“
Music was my refuge. I could crawl into the space between the notes and curl my back to loneliness.
”
”
Maya Angelou
“
Perhaps some day I'll crawl back home, beaten, defeated. But not as long as I can make stories out of my heartbreak, beauty out of sorrow.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
How do I know you'll keep your word?" asked Coraline.
"I swear it," said the other mother. "I swear it on my own mother's grave."
"Does she have a grave?" asked Coraline.
"Oh yes," said the other mother. "I put her in there myself. And when I found her trying to crawl out, I put her back.
”
”
Neil Gaiman (Coraline)
“
My world falls apart, crumbles, “The centre cannot hold.” There is no integrating force, only the naked fear, the urge of self-preservation. I am afraid. I am not solid, but hollow. I feel behind my eyes a numb, paralysed cavern, a pit of hell, a mimicking nothingness. I never thought. I never wrote, I never suffered. I want to kill myself, to escape from responsibility, to crawl back abjectly into the womb. I do not know who I am, where I am going—and I am the one who has to decide the answers to these hideous questions. I long for a noble escape from freedom—I am weak, tired, in revolt from the strong constructive humanitarian faith which presupposes a healthy, active intellect and will. There is nowhere to go.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Great books give you a feeling that you miss all day, until you finally get to crawl back inside those pages again.
”
”
Kathryn Stockett
“
Ah.” Puck’s emerald eyes sparkled with glee. “And so they come crawling back for Puck’s help after all. Tsk tsk.” He shook his head and took another bite of the apple. “How easy it is to forget grudges when someone has something you need.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
Adults constantly raise the bar on smart children, precisely because they're able to handle it. The children get overwhelmed by the tasks in front of them and gradually lose the sort of openness and sense of accomplishment they innately have. When they're treated like that, children start to crawl inside a shell and keep everything inside. It takes a lot of time and effort to get them to open up again. Kids' hearts are malleable, but once they gel it's hard to get them back the way they were.
”
”
Haruki Murakami (Kafka on the Shore)
“
You broke me out of the grasp of a living horror when I thought all hope was gone. You gave me the opportunity to crawl back to life when no one else could."
She glances over at me, her eyes shining in the dark. "You're a hero, Penryn, whether you like it or not.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
The way you slam your body into mine reminds me I’m alive, but monsters are always hungry, darling, and they’re only a few steps behind you, finding the flaw, the poor weld, the place where we weren’t stitched up quite right, the place they could almost slip right into through if the skin wasn’t trying to keep them out, to keep them here, on the other side of the theater where the curtain keeps rising. I crawled out the window and ran into the woods. I had to make up all the words myself. The way they taste, the way they sound in the air. I passed through the narrow gate, stumbled in, stumbled around for a while, and stumbled back out. I made this place for you. A place for to love me. If this isn’t a kingdom then I don’t know what is.
”
”
Richard Siken (Crush)
“
I love you,' Buttercup said. 'I know this must come as something of a surprise to you, since all I've ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm. Your eyes are like that, did you know? Well they are. How many minutes ago was I? Twenty? Had I brought my feelings up to then? It doesn't matter.' Buttercup still could not look at him. The sun was rising behind her now; she could feel the heat on her back, and it gave her courage. 'I love you so much more now than twenty minutes ago that there cannot be comparison. I love you so much more now then when you opened your hovel door, there cannot be comparison. There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do. I know I cannot compete with the Countess in skills or wisdom or appeal, and I saw the way she looked at you. And I saw the way you looked at her. But remember, please, that she is old and has other interests, while I am seventeen and for me there is only you. Dearest Westley--I've never called you that before, have I?--Westley, Westley, Westley, Westley, Westley,--darling Westley, adored Westley, sweet perfect Westley, whisper that I have a chance to win your love.' And with that, she dared the bravest thing she'd ever done; she looked right into his eyes.
”
”
William Goldman (The Princess Bride)
“
Matthias knew monsters, and one glance at Kaz Brekker had told him this was a creature who had spent too long in the dark–he’d brought something back with him when he’d crawled into the light.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
If you come back to me," he said, making a rare concession, "will you run or crawl?"
Nora had pressed her whole body into him at that moment. Resting her head on his strong shoulder, she watched as a tear forged a river down his long and muscled back.
"I'll fly.
”
”
Tiffany Reisz (The Siren (The Original Sinners, #1))
“
I crawled back into myself all alone, just delighted to observe that I was even more miserable than before, because I had brought a new kind of distress and something that resembled true feeling into my solitude.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
There are people, she once wrote, who think that we cannot rule ourselves because the few times we tried, we failed, as if all the others who rule themselves today got it right the first time. It is like telling a crawling baby who tries to walk, and then falls back on his buttocks, to stay there. As if the adults walking past him did not all crawl, once.
”
”
Chimamanda Ngozi Adichie (Purple Hibiscus)
“
Oh God, God, why did you take such trouble to force this creature out of its shell if it is now doomed to crawl back -- to be sucked back -- into it?
”
”
C.S. Lewis (A Grief Observed)
“
Grace: I picked up my sweater from the floor and crawled back into bed. Shoving my pillow aside, I balled up the sweater to use instead.
I fell asleep to the scent of my wolf. Pine needles, cold rain, earthy perfume, coarse bristles on my face.
It was almost like he was there.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
I am afraid. I am not solid, but hollow. I feel behind my eyes a numb, paralyzed cavern, a pit of hell, a mimicking nothingness. I never thought, I never wrote, I never suffered. I want to kill myself, to escape from responsibility, to crawl back abjectly into the womb. I do not know who I am, where I am going - and I am the one who has to decide the answers to these hideous questions.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
I love her like a slave. I kneel in front of her like a subject. I crawl back to her at night like a drunk and I worship her like a believer.
”
”
L.J. Shen (Blood to Dust)
“
By out-talking or bad-mouthing people, some get hoisted by their own petard, ultimately. When their sense of shame makes them crawl back to the open, they can only recover through a convalescing remedy of humbleness. After an exhausting journey throughout the scorching desert of disgrace, they come to know how to be reborn from themselves. This rebirth allows them to recognize their true selves and to become relatable again. ("Waiting for emancipation")
”
”
Erik Pevernagie
“
True story
This morning I jumped on my horse
And went for a ride,
And some wild outlaws chased me
And shot me in the side.
So I crawled into a wildcats cave
To find a place to hide
But some pirates found me sleeping there
And soon they had me tied
To a pole and built a fire
Under me---I almost cried
Till a mermaid came and cut me loose
And begged to be my bride
So I said id come back Wednesday
But I must admit I lied.
Then I ran into a jungle swamp
But I forgot my guide
And I stepped into some quicksand
And no matter how hard I tried
I couldn’t get out, until I met
A watersnake named Clyde
Who pulled me to some cannibals
Who planned to have me fried
But an eagle came and swooped me up
And through the air we flied
But he dropped me in a boiling lake
A thousand miles wide
And you’ll never guess what I did then---
I DIED
”
”
Shel Silverstein
“
I wish that photographs were physical spaces, like tunnels; that you could crawl inside them and go back.
