Crimson King Quotes

We've searched our database for all the quotes and captions related to Crimson King. Here they are! All 86 of them:

I denied Discordia and regret nothing; I have spat into the bodiless eyes of the Crimson King and rejoice; I threw my lot with the gunslinger and the White and never once questioned the choice.
Stephen King (The Dark Tower (The Dark Tower, #7))
The Crimson King speaks. As a direct result, somewhere a slumbering, dreaming infant shudders in its sleep, and dies.
Peter David (The Gunslinger Born (Stephen King's The Dark Tower: Beginnings, #1))
he sat upon his throne, which is made of skulls...
Stephen King (The Dark Tower (The Dark Tower, #7))
Is Stephen King the Crimson King of this world?
Stephen King (Song of Susannah (The Dark Tower, #6))
So gorgeous was the spectacle on the May morning of 1910 when nine kings rode in the funeral of Edward VII of England that the crowd, waiting in hushed and black-clad awe, could not keep back gasps of admiration. In scarlet and blue and green and purple, three by three the sovereigns rode through the palace gates, with plumed helmets, gold braid, crimson sashes, and jeweled orders flashing in the sun. After them came five heirs apparent, forty more imperial or royal highnesses, seven queens - four dowager and three regnant - and a scattering of special ambassadors from uncrowned countries. Together they represented seventy nations in the greatest assemblage of royalty and rank ever gathered in one place and, of its kind, the last. The muffled tongue of Big Ben tolled nine by the clock as the cortege left the palace, but on history's clock it was sunset, and the sun of the old world was setting in a dying blaze of splendor never to be seen again.
Barbara W. Tuchman (The Guns of August)
If kisses had colors, this one would reflect the tatters of control swirling around us, a symphony of crimson and amber and pure, stunning cobalt. They sank beneath my skin, sending electric currents over every raw, exposed nerve.
Ana Huang (King of Sloth (Kings of Sin, #4))
This was an era where you were defined by the music you listened to and the clothes you wore. You wouldn’t find a skinhead listening to King Crimson, or a Rocker listening to blue beat or reggae. It wasn’t allowed.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
And the purple parted before it, snapping back like skin after a slash, and what it let out wasn't blood but light: amazing orange light that filled her heart and mind with a terrible mixture of joy, terror, and sorrow. No wonder she had repressed this memory all these years. It was too much. Far too much. The light seemed to give the fading air of evening a silken texture, and the cry of a bird struck her ear like a pebble made of glass. A cap of breeze filled her nostrils with a hundred exotic perfumes: frangipani, bougainvillea, dusty roses, and oh dear God, night-blooming cereus... And rising above one horizon came the orange mansion of the moon, bloated and burning cold, while the sun sank below the other, boiling in a crimson house of fire. She thought that mixture of furious light would kill her with its beauty.
Stephen King (Lisey's Story)
Remember, this was an era where you were defined by the music you listened to and the clothes you wore. You wouldn’t find a skinhead listening to King Crimson, or a Rocker listening to blue beat or reggae. It wasn’t allowed.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
She sighed. “I wish I had their faith. Crimson is a Lannister color.” “That thing’s not crimson,” Ser Brynden said. “Nor Tully red, the mud red of the river. That’s blood up there, child, smeared across the sky.” “Our blood or theirs?” “Was there ever a war where only one side bled?
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
The Black Man grinned at her with his jackal mouth, and his scarlet eyes knew all the secrets of woman-blood.
Stephen King
Go wide, go wide, roll you Tide, we don’t run and we don’t hide, we’re the ’Bama Crimson Tide!
Stephen King (The Dark Tower (The Dark Tower, #7))
The only good is knowledge and the only evil is ignorance." - Ahzek Ahriman
Graham McNeill (The Crimson King (The Horus Heresy, #44))
There was no question now who sat at the right hand of the King. It was the Queen, who walked through the great hall wearing deepest crimson and gold with her head high and a little smile on her lips. She did not flaunt her return to favour. She took it as she had taken her eclipse: as the nature of royal marriage. Now that her star was risen again she walked as proudly as she had ever done when in shadow.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
Roland raised his eyebrows. “Thanks to John Farson, the Crimson King’s men won the In-World lands long ago,” he said. But then he smiled. It was a sunny expression so unlike his usual look that seeing it always made Susannah feel dizzy. “But I think we won the only battle that matters. What’s shown in this picture is no more than someone’s wishful fairy-tale.
Stephen King (The Dark Tower (The Dark Tower, #7))
Adam Wayne, the conqueror, with his face flung back and his mane like a lion's, stood with his great sword point upwards, the red raiment of his office flapping around him like the red wings of an archangel. And the King saw, he knew not how, something new and overwhelming. The great green trees and the great red robes swung together in the wind. The preposterous masquerade, born of his own mockery, towered over him and embraced the world. This was the normal, this was sanity, this was nature, and he himself, with his rationality, and his detachment and his black frock-coat, he was the exception and the accident - a blot of black upon a world of crimson and gold.
