Creative Advertising Quotes

We've searched our database for all the quotes and captions related to Creative Advertising. Here they are! All 100 of them:

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The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people, leaving us mainly with the slow and self-obsessed to become our artists.. Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.
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Banksy
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Politeness is the first thing people lose once they get the power.
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Amit Kalantri (Wealth of Words)
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All worries are less with wine.
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Amit Kalantri (Wealth of Words)
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The job of feets is walking, but their hobby is dancing.
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Amit Kalantri (Wealth of Words)
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Great losses are great lessons.
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Amit Kalantri (Wealth of Words)
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Take care of your costume and your confidence will take care of itself.
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Amit Kalantri (Wealth of Words)
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Anger gets you into trouble, ego keeps you in trouble.
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Amit Kalantri (Wealth of Words)
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Seeing the mud around a lotus is pessimism, seeing a lotus in the mud is optimism.
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Amit Kalantri (Wealth of Words)
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Be a worthy worker and work will come.
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Amit Kalantri (Wealth of Words)
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The reason that online ads are 80% of the time ignored lies in the fact that we have started forgetting creativity when creativity is as important as data.
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Pooja Agnihotri (17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure)
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If a marketing agency is going to create ads, it can’t rely on just data as its strength but will also rely on creativity like traditional ad agencies.
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Pooja Agnihotri (17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure)
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The reason that online ads are 80% of the time ignored lies in the fact that we have started forgetting creativity when creativity is as important as data
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Pooja Agnihotri (17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure)
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Father has a strengthening character like the sun and mother has a soothing temper like the moon.
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Amit Kalantri (Wealth of Words)
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Hunger gives flavour to the food.
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Amit Kalantri (Wealth of Words)
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The creative process requires more than reason. Most original thinking isn't even verbal. It requires 'a groping experimentation with ideas, governed by intuitive hunches and inspired by the unconscious.' The majority of business men are incapable of original thinking because they are unable to escape from the tyranny of reason. Their imaginations are blocked.
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David Ogilvy (Confessions of an Advertising Man)
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I do not regard advertising as entertainment or an art form, but as a medium of information. When I write an advertisement, I don’t want you to tell me that you find it β€˜creative.’ I want you to find it so interesting that you buy the product.
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David Ogilvy (Ogilvy on Advertising)
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Music shouldn't be just a tune, it should be a touch.
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Amit Kalantri (Wealth of Words)
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Arrogant men with knowledge make more noise from their mouth than making a sense from their mind.
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Amit Kalantri (Wealth of Words)
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Respect cannot be inherited, respect is the result of right actions.
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Amit Kalantri (Wealth of Words)
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In your name, the family name is at last because it's the family name that lasts.
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Amit Kalantri (Wealth of Words)
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Some people when they see cheese, chocolate or cake they don't think of calories.
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Amit Kalantri (Wealth of Words)
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The decision is your own voice, an opinion is the echo of someone else's voice.
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Amit Kalantri (Wealth of Words)
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A farmer is a magician who produces money from the mud.
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Amit Kalantri (Wealth of Words)
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Common man's patience will bring him more happiness than common man's power.
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Amit Kalantri (Wealth of Words)
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Some of us can live without a society but not without a family.
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Amit Kalantri (Wealth of Words)
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Mixing old wine with new wine is stupidity, but mixing old wisdom with new wisdom is maturity.
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Amit Kalantri (Wealth of Words)
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Networking isn't how many people you know, it's how many people know you.
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Amit Kalantri (Wealth of Words)
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If you can't impress them with your argument, impress them with your actions.
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Amit Kalantri (Wealth of Words)
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During your struggle society is not a bunch of flowers, it is a bunch of cactus.
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Amit Kalantri (Wealth of Words)
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Health is hearty, health is harmony, health is happiness.
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Amit Kalantri (Wealth of Words)
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War is not just the shower of bullets and bombs from both sides, it is also the shower of blood and bones on both sides.
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Amit Kalantri (Wealth of Words)
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A slip of the foot may injure your body, but a slip of the tongue will injure your bond.
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Amit Kalantri (Wealth of Words)
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Fail soon so that you can succeed sooner.
