily some overleaped the wall, and some poured into the fair-wrought gateways, and the Danaans fled in fear among the hollow ships, and a ceaseless clamour arose.
Homer (The Iliad)
Armed groups first degrade a political order, and then transform it. Violent right-wing groups, such as the Iron Guard in interwar Romania or the Arrow Cross in interwar Hungary, intimidated their rivals.
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
Let anger be guarded against. If it cannot, however, be averted, let it be kept within bounds. For indignation is a terrible incentive to sin. It disorders the mind to such an extent as to leave no room for reason.
Ambrose of Milan (The Complete Works of St. Ambrose (11 Books): Cross-Linked to the Bible)
This smells like shit,” MacRuairi said, smearing the black seal grease over his naked skin. They'd bundled their armor and weapons in a pack to keep them dry when they crossed the river. The seal grease would not only help them blend into the darkness, it protected them from the cold December waters. “You'll be grateful for in in a few minutes.” MacSorley grinned. “The water will freeze your bollocks off.” “Which shouldn't be a problem for you anymore,” MacRuairi said dryly. “Damn, cousin, was that a joke?” MacSorley shook his head. “It does snow in hell.” MacRuairi muttered something under his breath as he finished applying the grease.
Monica McCarty (The Saint (Highland Guard, #5))
This 'bringer of glad tidings' died as he lived, as he taught―not to 'redeem mankind' but to demonstrate how one ought to live. What he bequeathed to mankind is his practice: his bearing before the judges, before the guards, before the accusers and every kind of calumny and mockery―his bearing on the Cross. He does not defend his rights, he takes no steps to avert the worst that can happen to him―more, he provokes it . . . And he entreats, he suffers, he loves with those, in those who are doing evil to him. His words to the thief on the cross next to him contain the whole Evangel. ‘That was verily a divine man, a child of God’―says the thief. ‘If thou feelest this’―answers the redeemer―‘thou art in Paradise, thou art a child of God.’ Not to defend oneself, not to grow angry, not to make responsible… But not to resist even the evil man to love him.
Friedrich Nietzsche (The Anti-Christ)
There is a city surrounded by water with watery alleys that do for streets and roads and silted up back ways that only the rats can cross. Miss your way, which is easy to do, and you may find yourself staring at a hundred eyes guarding a filthy palace of sacks and bones. Find your way, which is easy to do, and you may meet an old woman in a doorway. She will tell your fortune, depending on your face. This is the city of mazes.
Jeanette Winterson (The Passion)
The street signs”, she replied simply. I simply felt stupid. “When you learn how to read, you can read Stop, Go, and the colors matter too!” “Yeah?”, (sigh). “Yup! That leaf is green, it means Go. The yellow like the bus means careful. The red is Stop. Oh and there’s crossing guards. And if you fall anyway you don’t have to worry.” “Really? Why not?” “Because you can always get up. And see?” she showed me her scar once more, “It hurts at first, but then it heals.
Yaritza Garcia (About Falling in Love)
She's wonderful and soulful. She has a sly sense of humor. I've seen her deliver a funnier joke with a single silent raise of her eyebrow than many stand up comedians. She guards a very sensitive heart. Any human suffering brings her to tears. She's smart. Talk down to her and find yourself mentally slapped. She's an excellent judge of character, and seems to know an original spirit from a forgery every time. Cross boundaries with her...in any improper way and suffer the wrath of a lion. ... She's principled and firm. Rude behavior doesn't materialize in her presence. She's a grown-up who fully sees and knows children as citizens, and people, and souls. And because she respects children, all children seem to respect her.
Shonda Rhimes (Year of Yes)
I know that I shall meet my fate Somewhere among the clouds above; Those that I fight I do not hate, Those that I guard I do not love; My country is Kiltartan Cross, My countrymen Kiltartan’s poor, No likely end could bring them loss Or leave them happier than before. Nor law, nor duty bade me fight, Nor public men, nor cheering crowds, A lonely impulse of delight Drove to this tumult in the clouds; I balanced all, brought all to mind, The years to come seemed waste of breath, A waste of breath the years behind In balance with this life, this death.
W.B. Yeats (The Collected Poems)
Anorexia is a disease. You can keep it in remission if you do the right things, but there is no cure. There’s a line that you cross with any compulsive behavior. Once you cross that line, there’s no going back. If you work hard, you can recover, but you’ll always have to stay on your guard.
Anonymous (Letting Ana Go (Anonymous Diaries))
A few minutes later his XO appeared, saluting the marine guard as she crossed the threshold to the bridge, which sensibly resided deep within the armored core of the ship rather than being perched precariously on the top of the vessel like an old-style soda can on the fence, ready to be picked off as alien target practice.
Nick Webb (Constitution (Legacy Fleet Trilogy, #1))
Behind the Blue Division, the frost-bitten horses of Kozyr-Leshko's cavalry regiment crossed the bridge at a wolfish lope followed by a rumbling, bouncing field-kitchen . . . then it all disappeared as if it had never been. All that remained was the stiffening corpse of a Jew on the approach to the bridge, some trampled hay and horse-dung.
Mikhail Bulgakov (The White Guard)
We stayed in the shadows, edging along the building. Both of us knew better than to talk too much as Guards and Sentinels had uncanny hearing abilities when it came to rooting out students sneaking around. At the edge of the girls’ dorm, I peeked around the corner. It was hard to make out much of anything in the darkness. I wondered how the Guards could even see a daimon creeping up on them. Caleb stopped beside me, giving me a hand motion I couldn’t decipher. He looked like a crossing guard. “What’s that supposed to mean?” I whispered, dumbfounded. He grinned. “I don’t know. It just seemed like the right moment to do it.” I rolled my eyes, but smiled. “Ready?” “Yeppers.
Jennifer L. Armentrout (Pure (Covenant, #2))
In Minneapolis, tires were slashed and windows smashed. A high school student getting off a bus was hit in the face and told to “go back to China.” A woman was kicked in the thighs, face, and kidneys, and her purse, which contained the family’s entire savings of $400, was stolen; afterwards, she forbade her children to play outdoors, and her husband, who had once commanded a fifty-man unit in the Armée Clandestine, stayed home to guard the family’s belongings. In Providence, children walking home from school were beaten. In Missoula, teenagers were stoned. In Milwaukee, garden plots were vandalized and a car was set on fire. In Eureka, California, two burning crosses were placed on a family’s front lawn. In a random act of violence near Springfield, Illinois, a twelve-year-old boy was shot and killed by three men who forced his family’s car off Interstate 55 and demanded money. His father told a reporter, “In a war, you know who your enemies are. Here, you don’t know if the person walking up to you will hurt you.
Anne Fadiman (The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures)
Border guards in Canada ask if ou're bringing any firearms into their country. On this side, they just wanna know about cigarettes. Unless you're visibly Nish. Then you get the full questioning. And if you're Nish and Black, like my uncle Art? You get a gun pulled on you at the border with your Nish wife and baby daughters in their car seats
Angeline Boulley (Firekeeper’s Daughter)
The project helps me separate the school’s subculture from the body of faith it so jealously guards. Perhaps, the thought crosses my mind, I am resisting not God but people who speak for God. I’ve already learned to distrust my childhood churches’ views on race and politics. What else should I reject? A much harder question: What should I keep?
Philip Yancey (Where the Light Fell)
In another universe, I kissed Geoff then. In that other universe, I understood that I was not disgusting, that Geoff might have welcomed it or in any case would at least have been flattered. I’d have let down my guard, allowed myself to like a real and attainable person, rather than dead musicians and the hottest boy at Granby. But in the real world, it never crossed my mind.
Rebecca Makkai (I Have Some Questions For You)
Do you have any idea what the typical response is whenever I do give someone a glimpse of my life?" Gideon paused, as if he waited for her to answer. And Monroe hesitated. Yes. She did know. She knew because it was the same response she would get it she chose to let down her own guard. Hell, it was practically the same response Miles had given the night she had told him the unadulterated truth of her past. She shook her head again. "Standard response," he said. "I swear to God. First thing out of their mouth's is: 'Wow. It's shocking you're so normal.' What the fuck? Do I have to be damaged for my past to make sense? And what the hell is normal anyway? And does white bread America have dibs on it?" Gideon stopped talking, crossed his arms, and the look on his face said he regretted saying as much as he had.
Taylor Stevens (The Innocent (Vanessa Michael Munroe, #2))
This 'bringer of glad tidings' died as he lived, as he taught―not to 'redeem mankind' but to demonstrate how one ought to live. What he bequeathed to mankind is his practice: his bearing before the judges, before the guards, before the accusers and every kind of calumny and mockery―his bearing on the Cross. He does not defend his rights, he takes no steps to avert the worst that can happen to him―more, he provokes it . . . And he entreats, he suffers, he loves with those, in those who are doing evil to him. His words to the thief on the cross next to him contain the whole Evangel. ‘That was verily a divine man, a child of God’―says the thief. ‘If thou feelest this’―answers the redeemer―‘thou art in Paradise, thou art a child of God.’ Not to defend oneself, not to grow angry, not to make responsible . . . But not to resist even the evil man to love him.
