“
I went to bed and woke in the middle of the night thinking I heard someone cry, thinking I myself was weeping, and I felt my face and it was dry.
Then I looked at the window and thought: Why, yes, it's just the rain, the rain, always the rain, and turned over, sadder still, and fumbled about for my dripping sleep and tried to slip it back on.
”
”
Ray Bradbury (Green Shadows, White Whale)
“
I will do my best to dodge tonight's depression
Hide in sleep
Damage myself in dreams
Wake up older, slightly more used.
”
”
Henry Rollins (See a Grown Man Cry, Now Watch Him Die)
“
Some things do not have to be said. You didn’t have to tell me you were in love with Khalid Ibn al-Rashid. And I didn’t have to tell you I cried myself to sleep for weeks after you left. Love speaks for itself.
”
”
Renée Ahdieh (The Rose & the Dagger (The Wrath and the Dawn, #2))
“
1. I’m lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. You’re a ghost town I’m too patriotic to leave.
6. I stay because you’re the beginning of the dream I want to remember.
7. I didn’t call him back because he likes his girls voiceless.
8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth.
9. I couldn’t love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didn’t want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. I’m not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, I’m insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didn’t work out.
21. My dad walked out one afternoon and never came back.
22. I can’t sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didn’t want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. You’re the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said “I love you so bad.”
29. His heart wasn’t as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. I’m a lover without a lover.
33. I’m lovely and lonely.
34. I belong deeply to myself .
”
”
Warsan Shire
“
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with visions of myself dancing and laughing and crying with them. Three years down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not a very popular one, who once had dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like a million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.
When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lay your head.
I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiveness that was as wide as wavering as the ocean. And if I said that I didn't plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obsession for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me.
Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art.
”
”
Lana Del Rey
“
I see why now Tohno-kun is different from the others. Like the rocket shooting off into space, on the loneliest journey to the far end of the solar system. Because he's always looking at something beyond me. He can never see me. I cried myself to sleep, thinking of him.
”
”
Makoto Shinkai (5 Centimeters per Second (5 Centimeters per Second, #1-2))
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)
“
Sleep is still difficult I sleep for three or four hours a day. Usually sometime in the afternoon. I walk in the cold, keep myself numb. I cry less, and less." (James Frey, pg.88)
”
”
James Frey (My Friend Leonard)
“
That night as I cried myself to sleep I knew that, somewhere in the sky, Karim was doing the same; and some of my tears were his tears, and some of his tears were mine.
”
”
Kamila Shamsie (Kartography)
“
It's when I'm standing six feet away from you and not being able to find the words to tell you how much I love you and how much I miss you that I want to just scream to the whole room that I'm still in love with you. It's when I'm sitting alone with the phone in my hand dialing your number and hanging up that I would trade a thousand tomorrows for just one yesterday. Then I could just call you to tell you goodnight. It's when I am really sad about something and need someone to talk to that I realize you're the only one who really knew me at all. It's when I cry myself to sleep at night and it hits me how much I would give to hold you at that very moment. It's when I think about you that I realize no one else in the world is meant for me.
”
”
James Frey (A Million Little Pieces)
“
Leave me alone, let me have at least one night when I don't cry myself to sleep with eyes burning and my head pounding. Let me get away, away from everything, away from this world!
”
”
Anne Frank (The Diary of a Young Girl)
“
No, I don’t live in heartache. I don’t cry myself to sleep or any of that. I am, I tell myself, over it. But I do feel a void, icky as that sounds. And—like it or not—I still think about her every single day.
”
”
Harlan Coben (Six Years)
“
Every morning I push through the pain—and force myself to keep sleeping, despite my aching body’s cries to quit. I am a champion.
”
”
Jarod Kintz (This Book is Not for Sale)
“
I cried myself to sleep every one of those nights you went out. I was in hell, praying for daylight when you'd be with me and not them
”
”
Kahlen Aymes (The Future of Our Past (The Remembrance Trilogy, #1))
“
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with vision of myself dancing and laughing and crying with them. Three year down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not very popular one, who once has dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.
When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lied you head.
I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiviness that was as wide as wavering as the ocean. And if I said that I didn’t plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obssesion for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me.
Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art.
LIVE FAST. DIE YOUNG. BE WILD. AND HAVE FUN.
I believe in the country America used to be. I belive in the person I want to become, I believe in the freedom of the open road. And my motto is the same as ever- *I believe in the kindness of strangers. And when I’m at war with myself- I Ride. I Just Ride.*
Who are you? Are you in touch with all your darkest fantasies?
Have you created a life for yourself where you’re free to experience them?
I Have.
I Am Fucking Crazy. But I Am Free.
”
”
Lana Del Rey
“
I woke up feeling alone, so lonely. The night before, I had cried myself to sleep. I lay there on the floor, listening to the tube trains passing beneath me. I thought, All those hundreds and thousands and millions of people. London, London - I hate you. I picked myself up and got ready.
”
”
Tracey Emin (Strangeland)
“
I fold myself into a corner of this room and bury my head in my knees and rock back and forth and back and forth and back and forth and I wish and I wish and I wish and I dream of impossible things until I've cried myself to sleep.
I wonder what it would be like to have a friend.
And then I wonder who else is locked in this asylum. I wonder where the other screams are coming from.
I wonder if they're coming from me.
”
”
Tahereh Mafi (Unite Me (Shatter Me, #1.5-2.5))
“
I've had enough of these streets that sweat a cold, yellow slime, of hostile people, of crying myself to sleep every night. I've had enough of thinking, enough of remembering.
”
”
Jean Rhys (Good Morning, Midnight)
“
One day or one night—between my days and nights, what difference can there be?—I dreamed that there was a grain of sand on the floor of my cell. Unconcerned, I went back to sleep; I dreamed that I woke up and there were two grains of sand. Again I slept; I dreamed that now there were three. Thus the grains of sand multiplied, little by little, until they filled the cell and I was dying beneath that hemisphere of sand. I realized that I was dreaming; with a vast effort I woke myself. But waking up was useless—I was suffocated by the countless sand. Someone said to me:
You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of the grains of sand. The path that you are to take is endless, and you will die before you have truly awakened.
I felt lost. The sand crushed my mouth, but I cried out: I cannot be killed by sand that I dream —nor is there any such thing as a dream within a dream.
— Jorge Luis Borges, The Writing of the God
”
”
Jorge Luis Borges (The Aleph and Other Stories)
“
There's nothing I could say to you
Nothing I could ever do to make you see
What you mean to me
All the pain, the tears I cried
Still you never said goodbye and now I know
How far you'd go
I know I let you down
But it's not like that now
This time I'll never let you go
I will be, all that you want
And get myself together
Cause you keep me from falling apart
All my life, I'll be with you forever
To get you through the day
And make everything okay
I thought that I had everything
I didn't know what life could bring
But now I see, honestly
You're the one thing I got right
The only one I let inside
Now I can breathe, cause you're here with me
And if I let you down
I'll turn it all around
Cause I would never let you go
I will be, all that you want
And get myself together
Cause you keep me from falling apart
All my life, I'll be with you forever
To get you through the day
And make everything okay
Cause without you I cant sleep
I'm not gonna ever, ever let you leave
You're all I've got, you're all I want
Yeah
And without you I don't know what I'd do
I can never, ever live a day without you
Here with me, do you see,
You're all I need
And I will be, all that you want
And get myself together
Cause you keep me from falling apart
All my life (my life), I'll be with you forever
To get you through the day
And make everything okay.
”
”
Avril Lavigne
“
....Then from anguish, wishing to cry out and trembling, eyes full of doleful tears, I tore myself from sleep. But in my mind remained his vivid image. And in the uncertain ray of sunshine, I believed I saw him still.
”
”
Giacomo Leopardi
“
She tried to soothe me, to tell me it didn't matter, that there was no reason to blame myself. But ashamed, and no longer able to control my anguish, I began to sob. There in her arms I cried myself to sleep, and I dreamed of the courtier and the pink-cheeked maiden. But in my dream it was the maiden who held the sword.
”
”
Daniel Keyes (Flowers for Algernon)
“
I sit alone and watch the clock
Trying to collect my thoughts
All I think about is you
And so I cry myself to sleep
And hope the devil I don't meet
In the dreams that I live through
”
”
Staind (Staind - The Illusion of Progress)
“
You, Doctor Martin, walk
from breakfast to madness. Late August,
I speed through the antiseptic tunnel
where the moving dead still talk
of pushing their bones against the thrust
of cure. And I am queen of this summer hotel
or the laughing bee on a stalk
of death. We stand in broken
lines and wait while they unlock
the doors and count us at the frozen gates
of dinner. The shibboleth is spoken
and we move to gravy in our smock
of smiles. We chew in rows, our plates
scratch and whine like chalk
in school. There are no knives
for cutting your throat. I make
moccasins all morning. At first my hands
kept empty, unraveled for the lives
they used to work. Now I learn to take
them back, each angry finger that demands
I mend what another will break
tomorrow. Of course, I love you;
you lean above the plastic sky,
god of our block, prince of all the foxes.
The breaking crowns are new
that Jack wore. Your third eye
moves among us and lights the separate boxes
where we sleep or cry.
What large children we are
here. All over I grow most tall
in the best ward. Your business is people,
you call at the madhouse, an oracular
eye in our nest. Out in the hall
the intercom pages you. You twist in the pull
of the foxy children who fall
like floods of life in frost.
And we are magic talking to itself,
noisy and alone. I am queen of all my sins
forgotten. Am I still lost?
Once I was beautiful. Now I am myself,
counting this row and that row of moccasins
waiting on the silent shelf.
”
”
Anne Sexton (To Bedlam and Part Way Back)
“
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
”
”
Olivia Gatwood (New American Best Friend)
“
Yeah, I'm a real piece of work- a single man fucking a willing partner in the privacy of my own home. Sometimes I cry myself to sleep, I'm so ashamed of my actions.
”
”
Joanna Wylde (Reaper's Stand (Reapers MC, #4))
“
It’s the nights that I cried myself to sleep and my tears crawled across the bridge of my nose that God most often used to develop me into the person I am today.
”
”
T.D. Jakes (Crushing: God Turns Pressure into Power)
“
For every person who closed the door in my face, thank you. For every person who told me I wasn't good enough, thank you. For every person who laughed and told me that I was wasting my time going to college, because I was going to fail, thank you. For every person who tried to break me, thank you. For every person who took my kindness for weakness, thank you. For every person who told me I was wasting time chasing my dreams because I would fail, thank you. It could of broke me. From the core of my heart, I thank you. I truly mean it, because if it weren't for each of you I wouldn't be who I am today. I wouldn't of spend hours and loss sleep studying. I wouldn't developed tough skin. You pushed me to think about what I "really" want out of life. You pushed me to master my craft. You helped me develop the drive, passion and determination. You pushed me to not wait for someone to believe in my vision, but to find a way to make things happen. I know you didn't "intend" to, but I thank you for teaching me to believe in myself! AND you taught me to TRUST in God and lean on my faith, not man. Thank You!
”
”
Yvonne Pierre (The Day My Soul Cried: A Memoir)
“
You just like the idea of me. You like the person I present myself under circumstances that I can control. I choose what I say and how I say things. It’s like being attracted to a fictional character in a book. They are scripted and made up. If you think about it, through writings, we all script and make ourselves up. I don’t share the person I become when I am upset. I don’t show you how I look like when I sleep. I don’t tell you about all the times I’ve made someone cry. All the guilty things I’ve done and the bad thoughts I’ve had.
”
”
Jiawei Han
“
How many happy, satisfied people there are, after all, I said to myself. What an overwhelming force! Just consider this life--the insolence and idleness of the strong, the ignorance and bestiality of the weak, all around intolerable poverty, cramped dwellings, degeneracy, drunkenness, hypocrisy, lying...and yet peace and order apparently prevail in all those homes and in the streets. Of the fifty thousand inhabitants of a town, not one will be found to cry out, to proclaim his indignation aloud. We see those who go to the market to buy food, who eat in the daytime and sleep at night, who prattle away, marry, grow old, carry their dead to the cemeteries. But we neither hear nor see those who suffer, and the terrible things in life are played out behind the scenes. All is calm and quiet, and statistics, which are dumb, protest: so many have gone mad, so many barrels of drink have been consumed, so many children died of malnutrition...and apparently this is as it should be. Apparently those who are happy can only enjoy themselves because the unhappy bear their burdens in silence, and but for this silence happiness would be impossible. It is a kind of universal hypnosis. There ought to be a man with a hammer behind the door of every happy man, to remind him by his constant knocks that there are unhappy people, and that happy as he himself may be, life will sooner or later show him its claws, catastrophe will overtake him--sickness, poverty, loss--and nobody will see it, just as he now neither sees nor hears the misfortunes of others. But there is no man with a hammer, the happy man goes on living and the petty vicissitudes of life touch him lightly, like the wind in an aspen-tree, and all is well.
”
”
Anton Chekhov
“
you make me feel like myself again. Myself before I had any solid reasons to be anything else. Last night you gave me space to dream bigger than the single bed. You laughed in your sleep and I cried in mine and
”
”
Yrsa Daley-Ward (bone)
“
I cried myself to sleep that night...
"It's alright to be sad, Frances," she whispered. "You have to let all the sadness out to make room for the happiness again.
”
”
Hazel Gaynor (The Cottingley Secret)
“
Cried myself to sleep-woke up crying…
”
”
JJM
“
Ocean?”“Yeah baby.” “Please don’t leave me like everyone else, don’t let me drown Ocean.” “I hugged her tighter. “Livie I won’t let you drown. If you drown, I drown baby.” I held onto her and closed my eyes, and silently cried myself to sleep. *Ocean Hawthorne*
”
”
M.A. DeOlmos (Oceans Collide (Oceans Trilogy, #1))
“
Can I see him again? Could I bear it? Do I want to see him? I close my eyes and tilt my head back as grief and longing lance through me. Of course I do. Perhaps-perhaps I can tell him I’ve changed my mind … No, no, no. I cannot be with someone who takes pleasure in inflicting pain on me, someone who can’t love me. Torturous memories flash through my mind-the gliding, holding hands, kissing, the bathtub, his gentleness, his humor, and his dark, brooding, sexy stare. I miss him. It’s been five days, five days of agony that has felt like an eternity. I cry myself to sleep at night, wishing I hadn’t walked out, wishing that he could be different, wishing that we were together. How long will this hideous overwhelming feeling last? I am in purgatory. I wrap my arms around my body, hugging myself tightly, holding myself together. I miss him. I really miss him…I love him. Simple.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
I receive remarkable letters. They are opened for me, unfolded, and spread out before my eyes in a daily ritual that gives the arrival of the mail the character of a hushed and holy ceremony. I carefully read each letter myself. Some of them are serious in tone, discussing the meaning of life, invoking the supremacy of the soul, the mystery of every existence. And by a curious reversal, the people who focus most closely on these fundamental questions tend to be people I had known only superficially. Their small talk has masked hidden depths. Had I been blind and deaf, or does it take the harsh light of disaster to show a person's true nature?
Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than all the rest. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark... I hoard all these letters like treasure. One day I hope to fasten them end to end in a half-mile streamer, to float in the wind like a banner raised to the glory of friendship.
It will keep the vultures at bay.
”
”
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
“
If you’re having fun, you’re sinning” was the message my parents drilled into my head at a very young age. Taught that my natural behavior was somehow wrong, I learned to censor and repress myself, and cried myself to sleep nearly every single night during my tween and teen years, with my face jammed into a pillow so nobody would hear.
”
”
Rachel Dolezal (In Full Color: Finding My Place in a Black and White World)
“
Pudge/Colonel:
"I am sorry that I have not talked to you before. I am not staying for graduation. I leave for Japan tomorrow morning. For a long time, I was mad at you. The way you cut me out of everything hurt me, and so I kept what I knew to myself.
But then even after I wasn't mad anymore, I still didn't say anything, and I don't even really know why. Pudge had that kiss,
I guess. And I had this secret.
You've mostly figured this out, but the truth is that I saw her that night, I'd stayed up late with Lara and some people, and then I was falling asleep and I heard her crying outside my back window. It was like 3:15 that morning, maybe, amd I walked out there and saw her walking through the soccer field. I tried to talk to her, but she was in a hurry. She told me that her mother was dead eight years that day, and that she always put flowers on her mother's grave on the anniversary but she forgot that year. She was out there looking for flowers, but it was too early-too wintry. That's how
I knew about January 10. I still have no idea whether it was suicide.
She was so sad, and I didn't know what to say or do. I think she counted on me to be the one person who would always say and do the right things to help her, but I couldn"t. I just thought she was looking for flowers. I didn't know she was going to go. She was drunk just trashed drunk, and I really didn't think she would drive or anything. I thought she would just cry herself to sleep and then drive to visit her mom the next day or something. She walked away, and then I heard a car start. I don't know what I was thinking.
So I let her go too. And I'm sorry. I know you loved her. It was hard not to."
Takumi
”
”
John Green (Looking for Alaska)
“
Amory, sorry for them, was still not sorry for himself - art, politics, religion, whatever his medium should be, he knew he was safe now, free from all hysteria - he could accept what was acceptable, roam, grow, rebel, sleep deep through many nights...
There was no God in his heart, he knew; his ideas were still in riot; there was ever the pain of memory; the regret for his lost youth - yet the waters of disillusion had left a deposit on his soul, responsibility and a love of life, the faint stirring of old ambitions and unrealized dreams...
And he could not tell why the struggle was worth while, why he had determined to use to the utmost himself and his heritage from the personalities he had passed...
He stretched out his arms to the crystalline, radiant sky.
"I know myself," he cried, "but that is all.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
After I left, I cried myself to sleep so many times, wondering where things went wrong. I obsessed over the idea of you being my world and I was nothing to you. You can’t tell me years later that you loved me.
”
”
Kat Singleton (Rewrite Our Story (Sutten Mountain, #1))
“
Tears
I struggle with myself to keep them inside
The feelings that I have tried to deny.
I tell everyone that I am okay
When I battle to make it through each day.
In my world of illusions where everything was right
I cried myself to sleep each night.
You notice the tears filling my eyes
As I begin to shed my shallow disguise.
My pain, confusion and a few of my fears
Drop to the ground in the form of my tears.
It feels so good to release the emotions built up
To say what I feel instead of bottling them up.
As I cry a weight seems to lift from me
I feel so much better now that you can see.
And now that you know what it is that I feel
Will you fight the battle with me and
help my wounds heal?
”
”
Arianna Johnson
“
Listen up, pal, the moon is way up in the sky. Aren’t you scared? The helplessness that comes from nature. That moonlight, think about it, that moonlight, paler than a corpse’s face, so silent and far away, that moonlight witnessed the cries of the first monsters to walk the earth, surveyed the peaceful waters after the deluges and the floods, illuminated centuries of nights and went out at dawns throughout centuries . . . Think about it, my friend, that moonlight will be the same tranquil ghost when the last traces of your great-grandsons’ grandsons no longer exist. Prostrate yourself before it. You’ve shown up for an instant and it is forever. Don’t you suffer, pal? I . . . I myself can’t stand it. It hits me right here, in the center of my heart, having to die one day and, thousands of centuries later, undistinguished in humus, eyeless for all eternity, I, I!, for all eternity . . . and the indifferent, triumphant moon, its pale hands outstretched over new men, new things, different beings. And I Dead! Think about it, my friend. It’s shining over the cemetery right now. The cemetery, where all lie sleeping who once were and never more shall be. There, where the slightest whisper makes the living shudder in terror and where the tranquility of the stars muffles our cries and brings terror to our eyes. There, where there are neither tears nor thoughts to express the profound misery of coming to an end.
”
”
Clarice Lispector (The Complete Stories)
“
I can give God the glory, and it can still hurt. I used to cry myself to sleep every night. But I have learned, above all other lessons, that healing for each of us is spiritual. We will be fully restored in heaven, but we are actually healed on earth right now. My experience has caused me to redefine healing and to discover a hope that heals the most broken places: our souls. What
”
”
Katherine Wolf (Hope Heals)
“
Yes, I know that now that there is truth in beauty and beauty in truth. My nature is to be depressive and come out of it and write, and enjoy writing and feeling as if I have a passion and excitement and love and euphoria for it and then I go 'back to sleep again' where I can eat and watch television and not work, not be productive and then just as if a magic switch is turned on I can do it all over again. I don't mind the being depressed part. Sometimes it seems to fuel me. The anger though is gone now that was there in my twenties and even earlier in my youth. Your voice is Tolstoy’s, Hemingway’s, Updike’s, Styron’s, Mcewan’s, Greene’s, Fugard’s, Kundera’s, Rilke’s while I am the incarnate of Radcliffe Hall crossing both genders effortlessly. You betray nothing. There is son in the picture. A small boy but you don’t introduce him to me. Obsessions are unhealthy creatures. They make you mentally ill, emotionally unstable; leave you with a chemistry of deep sadness in your life. I have my writing. It keeps me from disintegrating into fractions. I should stop now before I begin to make myself cry.
”
”
Abigail George (Winter in Johannesburg)
“
People say that teenagers don’t know how to love like an adult. Part of me believes that, but I’m not an adult and so I have nothing to compare it to. But I do believe it’s probably different. I’m sure there’s more substance in the love between two adults than there is between two teenagers. There’s probably more maturity, more respect, more responsibility. But no matter how different the substance of a love might be at different ages in a person’s life, I know that love still has to weigh the same. You feel that weight on your shoulders and in your stomach and on your heart no matter how old you are. And my feelings for Atlas are very heavy. Every night I cry myself to sleep and I whisper, “Just keep swimming.” But it gets really hard to swim when you feel like you’re anchored in the water.
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
She tried to soothe me, to tell me it didn't matter, that there was no reason to blame myself. But ashamed, and no longer able to control my anguish, I began to sob. There in her arms I cried myself to sleep, and I dreamed of the courtier and the pick cheeked maiden. But in my dream it was the maiden who held the sword.
”
”
Daniel Keyes (Flowers for Algernon)
“
Sunlight’s warmth on my face awoke me in the morning. I didn’t remember falling asleep or how I came to be in my own bed. But I did recall nightmares. Awful nightmares featuring Gwen.
I turned my head to stare out an open window where the sun shone in full splendor, bleaching a clear sky enough to tell it was going to be a beautiful spring day. The air smelled of rain from overnight showers, mixed with a strong floral scent. A large lilac bush outside was responsible for the perfume. I breathed in the clean and fragrant air.
My eyelids fluttered, blinking at a stunning reflection of daylight off the glass. The blue beyond gave an exquisite glow to my room. All of it was an invitation to bask in a new day—an invitation I declined because none of that mattered to me. The world might as well come to a dark and ugly end. I saw no reason for beauty or life to go on so long as Gwen was lost.
Rolling over in bed, I felt the vice grips wrench at my heart again as I cried myself back to sleep.
from Phantom's Veil
”
”
Richelle E. Goodrich
“
Our apartment was filled with photos of us, notes I wrote to myself about us, holos of us on Hyperion, but … you know. In the morning he would be an absolute stranger. By afternoon I began to believe what we’d had, even if I couldn’t remember. By evening I’d be crying in his arms … then, sooner or later, I’d go to sleep. It’s better this way.” Rachel
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
You were attacked, and then you got up and went shopping.”
“What would you like me to do? Cry myself to sleep?