”
”
Lauren Oliver (Vanishing Girls)
“
I’ll always be here. She could rip me open, tear me apart, and I’d still crawl back to her.
”
”
Nina Lane (Awaken (Spiral of Bliss, #3))
“
We're shooting the scene where I swallow your heart and you make me
spit it up again. I swallow your heart and it crawls
right out of my mouth.
You swallow my heart and flee, but I want it back now, baby. I want it back.
”
”
Richard Siken (Crush)
“
When a mood of "not belonging" is haunting our mind and tolling the bell for relief or happiness, life may be like a scar on the canvas of our dreams. Now is the time to wake up and slip back to the basics, in the vein of crawling back to mum's lap. ("The grass was greener over there")
”
”
Erik Pevernagie
“
Hermione slid out of her bunk and moved like a sleepwalker towards Ron, her eyes upon his pale face. She stopped right in front of him, her lips slightly parted, her eyes wide. Ron gave a weak, hopeful smile and half-raised his arms.
Hermione launched herself forwards and started punching every inch of him that she could reach.
'Ouch — ow — gerroff! What the — ? Hermione — OW!'
“You — complete — arse — Ronald — Weasley!”
She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced.
“You — crawl — back — here — after — weeks — and — weeks — oh, where’s my wand?”
She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively.
“Protego!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Helen, beloved of the goddess of love, went downstairs to crawl into her empty bed as Lucas, the son of the sun, leaned back on his elbows and watched his father-god brighten the bare wooden planks of her widow's walk.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
She once again thought about how badly she wanted to crawl back beneath the mound of already cooling blankets that covered her bed like an inviting nest.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
I flipped open my phone and sent Daniel a text: I love you.
As I crawled into bed, my phone beeped with a message back from him: Always.
”
”
Bree Despain (The Lost Saint (The Dark Divine, #2))
“
By God, I shall spend the rest of my life getting my heart back, healing and forgetting every scar you put upon me when I was a child. The first move I ever made, after the cradle, was to crawl for the door, and every move I have made since has been an effort to escape.
”
”
Thomas Wolfe (Look Homeward, Angel)
“
I’ll make one more promise,” she said, folding her bloodied hand into a fist as she lowered it before them. Darrow tensed.
Her blood dripped onto the sacred soil of Terrasen, and her smile turned lethal. Even Aedion held his breath beside her.
Aelin said, “I promise you that no matter how far I go, no matter the cost, when you call for my aid, I will come. I promise you on my blood, on my family’s name, that I will not turn my back on Terrasen as you have turned your back on me. I promise you, Darrow, that when the day comes and you crawl for my help, I will put my kingdom before my pride and not kill you for this. I think the true punishment will be seeing me on the throne for the rest of your miserable life.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
It's like I get into a roller coaster, and sit there while it goes up and down and upside down and sometimes I get thrown out and I hit my head, but I crawl back in again and the moment I'm back in, it just keeps on going and going again...all of this, so I can find things out and then I write about the things I find out so you can find them out from me. All the bruises, all the wounds, all the bumps on the head, all the scars, just so I can take that and I can write all these things, and sometimes I say "God, I don't want to be in this roller coaster anymore." But when I think about it, if I'm not right here, then where the hell would I be? On the sidewalk? I wasn't born to stand on the sidewalk, I was born to fly around crazy in the sky!
”
”
C. JoyBell C.
“
Here is your flaw, Shaitan, Lord of the Dark, Lord of Envy, Lord of Nothing, here is why you fail. It was not about me. It’s never been about me.”
It was about a woman, torn and beaten down, cast from her throne and made a puppet. A woman who had crawled when she had to. That woman still fought.
It was about a man that love repeatedly forsook. A man who found relevance in a world that others would have let pass them by. A man who remembered stories and who took fool boys under his wing when the smarter move would have been to keep on walking. That man still fought.
It was about a woman with a secret, a hope for the future. A woman who had hunted the truth before others could. A woman who had given her live, then had it returned. That woman still fought.
It was about a man whose family was taken from him, but who stood tall in his sorrow and protected those he could.
It was about a woman who refused to believe that she could not help, could not heal those who had been harmed.
It was about a hero who insisted with every breath that he was anything but a hero.
It was about a woman who would not bend her back while she was beaten, and who shown with a light for all who watched, including Rand.
It was about them all.
~Rand al Thor
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
Naptime,ʺ said Christian, leading her toward the bed.
ʺI still need a shower.ʺ
ʺSleep first. Shower later.ʺ He pulled back the covers. ʺIʹll sleep with you.ʺ
ʺSleep or sleep?ʺ she asked dryly, sliding gratefully into bed.
ʺReal sleep. You need it.ʺ He crawled in beside her, spooning against her and resting his face on her shoulder. ʺOf course, afterward, if you want to conduct any official Council business...ʺ
ʺI swear, if you say ‘Little Dragomirs,ʹ you can sleep in the hall.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Nix to Declan:
Begin transcript—
Testing. Hello, hellooo, anybody out there? Check, check, one, two. Soft pee. Puh, puh. Resonance! Sooooooft pee. Alpha bravo disco tango duck.
This is Nïx! I’m the Ever-Knowing One, a goddess incandescent, incomparable, and irresistible. But enough about what you think of me. It’s a beautiful day in New Orleans. The wind is out of the east at a steady five knots and clouds look like rabbits … But enough about what you think of me!
Now, down to business—
Squirrel!
Where was I? [Long pause] Why am I in Regin’s car? Bertil, you crawl right back out of that bong this minute!
Oh, I remember! I am hereby laying down this track for Magister Declan Chase. If you are a mortal of the recorder peon class, know that Dekko and I go waaaaay back, and he’ll go berserk (snicker snicker) if he doesn’t receive this transmittal. …
Chase, riddle me this: what’s beautiful but monstrous, long of tooth but sharp of tooth and soft of mind, and can never ever tell a lie?
That’s right. The Enemy of Old can be very useful to you. So use him already.
P.S. Your middle name’s about to be spelled r-e-g-r-e-t.
And with that, I must bid you adieu. Don’t worry, we’ll catch up very soon. …
[Muffled] Who’s mummy’s wittle echolocator? That’s right—you are!
—End transcript
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
I wanted to fuck her and ruin her for anyone else. I wanted to crush her wings and then put them back together again so she’d become dependent on me. I wanted her to need me. That dark, possessive, and dangerous feeling crawled through me every time she crossed my path.
Elena Abelli was my vice, and fuck if I’d let it kill me.
”
”
Danielle Lori (The Sweetest Oblivion (Made, #1))
“
We tilt our heads back and open wide. The snow drifts into our zombie mouths crawling with grease and curses and tobacco flakes and cavities and boyfriend/girlfriend juice, the stain of lies. For one moment we are not failed tests and broken condoms and cheating on essays; we are crayons and lunch boxes and swinging so high our sneakers punch holes in the clouds. For one breath everything feels better.
Then it melts.
The bus drivers rev their engines and the ice cloud shatters. Everyone shuffles forward. They don't know what just happened. They can't remember.