G.K. Chesterton (The Napoleon of Notting Hill)
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
Hile, Mordred Deschain, son of Roland of Gilead that was and of the Crimson King whose name was once spoken from End-World to Out-World; hile you son of two fathers, both of them descended from Arthur Eld, first king to rise after the Prim receded, and Guardian of the Dark Tower.
Stephen King (The Dark Tower (The Dark Tower, #7))
And the sword that had visited Earth from so far away smote like the falling of thunderbolts; and green sparks rose from the armour, and crimson as sword met sword; and thick elvish blood moved slowly, from wide slits, down the cuirass; and Lirazel gazed in awe and wonder and love; and the combatants edged away fighting into the forest; and branches fell on them hacked off by their fight; and the runes in Alveric's far-travelled sword exulted, and roared at the elf-knight; until in the dark of the wood, amongst branches severed from disenchanted trees, with a blow like that of a thunderbolt riving an oak tree, Alveric slew him.
Lord Dunsany (The King of Elfland's Daughter)
Then something above them opened, revealing darkness shot through with conflicting swirls and rays of color. The wind seemed to blow the Crimson King up toward it, like a leaf in a chimney-flue. The colors began to brighten, and Ralph turned his face away, raising one hand to shield his eyes. He understood that a conduit had opened between the level where he was and the unimaginable levels stacked above it; he also understood that if he looked for long into that brightening glow, those (deadlights) swirling colors, then death would be not the worst thing that could happen to him but the best. He did not just squeeze his eyes shut; he squeezed his mind shut.
Stephen King (Insomnia)
Come now, and let us reason together, saith the Lord: though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool.
Anonymous (Authorized King James Version Holy Bible)
ISA1.18 Come now, and let us reason together, saith the LORD: though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool.
Anonymous (The Holy Bible, King James Version (KJV))
She reminded me of something, and suddenly I knew. I was a tiny child again at Radford, my uncle’s home, and he was walking me through the glass-houses in the gardens. There was one flower, an orchid, that grew alone; it was the colour of pale ivory, with one little vein of crimson running through the petals. The scent filled the house, honeyed, and sickly sweet. It was the loveliest flower I had ever seen. I stretched out my hand to stroke the soft velvet sheen, and swiftly my uncle pulled me by the shoulder. ‘Don’t touch it, child. The stem is poisonous.
Daphne du Maurier (The King's General)
Your shutters were closed. The room was bathed in a soft red light. You were listening to “I Talk to the Wind” by King Crimson [...] It made me think of a nightclub. It was broad daylight outside.
Édouard Levé
Thingumy and Bob sighed contentedly and settled down to contemplate the precious stone. They stared in silent rapture at it. The ruby changed colour all the time. At first it was quite pale, and then suddenly a pink glow would flow over it like sunrise on a snow capped mountain -- and then again crimson flames shot out of its heart and it seemed like a great black tulip with stamens on fire.
Tove Jansson (Finn Family Moomintroll (The Moomins, #3))
Said the straight man to the late man Where have you been I've been here and I've been there And I've been in between I talk to the wind My words are all carried away I talk to the wind The wind does not hear The wind cannot hear
King Crimson
You can mock, but it’s true,’ he said quietly. ‘It’s not King Herod, though – it’s the Crimson King. Herod was merely one of his incarnations. The Crimson King jumps from body to body and generation to generation like a kid using stepping-stones to cross a brook, Ralph, always looking for the Messiah. He’s always missed him, but this time it could be different. Because Derry’s different. All lines of force have begun to converge here. I know how difficult that is to believe, but it’s true.
Stephen King (Insomnia)
Before us, the moonlight lay upon the tumbled desolation of sand that had once been the brilliant capital of a pharaoh. For a moment I had a vision; I seemed to see the ruined walls rise up again, the stately villas in their green groves and gardens, the white walls of the temples, adorned with brilliantly painted reliefs, the flash of gold-tipped flagstaffs, with crimson pennants flying the breeze. The wide, tree-lined avenues were filled with a laughing throng of white-clad worshipers, going to the temple, and before them all raced the golden chariot of the king, drawn by matched pair of snow-white horses…. Gone. All gone, into the dust to which we must all descend when our hour comes. “Well?
Elizabeth Peters (Crocodile on the Sandbank (Amelia Peabody, #1))
Joffrey lurched to his feet. “I’m king! Kill him! Kill him now! I command it.” He chopped down with his hand, a furious, angry gesture … and screeched in pain when his arm brushed against one of the sharp metal fangs that surrounded him. The bright crimson samite of his sleeve turned a darker shade of red as his blood soaked through it. “Mother!” he wailed.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
Sometimes God speaks to a man in a whisper… But sometimes His Spirit explodes in a man suddenly, lighting up in shocking crimson brilliance the cowardly and sullied things he’s let his drowsy soul become mired in, and bringing unlooked for tears at the glimpse of the man he ought to have been all along. With that despairing realization the astounding truth blossoms like a bursting field of wildflowers or a brilliant new dawn shooting from the peak of a dark hill, that because of Christ’s work for him, he can change.
