Creature Feature Quotes

First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.

Love is self deception. I am a living creature. Hate is only self love. I am a double feature.

But even friendship like our heroes' Exist no more; for we've outgrown All sentiments and deem men zeroes-- Except of course ourselves alone. We all take on Napoleon's features, And millions of our fellow creatures Are nothing more to us than tools... Since feelings are for freaks and fools. Eugene, of course, had keen perceptions And on the whole despised mankind, Yet wasn't, like so many, blind; And since each rule permits exceptions, He did respect a noble few, And, cold himself, gave warmth its due.

She was a nightmare of beauty and ferocity, with a perfection of feature and line not found on Earth. Ruxandra was stunned out of fear for a moment. That such a creature could exist—that the nuns’ embroidered tales of demons, were not only true but were a bare and pathetic next to the real thing. This demon. This queen.

have noticed that people do not change which feature they lead with, any more than they change in character.

The great Creator to revere Must sure become the creature; But still the preaching cant forbear, And ev'n the rigid feature: Yet ne'er with wits profane to range Be complaisance extended;An atheist laugh's a poor exchange For deity offended.

A piratical ghost story in thirteen ingenious but potentially disturbing rhyming couplets, originally conceived as a confection both to amuse and to entertain by Mr. Neil Gaiman, scrivener, and then doodled, elaborated upon, illustrated, and beaten soundly by Mr. Cris Grimly, etcher and illuminator, featuring two brave children, their diminutive but no less courageous gazelle, and a large number of extremely dangerous trolls, monsters, bugbears, creatures, and other such nastiness, many of which have perfectly disgusting eating habits and ought not, under any circumstances, to be encouraged.

Reconstructions based on bone remains can only reveal the most general characteristics of the creature, since the really distinctive morphological features of any animal are soft tissues which quickly vanish after death. Therefore, due to the speculative nature of the interpretation of the soft tissues, the reconstructed drawings or models become totally dependent on the imagination of the person producing them.

We think of ourselves as creatures marked by a particular intelligence. But one of our finest features is the inability of our expectation to truly simulate the experience we are expecting. Our anticipation of joy is never the same as joy. Our anticipation of pain is never the same as pain. Our anticipation of challenge is in no way the same experience as the challenge itself. If we could feel the things we fear ahead of time, we would be traumatized. So instead we venture out thinking we know how things will feel, but knowing nothing of how things will really feel.

Yet, love, mere love, is beautiful indeed And worthy of acceptation. Fire is bright, Let temple burn, or flax; an equal light Leaps in the flame from cedar-plank or weed: And love is fire. And when I say at need I love thee ... mark! ... I love thee -- in thy sight I stand transfigured, glorified aright, With conscience of the new rays that proceed Out of my face toward thine. There's nothing low In love, when love the lowest: meanest creatures Who love God, God accepts while loving so. And what I feel, across the inferior features Of what I am, doth flash itself, and show How that great work of Love enhances Nature's.

This was the sort of situation that she read about in the novels she favored, by authors such as Miss Jane Austen, whom Margaret was sure she’d met long ago at the Assembly Rooms the first time we visited Lyme. One of Miss Austen’s books had even featured Lyme Regis, but I did not read fiction and could not be persuaded to try it. Life itself was far messier and didn’t end so tidily with the heroine making the right match. We Philpot sisters were the very embodiment of that frayed life. I did not need novels to remind me of what I had missed.

Before me begging did she stand,     Pouring out sorrows like a sea;     Grief after grief:—on English Land     Such woes I knew could never be;     And yet a boon I gave her; for the Creature   Was beautiful to see; a Weed of glorious feature!

Shall I compare thee to a Shoggoth?

The new business model for America is clearly recognizable. Its dominant feature is the merger of government, real estate, and commerce into a single structure, tightly controlled at the top. It is the same model used in Soviet Russia, Nazi Germany, Fascist Italy, and Communist China.

Beauty is a hard thing. Beauty is a mean story. Beauty is slender girls who die young, fine-featured delicate creatures about whom men write poems. Beauty, my first girlfriend said to me, is that inner quality often associated with great amounts of leisure time. And I loved her for that.

Mermaids weren't mammalian. They couldn't be. Too many sightings focused on their 'slender backs' and 'narrow waists'--features that seemed reasonable to modern readers with modern beauty standards, but which made no sense for an Italian fisherman during the plague years, or a Puerto Rican swimmer in the 1920s. If the mermaid had been an idealized projection of a human woman onto a marine mammal, she would have looked different every time, fat during some eras, thin during others, not consistently slim to the point of freezing in oceanic waters. The people who described mermaids were describing a real creature, something that wasn't mammalian, but looked mammalian enough to make a tempting lure. And why would anything lure sailors, if not as a form of sustenance?

Nothing could exceed in beauty the contrast between these two excellent creatures. One was old, with silver hairs and countenance beaming with benevolence and love; the younger was slight and graceful in his figure, and his features were moulded with the finest symmetry, yet his eyes and attitude expressed the utmost sadness and despondency.

Americanism in all its forms seemed to be trashy and wasteful and crude, even brutal. There was a metaphor ready to hand in my native Hampshire. Until some time after the war, the squirrels of England had been red. I can still vaguely remember these sweet Beatrix Potter–type creatures, smaller and prettier and more agile and lacking the rat-like features that disclose themselves when you get close to a gray squirrel. These latter riffraff, once imported from America by some kind of regrettable accident, had escaped from captivity and gradually massacred and driven out the more demure and refined English breed. It was said that the gray squirrels didn't fight fair and would with a raking motion of their back paws castrate the luckless red ones. Whatever the truth of that, the sighting of a native English squirrel was soon to be a rarity, confined to the north of Scotland and the Isle of Wight, and this seemed to be emblematic, for the anxious lower middle class, of a more general massification and de-gentrification and, well, Americanization of everything.

Feature the good culture to never be like the vulture that doesn't have a good posture in the picture, the structure you make from every adventure gives glory to the creator for his creature, and he will give you treasure from the nature to venture for the future.

Medieval banquets show people eating all kinds of foods that are no longer eaten. Birds especially featured. Eagles, herons, peacocks, sparrows, larks, finches, swans, and almost all other feathered creatures were widely consumed. This wasn’t so much because swans and other birds were fantastically delicious—they weren’t; that’s why we don’t eat them now—but rather because other, better meats weren’t available.

Driven by that extraordinary oppression which falls on every human being when, childhood over, he begins to divine that he is fated to go on in isolation and unaided towards his own death; driven by this extraordinary oppression, which may with justice be called a fear of God, man looks round him for a companion hand in hand with whom he may tread the road to the dark portal, and if he has learned by experience how pleasurable it undoubtedly is to lie with another fellow-creature in bed, then he is ready to believe that this extremely intimate association of two bodies may last until these bodies are coffined: and even if at the same time it has its disgusting aspects, because it takes place under coarse and badly aired sheets, or because he is convinced that all a girl cares for is to get a husband who will support her in later life, yet it must not be forgotten that every fellow-creature, even if she has a sallow complexion, sharp, thin features and an obviously missing tooth in her left upper jaw, yearns, in spite of her missing tooth, for that love which she thinks will for ever shield her from death, from that fear of death which sinks with the falling of every night upon the human being who sleeps alone, a fear that already licks her as with a tongue of flame when she begins to take off her clothes, as Fraulein Erna was doing now; she laid aside her faded red-velvet blouse and took off her dark-green shirt and her petticoat.

We suffer for the simple reason that suffering is biologically useful. It is nature’s preferred agent for inspiring change. We have evolved to always live with a certain degree of dissatisfaction and insecurity, because it’s the mildly dissatisfied and insecure creature that’s going to do the most work to innovate and survive. We are wired to become dissatisfied with whatever we have and satisfied by only what we do not have. This constant dissatisfaction has kept our species fighting and striving, building and conquering. So no—our own pain and misery aren’t a bug of human evolution; they’re a feature.

I have long noted that people tend to lead with one particular feature, a part of the face or body, my brother John, for instance, leads with his eyebrows, it is not just that they form prominent tufts above his eyes, but they are the part of his face that moves the most, tracing the course of his thoughts as his brow furrows and clears.

