Cravings Sorted Quotes

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The way to maintain one's connection to the wild is to ask yourself what it is that you want. This is the sorting of the seed from the dirt. One of the most important discriminations we can make in this matter is the difference between things that beckon to us and things that call from our souls. Nowhere can this be seen more clearly than in the choice of mates and lovers. A lover cannot be chosen a la smorgasbord. A lover has to be chosen from soul-craving. To choose just because something mouthwatering stands before you will never satisfy the hunger of the soul-self. And that is what the intuition is for; it is the direct messenger of the soul.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
He’d sort of expected the silent treatment. Maybe she wasn’t pissed after all. “Hey, baby, where are you?” “Why the fuck do you care?” No, she was definitely pissed.
Suzanne Wright (Wicked Cravings (The Phoenix Pack, #2))
Scoring well on tests is the sort of happy thing that gets the school district the greenbacks they crave. Understanding and appreciating the material are secondary.
Libba Bray
I crave everything he represents. He feels like rebellion. And freedom. Like a salvation of sorts. I just didn’t know until recently that I needed saving. -Marissa
M. Leighton (Everything for Us (The Bad Boys, #3))
...we're in English class, which for most of us is an excruciating exercise in staying awake through the great classics of literature. These works-- groundbreaking, incendiary, timeless-- have been pureed by the curriculum monsters into a digestible pabulum of themes and factoids we can spew back on a test. Scoring well on tests is the sort of happy thing that gets the school district the greenbacks they crave. Understanding and appreciating the material are secondary.
Libba Bray (Going Bovine)
To be a warrior a man has to be, first of all, and rightfully so, keenly aware of his own death. But to be concerned with death would force any one of us to focus on the self and that would be debilitating. So the next thing one needs to be a warrior is detachment. The idea of imminent death, instead of becoming an obsession, becomes an indifference. Now you must detach yourself; detach yourself from everything. Only the idea of death makes a man sufficiently detached so he is incapable of abandoning himself to anything. Only the idea of death makes a man sufficiently detached so he can't deny himself anything. A man of that sort, however, does not crave, for he has acquired a silent lust for life and for all things of life. He knows his death is stalking him and won't give him time to cling to anything, so he tries, without craving, all of everything.
Carlos Castaneda (A Separate Reality: Further Conversations with Don Juan)
At that time, I well remember whatever could excite - certain accidents of the weather, for instance, were almost dreaded by me, because they woke the being I was always lulling, and stirred up a craving cry I could not satisfy. One night a thunder-storm broke; a sort of hurricane shook us in our beds: the Catholics rose in panic and prayed to their saints. As for me, the tempest took hold of me with tyranny: I was roughly roused and obliged to live. I got up and dressed myself, and creeping outside the basement close by my bed, sat on its ledge, with my feet on the roof of a lower adjoining building. It was wet, it was wild, it was pitch dark. Within the dormitory they gathered round the night-lamp in consternation, praying loud. I could not go in: too resistless was the delight of staying with the wild hour, black and full of thunder, pealing out such an ode as language never delivered to man - too terribly glorious, the spectacle of clouds, split and pierced by white and blinding bolts.
Charlotte Brontë
Once you realize that power will always end up with the sort of people who crave it, I think that there are worse people who could have it than Peter.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
When I try to analyze my own cravings, motives, actions and so forth, I surrender to a sort of retrospective imagination which feeds the analytic faculty with boundless alternatives and which causes each visualized route to fork and re-fork without end in the maddeningly complex prospect of my past.
Vladimir Nabokov (Lolita)
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw- a flower.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
We amass material things for the same reason that we eat - to satisfy a craving. Buying on impulse and eating and drinking to excess are attempts to alleviate stress. From observing my clients, I have noticed that when they discard excess clothing, their tummies tend to slim down, when they discard books and documents, their minds become clearer, when they reduce the number of cosmetics and tidy up the area around the sink and bath, their complexion tends to become clear and their skin smooth. -p226
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing)
I know now that the Spirit is trying to birth something in my life when I find myself craving silence and darkness, when I find myself editing my circle down to just the trusted few whom I know will midwife me through this birth. It's nothing to fear; it's the time of transition.
Sarah Bessey (Out of Sorts: Making Peace with an Evolving Faith)
You’re fast,” Glory admitted through her teeth. “Please don’t follow that up with some sort of cheesy line like, ‘But are you fast enough?’” “I don’t need to ask you that. I already know the answer.” “Does that mean you surrender?” She curled her upper lip at Jaime. “I’d sooner fight to the death than surrender.” “Do your brothers know about this suicidal streak of yours?
Suzanne Wright (Wicked Cravings (The Phoenix Pack, #2))
But we were in love, or at least I believed myself completely to be. I craved [her] presence for no other reason than to have it. It was certainly friendship too. This intimate companionship with someone who knew me in a way that no one else did. It was a heighten state of friendship. Maybe it was also a bit of infatuation. But what I knew for sure was that it was also love. Maybe love was some combination of friendship and infatuation. A deeply felt affection accompanied by a certain sort of awe. And by gratitude. And by a desire for a lifetime of togetherness.
Chinelo Okparanta (Under the Udala Trees)
He felt torn. He wanted her to feel safe with him, but he also wanted her to feel the sort of heady excitement that any young girl should feel when they fall in love. He wanted to give her everything she craved, and he was not quite sure he could do it.
Emily Arden
Grief wasn’t simply a shadow that followed people around; it was the worst sort of companion. It was an emotion that could either encourage someone to wither away through sorrow and tears or turn them into a monster. Craving vengeance like blood. Justice. Retribution. As if spilling blood would bring that one person back. I would know. It was the very same spark that ignited my current path.
Kerri Maniscalco (Kingdom of the Feared (Kingdom of the Wicked, #3))
I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the workings of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare. III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed, neither pride Now hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bit the other go, draw breath Freelier outside, ('since all is o'er,' he saith And the blow fallen no grieving can amend;') VI. When some discuss if near the other graves be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? VIII. So, quiet as despair I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! No sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backwards a last view O'er the safe road, 'twas gone; grey plain all round; Nothing but plain to the horizon's bound. I might go on, naught else remained to do. X. So on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind with none to awe, You'd think; a burr had been a treasure trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. 'See Or shut your eyes,' said Nature peevishly, It nothing skills: I cannot help my case: Tis the Last Judgement's fire must cure this place Calcine its clods and set my prisoners free.
Robert Browning
Clinch's efforts in love were always of a mothering sort, for it is a feature of human nature to give what we most wish to receive, and it was a mother that Edgar Clinch most craved - his own having died in his infancy, and since then been resurrected as a goddess of shining virtue in his mind, a goddess whose face was as a blurred shape, seen through a window on a night of fog.
Eleanor Catton (The Luminaries)
There can be no relation more strange, more critical, than that between two beings who know each other only with their eyes, who meet daily, yes, even hourly, eye each other with a fixed regard, and yet by some whim or freak of convention feel constrained to act like strangers. Uneasiness rules between them, unslaked curiosity, a hysterical desire to give rein to their suppressed impulse to recognize and address each other; even, actually, a sort of strained but mutual regard. For one human being instinctively feels respect and love for another human being so long as he does not know him well enough to judge him; and that he does not, the craving he feels is evidence.
Thomas Mann (Death in Venice and Other Tales)
Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings. The literature or discourse that goes along with this is similarly manufactured to tease without satisfaction, to replace every partial gratification with a new desire. For this stream of stimulants is designed to produce cravings for more and more of the same, though louder and faster, and these cravings drive us to do work which is of no interest save for the money it pays—to buy more lavish radios, sleeker automobiles, glossier magazines, and better television sets, all of which will somehow conspire to persuade us that happiness lies just around the corner if we will buy one more.
Alan W. Watts (The Wisdom of Insecurity)
Emotional exhaustion follows fast on the footsteps of physical and mental depletion. I feel my lifeblood draining away in an oily spigot of inner turmoil. Questions abound and personal survival hinges upon sorting through possible solutions and selecting the most fitting answers. Is my pain real or simply an illusion of a frustrated ego? What do I believe in? What is my purpose? I aspire to discover a means to live in congruence with the trinity of the mind, body, and spirit. Can I discover a noble path that frees me from the shallowness of decadent physical and emotional desires? Can I surrender any desire to seek fame and fortune? Can I terminate a craving to punish other persons for their perceived wrongs? Can I recognize that forgiving persons whom offended me is a self-initiated, transformative act? Can I conquer an irrational fear of the future? Can I accept the inevitable chaos that accompanies life? Can I find a means to achieve inner harmony by steadfastly resolving to live in the moment free of angst? Can I purge egotisms that mar an equitable perception of life by renunciation of the self and all worldly endeavors? Can I live a harmonious existence devoid the panache of vanities?
Kilroy J. Oldster (Dead Toad Scrolls)
Despite all deliberation, sense, insight, and sober reason, I could not fail to recognize within myself the furtive and yet—ashamed as it might be, so to say, of its irrationality—increasingly insistent voice of some muffled craving of sorts: I would like to live a little bit longer in this beautiful concentration camp.
Imre Kertész (Fatelessness)
Murky Water, Dusty Mirror Murky water is turbid; let it settle and it clears. A dusty mirror is dim; clean it and it is bright. What I realize as I observe this is the Tao of clarifying the mind and perceiving its essence. The reason why people's minds are not clear and their natures are not stable is that they are full of craving and emotion. Add to this eons of mental habit, acquired influences deluding the mind, their outgrowths clogging up the opening of awareness - this is like water being murky, like a mirror being dusty. The original true mind and true essence are totally lost. The feelings and senses are unruly, subject to all kinds of influences, taking in all sorts of things, defiling the mind. If one can suddenly realize this and change directions, wash away pollution and contamination, gradually remove a lifetime of biased mental habits, wandering thoughts and perverse actions, increasing in strength with persistence, refining away the dross until there is nothing more to be refined away, when the slag is gone the gold is pure. The original mind and fundamental essence will spontaneously appear in full, the light of wisdom will suddenly arise, and one will clearly see the universe as though it were in the palm of the hand, with no obstruction. This is like murky water returning to clarity when settled, like a dusty mirror being restored to brightness when polished. That which is fundamental is as ever: without any lack.