”
”
Danielle Lori (The Darkest Temptation (Made, #3))
“
• “I go running. It gives me a better perspective on my problems and helps me find solutions.” • “I allow myself one hour to feel sorry for myself and I cry.” • “I take a bath, read my journal, and sleep.” • “I play ball.” • “I lift weights to release the endorphins.” • “Helping others helps you forget about your own problems.” • “I just get out of the house.
”
”
Sean Covey (The 6 Most Important Decisions You'll Ever Make: A Guide for Teens)
“
It just happens. Even when almost everyone who showed you how to do things showed you wrong, and screwed you up, and left; even when you have promised yourself fifteen different sets of sheets and in freight trains and on sidewalks, staring up at the stars, that you will do it different from all the people who have done it wrong and hurt you, still you do it the same. Still you do the same shit to everybody else that they have done to you. I know it must be possible to keep promises. There must be people who say things and mean then and who can make the words turn real. But I've never met one. I keep trying to be something I'm not even sure exists. I've promised myself so many times that I won't be like so many people, and I still do it anyway. I still make people cry, and laugh at them, and I know as soon as everyone really sees me they'll all leave again and I'll be left with the noise not being able to sleep.
”
”
Jessica Blank (Almost Home)
“
By the time I left college, I realized I'd never be happy unless I undid a lifetime of conformist conditioning.
Thus, I reversed my directives. I shunned affirmation and craved contempt. I sought arguments from argumentative people. I encouraged judgement from judgmental people. I went out of my way to trigger all kinds of scorn from anyone who was willing to give it, and there was never a shortage of volunteers. It wasn't the easiest phase of my life. In fact, there were dozens of nights I cried myself to sleep. But like the most determined of body builders, I stuck to my regimen and eventually began to see results. Eventually, I became a human fortress, impervious to even the most subtle and penetrating forms of disdain. At long last, my mind became a peaceful, self-sufficient entity. Life got easier from there.
”
”
Daniel Price (Slick)
“
I thought my family would want the same, and it kills me that they have such great potential to thrive but they don’t. I lost a lot of sleep over that. I cried a lot over that. But at the end of the day, the only person I can make changes to is myself.
”
”
K.L. Randis (Spilled Milk)
“
At Jeanette’s slumber party, I told Kitty Coffey she smelled like a hamper and was delighted when she cried. I ate greedily, danced myself into a sweat, and laughed so loud that Mrs. Nord had to come in and speak to me. “Keep it down, honey, will you? I can hear you all over the house,” she said. “Shut up, you whore,” I thought of saying, but only made a face. I dared each girl there to stay awake as long as I could—to match my energy. When the last of them faded off to sleep, I started shaking so hard that I couldn’t stop myself. Maybe he’d left because I was a bad person. Because I’d wished he’d married Mrs. Nord instead of Ma. Because I told Ma she was ugly. By dawn, my eyes burned from no sleep. I tiptoed amongst my girlfriends in the blanketed clumps on Jeanette’s floor, pretending they were all dead from some horrible explosion. Because I had stayed awake, I was the only survivor. Birds chirped outside in the Nords’ graying yard. I got dressed, walked down the hall, and pedaled barefoot back to Bobolink Drive.
”
”
Wally Lamb (She's Come Undone)
“
Back in Mother Ivy’s time I would have been obliged to cook you gingerbread and show you my spickle dancing, and yet now I have permission to chop you up into little pieces. I cry myself to sleep every night, and feel dead inside, but society is definitely improving.
”
”
Matt Haig (A Boy Called Christmas (Christmas, #1))
“
All I know: I could only encounter you, my oasis, coming out of a desert. Deserted myself. This is all right. My futureless and solitary self. When suddenly I hear the voice of the springs--Right away you made me want to sing. To cry. Then to drink. But after the desert, the merest trickle of water sounds like a storm. And ever since, Promethea's every murmur shakes my life like an earthquake. I was asleep. I was not thirsty. It would have been possible for me not to hear the first three tears. Ever since I never sleep. I listen.
”
”
Hélène Cixous (The Book of Promethea)
“
Can I cuddle up with you when you sleep?”
Sma stopped, detached the creature from her shoulder with one hand and stared it in the face. “What?”
“Just for chumminess’ sake,” the little thing said, yawning wide and blinking. “I’m not being rude; it’s a good bonding procedure.”
Sma was aware of Skaffen-Amtiskaw glowing red just behind her. She brought the yellow and brown device closer to her face. “Listen, Xenophobe—”
“Xeny.”
“Xeny. You are a million-ton starship. A Torturer class Rapid Offensive Unit. Even—”
“But I’m demilitarized!”
“Even without your principle armament, I bet you could waste planets if you wanted to—”
“Aw, come on; any silly GCU can do that!”
“So what’s all this shit for?” She shook the furry little remote drone, quite hard. Its teeth chattered.
“It’s for a laugh!” it cried. “Sma, don’t you appreciate a joke?”
“I don’t know. Do you appreciate being drop-kicked back to the accommodation area?”
“Ooh! What’s your problem, lady? Have you got something against small furry animals, or what?” Look Ms. Sma, I know very well I’m a ship, and I do everything I’m asked to do—including taking you to this frankly rather fuzzily specified destination—and do it very efficiently, too. If there was the slightest sniff of any real action, and I had to start acting like a warship, this construct in your hands would go lifeless and limp immediately, and I’d battle as ferociously and decisively as I’ve been trained to. Meanwhile, like my human colleagues, I amuse myself harmlessly. If you really hate my current appearance, all right; I’ll change it; I’ll be an ordinary drone, or just a disembodied voice, or talk to you through Skaffen-Amtiskaw here, or through your personal terminal. The last thing I want is to offend a guest.”
Sma pursed her lips. She patted the thing on its head and sighed. “Fair enough.”
“I can keep this shape?”
“By all means.”
“Oh goody!” It squirmed with pleasure, then opened its big eyes wide and looked hopefully at her. “Cuddle?”
“Cuddle.” Sma cuddled it, patted its back.
She turned to see Skaffen-Amtiskaw lying dramatically on its back in midair, its aura field flashing the lurid orange that was used to signal Sick Drone in Extreme Distress.
”
”
Iain M. Banks (Use of Weapons (Culture, #3))
“
I didn't sleep that night. I cried. I wasn't frightened for myself; I was indignant; it was the wickedness of it that broke me. The war came to an end and I went home. I'd always been keen on mechanics, and if there was nothing doing in aviation, I'd intended to get into an automobile factory. I'd been wounded and had to take it easy for a while. Then they wanted me to go to work. I couldn't do the sort of work they wanted me to do. It seemed futile. I'd had a lot of time to think. I kept on asking myself what life was for. After all it was only by luck that I was alive; I wanted to make something of my life, but I didn't know what. I'd never thought much about God. I began to think about Him now. I couldn't understand why there was evil in the world. I knew I was very ignorant; I didn't know anyone I could turn to and I wanted to learn, so I began to read at haphazard.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Listening to Don Moen's songs always reminds me of my darkest moments
Then I was always listening to them and crying, locking myself alone in the room, shedding tears, questioning God, singing along with Don Moen
But today, whenever I listen to the songs, I always smile.
Indeed, God never sleeps, He never slumbers
”
”
OMOSOHWOFA CASEY
“
Oak puts a hand on my arm. I startle.
'You all right?' he asks.
'When they first took me from the mortal world to the Court of Teeth, Lord Jarel and Lady Nore tried to be nice to me. They gave me good things to eat and dressed me in fancy dresses and told me that I was their princess and would be a beautiful and beloved queen,' I tell him, the words slipping from my lips before I can call them back. I occupy myself with searching deeper in the closet so I don't have to see his face as I speak. 'I cried constantly, ceaselessly. For a week, I wept and wept until they could bear it no more.'
Oak is silent. Though he knew me as a child, he never knew me as that child, the one who still believed the world could be kind.
But then, he had sisters who were stolen. Perhaps they had cried, too.
'Lord Jarel and Lady Nore told their servants to enchant me to sleep, and the servants did. But it never lasted. I kept weeping.'
He nods, just a little, as though more movement might break the spell of my speaking.
'Lord Jarel came to me with a beautiful glass dish in which there was flavoured ice,' I tell him. 'When I took a bite, the flavour was indescribably delicious. It was as though I were eating dreams.'
'You will have this every day if you cease you're crying,' he said.
'But I couldn't stop.
'Then he came to me with a necklace of diamonds, as cold and beautiful as ice. When I put it on, my eyes shone, my hair sparkled, and my skin shimmered as though glitter had been poured over it. I looked wondrously beautiful. But when he told me to stop crying, I couldn't.
'Then he became angry, and he told me that if I didn't stop, he would turn my tears to glass that would cut my cheeks. And that's what he did.
'But I cried until it was hard to tell the difference between tears and blood. And after that, I began to teach myself how to break their curses. They didn't like that.
'And so they told me I would be able to see the humans again- that's what they called them, the humans- in a year, for a visit, but only if I was good.
'I tried. I choked back tears. And on the wall beside my bed, I scratched the number of days in the ice.
'One night I returned to my room to find the scratches weren't the way I remembered. I was sure it had been five months, but the scratches made it seem as though it had been only a little more than three.
'And that was when I realised I was never going home, but by then the tears wouldn't come, no matter how much I willed them. And I never cried again.'
His eyes shone with horror.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
To H.S. Boyd
Monday, September 19, 1843. My own dear Friend, — I should have written instantly to explain myself out of appearances which did me injustice, only I have been in such distress as to have no courage for writing. Flush was stolen away, and for three days I could neither sleep nor eat, nor do anything much more rational than cry.
”
”
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
“
Duroy, who felt light hearted that evening, said with a smile: "You are gloomy to-day, dear master."
The poet replied: "I am always so, young man, so will you be in a few years. Life is a hill. As long as one is climbing up one looks towards the summit and is happy, but when one reaches the top one suddenly perceives the descent before one, and its bottom, which is death. One climbs up slowly, but one goes down quickly. At your age a man is happy. He hopes for many things, which, by the way, never come to pass. At mine, one no longer expects anything - but death."
Duroy began to laugh: "You make me shudder all over."
Norbert de Varenne went on: "No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself - of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every movemebt, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. Oh, you will realize this. If you stop and think for a moment you will understand. What do you expect? Love? A few more kisses and you will be impotent. Then money? For what? Women? Much fun that will be! In order to eat a lot and grow fat and lie awake at night suffering from gout? And after that? Glory? What use is that when it does not take the form of love? And after that? Death is always the end. I now see death so near that I often want to stretch my arms to push it back. It covers the earth and fills the universe. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, 'Behold it!' It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breath."
He walked on slowly, dreaming aloud, almost forgetting that he had a listener: "And no one ever returns - never. The model of a statue may be preserved, but my body, my face, my thoughts, my desires will never reappear again. And yet millions of beings will be born with a nose, eyes, forehead, cheeks, and mouth like me, and also a soul like me, without my ever returning, without even anything recognizable of me appearing in these countless different beings. What can we cling to? What can we believe in? All religions are stupid, with their puerile morality and their egotistical promises, monstrously absurd. Death alone is certain."
"Think of that, young man. Think of it for days, and months and years, and life will seem different to you. Try to get away from all the things that shut you in. Make a superhuman effort to emerge alive from your own body, from your own interests, from your thoughts, from humanity in general, so that your eyes may be turned in the opposite direction. Then you understand how unimportant is the quarrel between Romanticism and Realism, or the Budget debates.
”
”
Guy de Maupassant
“
But I do remember,” she says. “I remember all of it. I remember the day our parents told us that Ella and Emmaline had drowned. I remember crying myself to sleep every night. I remember the day they took us to a place I thought was a hospital. I remember my mother telling me I’d feel better soon. And then, I remember remembering nothing. Like time, in my brain, just folded in on itself.
”
”
Tahereh Mafi (Defy Me (Shatter Me, #5))
“
Anticipating sorrow to neutralize sorrow—that’s paltry, cowardly stuff, I told myself, knowing I was an ace practitioner of the craft. And what if it came fiercely? What if it came and didn’t let go, a sorrow that had come to stay, and did to me what longing for him had done on those nights when it seemed there was something so essential missing from my life that it might as well have been missing from my body, so that losing him now would be like losing a hand you could spot in every picture of yourself around the house, but without which you couldn’t possibly be you again. You lose it, as you always knew you would, and were even prepared to; but you can’t bring yourself to live with the loss. And hoping not to think of it, like praying not to dream of it, hurts just the same.
Then a strange idea got hold of me: What if my body—just my body, my heart—cried out for his? What to do then?
What if at night I wouldn’t be able to live with myself unless I had him by me, inside me? What then?
Think of the pain before the pain.
I knew what I was doing. Even in my sleep, I knew what I was doing. Trying to immunize yourself, that’s what you’re doing—you’ll end up killing the whole thing this way—sneaky, cunning boy, that’s what you are, sneaky, heartless, cunning boy. I smiled at the voice. The sun was right on me now, and I loved the sun with a near-pagan love for the things of earth. Pagan, that’s what you are. I had never known how much I loved the earth, the sun, the sea—people, things, even art seemed to come second. Or was I fooling myself?
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was…
“Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?”
“Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.”
Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound.
And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall.
I realized I’d just insulted my host, and no joke was going to get me out of it this time.
“For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.”
The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me.
“Oh,” I said uncomfortably. “John, I’m so-“
It turned out he wasn’t finished.
“I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.”
I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live.
“Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“
He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead.
“You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.”
“No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“
That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
Feelings of a Pimp They think I was a player because I was devoted to the game They thought I worked hard on my offense to break down these women’s defenses just to score They think it’s the body count that made me manipulate them into my arms to get between their legs They think I’m satisfied with a different woman in my bed every night When during the day, even my bed can feel the loneliness They think I love the easy women They think it’s for the cool points that my heart grew cold They think they have me figured out Another dog chasing after every female dog in the streets They think I’m happy with all the texting buddies, but no wife But they don’t know They don’t know how tired I am of this, how tired I am of myself How tired I am of living like this How tired I am of these games, but that’s the only way I can score with a chick They don’t know how after sleeping with these ladies, I wish I had more chemistry with at least one of them to cuddle, to give goodnight kisses and wake up beside They don’t know how loneliness consumes me With a phone filled with women’s numbers, I still feel unwanted and unworthy They don’t know these easy women make it easy for me to feel confident about myself; although it’s the wrong type of confidence I feel validated by them, I feel accomplished, I feel loved although I’m having sex with them, not making love They don’t know how tired I am of chasing fool’s gold Chasing fast women who would sleep with me in a heartbeat Leaving me with the empty feeling I felt before I started the chase The player in me is played out. I just want love, but that’s the only thing I can’t seem to find So, I keep pimping in hope of finding love Her insecurities were beautiful They opened the door for me as an opportunist She was the perfect candidate Oh so sweet, but oh so hurt How smart would I be if I didn’t capitalize? Some fellas get women drunk and have their way with them I was doing nothing wrong but pretending to be prince charming, just to get the same results I became what they needed emotionally I was the shoulder to cry on, the ear to listen to, the one person who understood I was a smooth criminal manipulating the innocent Did not feel an ounce of guilt because I was weak myself I was insecure I couldn’t help preying on vulnerable women In their weakness I found strength I was a coward, a “wannabe” player I was playing the wrong games, winning the wrong prizes The truth is, no strong man takes advantage of a woman’s vulnerability. It is a trait of the weak. Diary of a Weak Man
”
”
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
“
This is what I decided:
Chloe is gone. She is never coming back. And the way I've been acting would hurt her. For at least an hour, I switch places with her in my mind-I am dead and Chloe is alive. How would she handle it? She would cry. She would be sad. She would miss me. But she wouldn't stop living. She would let people comfort her. She would sleep in her own room and smile at the memories as she drifted to sleep. And she would probably punch Galen Forza. Which brings me to what else I decided:
Galen Forza is a jerk. The details are hazy, but I'm pretty sure he had something to do with my accident on Monday. Also, he's a bit weird. Staring habit aside, he keeps popping up everywhere. Every time he does, I handle it with the grace of a rhino on stilts. So I'm switching my schedule as soon as I get to school. There is no good reason I should humiliate myself for seven periods a day.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Woman lost (skin deep) like a damn fine thread in the fire
Woman of the world caught up in your black machinations
I was a woman who cried alone at night, who gave it all
away when she saw the good heart of the man inside
Woman caught standing up; her open parts are broken -
Someone's armour broke right through, it was you, you
For some reason I've been thinking about you, your light
Today, you poured out all the tension, the ego underground
Hibernating inside my heart. I was so close to it, to the flicker
Of love in a lonely street and I turned my head and walked
Away from the flame in your arms. As I put away the fun in
A house of fight I came across you and a mechanism in
My brain shifted chemically, walls caved in like the cadence
In your words and I was lost in the darkness. Even now in
Middle age I remember when desire was a popular drug
And everyone was selling it but I don't live to explore to be
Able to illuminate the proof of my existence, live to burn
Vicariously though the diamond mouth of sleeping stars.
From so much love, pictures of death arrived in black and
White photographs and you're perfect, you always were -
Illusions have no flaws; they're dangerous beings, smoke.
Could I take the moon back and still live with my great
Expectations of nostalgia, laughter, tears and suffering -
But they are all a part of me not the people of the stars,
Long dead videotape, the past has stained the symphony
Of my soul (like the wind through the trees) throughout
Me finding myself, my two left feet as a female poet
The warning was there of the noise of eternity, signs
That said, don't anger the sea, you have an ally in her.
When men grow cold listen to their stories and bask in
The glory of their genuine deaths, their winters, put
Them away so you can read them like the newspaper.
Once in a while you can go back to where you stood
In youth with your afternoon tea, the sun of God in our
Eyes - I am that kind of woman who lives in the past
”
”
Abigail George (Feeding The Beasts)
“
In thirty minutes, Pascal was at my door with a bag of beignets he had freshly fried. We ate them in my bed, getting powdered sugar on our clothes, and then on our underwear, and then on our naked bodies.
"Who was that out there?" he said, his tongue edging up from my collarbone, to my neck, to the curve of my ear. His hands were on my butt, and my hands were on his. We were pressing into each other as much as we could, as much as was possible until we were finally one.
"No one," I said, as he began pushing into me.
No one, I repeated to myself. No one. No one.
Inside, a mountain of tension squeezed tighter and tighter before crunching into a tiny crystalline diamond. That diamond shattered into a billion pieces of wonder and I came harder than I'd ever come before. I was broken, but I was also new.
I silently cried myself to sleep with Pascal beside me. But when I woke up, I felt much better. Kissing Pascal had made me feel like another person. And after having sex with him, I knew that the change was finally complete.
”
”
Jessica Tom (Food Whore)
“
when i left them, i painted myself burgundy and grey
i stopped saying the words “please” and “i’m sorry”
i walked into grocery stores and bought too many
clementines, ordered too much Chinese, spent my
last four dollars on over the counter sleeping pills
that made my stomach bleed but my soul forget
every time i wanted to tell you “i’m sorry”, i wrote
you a poem instead, i said things like “i hope your
mother calls you beautiful” to strangers and when
boys with dry hands and broken eyes asked me on
dates i didn’t hesitate no, didn’t even stop them
when their hands grazed my breasts and when
they moaned my name against my thighs i cried
i opened the mail and didn’t tell anyone for a week
that i got accepted into law school, i stopped watering
the plants and filled the bathtub with roses and milk,
when i got invited to parties, i wore blue jeans with
white shirts, sat alone in some kitchen drinking hard
liquor until some boys mouth made me feel like home
i stopped answering the phone for a month, i didn’t
like how my name tasted in his mouth but he was
older and didn’t say things like “it doesn’t matter”
and i think i went insane, my heart boiled blisters, i
couldn’t understand why my bones felt like cages,
i walked around art museums until closing, watched
them lock up the gates and then open them up
again the very same morning, i thought about clocks
and how time was a deception of my fingertips,
i had stars growing inside of me into constellations,
and only when some man on the 9 AM bus asked
me for the time did i realize that you cannot run
from light igniting your lungs, you cannot run from
yourself.
”
”
irynka
“
After weeks of only sleeping an hour or two at a time, I responded to your screaming on autopilot. I’d hear your cries even when I was sleeping. But it was grueling, how much a baby needed, how you would tug my hair and grab my shirt and latch onto my body because you owned, it, too. Look how he wants his mama, my roommates would say, and a couple of them also got goo-goo-eyed, and a sliver of fear would present itself: what if I would always be required to offer myself up, ready and willing, constantly available? What had I done? And then: what was wrong with me?
”
”
Lisa Ko (The Leavers)
“
It seems universally accepted that the ocean and its unrelenting tide is a source of comfort and peace. The Pacific Ocean is, after all, named the Pacific. I myself find it boring. But boredom is a kind of comfort, and a modern luxury. Boredom can be pacifying. What does the ocean really do, but deliver one predictable wave after another? In this way it’s like life. Every morning my body wakes, crunches, shits, cries out for food. Then it aches and moves and works and tires, eats and sleeps again, setting up the same for the following morning. This is a kind of tide. It isn’t calming or pacific.
”
”
Brad Phillips (Essays and Fictions)
“
PROCRASTINATION
The day after tomorrow, yes, only the day after tomorrow ...
Tomorrow I’ll start thinking about the day after tomorrow,
Maybe I could do it then; but not today ...
No, nothing today; today I can’t.
The confused persistence of my objective subjectivity,
The sleep of my real life, intercalated,
Anticipated, infinite weariness—
I’m worlds too weary to catch a trolley—
That kind of soul ...
Only the day after tomorrow ...
Today I want to prepare,
I want to prepare myself for tomorrow, when I’ll think about the next day ...
That’d be decisive.
I’ve already got the plans sketched out, but no, today I’m not making any
plans ...
Tomorrow’s the day for plans.
Tomorrow I’ll sit down at my desk to conquer the world;
But I’ll only conquer the world the day after tomorrow ...
I feel like crying,
I suddenly feel like crying a lot, inside ...
That’s all you’re getting today, it’s a secret, I’m not talking.
Only the day after tomorrow ...
When I was a kid the Sunday circus diverted me every week.
Today all that diverts me is the Sunday circus from all the weeks of my
childhood ...
The day after tomorrow I’ll be someone else,
My life will triumph,
All my real qualities—intelligent, well-read, practical—
Will be gathered together in a public notice ...
But the public notice will go up tomorrow ...
Today I want to sleep, I’ll make a fair copy tomorrow ...
For today, what show will repeat my childhood to me?
Even if I buy tickets tomorrow,
The show would still really be the day after tomorrow ...
Not before ...
The day after tomorrow I’ll have the public pose I will have practiced
tomorrow.
The day after tomorrow I’ll finally be what I could never be today.
Only the day after tomorrow ...
I’m sleepy as a stray dog's chill.
I’m really sleepy.
Tomorrow I’ll tell you everything, or the day after tomorrow ...
Yes, maybe only the day after tomorrow ...
By and by ...
Yes, the old by and by ...
”
”
Fernando Pessoa
“
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“
Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever.
Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them.
Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife.
Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.”
The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.”
Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.”
The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg.
Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome.
“I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.”
His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.”
Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek.
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The Sultan tapped his tented fingers, staring into the distance. Suddenly, he lunged toward me, took hold of my wrist, and pulled me roughly down to sit on the cushion beside him. “This . . . mermaid,” he said through clenched teeth, leaning in so close to me that I could smell the mint on his breath. “The one who sang to the king at night.” His voice was fierce, but quiet. I couldn’t tell if anyone but me could hear. “How . . .” he began. “How did she think of the king . . . in her heart?”