I am not trying to say that a passport photo of himself can cure a gloomy man of a gloom for which there is no ground; for true gloom is by nature groundless; such gloom, ours at least, can be traced to no identifiable cause, and with its almost riotous gratuitousness this gloom of ours attained a pitch of intensity that would yield to nothing. If there was any way of making friends with our gloom, it was through the photos, because in these serial snapshots we found an image of ourselves which, though not exactly clear, was - and that was the essential - passive and neutralized. They gave us a kind of freedom in our dealings with ourselves; we could drink beer, torture our blood sausages, make merry and play. We bent and folded the pictures, and cut them up with little scissors we carried about with us for this precise purpose. We juxtaposed old and new pictures, made ourselves one-eyed or three-eyed, put noses on our ears, made our exposed right ears into organs of speech or silence, combined chins and foreheads. And it was not only each with his own likeness that we made these montages; Klepp borrowed features from me and I from him: thus we succeeded in making new, and we hoped, happier creatures.

March 6, 1961 I remembered a party in a house outside of Ann Arbor. There was a jazz band -- piano, bass, drums, and sax -- playing in one of the large rooms. A heavy odor of marijuana hung in the air. The host appeared now and then looking pleased, as if he liked seeing strangers in every room, the party out of his control. It wasn't wild, but with a constant flow of people, who knows what they're doing. It became late and I was a little drunk, wandering from one part of the house to another. I entered a long hall and was surprised by the silence, as if I had entered another house. A girl at the other end of the hall was walking toward me. I saw large blue eyes and very black hair. She was about average height, doll-like features delicate as cut glass, extremely pretty, maybe the prettiest girl I'd ever seen. When she came up to me I took her in my arms and kissed her. She let it happen. We were like creatures in a dream. Holding her hand, I drew her with me and we passed through rooms where people stood about, and then left the house. As we drove away, she said her name was Margo. She was a freshman at the university, from a town in northern Michigan. I took her home. It was obvious she'd never gone home with a man. She didn't seem fearful, only uncertain, the question in her eyes: "What happens next?" What happened next was nothing much. We fell asleep in our clothes. I wasn't the one to make her no different from everyone.

Roman, his breath hoarse and ragged, his body trembling like a leaf in an autumn storm, hugged himself in unspeakable fear as the thing’s face finally came into view: two round empty eyes in which sable night roiled forever and a gaping mouth that hungered for his very soul. It was the cucu, come at last to claim its prize, the life of a child who defied the dark.

We think of ourselves as creatures marked by a particular intelligence. But one of our finest features is the inability of our expectation to truly simulate the experience we are expecting. Our anticipation of joy is never the same as joy. Our anticipation of pain is never the same as pain. Our anticipation of challenge is in no way the same experience as the challenge itself. If we could feel the things we fear ahead of time, we would be traumatized. So instead we venture out thinking we know how things will feel, but knowing nothing of how things will really feel.

An incomplete picture of vultures leads to the conjecture that they are ugly creatures. But a miniature lecture on their nature punctures this posture as amazing features of their unique signature is revealed.

Since I left you, mine eye is in my mind;   And that which governs me to go about   Doth part his function and is partly blind,   Seems seeing, but effectually is out;   For it no form delivers to the heart   Of bird, of flower, or shape which it doth latch:   Of his quick objects hath the mind no part,   Nor his own vision holds what it doth catch;   For if it see the rud'st or gentlest sight,   The most sweet favour or deformed'st creature,   The mountain or the sea, the day or night:   The crow, or dove, it shapes them to your feature.     Incapable of more, replete with you,     My most true mind thus maketh mine untrue.

Since God did not create out of necessity, God's relationship to creation is not held together through a master-slave relationship in which bondage and necessity are the central features. Instead... the creature's existence is a gift. It is the product of the sovereignty or freedom of God. It is just this freedom that the human being images as the mirror of the very Being, which is the very act, of freedom that brought it forth.

When he reached her Kindle app, she instantly realized she had made a mistake. She reached for the phone. "Wait—" "What's this?" He took a step back, holding the phone out of her reach. "Are these books?" He squinted down at the screen. Her face was suddenly so hot she felt like she was on fire. She felt like she had just been caught in a lie. "I—um—please don't click on—" She scrambled to get her phone again, but he simply moved out of the way again, keeping it out of her grasp. "The Lusty Minotaur?" He took another step out of her reach. "I Married An Alien Raccoon Warlord From Mars?" Erik cackled. "Oh, do tell. Is this what counts as literature these days?

To talk of the first humans is to hammer a signpost into an ancient river saying 'no humans beyond this point', no matter the ever flowing stream around it's base. There is nothing essential to humanity, no single feature that intrinsically caused one creature to be human where its parents were not... However hard you try to define every point before the signpost as non-human, and every point after the post as human, the river flows continually.

Another feature of the prevailing vision is that the anointed must try to change the fundamental character of their fellow human beings, to make them more like themselves. Thus phrases about “raising the consciousness” of others, making them “aware,” or hoping that they will “grow.” In other words, the anointed must not only design a different social world from that which exists, they must people that world with different creatures, custom-made for the purpose.

American cold war culture represented an age of anxiety. The anxiety was so severe that it sought relief in an insistent, assertive optimism. Much of American popular culture aided this quest for apathetic security. The expanding white middle class sought to escape their worries in the burgeoning consumer culture. Driving on the new highway system in gigantic showboat cars to malls and shopping centers that accepted a new form of payment known as credit cards, Americans could forget about Jim Crow, communism, and the possibility of Armageddon. At night in their suburban homes, television allowed middle class families to enjoy light domestic comedies like The Adventures of Ozzie and Harriet, Father Knows Best, and Leave It to Beaver. Somnolently they watched representations of settled family life, stories where lost baseball gloves and dinnertime hijinks represented the only conflicts. In the glow of a new Zenith television, it became easy to believe that the American dream had been fully realized by the sacrifice and hard work of the war generation. American monsters in pop culture came to the aid of this great American sleep. Although a handful of science fiction films made explicit political messages that unsettled an apathetic America, the vast majority of 'creature features' proffered parables of American righteousness and power. These narratives ended, not with world apocalypse, but with a full restoration of a secure, consumer-oriented status quo. Invaders in flying saucers, radioactive mutations, and giant creatures born of the atomic age wreaked havoc but were soon destroyed by brainy teams of civilian scientists in cooperation with the American military. These films encouraged a certain degree of paranoia but also offered quick and easy relief to this anxiety... Such films did not so much teach Americans to 'stop worrying and love the bomb' as to 'keep worrying and love the state.

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

Our hunting fathers told the story Of the sadness of the creatures, Pitied the limits and the lack Set in their finished features; Saw in the lion's intolerant look, Behind the quarry's dying glare, Love raging for, the personal glory That reason's gift would add, The liberal appetite and power, The rightness of a god. ...

Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.

He snatched at the kerchief, managing to loosen it. "Please. It's all I want from life, to see you with-" another swipe, and he snagged the edge of the cloth, "-your hair all-" But Leo broke off as the kerchief pulled free, and the hair that spilled out was not any conceivable shade of green. It was blond... pale amber and champagne and honey... and there was so much of it, cascading in shimmering waves to the middle of her back. Leo went still, holding her in place as his astonished gaze raked over her. They both gulped for breath, worked up and winded like racehorses. Marks couldn't have looked more appalled if he had just stripped her naked. And the truth was, Leo couldn't have been any more confounded- or aroused- if he were actually viewing her naked. Though he certainly would have been willing to try it. Such a commotion had risen in him, Leo hardly knew how to react. Just hair, just locks of hair... but it was like a previously undistinguished painting in the perfect frame, revealing its beauty in full luminous detail. Catherine Marks in the sunlight was a mythical creature, a nymph, with delicate features and opalescent eyes. The most confounding realization was that it wasn't really hair color that had concealed all this from him... he had never noticed how stunning she was because she had deliberately kept him from seeing it. "Why," Leo asked, his voice husky, "would you conceal something so beautiful?" Staring at her, nearly devouring her, he asked more softly still, "What are you hiding from?

