Cream Colour Quotes

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Kissing with the tip of the tongue is like ice-cream melting. It was he who taught me that a kiss has a soul and colour of its own.
Wei Hui (Shanghai Baby)
White is for witching, a colour to be worn so that all other colours can enter you, so that you may use them. At a pinch, cream will do.
Helen Oyeyemi (White Is for Witching)
White roses and red roses: those were beautiful colours to think of. And the cards for first place and second place and third place were beautiful colours too: pink and cream and lavender. Lavender and cream and pink roses were beautiful to think of. Perhaps a wild rose might be like those colours and he remembered the song about the wild rose blossoms on the little green place. But you could not have a green rose. But perhaps somewhere in the world you could.
James Joyce (A Portrait of the Artist as a Young Man)
My love lies across linen sheets, snow white beneath cream coloured flesh an expanse of gentle curves,two rosy buds a dimple of a navel a dark thatch of curls I can describe her beauty And spill precious ink to tell of her goodness But to express my love... Come to my arms, and I'll whisper words I dare not write. How you could damn ore save me with just a word Let me love you with my body the sacred dance of one My Julia
Sylvain Reynard
You must tell me about it when you do,' she said. 'When you make love for the first time, I mean. I want to know what you think.' He glanced away from her, out of the window. An ice-cream parlour, a man with a dog, a tree. How was he going to get out of shopping next week? 'It's so wonderful, it's like,' and she left her mouth open while she thought, and then it came to her, and she smiled, 'it's like colours everywhere.
Rupert Thomson (The Five Gates of Hell)
We had never before been to Italy in May, and it is truly the most wonderful month. The Lucchese countryside is a riot of colour and scent. Every road, even the busy autostrada, is lined with brilliant red poppies, making the most mundane street look picturesque. The olive trees dotting the hills are covered with silvery green and the pale cream of new buds, while the grass is tall and soft, every patch threaded with wildflowers.
Louise Badger (Todo in Tuscany: The Dog at the Villa)
From black-rimmed plates they ate turtle soup and eaten Russian rye bread, ripe Turkish olives, caviar, salted mullet-roe, smoked Frankfurt black puddings, game in gravies the colour of liquorice and boot-blacking truffled sauces, chocolate caramel creams, plum puddings, nectarines, preserved fruits, mulberries and heart-cherries; from dark coloured glasses they drank the wines of Limagne and Rousillon, of Tenedoes, Val de Peñas and Oporto, and, after the coffee and the walnut cordial they enjoyed kvass, porters and stouts.
Joris-Karl Huysmans (Against Nature)
AT the slight creaking made by Macmaster in pushing open his door, Tietjens started violently. He was sitting in a smoking-jacket, playing patience engrossedly in a sort of garret bedroom. It had a sloping roof outlined by black oak beams, which cut into squares the cream-coloured patent distemper of the walls.
Ford Madox Ford (Parade's End (Vintage Classics))
To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established.
George Orwell (The Road to Wigan Pier)
Kat happened to get a spot in the cafeteria line-up just behind the young woman lawyer who presented the case against her grandfather. She had removed her black robe too, and Kat found her much less threatening in her cream coloured jacket and trousers. The woman grabbed a carton of milk and then a tossed salad from behind the Plexiglas door. "Stay clear of the noodle soup," she said to Kat pleasantly. "It's vile." Kat smiled back at her. How odd that this woman could be so nice. It must all be in a day's work for her to tear apart and impoverish families. Kat grabbed some red Jell-O and a carton of orange juice for herself. She didn't really feel like eating: she was just going through the motions.
Marsha Forchuk Skrypuch (Hope's War)
In the dim arrested light that struggled through the cream-coloured silk blinds, the face appeared to him to be a little changed.
Oscar Wilde (The Picture of Dorian Gray)
The right place to live is behind cream-coloured blinds.
