Creatures Of Scenario Quotes

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If a man fears dogs, he may beat one with a stick when he sees it. As is the nature of all creatures, that dog will bite him. And then he may tell everyone that he was right about dogs, that they are evil. But I ask you, who is at fault in this scenario, the man or the dog?
Adriana Mather (How to Hang a Witch (How to Hang a Witch, #1))
After all, when ‘the Lord saw how great the wickedness of the human race had become’ He resolved to ‘wipe from the face of the earth the human race I have created – and with them the animals, the birds and the creatures that move along the ground – for I regret that I have made them’ (Genesis 6:7). The Bible thinks it is perfectly all right to destroy all animals as punishment for the crimes of Homo sapiens, as if the existence of giraffes, pelicans and ladybirds has lost all purpose if humans misbehave. The Bible could not imagine a scenario in which God repents having created Homo sapiens, wipes this sinful ape off the face of the earth, and then spends eternity enjoying the antics of ostriches, kangaroos and panda bears.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
The history of magical groups is a history of crash landings or slow degeneration. Very seldom do we find success stories about fully developed higher creatures who spread their inner light within group contexts and beyond. Very often it’s an all-too-human scenario of power struggles within groups and secret societies that pushes the potential for self-development back into the shadows in order for ego inflation and chaos to shine. This has usually brought forth a general marginalization of initially very interesting ideas. To a great extent, I believe this has to do with the use of a language and terminology that is too obfuscated, arcane, and symbolic. Instead of simply seeing what needs to be done and how, many individuals haven’t been able to see the beauty of the forest because of all the trees in the way.
Carl Abrahamsson (Occulture: The Unseen Forces That Drive Culture Forward)
There are really only two kinds of monsters in the world, which you already know if you've been watching horror movies: Breeders and Non-breeders. So for instance, Frankenstein’s monster would fall into the second category if he was real. He’s a freak, a singular being and once you kill him, he’s gone. Problem solved. The Breeders are an exponentially bigger problem. Within that group you've got slow breeders like vampires (if they were real, which they’re not) which breed in a small-scale controlled way, but mainly to avoid extinction rather than spread. But then you've got the fast breeders, like zombies (if they existed, which they don’t) where breeding is all they do. They are basically walking epidemics, and are the worst of the worst-case scenarios, because such a creature could, hypothetically, wipe out civilization. This is humanity’s greatest fear, which is why at the moment half of the world’s horror novels, movie posters and video games have zombies on the cover. So in any situation like this, step one is to find out what category of creature you’re dealing with. Step two is to anticipate what the creature is going to do next, based on what you determined in step one. Then step three is you find out if the thing can be killed with a chainsaw.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
I decided early in graduate school that I needed to do something about my moods. It quickly came down to a choice between seeing a psychiatrist or buying a horse. Since almost everyone I knew was seeing a psychiatrist, and since I had an absolute belief that I should be able to handle my own problems, I naturally bought a horse. Not just any horse, but an unrelentingly stubborn and blindingly neurotic one, a sort of equine Woody Allen, but without the entertainment value. I had imagined, of course, a My Friend Flicka scenario: my horse would see me in the distance, wiggle his ears in eager anticipation, whinny with pleasure, canter up to my side, and nuzzle my breeches for sugar or carrots. What I got instead was a wildly anxious, frequently lame, and not terribly bright creature who was terrified of snakes, people, lizards, dogs, and other horses – in short, terrified of anything that he might reasonably be expected to encounter in life – thus causing him to rear up on his hind legs and bolt madly about in completely random directions. In the clouds-and-silver-linings department, however, whenever I rode him I was generally too terrified to be depressed, and when I was manic I had no judgment anyway, so maniacal riding was well suited to the mood. Unfortunately, it was not only a crazy decision to buy a horse, it was also stupid. I may as well have saved myself the trouble of cashing my Public Health Service fellowship checks, and fed him checks directly: besides shoeing him and boarding him – with veterinary requirements that he supplement his regular diet with a kind of horsey granola that cost more than a good pear brandy – I also had to buy him special orthopedic shoes to correct, or occasionaly correct, his ongoing problems with lameness. These shoes left Guicci and Neiman-Marcus in the dust, and, after a painfully aquired but profound understanding of why people shoot horse traders, and horses, I had to acknowledge that I was a graduate student, not Dr. Dolittle; more to the point, I was neither a Mellon nor a Rockefeller. I sold my horse, as one passes along the queen of spades, and started showing up for my classes at UCLA.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
All creatures must learn that there exist predators. Without this knowing, a woman will be unable to negotiate safely within her own forest without being devoured. To understand the predator is to become a mature animal who is not vulnerable out of naïveté, inexperience, or foolishness. Like a shrewd tracker, Bluebeard senses the youngest daughter is interested in him, that is, willing to be prey. He asks for her in marriage and in a moment of youthful exuberance, which is often a combination of folly, pleasure, happiness, and sexual intrigue, she says yes. What woman does not recognize this scenario?