J. Aaron Gruben (King: A Christian's Call to Imitate Christ's Kingship)
It would be really wonderful if all this could be a dream,” I said. “Come now, you’ll get there. Focus on one aura at a time; that helps. What do you see when you look at me?” I took a breath. “A kind of idiosyncratic bluish with a happy patch of crimson right around your middle. You’re a bit dark—but also very light in funny little ways.” I blinked. “There are also notes of a sort of rosy color hanging all around both you and Jenny. No, not rosy, exactly. How would you describe it—a buoyant sort of flush?” “Buoyant is not a color,” said Jackaby. “You sound ridiculous. But an excellent start! The sight will take time to understand. I’m here to help.” “I’m here for you, too, Abigail,” Jenny assured me, putting a hand on Jackaby’s shoulder as she glided forward to join us. “We can practice together and take it slow. It’s the least I could do after everything you’ve done to help me figure out my own abilities.” I nodded. “It’s nice to see that you’re not having any more trouble in that area,” I said. Jenny’s hand was still on Jackaby’s shoulder. The flush around their auras increased when I mentioned it. “I’m not even sure how it happened,” Jenny said. “I just needed it to happen, and it did.” “Not surprised about it at all,” said Jackaby. “Not surprised?” Jenny said. “Yesterday I couldn’t so much as brush a hair out of your eyes, but today I reached inside your chest and held your heart in my hands—and you’re not surprised?” “Not at all. My heart was always yours,” said Jackaby. Jenny leaned back and looked at him, startled. “That is about the sweetest thing I think you’ve ever said.” “Was it good?” He gave her a goofy grin. “I was trying to work out how to phrase it the whole ride over.” “Not good at all, no,” she said, trying unsuccessfully to keep a smile off her face. “It was sappy and maudlin and positively terrible. Sweet, though. Excellent effort.” “You’re just jealous because we’re both technically undead now, and I’m clearly so much better at it.” “Jealous? I’m not jealous. For the first time since I’ve known you, I have the power to shut you up.” She leaned in and kissed him right on the lips.
William Ritter (The Dire King (Jackaby, #4))
When they had gone less than a bowshot from the shore, Drinian said, “Look! What’s that?” and everyone stopped. “Are they great trees?” said Caspian. “Towers, I think,” said Eustace. “It might be giants,” said Edmund in a lower voice. “The way to find out is to go right in among them,” said Reepicheep, drawing his sword and pattering off ahead of everyone else. “I think it’s a ruin,” said Lucy when they had got a good deal nearer, and her guess was the best so far. What they now saw was a wide oblong space flagged with smooth stones and surrounded by gray pillars but unroofed. And from end to end of it ran a long table laid with a rich crimson cloth that came down nearly to the pavement. At either side of it were many chairs of stone richly carved and with silken cushions upon the seats. But on the table itself there was set out such a banquet as had never been seen, not even when Peter the High King kept his court at Cair Paravel. There were turkeys and geese and peacocks, there were boars’ heads and sides of venison, there were pies shaped like ships under full sail or like dragons and elephants, there were ice puddings and bright lobsters and gleaming salmon, there were nuts and grapes, pineapples and peaches, pomegranates and melons and tomatoes. There were flagons of gold and silver and curiously-wrought glass; and the smell of the fruit and the wine blew toward them like a promise of all happiness. “I say!” said Lucy. They came nearer and nearer, all very quietly. “But where are the guests?” asked Eustace. “We can provide that, Sir,” said Rhince.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
The Jewel in Her Crown, which showed the old Queen (whose image the children now no doubt confused with the person of Miss Crane) surrounded by representative figures of her Indian Empire: princes, landowners, merchants, moneylenders, sepoys, farmers, servants, children, mothers, and remarkably clean and tidy beggars. The Queen was sitting on a golden throne, under a crimson canopy, attended by her temporal and spiritual aides: soldiers, statesmen and clergy. The canopied throne was apparently in the open air because there were palm trees and a sky showing a radiant sun bursting out of bulgy clouds such as, in India, heralded the wet monsoon. Above the clouds flew the prayerful figures of the angels who were the benevolent spectators of the scene below. Among the statesmen who stood behind the throne one was painted in the likeness of Mr. Disraeli holding up a parchment map of India to which he pointed with obvious pride but tactful humility. An Indian prince, attended by native servants, was approaching the throne bearing a velvet cushion on which he offered a large and sparkling gem. The children in the school thought that this gem was the jewel referred to in the title. Miss Crane had been bound to explain that the gem was simply representative of tribute, and that the jewel of the title was India herself, which had been transferred from the rule of the British East India Company to the rule of the British Crown in 1858, the year after the Mutiny when the sepoys in the service of the Company (that first set foot in India in the seventeenth century) had risen in rebellion, and attempts had been made to declare an old Moghul prince king in Delhi, and that the picture had been painted after 1877, the year in which Victoria was persuaded by Mr. Disraeli to adopt the title Empress of India.