How was your journey?" he asked. "You don't have to make small talk with me," she said. "I don't like it, and I'm not very good at it." They paused at the shade of portico, beside a sweet-scented bower of roses. Casually Lord St. Vincent leaned a shoulder against a cream-painted column. A lazy smile curved his lips as he looked down at her. "Didn't Lady Berwick teach you?" "She tried. But I hate trying to make conversation about weather. Who cares what the temperature is? I want to talk about things like... like..." "Yes?" he prompted as she hesitated. "Darwin. Women's suffrage. Workhouses, war, why we're alive, if you believe in séances or spirits, if music has ever made you cry, or what vegetable you hate most..." Pandora shrugged and glanced up at him, expecting the familiar frozen expression of a man who was about to run for his life. Instead she found herself caught by his arrested stare, while the silence seemed to wrap around them. After a moment, Lord St. Vincent said softly, "Carrots." Bemused, Pandora tried to gather her wits. "That's the vegetable you hate most? Do you mean cooked ones?" "Any kind of carrots." "Out of all vegetables?" At his nod, she persisted, "What about carrot cake?" "No." But it's cake." A smile flickered across his lips. "Still carrots." Pandora wanted to argue the superiority of carrots over some truly atrocious vegetable, such as Brussels sprouts, but heir conversation was interrupted by a silky masculine voice. "Ah, there you are. I've been sent out to fetch you." Pandora shrank back as she saw a tall msn approach in a graceful stride. She knew instantly that he must be Lord Sy. Vincent's father- the resemblance was striking. His complexion was tanned and lightly time-weathered, with laugh-lines at the outer corners of his blue eyes. He had a full head of tawny-golden hair, handsomely silvered at the sides and temples. Having heard of his reputation as a former libertine, Pandora had expected an aging roué with coarse features and a leer... not this rather gorgeous specimen who wore his formidable presence like an elegant suit of clothes. "My son, what can you be thinking, keeping this enchanting creature out in the heat of midday?

Once, aeons ago, the Appalachians were of a scale and majesty to rival the Himalayas—piercing, snow-peaked, pushing breathtakingly through the clouds to heights of four miles or more. New Hampshire’s Mount Washington is still an imposing presence, but the stony mass that rises from the New England woods today represents, at most, the stubby bottom one-third of what was ten million years ago. That the Appalachian Mountains present so much more modest an aspect today is because they have had so much time in which to wear away. The Appalachians are immensely old—older than the oceans and continents (at least in their present configurations), far, far older than most other mountain chains, older indeed than almost all other landscape features on earth. When simple plants colonized the land and the first creatures crawled gasping from the sea, the Appalachians were there to greet them.

That allowed them to model important features of the external world and even to model possible futures. No brainy creature (not even you or I) is in direct contact with its environment. Instead, we all live in a rich virtual reality constructed by our brains. Our brains generate and constantly update maps of the most salient features of our bodies and our surroundings, just as climate scientists model changing environments today.17 Those maps enable us to maintain homeostasis.

One of the most distinctive features of psychosis is its dynamic of externalization. Madness is experienced as being enacted on the subject from without; a person perceives his own unintegrated psychological contents as outer-world creatures and demons who threaten to engulf and physically destroy him. The barriers between inner and outer, subject and object, dissolve so entirely that no boundary remains to protect the ego from the onslaught of this projected unconscious material.

Roland: We are very little creatures: all of us have different features. One of us in glass is set; one of us you'll find in jet. Another you may see in tin, and a fourth is boxed within. If the fifth should you pursue, it can never fly from you. What are we? Blaine: A AND E AND I AND O AND U. THE VOWELS OF THE HIGH SPEECH. ALTHOUGH THAT PARTICULAR RIDDLE IS NOT FROM YOUR TEACHER, ROLAND OF GILEAD; I KNOW IT FROM JONATHAN SWIFT OF LONDON--A CITY IN THE WORLD YOUR FRIENDS COME FROM.

You're Savannah Dubrinsky." Gary breathed her name reverently. "My God, I should have guessed." Gregori's entire demeanor changed, becoming all at once menacing and dangerous. His face was etched in stone, his mouth hard and faintly cruel. The hair on the back of Gary's neck literally stood up. He swallowed hard and instinctively moved a little distance from the woman. Not that he blamed the man, creature, whatever, but his reaction was more that of untamed beast than civilized man. Gary was taking no chances. Savannah laughed softly. She leaned into the man despite Gregori's restraining arm. "He can read your mind," she reminded Gary softly, her breath swirling with tantalizing warmth over his neck. He jumped away as if he'd been burned, his face flamed crimson, and he looked guiltily at Gregori. Gregori's dark features relaxed. The hard edge to his mouth softened. "Do not worry, Gary, she is incorrigible. Even I have trouble with her.I cannot blame you for what I myself cannot control." His arm swept arond Savannah's small waist, and he tucked her beneath his shoulder. Are you angry? The smile was fading from her eyes, her mouth. Gregori tightened his hold on her when her step faltered. We can discuss this at home, cherie.You are already here;you may as well give the boy a thrill.But I warn you,not too big a thrill. She relaxed her body into his.That quickly.That easily.As if she belonged, his other half.He was beginning to believe it might be possible.

Futuristic as this may sound, the vision of individuals and groups as so many objects to be continuously tracked, wholly known, and shunted this way or that for some purpose of which they are unaware has a history. It was coaxed to life nearly sixty years ago under the warm equatorial sun of the Galapagos Islands, when a giant tortoise stirred from her torpor to swallow a succulent chunk of cactus into which a dedicated scientist had wedged a small machine. It was a time when scientists reckoned with the obstinacy of free-roaming animals and concluded that surveillance was the necessary price of knowledge. Locking these creatures in a zoo would only eliminate the very behavior that scientists wanted to study, but how were they to be surveilled? The solutions once concocted by scholars of elk herds, sea turtles, and geese have been refurbished by surveillance capitalists and presented as an inevitable feature of twenty-first-century life on Earth. All that has changed is that now we are the animals

The Pyrenean ibex, an extinct form of wild mountain goat, was brought back to life in 2009 through cloning of dna taken from skin samples. This was followed in June of 2010 by researchers at Jeju National University in Korea cloning a bull that had been dead for two years. Cloning methods are also being studied for use in bringing back Tasmanian tigers, woolly mammoths, and other extinct creatures, and in the March/April 2010 edition of the respected Archaeology magazine, a feature article by Zah Zorich (“Should We Clone Neanderthals?”) called for the resurrection via cloning of what some consider to be man’s closest extinct relative, the Neanderthals. National Geographic confirmed this possibility in its May 2009 special report, “Recipe for a Resurrection,” quoting Hendrik Poinar of McMaster University, an authority on ancient dna who served as a scientific consultant for the movie Jurassic Park, saying: “I laughed when Steven Spielberg said that cloning extinct animals was inevitable. But I’m not laughing anymore.… This is going to happen.

Flat cat?'" "It has a Latin name but I never bothered to learn it." Angelo tickled it with a forefinger; it began to purr like a high-pitched buzzer. It had no discernible features, being merely a pie-shaped mass of sleek red fur a little darker than Castor's own hair. "They're affectionate little things and many of the sand rats keep them for pets—a man has to have someone to talk to when he's out prospecting and a flat cat is better than a wife because it can't talk back. It just purrs and snuggles up to you. Pick it up." Castor did so, trying not to seem gingerly about it. The flat cat promptly plastered itself to Castor's shirt, fattened its shape a little to fit better the crook of the boy's arm, and changed its purr to a low throbbing which Castor could feel vibrate in his chest. He looked down and three beady little eyes stared trustfully back up at him, then closed and disappeared completely. A little sigh interrupted the purrs and the creature snuggled closer. Castor chuckled. "It is like a cat, isn't it?" "Except that it doesn't scratch. Want to buy it?

Great God! why did I not then expire! Why am I here to relate the destruction of the best hope and the purest creature of earth? She was there, lifeless and inanimate, thrown across the bed, her head hanging down, and her pale and distorted features half covered by her hair. Everywhere I turn I see the same figure—her bloodless arms and relaxed form flung by the murderer on its bridal bier. Could I behold this and live? Alas! life is obstinate and clings closest where it is most hated. For a moment only did I lose recollection; I fell senseless on the ground.

She instantly lowered her face, staring at her lap, so that nothing was visible of her beyond the clusters of sunflower curls that framed the netted bun on top of her head. Intrigued by the curve of one plump cheek, he lifted her chin and made her look toward him, ignoring her flinch as he touched her. His first impression was of green eyes, wide as a baby owl's and just as solemn. Dumpling cheeks, a straight nose, and a firm little mouth- all ordinary, and all in common female proportion. There was nothing notably strange about her features- and yet it was an odd face, the kind of face that looked out of burrows and tree-knots and hedgerows, unblinking, innocent and as old as time. If she'd had whiskers to twitch it wouldn't have surprised him, so strong was the impression of a small, prudent wild creature with dark brows like furry markings. Strangely, she made him want to smile, as if he'd just pulled aside a branch and discovered a nightingale staring gravely back at him from its nest. He found himself reacting in the same way, consciously containing his moves and his voice, as if he might startle her away. "Hullo," he said softly, giving her a light, suggestive chuck beneath her plump chin as he let her go.