Liu Yiming (Awakening to the Tao (Shambhala Classics))
Is this present thing any good reason for my soul to be sick and out of sorts – humbled, craving, shackled, shying? Will you find any good reason for that?
Marcus Aurelius (Meditations)
Power will always end up with the sort of people who crave it.
Orson Scott Card
It’s exactly the sort of game she likes to play. Manipulative, cruel, divisive. She expects a response. She craves a response. The wisest course of action is to stay away.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
I'd forgotten how that sort of craving felt, how it rose suddenly and loudly from the pit of my stomach like a flock of startle birds, then floated back down in the slow, beguiling way of feathers.
Sue Monk Kidd
“Wait.” I grab his tie. Even through his shirt, I feel the strong curve of his collarbone beneath my fingers. It takes me back to how he looked in my bedroom: shirtless and perfect—wings spread high like those of some sort of celestial being—elegant power and pulsing light. Unabashed, unashamed, and confident. All the things that I crave to be. My pulse beats rapidly against the bite on my neck. “There’s something I want you to do, before Jeb wakes enough to know what’s going on.” Morpheus kneels again. “What? You want I should kiss your ouchies?” The dark purr of his voice is more teasing than seductive.
A.G. Howard (Unhinged (Splintered, #2))
I looked around the barroom. Someone else might have seen nothing more than a random crowd of drinkers, but I saw my people. Kith and kin. Every sort of person was there – stockbrokers and safecrackers, athletes and invalids, mothers and supermodels – but we were as one. We’d all been hurt by something, or somebody, and so we’d all come to Publicans, because misery loves company, but what it really craves is a crowd.
J.R. Moehringer (The Tender Bar: A Memoir)
The temperate man occupies a middle position with regard to these objects. For he neither enjoys the things that the self-indulgent man enjoys most-but rather dislikes them-nor in general the things that he should not, nor anything of this sort to excess, nor does he feel pain or craving when they are absent, or does so only to a moderate degree, and not more than he should, nor when he should not, and so on; but the things that, being pleasant, make for health or for good condition, he will desire moderately and as he should, and also other pleasant things if they are not hindrances to these ends, or contrary to what is noble, or beyond his means.
Aristotle (Complete Works Of Aristotle)
But what is it, to be an artist? Nothing shows up the general human dislike of thinking, and man's innate craving to be comfortable, better than his attitude to this question. When these worthy people are affected by a work of art, they humbly say that that sort of thing is a 'gift.' And because in their innocence they assume that beautiful and uplifting results must have beautiful and uplifting causes, they never dream that the 'gift' in question is a very dubious affair and rests upon extremely sinister foundations. [...] Listen to this. I know a banker, grey-haired business man, who has a gift for writing stories. He employs this gift in his idle hours, and some of his stories are of the first rank. But despiteI say despite-this excellent gift his withers are by no means unwrung: on the contrary, he has had to serve a prison sentence, on anything but trifling grounds. Yes, it was actually first in prison that he became conscious of his gift, and his experiences as a convict are the main theme in all his works. One might be rash enough to conclude that a man has to be at home in some kind of jail in order to become a poet.
Thomas Mann (Death in Venice and Other Tales)
Most people don't know how to starve," said Ezra. Silence. "I guess that's a weird thing to say, but it's true. It's something you learn. People think they have to be born one way, with resilience built in or some incapacity to burn or whatever. Either you are or you aren't, that sort of thing. Like some people naturally want things and others want nothing, but it's not true. You can be taught to want. You can be taught to crave. And you can also learn to starve.
Olivie Blake (The Atlas Six (The Atlas, #1))
Food is fuel, food is pleasure, food is guilt. It stands to reason that with all these digestive undercurrents there are storytellers who will treat a shared act of consumption as a sort of shared subversive act, a communion of Oh, I shouldn’t really. We shouldn’t.
Octavia Cade (Food and Horror: Essays on Ravenous Souls, Toothsome Monsters, and Vicious Cravings)
The appeal of reading, she thought, lay in its indifference: there was something undeferring about literature. Books did not care who was reading them or whether one read them or not. All readers were equal, herself included. Literature, she thought, is a commonwealth; letters a republic. Actually she had heard this phrase, the republic of letters, used before, at graduation ceremonies, honorary degrees and the like, though without knowing quite what it meant. At that time talk of a republic of any sort she had thought mildly insulting and in her actual presence tactless to say the least. It was only now she understood what it meant. Books did not defer. All readers were equal and this took her back to the beginning of her life. As a girl, one of her greatest thrills had been on VE night when she and her sister had slipped out of the gates and mingled unrecognised with the crowds. There was something of that, she felt, to reading. It was anonymous; it was shared; it was common. And she who had led a life apart now found that she craved it. Here in these pages and between these covers she could go unrecognised.
Alan Bennett (The Uncommon Reader)
So what," the Chelgrian asked, "is the point of me or anybody else writing a symphony, or anything else?" The avatar raised its brows in surprise. "Well, for one thing, you do it, it's you who gets the feeling of achievement." "Ignoring the subjective. What would be the point for those listening to it?" "They'd know it was one of their own species, not a Mind, who created it." "Ignoring that, too; suppose they weren't told it was by an AI, or didn't care." "If they hadn't been told then the comparison isn't complete; information is being concealed. If they don't care, then they're unlike any group of humans I've ever encountered." "But if you can—" "Ziller, are concerned that Minds—AIs, if you like—can create, or even just appear to create, original works of art?" "Frankly, when they're the sort of original works of art that I create, yes." "Ziller, it doesn't matter. You have to think like a mountain climber." "Oh, do I?" "Yes. Some people take days, sweat buckets, endure pain and cold and risk injury and—in some cases—permanent death to achieve the summit of a mountain only to discover there a party of their peers freshly arrived by aircraft and enjoying a light picnic." "If I was one of those climbers I'd be pretty damned annoyed." "Well, it is considered rather impolite to land an aircraft on a summit which people are at that moment struggling up to the hard way, but it can and does happen. Good manners indicate that the picnic ought to be shared and that those who arrived by aircraft express awe and respect for the accomplishment of the climbers. "The point, of course, is that the people who spent days and sweated buckets could also have taken an aircraft to the summit if all they'd wanted was to absorb the view. It is the struggle that they crave. The sense of achievement is produced by the route to and from the peak, not by the peak itself. It is just the fold between the pages." The avatar hesitated. It put its head a little to one side and narrowed its eyes. "How far do I have to take this analogy, Cr. Ziller?
Iain M. Banks (Look to Windward (Culture, #7))
People think they have to be born one way, with resilience built in or some incapacity to burn or whatever. Either you are or you aren't, that sort of thing. Like some people naturally want things and others want nothing, but it's not true. You can be taught to want. You can be taught to crave. And you can also learn to starve.
Olivie Blake (The Atlas Six (The Atlas, #1))
After three-quarters of an hour of standing around, he became suddenly involved in a human contact. It was just the sort of thing that was likely to happen to him when he was in the mood of not wanting to see any one. So rigidly did he sometimes guard his exposed self-consciousness that frequently he defeated his own purposes; as an actor who underplays a part sets up a craning forward, a stimulated emotional attention in an audience, and seems to create in others an ability to bridge the gap he has left open. Similarly we are seldom sorry for those who need and crave our pity — we reserve this for those who, by other means, make us exercise the abstract function of pity.
F. Scott Fitzgerald (Tender Is the Night)
Generational Patterns Since the beginning of recorded time, certain writers and thinkers have intuited a pattern to human history. It was perhaps the great fourteenth-century Islamic scholar Ibn Khaldun who first formulated this idea into the theory that history seems to move in four acts, corresponding to four generations. The first generation is that of the revolutionaries who make a radical break with the past, establishing new values but also creating some chaos in the struggle to do so. Often in this generation there are some great leaders or prophets who influence the direction of the revolution and leave their stamp on it. Then along comes a second generation that craves some order. They are still feeling the heat of the revolution itself, having lived through it at a very early age, but they want to stabilize the world, establish some conventions and dogma. Those of the third generation—having little direct connection to the founders of the revolution—feel less passionate about it. They are pragmatists. They want to solve problems and make life as comfortable as possible. They are not so interested in ideas but rather in building things. In the process, they tend to drain out the spirit of the original revolution. Material concerns predominate, and people can become quite individualistic. Along comes the fourth generation, which feels that society has lost its vitality, but they are not sure what should replace it. They begin to question the values they have inherited, some becoming quite cynical. Nobody knows what to believe in anymore. A crisis of sorts emerges. Then comes the revolutionary generation, which, unified around some new belief, finally tears down the old order, and the cycle continues. This revolution can be extreme and violent, or it can be less intense, with simply the emergence of new and different values.
Robert Greene (The Laws of Human Nature)
He’ll never in his lifetime be able to fuck you the way you crave. He couldn’t dream of sending those pretty little whiskey eyes to the back of your head like I’ve seen. He can’t make you scream for mercy, tear apart blankets between your teeth, claw flesh open beneath your nails, or beg like a whore in heat for some sort of saving the way you do when your stepbrother is inside of you.