I glanced quickly up at his face and saw there a look that took me by surprise. An oddly soft, vulnerable, hurting look. The look of a man who might cry out in his sleep at night, like a child. But then the stony mask slid back.
“Did she despise him,” the Sultan asked, “for making her sing for her life each night? Did she only pretend affection to save her own skin? Did she . . . loathe him for what he had done before, to his other wives? For his . . . sins?”
“No, my lord,” I said softly. “She loved him.”
“Do you swear it?” He gripped my wrist harder, until it hurt.
“Yes, my lord. She told me—” I stopped, corrected myself. “She told the mermaid with the broken fin. She said the king—the merman king, my lord—she said that he had a deep hurting inside him. She said that she wanted to soothe him. And when the mermaid with the broken fin . . . questioned how the queen could love him—because of the things you just said, my lord—the queen said, ‘I’m not ashamed of loving him. There’s nothing wrong with loving someone. It’s hating—that’s what’s wrong.
”
”
Susan Fletcher (Shadow Spinner)
“
Before I went to sleep I looked at myself in the mirror. My face was ravaged, lifeless and indistinct, so indistinct that I did not recognise myself. I got into bed, pulled the quilt over my head, huddled myself up and, with eyes closed, pursued the course of my thoughts. I was conscious of the strands which had been woven by a dark, gloomy, fearful and delightful destiny; I moved in the regions where life and death fuse together and perverse images come into being and ancient, extinct desires, vague, strangled desires, again come to life and cry aloud for vengeance. For that space of time I was severed from nature and the phenomenal world and was prepared to accept effacement and dissolution in the everlasting flux. I murmured again and again, ‘Death, death … where are you ?’ The thought of death soothed me and I fell asleep.
”
”
Sadegh Hedayat (The Blind Owl)
“
To be a mother I must leave the telephone unanswered, work undone, arrangements unmet. To be myself I must let the baby cry, must forestall her hunger or leave her for evenings out, must forget her in order to think about other things. To succeed in being one means to fail at being the other. The break between mother and self was less clean than I had imagined it in the taxi: and yet it was a premonition, too; for later, even in my best moments, I never feel myself to have progressed beyond this division. I merely learn to legislate for two states, and to secure the border between them. At first, though, I am driven to work at the newer of the two skills, which is motherhood; and it is with a shock that I see, like a plummeting stock market, the resulting plunge in my own significance. Consequently I bury myself further in the small successes of nurture. After three or four weeks I reach a distant point, a remote outpost at which my grasp of the baby’s calorific intake, hours of sleep, motor development and patterns of crying is professorial, while the rest of my life resembles a deserted settlement, an abandoned building in which a rotten timber occasionally breaks and comes crashing to the floor, scattering mice. I am invited to a party, and though I decide to go, and bathe and dress at the appointed hour, I end up sitting in the kitchen and crying while elsewhere its frivolous minutes tick by and then elapse. The baby develops colic, and the bauble of motherhood is once more crushed as easily as eggshell. The question of what a woman is if she is not a mother has been superceded for me by that of what a woman is if she is a mother; and of what a mother, in fact, is.
”
”
Rachel Cusk (A Life's Work: On Becoming a Mother)
“
I pictured my life before me, constantly forgetting items on a shopping list I wouldn’t have ever wanted to write. I pictured my life constantly forgetting my friend’s birthdays, but always being the best gift giver whenever I did remember. I pictured my life where the bread was always eaten the day it was bought, where the cheese was locally made. I pictured my life and saw my wife dancing in the kitchen in a yellow dress that bounced off the back of her ankles as she turned laughing and singing. I pictured tiny footsteps trailing mud over the floorboards and saw tiny hand marks on the walls, I pictured paint everywhere and flowers never dying. I pictured my life and saw myself always dressed perfectly for whatever the temperature outside was. I was crying myself to sleep, forgetting the bills piled in the draw beneath the sink, I pictured my life as my future and not my dream.
”
”
Miller McKenzie (Autonomous Sun On The Platypus River: Thoughts For Walks (Thoughts for walks/Thoughts for dreams))
“
Samwell Tarly looked at him for a long moment, and his round face seemed to cave in on itself. He sat down on the frost-covered ground and began to cry, huge choking sobs that made his whole body shake. Jon Snow could only stand and watch. Like the snowfall on the barrowlands, it seemed the tears would never end.
It was Ghost who knew what to do. Silent as shadow, the pale direwolf moved closer and began to lick the warm tears off Samwell Tarly's face. The fat boy cried out, startled... and somehow, in a heartbeat, his sobs turned to laughter. Jon Snow laughed with him. Afterward they sat on the frozen ground, huddled in their cloaks with Ghost between them. Jon told the story of how he and Robb had found the pups newborn in the late summer snows. It seemed a thousand years ago now. Before long he found himself talking of Winterfell.
"Sometimes I dream about it," he said. "I'm walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don't even know who I'm looking for. Most nights it's my father, but sometimes it's Robb instead, or my little sister Arya, or my uncle." The thought of Benjen Stark saddened him; his uncle was still missing. The Old Bear had sent out rangers in search of him. Ser Jaremy Rykker had led two sweeps, and Quorin Halfhand had gone forth from the Shadow Tower, but they'd found nothing aside from a few blazes in the trees that his uncle had left to mark his way. In the stony highlands to the northwest, the marks stopped abruptly and all trace of Ben Stark vanished. "Do you ever find anyone in your dream?" Sam asked. Jon shook his head. "No one. The castle is always empty." He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. "Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream." He stopped, frowning, embarrassed. "That's when I always wake." His skin cold and clammy, shivering in the darkness of his cell. Ghost would leap up beside him, his warmth as comforting as daybreak. He would go back to sleep with his face pressed into the direwolf s shaggy white fur.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
I loved my mother so much during that time; if I’d had the language I would have called her the love of my life and no uttered words in all of time could have been more true. We must have spent nearly every minute of our lives together—I don’t remember any babysitters—and in the hours we were apart, when she had to teach or attend a meeting, I missed her so much I felt as if an arm or a leg had been taken away—no, more, a heart or brain, some part of me that was undoubtedly the best of what I had to offer. But the separations were delicious in their own way, because they made our reunions all the more sweet. Upon my mother’s return I was showered in praise and love. I was so good and brave, not crying or getting myself in trouble, successfully completing whatever game or task she’d assigned before leaving me alone. My mother picked me up and kissed my head and let me wrap my arms around her long neck. She called me guai. At night we went to sleep on the same twin mattress, her arm flung casually over my shoulder, my hand clutching a strand of her hair.
”
”
Meng Jin (Little Gods)
“
You’re angry at me,” she says.
I stop crying at once. My whole body goes cold and still. She squats down beside me, and even though I’m careful not to look up, not to look at her at all, I can feel her, can smell the sweat from her skin and hear the ragged pattern of her breathing.
“You’re angry at me,” she repeats, and her voice hitches a little. “You think I don’t care.”
Her voice is the same. For years I used to imagine that voice lilting over those forbidden words: I love you. Remember. They cannot take it. Her last words to me before she went away.
She shuffles forward and squats next to me. She hesitates, then reaches out and places her palm against my cheek, and turns my head toward hers so I’m forced to look at her. I can feel the calluses on her fingers.
In her eyes, I see myself reflected in miniature, and I tunnel back to a time before she left, before I believed she was gone forever, when her eyes welcomed me into every day and shepherded me, every night, into sleep.
“You turned out even more beautiful than I’d imagined,” she whispers. She, too, is crying.
The hard casement inside me breaks.
“Why?” is the only word that comes. Without intending to or even thinking about it, I allow her to draw me against her chest, let her wrap her arms around me. I cry into the space between her collarbones, inhaling the still-familiar smell of her skin.
There are so many things I need to ask her: What happened to you in the Crypts? How could you let them take you away? Where did you go? But all I can say is: “Why didn’t you come for me? After all those years—all that time—why didn’t you come?” Then I can’t speak at all; my sobs become shudders.
“Shhh.” She presses her lips to my forehead, strokes my hair, just like she used to when I was a child. I am a baby once again in her arms—helpless and needy. “I’m here now.”
She rubs my back while I cry. Slowly, I feel the darkness drain out of me, as though pulled away by the motion of her hand. Finally I can breathe again. My eyes are burning, and my throat feels raw and sore. I draw away from her, wiping my eyes with the heel of my hand, not even caring that my nose is running. I’m suddenly exhausted—too tired to be hurt, too tired to be angry. I want to sleep, and sleep.
“I never stopped thinking about you,” my mother says. “I thought of you every day—you and Rachel.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night.
“Because my cave’s better than their cave.”
“You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.”
“I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance.
When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.”
He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?”
“Mine has bats.”
She breathed, “If I stick with you, I’ll have nothing but the best.”
“Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side.
Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts.
She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.”
“Or I could help you.”
“I’ve had a bit of practice bathing myself and think I can stumble my way through this.”
“But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.”
“You give me privacy or I go without.”
“Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
“
I used to have a daydream about myself—still have it, come to that. A ridiculous-enough daydream, though it’s often through such images that we shape our destinies. (You’ll notice how easily I slip into inflated language likeshape our destinies, once I wander off in this direction. But never mind.)
In this daydream, Winifred and her friends, wreaths of money on their heads, are gathered around Sabrina’s frilly white bed while she sleeps, discussing what they will bestow upon her. She’s already been given the engraved silver cup from Birks, the nursery wallpaper with the frieze of domesticated bears, the starter pearls for her single-strand pearl necklace, and all the other golden gifts, perfectlycomme il faut, that will turn to coal when the sun rises. Now they’re planning the orthodontist and the tennis lessons and the piano lessons and the dancing lessons and the exclusive summer camp. What hope has she got?
At this moment, I appear in a flash of sulphurous light and a puff of smoke and a flapping of sooty leather wings, the uninvited black-sheep godmother.I too wish to bestow a gift, I cry.I have the right!
Winifred and her crew laugh and point.You? You were banished long ago! Have you looked in a mirror lately? You’ve let yourself go, you look a hundred and two. Go back to your dingy old cave! What can you possibly have to offer?
I offer the truth,I say.I’m the last one who can. It’s the only thing in this room that will still be here in the morning.
”
”
Margaret Atwood (The Blind Assassin)
“
Throughout the whole absurd life I'd lived, a dark wind had been rising toward me from somewhere deep in my future, across years that were still to come, and as it passed, this wind leveled whatever was offered to me at the time, in years no more real than the ones I was living. What did other people's deaths or a mother's love matter to me; what did his God or the lives people choose or the fate they think they elect matter to me when we're all elected by the same fate, me and billions of privileged people like him who also called themselves my brothers? Couldn't he see, couldn't he see that? Everybody was privileged. There were only privileged people. The others would all be condemned one day. And he would be condemned, too. What would it matter if he were accused of murder and then executed because he didn't cry at his mother's funeral? Salamano's dog was worth just as much as his wife. The little robot woman was just as guilty as the Parisian woman Masson married, or as Marie, who had wanted me to marry her. What did it matter that Raymond was as much my friend as Celeste, who was worth a lot more than him? What did it matter that Marie now offered her lips to a new Meursault? Couldn't he, couldn't this condemned man see ... And that from somewhere deep in my future ... All the shouting had me gasping for air. But they were already tearing the chaplain from my grip and the guards were threatening me. He calmed them, though, and looked at me for a moment without saying anything. His eyes were full of tears. Then he turned and disappeared. With him gone, I was able to calm down again. I was exhausted and threw myself on my bunk. I must have fallen asleep, because I woke up with the stars in my face. Sounds of the countryside were drifting in. Smells of night, earth, and salt air were cooling my temples. The wondrous peace of that sleeping summer Rowed through me like a tide. Then, in the dark hour before dawn, sirens blasted. They were announcing departures for a world that now and forever meant nothing to me. For the first time in a long time I thought about Maman. I felt as if I understood why at the end of her life she had taken a "fiance," why she had played at beginning again. Even there, in that home where lives were fading out, evening was a kind of wistful respite. So close to death, Maman must have felt free then and ready to live it all again. Nobody, nobody had the right to cry over her. And I felt ready to live it all again too. As if that blind rage had washed me clean, rid me of hope; for the first time, in that night alive with signs and stars, I opened myself to the gentle indifference of the world. Finding it so much like myself-so like a brother, really-! felt that I had been happy and that I was happy again. For everything to be consummated, for me to feel less alone, I had only to wish that there be a large crowd of spectators the day of my execution and that they greet me with cries of hate.
”
”
Albert Camus (The Stranger)
“
Inside the oleander square there was nothing, no house, no building, nothing but the straight road going across and ending at the stream. Now what was here, she wondered, what was here and is gone, or what was going to be here and never came? Was it going to be a house or a garden or an orchard; were they driven away for ever or are they coming back? Oleanders are poisonous, she remembered; could they be here guarding something? Will I, she thought, will I get out of my car and go between the ruined gates and then, once I am in the magic oleander square, find that I have wandered into a fairyland, protected poisonously from the eyes of people passing? Once I have stepped between the magic gateposts, will I find myself through the protective barrier, the spell broken? I will go into a sweet garden, with fountains and low benches and roses trained over arbours, and find one path—jewelled, perhaps, with rubies and emeralds, soft enough for a king’s daughter to walk upon with her little sandalled feet—and it will lead me directly to the palace which lies under a spell. I will walk up low stone steps past stone lions guarding and into a courtyard where a fountain plays and the queen waits, weeping, for the princess to return. She will drop her embroidery when she sees me, and cry out to the palace servants—stirring at last after their long sleep—to prepare a great feast, because the enchantment is ended and the palace is itself again. And we shall live happily ever after.
”
”
Shirley Jackson (The Haunting of Hill House)
“
I’ve made myself into the character of a book, a life one reads.
Whatever I feel is felt (against my will) so that I can write that I felt it.
Whatever I think is promptly put into words, mixed with images that
undo it, cast into rhythms that are something else altogether. From so
much self-revising, I’ve destroyed myself. From so much self-thinking,
I’m now my thoughts and not I. I plumbed myself and dropped the
plumb; I spend my life wondering if I’m deep or not, with no remaining
plumb except my gaze that shows me – blackly vivid in the mirror at the
bottom of the well – my own face that observes me observing it.
I’m like a playing card belonging to an old and unrecognizable suit –
the sole survivor of a lost deck. I have no meaning, I don’t know my
worth, there’s nothing I can compare myself with to discover what I am,
and to make such a discovery would be of no use to anyone. And so,
describing myself in image after image – not without truth, but with lies
mixed in – I end up more in the images than in me, stating myself until I
no longer exist, writing with my soul for ink, useful for nothing except
writing. But the reaction ceases, and again I resign myself. I go back to
whom I am, even if it’s nothing. And a hint of tears that weren’t cried
makes my stiff eyes burn; a hint of anguish that wasn’t felt gets caught in
my dry throat. But I don’t even know what I would have cried over, if I’d
cried, nor why it is that I didn’t cry over it. The fiction follows me, like
my shadow. And what I want is to sleep.
”
”
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
“
No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself—of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every moment, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. I now see death so near that I often want to stretch my arms to push it back. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, "Behold it!" It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breathe.
”
”
Guy de Maupassant (Bel-Ami)
“
From the cobbled Close, we all admired the Minster's great towers of fretted stone soaring to the clouds, every inch carved as fine as lacework. Once we had passed into the nave, I surrendered my scruples to that glorious hush that tells of a higher presence than ourselves. It was a bright winter's day, and the vaulted windows tinted the air with dappled rainbows. Sitting quietly in my pew, I recognized a change in myself; that every morning I woke quite glad to be alive. Instead of fitful notions of footsteps at midnight, each new day was heralded by cheery sounds outside my window: the post-horn's trumpeting and the cries and songs of busy, prosperous people. I was still young and vital, with no need for bed rest or sleeping draughts. I was ready to face whatever the future held. However troubled my marriage was, it was better by far than my former life with my father. Dropping my face into my clasped hands, I glimpsed in reverie a sort of labyrinth, a mysterious path I must traverse in the months to come. I could not say what trials lay ahead of me- but I knew that I must be strong, and win whatever happiness I might glean on this earth.
It was easy to make such a resolution when, as yet, I faced no actual difficulties. Each morning, Anne and I returned from our various errands to take breakfast at our lodgings. Awaiting us stood a steaming pot of chocolate and a plate of Mrs. Palmer's toast and excellent buns. Anne and I both heartily agreed that if time might halt we should have liked every day to be that same day, the gilt clock chiming ten o'clock, warming our stockinged feet on the fire fender, splitting a plate of Fat Rascals with butter and preserves, with all the delightful day stretching before us.
”
”
Martine Bailey (A Taste for Nightshade)
“
Why did you come back to Salt Lake?" I knew the answer before I asked the question and he knew I knew, and it was like you could see the shadow of it hanging there between us.
"I needed to see you," he finally said. "It's hard to explain."
"You don't have to."
"I tried telling my mom once what happed that day. Showed her the hole in the window screen and Moe and even after that she said it was complicated, that my dad's a complicated man and we all needed to try harder to understand him." His voice was shaking now. "And I thought, hey, maybe she's right. Maybe he was just playing around, you know. Maybe we didn't need to run."
"We did," I whispered.
"That's why I had to come, see?" He didn't move and I didn't move, but in a few seconds I heard him sniffling and he couldn't stop and I knew he was crying. "Cameron." I propped myself up, reached out my arm. "Come here." He got up and came to me, dragging his blanket behind him like a child. I scooted over in my bed to make room. "Come on."
He positioned himself beside me-I stayed under the covers, he was on top of them, his head next to mine on the pillow. I stroked his hair and thought of the week he'd lived at our house, the way we slept shoulder to shoulder in our sleeping bags in the living room and I got another good memory.
Jennifer, Cameron had said. You awake?
His voice was coming from across the room. I sat up. Yeah.
Look. He was standing by the living room window. The blinds were closed, but he had his hands on the cord, a big smile on his face. Ready?
I nodded, starting to smile myself.
One, two, three, Cameron said, then pulled the blind up, hand over hand on the cord like someone on TV. His smile got even bigger as he watched my face.
Snow. Giant flakes of it falling in front of the window even though it was only September.
Now, I fell asleep with my arm over Cameron's chest, thinking of how the flakes had been slow and white in the glow of the streetlights that lined the apartment walkways, and the smile on his face and on mine, like the snow was personal, a gift he'd given me himself.
”
”
Sara Zarr (Sweethearts)
“
Reaching out, Andrew crooked his little finger with mine. “If I live, I’ll find a way to let you know, Drew,” he promised. “I owe you that much--and a whole lot more.”
After a little silence, Andrew’s face brightened. “You don’t suppose you could stay, do you? Just think of the fun we’d have playing tricks on Edward and Mrs. Armiger.” He laughed at his own thoughts. “Why, we’d make their heads spin, Drew. They wouldn’t know one of us from the other.”
For a moment, it seemed possible. My mother and father were away, they wouldn’t miss me. As for Aunt Blythe--well, we’d think of some way to let her know I was all right. We were bouncing on the bed, singing “Yip-I-Addy-I-Ay,” when the door opened and Mama appeared. It was Andrew she looked at, not me.
“Why are you still awake?” she asked. “I told you to go to sleep.”
As Mama approached the bed, Andrew flung his arms around her. “You can see me, Mama,” he cried. “Oh, thank the Lord! It’s me, your own true son, back again for keeps.”
She stared at him, perplexed. “What nonsense is this? Of course I can see you. Of course it’s you. Who else would it be, you silly goose?”
I slid off the bed and ran to her side. “Me,” I shouted, “it could be me.”
When Mama didn’t even blink, I tugged at her nightgown. “Look at me,” I begged. “I’m here too, we both are. Andrew and me. Can’t you see us both?” I hugged her, but all she did was shiver.
“No wonder this room is so drafty,” she murmured. “The attic door is wide open.”
Andrew and I stared at each other, his face reflecting my disappointment. He was visible, I was invisible. Like the design on his quilt, the pattern had reversed.
Sadly I released Mama. As I turned away, Andrew whispered, “We’ll meet again, Drew. I swear it.”
Mama looked at him. “What did you say?”
“Oh, nothing.” Hiding his face from his mother, Andrew winked at me and said, “I was just talking to myself, Mama.”
I took one long last look at Andrew. Much as I wanted to stay, it was time to leave. When Mama reached out to close the attic door, I slipped through it like a ghost. The door shut behind me. I was alone at the bottom of the dark stairs with nowhere to go but home.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
It’s no wonder your grandmother despairs of you. God only knows what a trial you are to your poor parents.”
The humor vanished abruptly from his face. “Sadly, my parents are too dead to be overly concerned about my behavior.”
His words were flip, but the sudden glint of grief in his eyes told another tale. “Please forgive me,” she said hastily, cursing her quick tongue. “It’s awful to lose your parents. I know that better than anyone.”
“No need for apologies.” He pushed away from the door. “They despaired of me long before they died, so you weren’t far off the mark.”
“Still, it was very wrong of me to-“
“Come now, Miss Butterfield, this has naught to do with my proposal. Will you pretend to be my fiancée or not?” When she hesitated, he went on with a hint of anger, “I don’t see why you make such a fuss over it. It’s not as if I’m asking you to do anything wicked.”
That ridiculous remark banished her brief moment of sympathy. “You’re asking me to lie! To deceive a woman for the sake of your purpose, whatever that is. It goes against every moral principle-“
“And threatening to stab a man does not?” He cast her a thin smile. “Think of it as playing a role, like an actress. You and your cousin will be guests at my estate for a week or two, entirely at your leisure.” A dark gleam shone in his eyes. “I can even set up an effigy of myself for you to stab at will.”
“That does sound tempting,” she shot back.
“As for Freddy there, he can ride and hunt and play cards with my brothers. It’s better entertainment than he’d find in the gaol.”
“As long as you feed me, sir,” Freddy said, “I’ll follow you anywhere.”
“Freddy!” Maria cried.
“What? That blasted inn where we’re staying is flea-ridden and cold as a witch’s tit. Plus, you keep such tight hold on my purse strings that I’m famished all the time. What’s wrong with helping this fellow if it means we finally sleep in decent beds? And it’s not a big thing, your pretending to be betrothed to him.”
“I’m already betrothed, thank you very much,” she shot back. “And what about Nathan? While we’re off deceiving this man’s poor grandmother, Nathan might be hurt or in trouble. You expect me just to give up searching for him so you can get a decent meal?”
“And keep from being hanged,” Freddy pointed out. “Let’s not forget that.”
“Ah, the missing fiancé,” Lord Stoneville said coldly. “I did wonder when you would bring him back into it.”
She glowered at him. “I never let him out of it. he’s the reason I’m here.”
“So you say.”
That inflamed her temper. “Now see here, you insufferable, arrogant-“
“Fine. If you insist on clinging to your wild story, how about this: while you pretend to be my fiancée, I’ll hire someone to look for fiancé. A simple trade of services.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
In the meantime, I tried my best to acclimate to my new life in the middle of nowhere. I had to get used to the fact that I lived twenty miles from the nearest grocery store. That I couldn’t just run next door when I ran out of eggs. That there was no such thing as sushi. Not that it would matter, anyway. No cowboy on the ranch would touch it. That’s bait, they’d say, laughing at any city person who would convince themselves that such a food was tasty.
