Creepy Clown Quotes

Creepy as hell. You ever see that TV movie about the clown in the sewer?

Well, that's just all kinds of creepy," Puck muttered at my side, giving the doll a look of alarm. "If you see any clowns, do me a favor and don't point them out, okay? i'd rather live without the nightmares." I was about to snap at him for putting the thought of killer clown dolls in my head...

I hate clowns,” I say. “Why’d you have to bring up clowns? Zs aren’t enough? Gotta talk about the smiley creepy guys too?

Creepy as hell. You ever see that TV movie about the clown in the sewer?” Hodges shook his head. Later—only weeks before his retirement—he bought a DVD copy of the film, and Pete was right. The mask-face was very close to the face of Pennywise, the clown in the movie.

Creepy as hell. You ever see that TV movie about the clown in the sewer?” Hodges

Funny is like sexy, and they are kind of related. What turns one person on is hilarious to another person. And vice versa. And you can see all of this at the nexus of clowns. Many people think clowns are hilarious. (Many others think clowns are creepy.) But there is a certain percentage of people who think clowns are sexy. Don't believe me, Google "clown porn" right now. I dare you. And if you don't need to Google that, then it's because it is already saved on your browser. So when these dudes say, "Women aren't funny," they are forgetting a classically important addendum: "to me." They should be saying, "Women aren't funny to me." But they don't say "to me" because if you are a man in America, you are considered the norm. (Remember it's the NBA and the W[omen's]NBA, not the WNBA and the M[en's]NBA.) And if you are a white man in America, then you are also considered the norm.

In an instant, five harlequin-like clowns emerged and began to perform all kinds of acrobatic tricks, encircling us––correction...corralling us. They were graceful but a little creepy too. They were wearing black and white costumes that were form fitting and appeared to move like some psychedelic drug trip when they flipped around. That of course was odd, but not nearly as odd as the chant they were singing as they continued to perform their tricks. See us dance. Watch us flip. Care to take a chance? We’ll only need a sip. Come to see our mistress? Or come to see our master? She can be quite viscous. But he is a disaster. We love them both, and we’ll let you choose. Either way, we wouldn’t want to be in your shoes.

You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?

Tipsy isn't a miracle wonder cat. That was always the deal: you'd get your cat back, but he'd be sort of creepy. We discussed this.

Seriously?” “Yeah, I found a bloody shoe with somebody’s name on it, so I think we should do this,” Steve said. Now, don’t get me wrong. I was really scared. Not only is it really dark down there. But now I know there are giant turtle monsters. . . .And creepy clowns. But, this was my chance to fix a big mistake I made. A mistake I made because I chose to be a chicken instead of helping my friends. Well, this time, I’m going to fix it. And though I may be too late. . .and there’s probably only pieces of those guys left. . . If there’s a chance they’re still alive, I’m going to help find those guys and bring them back. And maybe even find the lost neighborhood kids, too.

I’m not afraid of clowns,” Kade corrected, wagging his finger in my face. “I think they’re creepy. There’s a difference.

Remember when you had her fight Lea when Lea couldn’t skin the sheep? Trying to make her tough,” Pebble says with a little laugh. Sevro laughs too. “Why are you laughing?” Clown asks. “You were still off eating mushrooms and howling at the moon back then.” “I was watching,” Sevro says. “I was always watching.” “That’s creepy, boss,” Screwface says drolly. “What were you doing while you were watching?” “Wanking in the bushes, obviously,” I say. Sevro grunts. “Only when everyone was asleep.

