Creativity Funny Quotes

Rejection is an opportunity for your selection.

I am an artist you know ... it is my right to be odd.

Weirdism is definitely the cornerstone of many an artist's career.

...it’s just another one of those things I don’t understand: everyone impresses upon you how unique you are, encouraging you to cultivate your individuality while at the same time trying to squish you and everyone else into the same ridiculous mould. It’s an artist’s right to rebel against the world’s stupidity.

Whenever I think of something but can't think of what it was I was thinking of, I can't stop thinking until I think I'm thinking of it again. I think I think too much.

I've seen women insist on cleaning everything in the house before they could sit down to write... and you know it's a funny thing about housecleaning... it never comes to an end. Perfect way to stop a woman. A woman must be careful to not allow over-responsibility (or over-respectabilty) to steal her necessary creative rests, riffs, and raptures. She simply must put her foot down and say no to half of what she believes she "should" be doing. Art is not meant to be created in stolen moments only.

I’m currently imagining a few creative ways of causing you extraordinary amounts of pain.” Kingsley raised his chin. Mere inches separated their faces. “Stop flirting. You know we don’t have time for that.

... an artist should paint from the heart, and not always what people expect. Predictability often leads to the dullest work, in my opinion, and we have been bored stiff long enough I think.

I feel as though whenever I create something, my Mr. Hyde wakes up in the middle of the night and starts thrashing it. I sometimes love it the next morning, but other times it is an abomination.

Quite frankly, every single day that I do something creative, and show it to people, I'm nervous. Even this video, I'm like, 'You're too earnest, it's not funny enough, nobody likes you.' Um, well, I gotta do it, because unless I say something about the world I don't know if it's worth gettin' up in the morning. ...Was that depressing, or inspirational?

When life gives you lemons ask it for sugar and water too. Otherwise your final product would be some acidic lemon juice!

All problems with writing and performing come from fear. Fear of exposure, fear of weakness, fear of lack of talent, fear of looking like a fool for trying, for even thinking you could write in the first place. It's all fear. If we didn't have fear, imagine the creativity in the world. Fear holds us back every step of the way. A lot of studies say that despite all our fears in this country - death, war, guns, illness - our biggest fear is public speaking. What I am doing right now. And when people are asked to identify which kind of public speaking they are most afraid of, they check the improvisation box. So improvisation is the number-one fear in America. Forget a nuclear winter or an eight-point nine earthquake or another Hitler. It's improv. Which is funny, because aren't we just improvising all day long? Isn't our whole life just one long improvisation? What are we so scared of?

Remember, the village idiot was the spiritual man who built the ark and saved his family. Keep being you and never give up marching to the beat of your own drum!

I treat my thoughts like an old person treats their valuables: I cannot for the life of me proceed to throwing them out.

It wasn’t because you weren’t beautiful, talented, funny, creative or had everything in common. It was because some men prefer plain vanilla ice cream. It’s predictable and a safe choice. Confident and adventurous men prefer the complexity and layers of a sundae, even the ones sprinkled with a little bit of nuts on top.

Start dating someone who is funny, someone who has what in high school you called a "really great sense of humor" and what now your creative writing class calls "self-contempt giving rise to comic form." Write down all of his jokes, but don't tell him you are doing this. Make up anagrams of his old girlfriend's name and name all of your socially handicapped characters with them. Tell him his old girlfriend is in all of your stories and then watch how funny he can be, see what a really great sense of humor he can have.

After each of his books, the writer, for a while, feels once again that he can now die happy.

Are you Darah, Renee or Taylor? You look like a Taylor to me," he said, looking me up and down. I wasn't at my best, considering I was dressed for moving heavy objects in a blue UMaine t-shirt and black soccer shorts, and I had my light brown hair in a haphazard bun against the back of my neck. His eyes raked up and down twice, and for some reason the way he assessed me made me blush and want to kick him in the balls at the same time. "There must be a mistake," I said. He adjusted his bag on his shoulder. "That's a creative name. What do you shorten it to? Missy?

If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the "form of funny," which is more easily understood (and more easily constructed) than authentic funniness.

I mean really, how could an artistic individual stay grounded in the nitty-gritty of how many minutes per pound meat has to stay in the oven when trying to fathom the creative philosophy behind the greatest artistic minds of the world?

MFA in a Box is designed to help you to find the courage to put truth into words and to understand that writing is a life-and-death endeavor — but that nothing about a life-and-death endeavor keeps it from being laugh-out-loud funny.

Who the hell do you think you are?” your darkest interior voices will demand. “It’s funny you should ask,” you can reply. “I’ll tell you who I am: I am a child of God, just like anyone else. I am a constituent of this universe. I have invisible spirit benefactors who believe in me, and who labor

Hands can cook, hands can create, hands can kill. There is no better tool than our hands.