”
”
Laurie Halse Anderson (Wintergirls)
“
I'm sorry, Mother. It's just that five days of flying with these characters has made me crawl right to the edge of sanity.' 'I fell over the edge.' Karen said. 'I jumped,' Walter added, 'And I can't seem to climb back up.
”
”
Bryan Davis
“
Don't be an asshole"
Rhage summed up the regurgitation with two words: "Kettle.Black."
Fucking hell. "Did you guys plan that out?"
"Yeah and if you don't fight us"- Hollywood bit down on the grape Tootsie Pop-"we'll do it again- only with the dance moves this time"
"Spare me."
"Fine.Unless you agree to home it,we WILL rock the dance moves." To prove the point ,the moron linked his palms behind his head and started doing something obscene with his hips. Which was backed up by a series of,"Uh-huh,uh-huh,ohhhh, yeeeeeeah,who's your daddy..."
The others looked at Rhage like he'd grown a horn in the middle of his forehead. Nothing unusual there. And Tohr knew that, in spite of this ridiculous diversion,if he didn't cave,the lot of them would crawl so far up his ass,he'd be coughing up shitkickers.
Rhage wheeled around,shoved out his butt,and started slapping his moneymaker like it was bread dough.
"For the love of the Virgin Scribe,"Z muttered "put us out of this misery, and go the fuck home"
Someone else chimed in, "You know, I never thought there were advantages to being blind..."
"Or deaf"
"Or mute," somebody added
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
By the time she got back to work, the only thing Gabby knew for certain was that as forgiving as he'd been, she'd never live down what she'd done, and since there wasn't a rock large enough to crawl under, it was in her best interest to find a way to avoid him.
”
”
Nicholas Sparks
“
But you… you’re the embodiment of everything I am not. And yet, here I am, crawling back to you as though I’ve left a piece of myself behind.” He slowly lifts a hand, and I hold my breath when his fingers run down a loose curl. “And it scares the shit out of me.
”
”
Lauren Roberts (Powerful (The Powerless Trilogy, #1.5))
“
You know on those nature shows when the cute little meerkat is strolling along on its four cute little meerkat legs to get back to her burrow where all her little meerkat politics, drama and family await her, and this big-ass eagle comes swooping overhead…? The smart little meerkat runs for cover and waits that big-ass eagle out. Some time passes, and the meerkat finally decides the eagle got bored and went off to scare the crap out of some other cute little meerkat. So, the meerkat crawls out from her hidey-hole to carry merrily on her way. And just when that little meerkat thought she was home free, that big-ass eagle swoops down and catches her in his big-ass claws. Well… I know exactly how that little meerkat felt…
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
So what did I do? I crawled back into my bed and ate another gallon of ice creamy goodness and tried to forget the tattooed bartender who had bulldozed his way into my life. Stupid dick wad.
”
”
A. Meredith Walters (Bad Rep (Bad Rep, #1))
“
A baby was a fact. It was a being with a mind and a nature, and you could feel about it any way you liked, but a baby wouldn't care. Just by existing, it demanded that you believe in a future: the future it would crawl in, walk in, live in. A baby was a piece of time; it was a promise you made that the world made back to you.
”
”
Justin Cronin (The Passage (The Passage, #1))
“
Battered and bruised but still fighting for dominance his was not the selfish petty pride that made bullies of lesser men but rather the quiet
determined dignity that turned men into heroes and made heroes crawl back to their feet from the bitter dust of defeat and stand tall once more.
”
”
C.L. Wilson (Lord of the Fading Lands (Tairen Soul, #1))
“
I mustered all my strength, drew back, and swung.
The sword's blade hit the side of her neck, hard and deep. She gave a horrible, sickening cry, a shriek that made my skin crawl. She tried to move toward me. I pulled back and hit again. Her hands clutched at her throat, and her knees gave way. I struck and struck, the sword digging in deeper into her neck each time. Cutting off someone's head was harder than I thought it would be. The old, dull sword probably wasn't helping.
But finally, I gained enough sense to realize she wasn't moving. Her head lay there, detached from her body, her dead eyes looking up at me as though she couldn't believe what had happened. That made two of us.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
How very like you, Puck.” Ash’s voice came from a great distance, and the room started to spin. “Offer them a taste of faery wine, and act surprised when they’re consumed by it.”
That struck me as hilarious, and I broke into hysterical giggles. And once I began, I couldn’t stop. I laughed until I was gasping for breath, tears streaming down my face. My feet itched and my skin crawled. I needed to move, to do something. I tried standing up, wanting to spin and dance, but the room tilted violently and I fell, still shrieking with laughter.
Somebody caught me, scooping me off my feet and into their arms. I smelled frost and winter, and heard an exasperated sigh from somewhere above my head.
“What are you doing, Ash?” I heard someone ask. A familiar voice, though I couldn’t think of his name, or why he sounded so suspicious.
“I’m taking her back to her room.” The person above me sounded wonderfully calm and deep. I sighed and settled into his arms. “She’ll have to sleep off the effects of the fruit. We’ll likely be here another day because of your idiocy.”
The other voice said something garbled and unintelligible. I was suddenly too sleepy and light-headed to care. Relaxing against the mysterious person’s chest, I fell into a heady sleep.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
You could still be lying,” says the Roach. He turns to Cardan. “Try her.”
“Your pardon?” Cardan says, drawing himself up, and the Roach seems to suddenly remember to whom he’s speaking in such an offhanded way.
“Don’t be such a prickly rose, Your Majesty,” the Roach says with a shrug and a grin. “I’m not giving you an order. I’m suggesting that if you tried to glamour Jude, we could find out the truth.”
Cardan sighs and walks toward me. I know this is necessary. I know that he doesn’t intend to hurt me. I know he can’t glamour me. And yet I draw back automatically.
“Jude?” he asks.
“Go ahead,” I say.
I hear the glamour enter his voice, heady and seductive and more powerful than I expected. “Crawl to me,” he says with a grin. Embarrassment pinks my cheeks.
I stay where I am, looking at all their faces. “Satisfied?”
The Bomb nods. “You’re not charmed.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
A moth was a caterpillar, once, but it no longer is a caterpillar. It cannot break itself back down, cannot metamorphose in reverse. To try to eat leaves again would mean starvation. Crawling back into the husk would provide no shelter. It is a paradox -- the impossibility of reclaiming that which lies behind, housed within a form comprised entirely of the repurposed pieces of that same past. We exist where we begin, yet to remain there is death... I could not have predicted each version of me that I shifted into, but through my history, one constant has always remained true: change itself... I did not know who she was, the one waiting for me to start moving toward her. I was curious about her, all the same. I was eager to meet her.
”
”
Becky Chambers (To Be Taught, If Fortunate)
“
I reach up to brush my hair back out of my eyes so I can look around and attempt to determine what the hell is going on. The only three things that I know for certain took place last night are that one -- small elves climbed up my body and tied my hair into a mass of tiny knots, two -- I must have slept with my mouth open because something crawled into it and died and three -- I was sucked through a vortex into some animated world where an anvil was dropped on my head.