Mikhail Bulgakov (The White Guard)
In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake. When I told my mother about the dream, she was puzzled. 'But what's scary about that? You were never scared of that doll.' I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying. My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears. Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. ("My Death")
Lisa Tuttle (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
He was wearing a gleaming cream-coloured linen suit, and a Panama hat. The weirdest thing about this was that he was not the most outlandish-looking person in the room by a long way. Not that Little Miss Dresses-Like-Bogart over here has a right to complain
Alexis Hall (Shadows & Dreams (Kate Kane, Paranormal Investigator, #2))
I often remember in this false, distorted way, and the memories are often cloaked in the colour of the sun. Sometimes I feel nostalgia for things I knew I hated when they were happening, for days spent at the beach or the swimming pool with my sisters. When I pick my memories apart, I realise my mind has merely played back the objective ingredients, the clichéd apparatus of happiness, the sun, the sound of splashing water, ice-cream on parched lips and cold fizzy drink on a hot tongue, and laugher too. My memory often peddles on the falsehood of past happiness. I should know this.
M.J. Hyland (How the Light Gets In)
a painter once had said that her skin had in it all the colours of the setting sun, of the setting sun at its borders, where the splendour mingles with the sky; it had a hundred mellow tints - cream and ivory, the palest yellow of the heart of roses and the faintest, the very faintest green, all flushed with radiant light.
W. Somerset Maugham (Mrs Craddock (Classic, 20th-Century, Penguin))
Oh, yes, Alice did know that she forgot things, but not how badly, or how often. When her mind started to dazzle and to puzzle, frantically trying to lay hold of something stable, then she always at once allowed herself -- as she did now -- to slide back into her childhood, where she dwelt pleasurably on some scene or other that she had smoothed and polished and painted over and over again with fresh colour until it was like walking into a story that began, 'Once upon a time there was a little girl called Alice, with her mother, Dorothy. One morning Alice was in the kitchen with Dorothy, who was making her favourite pudding, apple with cinnamon and brown sugar and sour cream, and little Alice said, 'Mummy, I am a good girl, aren't I?
Doris Lessing (The Good Terrorist)
…and so, ladies and gentlemen, I give you, the bride to be.” I applauded because everyone else did, on automatic, and looked up to behold the linear mortal who Vincent had decided to occupy himself with this time. Would she be a Frances, chosen to make an unseen Hugh jealous while playing tennis on the lawn? Or Leticia, perhaps, pretty but vacant; perhaps a Mei, adding that air of respectability as he went about his nefarious deeds, or a Lizzy, a companion in dark hours, a figure who was nine parts being there to only one part chemistry. She stepped to the front of the room, a woman with a hint of grey streaking the edge of her hair, dressed in a mermaid dress the colour of clotted cream, and she was Jenny. My Jenny. Memory, moving too fast to process.
Claire North (The First Fifteen Lives of Harry August)
I took my pill at eleven. An hour and half later I was sitting in my study, looking intently at a small glass vase. The vase contained only three flowers -- a full-blown Belle of Portugal rose, shell pink with a hint at every petal's base of a hotter, flamier hue; a large magenta and cream-coloured carnation; and, pale purple at the end of its broken stalk, the bold heraldic blossom of an iris. Fortuitous and provisional, the little nosegay broke all the rules of traditional good taste. At breakfast that morning I had been struck by the lively dissonance of its colours. But that was no longer the point. I was not looking now at an unusual flower arrangement. I was seeing what Adam had seen on the morning of his creation -- the miracle, moment by moment, of naked existence.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Yet I never sought what is real, yearned for the real, but rather I have yearned for dreams more than solid things. I can say I love the textures of dreams. The way they hover and almost taste. The clouds and darkness that linger behind, mostly unseen. And the palette of dreams. You can almost taste the colours, they seem as words on the tip of the tongue, unsayable as pomegranate seeds, unsayable as thick cream, the darkness of such a thick cream. This is why I am obsessed with dreams. They know what we cannot. Night after night they try and tell us the impossible. Dreams are secret and closed, and also contain everything, gushing, splayed open. Dream suitcases, carpetbags, hold-alls. They influence us secretly and they draw me to travel to nowhere, to beauty’s passage, through halls of mirrors where I know I am not myself, I know I am sublime.