The only way to move forward creatively is to allow yourself to be judged.

A TV show comprises many departments—Costumes, Props, Talent, Graphics, Set Dressing, Transportation. Everyone in every department wants to show off their skills and contribute creatively to the show, which is a blessing. You’re grateful to work with people who are talented and enthusiastic about their jobs. You would think that as a producer, your job would be to churn up creativity, but mostly your job is to police enthusiasm. You may have an occasion where the script calls for a bran muffin on a white plate and the Props Department shows up with a bran cake in the shape of Santa Claus sitting on a silver platter that says “Welcome to Denmark.” “We just thought it would be funny.” And you have to find a polite way to explain that the character is Jewish, so her eating Santa’s face might have negative connotations, and the silver tray, while beautiful, is giving a weird glare on camera and maybe let’s go with the bran muffin on the white plate. And then sometimes Actors have what they call “ideas.” Usually it involves them talking more, or, in the case of more experienced actors, sitting more. When Actors have ideas it’s very important to get to the core reason behind their idea.

I like it when people give me attention! I like being interesting! And these are all things that our societal narrative attaches to sex,” Selena says. For allos, sex is so natural an explanation for behavior that other reasons, such as wanting to dress creatively for its own sake and wanting to be seen just to be seen, can be hard to fathom. “I’m like ‘I want you to stare at me, but I don’t want you to fuck me, and they have nothing to do with each other,’” Selena continues. “And then allos are so funny because they just insist that those have everything to do with each other.

You might not get the apology you deserve. You might not get answers to explain the actions of others. You might not get truth that makes sense to you. You might not get people to understand what you went through because of them. You might not get communication. You might not get maturity. You might not get mercy or even common decency. You might not get respect or the chance to explain your side of the story. However, you do get to choose how people treat you. God loves you enough to bring people into your life who won't hurt you, abuse you, betray you, lie and gossip about you, psycho analyse you, break your heart or make you an option or choice. He will bring people into your life that will love you, respect you, fight for you, show gratitude for your love and want to be a part of your life mission. The best part of this is you don't have to convince them of your worth. They want to be there. They know your value. They know your struggles. They are in touch with their own faults and understand you struggle just like everyone else. They won't hold you to a greater standard then they do themselves. They care about you and don't want to see you cry, feel discouraged or give up on this life. When you know the power of who you are and what you have to accomplish you will scratch your head in disbelief that you allowed other people to dictate who you are based on little knowledge of what God knows about you and your life purpose. Letting go isn't about accepting defeat or acknowledging you were wrong. Sometimes letting go is realizing that God has something better in store for you.

You making jokes about my illness? Not funny. Me making jokes about my illness? Funny.

life is creative fun & adventure

It's been so long since I last had sex that I sometimes go to my local coffee shop just to hear someone scream my name.

The first problem of any kind of even limited success is the unshakable conviction that you are getting away with something, and that at any moment now they will discover you. It's Imposter Syndrome, something my wife Amanda christened The Fraud Police. In my case, I was convinced that there would be a knock on the door, and a man with a clipboard (I don't know why he carried a clipboard, in my head, but he did) would be there, to tell me it was all over, and they had caught up with me, and now I would have to go and get a real job, one that didn't consist of making things up and writing them down, and reading books I wanted to read.

When I write, it feels like there are two little creatures that sit on each of my shoulders. One whispers, "You can do this. You've got what it takes." The other sounds like my mother-in-law.

The creative process is a love story that never ends. The ideas are like suitors competing for your attention. You may have relationships, with multiple ideas, at once. You may devote yourself completely to one idea, for a awhile, but the affairs will never end. There will always be more ideas to romance and more concepts to develop. And all for that wonderful moment when you get to gaze at the complete creation and hold perfection in your arms, for one blissful moment... before your inner-critic starts tearing it to shreds.

Here’s what I like about God: Trees are crooked, mountains are lumpy, a lot of his creatures are funny-looking, and he made it all anyway. He didn’t let the aardvark convince him he had no business designing creatures. He didn’t make a puffer fish and get discouraged. No, the maker made things—and still does. European film directors often enjoy creative careers, during which their films mature from the manifestos of angry young men to the rueful wisdom of great works by creative masters. Is an afternoon siesta the secret? Is their vita just a little more dolce? We’ve taken espresso to our American hearts, but we haven’t quite taken to the “break” in our coffee breaks. Worried about playing the fool, we forget how to simply play. We try to make our creativity linear and goal oriented. We want our “work” to lead somewhere. We forget that diversions do more than merely divert us.

Na Arean sat alone in space as a cloud that floats in nothingness. He slept not, for there was no sleep; he hungered not, for as yet there was no hunger. So he remained for a great while, until a thought came to his mind. He said to himself, "I will make a thing.