Jescie Hall (Green Light)
When I wasn’t in the barn garden, helping out, sorting seeds or checking hoses I’d spend time alone, usually in the bathroom adjacent to Joel’s room, staring into the shattered mirror as my hand gently caressed my baby bump. More often than not I would cry. Not because my pregnancy upset me, or that my hormones were getting the better of me, but because I missed Joel, my baby’s father. That the baby would grow up without a dad made me anxious. Then again, if he had survived, what irreparable damage would he have suffered and how would his pain translate to his child? Jesus, I was studying myself in the very mirror he’d smashed the night he chose to take his own life. The bump had grown slowly in the last couple of months. With these limited resources, I didn’t have the privilege of eating whatever I craved. Had that been the case, I was sure I would have been bigger by now. Still, I tried to eat as well and as often as I could and the size of my belly had proven that my attempts at proper nutrition were at least growing something in there. Nothing made me happier than feeling my baby move. It was a constant source of relief for me. In our present circumstances, with no vitamins and barely any meat products save the recent stash of jerky Earl had found in an abandoned trailer, my diet consisted of berries, lettuce, and canned beans for the most part. Feeling the baby move inside me was an experience I often enjoyed alone. I would think of Joel then as well. Imagining his hand on my belly, with mine guiding his to the kicks and punches.
Michael Poeltl (Rebirth (The Judas Syndrome, #2))
When I try to analyze my own cravings, motives, actions and so forth, I surrender to a sort of retrospective imagination which feeds the analytic faculty with boundless alternatives and which causes each visualized route to fork and re-fork without end in the maddeningly complex prospect of my past. I am convinced, however, that in a certain magic and fateful way Lolita began with Annabel.
Vladimir Nabokov (Lolita)
MR. McCULLOUGH: If you look at the brain of somebody who has just been harmed by someone—they’ve been ridiculed or harassed or insulted—we can put those people into technology that allows us to see what their brains are doing, right? So we can look at sort of what your brain looks like on revenge. It looks exactly like the brain of somebody who is thirsty and is just about to get a sweet drink to drink or somebody who’s hungry who’s about to get a piece of chocolate to eat. TIPPETT: It’s like the satisfaction of a craving? MR. McCULLOUGH: It is exactly like that. It is literally a craving. What you see is high activation in the brain’s reward system. . . . The desire for revenge does not come from some sick dark part of how our minds operate. It is a craving to solve a problem and accomplish a goal.
Celeste Headlee (We Need to Talk: How to Have Conversations That Matter)
It's not about getting rid of desire. It's about giving ourselves to bigger and better and more powerful desires. What are you channeling your energies into? If they don't go into a few, select, disciplined pursuits that you are passionate about and are willing to give your life to, then they'll dissipate into all sorts of urges and cravings that won't even begin to bring joy that the "one thing" could.
Rob Bell (Sex God: Exploring the Endless Connections Between Sexuality and Spirituality)
There were two reactions to rape, from a psychological standpoint, based on the perceptions of men and their reactions. One, the Madonna Complex, where the victim refuses to have sexual relations and may even find more comfort with the opposite sex of the one who’d hurt them. Two, the Whore Complex, where they sleep with anyone, be it because they need that sort of validation or because a part of them craved what had been done
LeTeisha Newton (Whispers in the Dark)
There is an amazing ignorance of Scripture among many, and a consequent want of established, solid religion. In no other way can I account for the ease with which people are, like children, “tossed to and fro, and carried about by every wind of doctrine.” (Eph. iv. 14.) There is an Athenian love of novelty abroad, and a morbid distaste for anything old and regular, and in the beaten path of our forefathers. Thousands will crowd to hear a new voice and a new doctrine, without considering for a moment whether what they hear is true.—There is an incessant craving after any teaching which is sensational, and exciting, and rousing to the feelings.—There is an unhealthy appetite for a sort of spasmodic and hysterical Christianity. The religious life of many is little better than spiritual dram-drinking, and the “meek and quiet spirit” which St. Peter commends is clean forgotten, (1 Peter iii. 4.)
J.C. Ryle (Holiness)
And if you come across a man who is never alarmed by dangers, never affected by cravings, happy in adversity, calm in the midst of storm, viewing mankind from a higher level and the gods from their own, is it not likely that a feeling will find its way into you of veneration for him? Is it not likely that you will say to yourself, ‘Here is a thing which is too great, too sublime for anyone to regard it as being in the same sort of category as that puny body it inhabits.’ Into that body there has descended a divine power.
Seneca
Those who really want to be Yogis must give up, once for all, this nibbling at things. Take up one idea. Make that one idea your life — think of it, dream of it, live on that idea. Let the brain, muscles, nerves, every part of your body, be full of that idea, and just leave every other idea alone. This is the way to success, and this is the way great spiritual giants are produced. Others are mere talking machines. If we really want to be blessed, and make others blessed, we must go deeper. The first step is not to disturb the mind, not to associate with persons whose ideas are disturbing. All of you know that certain persons, certain places, certain foods, repel you. Avoid them; and those who want to go to the highest, must avoid all company, good or bad. Practise hard; whether you live or die does not matter. You have to plunge in and work, without thinking of the result. If you are brave enough, in six months you will be a perfect Yogi. But those who take up just a bit of it and a little of everything else make no progress. It is of no use simply to take a course of lessons. To those who are full of Tamas, ignorant and dull — those whose minds never get fixed on any idea, who only crave for something to amuse them — religion and philosophy are simply objects of entertainment. These are the unpersevering. They hear a talk, think it very nice, and then go home and forget all about it. To succeed, you must have tremendous perseverance, tremendous will. "I will drink the ocean," says the persevering soul, "at my will mountains will crumble up." Have that sort of energy, that sort of will, work hard, and you will reach the goal.
Vivekananda (Complete Works of Swami Vivekananda)
To those who are full of Tamas, ignorant and dull — those whose minds never get fixed on any idea, who only crave for something to amuse them — religion and philosophy are simply objects of entertainment. These are the unpersevering. They hear a talk, think it very nice, and then go home and forget all about it. To succeed, you must have tremendous perseverance, tremendous will. "I will drink the ocean," says the persevering soul, "at my will mountains will crumble up." Have that sort of energy, that sort of will, work hard, and you will reach the goal.
Vivekananda (Complete Works of Swami Vivekananda)
At this point, I must describe an important study carried out by Clare W. Graves of Union College, Schenectady, N.Y. on deterioration of work standards. Professor Graves starts from the Maslow-McGregor assumption that work standards deteriorate when people react against workcontrol systems with boredom, inertia, cynicism... A fourteen-year study led to the conclusion that, for practical purposes, we may divide people up into seven groups, seven personality levels, ranging from totally selfpreoccupied and selfish to what Nietzsche called ‘a selfrolling wheel’-a thoroughly self-determined person, absorbed in an objective task. This important study might be regarded as an expansion of Shotover’s remark that our interest in the world is an overflow of our interest in ourselves—and that therefore nobody can be genuinely ‘objective’ until they have fully satiated the subjective cravings. What is interesting—and surprising—is that it should not only be possible to distinguish seven clear personality-ypes, but that these can be recognised by any competent industrial psychologist. When Professor Graves’s theories were applied in a large manufacturing organisation—and people were slotted into their proper ‘levels’—the result was a 17% increase in production and an 87% drop in grumbles. The seven levels are labelled as follows: (1) Autistic (2) Animistic (3) Awakening and fright (4) Aggressive power seeking (5) Sociocentric (6) Aggressive individualistic (7) Pacifist individualistic. The first level can be easily understood: people belonging to it are almost babylike, perhaps psychologically run-down and discouraged; there is very little to be done with these people. The animistic level would more probably be encountered in backward countries: primitive, superstitious, preoccupied with totems and taboos, and again poor industrial material. Man at the third level is altogether more wide-awake and objective, but finds the complexity of the real world frightening; the best work is to be got out of him by giving him rules to obey and a sense of hierarchical security. Such people are firm believers in staying in the class in which they were born. They prefer an autocracy. The majority of Russian peasants under the Tsars probably belonged to this level. And a good example of level four would probably be the revolutionaries who threw bombs at the Tsars and preached destruction. In industry, they are likely to be trouble makers, aggressive, angry, and not necessarily intelligent. Management needs a high level of tact to get the best out of these. Man at level five has achieved a degree of security—psychological and economic—and he becomes seriously preoccupied with making society run smoothly. He is the sort of person who joins rotary clubs and enjoys group activities. As a worker, he is inferior to levels three and four, but the best is to be got out of him by making him part of a group striving for a common purpose. Level six is a self-confident individualist who likes to do a job his own way, and does it well. Interfered with by authoritarian management, he is hopeless. He needs to be told the goal, and left to work out the best way to achieve it; obstructed, he becomes mulish. Level seven is much like level six, but without the mulishness; he is pacifistic, and does his best when left to himself. Faced with authoritarian management, he either retreats into himself, or goes on his own way while trying to present a passable front to the management. Professor Graves describes the method of applying this theory in a large plant where there was a certain amount of unrest. The basic idea was to make sure that each man was placed under the type of supervisor appropriate to his level. A certain amount of transferring brought about the desired result, mentioned above—increased production, immense decrease in grievances, and far less workers leaving the plant (7% as against 21% before the change).
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw- a flower...'Habitualization,' a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, 'devours works, clothes, furniture, one's wife, and the fear of war.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw - a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there'd be pandemonium in the streets. People would lie by the thousands in the fields on their backs.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Nature's Grand Hotel has its Season, like the others. As the guests one by one pack, pay, and depart, and the seats at the table-d'hôte shrink pitifully at each succeeding meal; as suites of rooms are closed, carpets taken up, and waiters sent away; those boarders who are staying on, en pension, until the next year's full reopening, cannot help being somewhat affected by all these flittings and farewells, this eager discussion of plans, routes, and fresh quarters, this daily shrinkage in the stream of comradeship. One gets unsettled, depressed, and inclined to be querulous. Why this craving for change? Why not stay on quietly here, like us, and be jolly? You don't know this hotel out of the season, and what fun we have among ourselves, we fellows who remain and see the whole interesting year out. All very true, no doubt, the others always reply; we quite envy you—and some other years perhaps—but just now we have engagements—and there’s the bus as the door—our time is up! So they depart, with a smile and a nod, and we miss them, and feel resentful. The Rat was a self-sufficing sort of animal, rooted to the land, and whoever went, he stayed; still, he could not help noticing what was in the air, and feeling some of its influence in his bones.