Paul Scott (The Jewel in the Crown (The Raj Quartet, #1))
A small figure in crimson stood before the bench, sleeves rolled to the elbow, muttering. Dumai cleared her throat. “Master Kiprun?” The alchemist whipped around. He wore round amber panes over his eyes, clipped to his nose, huge and misty with steam. “I did ask for duck feathers,” he said, in a tone of sincere annoyance. Dumai could only blink. His cheeks were flushed, threads of hair were stuck to his forehead, and he brandished a grey feather. “You brought me goose feathers. Goose,” he barked, making her jump. “You do know the difference between a duck and a goose, don’t you? One quacks and the other honks, not to mention the neck. The neck alone—” “Master Kiprun,” Kanifa interjected, “this is Noziken pa Dumai, Crown Princess of Seiiki.” The alchemist sleeved the fog from his eyeglasses. “Ah. Yes.” He interlocked his fingers. Each bore a ring of a different metal: gold, iron, copper. “Princess Dumai. I am Master Kiprun, who shines—well, flickers really—for the Munificent Empress. And you?” he said to Kanifa. “Who are you, the Prince of Seiiki?” “No.” Kanifa cleared his throat. “I’m just a guard, a friend to Princess Dumai. Not a noble.” “Is it not noble to be a guard?” Master Kiprun wafted a brown hand, webbed with scars from burns, like his arms. “No matter. I never understand these things. Yes, your message caught my interest, Princess Dumai of the Faraway Isle. You don’t look much like a princess,” he said, cocking his head. “Aren’t you suppose to wear a crown, or something?” Dumai reunited with her tongue. “Well,” she said, indicating her headpiece, “this is—” “Madam, that is a fish.” After a moment, Dumai decided not to kick against the current. “It is a fish,” she agreed, taking a step toward him. “My fish and I flew here to seek your help, Master Kiprun.” “Yes, I did fear as much. Last time, it was a king who disturbed my work. He found me in the mountains, just to annoy me.” The alchemist snorted. “Once, it was the poor who sought my services, asking me to turn grass to gold. They were, at least, polite, if wildly optimistic. Now I am summoned hither and thither, disturbed by everyone from Golümtan to Ginura.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
behold, an azure spark was born out of the darkness beneath, rounding itself with purple splendours to a crimson sphere, and spiring upward through rays of saffron and orange into a point of white radiance. Tiny and infinitely remote, yet perfect in every part, it pulsated in the enormous vault as if the three jewels in the Magian's breast had mingled and been transformed into a living heart of light. He bowed his head. He covered his brow with his hands. "It is the sign," he said. "The King is coming, and I will go to meet him.
Henry Van Dyke (The Story of the Other Wise Man [with Biographical Introduction])
came the King in Yellow and the Queen in Crimson. Alice
Kent David Kelly (Cthulhu in Wonderland)
We all were shaped by how others see us as much as our own character. - Svafnir Rackwulf
Graham McNeill (The Crimson King (The Horus Heresy, #44))
Crimson nor yellow roses nor The savor of the mounting sea Are worth the perfume I adore That clings to thee. The languid-headed lilies tire, The changeless waters weary me; I ache with passionate desire Of thine and thee. There are but these things in the world— Thy mouth of fire, Thy breasts, thy hands, thy hair upcurled And my desire.
Robert W. Chambers (Rue Barrée)
Blaze: I’ve never trusted any motherfucker just because they might look fucking innocent. Especially women. Women are nothing but fucking trouble.
Eve Devearoux (Omniscient: A Dark MC Romance (Crimson Jackals MC) (The Filthy Kings Trilogy Book 2))
Don’t think I won’t come looking for you in the afterlife, Witch.” - Blaze
Eve Devearoux (Omniscient: A Dark MC Romance (Crimson Jackals MC) (The Filthy Kings Trilogy Book 2))
Ravyn kept digging. When his fingernail ripped and the raw tip of his finger struck something sharp, he swore and reared back. His body was invisible, but not his blood. It trickled, crimson red, appearing the moment it left his hand and scattering over the hole he’d dug, the ground thirsty for it. Something was hidden in the earth, waiting. When Ravyn touched it, it was sharper than stone—colder than soil. Steel. Heart in his throat, he dug until he’d unearthed a sword. It lay crooked, caked in dirt. But there was no mistaking its make—forged steel—with an intricately designed hilt, too ornate to be a soldier’s blade. He reached for it, the salt in the air piercing his lungs as he took short, fevered breaths. But before Ravyn could pry the sword free, he caught a glimpse at what was buried beneath it. Resting perfectly, undisturbed for centuries. A pale, knobbed object. Human. Skeletal. A spine.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Shakespeare Sonnet XVIII: Twilight Vampires Shall I compare thee to a Twilight brute? Thou art more alluring and far too cute. Thy skin like marble quarried from Carrara's mines, Stands an Augustan temple of flawless white. Thy complexion like gems sparkle in heaven's vault When fair sun rises and bids adieu to Stygian night. Thy teeth, like Wolverine's talons, lie hidden Until primed to pierce their prey. (OMG, you'd be one badass X-Men If only you could work by day). Thy eyes turn crimson like the devil's cock, When upon human blood ye feast. Who can turn their gaze from thee, Not I, nor king, nor priest. So long as mortals can breathe or Children of the Moon can see, Take my love, my freshest blood, which bequeaths immortal life to thee.