Friedrich Nietzsche (The Anti-Christ)
Chris frowned and glanced at Melanie just as she peeked at them over her shoulder. He turned back to Bastien, "Oh, hell no. I am NOT spending tens of thousands of dollars to soundproof a room down here so you two can have sex without the vampires hearing you." Melanie covered her face with a file folder. Seth crossed his arms over his chest, unable to suppress a smile. Bastien quirked a brow at the irate human, "You WANT the vampires to hear us?" "No," Chris sputtered, "I mean, I don't want you having sex! Not while you're both on the clock. Melanie is supposed to be working--" "She is," Bastien defended her, "LONG hours." "And YOU are supposed to be serving as guard. Seven vampires live across the hallway. What are you going to do if a couple of them have psychotic breaks and try to escape while you two are having a quickie?" (Bastien)"Chase them down bare-ass naked and give the human guards and eyeful.
Dianne Duvall (Night Unbound (Immortal Guardians, #5))
Lullaby of Crossing the River" Carrying a day is like carrying a mountain, those endless small words men use to guard their helplessness. Put your day down. Come to the bank in the snow wearing grace and pain, the silence at the end of sentences. Breathe the snow and the sad odor of human dust. All the roads are inside you, even the desire not to desire brooding over your own horizon. The innocents await you. There is no one to wish farewell except yourself in the orphaned dark.
Terrance Keenan (St. Nadie in Winter: Zen Encounters with Loneliness)
Those skilled in war bring the enemy to the field of battle and are not brought there by him. One able to make the enemy come of his own accord does so by offering him some advantage. And one able to prevent him from coming does so by hurting him. If you are able to hold critical points on his strategic roads the enemy cannot come. Therefore Master Wang said: 'When a cat is at the rat hole, ten thousand rats dare not come out; when a tiger guards the ford, ten thousand deer cannot cross.
Sun Tzu (The Art of War)
He wondered vaguely why he was like that. How did other people—people like Denniston or Dimble—find it so easy to saunter through the world with all their muscles relaxed and a careless eye roving the horizon, bubbling over with fancy and humor, sensitive to beauty, not continually on their guard and not needing to be? What was the secret of that fine, easy laughter which he could not by any efforts imitate? Everything about them was different. They could not even fling themselves into chairs without suggesting by the very posture of their limbs a certain lordliness, a leo-nine indolence. There was elbow room in their lives, as there had never been in his. They were Hearts: he was only a Spade. Still, he must be getting on. . . . Of course, Jane was a Heart. He must give her her freedom. It would be quite unjust to think that his love for her had been basely sensual. Love, Plato says, is the son of Want. Mark’s body knew better than his mind had known till recently, and even his sensual desires were the true index of something which he lacked and Jane had to give. When she first crossed the dry and dusty world which his mind inhabited she had been like a spring shower; in opening himself to it he had not been mistaken. He had gone wrong only in assuming that marriage, by itself, gave him either power or title to appropriate that freshness. As he now saw, one might as well have thought one could buy a sunset by buying the field from which one had seen it. He rang the bell and asked for his bill.
C.S. Lewis (That Hideous Strength (The Space Trilogy #3))
She knew that Zarina’s apprehension was not totally misplaced. It had been a long and frustrating journey. An allegory that had many deceptive ends. Every time they thought the case had been solved, they stumbled on something that pointed at something more sinister. There were no apparent roadblocks, but that was perhaps how it was intended to be—to keep them off guard. Crossing the labyrinth was excruciating and would not have been possible but for Zarina’s altruistic, single-minded pursuit of the case.
Hariharan Iyer (Surpanakha)
IF YOUR CHILD IS READY FOR FIRST GRADE: 1979 EDITION 1. Will your child be six years, six months or older when he begins first grade and starts receiving reading instruction? 2. Does your child have two to five permanent or second teeth? 3. Can your child tell, in such a way that his speech is understood by a school crossing guard or policeman, where he lives? 4. Can he draw and color and stay within the lines of the design being colored? 5. Can he stand on one foot with eyes closed for five to ten seconds? 6. Can he ride a small two-wheeled bicycle without helper wheels? 7. Can he tell left hand from right? 8. Can he travel alone in the neighborhood (four to eight blocks) to store, school, playground, or to a friend's home? 9. Can he be away from you all day without being upset? 10. Can he repeat an eight- to ten-word sentence, if you say it once, as "The boy ran all the way home from the store"? 11. Can he count eight to ten pennies correctly? 12. Does your child try to write or copy letters or numbers?
Greg Lukianoff & Jonathan Haidt (The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting up a Generation for Failure)
I am reminded of my parents playing, my father sitting cross-legged and my mother with her legs tucked to her side, her eyes hidden behind dark round lenses. I would peer over my father’s shoulder as he arranged his fanned cards by suit, guarding them dramatically from my mother’s eyes. Padar, if you’re not careful, you’ll lose to her again! Sitara, I’m prepared for it. She’s won me over a thousand times already, my father would reply. He had a way of looking at my mother that made her look away and blush.
Nadia Hashimi (Sparks Like Stars)
There are two different ways of being a person. One of these precedes the change of heart, and the other follows it. The first is fearful, anxious, resentful, and alienated from other people; the second, open resonant with others, buoyant, straightforward, and secure. To the extent that we live the second way, we care about others. We do not see them merely in terms of our own interests, as helping or hindering us. They are real to us; we are as sensitive to their feelings and hopes and needs as we are to our own. On the other hand, when we feel alienated, we engross ourselves in our own agenda. We pursue wealth, power, personal perfection, pleasure, distraction, or some other protection from emotional pain. We divide people into two categories-- those who will help us in our self-seeking projects and those who won't, and the latter we fear or hate as our rivals or enemies. We use people or abuse them. We look at people guardedly and stand ready to resent them whenever they cross us. Their own hopes and needs aren't real to us.
C. Terry Warner
Such was the carnival atmosphere that Brenner, her boss, his wife, and a local journalist managed to summon up the courage to walk directly toward the white line of the border crossing—where twenty-eight years ago tanks had famously faced one another—to present the East German guards with bottles of champagne. The guards refused the offer, but they didn’t point their weapons, or bark out warnings. It was a surreal moment as the joyous posse from the Adler walked back to the café and prepared the bar for guests—lots of them.
Iain MacGregor (Checkpoint Charlie: The Cold War, the Berlin Wall and the Most Dangerous Place on Earth)
In literature, plays, and cinema, substitutionary sacrifice is always the most riveting and moving plot point. In the movie The Last of the Mohicans, British major Duncan Heyward asks his Indian captors if he might die in the flames so that Cora, whom he loves, and Nathaniel can go free. When, as he is being dragged away, Duncan cries, “My compliments, sir! Take her and get out!” we are electrified by his unflinching willingness to die to save others, one of whom has been his rival. He dies with his arms bound and stretched out, as if he were on a cross. In Ernest Gordon’s memoir of being a prisoner of the Japanese during World War II, he recounts how at the end of a day of forced labor the guards counted the shovels, and one was apparently missing. A furious guard threatened the British POWs that unless the guilty person confessed, he would kill them all. He cocked his gun to start shooting them one by one. At that moment, one prisoner stepped forward calmly and said, “I did it.” He stood quietly at attention, and “he did not open his mouth” (Isaiah 53: 7) as he was beaten to death. When they all got back to the camp and counted the shovels again, it turned out that they were all there. The man had sacrificed himself to save them all. In the first Harry Potter novel, the evil Lord Voldemort can’t touch Harry without being burned. Later Dumbledore explains it to him. “Your mother died to save you. . . . Love as powerful [as that] . . . leaves its own mark. . . . [T]o have been loved so deeply . . . will give us some protection forever.” Why do these stories move us? It’s because we know from the mundane corners of life to the most dramatic that all life-changing love is substitutionary sacrifice. We know that anybody who has ever done anything that really made a difference in our lives made a sacrifice, stepped in and gave something or paid something or bore something so we would not have to.