All the world’s a stage. Creative work is a kind of theater. The stage is your studio, your desk, or your workstation. The costume is your outfit—your painting pants, your business suit, or that funny hat that helps you think. The props are your materials, your tools, and your medium. The script is just plain old time. An hour here, or an hour there—just time measured out for things to happen.

There are two irreconcilable ideas of God. There′s the Unknowable Creative Principle---one believes in That. And there′s the Sum of altruism in man---naturally one believes in That...The sublime poem of the Christ life was man′s attempt to join those two irreconcilable conceptions of God. And since the Sum of human altruism was as much a part of the Unknowable Creative Principle as anything else in Nature and the Universe, a worse link might have been chosen after all! Funny---how one went through life without seeing it in that sort of way!

All trademarks, company names, registered names, products, characters, mottos, logos, jingles and catchphrases used or cited in this work are the property of their respective owners and have only been mentioned and or used as cultural references to enhance the narrative and in no way were used to disparage or harm the owners and their companies. It is the author's sincerest wish the owners of the cited trademarks, company names, etc. appreciate the success they have achieved in making their products household names and appreciate the free plug.

Overnight, punk had become as stupid as everything else. This wonderful vital force that was articulated by the music was really about corrupting every form—it was about advocating kids to not wait to be told what to do, but make life up for themselves, it was about trying to get people to use their imaginations again, it was about not being perfect, it was about saying it was okay to be amateurish and funny, that real creativity came out of making a mess, it was about working with what you got in front of you and turning everything embarrassing, awful, and stupid in your life to your advantage.

Wonderful. I'm stranded with the least creative Ramblers.

I enjoy poetry where I can talk as bizarre as I please, but theology or philosophy, I always respect the truth by taking it a step further.

Look under your bed and you will know the greatest thief in your room.

being funny is actually all about thinking "what if ?" in a creative way.

We get ourselves in trouble because it's a cheap way to get attention. Trouble is a faux form of fame.

My plan to conquer your world and the rest of the transdimensional multiverse is tomfoolery, but it is certainly not delusion.

I long for the day when someone loves me as much as women in commercials love yogurt.

If being lazy was an Olympic sport, I would totally win the bronze.

It’s a funny thing about life; if you refuse to accept anything but the best, you very often get it. SOMERSET MAUGHAM

Fiction can do that: can make a space for reflecting, for generating novel ways of responding and reacting to lies and guns and walls alike. The mere act of cracking open a book, Smith thinks, is creative in itself, capable of inculcating kindness and agility in the reader. ‘Art is one of the prime ways we have of opening ourselves and going beyond ourselves. That’s what art is, it’s the product of the human being in the world and imagination, all coming together. The irrepressibility of the life in the works, regardless of the times, the histories, the life stories, it’s like being given the world, its darks and lights. At which point we can go about the darks and lights with our imagination energised” - Olivia Laing, Funny Weather

The dust made Lily cough. She buried her face in the crook of her arm to muffle the noise. But behind all that wood, they probably could play the 1812 Overture with real cannons and nobody would hear them.

LIZZ WINSTEAD Instead of Jon playing a character—the news anchor, one of the derelicts in a derelict world of media—Jon made a creative decision to take the show in the direction of the correspondents presenting the idiocy, and then Jon is the person who calls out the idiocy with the eloquence that the viewer wishes they had. And he did it in a way that’s not condescending, it’s not smug. It’s funny, it’s emotional, it’s calling out bullshit. So Jon became the voice of the audience.

I have a funny relationship with sleep.. It arrives without ever letting me be aware of its arrival. And goes by not letting me notice the nudge it gives me to be awake....Yet, I know it had been there...Morning freshness tells me about its useful presence..

You-the-organism are energy efficient and looking for love to sustain you. You learn that your energy doesn’t bounce back uncomfortably if you adapt your behavior to match your parents’ beliefs and unconscious body postures. You copy them and stop trying to express yourself when you can’t get through. You won’t be expansively creative if you’re punished for it. You stop being affectionate if it makes your parents uncomfortable and rigid. You stop radiating warmly from your chest or eyes if your mother’s eyes are unresponsive or your father’s heart is hard. You learn to be silent because your mother is more relaxed then, or walk like your father because it validates him, or act funny because the moments of laughter feel better than the absences created by your workaholic parents.

