Crawl Space Quotes

We've searched our database for all the quotes and captions related to Crawl Space. Here they are! All 142 of them:

Music was my refuge. I could crawl into the space between the notes and curl my back to loneliness.
Maya Angelou
He pivoted, gaze following me as I crossed to the shower and turned on the cold water, so it would drown out our conversation without steaming up the room. Great," he muttered."Now they're going to think we're showering together. Maybe we can just tell them we were washing off the crawl space dirt and trying to conserve water.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
And another way of explaining it is to say that shit happens, and there's no space too small, too dark and airless and fucking hopeless, for people to crawl into.
Nick Hornby (A Long Way Down)
I wish that photographs were physical spaces, like tunnels; that you could crawl inside them and go back.
Lauren Oliver (Vanishing Girls)
The planet is spinning on time: not a small event. All the galaxies are managing fine; the whole cosmos is doing great. But you have one nasty little thought crawling through your head, and it is a bad day! The problem is you are living in a psychological space that bears no connection with reality. And you are insecure, because it can collapse at any moment.
Sadhguru (Inner Engineering: A Yogi's Guide to Joy)
and half of learning to play is learning what not to play and she's learning the spaces she leaves have their own things to say and she's trying to sing just enough so that the air around her moves and make music like mercy that gives what it is and has nothing to prove she crawls out on a limb and begins to build her home and it's enough just to look around and to know that she's not alone up up up up up up up points the spire of the steeple but god's work isn't done by god it's done by people
Ani DiFranco
How into you do you think I am?” “Honey, you crawled around on all fours in a pet store, totally unable to cope with bein’ in my space. You’re seriously into me.
Kristen Ashley (Raid (Unfinished Hero, #3))
I waited for him to say something more, but he was quiet. "Was there something you wanted?" I asked. He didn't answer right away, but I could feel him struggling, so I waited. "If I asked you something, would you tell me the truth?" It was my turn to hesitate. "I don't know everything," I hedged. "You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right." Melanie was suddenly very in my head. Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean." Melanie sighed. I said nothing to either of them. "I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest. "Does it, Wanda?" "Why won't you answer me?" Jamie was really crying now but trying to muffle the sound. I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck. "Is Melanie still alive, Wanda? Please?" He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses. Jamie's body shook beside me. Melanie cried. She battered ineffectually at my control. But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now. "She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?" Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel." "She loves you, too. She's so happy that you're here and safe." He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
Stephenie Meyer (The Host)
And crawling on the planet's face, some insects called the human race. Lost in time, and lost in space. And meaning.
Richard O'Brien (The Rocky Horror Show (Vocal Selections))
We crawled through time like roaches through the linings of walls, the neglected spaces and hours, foolishly happy that we were still alive even as we did everything to die.
Jesmyn Ward (Men We Reaped)
Nothing there but a distant airplane crawling across the sky, red blinking lights, vulnerable in the vast empty, faint red beacons flashing the message HELLO. A SMALL ISLAND OF LIFE UP HERE, VERY CLOSE TO SPACE. PRAY FOR US. PRAY FOR US.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess — no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity — back of that morning, he had done nothing. They knew that it took him six days to make the earth — all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death. At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ. Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow? I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken — that there is no supernatural power that can answer prayer - no power that worship can persuade or change — no power that cares for man. Is there a God? I do not know. Is man immortal? I do not know. One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be. We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine — with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol 1: Lectures)
It was not death, for I stood up, And all the dead lie down; It was not night, for all the bells Put out their tongues, for noon. It was not frost, for on my flesh I felt siroccos crawl, Nor fire, for just my marble feet Could keep a chancel cool. And yet it tasted like them all; The figures I have seen Set orderly, for burial, Reminded me of mine, As if my life were shaven And fitted to a frame, And could not breathe without a key; And I was like midnight, some, When everything that ticked has stopped, And space stares, all around, Or grisly frosts, first autumn morns, Repeal the beating ground. But most like chaos,--stopless, cool, Without a chance or spar,-- Or even a report of land To justify despair.
Emily Dickinson (I'm Nobody! Who Are You?)
Books are my refuge. I can crawl into the space between the pages and curl my back to loneliness.
Anubhav Mishra
I am convinced that poets are toddlers in a cathedral, slobbering on wooden blocks and piling them up in the light of the stained glass. We can hardly make anything beautiful that wasn’t beautiful in the first place. We aren’t writers, but gleeful rearrangers of words whose meanings we can’t begin to know. When we manage to make something pretty, it’s only so because we are ourselves a flourish on a greater canvas. That means there’s no end to the discovery. We may crawl around the cathedral floor for ages before we grow up enough to reach the doorknob and walk outside into a garden of delights. Beyond that, the city, then the rolling hills, then the sea. And when the world of every cell has been limned and painted and sung, we lie back on the grass, satisfied that our work is done. Then, of course, the sun sets and we see above us the dark dome of glittering stars. On and on it goes, all the way to the lightless borderlands of time and space, which we come to discover in some future age are but the beginnings or endings of a single word spoken from the mouth of God. Some nights, while I traipse down the hill, I imagine that word isn’t a word at all, but a burst of laughter.
Andrew Peterson
You use the word "Infinity" very glibly.... Have you ever been there? Time and space are extensions of the mind, the will. Which means that infinity is a purely local phenomenon. You can turn over a stone and find it crawling there. Or you can make it yourself out of whatever materials are at hand.
Mike Carey (Lucifer, Vol. 3: A Dalliance With the Damned)
Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces. Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web. It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept... ..I have danced with the spider. I have cut a caper with the dancing mad god.
China Miéville (Perdido Street Station (New Crobuzon, #1))
As humans, reality for us is largely based on other people's perceptions. If there's 20 bodies in your crawl space but you haven't been caught yet, you tell yourself you're still a birthday clown, and that's how you keep doing it.
Dan Harmon
I think about that kind of love as we increase in altitude. How maybe it doesn’t just stand for romance—maybe it works for friendship, too. Maybe there’s a kind of friend love that opens you up… Maybe you didn’t have a place for it within you before, but once it finds you out, crawls inside, and makes space for itself, you can’t live without it ever again.
Emma Mills (This Adventure Ends)
One step too late. Another disappointment, breathing in crawl space, leads to another messy ending.
Ben Bruce
Can I have a glass of water?" Her voice was hoarse, probably from screaming. She'd always sounded like that after they'd- He didn't just force the thought aside. He clubbed it unconscious, threw it into a crawl space and walled it up alive.
Jenny Trout (Ashes to Ashes (Blood Ties, #3))
Later, on the night that she and her beloved were slaughtered, when her eyes latched onto the crawl space where she had hidden their heir, their future, the only thing that was greater than the two of them . . . she would have as her last dying thought that it was all meant to be. Whether the tragedy or the luck, all of it had been predetermined, and it had started here, in this instant, as the King’s fingers intertwined with her own and the two of them became locked one into the other, for eternity.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Tomer: “What's this?” Cabinet: “Wt's ths?” Wedge: “Cabinet.” Tomer: “I know it's a cabinet, but it's talking.” Cabinet: “...ts tlkng” Janson: “Oh that. It's the Catann Minister of Crawling Into Very Small Spaces.” Tycho: “He bet Wedge he could fold himself in the that cabinet, around the shelves and all.” Hobbie: “Never bet against Wedge. The Minister gets to stay in there until he admits that it was a stupid bet and that Wedge doesn't owe him anything.
Aaron Allston (Starfighters of Adumar (Star Wars: X-Wing, #9))
After all that carryin' on just gettin' him out and keepin' him alive he wanted to crawl back in my womb and well...I ain't got the room no more even if he could do it. There wasn't space for him in my womb (71).
Toni Morrison (Sula)
Swimming might be the closest to flying a human being can get. There is something about your body displacing water in order to propel through space that makes you feel Godtouched. That makes me understand evolution, that we really must have crawled up from the sea.
Elizabeth Acevedo (Clap When You Land)
I searched my feelings, an activity never far removed from looking for a dead rat in a spidery crawl space under the house.
Michael Chabon (Wonder Boys)
Together they crawled through the attic space, looking for the source of a roof leak they’d discovered in the last bathroom. Jax was out in front, braving the spiderwebs. Maddie was behind him, working really hard at not looking at his butt. And failing spectacularly. So when he unexpectedly twisted around, holding out his hand for the clipboard she was now holding, he caught her staring at him. “I, um—You have a streak of dirt,” she said. “A streak of dirt.” Yes.” She pointed to his left perfectly muscled butt cheek. “There.” He was quiet for a single, stunned beat. She couldn’t blame him, given that they were both covered in dirt from the filthy attic. “Thanks,” he finally said. “It’s important to know where the dirt streaks are.” “It is,” she agreed, nodding like a bobble head. “Probably you should stain-stick it right away. I have some in my purse.” “Are you offering to rub it on my ass?
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
We spread our sleeping bags on the snow and crawled inside. The vantage point was dizzying. It was impossible to tell whether the comet was above us or we were above the comet; we were all falling through space, missing the stars by inches.
Anne Fadiman (At Large and at Small: Familiar Essays)
Hei! Aa-shanta 'nygh! You are off! Send back earth's gods to their haunts on unknown Kadath, and pray to all space that you may never meet me in my thousand other forms. Farewell, Randolph Carter, and beware; for I am Nyarlathotep, the Crawling Chaos.
H.P. Lovecraft (The Dream-Quest of Unknown Kadath)
As a writer, I will go down any dark alley, inch my way through the tightest crawl space, and feed on your every fear. I will take your sense of calm and tear it to shreds. - Horror Author Barbara Watkins
Barbara Watkins (Hollowing Screams)
Crawling through dark tunnels in the company of hobbits, standing in front of oncoming trains waving a red flag torn from a petticoat: to read alone is to step into an infinite space where none can follow.
Katherine Rundell (Why You Should Read Children's Books, Even Though You Are So Old and Wise)
Life is like a train ride. The passengers on the train are seemingly going to the same destination as you, but based on their belief in you or their belief that the train will get them to their desired destination they will stay on the ride or they will get off somewhere during the trip. People can and will get off at any stop. Just know that where people get off is more of an reflection on them, than it is on you. There will be a few people in your life that will make the whole trip with you, who believe in you, accept that you are human and that mistakes will be made along the way, and that you will get to your desired destination - together, no matter what. Be very grateful of these people. They are rare and when you find one, don't let go of them - ever. Be blessed for the ones who get on at the worst stops when no one is there. Remember those people, they are special. Always hold them dear to your heart. Be very wary of people sneaking on at certain stops when things are going good and acting like they have been there for the whole ride. For they will be the first to depart. There will be ones who secretly try to get off the ride and there will be those that very publicly will jump off. Don't pay any heed to the defectors. Pay heed to the passengers that are still on the trip. They are the important ones. If someone tries to get back on the train - don't be angry or hold a grudge, let them. Just see where they are around the next hard turn. If they are buckled in - accept them. If they are pulling the hand rail alarm again - then let them off the train freely and waste no space in your head for them again, ever. There will be times that the train will be moving slow, at almost a crawls pace. Appreciate that you can take in the view. There will be times where the train is going so fast that everything is a blur. Enjoy the sense of speed in your life, as it is exhilarating but unsustainable. There will also be the chance that the train derails. If that does happen, it will hurt, a lot, for a long time. But there will be people who will appear out of no where who will get you back on track. Those will be the people that will matter most in your life. Love them forever. For you can never repay these people. The thing is, that even if you could repay them, they wouldn't accept it anyway. Just pay it forward. Eventually your train will get to its final stop and you will need to deboard. At that time you will realize that life is about the journey AND the destination. Know and have faith that at the end of your ride your train will have the right passengers on board and all the passengers that were on board at one time or another were there for a distinct purpose. Enjoy the ride.
JohnA Passaro
The objective world is, it does not happen. Only to the gaze of my consciousness, crawling along the lifeline of my body, does a section of this world come to life as a fleeting image in space which continuously changes in time.