Kenneth Grahame (The Wind in the Willows)
Mind Quotient (Sonnet 1209) Throw away all stupidity of IQ and EQ, They are but stain upon mind's honor. To quantify intelligence is stupid, To quantify emotion is even stupider. When the feeble psyche seeks reassurance, It craves comfort in all sorts of nonsense. Most times it resorts to the supernatural, Exhausting that it resorts to pseudoscience. It is no mark of mental progress to replace supernatural bubble with pseudoscience bubble. No matter how they try to sell you security, Know that, human potential is unquantifiable. IQ is no measure of intelligence, EQ is no measure of emotion either. But craving for IQ and EQ is symptom of a shallow and feeble character.
Abhijit Naskar (Rowdy Scientist: Handbook of Humanitarian Science)
Sara, who snatched her lessons at all sorts of untimely hours from tattered and discarded books, and who had a hungry craving for everything readable, was often severe upon them in her small mind. They had books they never read; she had no books at all. If she had always had something to read, she would not have been so lonely. She liked romances and history and poetry; she would read anything. There was a sentimental housemaid in the establishment who bought the weekly penny papers, and subscribed to a circulating library, from which she got greasy volumes containing stories of marquises and dukes who invariably fell in love with orange-girls and gypsies and servant-maids, and made them the proud brides of coronets; and Sara often did parts of this maid's work so that she might earn the privilege of reading these romantic histories.
Frances Hodgson Burnett (Sara Crewe or, What Happened at Miss Minchin's)
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
I love analogies! Let’s have one. Imagine that you dearly love, absolutely crave, a particular kind of food. There are some places in town that do this particular cuisine just amazingly. Lots of people who are into this kind of food hold these restaurants in high regard. But let’s say, at every single one of these places, every now and then throughout the meal, at random moments, the waiter comes over and punches any women at the table right in the face. And people of color and/or LGBT folks as well! Now, most of the white straight cis guys who eat there, they have no problem–after all, the waiter isn’t punching them in the face, and the non-white, non-cis, non-straight, non-guys who love this cuisine keep coming back so it can’t be that bad, can it? Hell, half the time the white straight cis guys don’t even see it, because it’s always been like that and it just seems like part of the dining experience. Granted, some white straight cis guys have noticed and will talk about how they don’t like it and they wish it would stop. Every now and then, you go through a meal without the waiter punching you in the face–they just give you a small slap, or come over and sort of make a feint and then tell you they could have messed you up bad. Which, you know, that’s better, right? Kind of? Now. Somebody gets the idea to open a restaurant where everything is exactly as delicious as the other places–but the waiters won’t punch you in the face. Not even once, not even a little bit. Women and POC and LGBT and various combinations thereof flock to this place, and praise it to the skies. And then some white, straight, cis dude–one of the ones who’s on record as publicly disapproving of punching diners in the face, who has expressed the wish that it would stop (maybe even been very indignant on this topic in a blog post or two) says, “Sure, but it’s not anything really important or significant. It’s getting all blown out of proportion. The food is exactly the same! In fact, some of it is awfully retro. You’re just all relieved cause you’re not getting punched in the face, but it’s not really a significant development in this city’s culinary scene. Why couldn’t they have actually advanced the state of food preparation? Huh? Now that would have been worth getting excited about.” Think about that. Seriously, think. Let me tell you, being able to enjoy my delicious supper without being punched in the face is a pretty serious advancement. And only the folks who don’t get routinely assaulted when they try to eat could think otherwise.
Ann Leckie
Most people don’t know how to starve,” said Ezra. Silence. “I guess that’s a weird thing to say, but it’s true. It’s something you learn. People think they have to be born one way, with resilience built in or some incapacity to burn or whatever. Either you are or you aren’t, that sort of thing. Like some people naturally want things and others want nothing, but it’s not true. You can be taught to want. You can be taught to crave. And you can also learn to starve.” Silence. “The issue is when you eventually get fed,” Ezra continued. “You’ve heard about the stomach pains and shit when vegetarians eat meat for the first time? It feels like dying. Prosperity is anguish. And of course the body adjusts, doesn’t it? But the mind doesn’t. You can’t erase history. You can’t just excise the wanting, and worse—you forget the pain. Eventually you grow accustomed to excess and can’t go back, because all you remember are the aches of starvation, which you took so long to learn. How to give yourself only as much as you need to continue—that’s a lesson. For some people it’s lifelong, for others it’s developmental if they’re lucky and then eventually it fades. But you never really forget it, how to starve. How to watch others with envy. How to silence the ache in your soul. Starvation is dormancy, isn’t it? The mind still hungers even when the body adjusts. There’s tension, always. Survival only requires so much but existence, completion, that becomes insatiable. The longer you starve the more haunting the ghost of starvation. After you’ve learned to starve, when someone finally gives you something, you become a hoarder. You hoard. And technically that’s the same as having, but it isn’t, not really. Starvation continues. You still want, and wanting is the hard part. You can learn to starve but you can’t learn to have. Nobody can. It’s the flaw in being mortal.
Olivie Blake (The Atlas Six (The Atlas, #1))
For it is the nature of the human mind to be active and prone to movement. Welcome to it is every opportunity for excitement and distraction, and still more welcome to all those worst natures which willingly wear themselves out in being employed. Just as there are some sores which crave the hands that will hurt them and rejoice to be touched, and as a foul itch of the body delights in whatever scratches, exactly so, I would say, do these minds upon which, so to speak, desires have broken out like wicked sores find pleasure in toil and vexation. For there are certain things that delight our body also while causing it a sort of pain, as turning over and changing a side that is not yet tired and taking one position after another to get cool. Homer's hero Achilles is like that — lying now on his face, now on his back, placing himself in various attitudes, and, just as sick men do, enduring nothing very long and using changes as remedies.
Seneca (On The Tranquility Of The Mind)
The thing that separates two people the most is a difference in their sense and degree of cleanliness. All the good behavior, mutual utility, and goodwill in the world will not help: what matters, in the end, is that they “can’t stand the smell of each other!” The highest instinct of cleanliness puts someone afflicted with it into the strangest and most dangerous solitude, in the form of a holy saint: because this is what holiness is – the highest spiritualization of this instinct. Some sort of shared knowledge of an indescribable abundance of joy in bathing, some sort of lust and craving constantly drives the soul out of the night and into the morning, out of dullness and gloom into light, radiance, profundity, finesse. However much a tendency like this characterizes somebody (it is a noble tendency), it separates him out as well. The pity of the saint is a pity for the filth of the human, all-too-human. And there are degrees and heights where he feels even pity as a form of pollution, as filth.
Friedrich Nietzsche (Beyond Good and Evil)
God’s goodness comes to us amidst the battle and dust of our own suffering, our own long defeat. God always arrives with healing. But he is humble and meek, a king who comes in through the back door of our hearts not to conquer and raze our imperfections away but to hold and heal us by the intimacy of his touch, his presence here with us in the inmost rooms of our suffering. The power of God is radically gentle, never rough with our needs or careless with our yearning. God is fixed upon the restoration of our whole selves and souls, not just the bits that everyone else can see. Yet the very tenderness of his power is something we sometimes treat as his weakness or cruelty because we crave a more visible result. The healing kind of power is not the sort we’ve been taught to respect by existence in a fallen world where power just means brute force. We want the swift and the visible: illness zapped away, money in our hands, brilliant doctors, prosperous lives, and conversion stories by the thousands. We crave visibility and approbation and health and big crowds that make us feel important enough to forget the frail selves we used to be. When we pray for God to come in power to save us, we often picture a scenario in which God invades our lives as the ultimate mighty man to banish our frailty and make us something entirely other than we are, capable of the will and force whose lack we so deeply feel. But God cradles and cherishes our frailty, and that is where the true power of his love is known. I always think it intriguing that in the Gospels Jesus seems far less interested in the faith and hope at work in broken people than merely the healing of their bodies. For I think God knows there is no real healing until our hearts are healed of their fear, our minds cleansed of doubt. Broken bodies, shattered hopes, suffering minds, terrible pasts - they leave us deathly ill with the twisted belief that love can never be great enough to encompass the whole of the story. We feel that we must subtract or conceal part of ourselves if we are ever to win the love of other people or God himself. We are diminished in our own eyes by our suffering, taught to despair of our dreams, to give up our hope that God will come with goodness in his hands. So God creeps in, gentle, and we know his touch because we are not discarded or dismissed, but healed. He comes to unravel our self-doubt, to untangle the evil we have believed, to call us back from the dark lands of our insecurity. He calls us by name and wakes us from sleep so that we rise to ask what this kind and precious King commands, and so often his command is simply to open our hands so that they may be filled with his goodness. For when God arrives as the healer, we learn anew that the anguished hopes we carry are held within God’s hand like the hazelnut of Mother Julian’s vision. The story he weaves for us may look radically different from what we thought we desired, but when it arrives, we will recognize it as the intimate gift of a love whose will for us is always so much greater than our own.