Despite all their surface diversity, most jokes and funny incidents have the following logical structure: Typically you lead the listener along a garden path of expectation, slowly building up tension. At the very end, you introduce an unexpected twist that entails a complete reinterpretation of all the preceding data, and moreover, it's critical that the new interpretation, though wholly unexpected, makes as much "sense" of the entire set of facts as did the originally "expected" interpretation. In this regard, jokes have much in common with scientific creativity, with what Thomas Kuhn calls a "paradigm shift" in response to a single "anomaly." (It's probably not coincidence that many of the most creative scientists have a great sense of humor.) Of course, the anomaly in the joke is the traditional punch line and the joke is "funny" only if the listener gets the punch line by seeing in a flash of insight how a completely new interpretation of the same set of facts can incorporate the anomalous ending. The longer and more tortuous the garden path of expectation, the "funnier" the punch line when finally delivered.

It wasn’t until high school, when I took my first creative writing class, that I began to sense trouble. I realized, with shock, that I wasn’t good at creative writing. I was good at grammar and arguing, at remembering things people said, and at making stressful situations seem funny. But it turned out these weren’t the skills you needed in order to invent quirky people and give them arcs of desire. I already had my hands full writing about the people I actually knew, and all the things they said. That was what I needed writing for. Now I had to invent extra people and think of things for them to say?

And so what?” I asked. “So what if they know I’m gay? Why, exactly, does that mean you can’t be seen with me? Am I contagious? Because I guess that’d explain a lot.” As far as explanations went, that’d win an award for creativity. Sorry, I stopped texting you because my precise strain of “gay” was only temporary. Kind of like salmonella.

Your sub-personalities can tell you what work is left unfinished, what you have to do to resolve recurring patterns. They will tell you what you need to do to learn a specific lesson. If you’re willing to listen you will find your sub-personalities are funny, resourceful, honest, and forgiving - the wisest people in the universe when it comes to yourself. This is because they’re giving you answers that come from within you.

I BELIEVE THAT we know much more about God than we admit that we know, than perhaps we altogether know that we know. God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.

Funny how you never hear novelists or painters say they work in the 'creative industries', but only squalid little advertising people. How could this be? (.....) If you listen to advertisers, you'd think they're the fucking Oracle and that for a fee they'll slip you the Answer. They are obsessed with being seen as 'creative', but what they do seems rather to be 'parasitical' : pinching cultural innovations and using them to persuade people that they want stuff. So there's a dilemma for us all to think 'creatively' about.

When I was a kid watching comedians on TV and listening to their records they were the only ones that could make it all seem okay. They seemed to cut through the bullshit and disarm fears and horror by being clever and funny. I don't think I could have survived my childhood without watching stand-up comics. When I started doing comedy I didn't understand show business. I just wanted to be a comedian. Now, after twenty-five years of doing stand-up and the last two years of having long conversations with over two hundred comics I can honestly say they are some of the most thoughtful, philosophical, open-minded, sensitive, insightful, talented, self-centred, neurotic, compulsive, angry, fucked-up, sweet, creative people in the world.

I'm curious,' he said casually. The amber in his green eyes was glowing. Perhaps not all traces of that beast-warrior were gone. 'Are you ever going to use that knife you stole from my table?' I stiffened. 'How did you know?' Beneath the mask, I could have sworn his brows were raised. 'I was trained to notice those things. But I could smell the fear on you, more than anything.' I grumbled. 'I thought no one noticed.' He gave me a crooked smile, more genuine than all the faked smiles and flattery he'd given me before. 'Regardless of the Treaty, if you were to stand a chance at escaping my kind, you'll need to think more creatively than stealing dinner knives. But with your affinity for eavesdropping, maybe you'll someday learn something valuable.

Dex unlocked the front door and bent over to pick up the mail on the floor, Sloane found himself distracted. It was the first time he’d thought about anything sexual. Now he couldn’t stop thinking about it. About Dex lying under him gasping and moaning, begging for Sloane to fuck him. God, he missed that. “Fuck!” Dex spun around, his eyes wide. “What is it? What’s wrong?” “We can’t have sex,” Sloane whined. Dex stared at him before bursting into laughter. “Is that what you’re worried about? Not having sex?” Sloane glared at Dex as his partner helped him inside and closed the door behind them. “I don’t see what’s so funny. This is a serious situation.” The sinful look on Dex’s face was enough to have Sloane swallowing hard. It was followed by Dex slipping his arms around Sloane, his hand migrating south to Sloane’s ass where he gave it a squeeze. When Dex spoke, his voice was low and husky. “Do you really think not being able to have sex is going to stop me from finding ways to make you purr? To drive you absolutely fucking crazy? You think I don’t know how to get creative?” Sloane licked his bottom lip. “Well, when you put it like that….