Timothy J. Keller (The Prodigal Prophet: Jonah and the Mystery of God's Mercy)
The remaining chain swung down, he wrenched the door out and he was free. The last thing he heard behind him was the oncoming stomp of running feet. Now began flight, that excruciating accompaniment to both the sleep-dream and the drug-dream as well. Down endless flights of stairs that seemed to have increased decimally since he had come up them so many days before. Four, fourteen, forty - there seemed no end to them, no bottom. Round and round he went, hand slapping at the worn guard-rail only at the turns to keep from bulleting head-on into the wall each time. The clamor had come out onto a landing high above him now, endless miles above him; a thin voice came shouting down the stair-well, "There he is! See him down there?" raising the hue and cry to the rest of the pack. Footsteps started cannonading down after him, like avenging thunder from on high. They only added wings to his effortless, almost cascading waterlike flight. Like a drunk, he was incapable of hurting himself. At one turning he went off his feet and rippled down the whole succeeding flight of stair-ribs like a wriggling snake. Then he got up again and plunged ahead, without consciousness of pain or smart. The whole staircase-structure seemed to hitch crazily from side to side with the velocity of his descent, but it was really he that was hitching. But behind him the oncoming thunder kept gaining. Then suddenly, after they'd kept on for hours, the stairs suddenly ended, he'd reached bottom at last. He tore out through a square of blackness at the end of the entrance-hall, and the kindly night received him, took him to itself - along with countless other things that stalk and kill and are dangerous if crossed. He had no knowledge of where he was; if he'd ever had, he'd lost it long ago. The drums of pursuit were still beating a rolling tattoo inside the tenement. He chose a direction at random, fled down the deserted street, the wand of light from a wan street-lamp flicking him in passing, so fast did he scurry by beneath it.
Cornell Woolrich (Marihuana)
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.” “I told you before-I don’t care!” she said hotly. “Why can’t you believe me?” He hesitated a long moment. “The truth?” “Always.” “Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.” She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?” His wary gaze locked with hers. “Proper Pinter. Proud Pinter.” “Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.” Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.” “I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.” His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.” She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“ He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live. “That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.” “Sweeting-“ “Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.” A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.” Love? No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.” “To hell with your brother.” He stalked her with clear intent. Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?” “To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Before I knew what I was doing, I was out of my seat and rushing up toward the railing that divided the seats from the field. I had to make sure he was okay. I couldn’t just sit here and watch him lie there in pain. I heard my name called, but I ignored it as I flung my leg over the top railing and prepared to hoist myself over. One of the guys working security happened to see me and he rushed over and ordered me to stop. “I can’t. That’s my…” My voice broke. I couldn’t force the word boyfriend between my lips. It just wasn’t enough. It just didn’t describe how desperate I was to get to him. “He’s my everything,” I finished. The security guard gave me a grim look. “You can’t come on the field.” A lone tear tracked its way down my cheek, and I craned my neck. Frustrated, I glanced up at the big screen to see if it was showing a different angle. But they weren’t playing Romeo. They were focused on me. I blinked at the site of me half straddling the railing and the security guard standing there with a grim look on his face as he stared me down. My cheeks were red, behind my glasses, my eyes wild. I turned away from the screen, irritated that they weren’t focused on Romeo. I glanced at the guard. “I’m coming over.” He crossed his arms over his chest as if to say, I dare you. I flung my other leg over so I was balanced on the bottom rung. “This is your last warning,” the guard shouted. The crowd started to cheer and go wild. Romeo’s number started filling the air. I looked up. He was okay! He was on his feet, helmet in hand, and laughing at something Braeden was saying. Beside him, the coach looked relieved, and all the Wolves were clapping. The guy who’d mowed him down was being escorted off the field. Jackass. Relief made me weak and a sob caught in my throat. I sagged back against the cold metal of the rails. The guard gestured for backup, and a few others that were dressed just like him started my way. I mean, really. He was being a bit dramatic. I was only one girl. And a small one at that.
Cambria Hebert (#Hater (Hashtag, #2))
My seams gape wide so I'm tossed aside To rot on a lonely shore, While the leaves and mould like a shroud unfold, For the last of my trails are o'er, But I float in dreams on Northland streams That never again I'll see, As I lie on the marge of the old portage With grief for company. When the sunset gilds the timbered hills That guard Timagami, And the moon beams play on far James Bay By the brink of the frozen sea, In phantom guise my spirit flies As the dream blades dip and swing Where the waters flow from the Long Ago In the spell of the beck'ning spring. Do the cow-moose call on the Montreal When the first frost bites the air, And the mists unfold from the red and gold That the autumn ridges wear? When the white falls roar as they did of yore On the Lady Evelyn, Do the square-tail leap from the black pool deep Where the pictured rocks begin? Oh! the fur fleet sings on Temiscaming As the ashen paddles bend, And the crews carouse at Rupert's House At the sullen winter's end; But my days are done where the lean wolves run, And I ripple no more the path, Where the grey geese race 'cross the red moon's face From the white winds Arctic wrath. Tho' the death-fraught way from the Saguenay To the storied Nipigon, Once knew me well, now a crumbling shell I watch as the years roll on, And in memory's haze I live the days That forever are gone from me, As I rot on the marge of the old portage With grief for company.
George Marsh
You must know something.” “And why is Archer Cross here?” That was from Jenna. His voice had apparently changed over the summer, since he actually said the words instead of squeaking them. “He’s an Eye.” “Didn’t he try to kill you?” Nausicaa had drifted up, and she narrowed her eyes at me. “And if so, why exactly were you holding his hand earlier?” Conversations like this usually ended in pitchforks and torches, so I held my hands out in what I hoped was an “everyone just calm the heck down” gesture. But then Jenna spoke up. “Sophie doesn’t know anything,” she said, nudging my behind her. That might’ve been more effective if Jenna weren’t so short. “And whatever reason we’re here, the Council had nothing to do with it.” Jenna didn’t add that that was because the entire Council, with the exception of Lara Casnoff and my dad, was dead. “She’s just freaked out as the rest of us, so back. Off.” From the expressions on the other kids’ faces, I guessed Jenna had bared her fangs, and maybe even given a flash of red eyes. “What’s going on here?” a familiar voice brayed. Great. Like this night didn’t suck out loud enough already. The Vandy-who had been a cross between school matron and prison guard at Hex Hall-shoved her way through the crowd, breathing hard. Her purple tattoos, marks of the Removal, were nearly black against her red face. “Downstairs, now!” As the group began moving again, she glared at Jenna and me. “Show your fangs again, Miss Talbot, and I’ll wear them as earrings. Is that understood?” Jenna may have muttered, “Yes, ma’am,” but her tone said something totally different. We jogged down the stairs to join the rest of the students lining up to go into the ballroom. “At least one thing at Hex Hall hasn’t changed,” Jenna said. “Yeah, apparently the Vandy’s powers of bitchery are a constant. I find that comforting.” Less comforting was the creeptasticness of the school at night. During the day, it had just been depressing. Now that it was dark, it was full-on sinister. The old-fashioned gas lamps on the walls had once burned with a cozy, golden light. Now, a noxious green glow sputtered inside the milky glass, throwing crazy shadows all over the place.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
An incredulous scowl crossed his face as he saw a gathering of dockworkers, porters, and cabmen near his wife. A navvy called out to her- "Gi' me a smile, ye sweet tidbit! One little smile! What's yer name?" Cassandra tried to ignore the catcalls, while the coast guard stood by, doing nothing to shield her. "Now, now, Mr. Severin-" the old harbormaster said, following as Tom headed toward Cassandra with swift, ground-eating strides. Tom reached his wife, blocked her from view, and sent a chilling glance at the navvy. "My wife doesn't feel like smiling. Is there something you'd like to say to me?" The catcalls faded, and the navvy met his gaze, taking his measure... deciding to back down. "Only that you're the luckiest bastard alive," the navvy said cheekily. The crowd broke up with a mixture of chuckles and guffaws. "On your way now, lads," the harbormaster said, briskly dispersing the gathering. "Time to go about your business." As Tom turned to Cassandra, he was relieved to see that she didn't seem upset. "Are you all right?" he asked. She nodded immediately. "No harm done." The officer looked sheepish. "I thought they would tire of their sport if we ignored them long enough." "Ignoring doesn't work," Tom said curtly. "It's the same as permission. Next time, pick the ringleader and go for him." "He was twice my size," the officer protested. Tom shot him an exasperated glance. "The world expects a man to have a backbone. Especially when a woman is being harassed.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Jean shifted his commentary from his guard to me. “Drusilla, a grievance must be made against these ruffians and thieves. They have stolen my clothing and given me only this…this….” He ran out of words. “Ugly-ass orange jumpsuit?” I offered, always ready to help Jean with his command of modern English. “Oui, exactement. I demand that you obtain my release, tout de suite. And you must know, a woman who allows her husband to remain in such conditions for an entire evening must face reprimand.” I leaned back in the chair and crossed my arms. “And you must know that, in this day and age, should a man reprimand his wife too much, said wife might leave her husband to enjoy a longer time in his prison cell wearing his ugly-ass orange jumpsuit.
Suzanne Johnson (Pirateship Down (Sentinels of New Orleans #4.5))
Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II
Douglas M. Laurent
I had always wanted a God who guards my life and every external thing that concerns me. We all do. But I paused and reflected on the psalmists who wrote in the midst of danger and loss. I paused as I considered Paul writing from a Roman prison. I paused when I remembered Corrie ten Boom and Horatio Spafford. I paused, thinking of Jesus who could say, “Not as I will, but as you will” when faced with unimaginable, incomprehensible, agonizing execution on a cross (Matthew 26:39). It wasn’t always well with their lives, but it was always well with their souls. Knowing God guards our soul—and doesn’t necessarily promise physical well-being—provides a powerful opportunity: the opportunity to live not in bitterness, anger, cynicism, and disillusionment—but to live in the righteousness, hope, peace, power, and selflessness of the gospel.