And the trash truck: there wasn’t one. In this strange new land, there was no infrastructure for dealing with trash. There were cows in my yard, and they pooped everywhere--on the porch, in the yard, even on my car if they happened to be walking near it when they dropped a load. There wasn’t a yard crew to clean it up. I wanted to hire people, but there were no people. The reality of my situation grew more crystal clear every day.
One morning, after I choked down a bowl of cereal, I looked outside the window and saw a mountain lion siting on the hood of my car, licking his paws--likely, I imagined, after tearing a neighboring rancher’s wife from limb to limb and eating her for breakfast. I darted to the phone and called Marlboro Man, telling him there was a mountain lion sitting on my car. My heart beat inside my chest. I had no idea mountain lions were indigenous to the area.
“It’s probably just a bobcat,” Marlboro Man reassured me.
I didn’t believe him.
“No way--it’s huge,” I cried. “It’s seriously got to be a mountain lion!”
“I’ve gotta go,” he said. Cows mooed in the background.
I hung up the phone, incredulous at Marlboro Man’s lack of concern, and banged on the window with the palm of my hand, hoping to scare the wild cat away. But it only looked up and stared at me through the window, imagining me on a plate with a side of pureed trout.
My courtship with Marlboro Man, filled with fizzy romance, hadn’t prepared me for any of this; not the mice I heard scratching in the wall next to my bed, not the flat tires I got from driving my car up and down the jagged gravel roads. Before I got married, I didn’t know how to use a jack or a crowbar…and I didn’t want to have to learn now. I didn’t want to know that the smell in the laundry room was a dead rodent. I’d never smelled a dead rodent in my life: why, when I was supposed to be a young, euphoric newlywed, was I being forced to smell one now?
During the day, I was cranky. At night, I was a mess. I hadn’t slept through the night once since we returned from our honeymoon. Besides the nausea, whose second evil wave typically hit right at bedtime, I was downright spooked. As I lay next to Marlboro Man, who slept like a baby every night, I thought of monsters and serial killers: Freddy Krueger and Michael Myers, Ted Bundy and Charles Manson. In the utter silence of the country, every tiny sound was amplified; I was certain if I let myself go to sleep, the murderer outside our window would get me.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Did you just take something off?” I ask the darkness. “Sam,” she scolds. I roll onto my side to face her. “What was it?” I whisper. “Nothing,” she hisses back. But I can hear laughter in her voice and I love it. “You took your shorts off, didn’t you?” I say quietly. “Maybe.” “You did.” I wait a beat. Just long enough for silence to settle around the room. “Do you know what that means?” “It means you should shut up and go to sleep.” She giggles. God, that’s a pretty sound. She’s quiet for a second. “What does it mean?” she suddenly asks. “It means your naked thighs are pressed against my sheets.” I groan. I’m turning myself on. Or she’s turning me on. “Sam,” she warns. But she’s laughing, too. She’s so far away from me that I imagine she’s going to roll right off the bed. “You’re awfully far away.” “There’s a reason for that,” she whispers. “What is it?” I whisper back. “Because I have this awful feeling that you’re going to break my heart,” she says. No stutter, so she must have found something to tap on. But I kind of would prefer to think she didn’t. “I don’t plan to hurt you.” God, she might as well have stabbed me in the gut. “No one plans to hurt anyone else. It just happens. Even to good people. So I’m trying not to let myself like you.” “You like me?” “I like you a lot. Too much.” “You like me,” I sing-song in a playful voice. “Sam,” she says on a heavy breath. “What?” “Don’t hurt me, okay?” I can hear the quiver in her voice and tension radiates off of her even from across the bed. It’s like a wire pulled taut. I reach out a hand and feel for her stomach. When I find it, I lift the edge of her shirt and lay my palm on her hip. She squeals when I roll her over and pull her to me. “Sam!” she cries. I adjust her until her bottom is cradled by my thighs. The scent of her hair tickles my nose, so I brush it out of my face, pushing it down between us. It’s silky smooth and she smells so damn good. “Um, Sam…” I nuzzle my face into the nape of her neck and press a kiss to her shoulder. “What?” “You promised to stay on your side of the bed.” “I am on my side of the bed.” She chuckles. “Go to sleep.” She wiggles her bottom in my lap, and I have to pull back a little and adjust my junk. “Um…” “That’s just my dick. I told you he likes you. He’ll give up in a minute. Go to sleep.” My head is lying on my bicep and I feel her turn her head ever so slightly and press a kiss against the tender skin of my inner arm. Damn, that feels good. My hand creeps up a little. This is the first time I’ve touched her naked stomach, and my fingertips are a little greedy. Her hand covers mine and holds it flat against her belly. “Sorry,” I whisper. She doesn’t say anything. She just holds my hand there against her skin, wrapped in hers. After a couple of minutes, she goes soft in my arms. I realize in that moment that I am in serious trouble. Like the awful, terrible, no good, very bad kind. Because I think I’m in love with her. No. I don’t think it. I know it. What I don’t know is whether or not she’s capable of loving me back.
”
”
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
“
It's healthy to adjust to reality. It's healthy, recognizing that fiction such as Proust and Faulkner wrote is doomed, to interest yourself in victorious technology, to fashion a niche for yourself in the new information order, to discard and then forget the values and methods of literary modernism which younger readers, bred on television and educated in the new orthodoxy of identity politics and the reader's superiority to the text, are almost entirely deaf and blind to. It's healthy to stop giving yourself ulcers and migraines doing demanding work that may please a few harried peers but otherwise instills unease or outright resentment in would-be readers. It's healthy to cry uncle when your bone's about to break. Likewise healthy, almost by definition, to forget about death in order to live your life: healthy to settle for (and thereby participate in) your own marginalization as a writer, to accept as inevitable a shrinking audience, an ever-deteriorating relationship with the publishing conglomerates, a retreat into the special Protective Isolation Units that universities now provide for writers. Healthy to slacken your standards, to call "great" what five years ago you might have called "decent but nothing special." Healthy, when you discover that your graduate writing students can't distinguish between "lie" and "lay" and have never read Jane Austen, not to rage or agitate but simply bite the bullet and do the necessary time-consuming teaching. Healthier yet not to worry about it—to nod and smile in your workshops and let sleeping dogs lay, let the students discover Austen when Merchant and Ivory film her.
In describing as "healthy" these responses to the death sentence obsolescence represents, I'm being more than halfway ironic. Health really is the issue here. The pain of consciousness, the pain of knowing, grows apace with the information we have about the degradation of our planet and the insufficiency of our political system and the incivility of our society and the insolvency of our treasury and the injustice in the on-fifth of our country and four-fifths of our world that isn't rich like us. Given this increasing pain, it's understandable that a large and growing segment of the population should take comfort in the powerful narcotics that technology offers. The more popular these narcotics become, the more socially acceptable their use—and the lonelier the tiny core of people who are temperamentally incapable of deluding themselves that the "culture" of technology is anything but a malignant drug. It becomes a torture each time you see a friend stop reading books, and each time you read another cheerful young writer doing TV in book form. You become depressed. And then you see what technology can do for those who become depressed. It can make them undepressed. It can bring them health. And this is the moment at which I find myself: I look around and see absolutely everyone (or so it seems) finding health. They enjoy their television and their children and they don't worry inordinately. They take their Prozac and are undepressed. They are all civil with each other and smile undepressed smiles, and they look at me with eyes of such pure opacity that I begin to doubt myself. I seem to myself a person who shrilly hates health. I'm only a phone call away from asking for a prescription of my own[.]
”
”
Jonathan Franzen (How to Be Alone)
“
It's healthy to adjust to reality. It's healthy, recognizing that fiction such as Proust and Faulkner wrote is doomed, to interest yourself in victorious technology, to fashion a niche for yourself in the new information order, to discard and then forget the values and methods of literary modernism which younger readers, bred on television and educated in the new orthodoxy of identity politics and the reader's superiority to the text, are almost entirely deaf and blind to. It's healthy to stop giving yourself ulcers and migraines doing demanding work that may please a few harried peers but otherwise instills unease or outright resentment in would-be readers. It's healthy to cry uncle when your bone's about to break. Likewise healthy, almost by definition, to forget about death in order to live your life: healthy to settle for (and thereby participate in) your own marginalization as a writer, to accept as inevitable a shrinking audience, an ever-deteriorating relationship with the publishing conglomerates, a retreat into the special Protective Isolation Units that universities now provide for writers. Healthy to slacken your standards, to call "great" what five years ago you might have called "decent but nothing special." Healthy, when you discover that your graduate writing students can't distinguish between "lie" and "lay" and have never read Jane Austen, not to rage or agitate but simply bite the bullet and do the necessary time-consuming teaching. Healthier yet not to worry about it—to nod and smile in your workshops and let sleeping dogs lay, let the students discover Austen when Merchant and Ivory film her.
In describing as "healthy" these responses to the death sentence obsolescence represents, I'm being more than halfway ironic. Health really is the issue here. The pain of consciousness, the pain of knowing, grows apace with the information we have about the degradation of our planet and the insufficiency of our political system and the incivility of our society and the insolvency of our treasury and the injustice in the one-fifth of our country and four-fifths of our world that isn't rich like us. Given this increasing pain, it's understandable that a large and growing segment of the population should take comfort in the powerful narcotics that technology offers. The more popular these narcotics become, the more socially acceptable their use—and the lonelier the tiny core of people who are temperamentally incapable of deluding themselves that the "culture" of technology is anything but a malignant drug. It becomes a torture each time you see a friend stop reading books, and each time you read another cheerful young writer doing TV in book form. You become depressed. And then you see what technology can do for those who become depressed. It can make them undepressed. It can bring them health. And this is the moment at which I find myself: I look around and see absolutely everyone (or so it seems) finding health. They enjoy their television and their children and they don't worry inordinately. They take their Prozac and are undepressed. They are all civil with each other and smile undepressed smiles, and they look at me with eyes of such pure opacity that I begin to doubt myself. I seem to myself a person who shrilly hates health. I'm only a phone call away from asking for a prescription of my own[.]
”
”
Jonathan Franzen (How to Be Alone)
“
Are-are you leaving?”
She saw his shoulders stiffen at the sound of her voice, and when he turned and looked at her, she could almost feel the effort he was exerting to keep his rage under control. “You’re leaving,” he bit out.
In silent, helpless protest Elizabeth shook her head and started slowly across the carpet, dimly aware that this was worse, much worse than merely standing up in front of several hundred lords in the House.
“I wouldn’t do that, if I were you,” he warned softly.
“Do-do what?” Elizabeth said shakily.
“Get any nearer to me.”
She stopped cold, her mind registering the physical threat in his voice, refusing to believe it, her gaze searching his granite features.
“Ian,” she began, stretching her hand out in a gesture of mute appeal, then letting it fall to her side when her beseeching move got nothing from him but a blast of contempt from his eyes. “I realize,” she began again, her voice trembling with emotion while she tried to think how to begin to diffuse his wrath, “that you must despise me for what I’ve done.”
“You’re right.”
“But,” Elizabeth continued bravely, “I am prepared to do anything, anything to try to atone for it. No matter how it must seem to you now, I never stopped loving-“
His voice cracked like a whiplash. “Shut up!”
“No, you have to listen to me,” she said, speaking more quickly now, driven by panic and an awful sense of foreboding that nothing she could do or say would ever make him soften. “I never stopped loving you, even when I-“
“I’m warning you, Elizabeth,” he said in a murderous voice, “shut up and get out! Get out of my house and out of my life!”
“Is-is it Robert? I mean, do you not believe Robert was the man I was with?”
“I don’t give a damn who the son of a bitch was.”
Elizabeth began to quake in genuine terror, because he meant that-she could see that he did. “It was Robert, exactly as I said,” she continued haltingly. “I can prove it to you beyond any doubt, if you’ll let me.”
He laughed at that, a short, strangled laugh that was more deadly and final than his anger had been. “Elizabeth, I wouldn’t believe you if I’d seen you with him. Am I making myself clear? You are a consummate liar and a magnificent actress.”
“If you’re saying that be-because of the foolish things I said in the witness box, you s-surely must know why I did it.”
His contemptuous gaze raked her. “Of course I know why you did it! It was a means to an end-the same reason you’ve had for everything you do. You’d sleep with a snake if it gave you a means to an end.”
“Why are you saying this?” she cried.
“Because on the same day your investigator told you I was responsible for your brother’s disappearance, you stood beside me in a goddamned church and vowed to love me unto death! You were willing to marry a man you believed could be a murderer, to sleep with a murderer.”
“You don’t believe that! I can prove it somehow-I know I can, if you’ll just give me a chance-“
“No.”
“Ian-“
“I don’t want proof.”
“I love you,” she said brokenly.
“I don’t want your ‘love,’ and I don’t want you. Now-“ He glanced up when Dolton knocked on the door.
“Mr. Larimore is here, my lord.”
“Tell him I’ll be with him directly,” Ian announced, and Elizabeth gaped at him. “You-you’re going to have a business meeting now?”
“Not exactly, my love. I’ve sent for Larimore for a different reason this time.”
Nameless fright quaked down Elizabeth’s spine at his tone. “What-what other reason would you have for summoning a solicitor at a time like this?”
“I’m starting divorce proceedings, Elizabeth.”
“You’re what?” she breathed, and she felt the room whirl. “On what grounds-my stupidity?”
“Desertion,” he bit out.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I held up a finger because I needed my point to stick. “If a child does not want to tell, they won’t. If a family does not want to heal, they won’t. I wanted to heal, I wanted peace in my life, and I wanted to tell. So I did. I thought my family would want the same, and it kills me that they have such great potential to thrive but they don’t. I lost a lot of sleep over that. I cried a lot over that. But at the end of the day, the only person I can make changes to is myself. No matter how much I tell them how liberating it feels to finally be as happy as I am, they’ll never understand if they don’t want to.
”
”
K.L. Randis (Spilled Milk)
“
Stop doubting my amazing stripping skills, dude,” Roxy teased as she continued to struggle with her buttons.
I was about to force my eyes away from her when she cursed and yanked on her shirt hard enough to rip every button off of it.
Beneath it she was wearing a gold push up bra which accentuated her perfect tits and made her look like something out of a Dragon’s wet dream.
She tossed her head back with laughter, taking a playful bow for her friends but her foot slipped and she tumbled off of the table instead.
I took a few running steps towards her before I could stop myself but the guy had leapt up to catch her before she could hit the ground.
“Tory?” he asked as she slumped against him, seeming to have fallen unconscious. “Oh, shit! Help me.”
The girl Roxy had called Sofia scrambled to help him with her and they struggled to move her towards one of the cushioned chairs close to where they’d been sitting.
I shook my head to clear it of the image of her in that gold bra and spun on my heel, striding towards the exit and quite possibly a cold shower.
Just as I made it to the door, a loud scream halted me. I turned back to see Roxy’s friends backing away from her in a panic as a thick sheet of ice spread across the ground away from her, tinting everything in its path a frosty blue.
“Wake up, Tory!” Sofia yelled desperately.
“Maybe you should run for a teacher,” the boy said. “I’ll try to get through to her.”
Sofia turned to run for the exit and her eyes widened in panic as she found me striding towards her instead.
“What’s wrong with her?” I asked, my tone clipped.
“She err...” Sofia hesitated, clearly not wanting to trust me with her friend’s condition while battling against the inclination to do whatever I told her. “She passed out and now she’s using magic in her sleep and we can’t get close to help her.”
Roxy whimpered behind her and I stepped around Sofia to inspect the damage for myself. I’d dealt with this kind of thing with the other Heirs once or twice when our powers had first been Awakened. We were just so powerful that if we got too drunk, sometimes we’d lose control over our magic in our sleep and Roxy had seemed wasted to me.
“It’s fine, we’ll look after her,” the boy said firmly but I ignored him as I walked closer to Roxy where she was slumped in the chair.
Ice crunched loudly beneath my boots while the temperature around me plummeted and I hadn’t even gotten close to her yet.
I drew on my fire magic, pushing it against the ice and melting some of it but Roxy’s power fought back as she whimpered again.
“Roxy,” I growled as I made it to stand before her. The ice was still spreading and thickening. She was trembling in the chair and I noticed a few tears sailing down her cheeks.
“Not again,” she breathed, her fists balling as she curled in on herself.
“Roxy, wake up!” I snapped, moving forward to grab her arm and shake her.
She didn’t wake but the ice around me thickened even more and her friends cried out as they were forced to back up again. My breath rose before me and I dropped the six pack beside her chair, crouching down before her so that I could shake her more firmly.
She started coughing and water burst from her mouth like she’d been drowning. I pulled her forward, slapping her back to help her get it all up and the tremors rocking her body reverberated through mine as she pressed against my chest. More cold water flooded from her, drenching her as she cried out in panic and I pulled her against me more firmly.
(Darius POV)
”
”
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
“
The news winded me. My father killed himself, I’ve been on the ragged brink myself once or twice, I know how easy it would be to stand on the edge and just… tip. And I know all the wonderful things that happened because I didn’t tip: Hamish and my girls, my friend Fin and my kind, mad bitchy friend Estelle. I saw all the wonders and ice creams and good sleeps and funny films Lisa Lee would never see flash before me, all the sex and adventures and strong tea she’d never get to have. It made me think of my girls in ten years’ time, of Jess staggering out of a hotel at five in the morning with blood running down her legs, of Lizzie crying so hard on a night bus that her make-up ran and everyone moved away from her and the driver stopped and called the police to come and help her. Fin held my hand and asked if I was OK. I said I was, though I wasn’t really.
”
”
Denise Mina (Confidence)
“
I am, myself, three selves at least. To begin with, there is the child I was. Certainly I am not that child anymore. yet, distantly, or sometimes not so distantly, I can hear that child's voice - I can feel its hope, or its distress. It has not vanished. Powerful, egotistical, insinuating - its presence rises, in memory, or from the steamy river of dreams. It is not gone, not by a long shot. It is with me in the present hour. It will be with me in the grave.
And there is the attentive, social self. This is the smile and the doorkeeper. This is the portion that winds the clock, that steers through the dailiness of life, that keeps in mind appointments that must be made, and then met. It is fettered to a thousand notions of obligation. It moves across the hours of the day as though the movement itself were the whole task. Whether it gathers as it goes some branch of wisdom or delight, or nothing at all, is a matter with which it is hardly concerned. What this self hears night and day, what it loves beyond all other songs, is the endless springing forward of the clock, those measures strict and vivacious, and full of certainty.
The clock! That twelve-figured mon skull, that white spider belly! How serenely the hands move with their filigree pointers, and how steadily! Twelve hours, and twelve hours, and begin again! Eat, speak, sleep, cross a street, wash a dish! The clock is still ticking. All its vistas are just so broad - are regular. (Notice that word.) Every day, twelve little bins in which to order disorderly life, and even more disorderly thought. The town's clock cries out, and the face on every wrist hums or shines; the world keeps pace with itself. Another day is passing, a regular and ordinary day. (Notice that world also.)
[ ... ]
And this is also true. In creative work - creative work of all kinds - those who are the world's working artists are not trying to help the world go around, but forward. Which is something altogether different from the ordinary. Such work does not refute the ordinary. It is, simply, something else. Its labor requires a different outlook - a different set of priorities. Certainly there is within each of us a self that is neither a child, nor a servant of the hours. It is a third self, occasional in some of us, tyrant in others. This self is out of love with the ordinary; it is out of love with time. It has a hunger for eternity.
”
”
Mary Oliver (Upstream: Selected Essays)
“
Often survivors ask Laura how far along they are in the healing process, and her response to them is always the same. She asks them, "What are you doing to take care of yourself?" This is a better indicator of healing than how much therapy you've had, how many tears you've cried, or how many people you've told your incest story to.
Ask yourself: Am I gentle with myself when I make a mistake? Can I relax and take breaks from the intensity of healing? Am I able to do things I enjoy? Am I getting enough sleep and eating healthy food? Am I part of a community of people who love and support one another? Can I recognize the things that are going well in my life? Are there things I'm doing that I feel proud of? When you can answer yes to most of these questions or are making progress in that direction, you're well on your way to healing. However, if you are at the very beginning of the healing process, you may not be able to say yes to a single question.
”
”
Ellen Bass (The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse)
“
I hear voices in my head of people screaming and crying for help. I feel haunted by looking at my own reflection in the mirror sometimes. When I look at other people, I feel pangs of grief, a beautiful life wasted so short and then I think of my own self and find no greater difference. We all are living what we don't know, why we don't want to answer that. I feel comfort in the deep sleep though only for short time because as soon I wake up and look around I find myself back in the same world. Dying.
”
”
Gaurav S. Kaintura
“
We take the original plays of William Shakespeare and Christopher Marlowe, and Markus gives them . . . well, the necessary polish.” “Aren’t the plays good enough by themselves?” Barbara asked. “Well, for the general public they’re sometimes just too difficult and dry, so we cut out the long monologues and concentrate on the funny parts and, above all, the bloody passages. Many of the pieces have not yet been translated into German, and Markus takes care of that, as well.” “I butcher Shakespeare’s plays by turning them into bloody spectacles for the masses,” Markus sighed in despair. “Carefully constructed pentameter, beautiful images—for that the world clearly has no taste nowadays. The more blood, the better. But I myself have written original pieces that—” “Yes, yes,” Malcolm interrupted, “that would be enough to make Shakespeare cry, I know—or simply put him to sleep. I’m afraid you’re boring the ladies, Markus. Just like your plays. We can’t afford experiments. After all, I have a whole troupe to feed,” he said, clapping his hands. “But now it’s time to get back to building the stage. Will you excuse us?” He bowed to Magdalena and Barbara and stomped off toward the stage, but not without first casting a final, reproachful look at his two actors. “Old slave driver,” Markus mumbled and followed him, while Matheo paused a moment and winked at Barbara. “Then can we look forward to seeing you again at tomorrow’s performance? We’ll save a few seats for you up in the gallery. Ciao, signorine.” “Ciao,” Barbara said, batting her eyelashes as Matheo, in one single, flowing movement, jumped back onto the stage. Magdalena grinned at her sister. “Ciao?” she asked. “Is that the way a Schongau hangman’s daughter says good-bye, or are you an Italian contessa addressing her prince just before their wedding?
”
”
Oliver Pötzsch (The Werewolf of Bamberg (The Hangman's Daughter, #5))
“
I rang out a couple more customers as I thought about it, and...he slowly walked up to the counter and set down two spools of line. I should really figure out what the point of one being thicker than the other was.
“Hi, Mr. Rhodes,” I greeted him with a smile.
He’d taken his sunglasses off and slid them through one of the gaps between the buttons of his work shirt. His gray eyes were steady on me as he said in that same uninterested, stern tone from before, “Hi.”
I took the first package of fishing line and scanned it. “How is your day going?”
“Fine.”
I scanned the next package and figured I might as well go in for the kill since no one was around. “You remember that time you said you owed me?” A day ago.
He didn’t say anything, and I peeked up at him.
Since his eyebrows couldn’t talk, they formed a shape that told me exactly how distrustful he was feeling right then.
“You do, okay. Well,” and I lowered my voice, “I was going to ask if I could redeem that favor.”
Those gray eyes stayed narrowed.
This was going well.
I glanced around to make sure no one was listening and quickly said, “When you aren’t busy… could you teach me about all this stuff? Even if it’s just a little bit?”
That got him to blink in what I was pretty sure was surprise. And to give him credit, he too lowered his voice as he asked slowly and possibly in confusion, “What stuff?”
I tipped my head to the side. “All this stuff in here. Fishing, camping, you know, general knowledge I might need to work here so I have an idea of what I’m doing.”