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
In the scenario I currently favor, life was regulated at first without feelings of any sort. There was no mind and no consciousness. There was a set of homeostatic mechanisms blindly making the choices that would turn out to be more conducive to survival. The arrival of nervous systems, capable of mapping and image making, opened the way for simple minds to enter the scene. During the Cambrian explosion, after numerous mutations, certain creatures with nervous systems would have generated not just images of the world around them but also an imagetic counterpart to the busy process of life regulation that was going on underneath. This would have been the ground for a corresponding mental state, the thematic content of which would have been valenced in tune with the condition of life, at that moment, in that body. The quality of the ongoing life state would have been felt.
António Damásio (The Strange Order of Things: Life, Feeling, and the Making of the Cultural Mind)
hated Nick for being surprised when I became me. I hated him for not knowing it had to end, for truly believing he had married this creature, this figment of the imagination of a million masturbatory men, semen-fingered and self-satisfied. He truly seemed astonished when I asked him to listen to me. He couldn’t believe I didn’t love wax-stripping my pussy raw and blowing him on request. That I did mind when he didn’t show up for drinks with my friends. That ludicrous diary entry? I don’t need pathetic dancing-monkey scenarios to repeat to my friends, I am content with letting him be himself. That was pure, dumb Cool Girl bullshit. What a cunt. Again, I don’t get it: If you let a man cancel plans or decline to do things for you, you lose. You don’t get what you want. It’s pretty clear. Sure, he may be happy, he may say you’re the coolest girl ever, but he’s saying it because he got his way. He’s calling you a Cool Girl to fool you! That’s what men do: They try to make it sound like you are the Cool Girl so you will bow to their wishes. Like a car salesman saying, How much do you want to pay for this beauty? when you didn’t agree to buy it yet. That awful phrase men use: “I mean, I know you wouldn’t mind if I…” Yes, I do mind. Just say it. Don’t lose, you dumb little twat.
Gillian Flynn (Gone Girl)
The Fossil Record: No Sign of Intermediate Forms The clearest evidence that the scenario suggested by the theory of evolution did not take place is the fossil record. According to this theory, every living species has sprung from a predecessor. A previously existing species turned into something else over time and all species have come into being in this way. In other words, this transformation proceeds gradually over millions of years. Had this been the case, numerous intermediary species should have existed and lived within this long transformation period. For instance, some half-fish/half-reptiles should have lived in the past which had acquired some reptilian traits in addition to the fish traits they already had. Or there should have existed some reptile-birds, which acquired some bird traits in addition to the reptilian traits they already had. Since these would be in a transitional phase, they should be disabled, defective, crippled living beings. Evolutionists refer to these imaginary creatures, which they believe to have lived in the past, as "transitional forms." If such animals ever really existed, there should be millions and even billions of them in number and variety. More importantly, the remains of these strange creatures should be present in the fossil record. In The Origin of Species, Darwin explained: If my theory be true, numberless intermediate varieties, linking most closely all of the species of the same group together must assuredly have existed... Consequently, evidence of their former existence could be found only amongst fossil remains.