”
”
Katja Millay (The Sea of Tranquility)
“
You look pretty unscarred. (Sin)
Boy, you better be glad you’re stunning when you’re naked or I’d skin you for that. I’ve been through hell this week because of you. Do you think I wanted to come crawling back here only to have you tell me to get lost again? I know it’s hard for you to believe, but I do have my pride, and you’ve kicked it for the last time. (Kat)
You missed me? (Sin)
”
”
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
“
There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Warmth slid through my veins as my body tensed in a welcomed, delicious way.
My eyes fluttered shut as his lips brushed mine once and then twice, as if he was getting reacquainted with the feel of them. The slight, barely there touch was nerve racking.
Cam shifted his weight onto his left arm and with his other hand, he spread his fingers along my cheek. He placed a kiss to the corner of my lips and the other side before sliding his hand back around the nape of my neck. His lips moved along my jaw, trailing a fiery path to my ear. A shiver danced along my skin, eliciting a deep, husky chuckle from him. His lips pressed against the sensitive spot under my ear, and a moan crawled up my throat.
“Goodnight, Avery.”
And then he kissed me—kissed me like he’d had right before he’d left the night of our date. Kissed me like he was a man starving for oxygen and I was the only air he needed to breathe. The hand around my neck held me there, raised up on my elbows as his mouth devoured mine. And that was the only word I could use to accurately explained how he kissed me.
Cam devoured me.
”
”
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
“
Ash sighed after he left, feeling somehow even more exhausted than she had when she'd crawled into bed the night before. She climbed back under the covers and closed her eyes.
Just in time for more knocking on the door.
"I hate everybody," Ash mumbled into her pillow...
”
”
Karsten Knight (Wildefire (Wildefire, #1))
“
We go on in her room, where we like to set. I get up in the big chair and she get up on me and smile, bounce a little. "Tell me bout the brown wrapping. And the present." She so excited, she squirming. She has to jump off my lap, squirm a little to get it out. Then she crawl back up.
That's her favorite story cause when I tell it, she get two presents. I take the brown wrapping from my Piggly Wiggly grocery bag and wrap up a little something, like piece a candy, inside. Then I use the white paper from my Cole's Drug Store bag and wrap another one just like it. She take it real serious, the unwrapping, letting me tell the story bout how it ain't the color a the wrapping that count, it's what we is inside.
”
”
Kathryn Stockett (The Help)
“
The glow flares bright—bright as the billion-year-old light around us. Bright as a sun.
Almost every particle in the universe was once part of a star.
First, hydrogen condensing and collapsing, bringing radiance to the void.
Furnaces burning bright, then fading, giving all they had left back into the cosmos.
Carbon and oxygen. Iron and gold.
Vast clouds swirling with their own gravity. Coalescing and disintegrating.
Generation to generation.
The remnants of stellar alchemy, stirring into life, then consciousness.
Crawling from the oceans. Taking to the skies.
And from there, back to the stars that birthed them.
A perfect circle.
”
”
Amie Kaufman (Illuminae (The Illuminae Files, #1))
“
You okay with all of this?" I whispered to Daemon.
He shrugged. "Not like I can stop her."
I knew he could if he wanted, which meant he didn't have a problem with it.
"Cookie?" he offered, holding a cookie full of chocolate chips.
Upset tummy or not, there was no way I could refuse that. "Sure."
His lips tipped up one side and he leaned toward me, his mouth inches from mine. "Come and get it."
Come and get...? Daemon placed half the cookie between those full, totally kissable lips.
Oh, holy alien babies everywhere...
My mouth dropped open. Several of the girls at the table made sounds that had me wondering if they were turning into puddles under the table, but I couldn't bring myself to check out what they really were doing.
That cookie—those lips—were right there.
Heat swept over my cheeks. I could feel the eyes of everyone on else, and Daemon... dear God, Daemon arched his brows, daring me.
Dee gagged. "I think I'm going to hurl."
Mortified, I wanted to crawl into a hole. What did he think I was going to do? Take the cookie from his mouth like something straight out of an R rated version of Lady and the Tramp? Heck, I kind of wanted to and I wasn't sure what that said about me.
Daemon reached up and took the cookie. There was a gleam to his eyes, as if he just won some battle. "Times up, Kitten."
I stared at him.
Breaking the cookie into two, he handed me the larger piece. I snatched it away, half tempted to throw it back in his face, but it was... it was chocolate chip. So I ate it and loved it.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was a light and high beauty for ever beyond its reach. His song in the Tower had been defiance rather than hope; for then he was thinking of himself. Now, for a moment, his own fate, and even his master’s, ceased to trouble him. He crawled back into the brambles and laid himself by Frodo’s side, and putting away all fear he cast himself into a deep untroubled sleep.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
Crawling at your feet,' said the Gnat (Alice drew her feet back in some alarm), `you may observe a Bread-and-Butterfly. Its wings are thin slices of Bread-and-butter, its body is a crust, and its head is a lump of sugar.'
And what does IT live on?'
Weak tea with cream in it.'
A new difficulty came into Alice's head. `Supposing it couldn't find any?' she suggested.
Then it would die, of course.'
But that must happen very often,' Alice remarked thoughtfully.
It always happens,' said the Gnat.
”
”
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
“
the moon's too bright
the chain's too tight
the beast won't go to sleep.
I've been thinking of those promises I made
to you that I could not keep.
I know a man never got a woman back
by beggin on his knees,
or I'd crawl to you baby
and I'd fall at your feet
I'd howl at your beauty like a dog in heat
I'd tear at your heart
I'd claw at your sheets
And I'd say please.
Please.
I'm your man.
”
”
L. Cohen
“
We must wait," she said. "They are involved in important buisness."
Her tone was serious, almost reverntial. The two of them stopped, some five meters from the group of me. They were all leaning forward, staring intently at an upright rock placed in the middle of the circle. Will thought they must be praying, although no words were being said.
Then, as one, they all slumped back with a roar of disappointment.
"It flew away!" said one figure, and Will recognized the voice. It was the man who had rescued him. "Almost to the top and it flew away!"
e lookd questioningly to Cieliema and she rolled her eyes at him. "Grown men gambling on two flies crawling up a stone."
"Gambling?" he said. "I thought they were praying.
She raised an eyebrow. "To them, it's much the same thing.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess — no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity — back of that morning, he had done nothing. They knew that it took him six days to make the earth — all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death.
At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ.
Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow?
I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken — that there is no supernatural power that can answer prayer - no power that worship can persuade or change — no power that cares for man.
Is there a God?
I do not know.
Is man immortal?
I do not know.
One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be.
We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine — with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.
”
”
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol 1: Lectures)
“
There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do.
”
”
William Goldman
“
Naptime," said Christian, leading her toward the bed.
"I still need a shower."
"Sleep first. Shower later." He pulled back the covers. "I'll sleep with you."
"Sleep or sleep?" she asked dryly, sliding gratefully into bed.
"Real sleep. You need it." He crawled in beside her, spooning against her and resting his face on her shoulder. "Of course, afterward, if you want to conduct any official Council business..."