Sarah Clarkson (This Beautiful Truth: How God's Goodness Breaks into Our Darkness)
Most people don’t know how to starve,” said Ezra. Silence. “I guess that’s a weird thing to say, but it’s true. It’s something you learn. People think they have to be born one way, with resilience built in or some incapacity to burn or whatever. Either you are or you aren’t, that sort of thing. Like some people naturally want things and others want nothing, but it’s not true. You can be taught to want. You can be taught to crave. And you can also learn to starve.” Silence. “The issue is when you eventually get fed,” Ezra continued. “You’ve heard about the stomach pains and shit when vegetarians eat meat for the first time? It feels like dying. Prosperity is anguish. And of course the body adjusts, doesn’t it? But the mind doesn’t. You can’t erase history. You can’t just excise the wanting, and worse—you forget the pain. Eventually you grow accustomed to excess and can’t go back, because all you remember are the aches of starvation, which you took so long to learn. How to give yourself only as much as you need to continue—that’s a lesson. For some people it’s lifelong, for others it’s developmental if they’re lucky and then eventually it fades. But you never really forget it, how to starve. How to watch others with envy. How to silence the ache in your soul. Starvation is dormancy, isn’t it? The mind still hungers even when the body adjusts. There’s tension, always. Survival only requires so much but existence, completion, that becomes insatiable. The longer you starve the more haunting the ghost of starvation. After you’ve learned to starve, when someone finally gives you something, you become a hoarder. You hoard. And technically that’s the same as having, but it isn’t, not really. Starvation continues. You still want, and wanting is the hard part. You can learn to starve but you can’t learn to have. Nobody can. It’s the flaw in being mortal. “ Silence. “Being magic is even worse,” said Ezra. “Your body doesn’t want to die, it has too much inside it. So you want more powerfully. You starve more quickly. Your capacity to have nothing is abysmal, cataclysmic. There isn’t a medeian on earth capable of casting themselves down into ordinariness, much less to dust. We’re all starving, but not everyone is doing it correctly. Some people are taking too much, making themselves sick, and it kills them. The excess is poison; even food is a poison to someone who’s been deprived. Everything has the capacity to turn toxic. It’s so fucking easy to die, so the ones who make themselves something are the same ones who learn to starve correctly. They take in small amounts, in survivable doses. We’re immunizing ourselves to something— against something. Everything we manage to have successfully becomes a vaccine over time, but the illness is always much larger. We’re still naturally susceptible. We fight it, trying to starve well or starve cleverly, but it comes for us eventually. We all have different reasons for wanting, but inevitably it comes. “What does?” asked Atlas. Ezra smiled, closing his eyes to the sun. “Power,” he said. “A little at a time until we break.
Olivie Blake (The Atlas Six (The Atlas, #1))
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw - a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there'd be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something - gray-brown bark, say, fissured into broad, vertical plates - and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife?
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
In the car ahead, Jane was thinking fast and furiously. She had felt the purpose for which Tarzan had asked a few words with her, and she knew that she must be prepared to give him an answer in the very near future. He was not the sort of person one could put off, and somehow that very thought made her wonder if she did not really fear him. And could she love where she feared? She realized the spell that had been upon her in the depths of that far-off jungle, but there was no spell of enchantment now in prosaic Wisconsin. Nor did the immaculate young Frenchman appeal to the primal woman in her, as had the stalwart forest god. Did she love him? She did not know—now. She glanced at Clayton out of the corner of her eye. Was not here a man trained in the same school of environment in which she had been trained—a man with social position and culture such as she had been taught to consider as the prime essentials to congenial association? Did not her best judgment point to this young English nobleman, whose love she knew to be of the sort a civilized woman should crave, as the logical mate for such as herself? Could she love Clayton? She could see no reason why she could not. Jane was not coldly calculating by nature, but training, environment and heredity had all combined to teach her to reason even in matters of the heart. That she had been carried off her feet by the strength of the young giant when his great arms were about her in the distant African forest, and again today, in the Wisconsin woods, seemed to her only attributable to a temporary mental reversion to type on her part—to the psychological appeal of the primeval man to the primeval woman in her nature. If he should never touch her again, she reasoned, she would never feel attracted toward him. She had not loved him, then. It had been nothing more than a passing hallucination, super-induced by excitement and by personal contact. Excitement would not always mark their future relations, should she marry him, and the power of personal contact eventually would be dulled by familiarity. Again she glanced at Clayton. He was very handsome and every inch a gentleman. She should be very proud of such a husband.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
You’re the only person who doesn’t see the advantage in such a match.” “That’s because I don’t believe in marriages of convenience. Given your family’s history, I’d think that you wouldn’t either.” She colored. “And why do assume it would be such a thing? Is it so hard to believe that a man might genuinely care for me? That he might actually want to marry me for myself?” “Why would anyone wish to marry the reckless Lady Celia, after all,” she went on in a choked voice, “if not for her fortune or to shore up his reputation?” “I didn’t mean any such thing,” he said sharply. But she’d worked herself up into a fine temper. “Of course you did. You kissed me last night only to make a point, and you couldn’t even bear to kiss me properly again today-“ “Now see here,” he said, grabbing her shoulders. “I didn’t kiss you ‘properly’ today because I was afraid if I did I might not stop.” That seemed to draw her up short. “Wh-What?” Sweet God, he shouldn’t have said that, but he couldn’t let her go on thinking she was some sort of pariah around men. “I knew that if I got his close, and I put my mouth on yours…” But now he was this close. And she was staring up at him with that mix of bewilderment and hurt pride, and he couldn’t help himself. Not anymore. He kissed her, to show her what she seemed blind to. That he wanted her. That even knowing it was wrong and could never work, he wanted to have her. She tore her lips from his. “Mr. Pinter-“ she began in a whisper. “Jackson,” he growled. “Let me hear you say my name.” Backing away from him, she cast him a wounded expression. “Y-you don’t have to pretend-“ “I’m not pretending anything, damn it!” Grabbing her by the sleeves, he dragged her close and kissed her again, with even more heat. How could she not see that he ached to take her? How could she not know what a temptation she was? Her lips intoxicated him, made him light-headed. Made him reckless enough to kiss her so impudently that any other woman of her rank would be insulted. When she pulled away a second time, he expected her to slap him. But all she did was utter a feeble protest. “Please, Mr. Pinter-“ “Jackson,” he ordered in a low, unsteady voice, emboldened by the melting look in her eyes. “Say my Christian name.” Her lush dark lashes lowered as a blush stained her cheeks. “Jackson…” His breath caught in his throat at the intimacy of it, and fire exploded in his brain. She wasn’t pushing him away, so to hell with trying to be a gentleman. He took her mouth savagely this time, plundering every part of its silky warmth as his blood pulsed high in his veins. She tasted of red wine and lemon cake, both tart and sweet at once. He wanted to eat her up. He wanted to take her, right here in this room. So when she pulled out of his arms to back away, he walked after her. She didn’t stop backing away, but neither did she turn tail and run. “Last night you claimed this wouldn’t happen again.” “I know. And yet it has.” Like someone in an opium den, he’d been craving her for months. And how that he’d suddenly had a taste of the very thing he craved, he had to have more. When she came up against the writing table, he caught her about the waist. She turned her head away before he could kiss her, so he settled for burying his face in her neck to nuzzle the tender throat he’d been coveting. With a shiver, she slid her hands up his chest. “Why are you doing this?” “Because I want you,” he admitted, damning himself. “Because I’ve always wanted you.” Then he covered her mouth with his once more.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
I have never lost the thrill of travel. I still crave the mental and physical jolt of being somewhere new, of descending aeroplane steps into a different climate, different faces, different languages. It’s the only thing, besides writing, that can meet and relieve my ever-simmering, ever-present restlessness. If I have been too long at home, stuck in the routine of school-runs, packed lunches, swimming lessons, laundry, tidying, I begin to pace the house in the evenings. I might start to cook something complicated very late at night. I might rearrange my collections of Scandinavian glass. I will scan the bookshelves, sighing, searching for something I haven’t yet read. I will start sorting through my clothes, deciding on impulse to take armfuls to the charity shop. I am desperate for change, endlessly seeking novelty, wherever I can find it. My husband might return from an evening out to discover that I have moved all the furniture in the living room. I am not, at times like this, easy to live with. He will raise his eyebrows as I single-handedly shove the sofa towards the opposite wall, just to see how it might look. “Maybe,” he will say, as he unlaces his shoes, “we should book a holiday.