Hermann Weyl
–you know, I’ve either had a family, a job, something has always been in the way but now I’ve sold my house, I’ve found this place, a large studio, you should see the space and the light. for the first time in my life I’m going to have a place and the time to create.” no baby, if you’re going to create you’re going to create whether you work 16 hours a day in a coal mine or you’re going to create in a small room with 3 children while you’re on welfare, you’re going to create with part of your mind and your body blown away, you’re going to create blind crippled demented, you’re going to create with a cat crawling up your back while the whole city trembles in earthquake, bombardment, flood and fire. baby, air and light and time and space have nothing to do with it and don’t create anything except maybe a longer life to find new excuses for.
Charles Bukowski (The Last Night of the Earth Poems)
I wish I could break this window. Step through it. But I can't break this window. I can't even find some less dramatic way to die inside of this school, like hanging myself or slitting my wrists, because what would they do with my body? It might put everyone at risk. I won't let myself do that. I'm not selfish like Lily. I hate her. I hate her so much my heart tries to crawl out of my throat but it gets stuck there and beats crazily in the too narrow space. I bring my hands to my neck and try to massage it back down. I pres so heard against the skin, my eyes sting, and then I'm hurrying back down the stairs, back to the first floor. I think of Trace running laps, something he can control.
Courtney Summers (This is Not a Test (This is Not a Test, #1))
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
Robert G. Ingersoll
The fact that Cincinnati thought I resembled him in any way sickened me. It made me want to run and hide. When I was a child in Detroit and terrors chased me, I would run to my hiding spot, a crawl space under the front porch of the boardinghouse we lived in. I’d wedge my small body into the cool brown earth and lie there, escaping the ugliness that was inevitably going on above me. I’d plug my ears with my fingers and hum to block out the remnants of Mother’s toxic tongue or sharp backhand. It became a habit, humming, and a decade later, I was still doing it. Life had turned cold again, the safety of the cocoon under the porch was gone, and lying in the dirt had become a metaphor for my life.
Ruta Sepetys (Out of the Easy)
Growing up feels like your skin no longer fits. Like you just want to crawl out of that thinly stretched space and lay down in the grass and sob for hours. Instead, I am in a cafe eating lunch and trying not to scream. Looking around wondering if anyone else in this building is doing the same thing, wondering if they ever have and, if so, how they got through it. Maybe I would calm down if I just had the assurance that other people have looked in the mirror and no longer recognized themselves. Maybe if I could sit across the table from an elderly woman and have her tell me that she lived through days where the covers over her head felt even better than an embrace and weeks where she drank her tears to keep from wetting her shirt sleeves, but that those years shaped her into an iron skeleton with a tender heart. That “worth it” was an understatement. Maybe then I would feel okay.
Kalyn Roseanne Livernois (High Wire Darlings)
To Summarize briefly: A white rabbit is pulled out of a top hat. Because it is an extremely large rabbit, the trick takes many billions of years. All mortals are born at the very tip of the rabbit's fine hairs. where they are in a position to wonder at the impossibility of the trick. But as they grow older they work themselves even deeper into the fur. And there they stay. They become so comfortable they never risk crawling back up the fragile hairs again. Only philosophers embark on this perilous expedition to the outermost reaches of language and existence. Some of the fall off, but other cling on desperately and yell at the people nestling deep in the snug softness, stuffing themselves with delicious food and drink. 'Ladies and gentlemen,' they yell, 'we are floating in space!' but none of the people down there care. 'What a bunch of troublemakers!' they say. And they keep on chatting: Would you pass the butter, please? How much have our stocks risen today? What is the price of tomatoes? Have you heard that Princes Di is expecting again?
Jostein Gaarder (Sophie's World)
In one sense, burglars seem to understand architecture better than the rest of us. They misuse it, pass through it, and ignore any limitations a building tries to impose. Burglars don’t need doors; they’ll punch holes through walls or slice down through ceilings instead. Burglars unpeel a building from the inside out to hide inside the drywall (or underneath the floorboards, or up in the trusses of an unlit crawl space). They are masters of architectural origami, demonstrating skills the rest of us only wish we had, dark wizards of cities and buildings, unlimited by laws that hold the rest of us in.
Geoff Manaugh (A Burglar's Guide to the City)
Marsh is not swamp. Marsh is a space of light, where grass grows in water, and water flows into the sky. Slow-moving creeks wander, carrying the orb of the sun with them to the sea, and long-legged birds lift with unexpected grace—as though not built to fly—against the roar of a thousand snow geese. Then within the marsh, here and there, true swamp crawls into low-lying bogs, hidden in clammy forests. Swamp water is still and dark, having swallowed the light in its muddy throat. Even night crawlers are diurnal in this lair. There are sounds, of course, but compared to the marsh, the swamp is quiet because decomposition is cellular work. Life decays and reeks and returns to the rotted duff; a poignant wallow of death begetting life.
Delia Owens (Where the Crawdads Sing)
The Librarian swung on. It was slow progress, because there were things he wasn't keen on meeting. Creatures evolved to fill every niche in the environment, and some of those in the dusty immensity of L-space were best avoided. They were much more unusual than ordinary unusual creatures. Usually he could forewarn himself by keeping a careful eye on the kickstool crabs that grazed harmlessly on the dust. When they were spooked, it was time to hide. Several times he had to flatten himself against the shelves as a thesaurus thundered by. He waited patiently as a herd of Critters crawled past, grazing on the contents of the choicer books and leaving behind them piles of small literary criticism. And there were other things, things which he hurried away from and tried not to look hard at... And you had to avoid cliches at all costs.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch #1))
It was both terrible and oddly humbling to realize how easily physical discomfort could take control, expanding like poison gas until it owned all the floor-space, took over the entire playing field. Grief? Loss? What were those things when you could feel cold on the march, moving in from your fingers and toes, crawling up your motherfucking nose, and moving where? Toward the brain, do it please ya. And toward the heart. In the grip of cold like that, grief and loss were nothing but words. No, not even that. Only sounds. So much meaningless quack as you sat shuddering under the stars, waiting for a morning that would never come.
Stephen King (The Dark Tower (The Dark Tower, #7))
You don’t think me a handsome man?” She shrugged. “I’ve only seen your hands and eyes. For all I know, you’re hiding the face of a sun spirit in that hood.” Brishen scoffed at the idea. “Hardly.” He’d never lacked female company, and his people thought him well-favored. Certainly nothing as wretched as a sun spirit. He slid the hood back to his shoulders. The woman’s eyes rounded. She inhaled a harsh breath and clasped one hand to her chest. Her mollusk skin went a far more attractive shade of ash. She remained silent and stared at him until he raised a hand in question. “Well?” She exhaled slowly. The space between her eyebrows stitched into a single vertical frown line. “Had you crawled out from under my bed when I was a child, I would have bludgeoned you to death with my father’s mace.
Grace Draven (Radiance (Wraith Kings, #1))
What Ye disliked most was seeing the waves that slowly crawled across the display, a visual record of the meaningless noise Red Coast picked up from space. Ye felt this interminable wave was an abstract view of the universe: one end connected to the endless past, the other to the endless future, and in the middle only the ups and downs of random chance—without life, without pattern, the peaks and valleys at different heights like uneven grains of sand, the whole curve like a one-dimensional desert made of all the grains of sand lined up in a row, lonely, desolate, so long that it was intolerable. You could follow it and go forward or backward as long as you liked, but you’d never find the end. On
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
THE RELIABLE WAY OUT OF OBESITY IS VIA PERSONAL RESPONSIBILITY. This point has been lost on the hundreds of folks who have railed against my arguments for food addiction in periodicals, so I"m eager to make it here: No one but me put the food in my mouth. Even if I had grown up imprisoned in a crawl space under the basement stairs (I wasn't), even if tragedy has befallen me every 15 minutes since (it hasn't), I"m still responsible for what I eat. If my food is out of control (it was), then I'm responsible for finding, requesting, and accepting the help I need.
Michael Prager (Fat Boy Thin Man)
If circumstances make you lift your feet off the floor, don’t start crawling on the ceiling. This is the nature of Maya (Space-Time). The ceiling becomes the new floor. The high becomes the new low. Fly in the nothingness (Shunya) within which everything including the floor and the ceiling exists!
It's time to get you into your crawl space, if you want to be at the negotiations tomorrow without a hangover." He stood up and offered his hand to Lowen. She took it, wobbling only slightly. "Whoa," she said. "Someone did something to the artificial gravity." "Yes, Wilson said. "That's it exactly.
John Scalzi (The Human Division (Old Man's War, #5))
Unable to sleep after the others had drowsed off, I crawled out of the tent and lay on the ground, looking at the sky. Now and then, a shooting star would trace a bright arc across the heavens. The longer I watched, though, the more nervous it made me. There were simply too many stars, and the sky was too vast and deep. A huge, overpowering foreign object, it surrounded me, enveloped me, and made me feel almost dizzy. Until that moment, I had always thought that the earth on which I stood was a solid object that would last forever. Or rather, I had never thought about such a thing at all. I had simply taken it for granted.
Haruki Murakami (The Wind-Up Bird Chronicle)
Dredge up a hostile, sulfurous silicate lava sink slaloming between two phlegmy suns well into their shuffleboard years, a miserable wad of hell-spit, free-range acid clouds, and the gravitational equivalent of untreated diabetes, a stellar expletive that should never be forced to cope with something as toxic and flammable as a civilization, and before you can say no, stop, don’t, why? the place will be crawling with postcapitalist glass balloons filled with sentient gases all called Ursula.
Catherynne M. Valente (Space Opera (Space Opera, #1))
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
The guy in the T-shirt that pictures a semiautomatic rifle above the message COME AND TAKE IT, the one in fatigues buying two twelve-packs of beer and a tub of rice pudding, didn’t necessarily vote Republican. He could have just stayed home on Election Day and force-fed the women he holds captive in the crawl space beneath his living room.
David Sedaris (Calypso)
We inherit every one of our genes, but we leave the womb without a single microbe. As we pass through our mother's birth canal, we begin to attract entire colonies of bacteria. By the time a child can crawl, he has been blanketed by an enormous, unseen cloud of microorganisms--a hundred trillion or more. They are bacteria, mostly, but also viruses and fungi (including a variety of yeasts), and they come at us from all directions: other people, food, furniture, clothing, cars, buildings, trees, pets, even the air we breathe. They congregate in our digestive systems and our mouths, fill the space between our teeth, cover our skin, and line our throats. We are inhabited by as many as ten thousand bacterial species; those cells outnumber those which we consider our own by ten to one, and weigh, all told, about three pounds--the same as our brain. Together, they are referred to as our microbiome--and they play such a crucial role in our lives that scientists like [Martin J.] Blaser have begun to reconsider what it means to be human.
Michael Specter
Love makes your soul crawl out from its hiding space,’ to quote the late, great Zora Neale Hurston. It
Anne Lamott (Imperfect Birds)
Can it be that ugly and easy? We crawled primordial from the water, our grand-ancestors times a million generations; we escaped the tides, the sharks, and the leviathans of the deep, only to find ourselves on land -- where we became the things we'd sought to escape, and we invented gods to blame. Not gods of the ocean, for we'd been to the ocean, and seen that the water was empty of the divine. Not gods of the earth, for we have walked up on the dirt, and we are alone here. So we installed gods in the sky, because we haven't yet eliminated the firmament as a possibility. Next, I suppose we'll send them into space ... Over and over, we lift God out of our reach. Over and over, push Him beyond our grasp, yet still we stretch out our fingers and seek to touch Him. But find nothing.