Heather Holleman (Guarded by Christ: Knowing the God Who Rescues and Keeps Us)
In 1846 Easter fell on the same date in the Latin and Greek Orthodox calendars, so the holy shrines were much more crowded than usual, and the mood was very tense. The two religious communities had long been arguing about who should have first right to carry out their Good Friday rituals on the altar of Calvary inside the Church of the Holy Sepulchre, the spot where the cross of Jesus was supposed to have been inserted in the rock. During recent years the rivalry between the Latins and the Greeks had reached such fever pitch that Mehmet Pasha, the Ottoman governor of Jerusalem, had been forced to position soldiers inside and outside the church to preserve order. But even this had not prevented fights from breaking out. On this Good Friday the Latin priests arrived with their white linen altar-cloth to find that the Greeks had got there first with their silk embroidered cloth. The Catholics demanded to see the Greeks’ firman, their decree from the Sultan in Constantinople, empowering them to place their silk cloth on the altar first. The Greeks demanded to see the Latins’ firman allowing them to remove it. A fight broke out between the priests, who were quickly joined by monks and pilgrims on either side. Soon the whole church was a battlefield. The rival groups of worshippers fought not only with their fists, but with crucifixes, candlesticks, chalices, lamps and incense-burners, and even bits of wood which they tore from the sacred shrines. The fighting continued with knives and pistols smuggled into the Holy Sepulchre by worshippers of either side. By the time the church was cleared by Mehmet Pasha’s guards, more than forty people lay dead on the floor.1
Orlando Figes (The Crimean War: A Hisory)
The little wretch had done her utmost to hurt her cousin’s sensitive though uncultivated feelings, and a physical argument was the only mode he had of balancing the account, and repaying its effects on the inflictor. He afterwards gathered the books and hurled them on the fire. I read in his countenance what anguish it was to offer that sacrifice to spleen. I fancied that as they consumed, he recalled the pleasure they had already imparted, and the triumph and ever-increasing pleasure he had anticipated from them; and I fancied I guessed the incitement to his secret studies also. He had been content with daily labour and rough animal enjoyments, till Catherine crossed his path. Shame at her scorn, and hope of her approval, were his first prompters to higher pursuits; and instead of guarding him from one and winning him to the other, his endeavours to raise himself had produced just the contrary result.
Emily Brontë (Wuthering Heights)
She knew that he would stop her. Perhaps he would be cunning about it. Maybe he would go to the steward behind her back, tell him of the theft and challenge, and ask to be brought before the judge and Irex. If that plan didn’t suit Arin, he would find another. He was going to be a problem. “You’re right,” she told him. Arin blinked, then narrowed his eyes. “In fact,” she continued, “if you had let me explain, I would have told you that I had already decided to call off the duel.” “You have.” She showed him the two letters. The one addressed to her father was on top. She let the mere edge of the other letter show. “One is for my father, telling him what has happened. The other is for Irex, making my apologies and inviting him to collect his five hundred gold pieces whenever he likes.” Arin still looked skeptical. “He’ll also collect you, of course. Knowing him, he’ll have you whipped until you’re unconscious and even after that. I’m sure that when you wake up, you’ll be very glad that I decided to do exactly as you wanted.” Arin snorted. “If you doubt me, you’re welcome to walk with me to the barracks to watch as I give my father’s letter to a soldier, with orders for its swift delivery.” “I think I will.” He opened the library door. They left the house and crossed the hard ground. Kestrel shivered. She hadn’t stopped to fetch a cloak. She couldn’t risk that Arin would change his mind. When they entered the barracks, Kestrel looked among the six off-duty guards. She was relieved, since she had counted on finding only four, and not necessarily Rax, whom she trusted most. She approached him, Arin just a step behind her. “Bring this to the general as swiftly as you can.” She gave Rax the first letter. “Have a messenger deliver this other letter to Jess and Ronan.” “What?” Arin said. “Wait--” “And lock this slave up.” Kestrel turned so that she wouldn’t see what happened next. She heard the room descend into chaos. She heard the scuffle, a shout, the sound of fists thudding against flesh. She let the door shut behind her and walked away.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The parasol wasn’t a very good cane. Its tip dug into the hard, grassless earth, and the folded frame creaked as Kestrel limped across the grounds. But it brought her where she needed to go. She found Arin walking through the bare orange grove, horse tack draped over his shoulder. It jangled when he stopped and stared at her. He stood, shoulders stiff. As Kestrel came close she saw that his jaw was clenched, and that there was no trace of what her guards had done to him. No bruises. Nor would there be, not for something that had happened nearly a month ago. “Did I shame you?” Kestrel said. Something strange crossed his face. “Shame me,” Arin repeated. He looked up into the empty branches as if he expected to see fruit there, as if it weren’t almost winter. “The book. The inscription I read. The duel. The way I tricked you. The order I gave to have you imprisoned. Did I shame you?” He crossed his arms over his chest. He shook his head, his gaze never wavering from the trees. “No. The god of debts knows what I owe.” “Then what is it?” Kestrel was trying so hard not to ask about the rumors or the woman in the market that she said something worse. “Why won’t you look at me?” “I shouldn’t even be speaking with you,” he muttered. It dawned on her why it had never made sense that Rax had been the one to release Arin. “My father,” she said. “Arin, you don’t have to worry about him. He’ll be leaving the morning of the Firstwinter ball. The entire regiment has been ordered east to fight the barbarians.” “What?” He glanced at her, eyes sharp. “Things can be as they were.” “I don’t think so.” “But…you are my friend.” His expression changed, though not in a way Kestrel could read. “Just tell me what’s wrong, Arin. Tell me the truth.” When he spoke, his voice was raw. “You own me. How can you believe I’ll tell you the truth? Why would I?” The parasol trembled in Kestrel’s grip. She opened her mouth to speak, yet realized that if she did, she wouldn’t be able to control what she said. “I will tell you something you can trust is true.” Arin’s eyes held hers. “We are not friends.” Kestrel swallowed. “You’re right,” she whispered. “We’re not.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
remembered an incident from the prison. In that other world-within-a-world, back then, I moved into a new prison cell and discovered a tiny mouse there. The creature entered through a cracked air vent, and crept into the cell every night. Patience and obsessional focus are the gems we mine in the tunnels of prison solitude. Using them, and tiny morsels of food, I bribed the little mouse, over several weeks, and eventually trained it to eat from the edge of my hand. When the prison guards moved me from that cell, in a routine rotation, I told the new tenant—a prisoner I thought I knew well—about the trained mouse. On the morning after the move, he invited me to see the mouse. He’d captured the trusting creature, and crucified it, face down, on a cross made from a broken ruler. He laughed as he told me how the mouse had struggled when he’d tied it by its neck to the cross with cotton thread. He marvelled at how long it had taken to drive thumbtacks into its wriggling paws. Are we ever justified in what we do? That question ruined my sleep for a long time after I saw the tortured little mouse.
Gregory David Roberts (Shantaram)
A bout of nerves crept up my spine and I tilted my head at him, hoping I was imagining the heat spreading over my cheeks to spare myself the embarrassment of blushing merely because he was piercing me with those chocolate eyes that I had never noticed were so amazing. “What are you staring at?” “Can I take you to prom?” He asked me. Just like that, no hesitation or insecurity to be found in his tone or facial expression. His confidence caught me completely off guard and I gaped at him in a stunned silence for almost twenty full seconds. His expression never faltered, though. He just watched my mouth work to make some sort of intelligible sound, waiting for my answer as he oozes at least the illusion of complete calm. “Huh?” I blurted in an embarrassingly high-pitched squeak. I sounded like a chipmunk and his smirk made me turn a deep shade of red. “Um… Uh… Prom?” I managed, eloquent as ever. He laughed at me fondly, nodding his head. “Yeah, prom.” Shock was not a deep enough word to describe what I was feeling over this proposal. This was Jim, the kid who swore up and down he would rather gouge out his eyes with a grapefruit spoon than put on dress clothes and he was offering to take me to a place where flannel shirts and ratty jeans were unacceptable and dance me around a room in uncomfortable shoes all night long? This couldn’t be real life. But it was real life. I was sitting in the car with him with my mouth hanging open like a fish waiting for him to laugh and tell me he was kidding, that there was no way he was going to put on a tie for my benefit, and he was sitting right there, a slightly nervous look crossing his features over my dumbstruck expression. Breathe, Lizzie, I scolded myself. Answer him! Say yes! You could have knocked me over with a feather and I was very relieved to be sitting down in a car so I could prevent anything humiliating from happening. Having already proved I could not trust my voice to answer him I jerkily nodded my head as my mouth grew into a Cheshire cat sized smile. I turned my face away and hid behind my hair as if I could hide my excitement from the world. Jim was visibly euphoric and that only made me want to squeal even more. He was excited to take me out. How cool was that?