Beryl Dov
How do you pick up the threads of an old life? How do you go on, when in your heart, you begin to understand, there is no going back? There are some things that time cannot mend. Some hurts that go too deep ... that have taken hold. J. R. R. Tolkien, The Return of the King
Sarah M. Cradit (The House Of Crimson & Clover Box Set Volumes V-VIII: A New Orleans Witches Family Saga (Crimson & Clover Collections))
Tell me, does it seem worth it to you to suffer this punishment for a rag?” “Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine. Rava’s lip curled into a sneer and she walked behind him, motioning to the Cokyrians holding the ropes to pull them tight, spreading his arms wide. With a swift and practiced motion, she raised the whip and brought it down hard upon his broad back, drawing blood with her first stroke, and gasps reverberated almost as loudly as had the cheers. “Is it worth it?” she demanded. “Yes,” he managed to answer, gritting his teeth against the pain. She struck him twice more, and though I could hardly bear it, I forced myself to watch, the muscles of my back spasming as each stroke landed. “Is it worth it?” “Yes!” Once more she struck, and again, until the ragged flesh and sinew of Steldor’s back was coated with blood--blood that flowed so heavily it ran down his sides. Women in the crowd now wept openly, while men cursed and shouted. I took in a shaky breath, knowing only one lash remained. Steldor would survive, and so would I. So would we all. Rava brought the whip down on Steldor for the sixth time, and his head hung forward. Was he still conscious? Or were the ropes around his wrists the only things keeping him from collapsing? Evidently wondering the same, Rava approached him and reached down, grasping a handful of his nearly black hair to pull his head up. His eyes were open, but barely focused. “Tell me, boy. Is it worth it?” she said in a near whisper. He smiled, revealing teeth smeared with blood from biting his tongue to hold back screams. “Yes.” Rage marred Rava’s face at her inability to break him, and she brutally shoved his head down. Backing up, she uncoiled the whip that was supposed to have retired, and flayed him again, more viciously than before. Steldor cried out this time, the sound tearing at my heart, and when the soldiers dropped the ropes, he crumpled forward. Knowing he had to be in tremendous pain, I was thankful for the respite the darkness would provide. Silence now reigned around us--no voices, no movements, hardly any breathing. It felt like the world had temporarily been turned to stone. Rava handed the whip to another soldier and stalked back toward the Bastion without a glance or word for anyone. She was cruel and heartless and arrogant, and hatred for her boiled within me as I watched the Cokyrians remove the ropes from Steldor’s wrists. They hauled him up by his arms and dragged him inside, leaving a crimson trail on the white walk. The rest of us followed, and I glanced at Cannan, who had managed more stoicism during the proceeding than had I. He had been witness to greater brutality during both wars with Cokyri, but I knew he would have willingly taken his son’s punishment in his stead. After seeing him in the cave, holding and protecting Steldor when we’d all feared the King’s death, I knew that beneath his strength and bravery, he ached.
Cayla Kluver (Sacrifice (Legacy, #3))
A king-size bed sat catty-corner opposite me. The bedroom was painted white, but the comforter was crimson. Small black velvet bird appliques swarmed in the center. I’m not much for art. I’ll confess the deeper meaning of the twisted comforter was lost on me. Maybe death to all swallows?
Hailey Edwards (Dog with a Bone (Black Dog, #0.5))
With Bruford, the album was One Of A Kind. All-instrumental, it possessed the kind of focused vision that allowed for no ifs or buts. With the unnerving confidence of youth, it had This Is What We Do And This Is How We Do It stamped all over it.
Bill Bruford (Bill Bruford - The Autobiography: Yes, King Crimson, Earthworks and More)
Yet last night he had dreamt of Rhaegar’s children. Lord Tywin had laid the bodies beneath the Iron Throne, wrapped in the crimson cloaks of his house guard. That was clever of him; the blood did not show so badly against the red cloth. The little princess had been barefoot, still dressed in her bed gown, and the boy … the boy … Ned could not let that happen again. The realm could not withstand a second mad king, another dance of blood and vengeance. He must find some way to save the children.
Anonymous
I wrought me a lyric of fire and fear, And called on the world to heed — Till strong men blenched at my haggard face And shuddered, but would not read. So I stole me the gold of the mines of Joy And fashioned a conscious lie — And they gave me the wreath of the kings of Song And prayed that I might not die! (For the lie that I wrought was as old as the world And dear as the vision of Heaven — Of the crimson lure of a maiden's lips And the myth of a sin forgiven!) But my heart was sick, and my soul grew less, With the light of my failing days, Because I had lied to my Knowledge-God For the pottage of human praise. O I clung to the rim of the cliffs of Hell And called on an empty Name — Till there dropped the tears of a weeping Truth And saved my soul from the flame. So I hid my soul in a maiden's hair, And climbed to a clearer view — And I found I had lied to a lying God, And the myth I had sung - was true!