Harun Yahya (Those Who Exhaust All Their Pleasures In This Life)
There are several reasons for this. For one thing, it’s not just that lobsters get boiled alive, it’s that you do it yourself—or at least it’s done specifically for you, on-site. 14 As mentioned, the World’s Largest Lobster Cooker, which is highlighted as an attraction in the festival’s program, is right out there on the MLF’s north grounds for everyone to see. Try to imagine a Nebraska Beef Festival 15 at which part of the festivities is watching trucks pull up and the live cattle get driven down the ramp and slaughtered right there on the World’s Largest Killing Floor or something—there’s no way. The intimacy of the whole thing is maximized at home, which of course is where most lobster gets prepared and eaten (although note already the semiconscious euphemism “prepared,” which in the case of lobsters really means killing them right there in our kitchens). The basic scenario is that we come in from the store and make our little preparations like getting the kettle filled and boiling, and then we lift the lobsters out of the bag or whatever retail container they came home in … whereupon some uncomfortable things start to happen. However stuporous a lobster is from the trip home, for instance, it tends to come alarmingly to life when placed in boiling water. If you’re tilting it from a container into the steaming kettle, the lobster will sometimes try to cling to the container’s sides or even to hook its claws over the kettle’s rim like a person trying to keep from going over the edge of a roof. And worse is when the lobster’s fully immersed. Even if you cover the kettle and turn away, you can usually hear the cover rattling and clanking as the lobster tries to push it off. Or the creature’s claws scraping the sides of the kettle as it thrashes around. The lobster, in other words, behaves very much as you or I would behave if we were plunged into boiling water (with the obvious exception of screaming 16 ). A blunter way to say this is that the lobster acts as if it’s in terrible pain, causing some cooks to leave the kitchen altogether and to take one of those little lightweight plastic oven-timers with them into another room and wait until the whole process is over.
David Foster Wallace (Consider the Lobster and Other Essays)
The Tale of Human Evolution The subject most often brought up by advocates of the theory of evolution is the subject of the origin of man. The Darwinist claim holds that modern man evolved from ape-like creatures. During this alleged evolutionary process, which is supposed to have started 4-5 million years ago, some "transitional forms" between modern man and his ancestors are supposed to have existed. According to this completely imaginary scenario, four basic "categories" are listed: 1. Australopithecus 2. Homo habilis 3. Homo erectus 4. Homo sapiens Evolutionists call man's so-called first ape-like ancestors Australopithecus, which means "South African ape." These living beings are actually nothing but an old ape species that has become extinct. Extensive research done on various Australopithecus specimens by two world famous anatomists from England and the USA, namely, Lord Solly Zuckerman and Prof. Charles Oxnard, shows that these apes belonged to an ordinary ape species that became extinct and bore no resemblance to humans. Evolutionists classify the next stage of human evolution as "homo," that is "man." According to their claim, the living beings in the Homo series are more developed than Australopithecus. Evolutionists devise a fanciful evolution scheme by arranging different fossils of these creatures in a particular order. This scheme is imaginary because it has never been proved that there is an evolutionary relation between these different classes. Ernst Mayr, one of the twentieth century's most important evolutionists, contends in his book One Long Argument that "particularly historical [puzzles] such as the origin of life or of Homo sapiens, are extremely difficult and may even resist a final, satisfying explanation." By outlining the link chain as Australopithecus > Homo habilis > Homo erectus > Homo sapiens, evolutionists imply that each of these species is one another's ancestor. However, recent findings of paleoanthropologists have revealed that Australopithecus, Homo habilis, and Homo erectus lived at different parts of the world at the same time. Moreover, a certain segment of humans classified as Homo erectus have lived up until very modern times. Homo sapiens neandarthalensis and Homo sapiens sapiens (modern man) co-existed in the same region. This situation apparently indicates the invalidity of the claim that they are ancestors of one another. Stephen Jay Gould explained this deadlock of the theory of evolution although he was himself one of the leading advocates of evolution in the twentieth century: What has become of our ladder if there are three coexisting lineages of hominids (A. africanus, the robust australopithecines, and H. habilis), none clearly derived from another? Moreover, none of the three display any evolutionary trends during their tenure on earth. Put briefly, the scenario of human evolution, which is "upheld" with the help of various drawings of some "half ape, half human" creatures appearing in the media and course books, that is, frankly, by means of propaganda, is nothing but a tale with no scientific foundation. Lord Solly Zuckerman, one of the most famous and respected scientists in the U.K., who carried out research on this subject for years and studied Australopithecus fossils for 15 years, finally concluded, despite being an evolutionist himself, that there is, in fact, no such family tree branching out from ape-like creatures to man.