People, especially those in charge, rarely invite you into their offices and give freely of their time. Instead, you have to do something unique, compelling, even funny or a bit daring, to earn it. Even if you happen to be an exceptionally well-rounded person who possesses all of the scrappy qualities discussed so far, it’s still important to be prepared, dig deep, do the prep work, and think on your feet. Harry Gordon Selfridge, who founded the London-based department store Selfridges, knew the value of doing his homework. Selfridge, an American from Chicago, traveled to London in 1906 with the hope of building his “dream store.” He did just that in 1909, and more than a century later, his stores continue to serve customers in London, Manchester, and Birmingham. Selfridges’ success and staying power is rooted in the scrappy efforts of Harry Selfridge himself, a creative marketer who exhibited “a revolutionary understanding of publicity and the theatre of retail,” as he is described on the Selfridges’ Web site. His department store was known for creating events to attract special clientele, engaging shoppers in a way other retailers had never done before, catering to the holidays, adapting to cultural trends, and changing with the times and political movements such as the suffragists. Selfridge was noted to have said, “People will sit up and take notice of you if you will sit up and take notice of what makes them sit up and take notice.” How do you get people to take notice? How do you stand out in a positive way in order to make things happen? The curiosity and imagination Selfridge employed to successfully build his retail stores can be just as valuable for you to embrace in your circumstances. Perhaps you have landed a meeting, interview, or a quick coffee date with a key decision maker at a company that has sparked your interest. To maximize the impression you’re going to make, you have to know your audience. That means you must respectfully learn what you can about the person, their industry, or the culture of their organization. In fact, it pays to become familiar not only with the person’s current position but also their background, philosophies, triumphs, failures, and major breakthroughs. With that information in hand, you are less likely to waste the precious time you have and more likely to engage in genuine and meaningful conversation.

God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.

It’s so funny you should say this, because if you were one of my students, you’d be wearing your pain like a badge of honor. This generation doesn’t hide anything from anyone. My class talks a lot about their traumas. And how their traumas inform their games. They, honest to God, think their traumas are the most interesting thing about them. I sound like I’m making fun, and I am a little, but I don’t mean to be. They’re so different from us, really. Their standards are higher; they call bullshit on so much of the sexism and racism that I, at least, just lived with. But that’s also made them kind of, well, humorless. I hate people who talk about generational differences like it’s an actual thing, and here I am, doing it. It doesn’t make sense. How alike were you to anyone we grew up with, you know?” “If their traumas are the most interesting things about them, how do they get over any of it?” Sam asked. “I don’t think they do. Or maybe they don’t have to, I don’t know.” Sadie paused. “Since I’ve been teaching, I keep thinking about how lucky we were,” she said. “We were lucky to be born when we were.” “How so?” “Well, if we’d been born a little bit earlier, we wouldn’t have been able to make our games so easily. Access to computers would have been harder. We would have been part of the generation who was putting floppy disks in Ziploc bags and driving the games to stores. And if we’d been born a little bit later, there would have been even greater access to the internet and certain tools, but honestly, the games got so much more complicated; the industry got so professional. We couldn’t have done as much as we did on our own. We could never have made a game that we could sell to a company like Opus on the resources we had. We wouldn’t have made Ichigo Japanese, because we would have worried about the fact that we weren’t Japanese. And I think, because of the internet, we would have been overwhelmed by how many people were trying to do the exact same things we were. We had so much freedom—creatively, technically. No one was watching us, and we weren’t even watching ourselves. What we had was our impossibly high standards, and your completely theoretical conviction that we could make a great game.

ACT I Dear Diary, I have been carrying you around for a while now, but I didn’t write anything before now. You see, I didn’t like killing that cow to get its leather, but I had to. Because I wanted to make a diary and write into it, of course. Why did I want to write into a diary? Well, it’s a long story. A lot has happened over the last year and I have wanted to write it all down for a while, but yesterday was too crazy not to document! I’m going to tell you everything. So where should we begin? Let’s begin from the beginning. I kind of really want to begin from the middle, though. It’s when things got very interesting. But never mind that, I’ll come to it in a bit. First of all, my name is Herobrine. That’s a weird name, some people say. I’m kinda fond of it, but that’s just me I suppose. Nobody really talks to me anyway. People just refer to me as “Him”. Who gave me the name Herobrine? I gave it to myself, of course! Back in the day, I used to be called Jack, but it was such a run-of-the-mill name, so I changed it. Oh hey, while we’re at the topic of names, how about I give you a name, Diary? Yeah, I’m gonna give you a name. I’ll call you… umm, how does Doris sound? Nah, very plain. I must come up with a more creative name. Angela sounds cool, but I don’t think you’ll like that. Come on, give me some time. I’m not used to coming up with awesome names on the fly! Yes, I got it! I’ll call you Moony, because I created you under a full moon. Of course, that’s such a perfect name! I am truly a genius. I wish people would start appreciating my intellect. Oh, right. The story, right, my bad. So Moony, when it all started, I was a miner. Yep, just like 70% of the people in Scotland. And it was a dull job, I have to say. Most of the times, I mined for coal and iron ore. Those two resources were in great need at my place, that’s why so many people were miners. We had some farmers, builders, and merchants, but that was basically it. No jewelers, no booksellers, no restaurants, nothing. My gosh, that place was boring! I had always been fascinated by the idea of building. It seemed like so much fun, creating new things from other things. What’s not to like? I wanted to build, too. So I started. It was part-time at first, and I only did it when nobody was around. Whenever I got some free time on my hands, I spent it building stuff. I would dig out small caves and build little horse stables and make boats and all. It was so much fun! So I decided to take it to the next level and left my job as a miner. They weren’t paying me well, anyway. I traveled far and wide, looking for places to build and finding new materials. I’m quite the adrenaline junkie, I soon realized, always looking for an adventure.