There was another blink.
I might as well go for it. “Only when you aren’t super busy. Please. If you can, but if you can’t, that’s okay.” I’d just cry myself to sleep at night. No biggie.
Worst case, I could hit up the library on my days off. Hang out in the grocery store parking lot and google information. I could make it work. I would, regardless.
Dark, thick, black eyelashes dipped over his nice eyes, and his voice came out low and even. “You’re serious?” He thought I was shitting him.
“Dead.”
His head turned to the side, giving me a good view of his short but really pretty eyelashes. “You want me to teach you to fish?” he asked like he couldn’t believe it, like I’d asked him to… I don’t know, show me his wiener.
“You don’t have to teach me to fish, but I wouldn’t be opposed to it. I haven’t been in forever. But more about everything else. Like, what is the point of these two different kinds of line? What are all the lures good for? Or are they called flies? Do you really need those gadgets to start a fire?” I knew I was whispering as I said, “I have so many random questions, and not having internet makes it hard to look things up. Your total is $40.69, by the way.”
My landlord blinked for about the hundredth time at that point, and I was pretty sure he was either confused or stunned as he pulled his wallet out and slipped his card through the reader, his gaze staying on me for the majority of the time in that long, watchful way that was completely different from the way the older men had been eyeballing me earlier. Not sexually or with interest, but more like I was a raccoon and he wasn’t sure if I had rabies or not.
In a weird way, I preferred it by a lot.
I smiled. “It’s okay if not,” I told him, handing over a small paper bag with his purchases inside.
The tall man took it from me and let his eyes wander to a spot to my left. His Adam’s apple bobbed; then he took a step back and sighed. “Fine. Tonight, 7:30. I’ve got thirty minutes and not one longer.”
What!
“You’re my hero,” I whispered.
He looked at me, then blinked.
“I’ll be there, thank you,” I told him.
He grunted, and before I could thank him again, he was out of there so fast I had no chance to check out his butt in those work pants of his.
”
”
Mariana Zapata
“
I don’t ever deserve your forgiveness, and I won’t presume to ask for it, but you deserve my groveling and my apology and so here it is. I am so sorry that it hurts. I am so sorry that when I look in the mirror at myself, all I feel is hatred. I am so sorry that sometimes I can’t sleep, and I pace the room and drink and cry until I’m so drunk and emotionally exhausted that I can’t remember why I started drinking in the first place.
”
”
Sierra Simone (The Seduction of Molly O'Flaherty (The London Lovers, #0.5))
“
Having almost been murdered on a mountain road, possibly by the man I'd been recently sleeping with, I figured I owed it to myself. I sat in the parking lot quaking, crying, and shoving greasy French fries into my mouth as fast as I could without choking myself.
”
”
Lisa Unger (Beautiful Lies)
“
[Earlier in the novel, Anodos meets a girl with the lightness of a child, carrying her prized possession - a precious globe that made music when touched. As the Shadow took over him, he reached out and broke her globe. This excerpt happens toward the end of the novel]:
Hardly knowing what I did, I opened the door. Why had I not done so before? I do not know.
At first I could see no one; but when I had forced myself past the tree which grew across the entrance, I saw, seated on the ground, and leaning against the tree, with her back to my prison, a beautiful woman. Her countenance seemed known to me, and yet unknown. She looked at me and smiled, when I made my appearance.
“Ah! were you the prisoner there? I am very glad I have wiled you out.”
“Do you know me then?”
“Do you not know me? But you hurt me, and that, I suppose, makes it easy for a man to forget. You broke my globe. Yet I thank you. Perhaps I owe you many thanks for breaking it. I took the pieces, all black, and wet with crying over them, to the Fairy Queen. There was no music and no light in them now. But she took them from me, and laid them aside; and made me go to sleep in a great hall of white, with black pillars, and many red curtains. When I woke in the morning, I went to her, hoping to have my globe again, whole and sound; but she sent me away without it, and I have not seen it since. Nor do I care for it now. I have something so much better. I do not need the globe to play to me; for I can sing. I could not sing at all before. Now I go about everywhere through Fairy Land, singing till my heart is like to break, just like my globe, for very joy at my own songs. And wherever I go, my songs do good, and deliver people. And now I have delivered you, and I am so happy.”
She ceased, and the tears came into her eyes.
All this time, I had been gazing at her; and now fully recognised the face of the child, glorified in the countenance of the woman.
I was ashamed and humbled before her; but a great weight was lifted from my thoughts. I knelt before her, and thanked her, and begged her to forgive me.
“Rise, rise,” she said; “I have nothing to forgive; I thank you. But now I must be gone, for I do not know how many may be waiting for me, here and there, through the dark forests; and they cannot come out till I come.”
She rose, and with a smile and a farewell, turned and left me. I dared not ask her to stay; in fact, I could hardly speak to her. Between her and me, there was a great gulf. She was uplifted, by sorrow and well-doing, into a region I could hardly hope ever to enter. I watched her departure, as one watches a sunset. She went like a radiance through the dark wood, which was henceforth bright to me, from simply knowing that such a creature was in it.
She was bearing the sun to the unsunned spots. The light and the music of her broken globe were now in her heart and her brain. As she went, she sang; and I caught these few words of her song; and the tones seemed to linger and wind about the trees after she had disappeared:
Thou goest thine, and I go mine–
Many ways we wend;
Many days, and many ways,
Ending in one end.
Many a wrong, and its curing song;
Many a road, and many an inn;
Room to roam, but only one home
For all the world to win.
And so she vanished. With a sad heart, soothed by humility, and the knowledge of her peace and gladness, I bethought me what now I should do.
”
”
George (Phantastes)
“
I’m not doing that,” Bastien said, clearly uncomfortable. “Doing what?” “I don’t carry a handkerchief around for girls to cry into.” I rolled my puffy eyes. “What the flip are you talking about? I’m not the kind of girl guys do that sort of thing for.” “Good. Just so long as you know that. When we get back to Faîte, I’m promised to Reyn’s sister. I have to play that part.” “Well, I’ll just be crying myself to sleep that you’re not pining away for me.
”
”
Mary E. Twomey (Faite Box Set 1 (Faite #1-3))
“
they ask me why I can't sleep;
I haven't slept properly since I was sixteen.
since I woke up with new eyes
after I thought I’d cried myself to death,
hugging the pillow and gasping for breath.
wishing my mother had been a mother,
although now I know she did her best.
years later with the same eyes,
in a different bed, I wonder how
I ended up like this.
hugging the pillow and gasping for breath,
I’m trying not to cry myself to death.
”
”
Rose Brik (My Father's Eyes, My Mother's Rage)
“
I write this at the beginnings of my PMDD episode. The fog is rolling in, fears that never preoccupy my mind have taken root, and irrational thoughts are starting to sprout like an invasive species on the land.
There is a part of me that just wants to hide. Wants to throw in the towel. To just stop all the tasks, the doing, and the management. Let the wild take over.
Inside I am the watchman, the guard holding the horde at bay. I feel my anger quickening as social interactions feel like sandpaper on my skin.
When I lose myself in the awful, in the shadows, I remember there cannot be shadows without light. And when I turn my inner eye towards the flame, I remember how fleeting all this is. That like all the times before, this will pass, the horde will retreat, and I will be left with a field of wild flowers.
At my core I am an artist that transmutes my pain into beauty. I weave my words together into a song that awakens my inner allies and guardians. I make my life beautiful, even if it's simply by using my imagination. To put it simply, I force myself to take in the good. I force myself to see beauty within the swamp. I force myself to search for the inner island of safety, rather than surrender to the bog.
Today is hard, but I can do hard things. I am in the swamp, but for today what if I am a Swamp Princess. What if this place, were beautiful to me? What if I adored the crocks and the mud and snakes? What if for today, this sandpaper I am feeling on my skin, was polishing and smoothing the stony armor? What if, just for today, I was the person my inner child wished for when she cried herself to sleep?
”
”
Elizabeth Ferreira
“
Stew has offered to cancel his plans with Kiwi before—on other nights when I burned with rage or cried myself to sleep. I’ve always steeled myself and told him to go, lied and said I’d be fine. But tonight is different. Tonight I’ll love myself enough to accept Stewart’s love. “Yes,” I say. “Thank you.” “Hang on,” my husband tells me. “I’ll be right there.
”
”
Molly Roden Winter (More: A Memoir of Open Marriage)
“
I want you too.” Her words are no more than a whisper “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?”
I roll to my side to stare at her in disbelief. With how close I am to her, the move has my face coming dangerously close to her own.
“You want me?”
“Why?” I ask.
But I already know the answer.
Because no one knows where Astarte’s arrow will strike, but when she aims, she strikes true. Because the gods are cruel and love to toy with their half-mortal children even more than they love to play with the mortals.
Because Adrienne’s fate is somehow woven with mine and Jadi’s. Jadi told me that, he told me, and –fool that I am – I ignored him.
“I’m sorry,” I say, trying to soften my voice. To curb the mocking, defensive bite in my words. “I just don’t see how you could. Not after how I’ve treated you.”
Adrienne gives me a lopsided grin, then reaches over to lightly pat my shoulder. “You not that bad.” Her smile falls, expression growing serious. “I don’t know how explain it. I just feel… it feels…” she trails off, brow furrowing in frustration. She tucks her hands under her chin, and without thinking about it, I grasp them in my own.
“I know.” The words come out in a low rumble. “I know. You don’t have to explain.”
Because I feel it too. The pull towards her. It’s more than a physical attraction. More than desire – though that is certainly part of it.
And now that I’m looking at her, with her mouth close to my own and her hands in mine and the heat of her body mixing with my own beneath the blankets. It feels right, and there’s no room for hesitation. Only action.
I lean forward, slowly enough that she has time to object, my eyes never leaving her own. My nose brushes against hers for a brief moment, and then she’s pushing forward, her lips pressing against mine with a raw urgency that has fire racing through my veins and lust clouding my vision.
It’s too much. Too much.
I pull back, angling my body over hers, keeping my weight on my elbows as I cup her face in one hand, my thumb stroking the underside of her jaw, fingers tangling in her loose hair. I stare down at her – at her dilated pupils and sleep-mussed hair. At her parted lips and the delicate line of her throat. I can see her pulse thundering beneath the skin, and the rosy flush spreading down her neck.
She’s so delicate. I’m torn between wanting to worship her and devour her.
Carefully, I brush my mouth against hers, then trace the shape of her lips with my teeth and tongue. My hands tremble where they grip her face, keeping her from chasing my teasing kisses. It’s almost embarrassing, the way I’m quaking like an autumn leaf above her.
She lets out a frustrated whimper, and I deepen the kiss, swallowing up the sound as I tangle my tongue with her own. When her own kisses become more insistent, I pull back, waiting for her to retreat before delving forward again.
“Good,” I murmur, my thumb stroking her pulse point when she relaxes beneath me. “There’s no rush.”
I’m speaking more to myself than to her. Because more than anything, I want to feel myself buried deep inside her. I want to push the fabric between us aside and feel her wet and clenching around me. I want to bury my head between her thighs and taste her, to turn those faint whimpers into wild, throaty cries.
But now isn’t the time for that. I kiss her again, slowly this time. Deep. Controlled.
I need to be controlled. Take this slow.
Her thighs part, long limbs twining with mine, the heels of her feet pressing against the backs of my legs. Pulling me towards her, until my cock is pressed against her core and I can practically feel the heat of her, even with our clothes between us.
She rocks against me, her faint mewling cry swallowed up by my mouth, and it’s like something in me snaps. Something primal and hungry and dark. Something that’s only come out with Jadi.
”
”
Elisha Kemp (Burn the Stars (Dying Gods, #2))
“
And so I eventually stopped crying myself to sleep at night. Stopped dreaming of them coming back to save me. Stopped believing anyone would save me. I learned I had to save myself. That I could only depend on one person, and that was me.
”
”
Karpov Kinrade (Deadly Dreams)
“
After my older sister Pauline died, Faith dried my tears night after night as I cried myself to sleep. Faith persisted, and it woke me up every morning after, forcing me to leave the security of my down-covered cave and feel the warmth of the sun on my face. Faith never gives up.
”
”
Terri Enghofer (A Lump in the Road)
“
My baby is four years old. I know that calling her a baby is really only a matter of semantics now. It’s true, she still sucks her thumb; I have a hard time discouraging this habit. John and I are finally confident that we already enjoy our full complement of children, so the crib is in the crawlspace, awaiting nieces, nephews, or future grandchildren. I cried when I took it down, removing the screws so slowly and feeling the maple pieces come apart in my hands. Before I dismantled it, I spent long vigils lingering in Annie’s darkened room, just watching her sleep, the length of her curled up small.
What seems like permanence, the tide of daily life coming in and going out, over and over, is actually quite finite. It is hard to grasp this thought even as I ride the wave of this moment, but I will try. This time of tucking into bed and wiping up spilled milk is a brief interlude. Quick math proves it. Let me take eleven years - my oldest girl’s age - as an arbitrary endpoint to mothering as I know it now. Mary, for instance, reads her own stories. To her already I am becoming somewhat obsolete. That leaves me roughly 2.373 days, the six and half years until Annie’s eleventh birthday, to do this job. Now that is a big number, but not nearly as big as forever, which is how the current moment often seems.
So I tuck Annie in every night. I check on Peter and Tommy, touch their crew-cut heads as they dream in their Star Wars pajamas, my twin boys who still need me. I steal into Mary’s room, awash with pink roses, and turn out the light she has left on, her fingers still curled around the pages of her book. She sleeps in the bed that was mine when I was a child. Who will she grow up to be? Who will I grow up to be? I think to myself, Be careful what you wish for. The solitude I have lost, the time and space I wish for myself, will come soon enough. I don’t want to be surprised by its return.
Old English may be a dead language, but scholars still manage to find meaning and poetry in its fragments. And it is no small consolation that my lost letters still manage, after a thousand years, to find their way to an essay like this one. They have become part of my story, one I have only begun to write.
- Essay 'Mother Tongue' from Brain, Child Magazine, Winter 2009
”
”
Gina P. Vozenilek
“
Logan is wearing me out,” she admits quietly. “What do you mean?” I stand up and start to actually soap myself now that most of the paint is gone. “He’s working really hard to make it easy for me, but I wish he’d just leave and go to work and let me try to do some of it. He holds her. He gets up for every feeding and sits with us. He changes all the diapers.” I stick my head out of the curtain. “Not necessarily a bad thing.” “It’s like he thinks I can’t do it. I’m capable. I’m strong. I’m not going to break.” A tear tracks down her face. “Dammit.” She swipes it away. “I can’t stop crying lately.” “Pass me a towel,” I say. I wrap it around myself and step out. “I think you have a really good thing going on,” I tell her. “But you’re tired and your hormones are going crazy and your tits are huge.” I look at her boobs and shake my head, and she laughs. At least I can do that much for her; I can make her laugh. “It’s going to get easier.” “I miss our intimacy,” she admits. “It’s like he’s afraid to wrap around me because he doesn’t want to wake me up when I do finally get to sleep.” “Did you tell him?” “I don’t want to complain. He’s trying so hard.
”
”
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
“
I’ve got to get home. Where’s my cell?” I ask, patting my back pocket.
“Alex has it, I think.”
So sneaking out without talking to him isn’t an option. I struggle to keep the Oompa Loompas at bay as I stagger out of the bedroom, searching for Alex.
It’s not hard to find him, the house is smaller than Sierra’s pool house. Alex is lying on an old sofa, wearing jeans. Nothing else. His eyes are open, but they’re bloodshot and glazed with sleep.
“Hey,” he says warmly while stretching.
Oh, God. I’m in big trouble. Because I’m staring. I can’t keep my eyes from ogling his chiseled triceps and biceps and every other “eps” he has. The butterflies in my stomach have just multiplied tenfold as my wandering gaze meets his.
“Hey.” I swallow, hard. “I, um, guess I should thank you for taking me here instead of leaving me passed out on the beach.”
His gaze doesn’t falter. “Last night I realized somethin’. You and I, we’re not so different. You play the game just like I do. You use your looks, your bod, and your brains to make sure you’re always in control.”
“I’m hungover, Alex. I can’t even think straight and you’re getting all philosophical on me.”
“See, you’re playin’ a game right now. Be real with me, mamacita. I dare you.”
Is he kidding? Be real? I can’t. Because then I’ll start crying, and maybe freak out enough to blurt the truth--that I create a perfect image so I can hide behind it. “I better get home.”
“Before you do that, you should probably go to the bathroom,” he says.
Before I ask why, I catch a glimpse of my reflection in a mirror hanging on the wall. “Oh, shit!” I shriek. Black mascara is caked under my eyes and streaky lines of it are running down my cheeks.
I resemble a corpse. Hurrying past him, I find the hall bathroom and stare at myself in the mirror. My hair is a stringy bird’s nest. If the mascara marrying my cheeks wasn’t bad enough, the rest of me is as pale as my aunt Dolores without her makeup. I have puffy bags under my eyes as if I’m storing water for the winter months.
All in all, not a pretty sight. By anyone’s standards.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
There’s something else, too, Miss Emmie.” Stevens had gone bashful now, and Emmie was intrigued. “Here.” Stevens beckoned her to follow him out the back of the stables, to where a separate entrance led to a roomy foaling stall. “He said you needed summat other’n t’mule, and you’re to limber her up, as Miss Winnie will be getting a pony soon.” A sturdy dapple-gray mare stood regarding Emmie from over a pile of hay. She turned a soft eye on Emmie and came over to the half door to greet her visitors. “Oh, Stevens.” Emmie’s eyes teared up again. “She is so pretty… so pretty.” “He left ye a message.” Stevens disappeared back into the barn and came out with a sealed envelope. “I can tack her up if ye like.” Emmie tore open the envelope with shaking fingers. How dare he be so thoughtful and generous and kind? Oh, how dare he… She couldn’t keep the horse, of course; it would not be in the least proper, but dear Lord, the animal was lovely… My dear Miss Farnum, Her name is Petunia, and she is yours. I have taken myself to points distant, so by the time I return, you will have fallen in love with her, and I will be spared your arguments and remonstrations. She is as trustworthy and reliable a lady as I have met outside your kitchen, and at five years of age, has plenty of service yet to give. Bothwell has been alerted you will be joining him on his rides, should it please you to do so. And if you are still determined not to keep the horse, dear lady, then consider her my attempt at consolation to you for inflicting Scout on the household in my absence. St. Just He’d drawn a sketch in the corner of Scout, huge paws splayed, tongue hanging, his expression bewildered, and broken crockery scattered in every direction. The little cartoon made Emmie smile through her tears even as Winnie tugged Scout out behind the stables to track Emmie down. “Are you crying, Miss Emmie?” Winnie picked up Emmie’s hand. “You mustn’t be sad, as we have Scout now to protect us and keep us company.” “It isn’t Scout, Winnie.” Emmie waved a hand toward the stall where Petunia was still hanging her head over the door, placidly watching the passing scene. “Oh.” Winnie’s eyes went round. “There’s a new horse, Scout.” She picked up her puppy and brought him over to the horse. The mare sniffed at the dog delicately, then at the child, then picked up another mouthful of hay. “Her name’s Petunia,” Emmie said, finding her handkerchief. “The earl brought her from York so I can ride out with the vicar.” “She’s very pretty,” Winnie said, stroking the velvety gray nose. “And not too big.” The mare was fairly good size, at least sixteen and a half hands, and much too big for Winnie. “Maybe once I get used to her, I can take you up with me, Winnie. Would you like that?” “Would I?” Winnie squealed, setting the dog down. “Did you hear that, Scout? Miss Emmie says we can go for a ride. Oh… We must write to the earl and thank him, Miss Emmie, and I must tell Rose I have a puppy, too. I can knight Scout, can’t I?” “Of course you may,” Emmie said, reaching for Winnie’s hand. “Though you must know knights would never deign to be seen in the castle kitchens, except perhaps in the dead of winter, when it’s too cold to go charging about the kingdom.” “Did knights sleep in beds?” “Scout can stay with Stevens above the carriage house when you have repaired to your princess tower for your beauty sleep.” “I’ll ask Scout.” It
”
”
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
“
Sleeping was a challenge, awkward because of the wrap I wore around my head. That was why I didn’t appreciate Taro’s startled shout early the next morning. “Who died?” I asked in a thick voice.
“Your hair!” he practically shrieked.
My hair had died? “What?”
“Your hair!”
Oh. I guessed it had worked. That gave me a little glow of accomplishment. It didn’t make up for being roused at a ridiculously early hour of the day. “It can’t look that bad.” I snuggled back down in bed.
“Oh no? Take a look in the mirror.”
“I will. When I get up.”
He tapped my forehead, and kept tapping until I opened my eyes. So I could see the strand of hair he’d pulled before them.
It was green.
Green. Not greenish. Not with a green tinge. Green as grass. My hair was green.
With a cry of dismay, I flew from the bed and flung open a window before seeking a mirror. In the bright light of the morning, I looked at my reflection. My hair, every single strand, was the same unrelenting shade of green.
My gods, what had I done?
Taro started laughing. And he didn’t stop. I could have thrown the mirror at him, only it wasn’t mine. “Will you stop?”
“That’s what you get for meddling with what you were born with.”
“It wasn’t supposed to do this.” How could I be seen by anyone like this? My eyebrows were practically gleaming in orange contrast. And the color was thorough, every hair, right to the skull. Green. What was I going to do?
Taro was still collapsed on the bed laughing.
“Keep laughing, my lord,” I said sourly. “You’ll have to go to the market for some hair dye.”
“How do you plan to make me?” he snickered.
“You’ll make me go out like this?” I asked, surprised.
“I think you should have to suffer for doing this without talking to me first.”
“Fine. If that’s the way you want to be about it.” It would be humiliating, of course, but there were worse things in life than green—green!—hair. I would go to the market myself, if I couldn’t wash this out or change it back.
“What’s that supposed to mean?”
“Maybe I’ll start a new fashion.”
His laughter stopped abruptly. “You’re going to go walking around with green hair?” He looked appalled.
“I have no choice, do I?”
His eyes narrowed. “You wouldn’t dare.”
“We’ll see, won’t we?”
Oh my gods. My hair was green.
”
”
Moira J. Moore (Heroes Return (Hero, #5))
“
Before Anna’s eyes she changed from a little girl into a sombre woman. She sat staring: serious, ironical. “Don’t you see, I’ve got to think it’s funny?” “Yes, I do.” “It happened all at once, at breakfast one morning. Richard’s always been horrid at breakfast. He’s always bad tempered and he nags at me. But the funny thing is, why did I let him? And he was going on and on, nagging away about me seeing Tommy so much. And suddenly, it was like a sort of revelation. It really was, Anna. He was sort of bouncing up and down the breakfast room. And his face was red. And he was so bad tempered. And I was listening to his voice. He’s got an ugly voice, hasn’t he? It’s a bully’s voice, isn’t it?” “Yes, it is.” “And I thought—Anna I wish I could explain it. It was really a revelation. I thought: I’ve been married to him for years and years, and all that time I’ve been—wrapped up in him. Well women are, aren’t they? I’ve thought of nothing else. I’ve cried myself to sleep night after night for years. And I’ve made scenes, and been a fool and been unhappy and…The point is, what for? I’m serious Anna.” Anna smiled, and Marion went on: “Because the point is, he’s not anything, is he? He’s not even very good-looking. He’s not even very intelligent—I don’t care if he is ever so important and a captain of industry. Do you see what I mean?” “Well, and then?” “I thought, My God, for that creature I’ve ruined my life. I remember the moment exactly. I was sitting at the breakfast-table, wearing a sort of negligee thing I’d bought because he likes me in that sort of thing—you know, frills and flowers, or well, he used to like me in them. I’ve always hated them. And I thought, for years and years I’ve even been wearing clothes I hated, just to please this creature.” Anna laughed. Marion was laughing, her handsome face alive with self-critical irony, and her eyes sad and truthful. “It’s humiliating, isn’t it Anna?” “Yes, it is.” “But I bet you’ve never made a fool of yourself about any stupid man. You’ve got too much sense.” “That’s what you think,” said Anna drily. But she saw this was a mistake; it was necessary for Marion to see her, Anna, as self-sufficient, and non-vulnerable. Marion, not hearing what Anna had said, insisted: “No, you’ve got too much sense, and that’s why I admire you.