Harun Yahya (Those Who Exhaust All Their Pleasures In This Life)
WHILE HUMANS BEGAN IMAGINING this scenario centuries ago—corpse-like creatures were the mainstay of the Viking afterlife, and draugrs were the undead bodies of Norse mythology—
Helen Thomson (Unthinkable: An Extraordinary Journey Through the World's Strangest Brains)
Fortunately the creatures weren't paying attention to us; Baz and Simon are sufficiently distracting, in nearly every scenario.
Rainbow Rowell (Wayward Son (Simon Snow, #2))
The monster was a regular-sized, male lion with a mane. Half of his body was covered with a green, lumpy, glowing fungus that pulsated like he was being eaten. The green mold covered his legs and chest, and splattered tendrils of the stuff covered the lion’s face, like a pair of hands caressing it from behind. The lion’s right eye glowed like an emerald. Erupting from his mane were tentacles. Dozens of long, pink and green, finger-like worms waved in the air, making the creature appear to be some sort of fucked-up cat medusa.
Matt Dinniman (Carl's Doomsday Scenario (Dungeon Crawler Carl, #2))
There are two roads to destruction: one is to receive everything you ever asked for, and the other is to receive nothing that you have asked for.’ I became, by circumstance, the rare creature who in one fractured lifetime lived out both of these tragic scenarios, and it changed me.
Kathleen Hewtson (The Night My Husband Killed Me)
particularly when confined to a Concentrated Animal Feeding Operation (CAFO). It’s better for the environment. You don’t have to be an “environmentalist” to understand the absurdity of this scenario: plow under forests and prairies, habitat for creatures and critters of all sorts, in order to plant corn and soy to feed the cattle. Why not simply graze the cattle naturally on the grasslands and natural habitat that existed there in the first place?
Richard Nikoley (Free The Animal: Lose Weight & Fat With The Paleo Diet (aka The Caveman Diet) V2 - NEWLY EXPANDED & UPDATED)
Was there a moment you realized you could control how you interpreted things? I think one problem people have is not recognizing they can control how they interpret and respond to a situation. I think everyone knows it’s possible. There’s a great Osho lecture, titled “The Attraction for Drugs Is Spiritual.” He talks about why do people do drugs (everything from alcohol to psychedelics to cannabis). They’re doing it to control their mental state. They’re doing it to control how they react. Some people drink because it helps them not care as much, or they’re potheads because they can zone out, or they do psychedelics to feel very present or connected to nature. The attraction of drugs is spiritual. All of society does this to some extent. People chasing thrills in action sports or flow states or orgasms—any of these states people strive for are people trying to get out of their own heads. They’re trying to get away from the voice in their heads—the overdeveloped sense of self. At the very least, I do not want my sense of self to continue to develop and strengthen as I get older. I want it to be weaker and more muted so I can be more in present everyday reality, accept nature and the world for what it is, and appreciate it very much as a child would. [4] The first thing to realize is you can observe your mental state. Meditation doesn’t mean you’re suddenly going to gain the superpower to control your internal state. The advantage of meditation is recognizing just how out of control your mind is. It is like a monkey flinging feces, running around the room, making trouble, shouting, and breaking things. It’s completely uncontrollable. It’s an out-of-control madperson. You have to see this mad creature in operation before you feel a certain distaste toward it and start separating yourself from it. In that separation is liberation. You realize, “Oh, I don’t want to be that person. Why am I so out of control?” Awareness alone calms you down. [4] Insight meditation lets you run your brain in debug mode until you realize you’re just a subroutine in a larger program. I try to keep an eye on my internal monologue. It doesn’t always work. In the computer programming sense, I try to run my brain in “debugging mode” as much as possible. When I’m talking to someone, or when I’m engaged in a group activity, it’s almost impossible because your brain has too many things to handle. If I’m by myself, like just this morning, I’m brushing my teeth and I start thinking forward to a podcast. I started going through this little fantasy where I imagined Shane asking me a bunch of questions and I was fantasy- answering them. Then, I caught myself. I put my brain in debug mode and just watched every little instruction go by. I said, “Why am I fantasy-future planning? Why can’t I just stand here and brush my teeth?” It’s the awareness my brain was running off in the future and planning some fantasy scenario out of ego. I was like, “Well, do I really care if I embarrass myself? Who cares? I’m going to die anyway. This is all going to go to zero, and I won’t remember anything, so this is pointless.” Then, I shut down, and I went back to brushing my teeth. I was noticing how good the toothbrush was and how good it felt. Then the next moment, I’m off to thinking something else. I have to look at my brain again and say, “Do I really need to solve this problem right now?” Ninety-five percent of what my brain runs off and tries to do, I don’t need to tackle in that exact moment. If the brain is like a muscle, I’ll be better off resting it, being at peace. When a particular problem arises, I’ll immerse myself in it. Right now as we’re talking, I’d rather dedicate myself to being completely lost in the conversation and to being 100 percent focused on this as opposed to thinking about “Oh, when I brushed my teeth, did I do it the right way?
