Crescent Quotes

We've searched our database for all the quotes and captions related to Crescent. Here they are! All 100 of them:

Through love, all is possible.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
That's the point of it, Bryce. Of life. To live, to love, knowing that it might all vanish tomorrow. It makes everything that much more precious.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Then let the world know that my first act of freedom was to help my friends.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I laugh, and my lipstick leaves a red stain like a bloody crescent moon on the top of the beer can.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
You're the person I don't need to explain myself to - not when it matters. You see everything I am, and you don't run away from it.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Memento Mori. Remember that you will die.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I am a descendant of Ranthia Drahl, Queen of Embers. She is with me now and I am not afraid. My friends are behind me, and I will protect them.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Our love is stronger than time, greater than any distance. Our love spans across stars and worlds. I will find you again, I promise.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
I've got you," he murmured. "Sweetheart, I've got you.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Patience does not mean to passively endure. It means to be farsighted enough to trust the end result of a process. What does patience mean? It means to look at the thorn and see the rose, to look at the night and see the dawn. Impatience means to be so shortsighted as to not be able to see the outcome. The lovers of God never run out of patience, for they know that time is needed for the crescent moon to become full.
Elif Shafak (The Forty Rules of Love)
Jace snorted so loudly that she turned on him with a frown. He wiggled his mud-caked fingers at her. His nails were black crescents. "Filthy inside and out.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Remember that you will die, and enjoy each pleasure the world has to offer.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Bryce's face crumpled as she lurched to her feet, sprinting to the Gate. She didn't care how it was possible as Danika said again, "Light it up" Then Bryce was laughing and sobbing as she screamed, "LIGHT IT UP, DANIKA! LIGHT IT UP, LIGHT IT UP, LIGHT IT UP!" Bryce slammed her palm onto the bronze disk of the Gate. And soul to soul with the friend whom she had not forgotten, the friend who had not forgotten her, even in death, Bryce made the Drop.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Hello, Bryce Quinlan. My name is Rhysand.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
What brings loyalty beyond death, undimming despite the years. What remains unwavering in the face of hopelessness." ...Through love, all is possible.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Because she loved him that much more than she hated you.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
The smile that flickers on a baby’s lips when he sleeps- does anyone know where it was born? Yes, there is a rumor that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born in the dream of a dew-washed morning.
Rabindranath Tagore
What blinds an oracle, Bryce Quinlan?
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
The power shall always belong to those who give their lives to the city.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Light it up
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
It is a symbol - and symbols will always wield power of their own.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
But wherever you’re headed when this life is over, Quinlan, that’s where I want to be, too.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
There are worse fates than death, you know.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I heard what you said.' Pump, pump, pump went his powerful arms. 'What you waiting to admit until I was almost dead, you fucking coward.' His lightening surged into her, sending her body arcing off the ground as he tried to jump-start her heart. He snarled in her ear, 'Now come say it to my face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Perhaps the crescent moon smiles in doubt at being told that it is a fragment awaiting perfection.
Rabindranath Tagore (Fireflies: a collection of proverbs, aphorisms and maxims (Golden Thread Series))
Vengeance incarnate. Wrath's bruised heart. She would bow for no one. Hunt's lightning sang at the sight of that beautiful, brutal face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
When hope is fleeting, stop for a moment and visualize, in a sky of silver, the crescent of a lavender moon. Imagine it -- delicate, slim, precise, like a paper-thin slice from a cabochon jewel. It may not be very useful, but it is beautiful. And sometimes it is enough.
Vera Nazarian (The Perpetual Calendar of Inspiration)
Hunt’s voice was a thunderclap as he said behind her, “Light it up, Bryce.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Fury didn’t stop her prep. “Bryce was a ghost for a long while, Hunt. She pretended she wasn’t, but she was.” The helicopter finally pulled into the air. “You brought her back to life.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
National boundaries are not evident when we view the Earth from space. Fanatical ethnic or religious or national chauvinisms are a little difficult to maintain when we see our planet as a fragile blue crescent fading to become an inconspicuous point of light against the bastion and citadel of the stars.