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Amit Kalantri (Wealth of Words)
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Music is the fastest motivator in the world.
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Amit Kalantri (Wealth of Words)
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With right fashion, every female would be a flame.
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Amit Kalantri (Wealth of Words)
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Today it is cheaper to start a business than tomorrow.
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Amit Kalantri (Wealth of Words)
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Parents expect only two things from their children, obedience in their childhood and respect in their adulthood.
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Amit Kalantri (Wealth of Words)
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If she says goodbye, someone else will say hi.
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Amit Kalantri (Wealth of Words)
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Be creative while inventing ideas, but be disciplined while implementing them.
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Amit Kalantri
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Fashion doesn't make you perfect, but it makes you pretty.
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Amit Kalantri (Wealth of Words)
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It's time to shop high heels if your fiance kisses you on the forehead.
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Amit Kalantri (Wealth of Words)
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During a conversation, listening is as powerful as loving.
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Amit Kalantri (Wealth of Words)
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If thinking should precede acting, then acting must succeed thinking.
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Amit Kalantri (Wealth of Words)
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We're all creative, it's just some of us earn our living by being so.
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John Hegarty (Hegarty on Advertising)
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The smell of the sweat is not sweet, but the fruit of the sweat is very sweet.
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Amit Kalantri (Wealth of Words)
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In modern times couples are more concerned about loyalty than love.
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Amit Kalantri (Wealth of Words)
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Before you worry about the beauty of your body, worry about the health of your body.
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Amit Kalantri (Wealth of Words)
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Faster is fatal, slower is safe.
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Amit Kalantri (Wealth of Words)
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He who sacrifices his respect for love basically burns his body to obtain the light.
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Amit Kalantri (Wealth of Words)
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Cowards say it can't be done, critics say it shouldn't have been done, creator say well done.
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Amit Kalantri (Wealth of Words)
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Good becomes better by playing against better, but better doesn't become the best by playing against good.
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Amit Kalantri (Wealth of Words)
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The mistakes of the world are warning message for you.
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Amit Kalantri (Wealth of Words)
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In the business people with expertise, experience and evidence will make more profitable decisions than people with instinct, intuition and imagination.
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Amit Kalantri (Wealth of Words)
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If the farmer is rich, then so is the nation.
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Amit Kalantri (Wealth of Words)
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You can not control the thought, but you can control the tongue.
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Amit Kalantri (Wealth of Words)
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In general, poor is polite and rich is rude.
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Amit Kalantri (Wealth of Words)
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Any girl with a grin never looks grim.
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Amit Kalantri (Wealth of Words)
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My spouse is my shield, my spouse is my strength.
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Amit Kalantri (Wealth of Words)
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What luck has gave you will probably leave you.
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Amit Kalantri (Wealth of Words)
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A professional who doesn't deliver as committed is not just lazy, he is a liar.
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Amit Kalantri (Wealth of Words)
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Power does not pardon, power punishes.
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Amit Kalantri (Wealth of Words)
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Texting is not talking and a phone is not a friend.
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Amit Kalantri (Wealth of Words)
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Passion makes you good, but pride stops you to get better.
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Amit Kalantri (Wealth of Words)
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In a democracy, there will be more complaints but less crisis, in a dictatorship more silence but much more suffering.
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Amit Kalantri (Wealth of Words)
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In united families, they might sleep with half filled stomach but no one sleeps with empty stomach.
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Amit Kalantri (Wealth of Words)
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Hands can cook, hands can create, hands can kill. There is no better tool than our hands.
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Amit Kalantri (Wealth of Words)
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When you were making excuses someone else was making enterprise.
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Amit Kalantri (Wealth of Words)
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Dresses don't look beautiful on hangers.
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Amit Kalantri (Wealth of Words)
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The wrong man is not always wrong because of his wrong actions, often he is wrong because of no actions.
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Amit Kalantri (Wealth of Words)
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Seed becomes tree, son becomes stranger.
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Amit Kalantri (Wealth of Words)
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You cannot choose your face but you can choose your dress.