Cherie Priest (Maplecroft (The Borden Dispatches #1))
John Wayne Gacy is obsessively fond of defending his innocence, which is imaginary. On March 12, 1980, he was convicted in Chicago of killing thirty-three boys. The murders took place between 1972 and 1978, when he was caught and arrested. No one else in America has ever been convicted of killing so many people. Twenty-seven of the bodies were buried in a crawl space beneath the house where Gacy lived,
Alec Wilkinson (Conversations With a Killer (Singles Classic))
Even with a rigorous exercise program, after a year on the space station, the bones and muscles of Russian cosmonauts are so atrophied that they can barely crawl like babies when they first return to Earth.
Michio Kaku (Physics of the Impossible: A Scientific Exploration of the World of Phasers, Force Fields, Teleportation, and Time Travel)
Focusing on the breath as a way to temporarily stop the thinking was like using a broom to sweep a floor crawling with cockroaches. You could clear the space briefly, but then the bugs came marauding back in.
Dan Harris (10% Happier)
In spaces too small for light to crawl I'll hide everything I own. I'll keep you there for safety. I'll build a shelter for your fears. I'll be your own suicide bomber, a satellite in the dwindling orbits, a mortal Om.
Eric Gamalinda (Amigo Warfare)
A shadow fills the space where he stood, familiar and utterly changed at the same time. “E-Elias?” “I’m here.” He hauls me to my feet. He is lean as a rail, and his eyes appear to almost glow in the thickening smoke. “Your brother is here. Tas is here. We’re alive. We’re all right. And that was beautifully done.” He nods to the soldier, who has ripped the dagger out of his thigh and is now crawling away. “He’ll be limping for months.” I
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
To drop seeds into my belly. To spit a virus in my throat that grew into a giant “you” plant. The branches crawling up the walls of my insides and begging to claw my mouth open and make me say things I don’t mean. The dying leaves flaking off and swaying to the pit of my stomach in an imaginary breeze landing with a deafening thump. Echoes that bounce up between my teeth. And remind my tongue there is no more watermelon. Just empty space.
Halsey (I Would Leave Me If I Could: A Collection of Poetry)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
None were left now to unname, and yet how close I felt to them when I saw one of them swim or fly or trot or crawl across my way or over my skin, or stalk me in the night, or go along beside me for a while in the day. They seemed far closer than when their names had stood between myself and them like a clear barrier: so close that my fear of them and their fear of me became one same fear. And the attraction that many of us felt, the desire to feel or rub or caress one another’s scales or skin or feathers or fur, taste one another’s blood or flesh, keep one another warm, that attraction was now all one with the fear, and the hunter could not be told from the hunted, nor the eater from the food.
Ursula K. Le Guin (The Unreal and the Real: Selected Stories, Volume Two: Outer Space, Inner Lands (The Unreal and the Real, #2))
She crawled into her bed and curled into a tiny ball. She was suddenly aware of how small the space was that she was occupying compared to the largeness of the world. With a heavy pain in her chest she closed her eyes. She no longer resisted sleep for she knew that her dreadful nightmares were unavoidable. It was about time she got used to them. She held onto the image of Will’s face as long as she could, desperately hoping that some of his goodness would carry on into the night.
Julia Barkey
He couldn’t know that I’d overstayed my welcome one night while creeping through his megaron and had crawled up through the space where the pipes of the hypocaust ran to hide in his treasure room. I had slept for a day in stuffy darkness on the ridged tops of his treasure trunks.
Megan Whalen Turner (The Thief (The Queen's Thief, #1))
The peace and beauty of it all, before I can fly, I learn how to crawl. Mentally rich so space jam is where I take my lessons to ball. Failures of life? Haa, angels surround me as if I'm never destined to fall, It's destined for all, tap into conscious mind is what makes me so raw.
Jose R. Coronado (The Land Flowing With Milk And Honey)
One night, Ye was working the night shift. This was the loneliest time. In the deep silence of midnight, the universe revealed itself to its listeners as a vast desolation. What Ye disliked most was seeing the waves that slowly crawled across the display, a visual record of the meaningless noise Red Coast picked up from space. Ye felt this interminable wave was an abstract view of the universe: one end connected to the endless past, the other to the endless future, and in the middle only the ups and downs of random chance—without life, without pattern, the peaks and valleys at different heights like uneven grains of sand, the whole curve like a one-dimensional desert made of all the grains of sand lined up in a row, lonely, desolate, so long that it was intolerable. You could follow it and go forward or backward as long as you liked, but you’d never find the end.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
Gregory was in the walls, in the crawl space between the board floor of the cabin and the bitter ground. He was gone, but he was everywhere. He was on the small pantry shelf where canning was removed. The air of the cabin still held Gregory. He filled and expanded every dark corner, tight, to exploding. He was jammed between her legs so that no matter how she moved, he was inside of Agnes. She couldn't shake him from her vestments or burn him from the stove. He nested in the books, of course. She couldn't stand to touch their pages. He was in the sweet, fragrant wood Mary Kashpaw chopped, split, and piled. In the cloth of curtains, the clasp of doors, he waited. She turned the handle, let the light in, and he came, too, solid and good and alive.
Louise Erdrich (The Last Report on the Miracles at Little No Horse)
She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.
Alice Sebold (The Lovely Bones)
The world tells me I am its creature I am raked by eyes brushed by hands I want to crawl into her for refuge lay my head in the space between her breast and shoulder abnegating power for love as women have done or hiding from power in her love like a man I refuse these givens the splitting between love and action I am choosing not to suffer uselessly and not to use her I choose to love this time for once with all my intelligence
Adrienne Rich (The Dream of a Common Language: Poems 1974-1977)
Seemed like a fact of the universe that the closer you got to anything, the worse it looked. Take the most beautiful person in the solar system, zoom in on them at the right magnification and they were an apocalyptic cratered landscape crawling with horrors. That’s what the Earth was. A shining jewel from space, up close a blasted landscape covered with mites living by devouring the dying. “One ticket to New York,” he said to the automated kiosk.
James S.A. Corey (Nemesis Games (Expanse #5))
Depression goes through stages, but if left unchecked and not treated, this elevator ride will eventually go all the way to the bottom floor. And finally you find yourself bereft of choices, unable to figure out a way up or out, and pretty soon one overarching impulse begins winning the battle for your mind: “Kill yourself.” And once you get over the shock of those words in your head, the horror of it, it begins to start sounding appealing, even possessing a strange resolve, logic. In fact, it’s the only thing you have left that is logical. It becomes the only road to relief. As if just the planning of it provides the first solace you’ve felt that you can remember. And you become comfortable with it. You begin to plan it and contemplate the details of how best to do it, as if you were planning travel arrangements for a vacation. You just have to get out. O-U-T. You see the white space behind the letter O? You just want to crawl through that O and be out of this inescapable hurt that is this thing they call clinical depression. “How am I going to do this?” becomes the only tape playing. And if you are really, really, really depressed and you’re really there, you’re gonna find a way. I found a way. I had a way. And I did it. I made sure Opal was out of the house and on a business trip. My planning took a few weeks. I knew exactly how I was going to do it: I didn’t want to make too much of a mess. There was gonna be no blood, no drama. There was just going to be, “Now you see me, now you don’t.” That’s what it was going to be. So I did it. And it was over. Or so I thought. About twenty-four hours later I woke up. I was groggy; zoned out to the point at which I couldn’t put a sentence together for the next couple of days. But I was semifunctional, and as these drugs and shit that I took began to wear off slowly but surely, I realized, “Okay, I fucked up. I didn’t make it.” I thought I did all the right stuff, left no room for error, but something happened. And this perfect, flawless plan was thwarted. As if some force rebuked me and said, “Not yet. You’re not going anywhere.” The only reason I could have made it, after the amount of pills and alcohol and shit I took, was that somebody or something decided it wasn’t my time. It certainly wasn’t me making that call. It was something external. And when you’re infused with the presence of this positive external force, which is so much greater than all of your efforts to the contrary, that’s about as empowering a moment as you can have in your life. These days we have a plethora of drugs one can take to ameliorate the intensity of this lack of hope, lack of direction, lack of choice. So fuck it and don’t be embarrassed or feel like you can handle it yourself, because lemme tell ya something: you can’t. Get fuckin’ help. The negative demon is strong, and you may not be as fortunate as I was. My brother wasn’t. For me, despair eventually gave way to resolve, and resolve gave way to hope, and hope gave way to “Holy shit. I feel better than I’ve ever felt right now.” Having actually gone right up to the white light, looked right at it, and some force in the universe turned me around, I found, with apologies to Mr. Dylan, my direction home. I felt more alive than I’ve ever felt. I’m not exaggerating when I say for the next six months I felt like Superman. Like I’m gonna fucking go through walls. That’s how strong I felt. I had this positive force in me. I was saved. I was protected. I was like the only guy who survived and walked away from a major plane crash. I was here to do something big. What started as the darkest moment in my life became this surge of focus, direction, energy, and empowerment.
Ron Perlman (Easy Street: The Hard Way)
What—in other words—would modern boredom be without terror? One of the most boring documents of all time is the thick volume of Hitler’s Table Talk. He too had people watching movies, eating pastries, and drinking coffee with Schlag while he bored them, while he discoursed theorized expounded. Everyone was perishing of staleness and fear, afraid to go to the toilet. This combination of power and boredom has never been properly examined. Boredom is an instrument of social control. Power is the power to impose boredom, to command stasis, to combine this stasis with anguish. The real tedium, deep tedium, is seasoned with terror and with death. There were even profounder questions. For instance, the history of the universe would be very boring if one tried to think of it in the ordinary way of human experience. All that time without events! Gases over and over again, and heat and particles of matter, the sun tides and winds, again this creeping development, bits added to bits, chemical accidents—whole ages in which almost nothing happens, lifeless seas, only a few crystals, a few protein compounds developing. The tardiness of evolution is so irritating to contemplate. The clumsy mistakes you see in museum fossils. How could such bones crawl, walk, run? It is agony to think of the groping of the species—all this fumbling, swamp-creeping, munching, preying, and reproduction, the boring slowness with which tissues, organs, and members developed. And then the boredom also of the emergence of the higher types and finally of mankind, the dull life of paleolithic forests, the long long incubation of intelligence, the slowness of invention, the idiocy of peasant ages. These are interesting only in review, in thought. No one could bear to experience this. The present demand is for a quick forward movement, for a summary, for life at the speed of intensest thought. As we approach, through technology, the phase of instantaneous realiza-tion, of the realization of eternal human desires or fantasies, of abolishing time and space the problem of boredom can only become more intense. The human being, more and more oppressed by the peculiar terms of his existence—one time around for each, no more than a single life per customer—has to think of the boredom of death. O those eternities of nonexistence! For people who crave continual interest and diversity, O! how boring death will be! To lie in the grave, in one place, how frightful!
Saul Bellow (Humboldt's Gift)
"I'm not going anywhere. I'm joining your little gang of baby heroes on the quest to find Superdad." Simon and Derek exchanged a look. "No," Derek said. "No? Excuse me, it was Rae who betrayed you guys. Not me. I helped Chloe." "And was it Rae who tormented her at Lyle House?" "Tormented?" A derisive snort. "I didn't—" "You did everything you could to get Chloe kicked out," Simon said. "And when that didn't work, you tried to kill her." "Kill her?" Tori's mouth hardened. "I'm not my mother. Don't you dare accuse—" "You lured her into the crawl space," Derek said. "Hit her over the head with a brick, bound and gagged her, and locked her in. Did you even check to make sure she was okay? That you hadn't cracked her skull?" Tori sputtered a protest, but from the horror in her eyes, I knew the possibility hadn't occurred to her. "Derek," I said, "I don't think—" "No she didn't think. She could have killed you with the brick, suffocated you with the gag, given you a heart attack from fright, not to mention what would have happened if you hadn't gotten out of your bindings. It only takes a couple of days to die from dehydration." "I would never have left Chloe to die. You can't accuse me of that." "No," Derek said. "Just of wanting hr locked up in a mental hospital. And why? Because you didn't like her. Because she talked to a guy you did like. Maybe you're not your mother, Tori. But what you are..." He fixed her with an icy look. "I don't want around." The expression on her face...I felt for her, whether she'd welcome my sympathy or not. "We don't trust you," Simon said, his tone softer than his brother's. "We can't have someone along that we don't trust." "What if I'm okay with it," I cut in. "If i feel safe with her..." "You don't," Derek said. "You won't kick her to the curb, though, because it's not the kind of person you are." He met Tori's gaze. "But it's the kind of person I am. Chloe won't force you to leave because she'd feel horrible if anything happened to you. Me? I don't care. You brought it on yourself."