”
”
Doris Lessing (The Golden Notebook)
“
Yesterday I saw my new born baby masseur ( local bai which has no idea what is right or wrong) massaging my new born baby . My instincts was telling me that a harsh massage is not required ( which she was doing by providing all kinds of wrong exercises as per pediatric) but with all elders experience and this being fourth newborn child in my house I decided to observe massage, though I was feeling to ask her to stop immediately but was helpless with all elders present .Soon after the massage I said my wife we need to consult pediatric about this massage (consultation should have been done before starting massage but was helpless in front of elders decision). In consultation pediatric informed us that massage is only for bonding between masseur and baby (so it is better if Mom gives massage). If massage is not provided to babies its completely fine and if done should be done gently. After listening to this I was feeling guilty and so bad as it is my duty to protect my new born baby against any harm and I was not able to do so. My new born was shouting and crying for help while having massage came in front of my eyes and for this I am very angry with myself and my family members excluding my wife as she herself had c-section delivery and was asked by doctor to rest. Mothers as it is don't get enough time even to sleep after delivery for at least a week.
Nobody wants to harm baby but before taking any action it was my family's duty to know what is right. Nobody has the right to abuse anyone specifically newborn. From this blog I want to make everyone aware that please don't rely on anyone and take actions always take expert advice (pediatric) in case of babies as there are lot of misconceptions and I request elders that its OK if you don't know what's right but please don't misguide and only when damn sure then only advice. Also confirm that with expert before implementing. I hope that I am able to help some of the newborn by not getting that so called good massage (actually a harsh massage).
”
”
Vivek Tripathi
“
After dinner Marlboro Man and I sat on the sofa in our dimly lit house and marveled at the new little life before us. Her sweet little grunts…her impossibly tiny ears…how peacefully she slept, wrinkled and warm, in front of us. We unwrapped her from her tight swaddle, then wrapped her again. Then we unwrapped her and changed her diaper, then wrapped her again. Then we put her in the crib for the night, patted her sweet belly, and went to bed ourselves, where we fell dead asleep in each other’s arms, blissful that the hard part was behind us. A full night’s sleep was all I needed, I reckoned, before I felt like myself again. The sun would come out tomorrow…I was sure of it.
We were sleeping soundly when I heard the baby crying twenty minutes later. I shot out of bed and went to her room. She must be hungry, I thought, and fed her in the glider rocking chair before putting her in her crib and going back to bed myself. Forty-five minutes after my head hit the pillow, I was awakened again to the sound of crying. Looking at the clock, I was sure I was having a bad dream. Bleary-eyed, I stumbled to her room again and repeated the feeding ritual. Hmmm, I thought as I tried to keep from nodding off in the chair. This is strange. She must have some sort of problem, I imagined--maybe that cowlick or colic I’d heard about in a movie somewhere? Goiter or gouter or gout? Strange diagnoses pummeled my sleep-deprived brain. Before the sun came up, I’d gotten up six more times, each time thinking it had to be the last, and if it wasn’t, it might actually kill me.
I woke up the next morning, the blinding sun shining in my eyes. Marlboro Man was walking in our room, holding our baby girl, who was crying hysterically in his arms.
“I tried to let you sleep,” he said. “But she’s not having it.” He looked helpless, like a man completely out of options.
My eyes would hardly open. “Here.” I reached out, motioning Marlboro Man to place the little suckling in the warm spot on the bed beside me. Eyes still closed, I went into autopilot mode, unbuttoning my pajama top and moving my breast toward her face, not caring one bit that Marlboro Man was standing there watching me. The baby found what she wanted and went to town.
Marlboro Man sat on the bed and played with my hair. “You didn’t get much sleep,” he said.
“Yeah,” I said, completely unaware that what had happened the night before had been completely normal…and was going to happen again every night for the next month at least. “She must not have been feeling great.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Just when all those around me were assuring me they loved me, cared for me, appreciated me, yes, even admired me, I experienced myself as a useless, unloved, and despicable person. Just when people were putting their arms around me, I saw the endless depth of my human misery and felt that there was nothing worth living for. Just when I had found a home, I felt absolutely homeless. Just when I was being praised for my spiritual insights, I felt devoid of faith. Just when people were thanking me for bringing them closer to God, I felt that God had abandoned me. It was as if the house I had finally had no floors. The anguish completely paralyzed me. I could no longer sleep. I cried uncontrollably for hours. I could not be reached by consoling words or arguments. I no longer had any interest in other people's problems. I lost all appetite for food and could not appreciate the beauty of music, art, or even nature. All had become darkness. Within me there was one long scream coming from a place I didn't know existed, a place full of demons.
”
”
Henri J.M. Nouwen (The Inner Voice of Love: A Journey Through Anguish to Freedom)
“
Less than a day has passed since I stood in this room and vowed to fight the Sleeping Prince. How sure of myself I was then, with Errin and Silas beside me; how righteous my anger was. It seemed so possible then, so simple. Silas would train the alchemists and their kin to fight and we’d all march on Lormere and defeat the Sleeping Prince. I thought we’d be like an avenging army in a story. I imagined people rallying to our cry, and that the fact we were on the side of good would assure our victory.
And then Aurek came, with my lover at his side, and proved that I am not only still a coward, but still a naïve, stupid fool too. And I’m supposed to save us from the Sleeping Prince.
”
”
Melinda Salisbury (The Scarecrow Queen (The Sin Eater’s Daughter, #3))
“
They clearly know I’ve been moping around the house, but they don’t know I cry myself to sleep every night or feel so horrible inside that I don’t feel like things are going to get better.
”
”
Kels Barnholdt (Somewhere In Between)
“
Suddenly, the wolf who had been sitting beside me, pushed his way into my arms. He licked my wet cheeks, cleaning my face, and butted his head against my chest. Slowly my arms came up and wrapped around his warm, furry sides. I couldn’t hold myself together—couldn’t keep myself from being washed away by the evil flood of past abuse. But now at least I had something—someone—to hold on to. I clung to the wolf and cried, my scarlet tears wetting his ruff as I let the rough, dirty waters of memory take me. I couldn’t hold them back anymore—I didn’t even try. The wolf seemed to understand. He threw back his head and howled, a long, lonely, miserable sound. The sound my soul was making. The sound of anguish so deep I couldn’t give it a voice—he voiced it for me. He shared my pain and in sharing, made it less. Gradually, the flow of images and memories slowed to a trickle as did my tears. I felt exhausted—all cried out. The way I used to as a kid when I was so upset it seemed like the world would end and yet somehow, it didn’t. Along with the weariness came peace—a feeling that I was in a better place somehow, than I had been before. I had faced the memories and they hadn’t broken me—thanks to the wolf, I was still here, still me. I still didn’t want to have sex or anything resembling it in the near future but the thought no longer made me crazy with fear. I can deal with this, I told myself. Whatever happens, I’ll get through it. Everything is going to be okay. It has to be. I sank down on the bed and cuddled close to the wolf. As before he pressed his back to me and even though dawn was hours away, I felt myself slipping away. Letting a healing sleep take me to a place where there were no more dreams, no more nightmares. Just the warm smell of fur and leather and sunlight, just the feeling that I was cared for and protected and loved.
”
”
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
“
Okay, then, how does Zev not having sex with me make sense?
You just said you’ve been sleeping with Lori since high school. You
went to nursing school out of state, so clearly that didn’t stop you.”
“That’s different, Jonah. My relationship with Lori isn’t like your
relationship with Zev.”
Jonah wasn’t surprised, he was just tired. Of course Toby would
see the relationships as different. Two men couldn’t possibly feel about
each other the way a man feels about a woman. Apparently having a
gay uncle couldn’t change that type of thinking.
“Right. Because we’re gay. Our relationship can’t be as
meaningful as yours,” he responded sarcastically.
“No,” Toby replied, looking straight into Jonah’s eyes with a
somber expression. “What you have with Zev is much deeper.”
Jonah’s mouth dropped open, and he stared at Toby. As long as
Jonah had known the other man, he’d had a thing for Lori, and, as far
as Jonah knew, they were very happy together.
“Last night when we came to your place, Zev flipped out. Did you
know that?” Toby said.
Jonah shook his head. He’d been sitting in his bedroom and
hadn’t heard a thing.
“Well, he did. He lost it and ran outside. I followed him and
caught up to him in the alley. He’d punched a hole in the side of your
apartment building and he was kneeling on the ground, vomiting and
crying.”
Jonah’s heart broke. So that was how Zev had acquired those
injured knuckles. He didn’t want to hear any more.
“I didn’t know what the hell was wrong,” Toby continued. “I
couldn’t get him to come inside and I didn’t want to leave him out there
alone. Once his stomach was empty, he just kept dry heaving and
shaking. Eventually Lori came out and told me what’d been going on
before we got there.” Toby glared at Jonah. “I wanted to go upstairs
and kick your ass myself when I heard there’d been another man in
your bedroom. You wanna know what stopped me?”
Jonah couldn’t bring himself to respond. He was still thinking about Zev crying on the street. The man was always so strong, so steady and confident. He’d never seen Zev cry, and the knowledge that he’d caused that level of pain made Jonah feel sick.
“I knew that if I so much as looked at you crosswise, Zev would’ve crippled me. No matter what you’d done to him.
”
”
Cardeno C. (Wake Me Up Inside (Mates, #1))
“
Miss Kay
In the midst of that low place, the darkest place I have ever been emotionally, with thoughts of sleep and rest filling my mind, through my sobs I heard the scurry of little feet headed toward the bathroom door. I could tell all three boys, in their house shoes, were coming to talk to me. Alan spoke first: “Mom, don’t cry. Don’t cry anymore. God will take care of us.” I was silent for a moment. Then I heard Jase ask, “Did she quit crying?” And I could hear Willie doing something he did often, making smacking noises while sucking on two of his fingers.
In an instant, it was like a lightbulb came on for me. “What am I doing?” I asked myself. “I have three little boys. I can’t leave them with a drunk.”
I spoke to my sons through the door. “I’m okay. I love y’all. I’ll be out in a minute.”
I then got on my knees and prayed. “God, help me. Just help me. I don’t want to leave these kids. I don’t know what to do or where to find You. Just lead me to somebody who can help me.
”
”
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
“
I will probably always cry myself to sleep, but knowing this, someday the tears won't be sad, or filled with regret. Maybe they will be joyful...
”
”
Adriana Trigiani (The Supreme Macaroni Company)
“
I HAVE ANNA all to myself for seven days. Seven days of living by what I start to call the holy trinity of “S” sex, sleep, and sustenance. It’s all we really need. My bed is base camp, though we’ve made forays onto the couch, the kitchen counter, and that one time on my weight bench, though I can’t recall how we even got there. I can, however, recall with perfect clarity the way Anna came, how her inner walls clutched me as she cried out. Which makes me horny all over again as I hobble out to the kitchen for more sustenance.
”
”
Kristen Callihan (The Hook Up (Game On, #1))
“
Kristen had dreamed of having children since she was herself a child and had always thought that she would love motherhood as much as she would love her babies. “I know that being a mom will be demanding,” she told me once. “But I don’t think it will change me much. I’ll still have my life, and our baby will be part of it.” She envisioned long walks through the neighborhood with Emily. She envisioned herself mastering the endlessly repeating three-hour cycle of playing, feeding, sleeping, and diaper changing. Most of all, she envisioned a full parenting partnership, in which I’d help whenever I was home—morning, nighttime, and weekends. Of course, I didn’t know any of this until she told me, which she did after Emily was born. At first, the newness of parenthood made it seem as though everything was going according to our expectations. We’ll be up all day and all night for a few weeks, but then we’ll hit our stride and our lives will go back to normal, plus one baby. Kristen took a few months off from work to focus all of her attention on Emily, knowing that it would be hard to juggle the contradicting demands of an infant and a career. She was determined to own motherhood. “We’re still in that tough transition,” Kristen would tell me, trying to console Emily at four A.M. “Pretty soon, we’ll find our routine. I hope.” But things didn’t go as we had planned. There were complications with breast-feeding. Emily wasn’t gaining weight; she wouldn’t eat, wouldn’t sleep, wouldn’t play. She was born in December, when it was far too cold to go for walks outdoors. While I was at work, Kristen would sit on the floor with Emily in the dark—all the lights off, all the shades closed—and cry. She’d think about her friends, all of whom had made motherhood look so easy with their own babies. “Mary had no problem breast-feeding,” she’d tell me. “Jenny said that these first few months had been her favorite. Why can’t I get the hang of this?” I didn’t have any answers, but still I offered solutions, none of which she wanted to hear: “Talk to a lactation consultant about the feeding issues.” “Establish a routine and stick to it.” Eventually, she stopped talking altogether. While Kristen struggled, I watched from the sidelines, unaware that she needed help. I excused myself from the nighttime and morning responsibilities, as the interruptions to my daily schedule became too much for me to handle. We didn’t know this was because of a developmental disorder; I just looked incredibly selfish. I contributed, but not fully. I’d return from work, and Kristen would go upstairs to sleep for a few hours while I’d carry Emily from room to room, gently bouncing her as I walked, trying to keep her from crying. But eventually eleven o’clock would roll around and I’d go to bed, and Kristen would be awake the rest of the night with her. The next morning, I would wake up and leave for work, while Kristen stared down the barrel of another day alone. To my surprise, I grew increasingly disappointed in her: She wanted to have children. Why is she miserable all the time? What’s her problem? I also resented what I had come to recognize as our failing marriage. I’d expected our marriage to be happy, fulfilling, overflowing with constant affection. My wife was supposed to be able to handle things like motherhood with aplomb. Kristen loved me, and she loved Emily, but that wasn’t enough for me. In my version of a happy marriage, my wife would also love the difficulties of being my wife and being a mom. It hadn’t occurred to me that I’d have to earn the happiness, the fulfillment, the affection. Nor had it occurred to me that she might have her own perspective on marriage and motherhood.
”
”
David Finch (The Journal of Best Practices: A Memoir of Marriage, Asperger Syndrome, and One Man's Quest to Be a Better Husband)
“
Deep inside the coast of Desires
And the hand of departure setting out to free me.
I never stumbled upon anything so pure:
A brilliant star profound with more than this.
I never wished to see so much:
Daughter of the four winds to breathe my air.
As I thought to call upon her name-
The fragrance of my long-lost hopes-
I realized that I was more than this:
Myself, I was myself again.
Never shall I deem this day
Aghast to sleep beyond the slay of a young raft-
I saw the menace of my deepest joys
Despite the dangling of my spirit
Crying for the somber dreams I once had.
But forever in the darkness with which I professed, -
These words so true as to be revered-
The love which I hold dear still shines before my crying eyes.
What must I do to see her again?
How must I reach to grasp my loving realms abreast.
Against the ocean blue to seek their own vengeance
And from where I stay in the lands of doubt
To tell myself that none is more than she
That I recall her once declaring joy in my arms.
Why must I sit upon or with
The semblance of a raft
Or what I seemed to take towards this place;
I stand upon firm ground today to spell the words of my deepest ambition
And for those whom wish to come along,
I never burned the bridge to common ecstacy.
Demise of a youthful man:
As a dagger in the heart of a young and lonesome prince
Left to die in the woods without friend or kin
In the lands of the damned where I savoured his life;
I did see him in time and reveal to him that
There was nothing to fear from the death of himself.
In the hours that passed he would feel so detach'd
From the burdens of life and to never return
For the freedom he'd sense in the leaving of life
Was enough to live happily into the night
Where he'd see deprivation and sing to the light,
"I have died, I am here to seek wisdom", in fact
If it weren't for me in the woods on that day
He'd have slipped down to hell in the fearing of death.
He'd have clung onto life and much worsened his case;
I did not wish to see such a devilish sight
And I wish for myself that a king come along
To my corpse when I've fallen and set off to die
In the woods in my heart where the dagger did stab.
As to be so inguiring to ask such desperate guestions
I intend to do so little as to be unreported.
When the time urges that we all seek provision
May I be in the comfort of home without dismay.
We may never know the true organ of temperance
Nor can we ever deliver such abnormal devisions.
Time was never known to be visible as it may now stand
But for such lengths how did a civil regard itself?
”
”
Marc-Alexandre Gagnon
“
Do ghosts have to be forgiven? All I remember of the funeral is, 'Your husband was a brilliant man.' Was that all the comfort that I had to draw on? I wanted to announce, 'Yes he was a brilliant man and now like all the great minds he is dead.' Sometimes I cry myself to sleep, sniffling, stifling my sobs in my pillows. Sometimes I fall asleep the minute my head hits the pillow and find my arms reaching across the other side of the bed for Kenny so I can whisper sweet nothings in his ear as he falls asleep.
I reached out for the bottle of sleeping tablets on my bedside table and swallowed them one by one.
”
”
Abigail George (Winter in Johannesburg)
“
They had their Christmas-gift exchange right before he left town, and when she opened her gift and saw the boots, she wept. No one had ever given her a gift like that in her life and he enjoyed success when she kissed all over him. He took her into his arms, laughing sentimentally. “I’ve never seen you cry,” he said, holding her close, rocking her back and forth gently. “Oh, you’d have seen way too much of that a year ago….” “But these are happy tears. That’s different. That means I did good.” “You did very good,” she said. “They’re just amazing. Exactly what I would have had made for myself. Like my own skin. I could sleep in them.” “But someone could get hurt,” he reminded her with a laugh. She
”
”
Robyn Carr (Temptation Ridge)
“
Power of Prayer “The LORD has heard my cry for mercy; the LORD accepts my prayer” (Psalm 6:9). I realize the power of prayer and the importance of praying for others. Yet sometimes I have these pesky doubts sprouting up in the garden of my mind, like weeds. Unless I pull out the root of the problem, they will continue to grow and return. Recently, I prayed for my daughter’s healing. I also used common sense, having her sleep and take it easy all day. But then this morning her cough continued. It got progressively worse on our walk to the bus stop. Later in the day, she even had to break from an aggressive game of hide-n-seek to give her lungs a rest. I found myself wondering; I know God is a miracle-working God, so why is she not healed? I know that God heals the sick, so why is she still coughing? I know that God says, ask and you shall receive (Luke 11) so why has my prayer not been heard? I want a miracle now. I know it’s within God’s power. Her lungs could become instantly made perfect in a simple command. So knowing He can do this, why doesn’t He? I reason that either: a) God didn’t hear my prayer, b) He heard my prayer and ignored it, c) He heard my prayer and answered, Yes later, or d) He heard my prayer and answered, No. a) He didn’t hear my prayer I know God hears my prayers, based on scripture and my own experiences. There are lots of passages in the Bible to back up the fact that God does hear us. “This is the confidence we have in approaching God: that if we ask anything according to his will, he hears us” (1 John 5:14). My own experiences even include God hearing my inner, unspoken prayers. I have prayed for safety, while driving in dangerous storms, and He answered my prayer. I have prayed for help and He answered immediately. Actually, I could fill this page and the next with prayers answered, both verbally expressed and those silently directed to God, as proof that He does hear my prayers. b) He heard my prayer and ignored it Given that God hears my prayer, He can either respond, Yes or No. Considering that nothing is impossible for God (Luke 18 ) and He is a just and loving God, there is no reason for Him to ignore me. He calls to me everyday. Since He wants to communicate with me, it would be against His very nature to ignore me. He is
”
”
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
“
This nigga had no idea it was my birthday, and didn't even care. I quietly cried myself back to sleep.
”
”
Shvonne Latrice (Good Girls Love Thugs 3)
“
Lord Charles?" "Amy." He smiled sleepily and rose up on one elbow, the blanket sliding down one shoulder. "Good morning." Temporary silence. Charles was unaware that Amy had a friend with her, and he was totally oblivious to the sight he presented to the two girls, his hair tousled by sleep, his pale blue eyes clear as aquamarine as a shaft of sunlight drove through the window and caught him full in the face. A sighted man would, of course, have squinted; Charles did not, and instead, Mira and Amy were treated to a brilliant, wide-open view of clear, intelligent eyes, romantically down turned at the outer corners and fringed by long straight lashes tinged with gold. "Hell and tarnation above, Amy, ye sure weren't jokin'! He's bleedin' gorgeous!" "Mira!" cried Amy, horrified. Charles was hard-pressed to hide his amusement. He knew, of course, or had at least suspected, that Amy had a girlish infatuation for him, and he'd tried his best not to embarrass her by calling attention to it. He determined not to do so now. "And whom do I have the pleasure of addressing?" he asked, still supporting himself on one elbow and blinking the sleep from his eyes. Mira, standing there with her mouth open, was transfixed by that slow, deliberate blink. In a heartbeat, she saw what Amy had described: studied thoughtfulness, kindness, compassion. The way the man lowered those long eyelashes over those translucently clear eyes, then slowly brought them back up again, did something funny to her insides. Cripes, no wonder Amy was smitten! "Mira Ashton, patriot," she announced. "I'm Amy's friend. She tells me ye're a blasted Brit who took it upon himself to be merciful to Will, so I guess I'll take it upon myself to be merciful to you. Besides, I hear ye're being nice to Amy, and since everyone else in this house treats her like donkey dung, I figger the least I can do is be civil to ye — redcoat or not." "Mira!" Amy gasped. "Well, it's true. Where are those two bleedin' leeches, anyhow?" Despite himself, and his irritation with both the girl's language and her rather vexing use of the word "Brit," Charles got to his feet and bowed, his spirits suddenly quite buoyed. If Amy had friends like this, maybe he shouldn't be worrying about her, after all. "Still in bed, I daresay," he said.