Carl Sagan (Cosmos)
...There's nothing wrong with a party girl. I don't get why the world thinks there is...Its easier for me---when people assume the worst about what I am. It lets me see who they really are -- Bryce
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
My friends are with me and I am not afraid.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
His smile broadened as he walked out. “I never would have met Bryce.” And every horror, every nightmare … all of it had been worth it for her.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
I see you, Quinlan, he silently conveyed to her. And I like all of it. Right back at you, her half smile seemed to say.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Death is the only victor in war
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The universe is massive. Some believe it has no end. Or that our universe might be one in a multitude, as bountiful as the stars in the sky or the sand on a beach.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Sabine snapped back at him, 'There are no wolves left for the Old Square!' But the Prime of the wolves had stirred at last, and pointed an ancient, gnarled finder to the screen. To the feed. And he said, 'One wolf remains in the Old Square.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
In my own worst seasons I've come back from the colorless world of despair by forcing myself to look hard, for a long time, at a single glorious thing: a flame of red geranium outside my bedroom window. And then another: my daughter in a yellow dress. And another: the perfect outline of a full, dark sphere behind the crescent moon. Until I learned to be in love with my life again. Like a stroke victim retraining new parts of the brain to grasp lost skills, I have taught myself joy, over and over again(15).
Barbara Kingsolver (High Tide in Tucson : Essays from Now or Never)
You remind me that I am alive.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
If you’re looking for How Not to Be an Asshole, it’s shelved between Bye, Loser and Get the Fuck Out.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Look toward where it hurts the most. That’s always where the answers are.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I am Bryce Quinlan,” she said to the Gate, to the void, to all of Hel behind it. Her voice was serene—wise and laughing. “Heir to the Starborn Fae.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Ruhn looked at his sister and said softly, "You brought so much joy into my life, Bryce." It was perhaps the only goodbye they'd be able to make.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Loyal unto death and beyond
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after - oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock by the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down.
Barbara Kingsolver (The Poisonwood Bible)
I walked over and looked closer at the statue of the goddess. She was wearing a headdress with a skull and a cobra and a crescent moon. Maybe this is what peace of mind was all about: having a poisonous snake on your head and smiling anyway.
Wally Lamb (I Know This Much Is True)
And why is it a somehow a mark against your strength to admit that there is someone, who happens to be male, worth returning to? Someone who I know made you feel like things are far from fucked.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
The friends they’d made were what mattered in the end. Not the enemies. Through love, all is possible.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Allow me to demonstrate why you all can kiss my f****** ass
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I promised Fury not to do anything stupid,” Bryce said, her eyes on Syrinx’s branded-out tattoo. “I didn’t say I wouldn’t do anything smart.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
We’ve been friends from the moment you thought Jelly Bean Jubilee was a dildo
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
A world where people loved and valued books and learning so much that they were willing to die for them. Can you imagine what such a civilization was like?
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You’re my home, Hunt. Our love spans across stars and worlds, remember?” She smiled slightly. “I’ll always find you.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I love you. I fell in love with you in the depths of my soul, and it’s my soul that will find yours again in the next life.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Sandriel just gaped at the feed that had shown Bryce Quinlan casually vacuuming up the ashes of a Governor as if she'd spilled chips on the carpet.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Today, I feel stronger, learning to live within the natural cycles of a day and to not expect too much of myself. As women, we hold the moon in our bellies. It is too much to ask to operate on full-moon energy three hundred and sixty-five days a year. I am in a crescent phase.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
No one had ever fought for him. No one had ever cared enough to do so.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Okay, let’s do a head count. If you’re disowned, disgraced, or both, raise your hand.” Tharion, Baxian, Lidia, Hunt, and Ruhn raised their hands.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Males will always try to control the females who scare them. Marriage and breeding are their go-to methods.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
But she was the one person I could be myself around and never feel judged. The one person that I knew would always pick up the phone, or call me back. She was the one person who made me feel brave because no matter what happened, no matter how bad or embarrassing or shitty it was, I knew that I had her in my corner. That if it all went to Hel, I could talk to her and it would be fine.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Only sorrow lay there. And something like understanding. Like she saw him, as he'd seen her in that shooting gallery, marked every broken shard and didn't mind the jagged bits.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
There was just one moon. That familiar, yellow, solitary moon. The same moon that silently floated over fields of pampas grass, the moon that rose--a gleaming, round saucer--over the calm surface of lakes, that tranquilly beamed down on the rooftops of fast-asleep houses. The same moon that brought the high tide to shore, that softly shone on the fur of animals and enveloped and protected travelers at night. The moon that, as a crescent, shaved slivers from the soul--or, as a new moon, silently bathed the earth in its own loneliness. THAT moon.