Melissa Simmons (Best Thing I Never Had (Anthology))
I thought Dougal MacKenzie taught Jamie to fight left-handed,” I said. I rather wondered what Jenny thought of her uncle Dougal. She nodded, licking the end of a thread before putting it through the eye of her needle with one quick poke. “Aye, it was, but that was later, when Jamie was grown, and went to foster wi’ Dougal. It was Ian’s father taught him his first strokes.” She smiled, eyes on the shirt in her lap. “I remember, when they were young, auld John told Ian it was his job to stand to Jamie’s right, for he must guard his chief’s weaker side in a fight. And he did—they took it verra seriously, the two of them. And I suppose auld John was right, at that,” she added, snipping off the excess thread. “After a time, nobody would fight them, not even the MacNab lads. Jamie and Ian were both fair-sized, and bonny fighters, and when they stood shoulder to shoulder, there was no one could take the pair o’ them down, even if they were outnumbered.” She laughed suddenly, and smoothed back a lock of hair behind her ear. “Watch them sometime, when they’re walking the fields together. I dinna suppose they even realize they do it still, but they do. Jamie always moves to the left, so Ian can take up his place on the right, guardin’ the weak side.
Diana Gabaldon (The Outlander Series 7-Book Bundle: Outlander / Dragonfly in Amber / Voyager / Drums of Autumn / The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone)
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps. Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air. He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.” “Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.” “There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.” “Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!” The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.” “You keep saying ‘he.’ Who was it that got to work on you?” “Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!” The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves. That night, the news of a far more terrible incident flew around the camp. Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board. His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite. The astonishing thing was that he did not kill himself immediately afterward.
Boris Pasternak (Doctor Zhivago)
They call me Mac. The name's unimportant. You can best identify me by the six chevrons, three up and three down, and by that row of hashmarks. Thirty years in the United States Marine Corps. I've sailed the Cape and the Horn aboard a battlewagon with a sea so choppy the bow was awash half the time under thirty-foot waves. I've stood Legation guard in Paris and London and Prague. I know every damned port of call and call house in the Mediterranean and the world that shines beneath the Southern Cross like the nomenclature of a rifle. I've sat behind a machine gun poked through the barbed wire that encircled the International Settlement when the world was supposed to have been at peace, and I've called Jap bluffs on the Yangtze Patrol a decade before Pearl Harbor. I know the beauty of the Northern Lights that cast their eerie glow on Iceland and I know the rivers and the jungles of Central America. There are few skylines that would fool me: Sugar Loaf, Diamond Head, the Tinokiri Hills or the palms of a Caribbean hellhole. Yes, I knew the slick brown hills of Korea just as the Marines knew them in 1871. Fighting in Korea is an old story for the Corps. Nothing sounds worse than an old salt blowing his bugle. Anyhow, that isn't my story.
Leon Uris (Battle Cry)
I make the very best halwa chebakia. With mint tea, or qamar-el-deen- you can take some home to your family." Such an offer cannot be refused. I know this from experience. Years of traveling with my mother have taught me that food is a universal passport. Whatever the constraints of language, culture or geography, food crosses over all boundaries. To offer food is to extend the hand of friendship; to accept is to be accepted into the most closed of communities. I wondered if Francis Reynaud had ever thought of this approach. Knowing him, he hasn't. Reynaud means well, but he isn't the type to buy halwa chebakia or to drink a glass of mint tea in the little café on the corner of the Boulevard P'tit Baghdad. I followed Fatima into the house, making sure to leave my shoes at the door. It was pleasantly cool inside and smelt of frangipani; the shutters closed since midday to guard against the heat of the sun. A door led into the kitchen, from which I caught the mingled scents of anise and almond and rosewater and chickpeas cooked in turmeric, and chopped mint, and toasted cardamom, and those wonderful halwa chebakia, sweet little sesame pastries deep-fried in oil, just small enough to pop into the mouth, flower-shaped and brittle and perfect with a glass of mint tea...
Joanne Harris (Peaches for Father Francis (Chocolat, #3))
The office divinely committed to Us of feeding the Lord’s flock has especially this duty assigned to it by Christ, namely, to guard with the greatest vigilance the deposit of the faith delivered to the saints, rejecting the profane novelties of words and oppositions of knowledge falsely so called. There has never been a time when this watchfulness of the supreme pastor was not necessary to the Catholic body; for, owing to the efforts of the enemy of the human race, there have never been lacking “men speaking perverse things” (Acts xx. 30), “vain talkers and seducers” (Tit. i. 10), “erring and driving into error” (2 Tim. iii. 13). Still it must be confessed that the number of the enemies of the cross of Christ has in these last days increased exceedingly, who are striving, by arts, entirely new and full of subtlety, to destroy the vital energy of the Church, and, if they can, to overthrow utterly Christ’s kingdom itself. Wherefore We may no longer be silent, lest We should seem to fail in Our most sacred duty, and lest the kindness that, in the hope of wiser counsels, We have hitherto shown them, should be attributed to forgetfulness of Our office. GRAVITY OF THE SITUATION 2. That We make no delay in this matter is rendered necessary especially by the fact that the partisans of error are to be sought not only among the Church’s open enemies; they lie hid, a thing to be deeply deplored and feared, in her very bosom and heart, and are the more mischievous, the less conspicuously they appear.
Pope Pius X (PASCENDI DOMINICI GREGIS: ON THE DOCTRINES OF THE MODERNISTS [and] SYLLABUS CONDEMNING THE ERRORS OF THE MODERNISTS: LAMENTABILI SANE)
I’d never been with anyone like Marlboro Man. He was attentive--the polar opposite of aloof--and after my eighteenth-month-long college relationship with my freshman love Collin, whose interest in me had been hampered by his then-unacknowledged sexual orientation, and my four-year run with less-than-affectionate J, attentive was just the drug I needed. Not a day passed that Marlboro Man--my new cowboy love--didn’t call to say he was thinking of me, or he missed me already, or he couldn’t wait to see me again. Oh, the beautiful, unbridled honesty. We loved taking drives together. He knew every inch of the countryside: every fork in the road, every cattle guard, every fence, every acre. Ranchers know the country around them. They know who owns this pasture, who leases that one, whose land this county road passes through, whose cattle are on the road by the lake. It all looked the same to me, but I didn’t care. I’d never been more content to ride in the passenger seat of a crew-cab pickup in all my life. I’d never ridden in a crew-cab pickup in all my life. Never once. In fact, I’d never personally known anyone who’d driven a pickup; the boys from my high school who drove pickups weren’t part of my scene, and in their spare time they were needed at home to contribute to the family business. Either that, or they were cowboy wannabes--the kind that only wore cowboy hats to bars--and that wasn’t really my type either. For whatever reason, pickup trucks and I had never once crossed paths. And now, with all the time I was spending with Marlboro Man, I practically lived in one.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I slide a particularly stunning weapon from its mounting and inspect the gems glittering on its hilt. “What kind is this one?” “That,” August says with a slight grin, “is a broadsword. And I highly doubt that it is what killed my brother.” “Why not? It’s the right width!” He holds up his hands. “I’m just saying that it doesn’t seem likely. Swords are much more conspicuous than daggers. If someone was carrying that around, I think people would have noticed.” “En guard!” I say, swinging it. He snorts. “Very terrifying.” “This is heavy. How do people actually fight with these things? I feel like I’m going to lose my balance.” “That’s because you’re standing all wrong. You need to spread your feet more and sink into your knees.” He demonstrates for me, bouncing a bit to show me his knees aren’t locked. I try to mimic the stance. “Good,” he says. “Now grip the sword. One hand under the cross guard and the other down close to the pommel.” I move my hands into the places he indicates and thrust the sword as though stabbing an imaginary foe. He snorts again. “No, no, no.” “Stop laughing. I’m fearsome.” “I guess that’s one word you could use.” “It’s the only word.” I stick my tongue out at him. “Then tell me, oh wise one, what am I doing wrong now?” “Your elbows. They look like chicken wings.” “Well, I’m sorry, but they’re the ones I was born with.” He chuckles again. “Here. You need to lower them a bit.” He sets the lantern on the floor at our feet, steps around behind me, and presses his hands against my arms. My breath catches in my throat, and I turn my head. His nose is inches from mine, but he doesn’t back away. Instead, his eyes dip to my lips.