Kelley Armstrong (The Awakening (Darkest Powers, #2))
Once there were three tribes. The Optimists, whose patron saints were Drake and Sagan, believed in a universe crawling with gentle intelligence—spiritual brethren vaster and more enlightened than we, a great galactic siblinghood into whose ranks we would someday ascend. Surely, said the Optimists, space travel implies enlightenment, for it requires the control of great destructive energies. Any race which can't rise above its own brutal instincts will wipe itself out long before it learns to bridge the interstellar gulf. Across from the Optimists sat the Pessimists, who genuflected before graven images of Saint Fermi and a host of lesser lightweights. The Pessimists envisioned a lonely universe full of dead rocks and prokaryotic slime. The odds are just too low, they insisted. Too many rogues, too much radiation, too much eccentricity in too many orbits. It is a surpassing miracle that even one Earth exists; to hope for many is to abandon reason and embrace religious mania. After all, the universe is fourteen billion years old: if the galaxy were alive with intelligence, wouldn't it be here by now? Equidistant to the other two tribes sat the Historians. They didn't have too many thoughts on the probable prevalence of intelligent, spacefaring extraterrestrials— but if there are any, they said, they're not just going to be smart. They're going to be mean. It might seem almost too obvious a conclusion. What is Human history, if not an ongoing succession of greater technologies grinding lesser ones beneath their boots? But the subject wasn't merely Human history, or the unfair advantage that tools gave to any given side; the oppressed snatch up advanced weaponry as readily as the oppressor, given half a chance. No, the real issue was how those tools got there in the first place. The real issue was what tools are for. To the Historians, tools existed for only one reason: to force the universe into unnatural shapes. They treated nature as an enemy, they were by definition a rebellion against the way things were. Technology is a stunted thing in benign environments, it never thrived in any culture gripped by belief in natural harmony. Why invent fusion reactors if your climate is comfortable, if your food is abundant? Why build fortresses if you have no enemies? Why force change upon a world which poses no threat? Human civilization had a lot of branches, not so long ago. Even into the twenty-first century, a few isolated tribes had barely developed stone tools. Some settled down with agriculture. Others weren't content until they had ended nature itself, still others until they'd built cities in space. We all rested eventually, though. Each new technology trampled lesser ones, climbed to some complacent asymptote, and stopped—until my own mother packed herself away like a larva in honeycomb, softened by machinery, robbed of incentive by her own contentment. But history never said that everyone had to stop where we did. It only suggested that those who had stopped no longer struggled for existence. There could be other, more hellish worlds where the best Human technology would crumble, where the environment was still the enemy, where the only survivors were those who fought back with sharper tools and stronger empires. The threats contained in those environments would not be simple ones. Harsh weather and natural disasters either kill you or they don't, and once conquered—or adapted to— they lose their relevance. No, the only environmental factors that continued to matter were those that fought back, that countered new strategies with newer ones, that forced their enemies to scale ever-greater heights just to stay alive. Ultimately, the only enemy that mattered was an intelligent one. And if the best toys do end up in the hands of those who've never forgotten that life itself is an act of war against intelligent opponents, what does that say about a race whose machines travel between the stars?
Peter Watts (Blindsight (Firefall, #1))
no baby, if you’re going to create you’re going to create whether you work 16 hours a day in a coal mine or you’re going to create in a small room with 3 children while you’re on welfare, you’re going to create with part of your mind and your body blown away, you’re going to create blind crippled demented, you’re going to create with a cat crawling up your back while the whole city trembles in earthquake, bombardment, flood and fire. baby, air and light and time and space have nothing to do with it and don’t create anything except maybe a longer life to find new excuses for.
Charles Bukowski (The Last Night of the Earth Poems)
It was both terrible and oddly humbling to realize how easily physical discomfort could take control, expanding like poison gas until it owned all the floor-space, took over the entire playing field. Grief? Loss? What were those things when you could feel cold on the march, moving in from your fingers, crawling up your motherfucking nose, and moving where? Toward the brain, do it please ya. And toward the heart. In the grip of cold like that, grief and loss were nothing but words. No, not even that. Only sounds. So much meaningless quack as you sat shuddering under the stars, waiting for a morning that would never come.
Stephen King (The Dark Tower (The Dark Tower, #7))
Maybe there are people who love someone so much that when they lose them, they never want to be with anyone else again. But maybe there are people who love someone so much that it makes them want to find that kind of love again. Maybe they loved them so much, they can’t live without that kind of love in their life. And maybe … it’s a kind of love where you don’t have to say it. Where they’re such a part of you and you’re such a part of them that it doesn’t need to be said. Because you already know.” When I glance up at Gabe again, he has his eyes on me. “Yeah,” he says. “Maybe.” “I like that,” Vera says with a small smile. “I think it must be like that.” I think about that kind of love as we increase in altitude. How maybe it doesn’t just stand for romance—maybe it works for friendship, too. Maybe there’s a kind of friend love that opens you up … Maybe you didn’t have a place for it within you before, but once it finds you out, crawls inside, and makes space for itself, you can’t live without it ever again. I look over at Vera, and I think about what she said to me the first day we had lunch together: They never really say that they love each other, but it’s so freaking obvious. Like, Sherlock would straight-up kill for Watson. “Just so you know,” I say, “I would straight-up kill for you.
Emma Mills (This Adventure Ends)
Bethany stands in the middle of the enormous, apparently endless beach surrounded by square miles of damp sand, the surf still some hundred yards off, the light pearly and uniform, the horizon a blurry, darker grey line shading into the clouds. Turning, she sees the black-green jagged stripe of the pines behind the dunes and, beyond that, more unchanging grey sky. A kind of dizziness afflicts her – she senses her insignificance, a small two-legged homunculus in the midst of all this space, a mere speck, a tiny crawling gnat in this elemental simplicity of sand, water and sky. She squats on her haunches, worried she might fall over, and to distract herself takes out her camera and frames a shot of the beach, the sea and the packed clouds – it looks like an abstract painting. Click. It looks like an abstract painting by – what was his name? Colour-field paintings they are called, the three layers of colour-fields in this case being broad, horizontal bands of dark taupe, slate grey, nebulous tarnished silver. It is rather beautiful. She stands up, feeling equilibrium return – maybe she was hungry, and felt faint for a second or two or maybe, she wonders, maybe she has experienced an actual existential moment – an epiphany – and has seen clearly the reality of her place in the world and has felt the nothingness, the vast indifference of the universe…
William Boyd (The Dreams of Bethany Mellmoth)
wide open falsehood the clandestine truths rival till the end in a series of duels pardon the drapery language I choose Waltz in Vienna has taught me to use every tall room a fiction leatherbound treasure books up to the ceiling gold spine upon spine the guile and the treason the faith and allegiance wide open falsehood the clandestine truths rival till the end in a series of duels pardon the drapery language I choose the author grew fat to imagine his lead pen careening gave voice to the scheming an Aryan cabale to dethrone the guile and the treason the faith and allegiance to the empire unknown the baron and his mistress dine in a fine banquet hall as rebel insurgents plot in the attic space crawl the guile and the treason the faith and allegiance now lie in my hand
Natalie Merchant
We may not like thinking about it, but germs crawl eternally over every speck of our planet. Our own bodies are bacterial condos, with established relationships between the upstairs and downstairs neighbors. Without these regular residents, our guts are easily taken over by less congenial newcomers looking for low-rent space. What keeps us healthy is an informed coexistence with microbes, rather than the micro-genocide that seems to be the rage lately. Germophobic parents can now buy kids' dinnerware, placemats, even clothing imbedded with antimicrobial chemicals. Anything that will stand still, if we mean to eat it, we shoot full of antibiotics. And yet, more than 5,000 people in the United States die each year from pathogens in our food. Sterility is obviously the wrong goal, especially as a substitute for careful work.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
When I entered the drum, why did it make my heart start pounding? In the small, cramped space, secretly, I was incredibly smitten by her. While playing, we both decided to try and crawl into the drum. It was dark and smelled faintly of metal. Beyond the mouth of the round drum, we could see the sunlight. If I turned around, our bodies fit into the drum exactly, and she was right there. Her breathing was echoing. The air around us was very humid. Somehow the burning feeling in my heart came boiling over, and I put my face close to hers, and gave her a little kiss. Of course it was on the lips. It was a gentle sensation, and it was the first time I'd ever felt such a strange emotion. She responded with the same feeling. So I kept on kissing her. They were light kisses, but my heart was beating wildly.It was an amazing first time.
Outside the wind blew by; in here there was nothing but the beating of the hot sun on the skin. He lay a while, intensely conscious of the welcome heat, in a state of self-induced voluptuousness. When he looked at the sun, his eyes closed almost tight, he saw webs of crystalline fire crawling across the narrow space between the slitted lids, and his eyelashes made the furry beams of light stretch out, recede, stretch out. It was a long time since he had lain naked in the sun. He remembered that if you stayed out long enough the rays drew every thought out of your head. That was what he wanted, to be baked dry and hard, to feel the vaporous worries evaporating one by one, to know finally that all the damp little doubts and hesitations that covered the floor of his being were curling up and expiring in the great furnace-blast of the sun.
Paul Bowles (Let it Come Down)
Do you have a piece of paper I could write on?” I jump up too fast. “Sure. Just one? Do you—of course you need something to write with. Sorry. Here.” I grab him a paper from my deskdrawer and one of my myriad pencils, and he uses the first Children of Hypnos book as a flat surface to write on. When I’m sure he’s writing something for me to read right now, I say, “I thought you only needed to do that when other people were around?” He etches one careful line after the next. He frowns, shakes his head. “Sometimes it’s . . . tough to say things. Certain things.” His voice is hardly a whisper. I sit down beside him again, but his big hand blocks my view of the words. He stops writing, leaves the paper there, and stares. Then he hands it to me and looks the other direction. Can I kiss you? “Um,” is a delightfully complex word. “Um” means “I want to say something but don’t know what it is,” and also “You have caught me off guard,” and also “Am I dreaming right now? Someone please slap me.” I say “um,” then. Wallace’s entire head-neck region is already flushed with color, but the “um” darkens it a few shades, and goddammit, he was nervous about asking me and I made it worse. What good is “um” when I should say “YES PLEASE NOW”? Except there’s no way I’m going to say “YES PLEASE NOW” because I feel like my body is one big wired time bomb of organs and if Wallace so much as brushes my hand, I’m going to jump out of my own skin and run screaming from the house. I’ll like it too much. Out of control. No good. I say, “Can I borrow that pencil?” He hands me the pencil, again without looking. Yes, but not right now. I know it sounds weird. Sorry. I don’t think it’ll go well if I know it’s coming. I will definitely freak out and punch you in the face or scream bloody murder or something like that. Surprising me with it would probably work better. I am giving you permission to surprise me with a kiss. This is a formal invitation for surprise kisses. I don’t like writing the word “kiss.” It makes my skin crawl. Sorry. It’s weird. I’m weird. Sorry. I hope that doesn’t make you regret asking. I hand the paper and pencil back. He reads it over, then writes: No regret. I can do surprises. That’s it. That’s it? Shit. Now he’s going to try to surprise me with a kiss. At some point. Later today? Tomorrow? A week from now? What if he never does it and I spend the rest of the time we hang out wondering if he will? What have I done? This was a terrible idea. I’m going to vomit. “Be right back,” I say, and run to the bathroom to curl up on the floor. Just for like five minutes. Then I go back to my room and sit down beside Wallace. As I’m moving myself into position, his hand falls over mine, and I don’t actually jump out of my skin. My control shakes for a moment, but I turn in to it, and everything smooths out. I flip my hand over. He flexes his fingers so I can fit mine in the spaces between. And we sit there, shoulder to shoulder, with our hands resting on the bed between us. It’s not so bad
Francesca Zappia (Eliza and Her Monsters)
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
Actually I'm reminded of a time when I smuggled myself into Sydney Opera House to see Faust. Sydney Opera House is very beautiful at night, its grand interiors and lights beaming out over the water and into the night sky. Afterwards I came out and I heard three women talking together, leaning on the railing overlooking the darkened bay. The older woman was describing how she was having problems with her job, which turned out to be working for the CIA as an intelligence agent, and she had previously complained to the Senate Select Committee for Intelligence and so on, and she was telling this in hushed tones to her niece and another woman. I thought, "So it is true then. CIA agents really do hang out at the Sydney opera!" And then I looked inside the Opera House through the massive glass panels at the front, and there in all this lonely palatial refinement was a water rat that had crawled up in to the Opera House interior, and was scurrying back and forth, leaping on to the fine linen-covered tables and eating the Opera House food, jumping on to the counter with all the tickets and having a really great time. And actually I think that is the most probable scenario for the future: an extremely confining, homogenized, postmodern transnational totalitarian structure with incredible complexity, absurdities and debasements, and within that incredible complexity a space where only the smart rats can go.