Haruki Murakami (1Q84 (1Q84, #1-3))
The male stepped forward, tucking in his wings. He smiled slightly and said in the Old Language, in a voice like glorious night, “Hello, Bryce Quinlan. My name is Rhysand.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The gods know what would happen if all us females were unsupervised. Absolute anarchy. Cities would crumble.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The reappearance of the crescent moon after the new moon; the return of the Sun after a total eclipse, the rising of the Sun in the morning after its troublesome absence at night were noted by people around the world; these phenomena spoke to our ancestors of the possibility of surviving death. Up there in the skies was also a metaphor of immortality.
Carl Sagan (Cosmos)
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
You’re my mirror. You said so yourself.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Stefan with his camera at the ready photographed a church and mosque and synagogue reduced to a cross and a crescent and a star, solitary monuments to what people once believed.  They silently passed the broken Olympic Stadium, now a graveyard without glory for the decomposing dead.
John Payton Foden (Magenta)
She swallowed, looking at the ground that was not earth, but the very base of Self, of the world. She whispered, “I’m scared.” Danika grabbed her hand again. “That’s the point of it, Bryce. Of life. To live, to love, knowing that it might all vanish tomorrow. It makes everything that much more precious.” She took Bryce’s face in her hands and pressed their brows together.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Danika just said it. “If he grabs his phone to check his messages before his dick’s barely out of you again, please have the self-respect to kick his balls across the room and come home to me.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
The Cat and the Moon The cat went here and there And the moon spun round like a top, And the nearest kin of the moon, The creeping cat, looked up. Black Minnaloushe stared at the moon, For, wander and wail as he would, The pure cold light in the sky Troubled his animal blood. Minnaloushe runs in the grass Lifting his delicate feet. Do you dance, Minnaloushe, do you dance? When two close kindred meet, What better than call a dance? Maybe the moon may learn, Tired of that courtly fashion, A new dance turn. Minnaloushe creeps through the grass From moonlit place to place, The sacred moon overhead Has taken a new phase. Does Minnaloushe know that his pupils Will pass from change to change, And that from round to crescent, From crescent to round they range? Minnaloushe creeps through the grass Alone, important and wise, And lifts to the changing moon His changing eyes.
W.B. Yeats
Want to count my abs when we get home from the ballet?
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Bryce smiled sweetly at Cormac. “I get that you want to play Broody Prince, but don’t ever fucking interrupt me again.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
What she wanted was a true heart to love her, to run wild with her through the forest.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Through love, all is possible
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
We don't let them decide who we get to be. We'll carve our own paths.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
He lives for you, Laurel, and that's not some kind of figure of speech.He lives every day for you.Even after you moved to Crescent City,all he did every day was talk about you,worry about you, wonder what was happening, if he would ever see you again. And even what I told him I was sick of hearing about you, I could tell he was still thinking about you.Every moment of every day.
Aprilynne Pike (Spells (Wings, #2))
I see your kindness and your … whatever.” She squeezed his hand for emphasis. “I see all the shit you conveniently forget.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Message me when you're home safe. Bryce began typing. The answer it had taken her two years, nearly to the day, to write. I'm home.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Sweet Crescent Moon, up in the sky, Won't you sing your song to Earth as she passes by? Your sweetest silver melody, a rhythm and a ryme, A lullaby of pleasant dreams as you make your climb. Send the forests off to bed, the mountains tuck in tight, Rock the ocean gently, and the deserts kiss goodnight. Sweet Crescent Moon, up in the sky, You sing your song so sweetly after sunshine passes by.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Bryce stared at the fire, her face still splattered with the Archangel’s blood. And finally, she lifted her eyes. Right to the camera. To the world watching. Vengeance incarnate. Wrath’s bruised heart. She would bow for no one. Hunt’s lightning sang at the sight of that brutal, beautiful face.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Now I don’t fucking care who you are, so long as you’re mine.” Her eyes shot to his, again full of surprise. “Because I’m yours, Day. I’m fucking yours.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The Sword of Elendil was forged anew by Elvish smiths, and on its blade was traced a device of seven stars set between the crescent Moon and rayed Sun, and about them was written many runes; for Aragorn son of Arathorn was going to war upon the marches of Mordor. Very bright was that sword when it was made whole again; the light of the sun shone redly in it, and the light of the moon shone cold, its edge was hard and keen. And Aragorn gave it a new name and called it Andúril, Flame of the West.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Why she had named Brannon after the oldest legends from her family’s bloodline: of a Fae King from another world, fire in his veins, who had created stags with the power of flame to be his sacred guards.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Loyal unto death and beyond. Hunt's phone rang, Isiah's name popping up again, but Hunt didn't immediately answer. Not as he glanced at the gallery roof beneath his boots and wondered what it was like - to have a friend like that.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...