Maggie O'Farrell
Good Lord, Gray thought. Here he held this woman in his arms while she made him out to be some sort of…not a saint, exactly, but a man possessing a shred of honor. And all the while she trembled against his body, soft and damp and warm, never suspecting the dozens of ways in which he longed to dishonor them both. Would she still allow him to hold her like this, encircled in his arms, her backside pressed against his swelling groin, if she could read his thoughts? If she knew that when she titled her head to bury her face in his sleeve, she gave him a direct view of the alabaster curve of her neck, the carved ivory of her collarbone, and the exquisite image that would haunt his dreams-the soft, rose-scented valley between her breasts? God, what a lecherous bastard he was. He’d been ashamed of many things in his life, but never before had he felt so ashamed simply to be a man, a part of this violent, brutish race of creatures who flogged one another, beat helpless boys with marlinespikes, and lusted after unsuspecting governesses while they were overset with emotion. This woman was bred for better things, deserved better things. Better than this ship, this life. Better than a base, craving creature like him.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
With hardly a pause she moved on again, questing. Next it was a small fish . . . then another frog . . . and then a real prize: a water-rat that squeaked and writhed and tried to bite. She crushed the life out of it and stuffed it into her mouth, paws and all. A moment later she bent her head down and regurgitated the waste – a twisted mass of fur and splintered bones. Show him this, then – always assuming that he and Jake get back from whatever adventure they’re on, that is. And say, ‘I know that women are supposed to have strange cravings when they carry a child, Eddie, but doesn’t this seem a little too strange? Look at her, questing through the reeds and ooze like some sort of human alligator. Look at her and tell me she’s doing that in order to feed your child. Any human child.’ Still he would argue. Roland knew it. What he didn’t know was what Susannah herself might do when Roland told her she was growing something that craved raw meat in the middle of the night. And as if this business wasn’t worrisome enough, now there was todash. And strangers who had come looking for them. Yet the strangers were the least of his problems. In fact, he found their presence almost comforting. He didn’t know what they wanted, and yet he did know. He had met them before, many times. At bottom, they always wanted the same thing.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
Most people don't know how to starve... I guess that's a weird thing to say, but it's true. It's something you learn. People think that they have to be born one way, with resilience built in or some incapacity to burn, or whatever. Either you are or you aren't. That sort of thing. Like some people naturally want things and others want nothing. But it's not true. You can be taught to want, you can be taught to crave, and you can also learn to starve. The issue is when you eventually get fed... prosperity is anguish. The body adjusts, but the mind doesn't. You can't erase history, you can't just excise the wanting and worse, you forget the pain. Eventually you grow accustomed to excess and you can't go back, because all you remember are the aches of starvation, which you took so long to learn. How to give yourself only as much as you need to continue, that's a lesson. For some people its lifelong. For others, it's developmental if they're lucky and then eventually it fades. But still, you never forget it, how to starve, how to watch others with envy, how to silence the ache in your soul. Starvation is dormancy, isn't it? The mind still hungers, even when the body adjusts. There's tension, always. Survival only requires so much, but existence? Completion? That becomes insatiable. The longer you starve, the more haunting the ghost of starvation. After you've learned to starve when someone finally gives you something, you become a hoarder, you hoard., and technically that's the same as having, but it isn't, not really. Starvation continues, you still want, and wanting is the hard part. You can learn to starve but you can't learn how to have... the excess is a poison. Everything has the capacity to turn toxic.
Olivie Blake (The Atlas Six (The Atlas, #1))
Every human being with normal mental and emotional faculties longs for more. People typically associate their longing for more with a desire to somehow improve their lot in life—to get a better job, a nicer house, a more loving spouse, become famous, and so on. If only this, that, or some other thing were different, we say to ourselves, then we’d feel complete and happy. Some chase this “if only” all their lives. For others, the “if only” turns into resentment when they lose hope of ever acquiring completeness. But even if we get lucky and acquire our “if only,” it never quite satisfies. Acquiring the better job, the bigger house, the new spouse, or world fame we longed for may provide a temporary sense of happiness and completeness, but it never lasts. Sooner or later, the hunger returns. The best word in any language that captures this vague, unquenchable yearning, according to C. S. Lewis and other writers, is the German word Sehnsucht (pronounced “zane-zookt”).[9] It’s an unusual word that is hard to translate, for it expresses a deep longing or craving for something that you can’t quite identify and that always feels just out of reach. Some have described Sehnsucht as a vague and bittersweet nostalgia and/or longing for a distant country, but one that cannot be found on earth. Others have described it as a quasi-mystical sense that we (and our present world) are incomplete, combined with an unattainable yearning for whatever it is that would complete it. Scientists have offered several different explanations for this puzzling phenomenon—puzzling, because it’s hard to understand how natural processes alone could have evolved beings that hunger for something nature itself doesn’t provide.[10] But this longing is not puzzling from a biblical perspective, for Scripture teaches us that humans and the entire creation are fallen and estranged from God. Lewis saw Sehnsucht as reflective of our “pilgrim status.” It indicates that we are not where we were meant to be, where we are destined to be; we are not home. Lewis once wrote to a friend that “our best havings are wantings,” for our “wantings” are reminders that humans are meant for a different and better state.[11] In another place he wrote: Our lifelong nostalgia, our longing to be reunited with something in the universe from which we now feel cut off, to be on the inside of some door which we have always seen from the outside is . . . the truest index of our real situation.[12] With Lewis, Christians have always identified this Sehnsucht that resides in the human heart as a yearning for God. As St. Augustine famously prayed, “You have made us for yourself, and our hearts are restless till they find their rest in you.”[13] In this light, we might think of Sehnsucht as a sort of homing device placed in us by our Creator to lead us into a passionate relationship with him.
Gregory A. Boyd (Benefit of the Doubt: Breaking the Idol of Certainty)
He sings, in one of the deepest lyrics in all of his oeuvre, “Would you run to me if somebody hurt you, even if that somebody was me?” Could I be the shoulder you cry on and could the bond between us be so deep that I’m the one you want holding you after I made you cry? Could I be your salvation if I’m the sinner? When he snaps back to a male perspective he remains female focused, sweetly trying to win her over in a way that he thinks she would want, ways that move through intimacy rather than traditional masculine expressions of sexuality. He offers a tickle war that’ll make her laugh and laugh then suggests he’ll kiss her down there where it counts and “drink every ounce” and then they’ll have the ultimate cuddlefest: “I’ll hold u tight and hold u long and together we’ll stare into silence and we’ll try 2 imagine what it looks like.” People say Prince did crave that sort of intimacy in his relationships with women even as he struggled with the intimacy he wanted. Two lines in “If I Was Your Girlfriend” stand out after talking with people close to Prince. When he’s imagining himself as her girlfriend he sings, “Would u let me wash your hair?” And later as a man he says, “Would u let me give u a bath?” Those desires I’m told are part of his real life. Someone who was intimate with him and knows others who were, too, says Prince was not doing exactly as much screwing as he’d have you believe. I was told by someone who knows that Prince loves to bathe women. And brush their hair. And sometimes he did these things in lieu of intercourse. It was not part of trying to get laid or deepen the sexual experience, but as a worshipful appreciation of femininity. A person who was close to Prince said, “One girl told me that she got frustrated because he’d rather bathe her.
Touré (I Would Die 4 U: Why Prince Became an Icon)
Why should Milton, Shakespeare, and Lord Bacon, and Sir Philip Sidney die? Perhaps yet they shall not wholly die. I am not contented to visit the house in Bread-Street where Milton was born, or that in Bunhill-Row where he died, I want to repair to the place where he now dwells. Some spirit shall escape from his ashes, and whisper to me things unfelt before. I am not satisfied to converse only with the generation of men that now happens to subsist; I wish to live in intercourse with the Illustrious Dead of All Ages. I demand the friendship of Zoroaster. Orpheus, and Linus, and Musaeus shall be welcome to me. I have a craving and an earnest heart, that can never be contented with anything in this sort, while something more remains to be obtained. And I feel that thus much at least the human race owes to its benefactors, that they should never be passed by without an affectionate remembrance. I would say, with Ezekiel, the Hebrew, in his Vision, ‘Let these dry bones live!’ Not let them live merely in cold generalities and idle homilies of morality; but let them live, as my friends, my philosophers, my instructors, and my guides! I would say with the moralist of old, ‘Let me act, as I would wish to have acted, if Socrates or Cato were the spectators of what I did!’ And I am not satisfied only to call them up by a strong effort of the imagination, but I would have them, and men like them, ‘around my path, and around my bed,’ and not allow myself to hold a more frequent intercourse with the living, than with the good departed.
William Godwin (Essay on sepulchres: or, A proposal for erecting some memorial of the illustrious dead in all ages on the spot where their remains have been interred.)
First, A ship of the finest make and model available shall be furnished to carry the constructors home. 2nd, The said ship shall be laden with various cargo as here specified: diamonds—four bushels, gold coin—forty bushels, platinum, palladium, and whatever other ready valuables they happen to think of—eight bushels of each, also whatever mementos and tokens from the Royal Apartments the signatories of this instrument may deem appropriate. 3rd, Until such time as the said ship shall be in readiness for takeoff, every nut and bolt in place, fully loaded and delivered up to the constructors complete with red carpet, an eighty-piece send-off band and children's chorus, an abundance of honors, decorations and awards, and a wildly cheering crowd—until then, no King. 4th, That a formal expression of undying gratitude shall be stamped upon a gold medallion and addressed to Their Most Sublime and Radiant Constructors Trurl and Klapaucius, Delight and Terror of the Universe, and moreover it shall contain a full account of their victory and be duly signed and notarized by every high and low official in the land, then set in the richly embellished barrel of the King's favorite cannon, which Lord Protozor, Master of the Royal Hunt, shall himself and wholly unaided carry on board—no other Protozor but the one who lured Their Most Sublime and Radiant Constructors to this planet thinking to work their painful and ignominious death thereby. 5th, That the aforesaid Protozor shall accompany them on their return journey as insurance against any sort of double-dealing, pursuit, and the like. On board he shall occupy a cage three by three by four feet and shall receive a a daily allowance of humble pie with a filling made of that very same sawdust which Their Most Sublime and Radiant Constructors saw fit to order in the process of indulging the King's foolishness and which was subsequently taken to police headquarters by unmarked balloon. 6th and lastly, The King need not crave forgiveness of Their Most Sublime and Radiant Constructors on bended knee, since he is much too beneath them to deserve notice.