Julian Assange (Cypherpunks: Freedom and the Future of the Internet)
Last night I undressed for bed. But instead of crawling between the sheets I decided to stand, naked, in front of the large full-length mirror that is propped against the wall next to my bed. ⠀ ⠀ I turned off the bright lights, and found a song that spoke to the energy I could feel under my skin. For a while I just stood there. And I looked at myself. Bare skin. Open Heart. Clear truth. ⠀ ⠀ It's a wonder, after 42 years on earth, to allow it to fully land, this knowing that I can stop, and look at myself and think things other than unkind words. ⠀ ⠀ Don't get me wrong. I don't want to paint you a pretty social media picture that doesn't play out in real life. I'm not suddenly completely fine with all that is. I'm human and I'm a woman in the midst of this particular culture, and so of course I'd love to be tighter and firmer and lifted. I'd love to have the skin and metabolism I did in my twenties. I wish, often, that my stomach were flatter. I wear makeup and I dye away my gray hair. I worry about these things too, of course I do. ⠀ ⠀ But finally, and fully - I can stand and look at myself and be filled, completely, with love. I can look at myself entirely bare and think, yes, I like myself now. Just as I am. Even if nothing changes. This me. She is good. And she is beautiful. ⠀ ⠀ And even in the space of allowing myself to be human, and annoyed with those things I view as imperfections, I honor and celebrate this shift. ⠀ ⠀ And so last night I was able to stand there. Naked and unashamed and run my own hands gently along my own skin. To offer the tenderness of the deepest seduction. To practice being my own best lover, to romance my own soul. To light the candles and buy the flowers. To hold space for my own knowing. ⠀ ⠀ And to touch my own skin while the music played. Gently. Lightly. With reverence. My thighs, my arms, my breasts, my belly, the points where my pulse makes visible that faint movement that proves me alive. To trace the translucent blue veins, the scars, the ink that tells stories. To whisper to the home of my own desire. ⠀ ⠀ I love you. ⠀ I respect your knowing. ⠀ Thank you for waiting for me to get here. ⠀ I finally see that you are holy.
Jeanette LeBlanc
Will she be all right?” Gary asked fearfully. In spite of himself, he had checked her pulse several times. “She must be all right,” Gregori said very softly. The voice was like velvet, but there was something in it that sent a shiver of apprehension through Gary. If anything happened to Savannah, Gary realized that no one, nothing in the world, would ever be safe again from the Carpathian. He hadn’t considered that before, and he had no idea where the knowledge came from, but he knew it absolutely. He crawled from the cramped space and picked his way a small distance from the cave. The night noises bothered him, were strange and a bit daunting. Gregori gathered Savannah tenderly into his arms. Come to me, my life and breath. Wake and be with me. He gave the command, and even as he felt her heart flutter, he pressed her mouth to his throat. Feed, ma petite. Feed and replenish what you selflessly gave to me. Savannah turned her head, her first breath a sigh of warmth against his throat. She nuzzled closer, drowsy and weak from lack of blood. Her tongue tasted his skin, caressed his pulse. Gregori’s body tightened alarmingly as her teeth sent white-hot pleasure slicing through him. Slowly her skin warmed, went from ashen to a healthy glow. Her arms slipped around his neck, and she held him close, her body fitting into his, a restless ache of need and hunger. Savannah closed the pinpricks on her lifemate’s neck, feathered kisses up his throat to his jaw, then found the corner of his mouth. Gregori caught her head and held her still, his mouth dominating, taking hers with a need as elemental as the wind. “I thought I lost you,” she whispered into his heart, his soul. “I thought I lost you.” “Are you always going to be pulling me out of trouble?” he asked, some strong, unnamed emotion choking him, blocking his throat. A small smile tugged at her soft mouth. “Back you up, you mean.” He groaned at her terminology. “Je t’ àime, Savannah. More than I can ever express in words of any language.” His arms held her tight, sheltering her against his heart. She was his world, would always be his world. She was his laughter, his light. She showed him how to slip easily between both worlds. She gave him faith in humans that had never been there before.
Christine Feehan (Dark Magic (Dark, #4))
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
Sue Monk Kidd (The Invention of Wings)
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano. Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place… At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void. Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning… Everybody and everything is a part of life... As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth. Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
Henry Miller (Tropic of Capricorn (Tropic, #1))
Having been the most rambunctious of the group, Kevin and Lilian conked out first. Lilian had pulled a sleeping bag from her Extra Dimensional Storage Space, and she and Kevin had crawled into it and passed out. They lay on their side, the two of them. Lilian was snuggled against Kevin’s chest, and the blond human had an arm around her waist, pulling her close. The others had to admit, however reluctantly, that the pair made for an unbearably adorable sight. “Nya…” The cat didn’t seem to think so. It glared at the duo with something resembling irritation. “Brother?” “Yes?” “Is it weird that I have this strange urge to squeal ‘kawaii’?” Alex glanced at what his brother was looking at… then shook his head. “That… I cannot answer.” “Hmm.” Andrew pondered these words for a second. “What about wanting to wrap my hands around Kevin’s throat and squeeze until his eyeballs pop out of his head and his tongue swells and thickens as he slowly suffocates to death?” Alex took a moment to think up an answer. “… No, I think your feelings are perfectly acceptable, given the situation.” “Good.
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.
Lord Byron
I stood on a rise, overlooking the plague valley. Matthew was beside me. The last thing I remembered was crawling into my sleeping bag after the whiskey had hit me like a two-by-four to the face. Now my friend was here with me. “I’ve missed you. Are you feeling better?” How much was this vision taking out of him? “Better.” He didn’t appear as pale. He wore a heavy coat, open over a space camp T-shirt. “I’m so relieved to hear that, sweetheart. Why would you bring us here?” “Power is your burden.” I surveyed all the bodies. “I felt the weight of it when I killed these people.” “Obstacles multiply.” “Which ones?” A breeze soughed over the valley. “Bagmen, slavers, militia, or cannibals?” He held up the fingers of one hand. “There are now five. The miners watch us. Plotting.” “But miners are the same as cannibals, right?” He shuffled his boots with irritation. “Miners, Empress.” “Okay, okay.” I rubbed his arm. “Are you and Finn being safe?” His brows drew together as he gazed out. “Smite and fall, mad and struck.” I looked with him, like we were viewing a sunset, a beautiful vista. Not plague and death. “You’ve told me those words before.” “So much for you to learn, Empress. Beware the inactivated card.” One Arcana’s powers lay dormant—until he or she killed another player. “Who is it?” “Don’t ask, if you ever want to know.” Naturally, I started to ask, but he cut me off. “Do you believe I see far?” He peered down at me. “Do you believe I see an unbroken line that stretches on through eternity? Centuries ago, I told an Empress that a future incarnation of hers would live in a world of ash where nothing grew. She never believed me.” I could imagine Phyta or the May Queen surveying verdant fields and crops, doubting the Fool. “Now I tell you that dark days are ahead. Will you believe me?” “I will. I do. Please tell me what will happen. How dark?” “Darkest. Power is your burden; knowing is mine.” His expression turned pleading, his soft brown eyes imploring. “Never hate me.” I raised my hands, cradling his face. “Even when I was so mad at you, I never hated you.” “Remember. Matthew knows best.” He sounded like his mom—when she’d tried to drown him: Mother knows best, son. I dropped my hands. “It scares me when you say that.” “Do you know what you really want? I see it. I feel it. Think, Empress. See far.” I was trying! “Help me, then. I’m ready. Help me see far!” “All is not as it seems. What would you sacrifice? What would you endure?” “To end the game?” His voice grew thick as he said, “Things will happen beyond your wildest imaginings.” “Good things?” His eyes watered. “Good, bad, good, bad, good, good, bad, bad, good-bye. You are my friend.
Kresley Cole
It was just Dylan, with a murmuring electric guitar, and the louder Hunter played the song, the larger were the spaces in the music, allowing him to crawl inside.
William McKeen (Outlaw Journalist: The Life and Times of Hunter S. Thompson)
Tink froze. He looked at Janner as if he had just been slapped, then sprinted through the fray as fast as only Tink could sprint. He crawled up the far slope of the gully and hacked at the branches of the ceiling. Tink’s hesitation didn’t last long—half a heartbeat—but in that tiny space of time, a multitude of bitter thoughts roared inside of Janner, all of them aimed at his brother like arrows. Behold, he thought again, this time without a trace of humor, the High King of Anniera. Just as Janner hurried Nugget and Leeli past Podo and the toothy cows, light poured in through the hole in the ceiling. Tink had made it through. He sheathed his sword and tore the branches away.
Andrew Peterson (North! or Be Eaten)
carried the Makarov outside to watch the fireworks. Thirty yards beyond the spot where Brendan Magill lay dead was a rock wall running on a north-south axis. Gabriel took cover behind it after a 7.62x39mm round shredded the air a few inches from his right ear. Keller hit the ground next to him as rounds exploded against the stones of the wall, sending sparks and fragments flying. The source of the fire was silenced, so Gabriel had only a vague idea of the direction from which it was coming. He poked his head above the wall to search for a muzzle flash, but another burst of rounds drove him downward. Keller was now crawling northward along the base of the wall. Gabriel followed after him, but stopped when Keller suddenly opened up with the dead man’s AK-47. A distant scream indicated that Keller’s rounds had found their mark, but in an instant they were taking fire from several directions. Gabriel flattened himself on the ground at Keller’s side, the Glock in one hand, the dead man’s phone in the other. After a few seconds he realized it was pulsing with an incoming text. The text was apparently from Eamon Quinn. It read KILL THE GIRL . . . 79 CROSSMAGLEN, SOUTH ARMAGH A MID THE HEAP OF BROKEN and dismembered farm implements in Jimmy Fagan’s shed, Katerina had found a scythe, rusted and caked in mud, a museum piece, perhaps the last scythe in the whole of Ireland, north or south. She held it tightly in her hands and listened to the sound of men pounding up the track at a sprint. Two men, she thought, perhaps three. She positioned herself against the shed’s sliding door. Madeline was at the opposite end of the space, hooded, hands bound, her back to the bales of hay. She was the first and only thing the men would see upon entry. The latch gave way, the door slid open, a gun intruded. Katerina recognized its silhouette: an AK-47 with a suppressor attached to the barrel. She knew it well. It was the first weapon she had ever fired at the camp. The great AK-47! Liberator of the oppressed! The gun was pointed upward at a forty-five-degree angle. Katerina had no choice but to wait until the barrel sank toward Madeline. Then she raised the scythe and swung it with every ounce of strength she had left in her body. Two hundred yards away, crouched behind a stone wall at the western edge of Jimmy Fagan’s property, Gabriel showed the text message to Christopher Keller. Keller immediately poked his head above the wall and saw muzzle flashes in the doorway of the shed. Four flashes, four shots, more than enough to obliterate two lives. A burst of AK-47 fire drove him downward again. Eyes wild, he grabbed Gabriel savagely by the front of his coat and shouted, “Stay here!” Keller hauled himself over the wall and vanished from sight. Gabriel lay there for a few seconds as the rounds rained down on his position. Then suddenly he was on his feet and running across the darkened pasture. Running toward a car in a snowy square in Vienna. Running toward death. The blow that Katerina delivered to the neck of the man holding the AK-47 resulted in a partial decapitation. Even so, he had managed to squeeze off a shot before she wrenched the gun from his grasp—a shot that struck the hay bales a few inches from Madeline’s head. Katerina shoved the dying man aside and quickly fired two shots into the chest of the second man. The fourth shot she fired into the partially decapitated creature twitching at her feet. In the lexicon of the SVR, it was a control shot. It was also a shot of
Daniel Silva (The English Spy (Gabriel Allon, #15))
He hadn’t always been mute. He had always exhibited behaviors on the edge of the autistic spectrum, maybe Asperger’s. He craved routine, liked his things in the exact right place and excelled at repetitive tasks. But he had no truly obvious disabilities except when stressed he zoned out and would often crawl into small, cramped spaces and stay there for hours.