”
”
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
“
me. “Well, I know one thing about my twins. They’re not going to be models. I already tried them out for catalogue work. Within the first ten minutes, Orianthe informed me that she doesn’t like to do boring things and that modelling’s boring. And she’s not going to let her brother do boring things either.” I laughed. The cries of the twins pealed down the hallway as they bounded inside and called Jessie’s name. They must have discovered she was home. “Hey, where’s the pup?” I asked Pria. “Can I see him? Jessie said he’s growing big.” Immediately, Pria rolled her eyes and made a low disparaging sound. “I sent Buster out with the dog walker as soon as I knew Kate was coming over with the kids. He’d knock them flying. Wish I’d never bought him, to tell you the truth. After the break-in, I wanted a watchdog, but I should have paid more attention to the breed. He’s damned strong—even though he’s only nine months old. And he snaps. To tell you the truth, I’m a bit scared of the mutt. I’m having a dog trainer try to rein him in, but if that doesn’t work, he’s gone.” “What a shame,” I said. “Jess told me she’d like to walk the dog sometimes, but that’s not sounding good.” “Nope. The only thing I got right about him is his name. Because Buster has busted everything from doors to shoes.” She shook her head, a sorry smile on her face. The sound of the three children playing became too much. Tommy had once run through this house, too. I stayed for a while longer then made an excuse to leave. 29. PHOEBE Tuesday night STORM CLOUDS PUSHED INTO THE SKY, making the day darken a good hour before the incoming night. The heavy atmosphere pressed down on me. I opened the window of my bedroom upstairs at Nan’s house, letting the chill air stream in. I could only just catch a glimpse of the water from here. An enormous cruise liner dominated the harbour, staining the water red and blue with its lights. Maybe my small step in seeing Pria and Kate earlier had helped my frame of mind, but I didn’t feel it yet. I was back at square one. I began pacing the room, feeling unhinged. Things were all so in between. Dr Moran hadn’t succeeded in jogging my memory about the letters. She’d said she didn’t think it was possible to do all that I’d done in sleepwalking sessions and so the memory should still be in my mind somewhere. True sleepwalkers rarely remembered their dreams. Not remembering any of it was the most disturbing thing of all. It wasn’t the first time I’d forgotten things. With the binge drinking and the trauma of losing Tommy, there were gaps in my memory. But not a fucking chasm. And forgetting the writing of three notes and delivering them was a fucking chasm. Nan called me for dinner, and we ate the pumpkin soup together. I’d tried watching one of her sitcoms with her after that, but I gave up halfway through. I headed back upstairs. Surprisingly, I was tired enough to sleep. I crawled into bed and let myself drift off. I woke just before four thirty in the morning. The temperature had plummeted—I guessed it was below ten degrees. I’d been dreaming. The dream had been of the last day that Sass, Luke, Pria, Kate,
”
”
Anni Taylor (The Game You Played)
“
I'm tired of running inside my head.
I just want to lie in bed.
But things are just getting started.
How can I escape
Can I close my eyes and not open them again?
Can I draw me in pain
Can I write me this broken
I don't know how to deal with what I'm feeling
I feel like crying
Tears started shedding
Problem is a like a pill
Making myself sleeping
Just for a moment of escaping
Feels like I'm dreaming
Can someone come and save me
I am not me
I'm inside of me.
”
”
Geraldine L.
“
Every night I cry myself to sleep and I whisper, "Just keep swimming." But it gets really hard to swim if you feel like you're anchored in the water.
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
On one particular night, I was determined to get a half-decent night of sleep because I had a big meeting at work the next morning, where I was talking to the school board about the special education program at our school. It was a really, really important meeting, and I didn’t think I could get through it on an hour of sleep. I pumped Emma full of two bottles of milk, hoping she’d conk out, but knowing it was a crapshoot. I told Noah about the meeting and emphasized how important it was. I had to get a decent night of sleep. He swore he understood. So when Emma woke up screaming at two in the morning, I expected him to get up with her. “I’ve got a headache, Claire,” he mumbled into his pillow. “Can’t you get her?” I had a headache too. I had a headache almost all the time these days, as well as big purple circles under my eyes. Skipping out on my parental duties was never an option. “You know I have a big meeting tomorrow.” Noah squeezed his eyes shut. After a long minute of Emma’s cries increasing in volume, he got out of bed. And slammed the door shut behind him when he left the bedroom. Just as the cries subsided and I started to drift off again, the screams abruptly started again. A few seconds later, Noah came back into the bedroom. He flopped down on the bed and covered his head with the pillow. “I can’t deal with her,” he said. “You have to do it.” “But I told you, I have a meeting tomorrow!” “Well, I have a headache. I’m not getting up.” And that was it, as far as he was concerned. He acted like Emma was my baby, he was doing me a favor by trying to help, but if he didn’t want to do it, he didn’t have to. I remember staring at him in the dark bedroom, waiting to see if he would change his mind. He didn’t budge. I had to get up and spend the rest of the night comforting Emma. He never apologized for that one. Even though I was a wreck at my meeting the next day, and he ended up sleeping in after I dropped Emma and Aidan off at daycare. It was so incredibly unfair. After that, it seemed like we were at war more and more frequently. He never carried his weight when it came to the children and the housework, and what’s worse, he didn’t care. He told me all I did was nag him. We stopped doing things together as a family—I preferred to go out with the kids myself so I didn’t have to watch him play with his phone instead of talking to me. And we never did anything together as a couple. I can’t remember our last date night. For a while, we were making an effort to get a babysitter and go out, but I can’t remember the last time either of us even suggested it. I kept telling myself things would get better as the kids got older. But now they’re older. And it turned out, our marriage got too broken to fix.
”
”
Freida McFadden (One by One)
“
I feel awful and full of regret. Regret that I didn’t appreciate my own childhood as much as I should have. Growing up, I always felt angry and alone, crying myself to sleep at night because of the unfairness of life, because I didn’t have a father or a mother, because I was destined to be cast aside like the dirty laundry. Now I realize how spoiled I’ve been.
”
”
David Estes (Burn (Salem's Revenge, #3))
“
I imagine fans commenting about how cliché I am on our video. Oh well, I won’t be crying myself to sleep. At least not in that way.
”
”
Lauren Asher (Throttled (Dirty Air, #1))
“
I cry myself to sleep again but not just for Jamie this time.
”
”
Laura Nowlin (If He Had Been with Me)
“
As I laid there in my bed, the scene of Lucky’s sacrifice replayed over and over in my head. I went over the battle a thousand times, there was nothing I could have done to save my pet. Regret filled my victorious spirit, and sorrow filled my eyes. I laid in bed and cried myself to sleep.
”
”
Steve the Noob (Diary of Steve the Noob 16 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
“
I cried myself to sleep wishing that when I woke up, Papa would be here.
”
”
Liesl Shurtliff (Jack: The (Fairly) True Tale of Jack and the Beanstalk)
“
I have been brought into darkness
surely against me he has turned
he hath set me in dark places
he hath hedged me about
that I cannot get out
he hath made my chain heavy
he hath closed my ways with stone
he was like a bear lying in wait
he hath pulled me to pieces
and made me desolate
that I cannot get out
he hath filled my teeth with dust
and covered me with ashes
I cried out to my rescuers
and they did not hear me,
I turned away, and still
I was hedged about,
the daylight was taken
and the blanket was taken
and the rope and all
my childish things,
I cried out with my throat
and my in-my-heart
and my Lord's Prayer and
my now I lay me down
to sleep, and my health
and my hands, and my
show me myself and my
secrets-and-all-my-sins
forgiven and I counted
the ones I knew and the ones
I dreamed and I measured
the shadow cast by the mirror,
but the sun was remote and
cold to me. I turned away,
and still I was hedged about
and anointed in fire
and ashes. I saw
the blue sheen
of the world through
the darkness, and the crust,
and the stain of another,
I touched my hair to my mouth,
and my arms to my legs,
and my mouth to my knee.
I smelled the animal sweetness
and the dampness of leaves
beyond the wall; I heard
the murmurs of my mothers
and my brother, alone in his
whimpering, and I heard the strangers
whisper. But when I cried they did not
hear me, and when I sang
they did not know my song,
and when I spoke, they did
not acknowledge me, and when I left
they did not seek me out
along the cisterns and
streets of the city.
Mercy is new in the morning
they said, and our god
will not stand for such
suffering—oh god of mercy
and golden light.
”
”
Anonymous
“
Tired of running inside my head
I just want to lay in bed
But things are just getting started
How can I escape
Can I close my eyes and not open them again?
Can I draw me in pain
Can I write me this broken
I don't know how to deal with what I'm feeling
I feel like crying
Tears started shedding
Problem is a like a pill
Making myself sleeping
Just for a moment of escaping
Feels like I'm dreaming
Can someone come and save me
I am not me
I'm inside of me.
”
”
Geraldine Larosa
“
Every night I cry myself to sleep and I whisper, “Just keep swimming.
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
Don't Laugh At Me"
I'm a little boy with glasses
The one they call the geek
A little girl who never smiles
'Cause I've got braces on my teeth
And I know how it feels
To cry myself to sleep.
I'm that kid on every playground
Who's always chosen last
A single teenage mother
Tryin' to overcome my past
You don't have to be my friend
Is it too much to ask?
[Chorus:]
Don't laugh at me, don't call me names
Don't get your pleasure from my pain
In God's eyes we're all the same
Someday we'll all have perfect wings
Don't laugh at me.
I'm the cripple on the corner
You pass me on the street
I wouldn't be out here beggin'
If I had enough to eat
And don't think that I don't notice
That our eyes never meet.
I lost my wife and little boy
Someone crossed that yellow line
The day we laid 'em in the ground
Is the day I lost my mind
Right now I'm down to holdin'
This little cardboard sign.
[Chorus:]
Don't laugh at me, don't call me names
Don't get your pleasure from my pain
In God's eyes we're all the same
Someday we'll all have perfect wings
Don't laugh at me.
I'm fat, I'm thin, I'm short, I'm tall
I'm deaf, I'm blind, hey aren't we all?
[Chorus:]
Don't laugh at me, don't call me names
Don't get your pleasure from my pain
In God's eyes we're all the same
Someday we'll all have perfect wings
Don't laugh at me.
”
”
Mark Willis
“
Ha- I may have them I need to find out, I ran from inside there and found the yellow overpass, and fowl over everything and everyone, with gray wings, it was a night sky, all the light made me glow even more, to the dying world below.
I want to fly to him or her or someone that loves me to get that white one that I should have. I have seen it all now, or so I think I do; yet will I remember when, I wake up in my bed undead, like all the days before. I killed myself- it’s what they all see… I see the three rivers run through me now over my head, yet that is fine, I will- drowned- that’s fine- to stop all this… I cannot take what I am doing or see any longer.
I kissed a girl, Jenny said, we all just about crap ourselves. I want to go home and sleep this off, said Madalyn was also known as Maddie, wanted you to come home with me, Olivia was also known as Liv, but I- she would not let us or for we all running after crazy Karly that is all freaked up in the head these days. She’s going to do it- she’s going to do it this time.
Right before the real came, she flowed out the door crying. She was freaking out waving her hands like a girl on drugs! Jenny was hugely relieved after telling us- ‘She is not going to go over, tee-he-ing- Saying ‘Chick-en sh-it, freaking- do it.
”
”
Marcel Ray Duriez (Nevaeh They Call Out)
“
It’s hard when you realize you simply aren’t enough for someone, and it’s even harder when everyone you’re connected to is connected to that person as well. While it’s not every day anymore, I still sometimes quietly cry myself to sleep at night. I know it’s irrational, some might say dramatic, to cry over someone who was never really yours to begin with, but as cliché as it sounds, my heart aches like he was.
”
”
Meagan Brandy (Say You Swear (Boys of Avix, #1))
“
You’re enough of an asshole to have sex in front of me.”
“Yeah, I’m a real piece of work—a single man fucking a willing partner in the privacy of my own home. Sometimes I cry myself to sleep, I’m so ashamed of my actions.
”
”
Joanna Wylde (Reaper's Stand (Reapers MC, #4))
“
Every night I cry myself to sleep and I whisper, "Just keep swimming." But it gets really hard to swim when you feel like you're anchored in the waters.
”
”
Colleen Hoover
“
Stamets went off to Kenyon College, where, as a freshman, he had “a profound psychedelic experience” that set his course in life. As long as he could remember, Stamets had been stymied by a debilitating stutter. “This was a huge issue for me. I was always looking down at the ground because I was afraid people would try to speak to me. In fact, one of the reasons I got so good at finding mushrooms was because I was always looking down.” One spring afternoon toward the end of his freshman year, walking alone along the wooded ridgeline above campus, Stamets ate a whole bag of mushrooms, perhaps ten grams, thinking that was a proper dose. (Four grams is a lot.) As the psilocybin was coming on, Stamets spied a particularly beautiful oak tree and decided he would climb it. “As I’m climbing the tree, I’m literally getting higher as I’m climbing higher.” Just then the sky begins to darken, and a thunderstorm lights up the horizon. The wind surges as the storm approaches, and the tree begins to sway. “I’m getting vertigo but I can’t climb down, I’m too high, so I just wrapped my arms around the tree and held on, hugging it tightly. The tree became the axis mundi, rooting me to the earth. ‘This is the tree of life,’ I thought; it was expanding into the sky and connecting me to the universe. And then it hits me: I’m going to be struck by lightning! Every few seconds there’s another strike, here, then there, all around me. On the verge of enlightenment, I’m going to be electrocuted. This is my destiny! The whole time, I’m being washed by warm rains. I am crying now, there is liquid everywhere, but I also feel one with the universe. “And then I say to myself, what are my issues if I survive this? Paul, I said, you’re not stupid, but stuttering is holding you back. You can’t look women in the eyes. What should I do? Stop stuttering now—that became my mantra. Stop stuttering now, I said it over and over and over. “The storm eventually passed. I climbed down from the tree and walked back to my room and went to sleep. That was the most important experience of my life to that point, and here’s why: The next morning, I’m walking down the sidewalk, and here comes this girl I was attracted to. She’s way beyond my reach. She’s walking toward me, and she says, ‘Good morning, Paul. How are you?’ I look at her and say, ‘I’m doing great.’ I wasn’t stuttering! And I have hardly ever stuttered since.
”
”
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
“
them a debt of gratitude.” Stamets went off to Kenyon College, where, as a freshman, he had “a profound psychedelic experience” that set his course in life. As long as he could remember, Stamets had been stymied by a debilitating stutter. “This was a huge issue for me. I was always looking down at the ground because I was afraid people would try to speak to me. In fact, one of the reasons I got so good at finding mushrooms was because I was always looking down.” One spring afternoon toward the end of his freshman year, walking alone along the wooded ridgeline above campus, Stamets ate a whole bag of mushrooms, perhaps ten grams, thinking that was a proper dose. (Four grams is a lot.) As the psilocybin was coming on, Stamets spied a particularly beautiful oak tree and decided he would climb it. “As I’m climbing the tree, I’m literally getting higher as I’m climbing higher.” Just then the sky begins to darken, and a thunderstorm lights up the horizon. The wind surges as the storm approaches, and the tree begins to sway. “I’m getting vertigo but I can’t climb down, I’m too high, so I just wrapped my arms around the tree and held on, hugging it tightly. The tree became the axis mundi, rooting me to the earth. ‘This is the tree of life,’ I thought; it was expanding into the sky and connecting me to the universe. And then it hits me: I’m going to be struck by lightning! Every few seconds there’s another strike, here, then there, all around me. On the verge of enlightenment, I’m going to be electrocuted. This is my destiny! The whole time, I’m being washed by warm rains. I am crying now, there is liquid everywhere, but I also feel one with the universe. “And then I say to myself, what are my issues if I survive this? Paul, I said, you’re not stupid, but stuttering is holding you back. You can’t look women in the eyes. What should I do? Stop stuttering now—that became my mantra. Stop stuttering now, I said it over and over and over. “The storm eventually passed. I climbed down from the tree and walked back to my room and went to sleep. That was the most important experience of my life to that point, and here’s why: The next morning, I’m walking down the sidewalk, and here comes this girl I was attracted to. She’s way beyond my reach. She’s walking toward me, and she says, ‘Good morning, Paul. How are you?’ I look at her and say, ‘I’m doing great.’ I wasn’t stuttering! And I have hardly ever stuttered since.
”
”
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
“
There I was, the dying savior, trapped in a dark room, crying myself to sleep day and night.
”
”
DM Gasparillo Adil
“
At least I could go home and cry myself to sleep like a pathetic moron. Yay me.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
I meant you. To feel like I’m living and not just surviving. I didn’t know if my heart could take losing my mom. There were so many days where I pretended I was okay. Where I’d smile and laugh at practice with the guys then come home and cry myself to sleep because I was so fucking sad. I haven’t been sad since meeting you, though. You’ve… you’ve poured love into the cracks I’ve tried so hard to fill myself, and I think I’m finally whole again.
”
”
Chelsea Curto (Slap Shot (D.C. Stars, #3))
“
Afterwords, I cried myself to sleep.
It wasn't because I was hurt, or angry.
It was because I knew how sorry he was.
It was because I knew that I would never stop loving him, no matter how hard I tried.
”
”
Ashley Jade (Against The Darkest Shadow (What Happens In The Dark, #3))
“
I heard a noise from my bedroom and jumped, almost knocking over the goblet intended for Narian, and spilling some of the sleep-inducing drug London had given me. I brushed it over the mantel’s edge and into the barren fireplace where it would not be seen, reminding myself to behave normally.
“Are you all right?” Narian had entered the parlor and was scrutinizing me from across the room.
“Of course,” I said, forcing a cheerful tone.
His eyes darted around the room’s perimeter. “You just…look pale.”
“There’s hardly any light. So how can you tell--am I glowing?”
He smiled, relaxing a little.
“Sit down and have some wine with me,” I invited, moving to the sofa. He joined me, and I offered him the tainted drink, which he accepted with a puzzled expression.
“You’re shaking, Alera.”
“I’m cold.”
“It’s quite warm.”
“But the evening temperatures drop quickly now that summer’s sultriness has passed. The wine helps.” I took a sip from my goblet, deliberately stilling my hand.
“So would a quilt,” he pointed out. “You detest wine.”
I laughed uncomfortably, trying not to recoil at the flavor of the drink.
Narian was taking his time. Did he suspect there was something wrong? He knew there was something wrong with me, yes, but perhaps the wine smelled off and it had alerted him. London had given me an abundance of the herb, whatever it was, and I had used it all.
Narian let go of his reservations and lifted the goblet to his lips, and nausea hit me full force. London believed Narian to be nothing more than a dangerous weapon, one that would fight against us, and he was right that I was the only one around whom Narian would lower his guard. Would London, thinking of the greater good, be willing to use me to poison and kill his enemy?
“Stop!” I cried, reaching out to grab the goblet and spilling wine all over the rug. Narian leaped to his feet, tensed for a fight, and I burst into tears.
“Alera, what is it?” he asked, not sympathetic, but demanding and urgent.
I was gasping, unable to catch my breath and feeling like I might vomit.
“It’s London. He asked me to drug you. He said I had to do it, for Hytanica.”
“Where is he?”
“I don’t know. He left. He said their plan was to kill the sentries on the wall and close the city. I’m sorry, I’m so sorry.”
I wasn’t sure to whom I was apologizing, or even for what exactly, but the guilt was close to unbearable. I put my hands over my face, my heart splintering at the thought of every one of the night’s possible outcomes.
Narian ran to the door, and I summoned the strength to follow him. We flew down the Grand Staircase, where he snapped orders to the Cokyrian guards at the doors.
“Rouse Rava and alert the soldiers on duty to monitor the city walls. There is a rebel party waiting to strike and I want them caught, now. Bring them here alive.”
The guards left to carry out his instructions, and Narian turned to me.
“Alera, I will do everything I can to protect the people you care about, you know that. But I will not be focused unless I know you are safe. Please, stay here.”
I nodded, despite my desire to do anything except stay put, and he kissed me deeply right in the middle of the Grand Entry Hall, without a care for secrecy.
“Be safe,” I murmured, watching him go.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
Shall I get drunk or cut myself a piece of cake,
a pasty Syrian with a few words of English
or the Turk who says she is a princess--she dances
apparently by levitation? Or Marcelle, Parisienne
always preoccupied with her dull dead lover:
she has all the photographs and his letters
tied in a bundle and stamped Decede in mauve ink.
All this takes place in a stink of jasmin.
But there are the streets dedicated to sleep
stenches and the sour smells, the sour cries
do not disturb their application to slumber
all day, scattered on the pavement like rags
afflicted with fatalism and hashish. The women
offering their children brown-paper breasts
dry and twisted, elongated like the skull,
Holbein's signature. But his stained white town
is something in accordance with mundane conventions-
Marcelle drops her Gallic airs and tragedy
suddenly shrieks in Arabic about the fare
with the cabman, links herself so
with the somnambulists and legless beggars:
it is all one, all as you have heard.
But by a day's travelling you reach a new world
the vegetation is of iron
dead tanks, gun barrels split like celery
the metal brambles have no flowers or berries
and there are all sorts of manure, you can imagine
the dead themselves, their boots, clothes and possessions
clinging to the ground, a man with no head
has a packet of chocolate and a souvenir of Tripoli.
”
”
Keith Douglas
“
ADDICTED AMEN I’m drunk, stoned, and stuffed. It’s not enough. It’s not enough. And it never will be. There will never be enough to satisfy me. Because the problem is, I’m not hungry. My soul is thirsty. I’ve had the realization That my spirit suffers from dehydration. Thirsty for love. Thirsty for peace. My flesh won’t set me free. I need You, Lord. I’m starving. There’s only regret after the party. The hole in my heart just gets bigger. Even when he says I’m sorry. I shouldn’t be so careless with my body. I didn’t realize I was worthy. I cry myself to sleep. The absence of her presence cuts so deep. What can I take to escape the grief? It’s not enough. Take it. Take this from me. I’m so sorry. I know You love me. I believe it’s not just a story. I’ll give You the glory. Restore me. Make me new. Let me see myself from Your point of view. Fill me with Your Word. The way, the life, the truth. I’m addicted to You, Lord. Take my chains. Give me fruit. I’m sober. I’m satisfied. I’m full. I’m running to You, Lord. I can’t believe I’m running. It used to be a nur. But now I’m chasing after something. Something I can see. Something I can feel. You brought my pain up to the surface. I had to deal so I could heal. Now it has a purpose. Life is good. Despite the struggles. I can smile in the face of trouble. I got my laughter back. She laughs. I’m without fear when I’m attacked. I keep on moving. Forward motion. You have my full devotion. It doesn’t matter where I’ve been. Value isn’t found in the opinions of men. My worth left marks within your skin. You won’t let me stay hidden. It’s Your love, Lord. I’m addicted, amen.
”
”
Carolanne Miljavac (Odd(ly) Enough: Standing Out When the World Begs You To Fit In)
“
When I was a little older, about twelve, I went to work at a nearby house. It was owned by old Mrs. Cromby and oh, I was so homesick! I cried myself to sleep for a fortnight it seemed, until it was my day off and I could go home to see Mam."
He frowned at this, not liking to think of his infant housekeeper in tears. "Why did they send you then if you were so upset?"
She gave him a look. "Because I needed to learn a trade, naturally. And it was a good position. Mrs. Cromby was very strict but I learned so much from her and her housekeeper, Mrs. Little. How to keep records and how to make wood polish and brass polish and silver polish. When to turn linen and how to store cheese. What cuts of beef are the cheapest and how to bargain down the butcher. How to judge when a fish is fresh and when to buy shellfish and when not to. How to keep moths from woolen and mice from the pantry. How to get wine stains out of white linen and how to dye faded cloth black again. All that and so much more."
She drew breath and he looked at her, deeply appalled. "That all sounds frightfully boring."
"And yet without that knowledge you'd live in dirty, messy, vermin-infested chaos," she said sweetly.