"I swear, if you say 'Little Dragomirs,' you can sleep in the hall.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
I am convinced that poets are toddlers in a cathedral, slobbering on wooden blocks and piling them up in the light of the stained glass. We can hardly make anything beautiful that wasn’t beautiful in the first place. We aren’t writers, but gleeful rearrangers of words whose meanings we can’t begin to know. When we manage to make something pretty, it’s only so because we are ourselves a flourish on a greater canvas. That means there’s no end to the discovery. We may crawl around the cathedral floor for ages before we grow up enough to reach the doorknob and walk outside into a garden of delights. Beyond that, the city, then the rolling hills, then the sea. And when the world of every cell has been limned and painted and sung, we lie back on the grass, satisfied that our work is done. Then, of course, the sun sets and we see above us the dark dome of glittering stars.
On and on it goes, all the way to the lightless borderlands of time and space, which we come to discover in some future age are but the beginnings or endings of a single word spoken from the mouth of God. Some nights, while I traipse down the hill, I imagine that word isn’t a word at all, but a burst of laughter.
”
”
Andrew Peterson
“
All this is flashy rhetoric about loving you.
I never had a selfless thought since I was born.
I am mercenary and self-seeking through and through:
I want God, you, all friends, merely to serve my turn.
Peace, re-assurance, pleasure, are the goals I seek,
I cannot crawl one inch outside my proper skin:
I talk of love --a scholar's parrot may talk Greek--
But, self-imprisoned, always end where I begin.
Only that now you have taught me (but how late) my lack.
I see the chasm. And everything you are was making
My heart into a bridge by which I might get back
From exile, and grow man. And now the bridge is breaking.
For this I bless you as the ruin falls. The pains
You give me are more precious than all other gains.
”
”
C.S. Lewis (Poems)
“
Why, anybody can have a brain. That's a very mediocre commodity. Every pusillanimous creature that crawls on the Earth or slinks through slimy seas has a brain. Back where I come from, we have universities, seats of great learning, where men go to become great thinkers. And when they come out, they think deep thoughts and with no more brains than you have. But they have one thing you haven't got: a diploma.
”
”
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
“
I’ll come back,” she promised. “I’ll always come back to you.”
“I know,” he said with cold, calm arrogance. “If I didn’t believe that, I wouldn’t let you go.”
“Believe it. It’s true.” She took a step back. Then another. “Always.”
“Eleanor, if you have any mercy in that dark heart of yours, when you leave right now, you will
walk and not run.”
... ...
crawl and she didn’t fly.
She ran. Down the hall she ran as if the hounds of hell nipped at her heels. She ran as if God
himself had ordered her to. She ran as if her life depended on it and in that moment she might
have sworn that it did.
She didn’t know why she ran. She didn’t know who or what waited for her in the White Room.
She only knew she had to get there as fast as she could and whoever it was, he was worth
running to.
”
”
Tiffany Reisz (The Angel (The Original Sinners, #2))
“
Isabelle had been trained to wake up early every morning, rain or shine, and a slight hangover did nothing to prevent it from happening again. She sat up slowly and blinked down at Simon. She'd never spent and entire night in a bed with anyone else, unless you counted crawling into her parents bed when she was four and afraid of thunderstorms. She couldn't help staring at Simon as if he were some exotic species of animal. He lay on his back, his mouth slightly open, his hair in his eyes. Ordinary brown hair, ordinary brown eyes. His t-shirt was pulled up slightly. He wasn't muscular like a shadowhunter. He had a smooth flat stomach but no six-pack, and there was still a hint of softness to his face. What was it about him that fascinated her? He was plenty cute, but she had dated gorgeous faerie knights, sexy shadowhunters...
"Isabelle," Simon said without opening his eyes. "Quit staring at me.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
We look back through countless millions of years and see the great will to live struggling out of the intertidal slime, struggling from shape to shape and from power to power, crawling and then walking confidently upon the land, struggling generation after generation to master the air, creeping down the darkness of the deep; we see it turn upon itself in rage and hunger and reshape itself anew, we watch it draw nearer and more akin to us, expanding, elaborating itself, pursuing its relentless inconceivable purpose, until at last it reaches us and its being beats through our brains and arteries...It is possible to believe that all the past is but the beginning of a beginning, and that all that is and has been is but the twilight of the dawn. It is possible to believe that all that the human mind has accomplished is but the dream before the awakening; out of our lineage, minds will spring that will reach back to us in our littleness to know us better than we know ourselves. A day will come, one day in the unending succession of days, when beings, beings who are now latent in our thoughts and hidden in our loins, shall stand upon this earth as one stands upon a footstool, and shall laugh and reach out their hands amidst the stars.
”
”
H.G. Wells
“
We live in a time where it has become difficult to distinguish between the President's words and that of a 19 year old assailant. Society gives women the near impossible task of separating harmlessness from danger, the foresight of knowing what some men are capable of. When we call out assault when we hear it, Trump says, "I don't think you understand. Just words. You are overreacting. Overly offended. Hysterical. Rude. Relax." So we dismiss threatening statements and warning signs, apologizing for our paranoia. We go into a party or a meeting, thinking it's just a party or meeting, but when we are taken advantage of and come crawling back damaged they say, "How could you be so naive? You failed to detect danger, let your guard down. What did you think would happen?" Trump made it clear the game is rigged, the rules keep changing. It doesn't matter what you think is assault because, in the end, he decides.
”
”
Chanel Miller (Know My Name)
“
His head was swimming, and he was far from certain even of the direction they had been going in when he had his fall. He guessed as well as he could, and crawled along for a good way, till suddenly his hand met what felt like a tiny ring of cold metal lying on the floor of the tunnel. It was a turning point in his career, but he did not know it. He put the ring in his pocket almost without thinking; certainly it did not seem of any particular use at the moment.
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
THE BAGPIPE WHO DIDN'T SAY NO
It was nine o'clock at midnight at a quarter after three
When a turtle met a bagpipe on the shoreside by the sea,
And the turtle said, "My dearie,
May I sit with you? I'm weary."
And the bagpipe didn't say no.
Said the turtle to the bagpipe, "I have walked this lonely shore,
I have talked to waves and pebbles--but I've never loved before.
Will you marry me today, dear?
Is it 'No' you're going to say dear?"
But the bagpipe didn't say no.
Said the turtle to his darling, "Please excuse me if I stare,
But you have the plaidest skin, dear,
And you have the strangest hair.
If I begged you pretty please, love,
Could I give you just one squeeze, love?"
And the bagpipe didn't say no.
Said the turtle to the bagpipe, "Ah, you love me. Then confess!
Let me whisper in your dainty ear and hold you to my chest."
And he cuddled her and teased her
And so lovingly he squeezed her.
And the bagpipe said, "Aaooga."
Said the turtle to the bagpipe, "Did you honk or bray or neigh?
For 'Aaooga' when your kissed is such a heartless thing to say.
Is it that I have offended?
Is it that our love is ended?"
And the bagpipe didn't say no.