Toni Anderson (Cold Justice Series Box Set: Volume I (Cold Justice #1-3))
(Chloe) "She considers me a friend.” (Derek) “Does she? Huh. Never thought friendship started with one girl locking the other— bound and gagged— in a crawl space.”
Kelley Armstrong (Enthralled: Paranormal Diversions)
Well,” Harry said, “look at it this way: Suppose you were an intelligent bacterium floating in space, and you came upon one of our communication satellites, in orbit around the Earth. You would think, What a strange, alien object this is, let’s explore it. Suppose you opened it up and crawled inside. You would find it very interesting in there, with lots of huge things to puzzle over. But eventually you might climb into one of the fuel cells, and the hydrogen would kill you. And your last thought would be: This alien device was obviously made to test bacterial intelligence and to kill us if we make a false step. “Now, that would be correct from the standpoint of the dying bacterium. But that wouldn’t be correct at all from the standpoint of the beings who made the satellite. From our point of view, the communications satellite has nothing to do with intelligent bacteria. We don’t even know that there are intelligent bacteria out there. We’re just trying to communicate, and we’ve made what we consider a quite ordinary device to do it.
Michael Crichton
Now, on August 9, 2151, just six days short of Mercury’s fearsome perihelion, a bloated Sun three times the diameter of the one seen from Earth crawls towards its searing noon. The day has lasted over nine hundred hours from sunrise, baking the surface of Mercury to temperatures that would turn many metals to pools of shimmering liquid. There is no air in Mercury’s jet-black sky to carry the heat away to cooler climes; the atmosphere escaped into space long ago, forced away by the intense heat and silent solar wind. The
Mark Anson (Below Mercury (Clare Foster, #3))
During NASA’s first fifty years the agency’s accomplishments were admired globally. Democratic and Republican leaders were generally bipartisan on the future of American spaceflight. The blueprint for the twenty-first century called for sustaining the International Space Station and its fifteen-nation partnership until at least 2020, and for building the space shuttle’s heavy-lift rocket and deep spacecraft successor to enable astronauts to fly beyond the friendly confines of low earth orbit for the first time since Apollo. That deep space ship would fly them again around the moon, then farther out to our solar system’s LaGrange points, and then deeper into space for rendezvous with asteroids and comets, learning how to deal with radiation and other deep space hazards before reaching for Mars or landings on Saturn’s moons. It was the clearest, most reasonable and best cost-achievable goal that NASA had been given since President John F. Kennedy’s historic decision to land astronauts on the lunar surface. Then Barack Obama was elected president. The promising new chief executive gave NASA short shrift, turning the agency’s future over to middle-level bureaucrats with no dreams or vision, bent on slashing existing human spaceflight plans that had their genesis in the Kennedy, Johnson, Nixon, Ford, Carter, Reagan, Bush, Clinton, and Bush White Houses. From the starting gate, Mr. Obama’s uncaring space team rolled the dice. First they set up a presidential commission designed to find without question we couldn’t afford the already-established spaceflight plans. Thirty to sixty thousand highly skilled jobs went on the chopping block with space towns coast to coast facing 12 percent unemployment. $9.4 billion already spent on heavy-lift rockets and deep space ships was unashamedly flushed down America’s toilet. The fifty-year dream of new frontiers was replaced with the shortsighted obligations of party politics. As 2011 dawned, NASA, one of America’s great science agencies, was effectively defunct. While Congress has so far prohibited the total cancellation of the space agency’s plans to once again fly astronauts beyond low earth orbit, Obama space operatives have systematically used bureaucratic tricks to slow roll them to a crawl. Congress holds the purse strings and spent most of 2010 saying, “Wait just a minute.” Thousands of highly skilled jobs across the economic spectrum have been lost while hundreds of billions in “stimulus” have been spent. As of this writing only Congress can stop the NASA killing. Florida’s senior U.S. Senator Bill Nelson, a Democrat, a former spaceflyer himself, is leading the fight to keep Obama space advisors from walking away from fifty years of national investment, from throwing the final spade of dirt on the memory of some of America’s most admired heroes. Congressional committees have heard from expert after expert that Mr. Obama’s proposal would be devastating. Placing America’s future in space in the hands of the Russians and inexperienced commercial operatives is foolhardy. Space legend John Glenn, a retired Democratic Senator from Ohio, told president Obama that “Retiring the space shuttles before the country has another space ship is folly. It could leave Americans stranded on the International Space Station with only a Russian spacecraft, if working, to get them off.” And Neil Armstrong testified before the Senate’s Commerce, Science & Transportation Committee that “With regard to President Obama’s 2010 plan, I have yet to find a person in NASA, the Defense Department, the Air Force, the National Academies, industry, or academia that had any knowledge of the plan prior to its announcement. Rumors abound that neither the NASA Administrator nor the President’s Science and Technology Advisor were knowledgeable about the plan. Lack of review normally guarantees that there will be overlooked requirements and unwelcome consequences. How could such a chain of events happen?
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)
During our first months in the house, we hosted a homeless couple we only ever saw slinking off in the dawn: at dusk, they would silently lift off the latticework to the crawl space under our house and then sleep there, their roof our bedroom floor, and when we got up in the middle of the night, we tried to walk softly because it felt rude to step inches above the face of a dreaming person.
Lauren Groff (Florida)
I stopped thinking. Lights moved behind my closed lids. I was lost in space. I was a gilt-edged sap come back from a vain adventure. I was a hundred dollar package of dynamite that went off with a noise like a pawnbroker looking at a dollar watch. I was a pink-headed bug crawling up the side of the City Hall. I was asleep.
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
A train horn blew, but it seemed a little distant, like it was coming from somewhere up ahead. It blew again, louder this time. “There’s another train coming!” shouted Ruby. “We’re going to crash!” “Don’t worry,” said the captain cheerfully. “Vermillion knows what to do.” Matt closed his eyes and waited for impact, but it never came. The train picked up speed, faster and faster. It roared so loud Matt couldn’t even hear his own voice. He covered his ears. The whole train was vibrating violently, and then it lurched forward with such a jolt that the three Hudsons toppled over each other and landed hard on the floor. Ruby gasped. “The floor!” she said. “What the . . . what?” said Corey. Matt looked down. He could hardly believe his eyes. The floor appeared to be melting, morphing from the smooth worn floors of the subway car to cracked and rough wooden planks. A nail head poked at his hand. Matt looked up. All around him the train car was altering, growing, transforming. The walls expanded, and the windows shrank. Lacy curtains unfurled and crawled down the sides of the windows like fast-growing vines. The hard plastic benches of the subway swelled into plush chairs and tables with white tablecloths. The fluorescent lights on the ceiling contracted and then dropped, forming crystal chandeliers. A plush rug sprouted beneath him. It grew through the floor as though it were a carpet of grass pushing through dirt. Matt picked himself up, then helped Corey and Ruby, who had somehow gotten tangled in the rug. It seemed to have grown up and around Ruby’s wrists and ankles, as though it were trying to weave her into itself. Matt and Corey helped free her, and then Ruby yelped as the white rat leaped across their faces and landed on a little table. It pulled a match out of the table drawer with its tail, struck it against the wall, and began lighting lanterns and sconces, then the crystal chandeliers hanging from the ceiling, until the space was well lit once again. It was not at all like the train they had been in before. The subway car no longer looked like a subway at all. Rather, it looked like a very old-fashioned train, but one for rich passengers.
Liesl Shurtliff (The Mona Lisa Key (Time Castaways #1))
couldn't convince me to even eat breakfast. I just kept sniffing and whining. Finally dad got up and mom asked him if he could go look in the crawl space under the house to see if there was anything under there since I wouldn't
Jessica Reimann (Super Rue: The Adventures Continue (Super Rue's Adventures))
6. THE DELUSION OF LEARNING FROM EXPERIENCE The most powerful learning comes from direct experience. Indeed, we learn eating, crawling, walking, and communicating through direct trial and error—through taking an action and seeing the consequences of that action; then taking a new and different action. But what happens when we can no longer observe the consequences of our actions? What happens if the primary consequences of our actions are in the distant future or in a distant part of the larger system within which we operate? We each have a “learning horizon,” a breadth of vision in time and space within which we assess our effectiveness. When our actions have consequences beyond our learning horizon, it becomes impossible to learn from direct experience.
Peter M. Senge (The Fifth Discipline: The Art & Practice of The Learning Organization)
against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in
Ernest Cline (Ready Player One)
The objective world simply is, it does not happen. Only to the gaze of my consciousness, crawling upward along the world line of my body, does a section of the world come to life as a fleeting image in space which continuously changes in time.
Dean Buonomano (Your Brain is a Time Machine: The Neuroscience and Physics of Time)
The objective world simply is, it does not happen. Only to the gaze of my consciousness, crawling upward along the world line of my body, does a section of the world come to life as a fleeting image in space which continuously changes in time.”15
Dean Buonomano (Your Brain is a Time Machine: The Neuroscience and Physics of Time)
My legs and arms were starting to tingle from being held in that one position, but I ignored it—or at least, I tried to. It started at my ankles, and began working its way up my shins and to my knees. I didn’t dare move my legs to stretch them out, but the prickling sensation was starting to irritate me. So, I reached down and began rubbing my legs with my free hand. As I smoothed down the fabric of my dress, I froze as I felt something roil under my hand. Quivering, I removed my hand, and began to draw up my skirt, the sound of fabric sliding across my skin filling the small space of the log. It spilled over my knee and I clapped a hand over my mouth to keep from screaming at the long black centipede clinging to my leg. I became aware of other movements around me, and felt the brush of thousands of sharp little legs. Something shifted behind me, disturbing my hair, and I felt the weight of a hard body pressing into my scalp. I screamed and scrambled out of the hole, jerking my bag around me. Three centipedes hit the ground as I shook my body and head frantically, trying to dislodge the creatures. I shuddered, crying openly now as I continued to shake myself, my mind and body convinced there were more on me. I ran hands over my arms and hair, trying to make sure they were all clear. Revulsion welled up in me at the thought of any of those insects on me, their tiny little legs pricking into my flesh, crawling over me. I couldn’t seem to stop shaking, and had to take the mask off a few times to wipe my face and the glass lenses as cold tears spilled down my cheeks. I realized I was having a panic attack. I closed my eyes and focused on my breathing, trying to convince myself that they were gone.