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Amit Kalantri (Wealth of Words)
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A true professional not only follows but loves the processes, policies and principles set by his profession.
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Amit Kalantri (Wealth of Words)
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Uniform of a soldier and uniform of a student both are equally needed for the nation.
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Amit Kalantri (Wealth of Words)
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With discipline, you can lose weight, you can excel in work, you can win the war.
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Amit Kalantri (Wealth of Words)
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Education makes your maths better, not necessarily your manners.
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Amit Kalantri (Wealth of Words)
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A good swordsman is more important than a good sword.
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Amit Kalantri (Wealth of Words)
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Don't mention your move before you make a move.
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Amit Kalantri (Wealth of Words)
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Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.
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Amit Kalantri (Wealth of Words)
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Brilliance of the brain must be admired more than beauty of the body.
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Amit Kalantri (Wealth of Words)
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Civilians enjoy their time because soldiers sacrifice their time.
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Amit Kalantri (Wealth of Words)
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Before we complicated life with money, machines and missiles we did well with morals, manpower and meetings.
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Amit Kalantri (Wealth of Words)
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Don't always use prudence for precaution, sometimes use it for progress.
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Amit Kalantri (Wealth of Words)
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Routine ruins the life, variety vitalise the life.
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Amit Kalantri (Wealth of Words)
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Since many of today’s best-known manufacturers no longer produce products and advertise them, but rather buy products and β€œbrand” them, these companies are forever on the prowl for creative new ways to build and strengthen their brand images.
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Naomi Klein (No Logo: No Space, No Choice, No Jobs (Bestselling Backlist))
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The frictionless genius of our creative class, which we see every day in our lives and in advertising, leads us to support environmental destruction and human enslavement that we never see.
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Kevin Bales (Blood and Earth: Modern Slavery, Ecocide, and the Secret to Saving the World)
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If life is a movie most people would consider themselves the star of their own feature. Guys might imagine they're living some action adventure epic. Chicks maybe are in a rose-colored fantasy romance. And homosexuals are living la vida loca in a fabulous musical. Still others may take the indie approach and think of themselves as an anti-hero in a coming of age flick. Or a retro badass in an exploitation B movie. Or the cable man in a very steamy adult picture. Some people's lives are experimental student art films that don't make any sense. Some are screwball comedies. Others resemble a documentary, all serious and educational. A few lives achieve blockbuster status and are hailed as a tribute to the human spirit. Some gain a small following and enjoy cult status. And some never got off the ground due to insufficient funding. I don't know what my life is but I do know that I'm constantly squabbling with the director over creative control, throwing prima donna tantrums and pouting in my personal trailor when things don't go my way. Much of our lives is spent on marketing. Make-up, exercise, dieting, clothes, hair, money, charm, attitude, the strut, the pose, the Blue Steel look. We're like walking billboards advertising ourselves. A sneak peek of upcoming attractions. Meanwhile our actual production is in disarray--we're over budget, doing poorly at private test screenings and focus groups, creatively stagnant, morale low. So we're endlessly tinkering, touching up, editing, rewriting, tailoring ourselves to best suit a mass audience. There's like this studio executive in our heads telling us to cut certain things out, make it "lighter," give it a happy ending, and put some explosions in there too. Kids love explosions. And the uncompromising artist within protests: "But that's not life!" Thus the inner conflict of our movie life: To be a palatable crowd-pleaser catering to the mainstream... or something true to life no matter what they say?
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Tatsuya Ishida
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Don’t surround yourself with "yes" men and women. Stay close to people who aren’t afraid to tell you when you are wrong. β€œYou need people around you that you can trust to say "that’s a shit idea," Hegarty says. β€œEvery McCartney needs a Lennon.
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World-famous advertising creative Sir John Hegarty on how to be and stay creative.
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Jobs and Clow agreed that Apple was one of the great brands of the world, probably in the top five based on emotional appeal, but they needed to remind folks what was distinctive about it. So they wanted a brand image campaign, not a set of advertisements featuring products. It was designed to celebrate not what the computers could do, but what creative people could do with the computers. " This wasn't about processor speed or memory," Jobs recalled. " It was about creativity." It was directed not only at potential customers, but also at Apple's own employees: " We at Apple had forgotten who we were. One way to remember who you are is to remember who your heroes are. That was the genesis of that campaign.
