Croatia Love Quotes

I love the way folktale and fantasy tap into the roots of story telling. The paradox, for me, is that by moving a story into the fantastic we can actually bring it closer to the reader, not move it further away. It is more than an escape. When we read of the only daughter of a fisherman (or the third son of a woodcutter) in a fairy tale, we are all that character. That's the underlying pulse beat of such tales. Using the fantastic as a prism for the past, if done properly, removes the tale from distancing specificity. It can't just be read as unique to a time and place; it is universalized in interesting, powerful ways. When I wrote Tigana, about the way tyranny tries to erase identity in conquered peoples, the fantasy setting seems to have done exactly that: I'm asked in places ranging from Korea to Poland to Croatia to Quebec, "Were you writing about us?" I was. All of them. That is the point. The fantastic is a tool in the writer's arsenal, as potentially powerful as any there is, and any tool we have works to the benefit of the reader.

All of this points to an important dimension of a spirituality of reconciliation. A spirituality of reconciliation involves not directing one's thinking along the traditional channels of power, but making possible the springing up of alternatives to dominative power. To counter power with the same kind of power may restrain it, but it does not lead to peace. This is something practitioners of non-violence have known for a long time. But it is a lesson hard to learn. The power that broke the hold of sin on the world was the powerlessness, the agony, and the humiliation of the cross. The blood that was shed in violence becomes life-giving, redeeming blood. Reconciliation requires finding a different kind of power from dominative power to transform situations. Matthilde Mellibovsky, one of the Mothers of the Plaza de Mayo, speaks of it as a “circle of love around death.” The women in Croatia called it a wall of peace. It is the power that raised Jesus from the dead.

Analogously, men value physical attractiveness, and I found that women were most likely to cite enhancing their appearance as one of their primary mate retention tactics—a finding that is replicable across cultures, including Brazil, Croatia, and the United States.40 Out of the nineteen clusters evaluated, enhancing their appearance was the second most effective tactic used by women, after love and kindness.

How the hell did I end up here? I certainly had no intentions of making this comic. There was, in fact, no comic to be made. Sunstone was the end result of the deepest fast-food and burn-out I have ever experienced in my life. It was three years ago. I had just finished my last issue of Witchblade, a comic that I had lived and hated at that point. Comics itself had nothing to do with it ... [sic.] Truth was, artistically speaking, I hit a wall and there was no way past it. In my eyes I wasn't a storyteller anymore. I was a grinder going through the emotions. And I was burnt out. So there I was, sitting and hate-staring my computer monitor... or way...too...long... , Something had to change. I had to find the spark, which by that time, I had obviously lost. I started reminiscing about those great outbursts of inspiration and drive I experienced in my past. And there, I remembered it. The most exciting moment of my career. It was just before I got hired by Top Cow. I was in my early twenties, and my dream was to become a comic artist. Chances of this living in Croatia were slim to none, but my work was noticed, and I got asked to do a fetishistic erotic comic. Not all that unusual in Europe. I was ecstatic. For the first time I would be able to help my family by doing something I love. I remember drawing up a storm. I drew over 30 sample pages, and then crazily enough, Top Cow's offer came in. I had to make a choice. And it was a choice I never regretted. But I remembered something about those long list sample pages ... They were expressive. There was so much energy to them ... Energy that got lost in my work over time as a result of trying to emulate other people's work. I shrugged ... said "Fuck it!" turned to Linda, and told her about my idea ...

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