Soak blanket in gravy and make a delicious brick wrap. Serve in All Gravy Room at the Mandrake Hotel.

Structure 19. You worried about structure when you came up with your story! If you did, I’m sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you’re teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you’d like to visit. Tape record dialogue for your

Many experiments show that when people are put into a good mood (e.g., by giving them candy or showing them a funny movie), they are more creative. For example, they are better at inventing diverse and unusual ways for getting a candle to burn without dripping, or at finding more obscure and remote associations between words and ideas.22 People in good moods are “more cognitively flexible —more able to make associations, to see dimensions, and to see potential relationships among stimuli—than are persons in a neutral state.”23 In other words, they generate more varied ideas and combinations of those ideas, which are crucial aspects of creative work.

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Of what use is my going to church every day and still come home and remain the same? Of what use is my attending the mosques and the next day I enter the mall with knives and start slaughtering people in the name of religion. God is a God of variety. He was not stupid creating all of us different with our uniqueness. His creating us different shows the level of His creativity. He didn't make you white to hate black or vice versa. He made it so that we can cherish and love each other irrespective of our differences just as He loved us with all our flaws and our short comings. Can we forgive those who have offended us? Yes and some will say no but never forget that you are not worthy but God still forgives you even till the last hour of your life. If God can love us against all our atrocities why can't we learn to love one another. Take a look around you, you can only see sad faces. Was that really God's intention for us on earth? Absolutely not. But we have remoulded God's creativity to suit our taste and lifestyles and now we are reaping the fruit of our labour. You should not expect to reap love when you sowed the seed of hatred. What a man sows that he reaps. We sowed on weapons of war and we are yielding war in return. We have sowed on weapons of destruction so why are we asking for peace. If you ask me....I will say let's go back to our source. He has never lost any battle. I am a living witness.

HUMOR IS POWER." ~ Karyn Buxman, RN, neurohumorist __________________     Chapter 1 What’s NOT So Funny About Nursing?     12 hour shifts . . . Doctors with attitude . . . Cranky co-workers . . . Frequent flyers . . . Non-compliant patients . . . Frustrated administrators . . . Antibiotic-resistant superbugs . . . Healthcare reform . . . Disorganized supply closets . . . Dwindling budgets . . . Increasing workloads . . . Bad hospital coffee.

How to tell a funny story Funny stories are some of the most popular stories, because they bring laughter and humor into the conversation. Here are some ways you can tell a funny story. ●       Relate embarrassing stories. ●       Don’t try too hard. It is ironic how a person can be funnier when they are not really trying to be. Also, try too hard and your audience may find it annoying and irrelevant. ●       Keep the story personal. People tend to respond to people who try to humbly relate their stories. The more honest you are, the better. ●       Keep it short. Short stories tend to be the funniest. ●       Use a particular emotional attitude. You can choose a particular characteristic or attitude, like annoyed or excited, and try to live it. You can also sarcastically use the opposite emotion of what you are trying to convey. ●       Don’t worry about what other people might say as you tell your story. Funny stories should sound spontaneous and natural.

The first step in trying to get into a positive state of mind should be to smile and think of a funny thought. Another

Smile. Be happy with yourself–wherever you are. Think of something that makes you smile or something funny that will put you into a happy state of mind.

were distracted by something and lost train of your thought because you weren’t in the present moment. Maybe you just couldn’t think of anything interesting, funny, or entertaining to say.

The comedian toys with our rational minds and brings about a "momentary fusion between two habitually incompatible matrices." The punch line comes a surprise but makes perfect sense. The sudden click of logic makes a joke funny; humor is reasonable. Someone without a strongly developed sense of logic is unlikely to have a good sense of humor either.

And yet, humor, done well, is one of an organization’s most valuable human resources. Not only is it free, it dissolves silos, builds rapport, increases morale, and opens the mind to creativity. It’s why Isaac Asimov said, “The most exciting phrase to hear in science, the one that heralds new discoveries, is not ‘Eureka!’ but ‘That’s funny.