Shawna Lemay
Yaa could ignore Kofi’s mother telling her that there were creams she could use to ‘heighten’ her skin, as she would supposedly be even more beautiful with ‘some of the sun lifted out’, because of the objective fact that Yaa had always gotten all the top prizes in school over Kofi. At political events, she was the one whose brain wanted to be picked, who engaged in debates that disturbed men enough for them to be both fearful and
Bolu Babalola (Love in Colour)
So are you, sunshine,” Paige replied. “Bad night?” Even though he didn’t take off his sunglasses, I knew he was staring straight at me. “I’ve had better,” he said with an entirely straight face, while I coloured up from head to toe. “I’ve had worse.” … “Now, now children,” Paige intervened, entirely oblivious to the extreme level of bitchy subtext flying across the table. “Let’s not have fisticuffs … Can we kiss and make up?” Nick turned up one corner of his mouth and nodded. “I’m game if you are, Vanessa.” “I think she means figuratively,” I said, adding cream to my coffee. “I’m a professional.” “Really?” He rested his elbows on the table and pushed his glasses up over his eyebrows. “I probably owe you some money then.
linsdey kelk
Beyond doubt, I am a splendid fellow. In the autumn, winter and spring, I execute the duties of a student of divinity; in the summer I disguise myself in my skin and become a lifeguard. My slightly narrow and gingerly hirsute but not necessarily unmanly chest becomes brown. My smooth back turns the colour of caramel, which, in conjunction with the whipped cream of my white pith helmet, gives me, some of my teenage satellites assure me, a delightfully edible appearance. My legs, which I myself can study, cocked as they are before me while I repose on my elevated wooden throne, are dyed a lustreless maple walnut that accentuates their articulate strength. Correspondingly, the hairs of my body are bleached blond, so that my legs have the pointed elegance of, within the flower, umber anthers dusted with pollen.
John Updike (Pigeon Feathers and Other Stories)
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text
Virginia Woolf (Orlando)
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.
Virginia Woolf (Orlando)
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.
Virginia Woolf (Orlando)
Over To Candleford Chapter XXVIII: Growing Pains "This accumulated depression of months slid from her at last in a moment. She had run out into the fields one day in a pet and was standing on a small stone bridge looking down on brown running water flecked with cream-coloured foam. It was a dull November day with grey sky and mist. The little brook was scarcely more than a trench to drain the fields; but overhanging it were thorn bushes with a lacework of leafless twigs; ivy had sent trails down the steep banks to dip in the stream, and from every thorn on the leafless twigs and from every point of the ivy leaves water hung in bright drops, like beads. A flock of starlings had whirred up from the bushes at her approach and the clip, clop of a cart-horse's hoofs could be heard on the nearest road, but these were the only sounds. Of the hamlet, only a few hundred yards away, she could hear no sound, or see as much as a chimney-pot, walled in as she was by the mist. Laura looked and looked again. The small scene, so commonplace and yet so lovely, delighted her." It was so near the homes men and yet so far removed from their thoughts. The fresh green moss, the glistening ivy, and the reddish twigs with their sparkling drops seemed to have been made for her alone and the hurrying, foam-flecked water seemed to have some message for her. She felt suddenly uplifted. The things which had troubled her troubled her no more. She did not reason. She had already done plenty of reasoning. Too much, perhaps. She simply stood there and let it all sink in until she felt that her own small affairs did not matter. Whatever happened to her, this, and thousands of other such small, lovely sights would remain and people would come suddenly upon them and look and be glad. A wave of pure happiness pervaded her being, and, although it soon receded, it carried away with it her burden of care. Her first reaction was to laugh aloud at herself. What a fool she had been to make so much of so little.