Jessica S. Olson (A Forgery of Roses)
With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting. But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall. And he was a fool. "I can see how you might find her maddening," Masters said in a low voice. Jackson stiffened. "Your wife?" he said, deliberately being obtuse. "Lady Celia." Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor. He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness. Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?" Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune." He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you." She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then. A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary. But she'll be an heiress once she marries. He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that. Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list. "Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors." Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words. Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but- "Have you got any news?" Stoneville asked. Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
THE INSTRUCTION OF PTAHHOTEP Part II If you are one among guests At the table of one greater than you, Take what he gives as it is set before you; Look at what is before you, Don’t shoot many glances at him, Molesting him offends the ka. Don’t speak to him until he summons, One does not know what may displease; Speak when he has addressed you, Then your words will please the heart. The nobleman, when he is behind food, Behaves as his ka commands him; He will give to him whom he favors, It is the custom when night has come. It is the ka that makes his hands reach out, The great man gives to the chosen man; Thus eating is under the counsel of god, A fool is who complains of it. If you are a man of trust, Sent by one great man to another, Adhere to the nature of him who sent you. Give his message as he said it. Guard against reviling speech, Which embroils one great with another; Keep to the truth, don't exceed it, But an outburst should not be repeated. Do not malign anyone, Great or small, the ka abhors it. If you plow and there’s growth in the field, And god lets it prosper in your hand, Do not boast at your neighbors’ side, One has great respect for the silent man: Man of character is man of wealth. If he robs he is like a crocodile in court. Don’t impose on one who is childless, Neither decry nor boast of it; There is many a father who has grief, And a mother of children less content than another; It is the lonely whom god fosters, While the family man prays for a follower. If you are poor, serve a man of worth, That all your conduct may be well with the god. Do not recall if he once was poor, Don’t be arrogant toward him For knowing his former state; Respect him for what has accrued to him. For wealth does not come by itself. It is their law for him whom they love, His gain, he gathered it himself ; It is the god who makes him worthy And protects him while he sleeps. Follow your heart as long as you live, Do no more than is required, Do not shorten the time of “follow-the-heart,” Trimming its moment offends the ka Don’t waste time on daily cares Beyond providing for your household; When wealth has come, follow your heart, Wealth does no good if one is glum! If you are a man of worth And produce a son by the grace of god, If he is straight, takes after you, Takes good care of your possessions. Do for him all that is good, He is your son, your ka begot him, Don’t withdraw your heart from him. But an offspring can make trouble: If he strays, neglects your counsel, Disobeys all that is said, His mouth spouting evil speech, Punish him for all his talk They hate him who crosses you, His guilt was fated in the womb; He whom they guide can not go wrong, Whom they make boatless can not cross. If you are in the antechamber, Stand and sit as fits your rank Which was assigned you the first day. Do not trespass — you will be turned back, Keen is the face to him who enters announced, Spacious the seat of him who has been called. The antechamber has a rule, All behavior is by measure; It is the god who gives advancement, He who uses elbows is not helped. If you are among the people, Gain supporters through being trusted The trusted man who does not vent his belly’s speech, He will himself become a leader, A man of means — what is he like ? Your name is good, you are not maligned, Your body is sleek, your face benign, One praises you without your knowing. He whose heart obeys his belly Puts contempt of himself in place of love, His heart is bald, his body unanointed; The great-hearted is god-given, He who obeys his belly belongs to the enemy.
Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)
Biblia pamoja na historia vinatwambia kuwa mitume kumi na wawili wa Yesu Kristo waliamua kufa kinyama kama mfalme wao alivyokufa, kwa sababu walikataa kukana imani yao juu ya Yesu Kristo. Mathayo alikufa kwa ajili ya Ukristo nchini Ethiopia kwa jeraha lililotokana na kisu kikali, Marko akavutwa na farasi katika mitaa ya Alexandria nchini Misri mpaka akafa, kwa sababu alikataa kukana jina la Yesu Kristo. Luka alinyongwa nchini Ugiriki kwa sababu ya kuhubiri Injili ya Yesu Kristo katika nchi ambapo watu hawakumtambua Yesu. Yohana alichemshwa katika pipa la mafuta ya moto katika kipindi cha mateso makubwa ya Wakristo nchini Roma, lakini kimiujiza akaponea chupuchupu, kabla ya kufungwa katika gereza la kisiwa cha Patmo (Ugiriki) ambapo ndipo alipoandika kitabu cha Ufunuo. Mtume Yohana baadaye aliachiwa huru na kurudi Uturuki, ambapo alimtumikia Bwana kama Askofu wa Edessa. Alikufa kwa uzee, akiwa mtume pekee aliyekufa kwa amani. Petro alisulubiwa kichwa chini miguu juu katika msalaba wa umbo la X kulingana na desturi za kikanisa za kipindi hicho, kwa sababu aliwaambia maadui zake ya kuwa alijisikia vibaya kufa kama alivyokufa mfalme wake Yesu Kristo. Yakobo ndugu yake na Yesu (Yakobo Mkubwa), kiongozi wa kanisa mjini Yerusalemu, alirushwa kutoka juu ya mnara wa kusini-mashariki wa hekalu aliloliongoza la Hekalu Takatifu (zaidi ya futi mia moja kwenda chini) na baadaye kupigwa kwa virungu mpaka akafa, alipokataa kukana imani yake juu ya Yesu Kristo. Yakobo mwana wa Zebedayo (Yakobo Mdogo) alikuwa mvuvi kabla Yesu Kristo hajamwita kuwa mchungaji wa Injili yake. Kama kiongozi wa kanisa hatimaye, Yakobo aliuwawa kwa kukatwa kichwa mjini Yerusalemu. Afisa wa Kirumi aliyemlinda Yakobo alishangaa sana jinsi Yakobo alivyolinda imani yake siku kesi yake iliposomwa. Baadaye afisa huyo alimsogelea Yakobo katika eneo la mauti. Nafsi yake ilipomsuta, alijitoa hatiani mbele ya hakimu kwa kumkubali Yesu Kristo kama kiongozi wa maisha yake; halafu akapiga magoti pembeni kwa Yakobo, ili na yeye akatwe kichwa kama mfuasi wa Yesu Kristo. Bartholomayo, ambaye pia alijulikana kama Nathanali, alikuwa mmisionari huko Asia. Alimshuhudia Yesu mfalme wa wafalme katika Uturuki ya leo. Bartholomayo aliteswa kwa sababu ya mahubiri yake huko Armenia, ambako inasemekana aliuwawa kwa kuchapwa bakora mbele ya halaiki ya watu iliyomdhihaki. Andrea alisulubiwa katika msalaba wa X huko Patras nchini Ugiriki. Baada ya kuchapwa bakora kinyama na walinzi saba, alifungwa mwili mzima kwenye msalaba ili ateseke zaidi. Wafuasi wake waliokuwepo katika eneo la tukio waliripoti ya kuwa, alipokuwa akipelekwa msalabani, Andrea aliusalimia msalaba huo kwa maneno yafuatayo: "Nimekuwa nikitamani sana na nimekuwa nikiitegemea sana saa hii ya furaha. Msalaba uliwekwa wakfu na Mwenyezi Mungu baada ya mwili wa Yesu Kristo kuning’inizwa juu yake." Aliendelea kuwahubiria maadui zake kwa siku mbili zaidi, akiwa msalabani, mpaka akaishiwa na nguvu na kuaga dunia. Tomaso alichomwa mkuki nchini India katika mojawapo ya safari zake za kimisionari akiwa na lengo la kuanzisha kanisa la Yesu Kristo katika bara la India. Mathiya alichaguliwa na mitume kuchukua nafasi ya Yuda Iskarioti, baada ya kifo cha Yuda katika dimbwi la damu nchini India. Taarifa kuhusiana na maisha na kifo cha Mathiya zinachanganya na hazijulikani sawasawa. Lakini ipo imani kwamba Mathiya alipigwa mawe na Wayahudi huko Yerusalemu, kisha akauwawa kwa kukatwa kichwa. Yuda Tadei, ndugu yake na Yesu, aliuwawa kwa mishale alipokataa kukana imani yake juu ya Yesu Kristo. Mitume walikuwa na imani kubwa kwa sababu walishuhudia ufufuo wa Yesu Kristo, na miujiza mingine. Biblia ni kiwanda cha imani. Tunapaswa kuiamini Biblia kama mitume walivyomwamini Yesu Kristo, kwa sababu Biblia iliandikwa na mitume.