Said the turtle to the bagpipe, "Shall i leave you, darling wife?
Shall i waddle off to Woedom? Shall i crawl out of your life?
Shall I move, depart and go, dear--
Oh, I beg you tell me 'No' dear!"
But the bagpipe didn't say no.
So the turtle crept off crying and he ne'er came back no more,
And he left the bagpipe lying on that smooth and sandy shore.
And some night when tide is low there,
Just walk up and say, "Hello, there,"
And politely ask the bagpipe if this story's really so.
I assure you, darling children, the bagpipe won't say "No.
”
”
Shel Silverstein
“
Arobynn continued to pin her with that lover’s gaze. “Nothing is without a price.” He brushed a kiss against her cheekbone, his lips soft and warm. She fought the shudder that trembled through her, and made herself lean into him as he brought his mouth against her ear and whispered, “Tell me what I must do to atone; tell me to crawl over hot coals, to sleep on a bed of nails, to carve up my flesh. Say the word, and it is done. But let me care for you as I once did, before … before that madness poisoned my heart. Punish me, torture me, wreck me, but let me help you. Do this small thing for me—and let me lay the world at your feet.”
Her throat went dry, and she pulled back far enough to look into that handsome, aristocratic face, the eyes shining with a grief and a predatory intent she could almost taste. If Arobynn knew about her history with Chaol, and had summoned the captain here … Had it been for information, to test her, or some grotesque way to assure himself of his dominance? “There is nothing—”
“No—not yet,” he said, stepping away. “Don’t say it yet. Sleep on it. Though, before you do—perhaps pay a visit to the southeastern section of the tunnels tonight. You might find the person you’re looking for.” She kept her face still—bored even—as she tucked away the information. Arobynn moved toward the crowded room, where his three assassins were alert and ready, and then looked back at her. “If you are allowed to change so greatly in two years, may I not be permitted to have changed as well?
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
As soon as I got back to the apartment, through the pain of throwing away Braden came the fear. I stared down the hall at Ellie's bedroom door, and I had to stop myself from going back on my promise not to run from her.
So I did the opposite.
I kicked off my boots, shrugged out of my coat and crept silently into her darkened room. In the moonlight shining through her window, I saw Ellie curled up in a protective ball on her side. I made a move toward her and the floor creaked under my foot, and Ellie's eyes flew open immediately.
She gazed up at me, wide-eyed but wary.
That hurt.
I started to cry harder and at the sight of my tears, a tear slid down Ellie's cheek. Without a word, I crawled onto her bed and right up beside her as she turned onto her back. We lay side by side, my head on her shoulder, and I grabbed her hand and held it in both of mine.
"I'm sorry," I whispered.
"It's okay," Ellie's voice was hoarse with emotion. "You came back."
And because life was too short... "I love you, Ellie Carmichael. You're going to get through this."
I heard her hitch on a sob. "I love you too, Joss.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
What would you have me do?
Seek for the patronage of some great man,
And like a creeping vine on a tall tree
Crawl upward, where I cannot stand alone?
No thank you! Dedicate, as others do,
Poems to pawnbrokers? Be a buffoon
In the vile hope of teasing out a smile
On some cold face? No thank you! Eat a toad
For breakfast every morning? Make my knees
Callous, and cultivate a supple spine,-
Wear out my belly grovelling in the dust?
No thank you! Scratch the back of any swine
That roots up gold for me? Tickle the horns
Of Mammon with my left hand, while my right
Too proud to know his partner's business,
Takes in the fee? No thank you! Use the fire
God gave me to burn incense all day long
Under the nose of wood and stone? No thank you!
Shall I go leaping into ladies' laps
And licking fingers?-or-to change the form-
Navigating with madrigals for oars,
My sails full of the sighs of dowagers?
No thank you! Publish verses at my own
Expense? No thank you! Be the patron saint
Of a small group of literary souls
Who dine together every Tuesday? No
I thank you! Shall I labor night and day
To build a reputation on one song,
And never write another? Shall I find
True genius only among Geniuses,
Palpitate over little paragraphs,
And struggle to insinuate my name
In the columns of the Mercury?
No thank you! Calculate, scheme, be afraid,
Love more to make a visit than a poem,
Seek introductions, favors, influences?-
No thank you! No, I thank you! And again
I thank you!-But...
To sing, to laugh, to dream
To walk in my own way and be alone,
Free, with a voice that means manhood-to cock my hat
Where I choose-At a word, a Yes, a No,
To fight-or write.To travel any road
Under the sun, under the stars, nor doubt
If fame or fortune lie beyond the bourne-
Never to make a line I have not heard
In my own heart; yet, with all modesty
To say:"My soul, be satisfied with flowers,
With fruit, with weeds even; but gather them
In the one garden you may call your own."
So, when I win some triumph, by some chance,
Render no share to Caesar-in a word,
I am too proud to be a parasite,
And if my nature wants the germ that grows
Towering to heaven like the mountain pine,
Or like the oak, sheltering multitudes-
I stand, not high it may be-but alone!
”
”
Edmond Rostand (Cyrano de Bergerac)
“
My mind went back to that picture in the obstetrics book. A cow standing in the middle of a gleaming floor while a sleek veterinary surgeon in a spotless parturition overall inserted his arm to a polite distance. He was relaxed and smiling, the farmer and his helpers were smiling, even the cow was smiling. There was no dirt or blood or sweat anywhere.
That man in the picture had just finished an excellent lunch and had moved next door to do a bit of calving just for the sheer pleasure of it, as a kind of dessert. He hadn't crawled shivering from his bed at two o'clock in the morning and bumped over twelve miles of frozen snow, staring sleepily ahead till the lonely farm showed in the headlights. He hadn't climbed half a mile of white fell-side to the doorless barn where his patient lay.
”
”
James Herriot (If Only They Could Talk (All Creatures Great and Small, #1))
“
Manage me, I am a mess, swept under the rug of yesterday’s home improvement, a whimsical urge tossed aside for the easy reassurance of home and comfort. I am the photograph tucked away as a book-mark, in a book left half unread, once reopened to find memories crawling back into peripheral sight, faded, creased and lonely. I long to be admired, long to be held, torn and laughed at, laughed with, like a distant relative or an old friend breathing in their last breath. I missed the moment when time collapsed and memory was erased, replaced by finicky social experiments, lost in the blur of intoxication, sucked through multi-colored bendy-straws, making way for a spinning world where hub-caps stood still, but our vision didn’t. If I could leave you with only one thing, it would be small, foldable, and made from trees, with a few careless words, scribbled in blue; Take a minute to learn me, take a moment to love me, because I need your love to live,and without it, I am nothing.
”
”
Alex Gaskarth
“
When I go to the woods now, I always head out along the brook and go straight to the big maple. I run there, like Toby must have done on that stormy night, then I bend down and crawl on the earth. Because what if there’s a clue? What if there’s a piece of chunky strawberry bubble gum still bundled up in its waxy wrapper, or a weather-faded matchbook, or a fallen button from somebody’s big gray coat? What if buried under all those leaves is me? Not this me, but the girl in a Gunne Sax dress with the back zipper open. The girl with the best boots in the world. What if she’s under there? What if she’s crying? Because she will be, if I find her. Her tears tell the story of what she knows. That the past, present, and future are just one thing. That there’s nowhere to go from here. Home is home is home.