Stanisław Lem (The Cyberiad)
At some point as she spoke, in a motion as natural as an exhale or a stretch, he'd begun sliding his hands up her thighs. She stopped talking. And thinking. And breathing. She resumed breathing on a shuddery exhale. And as her thighs were bare apart from the garters holding up her stockings; his hands heated all the way through the fine silk if her dress to her skin. Every tiny hair on her body stood erect, as if craving his attention. She felt spangled with heat, cinders everywhere on her body. "Molten" rather described how she felt between her legs. He strummed his thumbs softly, softly, back and forth, back and forth, against her thighs. Oh God. She opened her mouth to reiterate: 'Only kissing.' "Guh," surprisingly, was what emerged instead. A sort of hybrid gasp-sigh. "'Guh,' indeed," he agreed, softly. She would have laughed. But the sensation was too new and too total, and desire gathered with a distracting, heavy intensity beneath the weight of his hands, coaxed by those feathery stroking thumbs, and her entire body, brain included, was invested in enjoying 'that,' not in making coherent sounds. She fought to keep her thighs from falling open like a trap door, inviting him deeper in. Was it cold? Were they outdoors? She knew only his touch. "I would never 'dream' of disappointing you, Genevieve," he reassured her on a rough-silk whisper that dragged against her imagination the way his fingers dragged along her thighs, stirring possibilities into life.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
Joe. This shit started because of me confronting the dude who threatened to out Simeon. You think I’m stupid enough to trust someone in my house? If you think my image is shitty now, just wait until a housekeeper or a PA finds out I like fucking guys. Gavin Brawley, the Barons’ alpha asshole, being bisexual will be a lot more sensational than golden boy Simeon experimenting at the club while wasted.” Joe cringed. He went through life pretending I only chased female tail when off the field. It was less stressful when it came to sorting out the potential homophobic backlash if word got out that I was bi. I tried to choose my male hookups carefully, and never a random stranger. Even on the days when I craved a man’s hard body and low, deep voice more than anything else, I sometimes told myself it was more trouble than it was worth. And Simeon’s latest disaster only cemented that thought in my mind, so having a stranger in my house .
Santino Hassell (Illegal Contact (The Barons, #1))
Use of magic expended the sort of dark emotion that feeders craved. They were drawn to it like flies to garbage and Men to evil.
Terry Brooks (The Measure of the Magic (Legends of Shannara, #2))
In November, 1947, Jim wrote a letter to his parents which showed where his ambition lay: “The Lord has given me a hunger for righteousness and piety that can alone be of Himself. Such hungering He alone can satisfy, yet Satan would delude and cast up all sorts of other baubles, social life, a name renowned, a position of importance, scholastic attainment. What are these but the objects of the ‘desire of the Gentiles’ whose cravings are warped and perverted. Surely they can mean nothing to the soul who has seen the beauty of Jesus Christ. . . . No doubt you will hear of my receiving preliminary honors at school. They carry the same brand and will lie not long hence in the basement in a battered trunk beside the special gold ‘B’ pin, with the ‘ruby’ in it for which I studied four years at Benson. All is vanity below the sun and a ‘striving after wind.’ Life is not here, but hid above with Christ in God, and therein I rejoice and sing as I think on such exaltation.
Elisabeth Elliot (Through Gates of Splendor)
The trouble with being so emotionally invested in planning for the future, though, is that while it may occasionally prevent a catastrophe, the rest of the time it tends to exacerbate the very anxiety it was supposed to allay. The obsessive planner, essentially, is demanding certain reassurances from the future—but the future isn’t the sort of thing that can ever provide the reassurance he craves, for the obvious reason that it’s still in the future.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
Some part of me thinks that my sickly heart was inherited, coded in my genes. Not only that, but I’ve also watched my mom fall in and out over the years with the same sort of reckless regard for her own well-being, always one-upping her last disaster with a bigger one and hoping for the biggest payoff. It’s only since she started dating her latest boyfriend that she’s calmed that part of herself. But inside, I know she’s never gotten that payoff. She struggled for years to find a man to give her those feelings but instead settled. She gave up, and we both know it. Even though I vowed to be different from my mother in the way I live my life, we have the same disease. We crave the all-consuming, soul-stealing, drama-filled romances that are destined to end badly. I inherited my heart from her, and it’s relentless.
Kate Stewart (Flock (The Ravenhood, #1))
The obsessive planner, essentially, is demanding certain reassurances from the future—but the future isn’t the sort of thing that can ever provide the reassurance he craves, for the obvious reason that it’s still in the future. After all, you can never be absolutely certain that something won’t make you late for the airport, no matter how many spare hours you build in. Or rather you can be certain—but only once you’ve arrived and you’re cooling your heels in the terminal, at which point there’s no solace to be gained from the fact that everything turned out fine, because that’s all in the past now, and there’s the next chunk of the future to feel anxious about instead. (Will the plane land at its destination in time for you to catch your onward train? And so on and so on.)
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
This rabbi," said Merlyn, "went on a journey with the prophet They walked all day, and at nightfall they came to the sumble cotage of a poor man, whose only treasure was a cow. The poor man ran out of his cottage, and his wife ran too, to welcome the strangers for the night and to offer them all the simple hospitality which they were able to give in straitened circumstances. Elijah and the Rabbi were entertained with plenty of the cow's milk, sustained by home-made bread and butter, and they were put to sleep in the best bed while their kindly hosts lay down before the kitchen fire. But in the morning the poor man's cow was dead." "Go on." "They walked all the next day, and came that evening to the house of a very wealthy merchant, whose hospitality they craved. The merchant was cold and proud and rich, and all that he would do for the prophet and his companion was to lodge them in a cowshed and feed them on bread and water. In the morning, however, Elijah thanked him very much for what he had done, and sent for a mason to repair one of his walls, which happened to be falling down, as a return for his kindness. "The Rabbi Jachanan, unable to keep silence any longer, begged the holy man to explain the meaning of his dealings with human beings. "In regard to the poor man who received us so hospitably,' replied the prophet, 'it was decreed that his wife was to die that night, but in reward for his goodness God took the cow instead of the wife. I repaired the wall of the rich miser because a chest of gold was concealed near the place, and if the miser had repaired the wall himself he would have discovered the treasure. Say not therefore to the Lord: What doest thou? But say in thy heart: Must not the Lord of all the earth do right?'" "It is a nice sort of story," said the Wart, because it seemed to be over.
T.H. White (The Sword in the Stone (The Once and Future King, #1))
This girl had become my drug of choice. I craved her. Thought about her when we weren’t together. Like some sort of fucking junkie.
Laura Pavlov (Frayed (Willow Springs, #1))
Such research has sometimes been misinterpreted to mean that “all diets are alike,” or “sticking to a diet, any diet, is the only thing that matters.” But these conclusions are simply wrong. This sort of faulty reasoning wouldn’t withstand scrutiny in other areas of clinical research. Should we abandon a promising new cancer drug, simply because participants in the experimental group didn’t take most of the medicine?
David Ludwig (Always Hungry?: Conquer cravings, retrain your fat cells and lose weight permanently)
I believe God made us to crave. Now before you think this is some sort of cruel joke by God, let me assure you that the object of our craving was never supposed to be food or other things people find themselves consumed by, such as sex or money or chasing after significance.
Lysa TerKeurst (Made to Crave: Satisfying Your Deepest Desire with God, Not Food)
The dependent origination, or structure of conditions, appears as a flexible formula with the intention of describing the ordinary human situation of a man in his world (or indeed any conscious event where ignorance and craving have not entirely ceased). That situation is always complex, since it is implicit that consciousness with no object, or being ( bhava— becoming, or however rendered) without consciousness (of it), is impossible except as an artificial abstraction. The dependent origination, being designed to portray the essentials of that situation in the limited dimensions of words and using only elements recognizable in experience, is not a logical proposition (Descartes’ cogito is not a logical proposition). Nor is it a temporal cause-and-effect chain: each member has to be examined as to its nature in order to determine what its relations to the others are (e.g. whether successive in time or conascent, positive or negative, etc., etc.). A purely cause-and-effect chain would not represent the pattern of a situation that is always complex, always subjective-objective, static-dynamic, positive-negative, and so on. Again, there is no evidence of any historical development in the various forms given within the limit of the Sutta Piþaka (leaving aside the Paþisambhidámagga), and historical treatment within that particular limit is likely to mislead, if it is hypothesis with no foundation. Parallels with European thought have been avoided in this translation. But perhaps an exception can be made here, with due caution, in the case of Descartes. The revolution in European thought started by his formula cogito ergo sum (“I think, therefore I am”) is not yet ended. Now, it will perhaps not escape notice that the two elements, “I think” and “I am,” in what is not a logical proposition parallel to some extent the two members of the dependent origination, consciousness and being (becoming). In other words, consciousness activated by craving and clinging as the dynamic factory, guided and blinkered by ignorance (“I think” or “consciousness with the conceit ‘I am’”), conditions being (“therefore I am”) in a complex relationship with other factors relating subject and object (not accounted for by Descartes). The parallel should not be pushed too far. In fact it is only introduced because in Europe the dependent origination seems to be very largely misunderstood with many strange interpretations placed upon it, and because the cogito does seem to offer some sort of reasonable approach.
Nanamoli Thera
Maybe you didn't want to get married, or get tied down?' Tsukuru shook his head. 'No, I don't think that was it. I'm the sort of person who craves stability.
Haruki Murakami
The last thing I crave is to be exposed to the sort of grandstanding preachers that so many evangelical churches seem to breed with the ubiquity of maggots appearing in road kill. The last thing I want is a new and improved “worship experience.” The last thing I want is for the service to be socially and politically relevant
Frank Schaeffer (Why I am an Atheist Who Believes in God: How to give love, create beauty and find peace)
When it comes to generating writing material, teenagers are gold. Their world is a narcissistic, anarchic, paranoid hell of anxieties and stresses about how they look; how popular they are or aren’t; and how fast or slowly, big or small their private parts are growing. As an observer, it’s fantastic. Hilarious, at times. Poignant and heartbreaking. It is all the stuff of great human drama because, before your eyes, you get to witness character transformation. Boy grows into man. Girl grows into woman. Writers strain to make this shit up. But – and here’s the catch – we dare not discuss any of this if we want our kids to trust us or ever talk to us again. And that’s because, lifts and pocket money aside, teenagers crave privacy – the need for which hatches both swiftly and silently while we’re sorting out the laundry. It’s as if they suddenly wake up one day creeped out by the thought of all those years we wiped their butts and helped them put on their undies and they go into lock- down. They smoke us out, put up walls, close their doors, shut down their stories, and waft, earphoned, through our homes in a shroud of hormones and appetite. Their lives – in which, until recently, we participated with Too Much Information and gross oversharing – suddenly become ‘none of our business.