As oaks age they typically lose much of their inner xylem tissue, creating large hollow spaces within their trunks that serve as home to countless creatures, from rare fungi to raccoons, opossums, squirrels, bats, bobcats, and even black bears. We have been led to think that once there are hollow spaces created by rot within a tree trunk, that tree must come down. Not so! Such “rot” is normal and does not affect the living cambium that lies just under the bark of your oak nor the functional strength of the trunk. Hollow trunks are just one feature of ancient oaks that makes them such valuable ecological additions to our landscapes. Beating

Constance was interested only in the actual history of the real woman Semiramis. The wild mythologies and legends that had grown up around her over the centuries bit too deeply into Constance’s own uncertainty and guilty fear. She could not bear the legendary, magical figure featured in multiple, sometimes conflicting embellishments, certainly not the damned creature of Dante—-consigned to Hell in the Circle of Lust—-or the tragic figure of Voltaire or Rossini’s opera. But the real woman Semiramis, who had taken the throne at her husband’s death and remained there until her son came of age, who had ruled, expanded, and stabilized the Assyrian Empire, here was a woman who could lend her hope. Aside from history, the only myth of Semiramis that touched her was that of an abandoned girl raised by doves.

Some people put years into their heroic accomplishments; assassins do not. While stalking Richard Nixon, Bremer wrote, “I’m as important as the start of WWI. I just need the little opening, and a second of time.” Such narcissism is a central feature of every assassin, and like many of their characteristics, it is in us all to some degree. In his Pulitzer Prize winning book Denial of Death, Ernest Becker observes that narcissism is universal. Becker says every child’s “whole organism shouts the claim of his natural narcissism. It is too all-absorbing and relentless to be an aberration, it expresses the heart of the creature: the desire to stand out, to be the one in creation.” Becker says we all look for heroics in our lives, adding that in some people “it is a screaming for glory as uncritical and reflexive as the howling of a dog.

G. Stanley Hall, a creature of his times, believed strongly that adolescence was determined – a fixed feature of human development that could be explained and accounted for in scientific fashion. To make his case, he relied on Haeckel's faulty recapitulation idea, Lombroso's faulty phrenology-inspired theories of crime, a plethora of anecdotes and one-sided interpretations of data. Given the issues, theories, standards and data-handling methods of his day, he did a superb job. But when you take away the shoddy theories, put the anecdotes in their place, and look for alternate explanations of the data, the bronze statue tumbles hard. I have no doubt that many of the street teens of Hall's time were suffering or insufferable, but it's a serious mistake to develop a timeless, universal theory of human nature around the peculiarities of the people of one's own time and place.

All right. Couldn't you just lay your head right down on those words and rest? I wanted those words for my own. No matter how much things change or how time has passed, every single earthly creature pursued the promise of all right, and I was no different. We sought it out in the shelter of caves and underground hollows and in successful husbands and suburban neighborhoods with gates. We fought for it, and manipulated others to get it, and tried to buy it in our organic food and cars with every safety feature and tried to fake it with tough exteriors, and camouflage, and false hopes. We could want a sense of shelter, so badly that we could lose air until the panic of not having it was over, or we could ditch our lives in an instant. The desire for all right was perhaps the only thing we all-every human, every animal- truly had in common, even though the relentless drive for it could make us both stand against one another and seek out one another's warm and flawed company.

God Knows' And I said to the man who stood at the gate of the year: “Give me a light that I may tread safely into the unknown.” And he replied: “Go out into the darkness and put your hand into the Hand of God. That shall be to you better than light and safer than a known way.” So I went forth, and finding the Hand of God, trod gladly into the night. And He led me towards the hills and the breaking of day in the lone East. So heart be still: What need our little life Our human life to know, If God hath comprehension? In all the dizzy strife Of things both high and low, God hideth His intention. God knows. His will Is best. The stretch of years Which wind ahead, so dim To our imperfect vision, Are clear to God. Our fears Are premature; In Him, All time hath full provision. Then rest: until God moves to lift the veil From our impatient eyes, When, as the sweeter features Of Life’s stern face we hail, Fair beyond all surmise God’s thought around His creatures Our mind shall fill.

See how cruel the whites look. Their lips are thin, their noses sharp, their faces furrowed and dis­torted by folds. Their eyes have a staring expression; they are always seeking something. What are they seeking? The whites always want something; they are always uneasy and restless. We do not know what they want. We do not understand them. We think that they are mad." I asked him why he thought the whites were all mad. "They say that they think with their heads," he replied. "Why of course. What do you think with?" I asked him in surprise. "We think here," he said, indicating his heart. I fell into a long meditation. For the first time in my life, so it seemed to me, someone had drawn for me a picture of the real white man. It was as though until now I had seen nothing but sentimental, prettified color prints. This Indian had struck our vulnerable spot, unveiled a truth to which we are blind. I felt rising within me like a shapeless mist something unknown and yet deeply familiar. And out of this mist, image upon image detached itself: first Roman legions smashing into the cities of Gaul, and the keenly incised features of Julius Caesar, Scipio Africanus, and Pompey. I saw the Roman eagle on the North Sea and on the banks of the White Nile. Then I saw St. Augus­tine transmitting the Christian creed to the Britons on the tips of Roman lances, and Charlemagne's most glorious forced con­versions of the heathen; then the pillaging and murdering bands of the Crusading armies. With a secret stab I realized the hol­lowness of that old romanticism about the Crusades. Then fol­lowed Columbus, Cortes, and the other conquistadors who with fire, sword, torture, and Christianity came down upon even these remote pueblos dreaming peacefully in the Sun, their Father. I saw, too, the peoples of the Pacific islands decimated by firewater, syphilis, and scarlet fever carried in the clothes the missionaries forced on them. It was enough. What we from our point of view call coloniza­tion, missions to the heathen, spread of civilization, etc., has another face - the face of a bird of prey seeking with cruel in­tentness for distant quarry - a face worthy of a race of pirates and highwaymen. All the eagles and other predatory creatures that adorn our coats of arms seem to me apt psychological representatives of our true nature.

So in the library there are also books containing falsehoods. ...” “Monsters exist because they are part of the divine plan, and in the horrible features of those same monsters the power of the Creator is revealed. And by divine plan, too, there exist also books by wizards, the cabalas of the Jews, the fables of pagan poets, the lies of the infidels. It was the firm and holy conviction of those who founded the abbey and sustained it over the centuries that even in books of falsehood, to the eyes of the sage reader, a pale reflection of the divine wisdom can shine. And therefore the library is a vessel of these, too. But for this very reason, you understand, it cannot be visited by just anyone. And furthermore,” the abbot added, as if to apologize for the weakness of this last argument, “a book is a fragile creature, it suffers the wear of time, it fears rodents, the elements, clumsy hands. If for a hundred and a hundred years everyone had been able freely to handle our codices, the majority of them would no longer exist. So the librarian protects them not only against mankind but also against nature, and devotes his life to this war with the forces of oblivion, the enemy of truth.

One spring day, when the daffodils were blowing on the Ingleside lawn, and the banks of the brook in Rainbow Valley were sweet with white and purple violets, the little, lazy afternoon accommodation train pulled into the Glen station. It was very seldom that passengers for the Glen came by that train, so nobody was there to meet it except the new station agent and a small black-and-yellow dog, who for four and a half years had met every train that had steamed into Glen St. Mary. Thousands of trains had Dog Monday met and never had the boy he waited and watched for returned. Yet still Dog Monday watched on with eyes that never quite lost hope. Perhaps his dog-heart failed him at times; he was growing old and rheumatic; when he walked back to his kennel after each train had gone his gait was very sober now—he never trotted but went slowly with a drooping head and a depressed tail that had quite lost its old saucy uplift. One passenger stepped off the train—a tall fellow in a faded lieutenant’s uniform, who walked with a barely perceptible limp. He had a bronzed face and there were some grey hairs in the ruddy curls that clustered around his forehead. The new station agent looked at him anxiously. He was used to seeing the khaki-clad figures come off the train, some met by a tumultuous crowd, others, who had sent no word of their coming, stepping off quietly like this one. But there was a certain distinction of bearing and features in this soldier that caught his attention and made him wonder a little more interestedly who he was. A black-and-yellow streak shot past the station agent. Dog Monday stiff? Dog Monday rheumatic? Dog Monday old? Never believe it. Dog Monday was a young pup, gone clean mad with rejuvenating joy. He flung himself against the tall soldier, with a bark that choked in his throat from sheer rapture. He flung himself on the ground and writhed in a frenzy of welcome. He tried to climb the soldier’s khaki legs and slipped down and groveled in an ecstasy that seemed as if it must tear his little body in pieces. He licked his boots and when the lieutenant had, with laughter on his lips and tears in his eyes, succeeded in gathering the little creature up in his arms Dog Monday laid his head on the khaki shoulder and licked the sunburned neck, making queer sounds between barks and sobs. The station agent had heard the story of Dog Monday. He knew now who the returned soldier was. Dog Monday’s long vigil was ended. Jem Blythe had come home.