Bella Forrest (The Gender Secret (The Gender Game, #2))
Life beckoned to me in the form of a blinding white light, coaxing me to come near it and grasp it. To live again. To exist again among the living. But I didn't want to. Not anymore. Death was a better choice. But Death did not want me. Yet. There was only one thing to do, then. I must escape Life. I turned away from the light, but it followed me. I ran, as fast as I can, but it was still behind me. I couldn’t lose it, however hard I tried. It was gaining on me! Out of breath, I turned into a dark alley and found myself in a barren stretch of land. I dropped to the ground as the light came into sight. And I knew that to avoid it, there was nothing else to do…but go underground. With my bare hands, I scratched and scraped and clawed on the ground, and my fingernails cracked, and my hands became bloodied. But I didn't stop. I must not stop. I must not let the light get me. So, I scratched and clawed and scraped the soil. Tears and perspiration mingled on my face, dripping down to the hole I was digging. “Still, I went on, and on, and on, focused on my task. Finally, a hole big enough appeared out of my efforts. Coughing, short of breath, I crawled inside, worming my way in. I curled up my body. I pulled my knees to my chest, folded my arms around them, and wriggled myself in, until I was deeply and comfortably nestled in. No vacant spaces, no empty void. Just me and the hole. I was a perfect fit for the dark pit I created for myself. Gradually, my breathing returned to normal, my heart softly beating. Gratefully, I closed my eyes, allowing the darkness to engulf me wholly, shielding me from the light called Life.
Mayumi Cruz (Chroma Hearts)
There are many stories about seagoing cats. My research indicates that cats were domesticated about 9,500 years ago. I really don’t know anyone who was around at that time to verify this, but I also don’t have any reason to doubt this little bit of trivia. It is documented that the Egyptians who kept cats around to bring the good luck, also used them to catch thicket birds that lived in the tall grass along the riverbanks. I guess that these small birds were a treat and a welcome substitute for the usual river fish that the sailors would catch with hooks fashioned from bones. In time it was the Phoenicians who inadvertently brought cats from the middle east to Europe. It seems that sailors had cats with them on their ships from the beginning of recorded history. They successfully used the excuse that the cats would keep the rat population under control. I don’t believe that this was really true since there are stories of where the cat befriended the rats, but in most cases the cats did keep the rats from invading their living spaces. Six-toed cats were thought to be better hunters and to this day many islands in remote areas are overrun by these cats and rats that managed to get ashore from ships that foundered along the island’s shore. Sailors are notoriously superstitious and have always believed that cats can predict the weather and bring luck. There are many accounts concerning this and there may be some truth to this but you’ll have to be the judge. Because of their sensitive inner ears cats can sense barometric pressure drops, indicating foul weather and being warned frequently crawl into their safe hidey-hole prior to a storm. A cat named Oscar, or Oskar in German, was the mascot on the German Battle Cruiser Bismarck when she was sunk by the British. Found floating on a wooden plank, Oskar was rescued by the crew of the British ship the HMS Cossack. No sooner recued and with Oskar renamed Oscar, the HMS Cossack was sunk by the Germans. This time Oscar was rescued by the crew of the HMS Arc Royal, which was then also sunk by the German navy. Not believing their bad luck the Brit’s blamed poor Oscar and renamed the cat to the German Oskar. Thinking Oskar to be the harbinger of bad luck they contacted the German Navy and offered to return their cat. The Germans refused the offer, so the British retired Oskar to a home in Plymouth, England. This time they banned poor Oskar from ever sailing on a British Naval Vessel again and changed his name to Sam. The British Navy banned cats from sailing on British war ships in 1975. Even though the British Navy has banned cats from their ships, other countries and merchant ships still have cats aboard.
Hank Bracker
In 1973, Eleanor Coppola carried out a public art project called Windows, which materially speaking consisted only of a map with a date and a list of locations in San Francisco. Following Steinbeck’s formula, the windows at each location were the bottle, and whatever happened behind them were the stories that “crawled in.” Coppola’s map reads: Eleanor Coppola has designated a number of windows in all parts of San Francisco as visual landmarks. Her purpose in this project is to bring to the attention of the whole community, art that exists in its own context, where it is found, without being altered or removed to a gallery situation.3 I like to consider this piece in contrast with how we normally experience public art, which is some giant steel thing that looks like it landed in a corporate plaza from outer space. Coppola instead casts a subtle frame over the whole of the city itself, a light but meaningful touch that recognizes art that exists where it already is.
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
Hall had never thought of himself as claustrophobic but as the tunnel narrowed, the walls and ceiling closing in, he fought down the panic. His breathing became ragged, finding it harder to catch a breath. Ahead was darkness, no ambient light to see anything by. He had to trust in Ulysses, which was hard. Bit by bit, he crawled, the floor starting to slope up. Slide the spear forward, crawl along the shaft until he got to the tip and slide it forward again. Repeating the process over and over. The slope got steeper, the floor of the tunnel littered with loose rocks. How long is this tunnel? he thought. His knees were aching, his shoulders hurting. He kept pushing, cursing with each shift of the spear. He could hear the others behind him. The scratching of Leigh and Sabine’s staves against the floor. The screech of Jackoby’s shield as it caught against the ceiling. The scrap of Roxhard’s axe as he pushed it ahead of himself. All echoed loud in the tight space.
Troy Osgood (Silver Peak (Sky Realms Online, #2))
The gods do not speak with everyone,” and so a way has to be devised to approach them: men must segregate themselves in the same way as the gods are segregated from men. Then perhaps the gods will pay attention. An initial separation from other men is achieved through the preliminary actions of the rite. When setting up the gārhapatya fire, he first sweeps the chosen space with a palāśa branch and says: ‘Away from here! Away! Crawl away from here,’ then: ‘Go away, go and slip away from here,’ he says to those who slither on their bellies. ‘You who are here from ancient and recent times!’ and therefore both those who are here from a remote time as well as those who have settled here today.” The ritual action is an imitation. Of other men, who lived in the beginning? Or of gods? During the building of the fire altar when certain bricks, known as dviyajus, “which require a double formula,” have to be arranged. At that moment the sacrificer thinks the following words: “I wish to go to the celestial world following the same form, celebrating the same rite that Indra and Agni used to enter the celestial world!” What the sacrificer is imitating is the act of the god himself making himself a god Ritual serves above all to resolve through action what thought alone cannot resolve. For example: what do we do with the ash produced by the sacrificial fire? The ashes are thrown into water. And these words are spoken: “O divine waters, receive these ashes and place them in a soft and fragrant place!” And then: “May the consorts, married to a good lord, bow down to him.” The “consorts” here are the waters, who have found a “good lord” in Agni. The waters are chosen as a place for ashes, because Agni was born from the womb of the waters.So Agni will not be lost.
Roberto Calasso (L'ardore)
It was far from an ideal hiding spot. The crawl space wasn’t even three feet deep. Dirt floor. I didn’t want to think about what else was alive--or dead--down here.
Kelley Armstrong (The Calling (Darkness Rising, #2))
I see your birth. Your violent entrance into the barren and endless space. Sent here by accident or with purpose, Krona does not even know. Casting your presence across the entire universe. Light fighting back darkness by creating the stars and planets. Creating your shelter, earth, at the very spot you were thrust into the universe. The planet in which you made your home under molten rock -- and primordial waters. I see you touch the oceans, transforming them into seas of spontaneous life. Overflowing with evolution. Gaining complexity. Conjuring thought. I watch the first sentient creature in the universe to ever will itself to just that. And it is the origin of Willpower itself. The creature ignites with emerald light and transforms, elevated above the others. It is Ion. Thousands of years fly before my eyes as the creature escapes earth's oceans and crawl to land. Some take to the air. Fleeing for survival, this thing transforms into the emotional power it emits. Fear is born. And thus Parallax. As Love ignites into existence, so does the Predator. As a creature eats what it does not need, Avarice consumes all it touches. Rage grows from murder. Hope from prayer. And at last, Compassion is offered to us all.
Thaal Sinestro, Geoff Johns (Blackest Night)
Singh will crunch numbers, Evgeni will work the logistics of a fix, and I’ll make sure we don’t die from our own mutated bacteria in the meantime. Oh. And fix our eyes. Easy as pie. Nothing to worry about.” “Your bedside manner is amazing.” “I know; I’m a born healer. Keep your legs straight. We don’t want your veins cramping up. There you go.” The sleep sack moved body fluids from the extremities back to the center. At first the pressure was like crawling ants, but gradually the rhythmic pulsing had become as necessary to sleep as darkness. Sadly, it did little for sight. Evgeni’s vision loss was ahead of the curve, but Nedda had noticed a significant softening in her own world. The pressure suits, contacts, goggles, and sleep sacks were supposed to help, but the progressive astigmatism continued. “When I’m up again, test my eyes, okay?” “Sure thing.” Sleep weeks were to slow vision loss and ease the passage of time, making a five-year trip feel like half that. Crew morale was supposed to benefit from them; less time awake with your crewmates meant less time to learn to dislike them, and less time to look out into the blackness of space, dissociating, dislocating.
Erika Swyler (Light from Other Stars)
In the Jolan district, on the edge of the Euphrates River, in the northwestern corner of the city, Marines found something far more troubling. Inside a metal-sided warehouse, past the insurgent caches of rocket-propelled grenades and artillery rounds, the Marines discovered a crawl space barricaded with a safe. Pushing it aside, the troops saw an Iraqi man chained hand and foot, lying in his own waste. The virtual skeleton proved to be a still-living taxi driver who’d been abducted four months earlier along with a pair of French journalists—thankfully, he would survive. Down the hall, Marines crashed through another door and found themselves in what appeared to be a ramshackle movie studio. On the table was a glass with ice in it; whoever had left had just done so in a hurry. Nearby, Marines found two video cameras, klieg lights, and instructions on how to get footage to the Baghdad offices of some of the regional news networks. On the back wall of the room hung the black-and-green flag of Ansar al-Islam. The floor was caked in dried blood. The moment I read that last detail in the intelligence report I received, I knew it was the room where Nick Berg had been murdered.
Nada Bakos (The Targeter: My Life in the CIA, Hunting Terrorists and Challenging the White House)
The worst thing about the age we live in? Any slovenly Howard can crawl out of his chive-chip hovel to meet his female algorithmic dopple for neutral non-threatening coffee to laugh over season two episode six of some bullshit, the one where everyone at the space station gets a free case of Sprite and poor deaf Ronnie finds a dollar. And to each other they say, “How’d people even meet before the blessed holy internet?” Well Nintendo Power, I’ll tell you. They locked beery eyes from across the bar, palpitated wildly, jostled their way past flying darts and poking cues until one stood only a couple feet from the other, close enough for smell to factor in, and then—without even knowing what the other thought of Woody Allen—they sacked up, leaned in, and said, simultaneously: “Hi.
Gabe Durham (Fun Camp)
You wouldn’t know the truth if it crawled up your ass and bit you on the balls.” Oh yeah, I could get used to this. “You have no idea about personal space. You’re in my face the whole time. It’s wrong. People don’t do that. People respect each other’s boundaries. You stomp on boundaries. Also, you snore.