Eric Jorgenson (The Almanack of Naval Ravikant: A Guide to Wealth and Happiness)
The year was 1967. The nation lived with this constant low-level anxiety about nuclear war. Some researchers had decided to study how people would actually respond during a nuclear attack. Right there in downtown Chicago, they’d built a nuclear fallout shelter and asked for volunteers. For some reason Carter’s mother had thought it a good idea to raise her hand, and so without Carter’s fully understanding why, he and his parents and his five siblings were taken to the shelter. “There’s barely enough room for four hundred people,” he recalled. “There’s concrete floors with no pillows or blankets. To eat, you had crackers, plus water that tasted like bleach. There’s one light that’s powered by a bike, so someone has to ride the bike to keep the light on. But the bike also can power a fan, so you had to choose between the light and the fan. It’s hot as hell.” The only creature comfort allowed was cigarettes. So the whole place filled with smoke. There Carter and his family remained for three days. The researchers stepped around them, taking notes. “They wanted to watch how people would behave,” said Carter. “So I got to watch, too.” What he realized, as he watched, was that there was no way a nuclear war would be anything like that. “My mom would be at home, and we’d be at school, and my dad would be at work,” he said. “We’d all be separated. We wouldn’t know how to get to the shelter, and that’s not where we’d go anyway.” His mind unspooled a different scenario that left him with a conviction that nuclear fallout shelters were probably a dumb idea. “Going through that experience forever changed my vision of these events.
Michael Lewis (The Premonition: A Pandemic Story)
Opera was born in Florence at the end of the sixteenth century. It derived almost seamlessly from its immediate precursor, the intermedio, or lavish between-the-acts spectacle presented in conjunction with a play on festive occasions. Plays were spoken, and their stage settings were simple: a street backed by palace facades for tragedies, by lower-class houses for comedies; for satyr plays or pastorals, the setting was a woodland or country scene. Meanwhile the ever-growing magnificence of state celebrations in Medici Florence on occasions such as dynastic weddings gave rise to a variety of spectacles involving exuberant scenic displays: naval battles in the flooded courtyard of the Pitti Palace, tournaments in the squares, triumphal entries into the city. These all called upon the services of architects, machinists, costume designers, instrumental and vocal artists. Such visual and aural delights also found their way into the theater—not in plays, with their traditional, sober settings, but between the acts of plays. Intermedi had everything the plays had not: miraculous transformations of scenery, flying creatures (both natural and supernatural), dancing, singing. The plays satisfied Renaissance intellects imbued with classical culture; the intermedi fed the new Baroque craving for the marvelous, the incredible, the impossible. By all accounts, no Medici festivities were as grand and lavish as those held through much of the month of May 1589 in conjunction with the marriage of Grand Duke Ferdinand I and Christine of Lorraine. The intermedi produced between the acts of a comedy on the evening of May 2 were considered to be the highlight of the entire occasion and were repeated, with different plays, on May 6 and 13. Nearly all the main figures we will read about in connection with the birth of opera took part in the extravagant production, which was many months in the making: Emilio de' Cavalieri acted as intermediary between the court and the theater besides being responsible for the actors and musicians and composing some of the music; Giovanni Bardi conceived the scenarios for the six intermedi and saw to it that his highly allegorical allusions were made clear in the realization. Jacopo Peri and Giulio Caccini were among the featured singers, as was the madrigal composer Luca Marenzio, who wrote the music for Intermedio 3, described below. The poet responsible for the musical texts, finally, was Ottavio Rinuccini, who wrote the poetry for the earliest operas...