The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen

Even here, it is only the evening that I love. The dawn gladdens me for a moment; I fancy I could fell the charm of it if the day that is to follow were not bound to be so long! I certainly have a free domain to wander in, but it is not wild and impressive enough. its features are tame, its rocks small and uninteresting, the vegetation as a rule lacks the luxuriance and profusion I like to see; one never catches here the murmur of a torrent far down in the depths; it is a land of plains. Nothing burdens me here; nothing satisfies me. I fancy, if anything, my boredom increases; simply because I have not enough to suffer. I am happier then, you think? Not a bit of it; to suffer and to be unhappy are not at all the same thing, no more than enjoyment is identical with happiness. I am delightfully circumstanced, and yet I live a melancholy life. I could not be better off than I am here: free, undistracted, well in health, unyoked from business, unconcerned about a future from which I expect nothing, and leaving behind without regret a past I have not enjoyed. But here is within me a persistent unrest, a yearning I cannot define, imperative and absorbing, which takes me out of the sphere of perishable creatures... No, it is not the yearning to love; you are mistaken there, as I once was mistaken myself. The interval is wide enough between the emptiness of my heart and the love it has so eagerly desired, but the distance between what I am and what I want to be is infinite. I do not want to enjoy possession; I want hope, I should like to know. I need limitless illusions, receding before me to keep me always under their spell. What use to me is anything that can end? The hour which will arrive in sixty years' time is already close at hand. I have no liking for anything that takes its rise, draws near, arrives and is no more. I want a good, a dream, in fact a hope that is ever in advance, ever beyond me, greater than my expectation itself, greater than the things which pass away. I would like to be pure intelligence, I would like the eternal order of the world... And yet, thirty years ago, that order was, and I had no existence. worthless and accidental creature of a day, I used not to exist, and soon I shall exist no more. I discover with surprise that my thought is greater than my being, and when I consider that my life is absurd in my own eyes, I lose my way in hopeless darkness. Truly, happier is he who fells trees and burns charcoal, and flies to holy water when the thunder peals. He lives like the brute. Nay; for he sings at his work. I shall never know his peace, and yet I shall pass like him. His life will glide along with time, but mine is led astray and hurried on by excitement and unrest, and by the phantoms of an unknown greatness.

The questing, anxious, exacting way that we have of looking at the person we love, our eagerness for the word which shall give us or take from us the hope of an appointment for the morrow, and, until that word is uttered, our alternative if not simultaneous imaginings of joy and of despair, all these make our observation, in the beloved object’s presence, too tremulous to be able to carry away a clear impression of her. Perhaps, also, that activity of all the senses at once which endeavours to learn from the visible aspect alone what lies behind it is over-indulgent to the thousand forms, to the changing fragrance, to the movements of the living person whom as a rule, when we are not in love, we regard as fixed in one permanent position. Whereas the beloved model does not stay still; and our mental photographs of her are always blurred. I did not rightly know how Gilberte’s features were composed, save in the heavenly moments when she disclosed them to me; I could remember nothing but her smile. And not being able to see again that beloved face, despite every effort that I might make to recapture it, I would be disgusted to find, outlined in my memory with a maddening precision of detail, the meaningless, emphatic faces of the man with the wooden horses and of the barley-sugar woman; just as those who have lost a dear friend whom they never see even while they are asleep, are exasperated at meeting incessantly in their dreams any number of insupportable creatures whom it is quite enough to have known in the waking world. In their inability to form any image of the object of their grief they are almost led to assert that they feel no grief.

Some people put years into their heroic accomplishments; assassins do not. While stalking Richard Nixon, Bremer wrote, “I’m as important as the start of WWI. I just need the little opening, and a second of time.” Such narcissism is a central feature of every assassin, and like many of their characteristics, it is in us all to some degree. In his Pulitzer Prize winning book Denial of Death, Ernest Becker observes that narcissism is universal. Becker says every child’s “whole organism shouts the claim of his natural narcissism. It is too all-absorbing and relentless to be an aberration, it expresses the heart of the creature: the desire to stand out, to be the one in creation.” Becker says we all look for heroics in our lives, adding that in some people “it is a screaming for glory as uncritical and reflexive as the howling of a dog.” But the howls for glory of assassins had been unanswered in their mundane pre-attack lives. The assassin might be weird or unusual, but we cannot say we don’t understand his motives, his goal. He wants what Americans want: recognition, and he wants what all people want: significance. People who don’t get that feeling in childhood seek ways to get it in adulthood. It is as if they have been malnourished for a lifetime and seek to fix it with one huge meal. The same search for significance is part of the motivation for the young gang member who kills, because violence is the fastest way to get identity. Murderer Jack Henry Abbott describes the “involuntary pride and exhilaration all convicts feel when they are chained up hand and foot like dangerous animals. The world has focused on us for a moment. We are somebody capable of threatening the world.

You’re right: if there’s sentient life behind the border, it probably won’t share my goals. Unlike the people in this room, who all want exactly the same things in life as I do, and have precisely the same tastes in food, art, music, and sex. Unlike the people of Schur, and Cartan, and Zapata — who I came here in the hope of protecting, after losing my own home — who doubtless celebrate all the same festivals, delight in the same songs and stories, and gather every fortieth night to watch actors perform the same plays, in the same language, from the same undisputed canon, as the people I left behind. “If there’s sentient life behind the border, of course we couldn’t empathize with it. These creatures are unlikely to possess cute mammalian neonate faces, or anything else we might mistake for human features. None of us could have the imagination to get over such insurmountable barriers, or the wit to apply such difficult abstractions as the General Intelligence theorem — though since every twelve-year-old on my home world was required to master that result, it must be universally known on this side of the border. “You’re right: we should give up responsibility for making any difficult moral judgments, and surrender to the dictates of natural selection. Evolution cares so much about our happiness that no one who’s obeyed an inherited urge has ever suffered a moment’s regret for it. History is full of joyful case studies of people who followed their natural instincts at every opportunity — fucking whoever they could, stealing whatever they could, destroying anything that stood in their way — and the verdict is unanimous: any behavior that ever helped someone disseminate their genes is a recipe for unalloyed contentment, both for the practitioners, and for everyone around them.

There was a tap at the door, and it opened. His lips parted to snarl at the visitor. "May I come in?" he heard a girl ask softly. The curse died on Kev's lips. His senses were overwhelmed. He closed his eyes, breathing, waiting. It's you. You're here. At last. "You've been alone for so long," she said, approaching him, "I thought you might want some company. I'm Winnifred." Kev drew in the scent and sound of her, his heart pounding. Carefully he eased to his back, ignoring the pain that shot through him. He opened his eyes. He had never thought any gadji could compare to Romany girls. But this one was remarkable, an otherworldly creature as pale as moonlight, her hair silver-blond, her features formed with tender gravity. She looked warm and innocent and very soft. Everything he wasn't. His entire being responded so acutely to her that he reached out and seized her with a quiet grunt. She gasped a little but held still. Kev knew it wasn't right to touch her. He didn't know how to be gentle. He would hurt her without even trying. And yet she relaxed in his hold, and stared at him with those steady blue eyes. Why wasn't she frightened of him? He was actually frightened for her, because he knew what he was capable of. He hadn't been aware of pulling her closer. All he knew was that now part of her weight was resting on him as he lay on the bed, and his fingertips had curled into the pliant flesh of her upper arms. "Let go," she told him gently. He didn't want to. Ever. He wanted to keep her against him, and pull her braided hair down and comb his fingers through the pale silk. He wanted to carry her off to the ends of the earth. "If I do," he said gruffly, "will you stay?" The delicate lips curved. Sweet, delicious smile. "Silly boy. Of course I'll stay. I've come to visit you.