"Mm.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
Power of Prayer “The LORD has heard my cry for mercy; the LORD accepts my prayer” (Psalm 6:9). I realize the power of prayer and the importance of praying for others. Yet sometimes I have these pesky doubts sprouting up in the garden of my mind, like weeds. Unless I pull out the root of the problem, they will continue to grow and return. Recently, I prayed for my daughter’s healing. I also used common sense, having her sleep and take it easy all day. But then this morning her cough continued. It got progressively worse on our walk to the bus stop. Later in the day, she even had to break from an aggressive game of hide-n-seek to give her lungs a rest. I found myself wondering; I know God is a miracle-working God, so why is she not healed? I know that God heals the sick, so why is she still coughing? I know that God says, ask and you shall receive (Luke 11) so why has my prayer not been heard? I want a miracle now. I know it’s within God’s power. Her lungs could become instantly made perfect in a simple command. So knowing He can do this, why doesn’t He? I reason that either: a) God didn’t hear my prayer, b) He heard my prayer and ignored it, c) He heard my prayer and answered, Yes later, or d) He heard my prayer and answered, No. a) He didn’t hear my prayer I know God hears my prayers, based on scripture and my own experiences. There are lots of passages in the Bible to back up the fact that God does hear us. “This is the confidence we have in approaching God: that if we ask anything according to his will, he hears us” (1 John 5:14). My own experiences even include God hearing my inner, unspoken prayers. I have prayed for safety, while driving in dangerous storms, and He answered my prayer. I have prayed for help and He answered immediately. Actually, I could fill this page and the next with prayers answered, both verbally expressed and those silently directed to God, as proof that He does hear my prayers. b) He heard my prayer and ignored it Given that God hears my prayer, He can either respond, Yes or No. Considering that nothing is impossible for God (Luke 18 ) and He is a just and loving God, there is no reason for Him to ignore me. He calls to me everyday. Since He wants to communicate with me, it would be against His very nature to ignore me. He is merciful and kind, forgiving and gentle. If anything, He wants a relationship with me and so He would not ignore me. “For the eyes of the Lord are on the righteous and his ears are attentive to their prayer” (1 Peter 3:12). c) He heard my prayer and answered, Yes later I know that God hears my prayers. I know by His very nature He would not ignore my prayers. (2 Chronicles 7 NIV) So He may be saying, Yes later. God knows the past, the present and the future. He lives in eternity. He knows what is best for me and when. His timing is perfect and I must learn to accept this. I must lift my prayer to Him and then settle back knowing that He is in full control. It’s just a matter of patience. “We do not want you to become lazy, but to imitate those who through faith and patience inherit what has been promised” (Hebrews 6:12). Like the time I had to wait for my house to sell. I
”
”
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
“
Do you know these days? These days when the alarm rings, and there's no energy left to get up because you think that today nothing will change and nothing good will happen anyway?
I had that feeling when I woke up this morning. The dream I had dreamt passed into the next day without any transition, and I cried myself awake. The alarm rang. I felt horrible, and I didn't know where I was. My dreams have always been very vivid, very real – it can be a blessing and a curse. Today it had been a curse.
Usually, you cry yourself to sleep – but on particular days, you cry yourself awake. Years ago, which I can count on the fingers of both of my hands, I would have felt very much at home in this feeling. I would have wallowed in it. Melancholy had been my very best friend for oh so many years. But it's not like that anymore. Life is radiant and colourful. Even though there are days that seem dull and grey. But even those days will pass.
Joy is an active choice. Sometimes you have to even fight for it. But one day, you will be richly gifted.
Then you will gain something that weighs more than all the loneliness, the guilt, the sadness:
pure life.
Some time ago, I consciously decided against surrendering to the grey within me. And I promised myself to leave my bed every day, even on the days that seemed dull and grey, and to throw myself into the day the same way I wanted to throw myself into life.
Life is the only thing we can call our very own.
And if the grey appears to be too grey, one has to show one's true colours.
Inside and out.
And that's why I wear red because a pop of colour can frighten away the grey.
”
”
Dahi Tamara Koch (Within the event horizon: poetry & prose)
“
Who are they?’ asked K. ‘Klamm’s servants,’ said Frieda. ‘He always brings them with him, and their presence upsets me. I hardly know what I was discussing with you just now, Mr Land Surveyor, and if there was anything wrong in it you must forgive me. I blame it on the company here, they are the most contemptible and repulsive people I know, and here am I, obliged to fill up their beer glasses. How often I’ve asked Klamm to leave them behind! I have to put up with other gentlemen’s servants too—he might think of me for once, but whatever I say it’s no use, an hour before he arrives they come barging in like cattle into the cowshed. And now they really must go to the stables where they belong. If you weren’t here I’d open that door and Klamm himself would have to drive them out.’ ‘Doesn’t he hear them, then?’ asked K. ‘No,’ said Frieda. ‘He’s asleep.’ ‘What!’ cried K. ‘Asleep? When I looked into the room he was awake and sitting at the desk.’ ‘He’s still sitting there like that,’ said Frieda. ‘He was already asleep when you saw him—would I have let you look in otherwise? That’s the position he sleeps in, the gentlemen sleep a great deal, it’s hard to understand. Then again, if he didn’t sleep so much, how could he stand those men? Well, I’ll have to chase them out myself.’ And picking up a whip from the corner, she took a single awkward leap high into the air, rather like a lamb gambolling, and made for the dancers. At first they turned to her as if she were a new dancer joining them, and indeed, for a moment it looked as if Frieda would drop the whip, but then she raised it again. ‘In the name of Klamm,’ she cried, ‘out into the stables, all of you, out into the stables.’ Now they saw that she was serious, and in a kind of terror that K. couldn’t understand, they began crowding away to the back of the room. A door was pushed open by the first to get there, night air blew in, and they all disappeared with Frieda, who was obviously driving them across the yard to the stables.
”
”
Franz Kafka (The Castle)
“
Waking Up to a Dream
In the morning,
I will find you
wrapped up in a blanket
head turned to the side
sleeping like a child.
In the quiet,
I will find
that you are not the dream
I had when I was young.
You are
the sum of all the desires
I picked up
as I walked through this life.
You are
the lessons I learned
as a stubborn girl,
impatient and wild.
You are
hope personified
when I cried myself
to sleep at night.
You are
the promise,
the life I wanted,
the one I'm loving now.
Loving someone is a hard climb as it is.
Allowing yourself to be loved-
is a much higher summit.
”
”
Dawn Lanuza (You Are Here)
“
He found a middle-aged peasant — Antón Savélieff — sitting on a small eminence outside the village and reading a book of psalms. The peasant hardly knew how to spell in Old Slavonic, and often he would read a book from the last page, turning the pages backward; it was the process of reading which he liked most, and then a word would strike him, and its repetition pleased him. He was reading now a psalm of which each verse began with the word ’rejoice.’
‘What are you reading?’ he was asked.
‘Well, father, I will tell you,’ was his reply. ‘Fourteen years ago the old prince came here. It was in the winter. I had just returned home, quite frozen. A snowstorm was raging. I had scarcely begun undressing when we heard a knock at the window: it was the elder, who was shouting, “Go to the prince! He wants you!” We all — my wife and our children — were thunder-stricken. “What can he want of you?” my wife cried in alarm. I signed myself with the cross and went; the snowstorm almost blinded me as I crossed the bridge. Well, it ended all right. The old prince was taking his afternoon sleep, and when he woke up he asked me if I knew plastering work, and only told me, “Come tomorrow to repair the plaster in that room.” So I went home quite happy, and when I came to the bridge I found my wife standing there. She had stood there all the time in the snowstorm, with the baby in her arms, waiting for me. “What has happened, Savélich?” she cried. “Well,” I said, “no harm; he only asked me to make some repairs,” That, father, was under the old prince. And now, the young prince came here the other day. I went to see him, and found him in the garden, at the tea table, in the shadow of the house; you, father, sat with him, and the elder of the canton, with his mayor’s chain upon his breast. “Will you have tea, Savélich?” he asks me. “Take a chair. Petr Grigórieff” — he says that to the old one — “give us one more chair.” And Petr Grigórieff — you know what a terror for us he was when he was the manager of the old prince — brought the chair, and we all sat round the tea table, talking, and he poured out tea for all of us. Well, now, father, the evening is so beautiful, the balm comes from the prairies, and I sit and read, “Rejoice! Rejoice!”’
This is what the abolition of serfdom meant for the peasants.
”
”
Pyotr Kropotkin (Memoirs of a Revolutionist)
“
I wanted to tell him that I understood, that sometimes the basest instinct in our human nature takes control. When all you have is threatened, it’s only natural to lash out. But my tongue felt like it was glued to the roof of my mouth, and I was concerned that his outburst may have awoken our sleeping son. I wrapped my arms around myself, feeling suddenly cold. Seconds passed, and all I could hear was the swish of the wind blowing down the fireplace, whose flames had been extinguished hours ago. With sharp snapping teeth, the chilling breeze invaded my territory. When I spoke, my voice no longer sounded like my own. ‘If you want to leave me then I understand. You didn’t sign up for this when you married me.’ I doubled over, unable to keep my emotions in check any longer. I clenched my hands, biting into my fist as tears overtook me. It was a horrible, strange habit I had picked up as a child, a way to silence my tears as I cried myself to sleep at night.
”
”
Caroline Mitchell (Silent Victim)
“
My bedroom looked very different the morning of my eighteenth birthday. It looked lonely. I opened my eyes just as the sun started creeping through the window, and I stared at the white chest of drawers that had greeted me every morning since I could remember. Maybe it’s stupid to think that a piece of furniture had feelings, but then again, I’m the same girl who kept my tattered old baby doll dressed in a sweater and knitted cap so she wouldn’t get cold sitting on the top shelf of my closet. And this morning that chest of drawers was looking sad. All the photographs and trophies and silly knickknacks that had blanketed the top and told my life story better than any words ever could were gone, packed in brown cardboard boxes and neatly stacked in the cellar.
Even my pretty pink walls were bare. Mama picked that color after I was born, and I’ve never wanted to change it. Ruthis Morgan used to try to convince me that my walls should be painted some other color. ‘Pink’s just not your color, Catherine Grace. You know as well as I do that there’s not a speck of pink on the football field.’
There was nothing she could say that was going to change my mind of the color on my walls. If I had I would have lost another piece of my mama. And I wasn’t letting go of any piece of her, pink or not.
Daddy insisted on replacing my tired, worn curtains a while back, but I threw such a fit that he spent a good seven weeks looking for the very same fabric, little bitsy pink flowers on a white -and-pink-checkered background. He finally found a few yards in some textile mill down in South Carolina. I told him there were a few things in life that should never be allowed to change, and my curtains were one of them.
So many other things were never going to stay the same, and this morning was one of them. I’d been praying for this day for as long as I could remember, and now that it was here, all I wanted to do was crawl under my covers and pretend it was any other day. . . .
I know that this would be the last morning I would wake up in this bed as a Sunday-school-going, dishwashing, tomato-watering member of this family. I knew this would be the last morning I would wake up in the same bed where I had calculated God only knows how many algebra problems, the same bed I had hid under playing hide-and-seek with Martha Ann, and the same bed I had lain on and cried myself to sleep too many nights after Mama died. I wasn’t sure how I was going to make it through the day considering I was having such a hard time just saying good-bye to my bed.
”
”
Susan Gregg Gilmore (Looking for Salvation at the Dairy Queen: A Novel)
“
What did these brownies tell you? I'd no idea such Folk could help a Black Hound."
He took my hand. "Shadow is ill, Em. Some congestion in his blood--- that is how the creatures described it. An illness of age, which they might have prevented before it set in, but which they could not cure."
I sank back against my chair--- I had not realized I was leaning forward, my body rigid with tension.
"However," Wendell continued, "I did not lose hope at this, for the information was useful. I'd heard rumors that this half-bogle woman, who aptly calls herself the Wordmonger, had amassed a great collection of forgotten Words. Including one intended to cleanse the blood--- used mostly, I suspect, to rid the body of alcohol, and thus its aftereffects. Perhaps one of the most useful Words ever invented! And I thought to myself, why should it not be useful in this case? The Words have more than one function, and it stands to reason that their effects should be stronger in beasts. If ever I regained my kingdom, I told myself, I would venture to the rhododendron meadow to interview her as soon as could be."
"A hangover remedy!" Niamh exclaimed. "You thought to cure the dog with that?"
"I already have," Wendell said. "Come here, Em."
I knelt beside him and placed my hands where he indicated. I felt Shadow's heartbeat--- with which I was acutely familiar, for the old dog liked to sleep pressed against my back at night. I didn't notice the change at first. But then---
"It's stronger," I cried. "Wait--- is it?" I listened again. "Yes--- I'm almost certain that it is!
”
”
Heather Fawcett (Emily Wilde's Compendium of Lost Tales (Emily Wilde, #3))
“
It gets better the lower I go and I covetously grip her hips as I find my lips tickled by a tuft of soft curls. I took her for a Brazilian type of woman, but it doesn’t fucking matter, not when it’s ambrosia, not when I crave it like I crave the fucking sky. She cries out when my lips kiss the line where her labia meet. I stroke my tongue down her centre, lapping up the beads of her heady juices as I do. Sliding my tongue between her lips, I groan deep in my throat as that nectar slides into my mouth, simultaneously heating me up and cooling my brain. The cerebral relief I feel is unmatched as I lave into her pussy, exploring the delicate skin like a skilled explorer. A flick of her clit makes her cry out, hands reaching into my hair and tugging in just the way I like. My lips find her clit and I suck on it gently, and happily find a flood of the heady slick in my mouth. I reach down and stroke myself as I savour this delicacy, feeling my hard shaft respond to the pleasure in my mouth. I squeeze the base almost cruelly hard, milking my cock and feeling its veins bulge. Precum coats the broad head and I imagine the flutter of my tongue of her most sensitive spot, grinning as I feel her writhe and almost choke on a moan. I’m relentless, wanting to feel more of the unexpected pleasure, pumping my shaft hard and fast as if I was in her. Release gathers at the base of me, rumbling like a volcano ready to explode. I work my cock as I work her clit and she comes first, screaming and crying, her back almost lifting off the bed completely before she pants, yanking on my hair so hard it hurts in the best way. Pressure hits a breaking point in my own body and I sit up, tilting my head back and moaning into the sky as I let go weeks of release onto her body, milking out every laboured millilitre of my seed. I inhale a sweet breath and exhale a relieved one before flopping down on the bed. Lazily, I rub my cum into her skin, letting my scent claim her, letting my seed soak into her skin. Silence. There is blissful silence in my head. And for the first time in an age, I go soundly to sleep.
”
”
E.P. Bali (Her Tortured Beasts (Her Vicious Beasts, #4))
“
It is very rare that, whether for good or bad, one's family doesn't affect each of us. Perhaps some of you don't know your family and have wondered about it your whole life, while others know their family and wish only to forget them. As I come to the last quarter of my life, or perhaps the last third—I hope—I recognize how having a different family would have made me different from who I am today. In case these words continue down to the decades and into the future or even a century or two, just know that I am blessed to have the family I have. I regret nothing with my family, even the times I cried myself to sleep as a kid. Going through it wasn't much fun at the time, but I came out pretty damned good in the end. May those of my family who have passed on rest in peace. For those of my family who are still alive, I hope you have a full and enjoyable life ahead of you!
”
”
Michael Anderle (The Victorious Redemption Complete Series Boxed Set)
“
I devoured all kinds of books for tortured souls. Started collecting issues of the independence movement’s weekly. Studied up on political game theory, an antidote to my spiritual reading. It made me feel like an outsider, which became my way of recharging. At the break of dawn, around six or seven, like a nocturnal creature afraid of the light, I’d finally lay my head—which by then was spilling over with thoughts—down onto the comforter.
That’s how it went when things were good. Most of the time, however, I didn’t eat a single thing all night. Didn’t shower. Couldn’t get out of bed. Didn’t write in my journal or talk. Didn’t read a single page or register the sound of another human being. All day long, I’d cry myself sick into my pillow. Sleep was just another luxury.
Didn’t want anyone around. People were useless to me. Didn’t need anyone. I started hurting myself and getting into all sorts of trouble.
”
”
Qiu Miaojin (Notes of a Crocodile)
“
The last time we visited the Connors before Hank’s death, Wyn’s father cried from happiness when we got there. As we were getting ready for bed that night, he gave me a tight hug and said, Sleep well, love you so much, kiddo, and afterward I’d shut myself in the bathroom and run the water while I cried for reasons I didn’t entirely understand. More homesickness, I guess. That lights-on-in-an-unfamiliar-kitchen pang. Love you so much, kiddo had been such a constant refrain of Wyn’s childhood that he and his sisters had all gotten it tattooed in Hank’s handwriting when we went to Montana for the funeral. They said I could too, but it didn’t seem fair. Hank didn’t belong to me. Now he never will.
”
”
Emily Henry (Happy Place)
“
To hell. Why did I say that? If there is only function, then there is no hell. No temptation, no evil. Just the pretenses we build for ourselves in order to make life endurable to a limited extent. Because we need those fictions. Were we ever to come face to face with the ultimate meaninglessness, we would die. As I have died in so many little ways over so long a time that there is nothing left. And then, astonishing myself, I rolled over and ground my eyes into the pillow and cried with the muted helplessness of a sick child. It astonished me, because I had not thought there was even that much left. I went to sleep thinking of how Wilma would look were she dead. Noel was up and gone when I awakened. Most of them had finished breakfast and were down by the water. I had slept long, but there had been no rest. It has been like that for some time now. Sleep so heavy that I awaken in the same position. Dreamless sleep. A little death. But I get no rest from it. And I wonder about the significance of that. The doctor said it could be related to my physical condition. I think it a part of the death wish. There are other indications
”
”
John D. MacDonald (All These Condemned)
“
If in my lifetime I lose my memories and all my love for you is stolen away, remind me of the times that I loved you when you were unlovable, the hours when I cried myself to sleep, the days I yearned for your love but was left empty-handed, the years that were hard, and the scars they left behind. If you remind me of the sorrow that I've felt loving you, then I may never remember the years we had together, but I will recognize the strength of our bond through the endurance of our trials.
”
”
Allene vanOirschot
“
Only when you aren’t super busy. Please. If you can, but if you can’t, that’s okay.” I’d just cry myself to sleep at night. No biggie.
”
”
Mariana Zapata (All Rhodes Lead Here)
“
The next picture I post smiling will be right after crying myself to sleep. As always.
”
”
Phoenix Moon (Emotional Roller Coaster: Confessions of a soul reborn from the ashes)
“
WhatsApp info:+12723 328 343
I used to think stories about people losing their savings online could never happen to me, until it did. A few months back, I invested in what seemed like a legitimate online opportunity. Everything looked polished and professional, but the truth came out when I tried to withdraw. That’s when I realized I had been scammed. The shock hit me hard. I lost sleep, I lost focus, and I kept blaming myself for being so trusting. At the point when I felt completely hopeless, I was introduced to Adware Recovery Specialist. Honestly, I didn’t know if I could trust anyone again, but their approach was different. They listened without judgment, walked me through every step of the process, and kept me updated the whole time. Their calmness and honesty slowly rebuilt my trust. What amazed me the most was when they actually recovered my lost funds. Seeing the money credited back to my account felt unreal, I cried from relief. It wasn’t just about the money; it was about regaining hope and realizing that there are still genuine professionals who care about people like me. Looking back, reaching out to Adware Recovery Specialist was one of the best choices I ever made. They gave me back not just my savings, but also peace of mind and confidence in the future. If you’ve been in my shoes, don’t give up. With the right help, recovery is possible, and I’ll always be grateful to them for making that possible in my life.
”
”
HOW TO RECOVER STOLEN CRYPTOCURRENCY HIRE ADWARE RECOVERY SPECIALIST
“
He said my name aloud, but he was asleep. I crawled into his hospital bed with him again as best I could with all the extra paraphernalia in the way, and then the flood started. I began to cry a little bit, and then more poured out. I could not stop it. How could I know a gushing river would burst through the dam of appropriateness and strength I try to project and mix with the I-Love-Yous coming from my mouht and the giant tears I did not know were waiting behind my eyes? How do anyone's eyes stay in their head with such pressure swimming and bleeding onto a pillow?
I Love you, Daddy. I am going to miss you, I thought to myself.
"Good-bye," I choked out the words.
"Good-bye, honey," said my sleeping, dreaming Daddy.
”
”
Piper Winifred (The Path of Grief: & the Imagined Future)
“
I cried for a long time, the kind of sobbing you can only indulge in when you’re alone, and the child inside you is doing the crying for both the little girl you were and the woman you’ve become. I must have cried myself to sleep, because before I knew it, Mira took me again, and leaving my life behind was a relief.
”
”
Daniela Sacerdoti (The Italian Island)
“
There’s a bobby pin, two receipts,
and my mother’s voice trapped in a voicemail
I haven’t had the courage to delete.
my lipstick sits there too
the one I wore the day I didn’t cry.
No one asks why I keep
a drawer full of matchboxes and apology notes.
Sometimes, when I can’t sleep,
I trace the ring mark left by an old mug
and imagine it’s a constellation.
I tell myself the bedside table is not clutter
it’s just the only place I keep remembering
to live.
Some days, I organize it.
Most days, it organizes me.
”
”
Maimoona Abidi (A Shelf of Things I Never Said)
“
Okay,” she began as calmly as she could. “Could you just… tell me what I’m doing wrong? Because… I’m really starting to feel like I’ve had enough of this,” she confessed, the tears rolling down her cheeks. “I think this hurts just bad enough that I’m just… I’m ready to listen, I’m ready to change.” Kevin shook his head, rubbing his jaw uncomfortably as she continued.
“Am I too honest? Do I work too hard? Did I not ask nicely enough? I mean, I cried too. I cried like I’m crying right now,” she went on, her voice a wavering mess. “Did I give it up too soon? Is it my body? I mean, what do you think it is, Kevin, just tell me. I can take it. I can take any fuckin’ thing. Obviously. I can’t make myself into a white girl, so I have to make do. Just, as a man… tell me what about me makes you entirely unresponsive to me, just when it comes to actual love? And I don’t mean romantic love, I mean, just… the love we give to each other as humans. Food in the belly. A place to sleep. Keeping a promise. How do I get what she has? In your opinion?”
Leftovers with Benefits: an interracial contemporary romance by
”
”
C. L. Donley
“
You are seriously missing out, you know that? This could be so cool if you would just own it.” Own it. Yes. How easy it would be to just clamp down on the world around me. Suck up its life force and leave it dead in the street just because someone tells me I should. Because someone points a finger and says “Those are the bad guys. Those men over there.” Kill, they say. Kill because you trust us. Kill because you’re fighting for the right team. Kill because they’re bad, and we’re good. Kill because we tell you to. Because some people are so stupid that they actually think there are thick neon lines separating good and evil. That it’s easy to make that kind of distinction and go to sleep at night with a clear conscience. Because it’s okay. It’s okay to kill a man if someone else deems him unfit to live. What I really want to say is who the hell are you and who are you to decide who gets to die. Who are you to decide who should be killed. Who are you to tell me which father I should destroy and which child I should orphan and which mother should be left without her son, which brother should be left without a sister, which grandmother should spend the rest of her life crying in the early hours of the morning because the body of her grandchild was buried in the ground before her own. What I really want to say is who the hell do you think you are to tell me that it’s awesome to be able to kill a living thing, that it’s interesting to be able to ensnare another soul, that it’s fair to choose a victim simply because I’m capable of killing without a gun. I want to say mean things and angry things and hurtful things and I want to throw expletives in the air and run far, far away; I want to disappear into the horizon and I want to dump myself on the side of the road if only it will bring me toward some semblance of freedom but I don’t know where to go.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
I was utterly exhausted from crying myself to sleep, from everything that happened earlier. But it was the good kind of exhausted, where your eyes are puffy and your heart is hard and you don’t feel anything anymore because you’ve already felt it too much.
”
”
Karina Halle (Into the Hollow (Experiment in Terror, #6))