Nikki Giovanni
It couldn't be. It... it couldn't be. Bryce and Hunt were frozen with shock. Ruhn whispered, "Day?" Lidia Cervos looked over a shoulder. And she said with quiet calm in a voice he knew like his own heartbeat, a voice he had never once heard her use as the Hind, "Night.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
It means that he’s going ballistic in the way that only mates can when the other is threatened. It’s what happened then, and what’s happening now. You’re true mates—the way Fae are mates, in your bodies and souls. That’s what was different about your scent the other day. Your scents have merged. As they do between Fae mates.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
You first." "No, you." "Why?" "I'm afraid." "Of what, my Sassenach?" The darkness was rolling in over the fields, filling the land and rising up to meet the night. The light of the new crescent moon marked the ridges of brow and nose, crossing his face with light. "I'm afraid if I start I shall never stop." He cast a glance at the horizon, where the sickle moon hung low and rising. "It's nearly winter, and the nights are long, mo duinne." He leaned across the fence, reaching, and I stepped into his arms, feeling the heat of his body and the beat of his heart. "I love you.
Diana Gabaldon (Outlander (Outlander, #1))
But Micah purred, “I would like to take you to dinner, Bryce Quinlan.” She pulled out of his grip, joining Hunt in the elevator. And as the doors closed, she looked the Archangel of Valbara full in the face. “Not interested,” she said.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Hunt." The entire world went quiet. "I was waiting for you." "Bryce, sweetheart, just get back to your apartment and give me an hour and-" "No," she whispered, closing her eyes. She put her hand on her chest. Over her heart. "I was waiting for you- in here." Hunt couldn't stop his own tears then. "I was waiting for you, too.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Cassian’s waiting for you, Nesta,” Azriel said—tone gentling. “Take off the Mask.” Nesta stayed silent, Ataraxia ready in her hand. One swipe, and Azriel would be dead. “He’s waiting for you at the House of Wind,” Azriel went on. “At home.” Another blink from Nesta. The silver fire banked a little. Like whoever Cassian was, and whatever the House of Wind was … they might be the only things capable of fighting the siren song of the Mask.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Isaiah coughed. "You watched Quinlan for one night." "Ten hours, to be exact. Right until her pet chimera just appeared next to me at dawn, bit me in ass for looking like I was dozing off, and then vanished again - right back into the apartment. Just as Quinlan came out of her bedroom and opened the curtains to see me grabbing my own ass like a f***ing idiot. Do you know how sharp a chimera's teeth are?
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Does it make sense to boycott ourselves? Does it hold water to boycott the fluid course of our life? Is it consistent to commit self-sabotage by destroying wittingly our corporeal and mental structure? Those are the questions thousands of people may ask as they are confronted with the schizophrenic dilemma on the point of smoking, boozing, doping, sexual transgressing or environmental polluting. Many seem to be aware of their problem. Many have decided to stop from tomorrow on. But when tomorrow and after tomorrow come many tend to let slip their vow and their self-sabotage goes on to rule their life. Their dissonant behavior transforms them into social losers or hopeless patsies and depresses them into the class of forlorn pariahs. They realize, as such, that self-handicapping makes no sense, but are not able to protect themselves from themselves since they haven’t got the muscle to live down the spell of addiction. Thousands of people may feel having set the bar too high and recognize they are are failing to find the right angle and are missing sufficient insight to steer their life. If, however, they decide to give it a try they should be aware that the road may be very bumpy and that they have to be prepared for disappointments and regressions, that they might have to deal with very slowly crescent improvements, that they shouldn’t take themselves for a ride and that they could only possibly succeed by focusing painfully on the path to breaking free from the hornet's nest they have got themselves into.