Kenneth Rand
And so he came at last to the high seat of Guslav the fifth, High King of the Union. His head was slumped sideways, squashed down under the sparkling crown. His pasty pale fingers twitched on his crimson silk mantle like white slugs. His eyes were closed, chest rising and falling gently, accompanied by gentle splutterings as spittle issued from his slack lips and ran down his chin, joining the sweat on his bulging jowls and helping it to turn his high collar dark with wet. Truly, Jezal was in the presence of greatness. “Your
Joe Abercrombie (The Blade Itself (The First Law, #1))
I want to say this about the textbook situation. Our associate athletic director for compliance at the time, Chris King, did a superb job of sifting through a maze of paperwork, finding out exactly what the problem had been and setting the course to correct it. The gist of the issue was a worker in the bookstore who was friendly with the athletes, was giving the athletes textbooks, which was an extra benefit. The players did repay the full amount of the costs of the books and had their eligibility restored after sitting out four games. Despite the
Mal M. Moore (Crimson Heart: Let Me Tell You My Story)
Yeah, like mold grows on bread.” She reaches her hand out and presses it to the middle of his face, shoving him back into his seat. “Get away from me, you giant tattooed leprechaun.
Kayleigh King (Midnight Queen (The Crimson Crown, #2))
That low hiss of a promise, of love. It had come from a shadow. No, a shade. A shade that held such light, but also a permeating black. ... But his words were burning against my mind, they were screaming in my ears. Each word was as loud as the love I had heard from the shade before, as burning as that magic that was calling to me. And I followed.
Rebecca Ethington (Crimson Stained Catalyst (The Last Fae King, #1))
The Prince of the East looks up. Leans left. Flares his shadows. My blade sails right through them, then he and Nephele vanish in a plume of red smoke. The crimson shadows remain, and I’m moving too fast to stop. They fling out, monstrous tentacles latching onto me. An arm clamps around my waist, yanking me to a halt. Whoever has hold of me twists, trying to pull me in the other direction, but the shadows wrap around my ankles and tear me away, slamming me to the earth, knocking the wind from my chest. When I look up, Colden’s wild stare meets mine. After everything—after all the nights I lay awake thinking of how I would one day kill him—the Frost King tried to save me.
Charissa Weaks (The Witch Collector (Witch Walker #1))
barely have magic, but I do have power. So when I grab the back of the boy’s chair and punch at his chest, I go straight through bone, claw my fingers around his heart and tear it out. Blood sprays, painting the night in spots of crimson. When it splatters across my face, I finally exhale, and the urgency ebbs away. The party is silent as the blood patters to the stone. The boy slumps over in the chair, eyes wide and dead.
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
For the first time, I think I wanted to survive this. I think I wanted to see what came after.
Rebecca Ethington (Crimson Stained Catalyst (The Last Fae King, #1))
Is it so bad to love what you cannot have?
Rebecca Ethington (Crimson Stained Catalyst (The Last Fae King, #1))
For someone whose name means light bringer you seem to have nothing but darkness around you.
Rebecca Ethington (Crimson Stained Catalyst (The Last Fae King, #1))
I knew I was going to die. I had always known, somewhere in the back of my mind, that this power would kill me. I had lived in fear of it, but now it was there, and I wasn't going to look away, even as my body shook and hot tears escaped my eyes.
Rebecca Ethington (Crimson Stained Catalyst (The Last Fae King, #1))
I could be good, I could deserve goodness. I could deserve her. I could keep her.
Rebecca Ethington (Crimson Stained Catalyst (The Last Fae King, #1))
So, I glared at him, I glared at that snake that had been everywhere in my life. I glared at the hatred and the disgust. I glared at death.
Rebecca Ethington (Crimson Stained Catalyst (The Last Fae King, #1))
What are you doing? What kind of monster are you?" Monster? I wasn't the monster. I had saved her from monsters.
Rebecca Ethington (Crimson Stained Catalyst (The Last Fae King, #1))
Something soft and warm lodged itself in my heart as I watched the world that was so different from what I had been led to believe. I couldn't help but feel as though something out there was waiting for me. As though this wasn't the end.
Rebecca Ethington (Crimson Stained Catalyst (The Last Fae King, #1))
If kisses had colors, this one would reflect the tatters of control swirling around us, a symphony of crimson and amber and pure, stunning cobalt. They sank beneath my skin, sending electric currents over every raw, exposed nerve. In a world of black and white, she was my kaleidoscope.
Ana Huang (King of Sloth (Kings of Sin #4))
If kisses had colors, this one would reflect the tatters of control swirling around us, a symphony of crimson and amber and pure, stunning cobalt.
Ana Huang (King of Sloth (Kings of Sin, #4))
My Quincey, mon soleil.
Kayleigh King (Bloody Kingdom (The Crimson Crown, #1))
Progesterone is not a minimalist hormone. It leans toward excess, toward velvet, toward a thickening of the blood. Under its spell, the womb's endometrial mat goes from a thin brown covering to a thick crimson pile, a wild, expensive carpet, bedding fit for a king. No amount of money could buy a mattress with the thickness, the precision, the pure comfort that progesterone produces; here is where you started your first perfect sleep. Shhh.