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Walter Isaacson (Steve Jobs)
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An entrepreneur with strong network makes money even when he is asleep.
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Amit Kalantri (Wealth of Words)
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To a farmer dirt is not a waste, it is wealth.
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Amit Kalantri (Wealth of Words)
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You can take the Indian out of the family, but you cannot take the family out of the Indian.
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Amit Kalantri (Wealth of Words)
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The problem was, they advertised their product as a β€œ5GB mp3 player.” It is exactly the same message as Apple’s β€œ1,000 songs in your pocket.” The difference is Creative told us WHAT their product was and Apple told us WHY we needed it.
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Simon Sinek (Start With Why: How Great Leaders Inspire Everyone to Take Action)
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The unpredictability is what makes what we do in advertising so exciting – you literally don’t know where you’re going to end up. Creativity isn’t about predictability – it has to surprise and challenge, it has to be daring and yet motivating.
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John Hegarty (Hegarty on Advertising)
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All trademarks, company names, registered names, products, characters, mottos, logos, jingles and catchphrases used or cited in this work are the property of their respective owners and have only been mentioned and or used as cultural references to enhance the narrative and in no way were used to disparage or harm the owners and their companies. It is the author's sincerest wish the owners of the cited trademarks, company names, etc. appreciate the success they have achieved in making their products household names and appreciate the free plug.
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E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
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We’ve all seen β€œquit smoking” advertisements on buses and subways. They don’t work. We’ve heard about school programs that teach kids to say no to drugs and alcohol. In many cases drug and alcohol use go up after these programs because they pique the curiosity of the adolescent students. The only thing that has been shown to work consistently is raising taxes on these products and placing limits on where and when they can be sold. When these measures are taken, use goes down.
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Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
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Over recent years, [there's been] a strong tendency to require assessment of children and teachers so that [teachers] have to teach to tests and the test determines what happens to the child, and what happens to the teacher...that's guaranteed to destroy any meaningful educational process: it means the teacher cannot be creative, imaginative, pay attention to individual students' needs, that a student can't pursue things [...] and the teacher's future depends on it as well as the students'...the people who are sitting in the offices, the bureaucrats designing this - they're not evil people, but they're working within a system of ideology and doctrines, which turns what they're doing into something extremely harmful [...] the assessment itself is completely artificial; it's not ranking teachers in accordance with their ability to help develop children who reach their potential, explore their creative interests and so on [...] you're getting some kind of a 'rank,' but it's a 'rank' that's mostly meaningless, and the very ranking itself is harmful. It's turning us into individuals who devote our lives to achieving a rank, not into doing things that are valuable and important. It's highly destructive...in, say, elementary education, you're training kids this way [...] I can see it with my own children: when my own kids were in elementary school (at what's called a good school, a good-quality suburban school), by the time they were in third grade, they were dividing up their friends into 'dumb' and 'smart.' You had 'dumb' if you were lower-tracked, and 'smart' if you were upper-tracked [...] it's just extremely harmful and has nothing to do with education. Education is developing your own potential and creativity. Maybe you're not going to do well in school, and you'll do great in art; that's fine. It's another way to live a fulfilling and wonderful life, and one that's significant for other people as well as yourself. The whole idea is wrong in itself; it's creating something that's called 'economic man': the 'economic man' is somebody who rationally calculates how to improve his/her own status, and status means (basically) wealth. So you rationally calculate what kind of choices you should make to increase your wealth - don't pay attention to anything else - or maybe maximize the amount of goods you have. What kind of a human being is that? All of these mechanisms like testing, assessing, evaluating, measuring...they force people to develop those characteristics. The ones who don't do it are considered, maybe, 'behavioral problems' or some other deviance [...] these ideas and concepts have consequences. And it's not just that they're ideas, there are huge industries devoted to trying to instill them...the public relations industry, advertising, marketing, and so on. It's a huge industry, and it's a propaganda industry. It's a propaganda industry designed to create a certain type of human being: the one who can maximize consumption and can disregard his actions on others.