Enock Maregesi
saw nothing finer or more moving in Russia than Tolstoy’s grave. That illustrious place of pilgrimage lies out of the way, alone in the middle of the woods. A narrow footpath leads to the mound, nothing but a rectangle of soil raised above ground level, with no one guarding or keeping watch on it, only two huge trees casting their shade. Leo Tolstoy planted those trees himself, so his granddaughter told me beside his grave. When he and his brother Nikolai were boys, they had heard one of the village women say that a place where you planted trees would be a happy one. So they planted two saplings, partly as a kind of game. Only later did the old man remember that promise of happiness, and then he expressed a wish to be buried under the trees he had planted. And his wish was carried out. In its heart-rending simplicity, his grave is the most impressive place of burial in the world. Just a small rectangular mound in the woods with trees overhead, no cross, no tombstone, no inscription. The great man who suffered more than anyone from his own famous name and reputation lies buried there, nameless, like a vagabond who happened to be found nearby or an unknown soldier. No one is forbidden to visit his last resting place; the flimsy wooden fence around it is not kept locked. Nothing guards that restless man’s final rest but human respect for him. While curious sightseers usually throng around the magnificence of a tomb, the compelling simplicity of this place banishes any desire to gape. The wind rushes like the word of God over the nameless grave, and no other voice is heard. You could pass the place without knowing any more than that someone is buried here, a Russian lying in Russian earth. Napoleon’s tomb beneath the marble dome of Les Invalides, Goethe’s in the grand-ducal vault at Weimar, the tombs in Westminster Abbey are none of them as moving as this silent and movingly anonymous grave somewhere in the woods, with only the wind whispering around it, uttering no word or message of its own.
Stefan Zweig (The World of Yesterday: Memoirs of a European)
And yet, being surveilled with the intention of assault or rape is practically mundane, it happens so often. It’s such an ingrained part of the female experience that it doesn’t register as unusual. The danger of it, then, is in its routine, in how normalized it is for a woman to feel monitored, so much so that she might not know she’s in trouble until that invisible line is crossed from “typical patriarchy” to “you should run.” So now, when I drink, I’m far more cautious. I don’t like ordering draft beers from taps hidden from view. I don’t like pouring bottles into pint glasses. I don’t leave my drink with strangers, I don’t let people I don’t know order drinks for me without watching them do it, and I don’t drink excessively with people I don’t think I can trust with my sleepy body. I don’t turn my back on a cocktail, not just because I like drinking but because I can’t trust what happens to it when I’m not looking. The intersection of rape culture and surveillance culture means that being a guarded drinker is not only my responsibility, it is my sole responsibility. Any lapse in judgment could not only result in clear and present danger, but also set me up for a chorus of “Well, she should’ve known better.” The mistake we make is in thinking rape isn’t premeditated, that it happens by accident somehow, that you’re drunk and you run into a girl who’s also drunk and half-asleep on a bench and you sidle up to her and things get out of hand and before you know it, you’re being accused of something you’d never do. But men who rape are men who watch for the signs of who they believe they can rape. Rape culture isn’t a natural occurrence; it thrives thanks to the dedicated attention given to women in order to take away their security. Rapists exist on a spectrum, and maybe this attentive version is the most dangerous type: women are so used to being watched that we don’t notice when someone’s watching us for the worst reason imaginable. They have a plan long before we even get to the bar to order our first drink.
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter)
While I was deep in my fantasy, in yet another episode of perfect timing, Marlboro Man called from the road. “Hey,” he said, the mid-1990s spotty cell phone service only emphasizing the raspy charm of his voice. “Oh! Just the person I want to talk to,” I said, grabbing paper and a pen. “I have a question for you--” “I bought your wedding present today,” Marlboro Man interrupted. “Huh?” I said, caught off guard. “Wedding present?” For someone steeped in the proper way of doing things, I was ashamed that a wedding gift for Marlboro Man had never crossed my mind. “Yep,” he said. “And you need to hurry up and marry me so I can give it to you.” I giggled. “So…what is it?” I asked. I couldn’t even imagine. I hoped it wasn’t a tennis bracelet. “You have to marry me to find out,” he answered. Yikes. What was it? Wasn’t the wedding ring itself supposed to be the present? That’s what I’d been banking on. What would I ever get him? Cuff links? An Italian leather briefcase? A Montblanc pen? What do you give a man who rides a horse to work every day? “So, woman,” Marlboro Man said, changing the subject, “what did you want to ask me?” “Oh!” I said, focusing my thoughts back to the reception. “Okay, I need you to name your absolute favorite foods in the entire world.” He paused. “Why?” “I’m just taking a survey,” I answered. “Hmmm…” He thought for a minute. “Probably steak.” Duh. “Well, besides steak,” I said. “Steak,” he repeated. “And what else?” I asked. “Well…steak is pretty good,” he answered. “Okay,” I responded. “I understand that you like steak. But I need a little more to work with here.” “But why?” he asked. “Because I’m taking a survey,” I repeated. Marlboro Man chuckled. “Okay, but I’m really hungry right now, and I’m three hours from home.” “I’ll factor that in,” I said. “Biscuits and gravy…tenderloin…chocolate cake…barbecue ribs…scrambled eggs,” he said, rattling off his favorite comfort foods. Bingo, I thought, smiling. “Now, hurry up and marry me,” he commanded. “I’m tired of waiting on you.” I loved it when he was bossy.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
At first piecemeal, then point-blank, he let his attention be drawn to a little scene that was being acted out sublimely, unhampered by writers and directors and producers, five stories below the window and across the street. A fair-sized maple tree stood in front of the girls' private school--one of four or five trees on that fortunate side of the street--and at the moment a child of seven or eight, female, was hiding behind it. She was wearing a navy-blue reefer and a tam that was very nearly the same shade of red as the blanket on the bed in van Gogh's room at Aries. Her tam did, in fact, from Zooey's vantage point, appear not unlike a dab of paint. Some fifteen feet away from the child, her dog--a young dachshund, wearing a green leather collar and leash--was sniffing to find her, scurrying in frantic circles, his leash dragging behind him. The anguish of separation was scarcely bearable for him, and when at last he picked up his mistress's scent, it wasn't a second too soon. The joy of reunion, for both, was immense. The dachshund gave a little yelp, then cringed forward, shimmying with ecstasy, till his mistress, shouting something at him, stepped hurriedly over the wire guard surrounding the tree and picked him up. She said a number of words of praise to him, in the private argot of the game, then put him down and picked up his leash, and the two walked gaily west, toward Fifth Avenue and the Park and out of Zooey's sight. Zooey reflexively put his hand on a cross-piece between panes of glass, as if he had a mind to raise the window and lean out of it to watch the two disappear. It was his cigar hand, however, and he hesitated a second too long. He dragged on his cigar. "God damn it," he said, "there are nice things in the world--and I mean nice things. We're all such morons to get so sidetracked. Always, always, always referring every goddam thing that happens right back to our lousy little egos." Behind him, just then, Franny blew her nose with guileless abandon; the report was considerably louder than might have been expected from so fine and delicate-appearing an organ. Zooey turned around to look at her, somewhat censoriously.
J.D. Salinger (Franny and Zooey)
Line of AuNor, dragon bold Flows to me from days of old, And through years lost in the mist My blood names a famous list. By Air, by Water, by Fire, by Earth In pride I claim a noble birth. From EmLar Gray, a deadly deed By his flame Urlant was freed, Of fearsome hosts of blighters dark And took his reward: a golden ark! My Mother’s sire knew battle well Before him nine-score villages fell. When AuRye Red coursed the sky Elven arrows in vain would fly, He broke the ranks of men at will In glittering mines dwarves he’d kill. Grandsire he is through Father’s blood A river of strength in fullest flood. My egg was one of Irelia’s Clutch Her wisdom passed in mental touch. Mother took up before ever I woke The parent dragon’s heavy yoke; For me, her son, she lost her life Murderous dwarves brought blackened knife. A father I had in the Bronze AuRel Hunter of renown upon wood and fell He gave his clutch through lessons hard A chance at life beyond his guard. Father taught me where, and when, and how To fight or flee, so I sing now. Wistala, sibling, brilliant green Escaped with me the axes keen We hunted as pair, made our kill From stormy raindrops drank our fill When elves and dwarves took after us I told her “Run,” and lost her thus. Bound by ropes; by Hazeleye freed And dolphin-rescued in time of need I hid among men with fishing boats On island thick with blown sea-oats I became a drake and breathed first fire When dolphin-slaughter aroused my ire. I ran with wolves of Blackhard’s pack Killed three hunters on my track The Dragonblade’s men sought my hide But I escaped through a fangèd tide Of canine friends, assembled Thing Then met young Djer, who cut collar-ring. I crossed the steppes with dwarves of trade On the banks of the Vhydic Ironriders slayed Then sought out NooMoahk, dragon black And took my Hieba daughter back To find her kind; then took first flight Saw NooMoahk buried in honor right. When war came to friends I long had known My path was set, my heart was stone I sought the source of dreadful hate And on this Isle I met my fate Found Natasatch in a cavern deep So I had one more promise to keep. To claim this day my life’s sole mate In future years to share my fate A dragon’s troth is this day pledged To she who’ll see me fully fledged. Through this dragon’s life, as dragon-dame shall add your blood to my family’s fame.