Flora Thompson (Over to Candleford)
the room and studied the positions of the inert, twisted, blood-soaked bodies; they had become one with the lush cream-coloured carpet, which resembled a disturbing tapestry of death. That commando dagger makes a very unique wound; could be a coincidence of course? Who am I trying to kid, it was him, and once we dig the slugs out of these poor bastards, I’ll lay
Bill Carson (Necessary Evils)
There isn't anything bad in eating an white ice cream it really doesn't matter is it in a pail or in a cornet. (You are now thinking... oh, oh, oh an ice cream, I can do one for you. I have loads of just come to "Where I live" and I can fill you with a lot of ice cream. You won't want to go home...). The banana eating, what's bad?? To go in a public and to eat one normal banana,... I'm talking about the fruit called banana which is yellow as an a colour... (O..., o..., (off I hate this moment as far as now when everything in your head is about sex and you just connect it), "I'm sure that you like it", I have one in my home and it's one large you will like it and in the end there is little suprise for the people with patience)... What's bad or awful to eat an a cucumber???? OFFF, OFF, OFF you just again did this you connected it with this... what's bad of choosing sour cream or milk? Off, off, again and again all the time with this pornography it's like it's planted in your mind, like a bomb and in replace of the time you connect everything with pussy and dick. One moment with your dick sperm making it as an a milk, sour cream, ice cream so many faces… Then you connect it and with banana because in reality the banana is kind of fruit which can be sucked so you put replace of banana, your dick... even when you write "woman eating banana" in the google engine it will show some kind a pornography. But why do you connect it?? Even with the pussy which cums, how woman touches it... WOW, WOW!
Deyth Banger
The five cells are silky-white within, and are filled with a mass of firm, cream-coloured pulp, containing about three seeds each. This pulp is the eatable part, and its consistence and flavour are indescribable. A rich custard highly flavoured with almonds gives the best general idea of it, but there are occasional wafts of flavour that call to mind cream-cheese, onion-sauce, sherry-wine, and other incongruous dishes. Then there is a rich glutinous smoothness in the pulp which nothing else possesses, but which adds to its delicacy. It is neither acid nor sweet nor juicy; yet it wants neither of these qualities, for it is in itself perfect. It produces no nausea or other bad effect, and the more you eat of it the less you feel inclined to stop. In fact, to eat Durians is a new sensation worth a voyage to the East to experience.
Alfred Russel Wallace
I’ve never understood why people buy cream carpet, especially if they have children, but it hardly seems the moment to argue. So we bend over like a couple of schoolkids, undoing our laces. Gislingham flashes me a look: there are hooks by the door labelled with the family’s names, and their shoes are lined up by the mat. By size. And colour. Jesus.
Cara Hunter (Close to Home (DI Adam Fawley, #1))
While wild yaks are generally dark, blackish to brown in colouration, domestic yaks can be quite variable in colour, often having patches of rusty brown and cream. They have small ears and wide foreheads, with smooth horns that are generally dark in colour.
Yak horn
The wedge of cake, sheathed in its tight plastic wrap, beckoned. I sat down and gave thanks for women like Beth Anne, who practiced the endangered art of baking (one day "baked from scratch" may sound as archaic and faraway as "alchemy"). I ate the cream cheese frosting first, and then as I tucked into the garnet sponge of the cake, DWH asked me whether Baby Harper had sent me the photographs. I concentrated on the moist crumb of the cake. I thought about how its flavors- butter, cocoa, and vanilla- had no relationship to its flamboyant color. Red was a decoy, a red herring, and with each bite there was a disconnect between expectation and reality. That was the main source of the cake's charm.