Lauren Slater (Love Works Like This: Moving from One Kind of Life to Another)
His snowshoe paws are encased in chains as he hops on his hind legs. On his forehead was placed a wreath of thorns, crimson and blasphemous it was. His eyes were drenched in white, no colors can be discerned whatsoever in the reflection of his pupils, only a harrowing stillness of nothingness can be glimpsed through his gaze. He was the image of a ghostly figure, his silhouette swirling like the clouds in the loftiest mountains in eternal Paradise; a divine messenger before all animals and humanity. He wears shimmering chest armor resembling the scorching rays of the sunlight, with a fire crown of thorns burning on his forehead, which embodies the colors of the Earth's horizon, showcasing seventeen stars in its center. He had a voluminous, metallic beard, which was made of arctic sand from the Northern Winter lands - it was wizardly like - something out of a mythical folk tale that comes from a children's novel. His body glistens like the shattered fragments from the Moon, with his fur appearing like green moss surrounded by waterfalls flowing from each corner on his appearance - evolving into snowflakes, ice, as well as winter storms if you inflict your might at his anguish. He’s a supernatural being that all the Witches of the globe worshiped. He is greater, more superior, more virtuous than all deities people pray to on Earth. He’s the lunar father of all the Heavens and Earth, the All-father of all Animals and Mankind. When you see the Hare flying in the skies of the Universe, He’s bestowing the blessings of Sprout, Summer, Autumn, Winter. As the Hare Lunar King steps on the green grass, the mountains will begin to shake, the oceans will become huge typhoons, earthquakes will rumble across the nations as mankind annihilates each other in the guise of the Hare Lunar Emperor. However, the hare will grieve for all humankind, for he knows that the Earth is devoid of vengeance, so he must demolish it in preparation to reconstruct it from a pristine foundation. That future is nigh, that soon will arrive - it’s unfolding as I converse. The Lunar Rabbit King is coming back with his swarm of rabbits - mankind will not evade the menace of long ears - for their King will tell the sinister world with a voice of a thundering lion roar, ‘it is completed! go into the depths of your abysmal eternity, and enslave yourself as the locust of the earth in the fires of tribulation, for you will be tormented from sunrise to sunset, where sunlight is no more; forevermore.
Chains On The Rabbit, The Lunar God Of All, The Fall Of Mankind Fantasy Poem by D.L. Lewis
crimson is the color of House Lannister, another sign. This comet is sent to herald Joffrey’s ascent to the throne, I have no doubt. It means that he will triumph over his enemies.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
He dreamed He dreamed He dreamed of a red basin, a collapsed and hollow place And from that misshapen bowl came a blank white face It had no hair to comb Possessed no mouth to lie Its one and only feature was a single crimson eye "The world is yours," it somehow said. "We gladly give it thee." "How will I take it? What will it cost?" "There are no answers for thee." "How will I take it? What will it cost?" "Pain and pain and pain. A dear price for a man, A pittance to a King And nothing to a God, cosmically ordained." "Am I God or King?" he asked. "Long may you reign.
Madeleine Roux (Critical Role: The Mighty Nein—The Nine Eyes of Lucien)
When the future remains so unclear, why does the past so often intrude? Because it is all that is definite.
Graham McNeill (The Crimson King (The Horus Heresy, #44))
The higher we are placed, the more humbly we should walk.
Graham McNeill (The Crimson King (The Horus Heresy, #44))
From the errors of others, a wise man corrects his own.
Graham McNeill (The Crimson King (The Horus Heresy, #44))
Before I learned how vile love is, how predatory. The way it attaches itself to a host and infects it from the inside, leeching all life and emotions from it until the host is nothing more than a husk. The way it’s addictive even as it destroys. And if love is the drug—the poison—then sex is the cure, the crimson antidote.
Aurora Reed (Spearcrest Prince (Spearcrest Kings #2))
Also by Robert B. Parker All Our Yesterdays God Save the Child Mortal Stakes Promised Land The Judas Goat Wilderness Looking for Rachel Wallace Early Autumn A Savage Place Ceremony The Widening Gyre Love and Glory Valediction A Catskill Eagle Taming a Sea-horse Pale Kings and Princes Crimson Joy The Early Spenser
Robert B. Parker (The Godwulf Manuscript (Spenser, #1))
His face and body were beginning to stretch and elongate. His eyes had become long and snake-like, glowing with a spectral yellow light. His gaze met Daniel’s eyes across the temple and locked with him. Shem’s lips, which were now bloodless and thin, peeled back from his teeth. He expelled a long, low sibilant hiss, and a ribbon of crimson tongue lashed out. Daniel was sure its burning end flicked against his cheek. He was horrified by what he saw, yet strangely awed. Was the coronation ceremony a means to transform Shemyaza into some hideous serpent king? He glanced around himself quickly to see how the Parzupheim were reacting to this transformation, but no-one save himself seemed to have noticed it.
Storm Constantine (Scenting Hallowed Blood (The Grigori Trilogy #2))
Confusion will be my epitaph! As I crawl a cracked and broken path... If we make it we can all sit back and laugh But I fear tomorrow I'll be crying...