”
”
Carol Rifka Brunt (Tell the Wolves I'm Home)
“
After hearing the boy scream, the cats formed their pyramid in front of the glass door. Belle turned the handle while Harry and the others pushed the door open. They scrambled in and searched the room and small bathroom and shower. Bombarded with the boy’s scent, the cats continued to search. He had to be somewhere. A knock on the door startled the animals. Belle ran to the door and sniffed. “Food,” she whispered. “Must be for the boy.” “We must find that boy,” Harry said. “If the human enters, they will find us. Quickly, everyone, show time!” One-by-one, the cats crawled under the bed sheet and maneuvered between the opened books. “Just as in The Catman’s act,” Curry said, trying not to snicker. “Hush!” Belle scolded. Two moved upward, two downward, two to the right, and three to the left. Belle and Harry crouched in the middle. Allie crawled to the pillow and poked out her back and head. With her ears lowered, only her straggling black hair could be seen.
”
”
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
“
I'm find," her voice squeaked out. Remembering the maggots-and not one hundred percent sure the ghost had taken them with her-Kylie leapt up, yanked the covers off the bed, and tossed them on the floor, she backed away from the pile of bedding.
"Yeah. You look just fine," Della said sarcastically.
Kylie jumped from foot to foot and brushed off imaginary maggots that she felt crawling on her skin.
Della stood there in Mickey Mouse pajamas, staring at her as if she didn't' know whether to laugh or run.
Kylie stopped dancing and tried to breathe normally. "If I die, promise me I'll be cremated."
Della frowned. "Die?"
"Not that I'm planning to die anytime soon." She gave her arm one more swipe. "But still."
Della shook her head. "I don't know why you pretend you're okay.
”
”
C.C. Hunter
“
Life is like a train ride.
The passengers on the train are seemingly going to the same destination as you, but based on their belief in you or their belief that the train will get them to their desired destination they will stay on the ride or they will get off somewhere during the trip.
People can and will get off at any stop.
Just know that where people get off is more of an reflection on them, than it is on you.
There will be a few people in your life that will make the whole trip with you, who believe in you, accept that you are human and that mistakes will be made along the way, and that you will get to your desired destination - together, no matter what.
Be very grateful of these people.
They are rare and when you find one, don't let go of them - ever.
Be blessed for the ones who get on at the worst stops when no one is there.
Remember those people, they are special.
Always hold them dear to your heart.
Be very wary of people sneaking on at certain stops when things are going good and acting like they have been there for the whole ride.
For they will be the first to depart.
There will be ones who secretly try to get off the ride and there will be those that very publicly will jump off.
Don't pay any heed to the defectors.
Pay heed to the passengers that are still on the trip.
They are the important ones.
If someone tries to get back on the train - don't be angry or hold a grudge, let them.
Just see where they are around the next hard turn.
If they are buckled in - accept them.
If they are pulling the hand rail alarm again - then let them off the train freely and waste no space in your head for them again, ever.
There will be times that the train will be moving slow, at almost a crawls pace.
Appreciate that you can take in the view.
There will be times where the train is going so fast that everything is a blur.
Enjoy the sense of speed in your life, as it is exhilarating but unsustainable.
There will also be the chance that the train derails.
If that does happen, it will hurt, a lot, for a long time.
But there will be people who will appear out of no where who will get you back on track.
Those will be the people that will matter most in your life.
Love them forever.
For you can never repay these people.
The thing is, that even if you could repay them, they wouldn't accept it anyway.
Just pay it forward.
Eventually your train will get to its final stop and you will need to deboard.
At that time you will realize that life is about the journey AND the destination.
Know and have faith that at the end of your ride your train will have the right passengers on board and all the passengers that were on board at one time or another were there for a distinct purpose.
Enjoy the ride.
”
”
JohnA Passaro
“
is a broken man an outlaw?"
"More or less." Brienne answered.
Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know.
"Then they get a taste of battle.
"For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe.
"They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.
"If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world...
"And the man breaks.
"He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
”
”
George R.R. Martin
“
So what's the deal with you and my sister?"
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
"Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal."
She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?"
I open my mouth to demand she end the interrogation when Will's voice stops me.
"I like your sister. A lot."
I look at him dumbly.
He looks at me, lowers his voice to say, "I like you."
I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much.
"Jacinda," he says.
"I think you've shocked her," Tamra offers, then sighs.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Then you do not belong here. Death holds no sweetness in this house. We are not warriors, nor soldiers, nor swaggering bravos puffed up with pride. We do not kill to serve some lord, to fatten our purses, to stroke our vanity. We never give the gift to please ourselves. Nor do we choose the ones we kill. We are but servants of the God of Many Faces."
"Valar dohaeris." All men must serve.
"You know the words, but you are too proud to serve. A servant must be humble and obedient."
"I obey. I can be humbler than anyone."
That made him chuckle. "You will be the very goddess of humility, I am sure. But can you pay the price?"
"What price?"
"The price is you. The price is all you have and all you ever hope to have. We took your eyes and gave them back. Next we will take your ears, and you will walk in silence. You will give us your legs and crawl. You will be no one's daughter, no one's wife, no one's mother. Your name will be a lie, and the very face you wear will not be your own.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
HOME
no one leaves home unless
home is the mouth of a shark
you only run for the border
when you see the whole city running as well
your neighbors running faster than you
breath bloody in their throats
the boy you went to school with
who kissed you dizzy behind the old tin factory
is holding a gun bigger than his body
you only leave home
when home won’t let you stay.
no one leaves home unless home chases you
fire under feet
hot blood in your belly
it’s not something you ever thought of doing
until the blade burnt threats into
your neck
and even then you carried the anthem under
your breath
only tearing up your passport in an airport toilets
sobbing as each mouthful of paper
made it clear that you wouldn’t be going back.
you have to understand,
that no one puts their children in a boat
unless the water is safer than the land
no one burns their palms
under trains
beneath carriages
no one spends days and nights in the stomach of a truck
feeding on newspaper unless the miles travelled
means something more than journey.
no one crawls under fences
no one wants to be beaten
pitied
no one chooses refugee camps
or strip searches where your
body is left aching
or prison,
because prison is safer
than a city of fire
and one prison guard
in the night
is better than a truckload
of men who look like your father
no one could take it
no one could stomach it
no one skin would be tough enough
the
go home blacks
refugees
dirty immigrants
asylum seekers
sucking our country dry
niggers with their hands out
they smell strange
savage
messed up their country and now they want
to mess ours up
how do the words
the dirty looks
roll off your backs
maybe because the blow is softer
than a limb torn off
or the words are more tender
than fourteen men between
your legs
or the insults are easier
to swallow
than rubble
than bone
than your child body
in pieces.
i want to go home,
but home is the mouth of a shark
home is the barrel of the gun
and no one would leave home
unless home chased you to the shore
unless home told you
to quicken your legs
leave your clothes behind
crawl through the desert
wade through the oceans
drown
save
be hunger
beg
forget pride
your survival is more important
no one leaves home until home is a sweaty voice in your ear
saying-
leave,
run away from me now
i dont know what i’ve become
but i know that anywhere
is safer than here
”
”
Warsan Shire
“
First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.