We debated this point until the skull was clear of the bulk of its flesh. As I began sketching again, he asked me, “What do you think? Taxonomically.” “It’s difficult,” I admitted. By then my hand was capable of going about its work without demanding all of my attention; I could ponder issues of classification at the same time. “The dentition bears some similarities to those reported or observed in other breeds, at least in number and disposition of teeth … though of course baleen plates are not a usual feature. The vertebrae certainly pose a problem. This creature has quite a lot of them, and we do not usually consider animals to be close cousins who differ so greatly in such a fundamental characteristic.” Tom nodded, wiping his hands clean—or at least less filthy—with a cloth. “Not to mention the utter lack of hind limbs. I saw nothing in the dissection, not even anything vestigial. The closest thing it has to forelimbs are some rather inadequate fins.” “And yet there are similarities. The generally reptilian appearance, and more significantly, the degradation of the bones.” I thought of the six criteria customarily used to distinguish “true dragons” from draconic creatures: quadripedalism, flight-capable wings, a ruff or fan behind the skull, bones frangible after death, oviparity, and extraordinary breath. We might, if we were very generous, count the serpent’s supraorbital tendrils (presuming it had once possessed them) as the ruff, and Tom had just confirmed that the creatures laid eggs. Together with the bones—which decayed more slowly than those of terrestrial dragons, but did become frangible quite rapidly—that made three of six. But was there any significance to the distinction between “true dragons” and their mere cousins? What if there was only one characteristic that mattered?

Some people put years into their heroic accomplishments; assassins do not. While stalking Richard Nixon, Bremer wrote, “I’m as important as the start of WWI. I just need the little opening, and a second of time.” Such narcissism is a central feature of every assassin, and like many of their characteristics, it is in us all to some degree. In his Pulitzer Prize winning book Denial of Death, Ernest Becker observes that narcissism is universal. Becker says every child’s “whole organism shouts the claim of his natural narcissism. It is too all-absorbing and relentless to be an aberration, it expresses the heart of the creature: the desire to stand out, to be the one in creation.” Becker says we all look for heroics in our lives, adding that in some people “it is a screaming for glory as uncritical and reflexive as the howling of a dog.” But the howls for glory of assassins had been unanswered in their mundane pre-attack lives. The assassin might be weird or unusual, but we cannot say we don’t understand his motives, his goal. He wants what Americans want: recognition, and he wants what all people want: significance. People who don’t get that feeling in childhood seek ways to get it in adulthood. It is as if they have been malnourished for a lifetime and seek to fix it with one huge meal. The same search for significance is part of the motivation for the young gang member who kills, because violence is the fastest way to get identity. Murderer Jack Henry Abbott describes the “involuntary pride and exhilaration all convicts feel when they are chained up hand and foot like dangerous animals. The world has focused on us for a moment. We are somebody capable of threatening the world.” Ernest Becker writes, “The urge to heroism is natural, and to admit it honest. For everyone to admit it would probably release such pent-up force as to be devastating to society.

Precisely that. I'd give anything to hear them in concert, and I'd give even a bit more not to hear them when the orchestra is playing. I'm afraid I am a hopeless realist. Great singers are not great actors. To hear Barillo sing a love passage with the voice of an angel, and to hear Tetralani reply like another angel, and to hear it all accompanied by a perfect orgy of glowing and colorful music - is ravishing, most ravishing. I do not admit it. I assert it. But the whole effect is spoiled when I look at them - at Tetralani, five feet ten in her stocking feet and weighing a hundred and ninety pounds, and at Barillo, a scant five feet four, greasy-featured, with the chest of a squat, undersized blacksmith, and at the pair of them, attitudinizing, clasping their breasts, flinging their arms in the air like demented creatures in an asylum; (...) But even the conventions must be real. Trees, painted on flat cardboard and stuck up on each side of the stage, we accept as a forest. It is a real enough convention. But, on the other hand, we would not accept a sea scene as a forest. We can't do it. It violates our senses. Nor would you, or, rather, should you, accept the ravings and writhings and agonized contortions of those two lunatics to-night as a convincing portrayal of love. (...) I merely maintain my right as an individual. I have just been telling you what I think, in order to explain why the elephantine gambols of Madame Tetralani spoil the orchestra for me. The world's judges of music may all be right. But I am I, and I won't subordinate my taste to the unanimous judgment of mankind. If I don't like a thing, I don't like it, that's all; and there is no reason under the sun why I should ape a liking for it just because the majority of my fellow-creatures like it, or make believe they like it. I can't follow the fashions in the things I like or dislike.

He saw a man who was certainly Weston, to judge from his height and build and coloring and features. In that sense he was quite recognizable. But the terror was that he was also unrecognizable. He did not look like a sick man: but he looked very like a dead one. The face which he raised from torturing the frog had that terrible power which the face of a corpse sometimes has of simply rebuffing every conceivable human attitude one can adopt towards it. The expressionless mouth, the unwinking stare of the eyes, something heavy and inorganic in the very folds of the cheek, said clearly: “I have features as you have, but there is nothing in common between you and me.” It was this that kept Ransom speechless. What could you say—what appeal or threat could have any meaning—to that? And now, forcing its way up into consciousness, thrusting aside every mental habit and every longing not to believe, came the conviction that this, in fact, was not a man: that Weston’s body was kept, walking and undecaying, in Perelandra by some wholly different kind of life, and that Weston himself was gone. It looked at Ransom in silence and at last began to smile. We have all often spoken—Ransom himself had often spoken—of a devilish smile. Now he realized that he had never taken the words seriously. The smile was not bitter, nor raging, nor, in an ordinary sense, sinister; it was not even mocking. It seemed to summon Ransom, with a horrible naïveté of welcome, into the world of its own pleasures, as if all men were at one in those pleasures, as if they were the most natural thing in the world and no dispute could ever have occurred about them. It was not furtive, nor ashamed, it had nothing of the conspirator in it. It did not defy goodness, it ignored it to the point of annihilation. Ransom perceived that he had never before seen anything but halfhearted and uneasy attempts at evil. This creature was wholehearted. The extremity of its evil had passed beyond all struggle into some state which bore a horrible similarity to innocence. It was beyond vice as the Lady was beyond virtue.

Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.

In many fields—literature, music, architecture—the label ‘Modern’ stretches back to the early 20th century. Philosophy is odd in starting its Modern period almost 400 years earlier. This oddity is explained in large measure by a radical 16th century shift in our understanding of nature, a shift that also transformed our understanding of knowledge itself. On our Modern side of this line, thinkers as far back as Galileo Galilei (1564–1642) are engaged in research projects recognizably similar to our own. If we look back to the Pre-Modern era, we see something alien: this era features very different ways of thinking about how nature worked, and how it could be known. To sample the strange flavour of pre-Modern thinking, try the following passage from the Renaissance thinker Paracelsus (1493–1541): The whole world surrounds man as a circle surrounds one point. From this it follows that all things are related to this one point, no differently from an apple seed which is surrounded and preserved by the fruit … Everything that astronomical theory has profoundly fathomed by studying the planetary aspects and the stars … can also be applied to the firmament of the body. Thinkers in this tradition took the universe to revolve around humanity, and sought to gain knowledge of nature by finding parallels between us and the heavens, seeing reality as a symbolic work of art composed with us in mind (see Figure 3). By the 16th century, the idea that everything revolved around and reflected humanity was in danger, threatened by a number of unsettling discoveries, not least the proposal, advanced by Nicolaus Copernicus (1473–1543), that the earth was not actually at the centre of the universe. The old tradition struggled against the rise of the new. Faced with the news that Galileo’s telescopes had detected moons orbiting Jupiter, the traditionally minded scholar Francesco Sizzi argued that such observations were obviously mistaken. According to Sizzi, there could not possibly be more than seven ‘roving planets’ (or heavenly bodies other than the stars), given that there are seven holes in an animal’s head (two eyes, two ears, two nostrils and a mouth), seven metals, and seven days in a week. Sizzi didn’t win that battle. It’s not just that we agree with Galileo that there are more than seven things moving around in the solar system. More fundamentally, we have a different way of thinking about nature and knowledge. We no longer expect there to be any special human significance to natural facts (‘Why seven planets as opposed to eight or 15?’) and we think knowledge will be gained by systematic and open-minded observations of nature rather than the sorts of analogies and patterns to which Sizzi appeals. However, the transition into the Modern era was not an easy one. The pattern-oriented ways of thinking characteristic of pre-Modern thought naturally appeal to meaning-hungry creatures like us. These ways of thinking are found in a great variety of cultures: in classical Chinese thought, for example, the five traditional elements (wood, water, fire, earth, and metal) are matched up with the five senses in a similar correspondence between the inner and the outer. As a further attraction, pre-Modern views often fit more smoothly with our everyday sense experience: naively, the earth looks to be stable and fixed while the sun moves across the sky, and it takes some serious discipline to convince oneself that the mathematically more simple models (like the sun-centred model of the solar system) are right.