PLAY IS MORE POWERFUL THAN LOVE.” ~ Patch Adams, MD

Most people, when they have a funny conversation with friends, move on with their lives. I write them down because that’s what I do. I collect thoughts, I don’t let anything go.

Who the hell do you think you are?” your darkest interior voices will demand. “It’s funny you should ask,” you can reply. “I’ll tell you who I am: I am a child of God, just like anyone else. I am a constituent of this universe. I have invisible spirit benefactors who believe in me, and who labor alongside me. The fact that I am here at all is evidence that I have the right to be here. I have a right to my own voice and a right to my own vision. I have a right to collaborate with creativity, because I myself am a product and a consequence of Creation.

The last glimmer of it evaporated when she and Nick reached his dorm room and found yet another gift. “That one’s actually pretty inspired,” Nick remarked, nodding his head toward the stuffed yellow duck leaning against his door. Someone had dressed it in the old-time black and white stripes of a prison uniform. “Jailbird. Funny. I’m surprised Trey came up with something that creative.” “I’m sure he had help,” Beth replied, scowling at the stuffed animal.

It’s funny how the lack of something can feel so heavy. I haven’t felt the cool breeze of inspiration or the fire of creativity in so long and their absence weighs down on my shoulders.

She insisted that they focus their energies on raising a little girl who was, by nature, a tangle of mischief and motion and curiosity. Each day, Luna’s ability to break rules in new and creative ways was an astonishment to all who knew her. She tried to ride the goats, tried to roll boulders down the mountain and into the side of the barn (for decoration, she explained), tried to teach the chickens to fly, and once almost drowned in the swamp. (Glerk saved her. Thank goodness.) She gave ale to the geese to see if it made them walk funny (it did) and put peppercorns in the goat’s feed to see if it would make them jump (they didn’t jump; they just destroyed the fence). Every day she goaded Fyrian into making atrocious choices or she played tricks on the poor dragon, making him cry. She climbed, hid, built, broke, wrote on the walls, and spoiled dresses when they had only just been finished. Her hair ratted, her nose smudged, and she left handprints wherever she went.

Viewers who craved other visions of creativity, other styles of filmmaking, or a different brand of funny or beautiful, felt that pressure, too; we felt it from without (in media messages that certain art was less important) but also from within. It was hard not to internalize these rules, even when you resisted them, even when they excluded your story.

Attending creative writing courses is like snorkeling in a pool nearby Tubbataha.

For me, writing any piece of advertising is unnerving. You sit down with your partner and put your feet up. You read the strategist's brief, draw a square on a pad of paper, and you both stare at the damned thing. You stare at each other's shoes. You look at the square. You give up and go to lunch. You come back. The empty square is still there. Is the square gonna be a poster? Will it be a branded sitcom, a radio spot, a website? You don't know. All you know is the square's still empty. So you both go through the brand stories you find online, on the client's website, what people are saying in the Amazon reviews. You go through the reams of material the account team left in your office. You discover the bourbon you're working on is manufactured in a little town with a funny name. You point this out to your partner. Your partner keeps staring out the window at some speck in the distance. (Or is that a speck on the glass? Can't be sure.) He says, “Oh.” Down the hallway, a phone rings. Paging through an industry magazine, your partner points out that every few months the distillers rotate the aging barrels a quarter turn. You go, “Hmm.” On some blog, you read how moss on trees happens to grow faster on the sides that face a distillery's aging house. Now that's interesting. You feel the shapeless form of an idea begin to bubble up from the depths. You poise your pencil over the page…and it all comes out in a flash of creativity. (Whoa. Someone call 911. Report a fire on my drawing pad 'cause I am SMOKIN' hot.) You put your pencil down, smile, and read what you've written. It's complete rubbish. You call it a day and slink out to see a movie. This process continues for several days, even weeks, and then one day, completely without warning, an idea just shows up at your door, all nattied up like a Jehovah's Witness. You don't know where it comes from. It just shows up. That's how you come up with ideas. Sorry, there's no big secret. That's basically the drill.

I fell deeply in love with the books of Kurt Vonnegut Jr. They parented me, and gave me a sense of what it was to be a decent person, without any of the usual hypocritical rhetoric. They fired my imagination and opened me up; I read them all one after the other, Breakfast of Champions, Cat’s Cradle, The Sirens of Titan, Slaughterhouse-Five, on and on they go, they gave me the soul nutrients I needed. He was bitterly funny and awakened in me a morality that lay dormant and unarticulated. He taught me that it was fun and beautiful to be humble, and that human beings are no more important than rutabagas. That we’ve got to love with all we are, not for some reward down the line, but purely for the sake of being a loving person, and that creativity was the highest part of ourselves to engage. He pointed out the frivolous and insensitive attitudes that birthed the absurd cruelty of war. His humorous detachment from the world’s insane and egotistical violence—“So it goes”—my first hint of a spiritual concept. To this day, his books inform my political and social views, my sense of humor, and touch me deeply. KVJ changed my life, he never gets old.