Piero Weiss (Opera: A History in Documents)
If artificial intelligence and engineering can take us there, why not? Provided the engineered creatures are under human supervision, provided they have no way of acquiring autonomy and turning against us, and provided we will not have the means to program robots such that they can destroy the world, why not? It must be added that there are several dark scenarios regarding not so much future robots as future AI programs that do have doomsday potential and that need to be watched for.
António Damásio (The Strange Order of Things: Life, Feeling, and the Making of the Cultural Mind)
One of the defining elements of the human animal is its capacity for abstract visualization. Other creatures are better than us at smelling, biting, hunting, running. We alone can create whole universes in our heads based on nothing more than thought. This is the basis of language, math, science, everything that defines human civilization. It is something monkeys and dolphins will never have. When evolutionary theorists seek to explain how this capacity for abstract thought arose, the story often goes like this Our ancestors, beset by all sorts of deadly horrors in the African savannah, needed some way to anticipate risks before the moment those risks jumped out of the bushes, red in tooth and claw. So began the slow process by which the neural networks in our head, under pressure from the ruthless mechanism of natural selection, created the means to model risk before the risk manifested itself. What would happen if I went to forage for berries in that field and a lion appeared? Would I be able to make it to the protection of that outcropping? How many berries would I be able to get? How hungry am I? Is it worth the risk? Out of these habits of mind grew the whole mental apparatus by which we play out life scenarios as a game within our mind, before putting life and limb on the line in a true sense. The relationship between board games and real life is in some ways close.
Jonathan Kay (Your Move: What Board Games Teach Us about Life)
Stoicism suggests that one should try to maintain the following balance: an awareness that the things we are worried about could and very likely might happen – that life will contain moments of tragedy and sharp turns – and that we should be prepared for these moments, both mentally and practically, in any way we can. However, equally important is recognizing that many of these sorts of catastrophic moments, can’t be known nor controlled nor predicted and thus, after a point, worrying has none. Once one has done everything that is rationally and realistically preventative, they should work to revert their attention back to the present, leaving all additional concern about the future, for the future. Awareness and rational preparation have value to the future at low cost to the present. But worrying about what one cannot know nor control of the future has no value to either and comes at the cost of the present. Following the Stoic way of thinking to potentially help counter this unnecessary anxiety and bring our attention and enjoyment back to the present, we can remind ourselves that in the future, things might not be ok, but if they might not be, then they are now. Or at least better than the future version we are worried about. If we are worried that things will only get worse, then things are as good as they’ll ever be right now. And how foolish it would be to ruin what might be ok now out of concern of things potentially not being so later if one cannot know or do anything further to prevent it? And better yet, if one is wrong about what they’re fearful, then things will only get better. And there is even less reason to worry. Moreover, we tend to assume the worst. We tend to worry not only about things going wrong but the worst cases of things going wrong, paired with a sense that in the face of such cases, we would be broken and ruined, beyond repair. However, how often is this actually true? Stoic philosopher Seneca wrote, “We are more often frightened than hurt, and we suffer more from imagination than from reality.” Epictetus similarly wrote, “Man is not worried by real problems so much as by his imagined anxieties about real problems.” In all likeliness, there is someone somewhere right now living some version of a seemingly worst-case scenario for many of us, living with no phone, computer, TV, and a great many other things, unaware of this video and perhaps a huge portion of the happenings of the world. And he or she is likely just as happy or unhappy as many of us right now. We are adaptable creatures, wired to adjust our worries to our circumstances, as well as our abilities to remain ok in the face of them. And it is perhaps of great use to consider and meditate on this idea frequently and with confidence. That even if some version of nearly worst-case, we would likely still be some form of ok. The ingredients of your being that have gotten you where you are, that have given you what you’ve experienced, will still remain. To paraphrase Roman statesman, and philosopher Cicero, while one still breathes, one still has hope. At least in some form.
Robert Pantano