Pippa DaCosta (Darkest Before Dawn (The Veil, #3))
There are over 4, 000 rodent species categorized according to their anatomy likenesses and differences. Overall, 3 major groups with over 30 families constitute the total rodent population. Common Rodent Types More common rodents fall under 3 major suborders. The suborder Myomorpha consists of mouse-like rodents and features a big number of mouse and rat species, like hamsters, lemmings, voles, muskrats, gerbils, dormice, & jerboas. Most of these rodents are called Commensal rodents since they live with or in close relationship to humans. The most typical commensal rodents would be the house mouse, the Norway rat, as well as the roof rat. These rodents spoil our food by polluting it with feces, hair, and dander. These pests are found in houses, supermarkets, and restaurants through the US as well as warehouses and food processing services. The avoidance and control of the commensal rodent inhabitants a big concern in several states where these pests can flourish. Rodent Pest Control Alternatives Rodent pest control may be managed in many ways, dependent upon where you reside, your wish to be green, as well as your budget. The following offers cons and pros for different pest control options. These snares are the quickest and most dependable ways to control pest issues. The trapping of mice has numerous benefits including value, ease-of-use, and safety. Many houses and business owners like snares since they can confirm the pest control service they employed got them results. It also ensures that the rodents don't die in crawl spaces or basements where they're more challenging to remove. Traps utilized in conjunction with some other green pest control methods frequently have the best overall results. Despite these benefits, physical traps for mice and rat control can be a bit crude considering other methods today. Animal lovers might not like the cruelty facet of how the rodent is killed. Such devices placed around an energetic house or business might be dangerous to little kids and pets. This pest control service provides various advantages and few disadvantages. Chemical pest control that's composed of reduced or non-toxicity products can be obtained instead. Some pest prevention providers will offer chemical repellants which include organic or natural products designed to be both efficient and biodegradable. Rodent repellents which use sound would be considered more humane than conventional mice traps. This method runs on the device that puts out a powerful sound that moves rodents, causing them to flee from your home.
acme pest
emergency crawl space was located in the corner of the room under a hidden trapdoor, leading to an underground hole large enough to fit five people. As a last resort, it would serve its purposes.
J.S. Donovan (No Power)
This generation is lousy with lost boys, and loving one of them means hollowing yourself out to make a space for them to crawl inside. So you do that, because that’s what girls are supposed to do, and because it’s so good to be needed. Just for a little while. Just until your boyfriend gets a job and your best friend stops trying to kill himself. I learned the truth at twenty-two: you can’t save the world one man at a time. Watching these young men growing up into a very different world from the one they were promised, my first reaction has always been sympathy. It’s surprisingly easy to sympathise.
Laurie Penny (Unspeakable Things: Sex, Lies and Revolution)
Adam’s stomach was tumbling with how much Linus knew and how he’d found it all out (it would turn out he knew as much as nearly everyone else in the school, which was a lot, but it also turned out that – in that unreachable, possible world – most of them actually liked Adam or at least didn’t actively wish him harm, so they’d given his sorrow some space; when Adam thought about it now, it still made his head swim, still made him blush, still made him wish he could crawl under a blanket and die there forever) – but looking at Linus, he saw no malice, no gossip, saw instead someone who might actually know.
Patrick Ness (Release)
Every night, you could either sleep by the rocket in this tent shelter where the geckos crawled all over you or take this one-hour boat ride that made you seasick back to the main island,” he said. “Every night, you had to pick the pain that you remembered least. You got so hot and exhausted. It was just amazing.
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
She knows she should feel excited about her acceptance to Emory and the promise of spring break. She should feel infinite and hopeful, like the growing earth around her. Like the sunlight, which stretches longer each day, asking for one more minute, one more oak tree to shimmer on. Like the late March mornings, which arrive carrying a gentle heat, rocking it back and forth over the pavement in the parking lot, letting it crawl forth over the grass and the tree roots, nurturing it while it is still nascent and tender, before it turns into swollen summer. But while the whole earth prepares for spring, Hannah feels a great anxiety in her heart, for something dangerous has grown in her, something she never planted or even wanted to plant. It’s there. She knows it’s there. If she’s truthful with herself, she’s probably known it all along. But now, as the days grow longer and the Garden District grows greener, she can actually see it. It has sprung up at last, and it refuses to be unseen. She tells herself it’s passing. It’s temporary. It’s intensified only because she’s a senior and all of her emotions are heightened. It’s innocent. It’s typical for a girl her age. It’s no more or less of a feeling than everyone else has had at 17. But deep down, deep below the topsoil of her heart, she knows it’s not. Still, she pushes it down inside of her, buries it as far as it can go, suffocates it in the space between her stomach and her heart. She tells herself that she is stronger, that she can fight it, that she has control. That no one else has to know. I can ignore it, she thinks. I can refuse to look at it. I can stomp on it every time it springs up within me. So she lies to herself that everything is normal. That she is normal. She carries herself through the end of the school week by refusing to acknowledge it. By refusing to align her heart with the growing sunlight and the nurturing heat and the flowering plants and the tall, proud trees. ‘You alright?’ Baker asks, when Hannah says goodbye to her after school on Friday. Hannah stomps, buries, suffocates, wishes for death. ‘Yeah,’ she says. ‘I’m good.
Kelly Quindlen (Her Name in the Sky)
At the Emerald Isle supermarket that I stomp off to after the fight with my father, it’s Trump, Trump, Trump, Trump, Trump, and then the cashier, who also voted for him. Of course, these are just my assumptions. The guy in the T-shirt that pictures a semiautomatic rifle above the message COME AND TAKE IT, the one in fatigues buying two twelve-packs of beer and a tub of rice pudding, didn’t necessarily vote Republican. He could have just stayed home on Election Day and force-fed the women he holds captive in the crawl space beneath his living room.
David Sedaris (Calypso)
Riddick, it’s that we’re all basically the same. White or black, we’re all going to end up in the same place (well, one of two places), but most of us don’t like to think about death. And even fewer of us take the time to plan for it. Which is kind of funny when you consider the odds of it happening. By contrast, think about how much time we take planning for other stuff. We talk to people, check out things on Google, and weigh our options on everything from the type of wedding cake we want to which career looks most promising. We analyze our health benefits, test-drive cars, and peek in the crawl spaces of our houses. When children come along, we buy books about what to name them, how to toilet train them, and what we should do when they announce that they don’t need us anymore and they’re leaving home to follow a rock-’n’-roll band.
Riddick, it’s that we’re all basically the same. White or black, we’re all going to end up in the same place (well, one of two places), but most of us don’t like to think about death. And even fewer of us take the time to plan for it. Which is kind of funny when you consider the odds of it happening. By contrast, think about how much time we take planning for other stuff. We talk to people, check out things on Google, and weigh our options on everything from the type of wedding cake we want to which career looks most promising. We analyze our health benefits, test-drive cars, and peek in the crawl spaces of our houses. When children come along, we buy books about what to name them, how to toilet train them, and what we should do when they announce that they don’t need us anymore and they’re leaving home to follow a rock-’n’-roll band.
Dee Oliver (The Undertaker's Wife: A True Story of Love, Loss, and Laughter in the Unlikeliest of Places)
What was the sense of so arranging things that anything really important should finally and absolutely depend on such a man of straw as himself? And at that moment, far away on Earth, as he now could not help remembering, men were at war, and whitefaced subalterns and freckled corporals who had but lately begun to shave, stood in horrible gaps or crawled forward in deadly darkness, awaking, like him, to the preposterous truth that all really depended on their actions, and far away in time Horatius stood on the bridge, and Constantine settled in his mind whether he would or would not embrace the new religion, and Eve herself stood looking upon the forbidden fruit and the Heaven of Heavens waited for her decision.
C.S. Lewis (Perelandra (Space Trilogy #2))
By contrast, think about how much time we take planning for other stuff. We talk to people, check out things on Google, and weigh our options on everything from the type of wedding cake we want to which career looks most promising. We analyze our health benefits, test-drive cars, and peek in the crawl spaces of our houses. When children come along, we buy books about what to name them, how to toilet train them, and what we should do when they announce that they don’t need us anymore and they’re leaving home to follow a rock-’n’-roll band. And don’t get me started on pets! I spent more time researching what type of dog to get Johnnie for Christmas than I ever spent thinking about his casket — despite walking past it almost every single day (it was the one he would never let us sell, since it had a ding in the mahogany paneling).
Dee Oliver (The Undertaker's Wife: A True Story of Love, Loss, and Laughter in the Unlikeliest of Places)
A new day. She will face it tomorrow, for Maya’s sake. Along with the awakening sea, along with the rest of Bombay—the street urchins and the stray dogs, the impoverished nut vendors and the woman selling six cauliflowers a day, the hollow-eyed slum dwellers and the chubby-cheeked residents of nearby skyscrapers, the office workers spilling out of the trains at Churchgate and the young children boarding creaky school buses, the old men groaning on their deathbeds and the babies tumbling forth from the dark wombs of their mothers—along with the entire gigantic metropolis, with all its residents crawling along their individual destinies like an army of ants pretending to be an army of giants—along with Banubai in her damp bed, and Serabai in her shattered world, and Viraf baba with his choking guilt, and Maya with her tentative, hesitant dreams, and yes, along with Gopal and Amit waking up in a distant land to the smell of loamy earth, like all of them, the millions of people she has not met and the few she has—she, too, will face a new day tomorrow. Tomorrow. The word hangs in the air for a moment, both a promise and a threat. Then it floats away like a paper boat, taken from her by the water licking her ankles. It is dark, but inside Bhima’s heart it is dawn.
Thrity Umrigar (The Space Between Us)
The urge to flee is a high-pitched whistle and I stare into a black cavity of space that stinks of urine and dead flowers. Of rotting oranges and leather and spray paint. I crawl into the space and find a corner. I stare into the shadows and I see several corpselike figures, coiled in burlap sacks around me. Sleeping drunks with the faces of dogs, of horses. I blink and they’re not there.
Will Christopher Baer (Kiss Me, Judas)
The pink sun tumbled from the sky like a shooting star, turning day to night in the space of a trembling breath. What rose in its place was a moon made of rotting meat, its vast surface pitted with crawling black mold, glowing in a starless sky.
Craig Schaefer (The Living End (Daniel Faust, #3))
What are the chances that we will encounter some alien form of life as we explore the galaxy? If the argument about the timescale for the appearance of life on Earth is correct, there ought to be many other stars whose planets have life on them. Some of these stellar systems could have formed five billion years before the Earth—so why is the galaxy not crawling with self-designing mechanical or biological life forms? Why hasn’t the Earth been visited and even colonised? By the way, I discount suggestions that UFOs contain beings from outer space, as I think that any visits by aliens would be much more obvious—and probably also much more unpleasant.
Stephen Hawking (Brief Answers to the Big Questions)
THE TRUTH In summer there was something in the selfhood of the wasps that wanted to get inside the screened-in porch. It sent them buzzing against the wire mesh, probing under the eaves, crawling into the cracks between the boards. Each day we’d find new bodies on the sill: little failures, like struck matches: shrunken in death, the yellow color of cider or old varnish. The blue self of the sky looked down on the self of the wooden house where the wasps were perishing. The wind swept them to the ground. The wasps seemed to be extensions of one big thing making the same effort again and again. I can remember that feeling of being driven by some longing I could not understand to look for the passage through, —trying again and again to get inside. I must have left a lot of dead former selves scattered around behind me while I kept pushing my blunt head at a space that prevented my entering —and by that preventing delivered me to where I live now, still outside; still flying around in the land of the unfinished.
Tony Hoagland (Priest Turned Therapist Treats Fear of God: Poems)
How long have we had space travel?” Breyguhn shouted, smacking her fist into the table surface; the chain whipped down, scattering chips of granite. Breyguhn didn’t seem to notice. “Seven thousand years! Seven thousand years!” she roared, standing, throwing her arms wide, voice echoing from above. Sharrow heard a bell ringing somewhere. “Seventy centuries, Sharrow! Seven millennia of footling about in the one miserable system, crawling from rock to rock,
Iain M. Banks (Against a Dark Background)
I want to crawl into her for refuge lay my head in the space between her breast and shoulder abnegating power for love as women have done
Adrienne Rich (The Dream of a Common Language)
I want to crawl into her for refuge lay my head in the space between her breast and shoulder abnegating power for love as women have done.
Rich Adrienne
All you need to know about decorative foundation grilles and crawl space vent covers. Buying options, the best foundation grilles/crawl space vent covers.
Crawl Space Vent