Erik Pevernagie
So Hunt pulled back. Stared into his mate's beautiful face for the last time. He laughed softly, a sound of wonder at odds with the crystal throne room and the monsters in it. "I love you. I wish I'd said it more. But I love you, Quinlan, and..." His throat closed up, his eyes stinging. His lips brushed her brow. "Our love is stronger than time, greater than any distance. Our love spans across stars and worlds. I will find you again. I promise.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Bryce sobbed, "I bought you, and now I set you free, Lehabah." Lehaba's smile didn't falter. "I know," she said. "I peeked in your drawer." And despite the monster trying to break loose behind them, Bryce choked on a laugh before she begged, "You are a free person- you do not have to do this. You are free, Lehabah." Yet Lehabah remained at the foot of the stairs. "Then let it be known that my first act of freedom was to help my friends.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I’m about to haul my packs into a tree to make camp when a silver parachute floats down and lands in front of me. A gift form a sponsor. But why now? I’ve been in fairly good shape with supplies. Maybe Haymitch’s noticed my despondency and is trying to cheer me up a bit. Or could it be something to help my ear? I open the parachute and find a small loaf of bread. It’s not the fine white of the Capitol stuff. It’s made of dark ration grain and shaped in a crescent. Sprinkled with seeds. I flashback to Peeta’s lesson on the various district breads in the Training Center. This bread came from District 11. I cautiously lift the still warm loaf. What must it have cost the people of District 11 who can’t even feed themselves? How many would’ve had to do without to scrape up a coin to put in the collection for this one loaf? It had been meant for Rue, surely. But instead of pulling the gift when she died, they’d authorized Haymitch to give it to me. As a thank-you? Or because, like me, they don’t like to let debts go unpaid? For whatever reason, this is a first. A district gift to a tribute who’s not your own. I lift my face and step into the last falling rays of sunlight. “My thanks to the people of District Eleven,” I say. I want them to know I know where it came from. That the full value of the gift has been recognized.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
A mother's body remembers her babies--the folds of soft flesh, the softly furred scalp against her nose. Each child has its own entreaties to body and soul. It's the last one, though, that overtakes you. I can't dare say I loved the others less, but my first three were all babies at once, and motherhood dismayed me entirely. . . . That's how it is with the firstborn, no matter what kind of mother you are--rich, poor, frazzled half to death or sweetly content. A first child is your own best food forward, and how you do cheer those little feet as they strike out. You examine every turn of flesh for precocity, and crow it to the world. But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after--oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock by the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down.
Barbara Kingsolver (The Poisonwood Bible)
It was like staring into the face of a familiar stranger. You know, that person you see in a crowd and swear you know, but you really don't? Now she was me - the familiar stranger. She had my eyes. They were the same hazel color that could never decide whether it wanted to be green or brown, but my eyes had never been that big and round. Or had they? She had my hair - long and straight and almost as dark as my grandma’s had been before hers had begun to turn silver. The stranger had my high cheekbones, long, strong nose, and wide mouth - more features from my grandma and her Cherokee ancestors. But my face had never been that pale. I’d always been olive-ish, much darker skinned than anyone else in my family. But maybe it wasn’t that my skin was suddenly so white ... maybe it just looked pale in comparison to the dark blue outline of the crescent moon that was perfectly positioned in the middle of my forehead. Or maybe it was the horrid fluorescent lighting. I hoped it was the lighting. I stared at the exotic-looking tattoo. Mixed with my strong Cherokee features it seemed to brand me with a mark of wildness ... as if I belonged to ancient times when the world was bigger ... more barbaric. From this day on my life would never be the same. And for a moment — just an instant—I forgot about the horror of not belonging and felt a shocking burst of pleasure, while deep inside of me the blood of my grandmother’s people rejoiced.
P.C. Cast
Charlotte: Giordano is terribly afraid Gwyneth will get everything wrong tomorrow that she can get wrong. Gideon: Pass the olive oil, please. Charlotte: Politics and history are a closed book to Gwyneth. She can’t even remember names—they go in at one ear and straight out of the other. She can’t help it, her brain doesn’t have the capacity. It’s stuffed with the names of boy bands and long, long cast lists of actors in soppy romantic films. Raphael: Gwyneth is your time-traveling cousin, right? I saw her yesterday in school. Isn’t she the one with long dark hair and blue eyes? Charlotte: Yes, and that birthmark on her temple, the one that looks like a little banana. Gideon: Like a little crescent moon. Raphael: What’s that friend of hers called? The blonde with freckles? Lily? Charlotte: Lesley Hay. Rather brighter than Gwyneth, but she’s a wonderful example of the way people get to look like their dogs. Hers is a shaggy golden retriever crossbreed called Bertie. Raphael: That’s cute! Charlotte: You like dogs? Raphael: Especially golden retriever crossbreeds with freckles. Charlotte: I see. Well, you can try your luck. You won’t find it particularly difficult. Lesley gets through even more boys than Gwyneth. Gideon: Really? How many . . . er, boyfriends has Gwyneth had? Charlotte: Oh, my God! This is kind of embarrassing. I don’t want to speak ill of her, it’s just that she’s not very discriminating. Particularly when she’s had a drink. She’s done the rounds of almost all the boys in our class and the class above us . . . I guess I lost track at some point. I’d rather not repeat what they call her. Raphael: The school mattress? Gideon: Pass the salt, please.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))