Monique Truong (Bitter in the Mouth)
espresso and tapas and it’s perfect for my current mood. As I walk along, pounding the hard pavement, a woman on roller skates burns past me, her white shirt billowing around like a puff of smoke as she elbows me out of the way. The roller skates remind me of Dad, and of clinging on to his hand as I attempted to balance on the pair of rainbow-coloured roller skates I got for my tenth birthday. Thinking of Dad makes me wonder what it must have been like for him all of those years ago. I ponder for a moment, and then after remembering what Sam said in the club, I pull my mobile out from my bag and scroll through the address book to find his number. ‘Hello darling, what a wonderful surprise. Is everything OK?’ His voice sounds worried. ‘Shouldn’t you be at work?’ There’s an awkward silence. ‘I am at work,’ I reply, a little too sharply. ‘Well, I just popped out and … err, I’m sorry I couldn’t talk to you the other day,’ I manage, trying to disguise the unease in my voice. ‘So how are you?’ I add, awkwardly. ‘I’m fine. A bit tired. Anyway, enough about me. It’s so nice to hear from you,’ he says, and for a moment it’s as though everything that’s gone on between us before has been forgotten in an instant. But then my back constricts. I start to feel as though calling him was a bad idea, and I realise that I’m just not ready to forget what he did to us … especially to Mum. ‘You know I was telling Uncle Geoffrey
Alex Brown (Carrington’s at Christmas: The Complete Collection: Cupcakes at Carrington’s, Me and Mr Carrington, Christmas at Carrington’s, Ice Creams at Carrington’s)
The Lilly in a Christal You have beheld a smiling Rose When Virgins hands have drawn O’r it a Cobweb-Lawne: And here, you see, this Lilly shows, Tomb’d in a Christal stone, More faire in this transparent case, Then when it grew alone; And had but single grace. You see how Creame but naked is; Nor daunces in the eye Without a Strawberrie: Or some fine tincture, like to this, Which draws the sight thereto, More by that wantoning with it; Then when the paler hieu No mixture did admit. You see how Amber through the streams More gently stroaks the sight, With some conceal’d delight; Then when he darts his radiant beams Into the boundless aire: Where either too much light his worth Doth all at once impaire, Or set it little forth. Put Purple Grapes, or Cherries in- To Glasse, and they will send More beauty to commend Them, from that cleane and sbutile skin, Then if they naked stood, And had no other pride at all, But their own flesh and blood, And tinctures natural. Thus Lillie, Rose, Grape, Cherry, Creame And Straw-berry do stir More love, when they transfer A weak, a soft, a broken beame; Then if they sho’d discover At fulltheir proper excellence; Without some Scean cast over, To juggle with the sense. Thus let this Christal’d Lillie be A Rule, how far to teach, Your nakednesse must reach: And that, no further, then we see Those glaring colours laid By Arts wise hand, but to this end They sho’d obey a shade; Lest they too far extend. So though y’are white as Swan, or Snow, And have the power to move A world of men to love: Yet, when your Lawns & Silks shal flow; And that white cloud divide Into a doubtful Twi-light; then, Then will your hidden Pride Raise greater fires in men.
Robert Welch Herrick (Selected Poems (Shearsman Classics))
Neemai wasn’t sure whether it was the beautiful sunset or the liveliness of the place that was warming a little fire in his heart. He even smiled at the kids as they started a row again, only to know that it wouldn’t last more than a minute. Neemai’s smile was unfeigned, unlike the ones he faked in the office. Perhaps Lady Destiny was watching him as an irony of fate, an ice cream rickshaw selling ‘Dinkum Ice Cream’ sounded a bell. The sound of the bell took his mindfulness away from the kids. He turned and looked at the ice cream rickshaw painted in red and yellow, immediately hit with the recollection of the school days. Just like the rest of the boys, he would save the change to buy the ice cream sticks. It was cheapest on the menu and tasted little better than flavoured ice, but the excitement of slurping the cola and orange sticks and laughing as each other’s lips got washed in the colours of the flavor was incomparable. The joy was simple, and absolute. Ice creams have brought more goodwill to the world than all the peace meetings, he thought musing at the delight that the ice cream rickshaw allured among the park people. There are certain things we become unconsciously aware of even when we are not looking at it. Everybody was aware of its presence, and like the sun that was going down, the ice cream rickshaw made its presence known.