King Crimson
A hardliner by nature, Honecker was nonetheless more open to rock music. But rather than import music by decadent capitalist puppets like the Doors or the Stones, he determined the DDR should foster its own rock culture. This led to a string of officially sanctioned East German rock bands dominating Free German Youth concerts and DDR youth radio during the 1970s. Bands with names like the Puhdys, Renft, Electra-Combo, Karussell, and Stern-Combo Meissen aped Deep Purple, Uriah Heep, King Crimson, Blood, Sweat & Tears, and Jethro Tull—and landed deals with the government record label, Amiga, the sole music manufacturer and distributor in the tightly-controlled East German media system.
Tim Mohr (Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall)
1683 he aided the legendary King Jan Sobieski and much of Christian Europe in keeping Vienna—and therefore Eastern Europe—from the Turks.
James Conroyd Martin (The Poland Trilogy: Push Not the River; Against a Crimson Sky; The Warsaw Conspiracy (Boxed Set))
It fell, one ruby drop at a time, splattering on the boy’s open, lifeless eye. A little trail of red ran from the eye down the side of his face. Like crimson tears. That night, Kaladin huddled in the barrack, listening to a highstorm buffet the wall. He curled against the cold stone. Thunder shattered the sky outside. I can’t keep going like this, he thought. I’m dead inside, as sure as if I’d taken a spear through the neck. The storm continued its tirade. And for the first time in over eight months, Kaladin found himself crying.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
by refusing to repeat it, much to the despair of their record companies. Both wrote gorgeous sci-fi ballads blatantly inspired by 2001—“Space Oddity” and “After the Gold Rush.” Both did classic songs about imperialism that name-checked Marlon Brando—“China Girl” and “Pocahontas.” Both were prodigiously prolific even when they were trying to eat Peru through their nostrils. They were mutual fans, though they floundered when they tried to copy each other (Trans and Tin Machine). Both sang their fears of losing their youth when they were still basically kids; both aged mysteriously well. Neither ever did anything remotely sane. But there’s a key difference: Bowie liked working with smart people, whereas Young always liked working with . . . well, let’s go ahead and call them “not quite as smart as Neil Young” people. Young made his most famous music with two backing groups—the awesomely inept Crazy Horse and the expensively addled CSN—whose collective IQ barely leaves room temperature. He knows they’re not going to challenge him with ideas of their own, so he knows how to use them—brilliantly in the first case, lucratively in the second. But Bowie never made any of his memorable music that way—he always preferred collaborating with (and stealing from) artists who knew tricks he didn’t know, well educated in musical worlds where he was just a visitor. Just look at the guitarists he worked with: Carlos Alomar from James Brown’s band vs. Robert Fripp from King Crimson. Stevie Ray Vaughan from Texas vs. Mick Ronson from Hull. Adrian Belew from Kentucky vs. Earl Slick from Brooklyn. Nile Rodgers. Peter Frampton. Ricky Gardiner, who played all that fantastic fuzz guitar on Low (and who made the mistake of demanding a raise, which is why he dropped out of the story so fast). Together, Young and Bowie laid claim to a jilted generation left high and dry by the dashed hippie dreams. “The
Rob Sheffield (On Bowie)
She is irrelevant." "Irrelevant? No one is irrelevant." "There's truth in that. But some are less relevant than others.
Graham McNeill (The Crimson King (The Horus Heresy, #44))
The headsman's axe knows not where it is to fall. It is simply a weapon directed by the hand of another." - Ahzek Ahriman
Graham McNeill (The Crimson King (The Horus Heresy, #44))
He was more interested in the pair that came behind him: the queen’s brothers, the Lannisters of Casterly Rock. The Lion and the Imp; there was no mistaking which was which. Ser Jaime Lannister was twin to Queen Cersei; tall and golden, with flashing green eyes and a smile that cut like a knife. He wore crimson silk, high black boots, a black satin cloak. On the breast of his tunic, the lion of his House was embroidered in gold thread, roaring its defiance. They called him the Lion of Lannister to his face and whispered “Kingslayer” behind his back. Jon found it hard to look away from him. This is what a king should look like, he thought to himself as the man passed. Then he saw the other one, waddling along half-hidden by his brother’s side. Tyrion Lannister, the youngest of Lord Tywin’s brood and by far the ugliest. All that the gods had given to Cersei and Jaime, they had denied Tyrion. He was a dwarf, half his brother’s height, struggling to keep pace on stunted legs. His head was too large for his body, with a brute’s squashed-in face beneath a swollen shelf of brow. One green eye and one black one peered out from under a lank fall of hair so blond it seemed white. Jon watched him with fascination.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
His cloak was Lannister crimson, but his surcoat showed the ten purple mullets of his own House arrayed upon a yellow field.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
And then her heart changed, or at least she understood it; and the winter passed, and the sun shone upon her.”- J.R.R. Tolkien, The Return of the King
Sarah M. Cradit (The House Of Crimson & Clover Box Set Volumes V-VIII: A New Orleans Witches Family Saga (Crimson & Clover Collections))