On Witches and Female Soothsayers” features woodcut prints of witches embracing the Devil, half-human, and half-animal creatures riding cooking forks, witches gathering around a cauldron, and witches gabbing with their wicked sisters over a meal.

. . .a peal of laughter sounded from within the room where the firelight was. . . .it was a boy’s laughter, and the joy of it called to the unhappy Marianne as nothing in her life had ever called to her before. He was standing on the hearthrug as a lord of creation should, his legs straddling arrogantly, his arms above his head as he stretched himself, his laughter caught up upon a prodigious yawn. He was broad-shouldered, strong, yet possessed of an elegance that was strangely mature, taller than she was but much younger. . .the brilliance of it was entangled in the wildly untidy shock of red-gold curly hair and there seemed sparks in his tawny eyes. His face was round and ruddy, with freckles on the nose, but finely featured. He had full red lips and a deep cleft in his chin, and he showed a great deal of pink tongue as he yawned. His coat and waistcoat of vivid emerald green cloth were stained with seawater and torn linings protruded from the pockets. His white cravat was soiled, the straps that should have fastened his long peg-top trousers beneath his instep had snapped, so that they coiled round his legs like delirious green snakes, and his shoes needed a polish. Never was a male so much in need of female attention or so blissfully unaware of his need. . . .she stood with her back against the door, stiff and ungainly, staring at him with great dark eyes that seemed to devour his face with the intensity of her gaze, and she could not move or speak because her heart was beating so madly that it made her feel sick and faint. Her figure might have delayed to plump itself out into the womanly roundness proper to her age, but her heart did not delay to claim this male creature for her own. She was in love, in love at sixteen, desperately in love, as Juliet was, and with a boy who for all his height and strength and maturity was only a child of thirteen years. It was absurd. But then Marianne was never at any time in the least like other girls.

You are the moon in my night sky." His words were nearly a whisper, but she felt them rumble through her like thunder. "Run from me all you wish. I am where you belong. It seems time herself knew what you could not accept, my Mina. She has brought you back to me at last.

No man thinks of asking himself what reason he has to believe that his neighbor is a living creature. He would be not a little surprised if another person should ask him so absurd a question: arid perhaps could not give any reason which would not equally prove a watch or a puppet to be a living creature. But, though you should satisfy him of the weakness of the reasons he gives for his belief, you cannot make him in the least doubtful. This belief stands upon another foundation than that of reasoning and therefore, whether a man can give good reasons for it or not, it is not in his power to shake it off.That many operations of the mind have their natural signs in the countenance, voice and gesture, I suppose every man will admit. . . . The only question is, whether we understand the signification of those signs, by the constitution of our nature, by a kind of natural perception similar to the perceptions of sense; or whether we gradually learn the signification of such signs from experience, as we learn that smoke is a sign of fire... It seems to me incredible, that the notions men have of the expressions of features, voice, and gesture, are entirely the fruit of experience.

My exterior is stunning. An almost ethereal creature with gem eyes and perfectly chiseled features. On the inside, I’m decaying and rotten. But no one sees that part, so it’s okay.

Before modernity Growth was only for living creatures With limited features But these days Even things can blossom With the magic of packaging Trees with start of spring Objects with getting packed And I with being with you We can all flourish As simple as that

Blood everywhere. Everywhere. And the thing halfway down the alley … not Vanir. Not one she’d encountered before. A demon? Some feral thing with smooth, near-translucent gray skin. It crawled on four long, spindly limbs, but looked vaguely humanoid. And it was feasting on someone else. On—on a malakh. Blood covered the angel’s face, soaking his hair and veiling the swollen, battered features beneath. His white wings were splayed and snapped, his powerful body arced in agony as the beast ripped at his chest with a maw of clear, crystalline fangs that easily dug through skin and bone— She did not think, did not feel. She moved, fast like Randall had taught her, brutal like he’d made her learn to be. She slammed the table leg into the creature’s head so hard that bone and wood cracked. It

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We suffer for the simple reason that suffering is biologically useful. It is nature’s preferred agent for inspiring change. We have evolved to always live with a certain degree of dissatisfaction and insecurity, because it’s the mildly dissatisfied and insecure creature that’s going to do the most work to innovate and survive. We are wired to become dissatisfied with whatever we have and satisfied by only what we do not have. This constant dissatisfaction has kept our species fighting and striving, building and conquering. So no—our own pain and misery aren’t a bug of human evolution; they’re a feature. Pain, in all of its forms, is our body’s most effective means of spurring action.

A hefty, hooked beak and scary stare can be fierce features! The shoebill...is one mean feeder. It eats almost anything in the swamp.

Modern things include (1) the development of mirrors; (2) wardrobes. We evolved, body and soul, into clothed creatures. Since the soul always conforms to the body, it developed an intangible suit. We advanced to having a soul that’s basically clothed, in the same way that we advanced – as physical humans – to the category of clothed animals. The point isn’t just that our suit has become an integral part of us; it’s the complexity of this suit and the curious lack of any real relationship between it and the features that make our body and our body’s movements naturally elegant. Were I asked to discuss the social causes responsible for my soul’s condition, I would speechlessly point to a mirror, a clothes hanger, and a pen.

They were all essentially creatures with humanoid features, similarly to how the Gnoll was part hyena and part Human.  The Satyrs were part goat; Harpies were part bird; Werewolves were, obviously, part wolf; Minotaurs were part bull; Kobolds were part dragonoid; Kitsune, part fox; Lizardmen were part lizard; Ratunda were small rat-like creatures that walked on two feet; Ursino were part bear; Pachyds had elephant in them; and, regretfully, Slothar were part sloth.

We have evolved to always live with a certain degree of dissatisfaction and insecurity, because it’s the mildly dissatisfied and insecure creature that’s going to do the most work to innovate and survive. We are wired to become dissatisfied with whatever we have and satisfied by only what we do not have. This constant dissatisfaction has kept our species fighting and striving, building and conquering. So no—our own pain and misery aren’t a bug of human evolution; they’re a feature.

This way of comprehending the healthy development of the mind reminds us of the Genesis narrative which declares that we mysteriously hewn creatures are both dust and breath (Genesis 2:7); we are inseparably embodied and relational. Furthermore, this feature of integration is reflected in the psalmist’s plea that God would give him an undivided heart (Psalm 86:11), and God’s deep desire to do so while transforming hardened, disintegrated hearts into flexible, connected ones (Ezekiel 11:19). The notion that my mind comprises different parts that function well only when brought together in harmony and only with assistance from someone outside of myself is but one metaphor the writers of Scripture offer, a poetic expression of our embodied neural circuitry operating in an integrated fashion. In the same manner that God intends that our minds grow in maturity and connection, just as we do with each other, it is one of shame’s primary features to disrupt and dis-integrate that very process, functionally leading to either rigid or chaotic states of mind and behavior, lived out intra- and interpersonally.

We have evolved to always live with a certain degree of dissatisfaction and insecurity, because it’s the mildly dissatisfied and insecure creature that’s going to do the most work to innovate and survive. This constant dissatisfaction has kept our species fighting and striving, building and conquering. So no—our own pain and misery aren’t a bug of human evolution; they’re a feature.

We must make search rather for the original experiences which were the pattern-setters to all this mass of suggested feeling and imitated conduct. These experiences we can only find in individuals for whom religion exists not as a dull habit, but as an acute fever rather. But such individuals are "geniuses" in the religious line; and like many other geniuses who have brought forth fruits effective enough for commemoration in the pages of biography, such religious geniuses have often shown symptoms of nervous instability. Even more perhaps than other kinds of genius, religious leaders have been subject to abnormal psychical visitations. Invariably they have been creatures of exalted emotional sensibility. Often they have led a discordant inner life, and had melancholy during a part of their career. They have known no measure, been liable to obsessions and fixed ideas; and frequently they have fallen into trances, heard voices, seen visions, and presented all sorts of peculiarities which are ordinarily classed as pathological. Often, moreover, these pathological features in their career have helped to give them their religious authority and influence.

Scorpion-men feature in Babylonian poetry etched on clay tablets, and they are popular images used in many situations, from palaces to homes, thrones to ceramics, and murals to stamp seals.