Ajanta Sengupta (Unlettered)
Vision is acute in the typically diurnal lizards, where it is essential for catching live prey such as fast-moving insects, and even grabbing flying insects out of the air as they pass. Their colour vision is also excellent, better in some ways even than that of humans, because as well as discriminating between the three primary colours that we do, some lizards’ eyes also have receptors sensitive to ultraviolet light. It is therefore no surprise that colour plays a more important role in the behaviour of lizards than in any other group of reptiles. Some species display extraordinarily conspicuous vivid colours and patterns to attract mates, even at the risk of increasing the chances of their being caught by a predator. For example, the garishly multi-coloured male of the Augrabies flat lizard of South Africa combines a bright blue head, greenish-blue front trunk, yellow front legs, orange hind legs and trunk, black belly, and tan and orange tail, not to mention a UV-coloured throat invisible to us. The female, in contrast, is mostly dark brown with cream stripes.
T.S. Kemp (Reptiles: A Very Short Introduction (Very Short Introductions))
It wasn't a formal dinner by any means- though Lucien, standing near the windows and watching the sun set over Velaris, was wearing a fine green jacket embroidered with gold, his cream-coloured pants showing off muscled thighs, and his knee-high black boots polished enough that the chandeliers of faelight reflected off them. He'd always had a casual grace about him, but here, tonight, with his hair tied back and a jacket buttoned to his neck, he truly looked the part of a High Lord's son. Handsome, powerful, a bit rakish- but well-mannered and elegant.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Because I am mystical, with or without Fleetwood Mac or Lindsey, and that’s just me. And it’s important for me to be free to do that. I’m a Gemini: a Gemini has two very opposite personalities. I have the moving furniture, cleaning-up-the-room-quickly side and the cream-coloured chiffon personality.
Sean Egan (Fleetwood Mac on Fleetwood Mac: Interviews and Encounters (Musicians in Their Own Words Book 10))
In silence, I took another day in my hands, both together in one colour but blue became white, the whitest softest cream, I have never seen but was allowed to watch, in this moment, it surpassed earth and Time. All that was left, a small wind, around my sight of eye, if I love, let it be, then, forever!
Petra Hermans
Now the world was sharp and clear. She felt everything: saw it, smelt it, heard it, every blackbird startled by the unexpected riders; the creak of the leather beneath her thighs; Flýte’s muscles sliding under her cream coat, the charcoal mane standing stiff, and down rising behind her to her right. Now colour tinted the world, faint at first, but fuming and steadying like her place in it.
Nicola Griffith (Menewood (The Hild Sequence, #2))
kinds of disguises and dance to all sorts of tunes to make myself Harry’s addiction. If he had not been fatally flawed, early corrupted by the brutality of his school, I should never have been able to keep him from Celia. I knew I was a hundred times more beautiful than she, a hundred times stronger. But I could not always remember that, when I saw the quiet strength she drew on when she believed she was morally right. And I could not be certain that every man would prefer me, when I remembered how Harry had looked at her with such love when we came back from France. I would never forgive Celia for that summer. Even though it was the summer when I cared nothing for Harry but rode and danced day and night with John, I would not forget that Celia had taken my lover from me without even making an effort at conquest. And now my husband bent to kiss her hand as if she were a queen in a romance and he some plighted knight. I might give a little puff of irritation at this scene played out before my very window. Or I might measure the weakness in John and think how I could use it. But use it I would. Even if I had felt nothing else for John I should have punished him for turning his eyes to Celia. Whether I wanted him or not was irrelevant. I did not want my husband loving anyone else. For dinner that afternoon I dressed with extra care. I had remodelled the black velvet gown that I had worn for the winter after Papa’s death. The Chichester modiste knew her job and the deep plush folds fitted around my breasts and waist like a tight sheath, flaring out in lovely rumpled folds over the panniers at my hips. The underskirt was of black silk and whispered against the thick velvet as I walked. I made sure Lucy powdered my hair well, and set in it some black ribbon. Finally, I took off my pearl necklace and tied a black ribbon around my throat. With the coming of winter, my golden skin colour was fading to cream, and against the black of the gown I looked pale and lovely. But my eyes glowed green, dark-lashed and heavy-lidded, and I nipped my lips to make them red as I opened the parlour door. Harry and John were standing by the fireplace. John was as far away from Harry as he could be and still feel the fire. Harry was warming his plump buttocks with his jacket caught up, and drinking sherry. John, I saw in my first sharp glance, was sipping at lemonade. I had been right. Celia was trying to save my husband. And he was hoping to get his unsteady feet back on the road to health. Harry gaped openly when he saw me, and John put a hand on the mantelpiece as if one smile from me might destroy him. ‘My word, Beatrice, you’re looking very lovely tonight,’ said Harry, coming forward
