Crochet Flower Quotes

Closeness cannot be manufactured. It knits itself from unseen fibers, and we can crochet the ends with approximations of our favorite flowers, but we can't choose the colour, or the kind of wool. It knits itself, or it doesn't.

It was then that I noticed the small, crocheted flower pinned to his shirt. I glanced at Janie and she shook her head, pointed at Nico. I shifted my attention, snagged Nico’s gaze over Alex’s shoulder. He, of course, grinned and winked at me. Ah…Nicoletta.

My eyes blinked like a camera shutter clicking through the frames of my life, except the images were mismatched and haphazard: a ragged-looking doll with a rose-colored dress; crocheted white baby mittens, slightly unraveled; a row of tulips, vibrant red; Rex's smile; a rusty weather vane whirling in the wind. My eyelids fluttered, fighting to remain open, but when they closed, the welcoming image that waited beckoned me to stay, promising to give me the comfort, the peace I longed for. The camellias. I could see them, seemingly endless rows of big, bushy green trees with waxy leaves and showy flowers the size of saucers. Pinks, reds- bursting into bloom, as if they'd been painted by the Queen of Hearts.

„The air was saturated with the finest flour of a silence so nourishing, so succulent, that I could move through it only with a sort of greed, especially on those first mornings of Easter week, still cold, when I tasted it more keenly because I had only just arrived in Combray: before I went in to say good morning to my aunt, they made me wait for a moment, in the first room where the sun, still wintry, had come to warm itself before the fire, already lit between the two bricks and coating the whole room with an odour of soot, having the same effect as one of those great country ‘front-of-the-ovens’, or one of those château mantelpieces, beneath which one sits hoping that outdoors there will be an onset of rain, snow, even some catastrophic deluge so as to add, to the comfort of reclusion, the poetry of hibernation; I would take a few steps from the prayer stool to the armchairs of stamped velvet always covered with a crocheted antimacassar; and as the fire baked like a dough the appetizing smells with which the air of the room was all curdled and which had already been kneaded and made to ‘rise’ by the damp and sunny coolness of the morning, it flaked them, gilded them, puckered them, puffed them, making them into an invisible, palpable country pastry, an immense ‘turnover’ in which, having barely tasted the crisper, more delicate, more highly regarded but also drier aromas of the cupboard, the chest of drawers, the floral wallpaper, I would always come back with an unavowed covetousness to snare myself in the central, sticky, stale, indigestible and fruity smell of the flowered coverlet.

By creating flowers from plastic bags (which are made with substances derived from oil), he addresses the ecological concerns associated with the material; that is, he has fashioned nature from the very object that threatens it.  In doing so, he also comments on the function of nature in urban settings (particularly flowers), which are manipulated into unnaturally perfect plots and gardens, ultimately becoming as urbanized as the plastic bags that one assumes are the very antithesis of nature.