And now tell me"-in the end I could not restrain myself "how did you manage to know?" "My good Adso," my master said, "during our whole journey I have been teaching you to recognize the evidence through which the world speaks to us like a great book. Alanus de Insulis said that omnis mundi creatura quasi liber et pictura nobis est in speculum and he was thinking of the endless array of symbols with which God, through His creatures, speaks to us of the eternal life. But the universe is even more talkative than Alanus thought, and it speaks not only of the ultimate things (which it does always in an obscure fashion) but also of closer things, and then it speaks quite clearly. I am almost embarrassed to repeat to you what you should know. At the cross roads, on the still-fresh snow, a horse's hoofprints stood out very neatly, heading for the path to our left. Neatly spaced, those marks said that the hoof was small and round, and the gallop quite regular --and so I deduced the nature of the horse, and the fact that it was not running wildly like a crazed animal. At the point where the pines formed a natural roof, some twigs had been freshly broken off at a height of five feet. One of the blackberry bushes where the animal must have turned to take the path to his right, proudly switching his handsome tail, still held some long black horsehairs in its brambles. ... You will not say, finally, that you do not know that path leads to the dungheap, because as we passed the lower curve we saw the spill of waste down the sheer cliff below the great south tower, staining the snow; and from the situation of the crossroads, the path could only lead in that direction." "Yes," I said, "but what about the small head, the sharp ears, the big eyes...?" "I am not sure he has those features, but no doubt the monks firmly believe he does. As Isidore of Seville said, the beauty of a horse requires that the head be small, siccum prope pelle ossibus adhae rente, short and pointed ears, big eyes, flaring nostrils, erect neck, thick mane and tail, round and solid hoofs.' If the horse whose passing I inferred had not really been the finest of the stables, stableboys would have been out chasing him, but instead, the cellarer in person had undertaken the search. And a monk who considers a horse excel lent, whatever his natural forms, can only see him as the auctoritates have described him, especially if" and here he smiled slyly in my direction-"the describer is a learned Benedictine." "All right," I said, "but why Brunellus?" "May the Holy Ghost sharpen your mind, son!" my master exclaimed. "What other name could he possibly have? Why, even the great Buridan, who is about to become rector in Paris, when he wants to use a horse in one of his logical examples, always calls it Brunellus This was my master's way. He not only knew how to read the great book of nature, but also knew the way monks read the books of Scripture, and how they thought through them. A gift that, as we shall see, was to prove useful to him in the days to follow. His explanation, moreover, seemed to me at that point so obvious that my humiliation at not having discovered it by myself was surpassed only by my pride at now being a sharer in it, and I was almost congratulat ing myself on my insight. Such is the power of the truth that, like good, it is its own propagator. And praised be the holy name of our Lord Jesus Christ for this splendid revelation I was granted.

grotesque creature arrived, scuttling across the ceiling, its features sharp among the shadow it was clearly made of. It was as big as a Dragon Shifter, its hulking form falling from the ceiling and landing with a thump at Lavinia’s side. I fought the urge to recoil as the shadows sank into the thing’s skin, a man slowly appearing from the darkness, his face a picture of handsome cruelty. A demonic smile curved his lips and a sinister emptiness stirred in his gaze. He was naked, his powerful body marked with scars of shadow which seemed to pulse like living veins against his tanned skin. “Hello, Father,” he purred, his voice a wicked seduction.

Oh, Jet, you’ve cut your hair,” Franny said when she witnessed what her sister had done. Jet was still in her nightgown, barefoot. She resembled a cat, with a cat’s suspicion and mistrust, a gorgeous creature despite her attempt to ruin herself. Jet had already decided she would not be finishing high school. She felt far too old for that, and from that day forward, she wore only black. She rid herself of the girlish clothing she’d favored in the past—frilly, floaty dresses in shades of pink and violet—giving it all to Goodwill. Her clothes no longer suited her, for she wasn’t the same person she’d been before her birthday. That girl was gone forever. Sometimes she went back to the scene of the accident. She could no longer hear other people’s thoughts and was so alone she felt like a moth in a jar. She sat on the curb, like a beggar woman, but no one passing by could grant her forgiveness and that was something she certainly couldn’t allow herself. Her one salvation was the novels she read. On nights when she thought it might be better not to be alive without Levi in the world, she opened a book and was therefore saved, discovering that a novel was as great an escape as any spell. She favored Jane Austen and the Brontës and Virginia Woolf, reading one book after another. On most days, she was happy not to leave home. She, who was once the most beautiful girl in two states, who had inherited their mother’s gorgeous features, now seemed mousy and unremarkable, a bookworm who could hardly be convinced to look away from the page. Boys no longer noticed her, and if they did, she made it clear she wasn’t interested. She walked late at night, when the avenues were deserted, as if tempting fate. She felt a kinship with the lonely, forsaken people drifting through the streets at that blue hour.

Similarly, the conceptual containment account fails in cases where there are intermediates or hybrids. While all modern biologists may agree that 'a whale is a mammal' is an analytic truth, classification of a creature like the duck-billed platypus may not be as clear cut. Depending on what features are selected to classify mammalian animals, the statement, 'a duck-billed platypus is a mammal' may or may not be analytic. A more complex example is the protozoa Phytomastigophorea, which has plant-like food production (photosynthesis) and animal-like locomotion (flagella). Can mere analysis of the concept of Phytomastigophorea enable us to classify it with certainty? It seems any analysis could be legitimately challenged.

CÙ-SÌTH The Cù-sìth is a legendary member of Scottish folklore, known for its braided tail, menacing dog-like features, and its strong physique.

While Malabron is a water spirit, it should also be noted that he shows chthonic features. He meets Robastre close to Aleaume’s coffin; there he transforms into a horse, a chthonic animal and preeminent psychopomp (one that accompanies souls), and it should be recalled that his metamorphosis ended at daybreak, a time when Malabron behaved oddly; he tumbled three times across the ground.*12 Malabron is therefore a complex figure—an aquatic sprite and a shape-shifting creature—and he has a relationship with death that is difficult to pin down at this stage of our investigation.

Buckland’s first thought was that he had found proof of the truth of the Bible story of Noah and the flood. For a great many thinkers of this era, not just Buckland, the flood was the go-to explanation for many of the world’s strange features. When travelers found fossilized seashells high atop mountains or when skeletons from elephant-like mammoths turned up in places where elephants did not belong, like Siberia, no one was much puzzled: it was the flood that had done it.

What is most striking about the dwarf we find in the romances is its lack of substance, its lack of mythical features. Where are its magic powers? Where can we find the hypothetical link that would connect it to the mythic realm? Everything seems to indicate that the creature’s dwarfism is the only fantastic characteristic worthy of interest.

Being quite a Darwinian creature feature I have to add, that only the fittest of survival will finish this book anyway,

The possibilities were as endless as the Midnight Creature Feature and I had zero leads on what was actually happening.

It was just a person, she told herself as the figure now turned to face her fully. A person wearing a cloak darker than night, a hood so heavy it concealed every feature of the face inside. It sniffed at her, a huffing, animal sound. She didn’t dare move. It sniffed again, and took a step toward her. The way it moved, like smoke and shadow … A faint warmth bloomed against her chest, then a pulsing blue light— The Eye of Elena was glowing. The thing halted, and Celaena stopped breathing. It hissed, and then slithered a step back into the shadows beyond the library doors. The tiny blue gem in the center of her amulet glowed brighter, and Celaena blinked against the light. When she opened her eyes, the amulet was dark, and the hooded creature was gone. Not a trace, not even a sound of footsteps.

Good looks, for example, are denoted by symmetrical features—a sign that early life development was not disrupted by infection—and skin that shows no trace of pockmarks, sores, or other blemishes. With that in mind, you’d expect beauty to be more valued by those more susceptible to germs—a theory that evolutionary biologists put to the test in a survey of over seventy-one hundred people on six continents. In keeping with their prediction, those who lived in countries where parasites were leading causes of death and disability—in Nigeria and Brazil, for example—deemed good looks much more important in a mate than did inhabitants of nations like Finland and the Netherlands, which have among the lowest incidences of infection. In a British study, merely prompting people to think of germs—by, for example, showing them photos of a festering skin sore or a white cloth with a dark stain resembling a fecal smear—boosted how much they preferred symmetrical faces in the opposite sex.

Hanging in front of the hotel was a billboard, still perfect and untouched. It was an ad for a premium vodka, featuring a smiling man in a tuxedo and a woman in a sleek black dress. They seemed like alien creatures, laughing as they surveyed the wreckage at their feet and enjoying a drink at our expense. Something