Philippa Gregory (Wideacre)
Fingers steepled in front of him, Delaroche stared at the note. The card itself was useless. Delaroche had an entire drawer full of nothing but cream-coloured cards bearing the Gentian’s distinctive purple stamp. He had long ago traced the cards to a very exclusive stationer in London which boasted a wide clientele among the ton. If Delaroche were to go on the make of the paper alone, he could easily accuse anyone from the Prince of Wales to Lady Mary Wortley Montague. Inside – Delaroche did not need to release the card from the letter opener to look; he recalled the contents in painful detail – inside, that rogue had inscribed a bill for the accommodations. One shilling for stale bread, one shilling for rank water, two shillings for rats, three shillings for amusing insults from the guards, and so on, before signing it with the customary small purple flower. On top of the note had been a small pile of English coins, as per the reckoning. Damn him! The list was in Falconstone’s hand – Delaroche knew the hand-writing of every man whose correspondence he had ever intercepted. Delaroche could picture the Gentian standing there, dictating, in the middle of the most carefully guarded prison in Paris. The man’s cheek was unbelievable.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
It is not the colour of your skin that will make you the cream of the crop; but creativity, confidence and being content with who you are.
Gift Gugu Mona
It is not the colour of your skin that will make you the cream of the crop, but creativity, confidence and being content with who you are.
Gift Gugu Mona
grey, the cold biting. Caroline wore the heather-coloured herringbone wool coat that Florence had found in one of her weekly trawls through the charity shops. It was slightly big on the shoulders, but roomy enough to accommodate her new shape. Around her neck she’d wrapped the cashmere shawl, its softness and warmth a blessing. ‘Be back before you know it,’ Florence said, rubbing condensation from the windscreen with her gloved hand. ‘Three days, two nights. It’ll fly by.’ Caroline doubted that, but she made no reply as they pulled away from the cottage. Outside the station Florence parked in a loading bay, something she did regularly. As far as Caroline knew, she never got a parking ticket. The traffic wardens must recognise the grey van, and decide to leave well enough alone. They walked in. Caroline joined the queue at the ticket desk. ‘Return to Brighton,’ she said to the clerk when her turn came. ‘Change in London,’ he replied, barely glancing at her. Out in the area at the rear, they scanned the parked buses. ‘There’s yours,’ Florence said, pointing. ‘Get on and find a seat before they’re gone.’ They’d exchanged presents the night before, after Caroline’s confession. Florence had given her a jar of hand cream and a pair of fur-lined boots. They’re not new, she’d said of the boots, but they’ll keep you warm. Caroline’s gift to her was a sky blue cashmere wrap that she’d knitted one afternoon when Florence was out at work. Predictably, Florence had tut-tutted at the expense – You have more money than sense – but when Caroline had wrapped
Roisin Meaney (The Reunion)
One of the most pleasant recollections of those busy days was a Babylonian dinner given by Present Morton to the friends of the expedition. The cards at our plates were written in the language of Nebuchadnezzar; the bread was of the shape of Babylonian bricks; the great tray of ice-cream was the colour of the desert sand over which sweet icy camels bore burdens of other sweet ices; and there was a huge cake, like the Tower of Babel; about it wandered miniature Arabs with miniature picks, and concealed within its several stages was an art treasure for each of the guests. Then and there, as the Director of the Expedition, I opened the excavations, and from the ruins of the huge cake I rescued and distributed its buried treasures - antiquities fresh from Tiffany's. Finally the host proposed a toast to the expedition, but it happened by some chance that no glass was at my plate. Imagine my consternation when the guests were raising their glasses and were expressing wishes for my success, and I could not respond! Did it portend failure? Was it destined that success be denied me?
Harriet Crawford (Sumer and the Sumerians)