Who the hell do you think you are?” your darkest interior voices will demand. “It’s funny you should ask,” you can reply. “I’ll tell you who I am: I am a child of God, just like anyone else. I am a constituent of this universe. I have invisible spirit benefactors who believe in me, and who labor alongside me. The fact that I am here at all is evidence that I have the right to be here. I have a right to my own voice and a right to my own vision. I have a right to collaborate with creativity, because I myself am a product and a consequence of Creation. I’m on a mission of artistic liberation, so let the girl go.

John Cleese, in a clever, funny talk he gave on creativity years ago, said you also need a sense of humour if you want to be creative. You can’t manufacture a sense of humour, but if you don’t have one, then you might indeed be better off reporting facts. Art is not about reporting.

She was beautiful. Creative. Talented. Sweet. Funny. Caring. Innocent and wise in the same breath. But she couldn’t perform miracles.

Humour. Something funny can be a huge help with your visualising. This doesn’t mean you have to be the funniest person in the room, it means use what’s funny to you. When I meet someone called John, for example, I immediately picture him sitting on a toilet. For me that’s funny, for others it may not be—but it is memorable. I believe comedians are often super-creative beings because they find ways to communicate a point and to make it entertaining and unique. If you want to exercise your creativity, why not learn more about comedy?

The majority of boys think the highest form of creativity is weeing a pattern into snow.

There are always messages, even enigmas to be searched, mysteries to be solved in all of my books. I like to puzzle readers, but I do not make so to the point of being so complex that they will lose interest in the plot. And that for me is the essence of every great literature around the world, and that’s been so for ages. (....)Some were inpired by real life characters, some other books I wrote are hybrid fiction/non-fiction, so I pretty much get inspired by people who have lived, and even who are still breathing among us… so don’t get discouraged if I didn’t mention your personality traits yet. I might even have your name over my books, I must some day…

This is the part of film acting that I was only too happy to leave behind, the part that became more agonizing as time went on. Yet you have to go through those terrifying times if you are ever to have the magic ones, the times when it all works—and to be truthful, those I have missed. There were perhaps only eight or nine of them out of forty-five films, but they were the times when I stepped into my light and my muse was with me, all my channels were open, the creative flow coursed through my body, and I became. Whether the scene was sad or funny, tragic or triumphant, never mattered. When it worked it was like being enveloped in love and light, as I danced the intricate dance between technique and emotion, fully inside the scene while simultaneously a separate part of me observed and enjoyed the unfolding. Ah, but just because it has happened once doesn’t mean it will again! Each time is starting new, raw; it’s a crapshoot—you just never know. Which is why this profession is so great for the heart—and so hard on the nerves. I always assumed that the more you did something the easier it would get, but in the case of my career I found the opposite to be true. Every year the work seemed to get harder and my fear more paralyzing. Once, on the set of Old Gringo, I watched Gregory Peck late in his career doing a long, very difficult scene over and over again all day long. I saw that he too was scared. I went up to him afterward and hugged him and told him how beautiful and transparent he had been. “But, Greg,” I asked, “why do we do this to ourselves? Especially you. You’ve had a long and incredible career. You could easily retire. Why are you still willing to be scared?” Greg sat for a moment, rubbing his chin. Then he said, “Well, Jane, maybe it’s like my friend Walter Matthau says. His biggest thrill in life is to be gambling and losing a bit more than he can afford and then have one chance to win it all back. That’s what you live for—that moment. The crapshoot. If it’s easy, what’s the point?

It’s funny. Before Milo came along, I worried how I’d keep my business ticking over while tending a newborn. Turns out it wasn’t that difficult – or maybe I just stopped caring so much about work; web design was never my creative calling. And when you stare into the slumbering face of a tiny creature so new to the world, it’s amazing how everything else fades. Either way, my life was the perfect balance. I could stay home with my baby, with just enough work to keep my tired brain ticking and feel like something other than a human milk machine. Everyone said how lucky I was.

It’s funny that when you decide you want to do creative work—journalism or music or films or whatever—nobody tells you how much of your time you’ll be spending simply hunting for something worth writing about.

What’s an ... unexpected / obvious / helpful / interesting / funny / convenient / comforting / amazing / wild / beautiful / exciting / weird ... … benefit of the benefit?

Funny how creative kids can be when they're being cruel.

Dennis sighed. He liked working with talented, thoughtful people, but sometimes he wished he could have the same success with unimaginative hacks.