My aunt's life was now practically confined to two adjoining rooms, in one of which she would rest in the afternoon while they, aired the other. They were rooms of that country order which (just as in certain climes whole tracts of air or ocean are illuminated or scented by myriads of protozoa which we cannot see) fascinate our sense of smell with the countless odours springing from their own special virtues, wisdom, habits, a whole secret system of life, invisible, superabundant and profoundly moral, which their atmosphere holds in solution; smells natural enough indeed, and coloured by circumstances as are those of the neighbouring countryside, but already humanised, domesticated, confined, an exquisite, skilful, limpid jelly, blending all the fruits of the season which have left the orchard for the store-room, smells changing with the year, but plenishing, domestic smells, which compensate for the sharpness of hoar frost with the sweet savour of warm bread, smells lazy and punctual as a village clock, roving smells, pious smells; rejoicing in a peace which brings only an increase of anxiety, and in a prosiness which serves as a deep source of poetry to the stranger who passes through their midst without having lived amongst them. The air of those rooms was saturated with the fine bouquet of a silence so nourishing, so succulent that I could not enter them without a sort of greedy enjoyment, particularly on those first mornings, chilly still, of the Easter holidays, when I could taste it more fully, because I had just arrived then at Combray: before I went in to wish my aunt good day I would be kept waiting a little time in the outer room, where the sun, a wintry sun still, had crept in to warm itself before the fire, lighted already between its two brick sides and plastering all the room and everything in it with a smell of soot, making the room like one of those great open hearths which one finds in the country, or one of the canopied mantelpieces in old castles under which one sits hoping that in the world outside it is raining or snowing, hoping almost for a catastrophic deluge to add the romance of shelter and security to the comfort of a snug retreat; I would turn to and fro between the prayer-desk and the stamped velvet armchairs, each one always draped in its crocheted antimacassar, while the fire, baking like a pie the appetising smells with which the air of the room, was thickly clotted, which the dewy and sunny freshness of the morning had already 'raised' and started to 'set,' puffed them and glazed them and fluted them and swelled them into an invisible though not impalpable country cake, an immense puff-pastry, in which, barely waiting to savour the crustier, more delicate, more respectable, but also drier smells of the cupboard, the chest-of-drawers, and the patterned wall-paper I always returned with an unconfessed gluttony to bury myself in the nondescript, resinous, dull, indigestible, and fruity smell of the flowered quilt.

find. Henry said she lived right across the hall.” Chapter 14 “So, this is the scene of the crime,” Ida said as they pulled up in front of an old Victorian. From outward appearances, it was hard to imagine that something sinister had happened inside. It was nicely kept, with off-white siding and purple trim. “Looks like a birthday cake,” Ruth said as they walked up the steps toward the purple door. She opened the door to reveal a small entryway. A set of stairs loomed in front of them. Old-fashioned green flowered wallpaper papered the walls. The floor was hardwood, scuffed from years of wear. To the right was a solid oak door with the number Two on it. “According to the case files, Rosa and Henry lived at number two.” Nans gestured toward the door on the other side of the hall which had a number One. “So this one must be Mrs. Pettigrew.” Ruth was standing closest to the door, so she knocked. “Who is it?” A voice drifted out almost before the knock stopped echoing. Clearly, Mrs. Pettigrew kept a close eye on the place and had seen them come in. “It’s the Ladies’ Detective Agency.” Nans’s voice took on an official tone. “We have some questions on a case if you’d be so kind as to answer them.” Of course, Doris Pettigrew would be thrilled to answer questions. If she was truly the busybody that it sounded like she was, she wouldn’t be able to resist the lure of gossip and finding out exactly what case the ladies were referring to. Lexy heard a series of locks clicking and chains sliding, and then the door cracked and a rheumy blue eye appeared. “Do you have any credentials?” “Of course.” Nans shoved a business card at her. It was in a laminate case, so it resembled an official badge of some sort. Doris snatched the card and pulled it inside. It took her a few seconds, but Nans’s card must have passed muster because the door opened and Doris said, “Come in.” Ida went in first. “Oh, this is… unusual.” Lexy peered over Ida’s head. She couldn’t be sure exactly what Ida thought was unusual. There were so many things. It could have been the giant four-foot-tall dolls that stood around the edge of the room. Or it might have been the knitted afghans that covered every surface. Or maybe it was the stuffed animals that were sitting on the couch as if holding a conversation. Then again, it might have been the herd of cats that was sniffing around Ida’s ankles. Doris handed the card back to Nans. “I’m Doris Pettigrew, by the way.” They all introduced themselves, and Doris gestured toward the living room for them to sit. Ida gingerly plucked a large pink elephant off the sofa and put it on the floor then took its place. A black cat immediately jumped into her lap. The rest of the ladies followed her lead, moving dolls aside, disturbing stuffed animals, and pushing cats out of their laps. Lexy sat in the only chair not occupied by a stuffed animal. The smell of mothballs wafted up as the rough wool of the crocheted granny square pillow irritated her arm. Achoo! Helen sneezed and pushed the fluffy tail of a white Persian out of her face.