E.E. Knight (Dragon Champion (Age of Fire, #1))
Lila who has connected, is connecting, our personal knowledge of poverty and abuse to the armed struggle against the fascists, against the owners, against capital. I admit it here, openly, for the first time: in those September days I suspected that not only Pasquale—Pasquale driven by his history toward the necessity of taking up arms—not only Nadia, but Lila herself had spilled that blood. For a long time, while I cooked, while I took care of my daughters, I saw her, with the other two, shoot Gino, shoot Filippo, shoot Bruno Soccavo. And if I had trouble imagining Pasquale and Nadia in every detail—I considered him a good boy, something of a braggart, capable of fierce fighting but of murder no; she seemed to me a respectable girl who could wound at most with verbal treachery—about Lila I had never had doubts: she would know how to devise the most effective plan, she would reduce the risks to a minimum, she would keep fear under control, she would be able to give murderous intentions an abstract purity, she knew how to remove human substance from bodies and blood, she would have no scruples and no remorse, she would kill and feel that she was in the right. So there she was, clear and bright, along with the shadow of Pasquale, of Nadia, of who knows what others. They drove through the piazza in a car and, slowing down in front of the pharmacy, fired at Gino, at his thug’s body in the white smock. Or they drove along the dusty road to the Soccavo factory, garbage of every type piled up on either side. Pasquale went through the gate, shot Filippo’s legs, the blood spread through the guard booth, screams, terrified eyes. Lila, who knew the way well, crossed the courtyard, entered the factory, climbed the stairs, burst into Bruno’s office, and, just as he said cheerfully: Hi, what in the world are you doing around here, fired three shots at his chest and one at his face. Ah yes, militant anti-fascism, new resistance, proletarian justice, and other formulas to which she, who instinctively knew how to avoid rehashing clichés, was surely able to give depth. I imagined that those actions were necessary in order to join, I don’t know, the Red Brigades, Prima Linea, Nuclei Armati Proletari. Lila would disappear from the neighborhood as Pasquale had. Maybe that’s why she had tried to leave Gennaro with me, apparently for a month, in reality intending to give him to me forever. We would never see each other again. Or she would be arrested, like the leaders
Elena Ferrante (Those Who Leave and Those Who Stay (The Neapolitan Novels, #3))
Although I am still far from this kind of interior understanding of myself, with profound respect for its significance I have sought to preserve my individuality―worshipped the unknown God. With a premature anxiety I have tried to avoid coming in close contact with those things whose force of attraction might be too powerful for me. I have sought to appropriate much from them, studied their distinctive characteristics and meaning in human life, but at the same time guarded against coming, like the moth, too close to the flame. I have had little to win or to lose in association with the ordinary run of men, partly because what they do―so-called practical life―does not interest me much, partly because their coldness and indifference to the spiritual and deeper currents in man alienate me even more from them. With few exceptions my companions have had no special influence upon me. A life that has not arrived at clarity about itself must necessarily exhibit an uneven side-surface; confronted by certain facts [*Facta*] and their apparent disharmony, they simply halted there, for, as I see it, they did not have sufficient interest to seek a resolution in a higher harmony or to recognize the necessity of it. Their opinion of me was always one-sided, and I have vacillated between putting too much or too little weight on what they said. I have now withdrawn from their influence and the potential variations of my life's compass resulting from it. Thus I am again standing at the point where I must begin again in another way. I shall now calmly attempt to look at myself and begin to initiate inner action; for only thus will I be able, like a child calling itself "I" in its first consciously undertaken act, be able to call myself "I" in a profounder sense. But that takes stamina, and it is not possible to harvest immediately what one has sown. I will remember that philosopher's method of having his disciples keep silent for three years; then I dare say it will come. Just as one does not begin a feast at sunrise but at sundown, just so in the spiritual world one must first work forward for some time before the sun really shines for us and rises in all its glory; for although it is true as it says that God lets his sun shine upon the good and the evil and lets the rain fall on the just and the unjust, it is not so in the spiritual world. So let the die be cast―I am crossing the Rubicon! No doubt this road takes me into battle, but I will not renounce it. I will not lament the past―why lament? I will work energetically and not waste time in regrets, like the person stuck in a bog and first calculating how far he has sunk without recognizing that during the time he spends on that he is sinking still deeper. I will hurry along the path I have found and shout to everyone I meet: Do not look back as Lot's wife did, but remember that we are struggling up a hill." ―from_Journals_, (The Search for Personal Meaning)
Søren Kierkegaard
I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers. This was not what she’d set out to get from him. But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life. Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught. Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her. Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom. As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer. Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there. Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him. How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him. Belonging to him. Oh, Lord! She shoved him away. How could she have fallen for his kisses after what he’d done? How could she have let him slip that far under her guard? Never again, curse him! Never! For a moment, he looked as stunned by what had flared between them as she. Then he reached for her, and she slipped from between him and the wall, panic rising in her chest. “You do not have the right to kiss me anymore,” she hissed. “I’m engaged, for pity’s sake!” As soon as her words registered, his eyes went cold. “It certainly took you long enough to remember it.” She gaped at him. “You have the audacity to…to…” She stabbed his shoulder with one finger. “You have no business criticizing me! You threw me away years ago, and now you want to just…just take me up again, as if nothing ever happened between us?” A shadow crossed his face. “I did not throw you away. You jilted me, remember?” That was the last straw. “Right. I jilted you.” Turning on her heel, she stalked back toward the road. “Just keep telling yourself that, since you’re obviously determined to believe your own fiction.” “Fiction?” He hurried after her. “What are you talking about?” “Oh, why can’t you just admit what you really did and be done with it?” Grabbing her by the arm, he forced her to stop just short of the street. He stared into her face, and she could see when awareness dawned in his eyes. “Good God. You know the truth. You know what really happened in the library that night.” “That you manufactured that dalliance between you and Nancy to force me into jilting you?” She snatched her arm free. “Yes, I know.” Then she strode out of the alley, leaving him to stew in his own juices.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
They killed everyone in the camps. The whole world was dying there. Not only Jews. Even a black woman. Not gypsy. Not African. American like you, Mrs. Clara. They said she was a dancer and could play any instrument. Said she could line up shoes from many countries and hop from one pair to the next, performing the dances of the world. They said the Queen of Denmark honored her with a gold trumpet. But she was there, in hell with the rest of us. A woman like you. Many years ago. A lifetime ago. Young then as you would have been. And beautiful. As I believe you must have been, Mrs. Clara. Yes. Before America entered the war. Already camps had begun devouring people. All kinds of people. Yet she was rare. Only woman like her I saw until I came here, to this country, this city. And she saved my life. Poor thing. I was just a boy. Thirteen years old. The guards were beating me. I did not know why. Why? They didn't need a why. They just beat. And sometimes the beating ended in death because there was no reason to stop, just as there was no reason to begin. A boy. But I'd seen it many times. In the camp long enough to forget why I was alive, why anyone would want to live for long. They were hurting me, beating the life out of me but I was not surprised, expected no explanation. I remember curling up as I had seen a dog once cowering from the blows of a rolled newspaper. In the old country lifetimes ago. A boy in my village staring at a dog curled and rolling on its back in the dust outside a baker's shop and our baker in his white apron and tall white hat striking this mutt again and again. I didn't know what mischief this dog had done. I didn't understand why the fat man with flour on his apron was whipping it unmercifully. I simply saw it and hated the man, felt sorry for the animal, but already the child in me understood it could be no other way so I rolled and curled myself against the blows as I'd remembered the spotted dog in the dusty village street because that's the way it had to be. Then a woman's voice in a language I did not comprehend reached me. A woman angry, screeching. I heard her before I saw her. She must have been screaming at them to stop. She must have decided it was better to risk dying than watch the guards pound a boy to death. First I heard her voice, then she rushed in, fell on me, wrapped herself around me. The guards shouted at her. One tried to snatch her away. She wouldn't let go of me and they began to beat her too. I heard the thud of clubs on her back, felt her shudder each time a blow was struck. She fought to her feet, dragging me with her. Shielding me as we stumbled and slammed into a wall. My head was buried in her smock. In the smell of her, the smell of dust, of blood. I was surprised how tiny she was, barely my size, but strong, very strong. Her fingers dug into my shoulders, squeezing, gripping hard enough to hurt me if I hadn't been past the point of feeling pain. Her hands were strong, her legs alive and warm, churning, churning as she pressed me against herself, into her. Somehow she'd pulled me up and back to the barracks wall, propping herself, supporting me, sheltering me. Then she screamed at them in this language I use now but did not know one word of then, cursing them, I'm sure, in her mother tongue, a stream of spit and sputtering sounds as if she could build a wall of words they could not cross. The kapos hesitated, astounded by what she'd dared. Was this black one a madwoman, a witch? Then they tore me from her grasp, pushed me down and I crumpled there in the stinking mud of the compound. One more kick, a numbing, blinding smash that took my breath away. Blood flooded my eyes. I lost consciousness. Last I saw of her she was still fighting, slim, beautiful legs kicking at them as they dragged and punched her across the yard. You say she was colored? Yes. Yes. A dark angel who fell from the sky and saved me.
John Edgar Wideman (Fever)