There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.
I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.
First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.
And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.
I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed
the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and sway into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.
This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he
whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass
We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.
”
”
Adrienne Rich (Diving Into the Wreck)
“
And so Gollum found them hours later, when he returned, crawling and creeping down the path out of the gloom ahead. Sam sat propped against the stone, his head dropping sideways and his breathing heavy. In his lap lay Frodo's head, drowned in sleep; upon his white forehead lay one of Sam's brown hands, and the other lay softly upon his master's breast. Peace was in both their faces.
Gollum looked at them. A strange expression passed over his lean hungry face. The gleam faded from his eyes, and they went dim and grey, old and tired. A spasm of pain seemed to twist him, and he turned away, peering back up towards the pass, shaking his head, as if engaged in some interior debate. Then he came back, and slowly putting out a trembling hand, very cautiously he touched Frodo's knee--but almost the touch was a caress. For a fleeting moment, could one of the sleepers have seen him, they would have thought that they beheld an old weary hobbit, shrunken by the years that had carried him far beyond his time, beyond friends and kin, and the fields and streams of youth, an old starved pitiable thing.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
Ten Best Song to Strip
1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly.
2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars.
3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.)
4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.)
5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude.
6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come."
7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.)
8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me.
9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else.
10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
”
”
Diablo Cody
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds.
And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
”
”
Robert G. Ingersoll
“
Nykyrian left The League. He could stop killing any time he wanted to. (Kiara)
And had he done that, princess, you’d be dead right now and so would I. Believe me, baby, no one ran harder or faster from their past than I did. And in one moment, one fucking whore brought it all home and laid it back at my feet. Even though I’d crawled my way out of the gutter, turned my back on everyone and everything I’d ever known and become respectable. Even though I’d buried my past so deep that I thought I was untouchable. It didn’t matter. I was still shit to the world and the moment the woman I’d sold my soul to saw me for what I was, she ruined me and left me with nothing except the drunken bitterness you see now. You want to know why I drink? It’s because I can’t escape my past and I hate what I am. What I was forced to endure just to survive. I hate this fucking life and, most of all, I hate people like you who can’t see past the surface. You judge us on one deed alone without seeing all the other things we are. Damn you for that, Kiara Zamir. Had I known you were just like everyone else, I would have left you chained in Chenz’s ship. Do whatever you want. But stay away from me. (Syn)
”
”
Sherrilyn Kenyon (Born of the Night (The League, #1))
“
My mom always said, there are two kinds of love in this world: the steady breeze, and the hurricane.
The steady breeze is slow and patient. It fills the sails of the boats in the harbor, and lifts laundry on the line. It cools you on a hot summer’s day; brings the leaves of fall, like clockwork every year. You can count on a breeze, steady and sure and true.
But there’s nothing steady about a hurricane. It rips through town, reckless, sending the ocean foaming up the shore, felling trees and power lines and anyone dumb or fucked-up enough to stand in its path. Sure, it’s a thrill like nothing you’ve ever known: your pulse kicks, your body calls to it, like a spirit possessed. It’s wild and breathless and all-consuming.
But what comes next?
“You see a hurricane coming, you run.” My mom told me, the summer I turned eighteen. “You shut the doors, and you bar the windows. Because come morning, there’ll be nothing but the wreckage left behind.”
Emerson Ray was my hurricane.
Looking back, I wonder if mom saw it in my eyes: the storm clouds gathering, the dry crackle of electricity in the air. But it was already too late. No warning sirens were going to save me. I guess you never really know the danger, not until you’re the one left, huddled on the ground, surrounded by the pieces of your broken heart.
It’s been four years now since that summer. Since Emerson. It took everything I had to pull myself back together, to crawl out of the empty wreckage of my life and build something new in its place. This time, I made it storm-proof. Strong. I barred shutters over my heart, and found myself a steady breeze to love. I swore, nothing would ever destroy me like that summer again.
I was wrong.
That’s the thing about hurricanes. Once the storm touches down, all you can do is pray.
”
”
Melody Grace (Unbroken (Beachwood Bay, #1))
“
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it.
I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee.
...
I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck.
I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said:
“Well, what’s the matter with you?”
I said:
“I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.”
And I told him how I came to discover it all.
Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out.
I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back.
He said he didn’t keep it.
I said:
“You are a chemist?”
He said:
“I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.”
I read the prescription. It ran:
“1 lb. beefsteak, with
1 pt. bitter beer
every 6 hours.
1 ten-mile walk every morning.
1 bed at 11 sharp every night.
And don’t stuff up your head with things you don’t understand.”
I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
He set the RAM on the desk, then reached into his back pocket to pull out his grimoire. The size of a small paperback novel, it'd been a gift from Ambrose to help him understand some of the madness that surrounded him, and to answer some of the "other" questions that came up.
"All right, Nashira," Nick said in a low tone. "Talk to me. What the heck is watching me?"
He slid his knife out of his pocket, opened the book, and pricked his finger, allowing three drops of blood to touch a blank page. "Dredanya eire coulet" he whispered, waking the female spirit who lived inside the enchanted pages. The moment he finished speaking, his blood began swirling until it formed words:
Do not fear that which cannot be seen.
For they are lost in between.
'Tis the ones who come alive
That your blood will allow to thrive.
Nick snorted at the cryptic stanzas. "Not really useful, Nashira. Doesn't answer my question."
His blood crawled over to the next page.
Answer, answer, you always say,
But it doesn't work that way.
In time, the truth you shall find.
And then you will understand my rhyme.
"I'm such a masochist to even try talking to you"
Underneath the words, a picture of an obscene gesture formed.
"Oh very nice, Nashira. Very nice. Wherever did you learn that?"
In your pocket I reside.
Ever privy to your deride.
But more than that, I can see.
And that includes bathroom stall graffiti
Nick screwed his face up in distaste. "Oh my God, no. Tell me you haven't been spying on me in the rest room. You perv!"
Calm yourself, you evil troll.
My job is not to console.
But if it is privacy you seek,
Leave me in your backpack so I can't peek.
Now he understood why other people got so aggravated with his attitude disorder. He wanted to strangle his book.
”
”
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
“
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day.
I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him.
Options skim through my head like a flip book.
Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus.
Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious.
Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all.
For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands.
Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now.
I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic.
"Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest.
I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me.
"Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand.
"I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?"
He blinks, gives a slight nod.
Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known.
After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine.
I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that.
I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull.
“What are you doing?”
“Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me.
He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?”
“Is that what it is?” I feign innocence.
He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites.
It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him.
But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going.
I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies.
It’s easy to walk away from lies.
Power is another thing.
Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it.
He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?”
I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it.
I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
”
”
Toni Morrison (Tar baby)
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))