King knows what scares us. He has proven this a thousand times over. I think the secret to this is that he knows what makes us feel safe, happy, and secure; he knows our comfort zones and he turns them into completely unexpected nightmares. He takes a dog, a car, a doll, a hotel—countless things that we know and love—and then he scares the hell out of us with those very same things. Deep down, we love to be scared. We crave those moments of fear-inspired adrenaline, but then once it’s over we feel safe again. King’s work generates that adrenaline and keeps it pumping. Before King, we really didn’t have too many notables in the world of horror writers. Poe and Lovecraft led the pack, but when King came along, he broke the mold. He improved with age just like a fine wine and readers quickly became addicted, and inestimable numbers morphed into hard-core fans. People can’t wait to see what he’ll do next. What innocent, commonplace “thing” will he come up with and turn into a nightmare? I mean, think about it…do any of us look at clowns, crows, cars, or corn fields the same way after we’ve read King’s works? SS: How did your outstanding Facebook group “All Things King” come into being? AN: About five years ago, I was fairly new to Facebook and the whole social media world. I’m a very “old soul” (I’ve been told that many times throughout my life: I miss records and VHS tapes), so Facebook was very different for me. My wife and friends showed me how to do things and find fan pages and so forth. I found a Stephen King fan page and really had a fun time. I posted a lot of very cool things, and people loved my posts. So, several Stephen King fans suggested I do my own fan page. It took some convincing, but I finally did it. Since then, I have had some great co-administrators, wonderful members, and it has opened some amazing doors for me, including hosting the Stephen King Dollar Baby Film fest twice at Crypticon Horror Con in Minnesota. I have scored interviews with actors, writers, and directors who worked on Stephen King films or wrote about King; I help promote any movie, or book, and many other things that are King related, and I’ve been blessed to meet some wonderful people. I have some great friends thanks to “All Things King.” I also like to teach our members about King (his unpublished stories, lesser-known short stories, and really deep facts and trivia about his books, films, and the man himself—info the average or new fan might not know). Our page is full of fun facts, trivia, games, contests, Breaking News, and conversations about all things Stephen King. We have been doing it for five years now as of August 19th—and yes, I picked that date on purpose.

Winner, winner, chicken dinner!

Grant read my book, and he said it was good! A tiny parade marches through my chest, filled with baton-throwing, tutu-clad dancers, people on floats throwing confetti, a full marching band with tubas and bass drums, and not a clown car in sight. Those are creepy and nothing about this moment feels the least bit creepy. Grant read my book. A sigh of contentment softly blows through my nose, and my grin feels like the first taste of summer after a long year of sitting in a stuffy classroom. Grant read my book. I sigh. Is this what swooning feels like?

Ronald, remember our deal? Keep feeding me the children. You'll stay rich while I stay full.

Why are clowns so creepy?” “You’re afraid of clowns?” “I didn’t say that. I just said they’re creepy.” Miranda watched him, amused. The best defense was an even better offense. “You’re staring,” Gage mumbled. “I can’t help it.” “Why? Do I have a messy face, too?” “No.” Miranda couldn’t resist. “You have dimples.” He squirmed self-consciously. “I guess.” “I bet you get teased a lot.” “Is there some relevant point to this?” Miranda did her best to keep a straight face. “Just that they’re so cute.” “Stop it.” “Are you blushing?” “Shut up.

Why are clowns so creepy?” “You’re afraid of clowns?” “I didn’t say that. I just said they’re creepy.” Miranda watched him, amused. The best defense was an even better offense. “You’re staring,” Gage mumbled. “I can’t help it.” “Why? Do I have a messy face, too?” “No.” Miranda couldn’t resist. “You have dimples.” He squirmed self-consciously. “I guess.” “I bet you get teased a lot.” “Is there some relevant point to this?” Miranda did her best to keep a straight face. “Just that they’re so cute.” “Stop it.” “Are you blushing?” “Shut up.” Oh, Gage, you have no idea…if Marge and Joanie were here right now, they’d jump all over you. Still flustered, Gage signaled the waitress. But it was someone else who walked over instead. “Private conversation?” Etienne greeted them. “No,” Gage answered, a little too quickly. “Intimate conversation?” “I was just telling him about his…” Miranda began, but Gage looked so trapped, she didn’t have the heart to bring Etienne into it. “Just telling him about--” “We were talking about the gallery,” Gage broke in. “That building she was wondering about.” Etienne glanced purposefully from Gage to Miranda and back again. “I don’t know, from where I was standing over there, you were looking a little embarrassed.” “The opera house. I was telling her what I found out.” “Okay, if you say so.” “It’s true!” “And I said okay. I believe you. You gonna eat the rest of those fries?” Gage slid his plate across the table as Etienne slid in beside Miranda. Etienne shot her a secret wink. “It’s not the thing with the dimples again, is it?” he asked innocently. “I don’t know what it is with girls, the way y’all love his--” “Why are you here?” Gage asked. Getting to his feet, he pointed toward the restrooms. “I’ll be right back. You can leave the tip.” “I was going to anyway.

. . . a nightmarish thing that frightens Love, haunting her, weighing her down, the thing that she's supposed to love, the way the world initially instructs children to love clowns even though we all know deep down that they're creepy, old, puffy men in masks leering at children.

The world news had been depressing throughout most of his life, but this past two or three years, it had seemed even more so, with the parade of creepy and dangerous clowns that British and American politics had become, the nuclear threat growing and Russia up to her old habits.