Cricket Toss Quotes

We've searched our database for all the quotes and captions related to Cricket Toss. Here they are! All 13 of them:

Who would I kill?” I asked, sitting up from him, wiping my face. “Who?” “Yeah, I mean, is it random, or do you choose them?” “Well.” He grinned and picked an ant off the rug, then tossed it onto the grass. “I usually avoid eating comedians as much as possible.” “Why?” I asked slowly. “Because they taste funny.” His brows rose. I imagined a tumbleweed rolling past as I listened for crickets. “That wasn't funny.
Angela M. Hudson (Tears of the Broken (Dark Secrets, #0))
Voices tossed up and down the long flights of stairs, sourceless and intertwining like crickets' chorus, gentle as fingers on my hair. Night, they said, good night, sleep well. Welcome back, Lexie. Yes, welcome back. Good night. Sweet dreams.
Tana French (The Likeness)
When he pursed his lips and dropped a hand into his coat pocket, the last thing Nur expected him to pull out was a cricket ball. "I'd hoped for a disruptor at least," she muttered reprovingly. The Doctor slipped three fingers around the ball and hefted it experimentally. "I thought we'd try something a little less excessive." He breathed gently on to the maroon leather and polished it on his leg as the Sontaran finally tossed the Kshatriya aside and stopped to pick up its fallen weapon. He stepped around the corner, sighting along his free arm as the Sontaran straightened, its back fully turned. The cricket ball flashed down the length of the corridor in the blink of an eye, punching into the back of the Sontaran's collar and ricocheting away. To Nur's astonishment, the alien spasmed and crashed to the floor like a falling tree. "Out for a duck," the Doctor commented, blowing across his fingertips. "I've never seen anything killed by a cricket ball before." "You haven't yet. He'll wake up in a few minutes.
David A. McIntee (Doctor Who: Lords of the Storm)
My sheets were damp with sweat. I got up and stuck my head out the window and took a few breaths. The chill air was so refreshing that I decided to put on some clothes and go for a walk. The moon was full and very bright. Everything was silent except for the chirp of the crickets and the full foamy toss of the wind in the trees.
Donna Tartt (The Secret History)
Night Swimming by Viktor Elsin Black velvet night, pinned wide and high By pinprick stars. Faces under moonlight. Faint echoes float atop the river. Our reckless splashes toss them here and there. How very young we were, one floating year ago. Wet tresses draped our ears. And in the air, the hum of crickets chanting Apologies we could not, did not, hear. Gone, gone, the forest's past perfection: Patchwork shade, pine needle carpet, Ocher-resin drops of sun. The air Hums...Unseen, the nightingale, too late, Thrums its stubborn song- caught somewhere Between the deep black water and sky.
Viktor Elsin
I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the
Scott O'Dell (Island of the Blue Dolphins)
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
Toni Morrison (The Bluest Eye)
They emerged from the tropical vegetation, greeted by a general cheer. Stephen advanced, carrying his hurly: he was feeling particularly well and fit; he had his land-legs again, and no longer stumped along, but walked with an elastic step. Jack came to meet him, and said in a low voice, 'Just keep your end up, Stephen, until your eye is in; and watch out for the Admiral's twisters,' and then as they neared the Admiral, 'Sir, allow me to name my particular friend Dr. Maturin, surgeon of the Leopard. 'How d'ye do, Doctor?' said the Admiral. 'I must beg your pardon, sir, for my late appearance: I was called away on -- ' 'No ceremony, Doctor, I beg,' said the Admiral, smiling: the Leopard's hundred pounds were practically in his pocket, and this man of theirs did not look very dangerous. 'Shall we begin?' 'By all means,' said Stephen. 'You go down to the other end,' murmured Jack, a chill coming over him in spite of the torrid sun. 'Should you like to be given a middle, sir?' called the umpire, when Stephen had walked down the pitch. 'Thank you, sir,' said Stephen, hitching at his waistband and gazing round the field, 'I already have one.' A rapacious grin ran round the Cumberlands: they moved much closer in, crouching, their huge crab-like hands spread wide. The Admiral held the ball to his nose for a long moment, fixing his adversary, and then delivered a lob that hummed as it flew. Stephen watched its course, danced out to take it as it touched the ground, checked its bounce, dribbled the ball towards the astonished cover-point and running still he scooped it into the hollow of his hurly, raced on with twinkling steps to mid-off, there checked his run amidst the stark silent amazement, flicked the ball into his hand, tossed it high, and with a screech drove it straight at Jack's wicket, shattering the near stump and sending its upper half in a long, graceful trajectory that reached the ground just as the first of La Fleche's guns, saluting the flag, echoed across the field.
Patrick O'Brian (The Fortune of War (Aubrey & Maturin, #6))
The Commander tucked the timepiece back into the fob pocket, and with the air of a conjurer brought out a full moon, as bright as a new coin, and tossed it up in the air. Heads, Humphrey called, and laughed, because he knew this trick, but just couldn’t at the moment remember how it went. “That’s it! Time’s up! Time’s up!” the empire cried then, fussily drawing stumps. The moon sat above the cricket ground, where it struck twelve more times than was strictly necessary, it was the umpire’s opinion, and Humphrey opened his eyes to the sound of the grandfather clock on the bottom landing chiming the half-hour.
Peter Maughan (Sir Humphrey of Batch Hall plus The Famous Cricket Match (Batch Magna #2))
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