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Noam Chomsky
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One of the best advertising people ever was Carl Ally. He said the true creative person wants to be a know-it-all. They want to know about all kinds of things: ancient history, nineteenth-century mathematics, modern manufacturing techniques, flower arranging, and lean hog futures. Because they never know when these ideas might come together to form a new idea. It may happen six minutes later or six years down the road, but they know it will happen.
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Dave Trott (One Plus One Equals Three: A Masterclass in Creative Thinking)
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In the first place, I think there's going to be more and more merging of art and science. Scientists are already studying the creative process, and I think the whole line between art and science will break down and that scientists, I hope, will become more creative and writers more scientific. And I see no reason why the artistic world can't absolutely merge with Madison Avenue. Pop art is a move in that direction. Why can't we have advertisements with beautiful words and beautiful images? Already some of the very beautiful color photography appears in whiskey ads, I notice. Science will also discover for us how association blocks actually form.
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William S. Burroughs
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Milch had a bigger cast, a bigger set (on the Melody Ranch studio, where Gene Autry had filmed very different Westerns decades earlier), and more creative freedom than he’d ever had before. There were no advertisers to answer to, and HBO was far more hands-off than the executives at NBC or ABC had been. And as a result, there was even less pretense of planning than there had been on NYPD Blue, and more improvisation. There were scripts for the first four episodes of Season 1, and after that, most of the series was written on the fly, with the cast and crew often not learning what they would be doing until the day before (if that). As Jody Worth recalls, the Deadwood writers would gather each morning for a long conversation: β€œWe would talk about where we were going in the episode, and a lot of talk that had nothing to do with anything, a lot of Professor Milch talk, all over the map talk, which I enjoyed.” Out of those daily conversations came the decisions on what scenes to write that day, to be filmed the day after. There was no system to it, no order, and the actors would be given scenes completely out of context from the rest of the episode.
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Alan Sepinwall (The Revolution Was Televised: The Cops, Crooks, Slingers and Slayers Who Changed TV Drama Forever)
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Likewise, we β€œtrusted the process,” but the process didn’t save Toy Story 2 either. β€œTrust the Process” had morphed into β€œAssume that the Process Will Fix Things for Us.” It gave us solace, which we felt we needed. But it also coaxed us into letting down our guard and, in the end, made us passive. Even worse, it made us sloppy. Once this became clear to me, I began telling people that the phrase was meaningless. I told our staff that it had become a crutch that was distracting us from engaging, in a meaningful way, with our problems. We should trust in people, I told them, not processes. The error we’d made was forgetting that β€œthe process” has no agenda and doesn’t have taste. It is just a toolβ€”a framework. We needed to take more responsibility and ownership of our own work, our need for self-discipline, and our goals. Imagine an old, heavy suitcase whose well-worn handles are hanging by a few threads. The handle is β€œTrust the Process” or β€œStory Is King”—a pithy statement that seems, on the face of it, to stand for so much more. The suitcase represents all that has gone into the formation of the phrase: the experience, the deep wisdom, the truths that emerge from struggle. Too often, we grab the handle andβ€”without realizing itβ€”walk off without the suitcase. What’s more, we don’t even think about what we’ve left behind. After all, the handle is so much easier to carry around than the suitcase. Once you’re aware of the suitcase/handle problem, you’ll see it everywhere. People glom onto words and stories that are often just stand-ins for real action and meaning. Advertisers look for words that imply a product’s value and use that as a substitute for value itself. Companies constantly tell us about their commitment to excellence, implying that this means they will make only top-shelf products. Words like quality and excellence are misapplied so relentlessly that they border on meaningless. Managers scour books and magazines looking for greater understanding but settle instead for adopting a new terminology, thinking that using fresh words will bring them closer to their goals. When someone comes up with a phrase that sticks, it becomes a meme, which migrates around even as it disconnects from its original meaning. To ensure quality, then, excellence must be an earned word, attributed by others to us, not proclaimed by us about ourselves. It is the responsibility of good leaders to make sure that words remain attached to the meanings and ideals they represent.
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Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)