JOANNE FEDLER
Present-time awareness is the experience of knowing what is happening as it happens. Our recovery depends on us being present in mind as well as in body. That is the only way to heal the wounds that led to our addictions and to change our relationship to craving and the repetitive habituations. Mindfulness is defined as nonjudgmental, investigative, kind, and responsive awareness. This sort of awareness takes intentional training of the mind. Our attention is naturally scattered, the mind constantly swinging from present, to future, to past, to fantasy.
Noah Levine (Refuge Recovery: A Buddhist Path to Recovering from Addiction)
Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings. The literature or discourse that goes along with this is similarly manufactured to tease without satisfaction, to replace every partial gratification with a new desire. For this stream of stimulants is designed to produce cravings for more and more of the same, though louder and faster, and these cravings drive us to do work which is of no interest save for the money it pays—to buy more lavish radios, sleeker automobiles, glossier magazines, and better television sets, all of which will somehow conspire to persuade us that happiness lies just around the corner if we will buy one more. Despite the immense hubbub and nervous strain, we are convinced that sleep is a waste of valuable time and continue to chase these fantasies far into the night. Animals spend much of their time dozing and idling pleasantly, but, because life is short, human beings must cram into the years the highest possible amount of consciousness, alertness, and chronic insomnia so as to be sure not to miss the last fragment of startling pleasure. It isn’t that the people who submit to this kind of thing are immoral. It isn’t that the people who provide it are wicked exploiters; most of them are of the same mind as the exploited, if only on a more expensive horse in this sorry-go-round. The real trouble is that they are all totally frustrated, for trying to please the brain is like trying to drink through your ears. Thus they are increasingly incapable of real pleasure, insensitive to the most acute and subtle joys of life which are in fact extremely common and simple.
Alan W. Watts (The Wisdom of Insecurity)
I am because we are,” goes the Ubuntu proverb. We crave community and connection. Sorting makes it easy. How could that possibly be bad?
Monica Guzmán (I Never Thought of It That Way: How to Have Fearlessly Curious Conversations in Dangerously Divided Times)
I knew in that moment there was nothing I wouldn't do to keep her from looking at my court again. From looking too long at who I was and what I loved. So I told myself that it was a new war, a different sort of battle. And that night when she kept turning her attention to me, I knew what she wanted. I knew it wasn't about fucking me so much as it was about getting revenge at my father's ghost. But if that was what she wanted, then that was what she would get. I made her beg, and scream, and used my lingering powers to make it so good for her that she wanted more. Craved more.' I gripped the counter to keep from sliding to the ground. 'Then she cursed Tamlin. And my other great enemy became the one loophole that might free us all. Every night that I spent with Amarantha, I knew that she was half wondering if I'd try to kill her. I couldn't use my powers to harm her, and she had shielded herself against physical attacks. But for fifty years- whenever I was inside her, I'd think about killing her. She had no idea. None. Because I was so good at my job that she thought I enjoyed it, too. So she began to trust me- more than the others. Especially when I proved what I could do to her enemies. But I was glad to do it. I hated myself, but I was glad to do it. After a decade, I stopped expecting to see my friends or my people again. I forgot what their faces looked like. And I stopped hoping.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
We were trained to obsess in indignation over all sorts of ‘sins’—even ones that aren’t found anywhere in our Bibles. According to Archbishop Lazar Puhalo, moral outrage at others’ sin is often a confession of one’s own deeply repressed cravings.
Bradley Jersak (A More Christlike God: A More Beautiful Gospel)
There is something about the first frost that brings out the caveman--- one might even say the vampire--- in me. I want to wear fur and suck the meat off lamb bones, and on comes my annual craving for boudin noir, otherwise known as blood sausage. You know you've been in France for nearly a decade when the idea of eating congealed blood sounds not only normal, but positively delightful. When I was pregnant, my body craved iron in silly amounts. I could have eaten a skyscraper. It's a shame that it's not on the French pregnancy diet--- forbidden along with charcuterie, liver, and steak tartare. It's true that boudin noir is not the sort of thing I'd buy at any old supermarket. Ideally, you want a butcher who prepares his own. I bought mine from the mustached man with the little truck in Apt market, the same one I'd spotted during our first picnic in Provence. Since our first visit, I'd returned many times to buy his delicious, very lean, saucisses fraîches and his handmade andouillettes, which I sauté with onions, Dijon mustard, and a bit of cream. I serve my boudin with roasted apples--- this time, some Golden Delicious we picked up from a farm stand by the side of the road. I toasted the apple slices with olive oil, sprinkled the whole lot with sea salt, and added a cinnamon stick and a star anise to ground the dish with cozy autumn spices. Boudin is already cooked through when you buy it, but twenty minutes or so in a hot oven gives it time to blister, even burst. I'm an adventurous eater, but the idea of boiled (or cold) boudin makes me think about moving back to New Jersey. No, not really. I admit, when you first take it out of the oven, there are some visual hurdles. There's always a brief moment--- particularly when I serve the dish to guests--- that I think, But that looks like large Labrador shit on a plate. True enough. But once you get past the aesthetics, you have one of the richest savory tastes I can imagine. Good boudin has a velveteen consistency that marries perfectly with the slight tartness of the roasted apples. Add mashed potatoes (with skin and lumps), a bottle of Châteauneuf-du-Pape, and wake me in the spring.
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
Before I was twenty-one years old, I had studied in most of the schools of modern philosophy, and had thrown off my religion like an old rag. I was inflated with a sense of my own intellectual superiority over other men. It was philosophy which taught men to live, I declared, and philosophy which taught them to die. With that motto before me, I carefully set myself to annihilate every vestige of faith with which I had ever been endowed. I succeeded—too well. It is dead; and sometimes I fear that it will never reawaken. And what am I? As miserable a man as ever drew breath upon this earth. It seems to me as though I had crushed a part of my very life and the sore will rankle for ever. “There is a part of man’s nature, Philip—that is to say, of such men as I have been and you will be—the sympathetic, emotional, reverential part, which cries out for some belief in a higher, an infinite Power, for some sort of religion which it can cling to and entwine with every action of daily life. You must satisfy that craving if you desire to know happiness. For me there is no such knowledge. I have deliberately committed spiritual suicide; I have torn up faith by the roots and have made a void in my heart, which nothing else can ever fill. Frankly, I tell you, Philip, that there are times when religion of any sort seems to me no better than a fairy-tale. It need not seem so to you. Shape out for yourself any form of belief—that of the Christian is as good as any other—and resolutely cling to it. It is my advice to you—mine who believe in no God and no future state. Follow it and farewell!” He held out his hand and clasped mine for a moment.
E. Phillips Oppenheim (E. Phillips Oppenheim Ultimate Collection: 72 Novels & 100+ Short Stories in One Volume)
My love comes out like torture—it’s luck that I found someone who enjoys that sort of thing. Humiliation, pain. The desperate sort of shame I crave.
S. Massery (Devious Obsession)
We exist in so far as we have performed adequately in the marketplace. Our longing for respect is only satisfied through the right sort of rank. It is easy to accuse modern humans of being materialistic. This seems wrong. We may be interested in possessions and salaries, but we are not on that basis ‘materialistic’. We are simply living in a world where the possession of certain material goods has become the only conduit to the emotional rewards that we crave deep down. It isn’t the objects and titles we are after; it is, more poignantly, the feeling of being ‘seen’ and liked that is only available to us via material means.
The School of Life (How to Survive the Modern World: Making sense of, and finding calm in, unsteady times)
There is an incessant craving after any teaching that is sensational, exciting, and stirs up emotion. There is an unhealthy appetite for a sort of intermittent and emotional Christianity. The religious life of many is little better than spiritual taste testing, and the agreeable spirit and peaceful that Peter commends is completely forgotten (1 Peter 3:4). Crowds, crying, feelings, entertaining singing, and an incessant stirring up of the emotions are the only things that many people care for.
J.C. Ryle (Holiness: For the Will of God Is Your Sanctification – 1 Thessalonians 4:3 [Annotated, Updated])
The only reason some people think finding investors is difficult is because they don't know where to look. Think about this: people with money--millionaires even--are around you every day, whether you recognize them or not. Everybody--even your friend who works at McDonald's--has some sort of paycheck. It may be two hundred dollars or it may be two hundred thousand dollars, but almost everyone has a source of income. The question is: what do they DO with that income?
Monroe Mann (T.R.U.S.T.: How Psychology and a Simple 5-Letter Acronym Will Help You Raise the Money You Need, Recruit the Team You Want, & Engender the Support You Crave)
If you want me to breathe in this wreckage, I have to lean into it, head-on. Place my whole weight in the wreckage, allow it to hold me up, hold me down. It means reliving every single moment. The hardest, darkest, sharpest ones. The happy ones before he died that bring a specific kind of pain. It means being pregnant all over again. Counting down the days. Filled with that exquisite excitement that is absolutely unique to the moment you meet your child. Sometimes I want to go looking for the pain. I want to marinate in it, allow it to soak into my skin. It’s a tonic of sorts. A flush of the system. A way to demolish the foundation and start from nothing. Which sometimes—dare I say it—can make you feel good on the other end. It rewards you to taste fearlessness. To have nothing to lose. The grief is disarming, but sometimes the afterward is intoxicating. Because what can you do to me now? This cockiness was hard-won. I’m new land craving to be built upon. KATE SUDDES, Writing Your Grief student, on the death of her son, Paul
Megan Devine (It's OK That You're Not OK: Meeting Grief and Loss in a Culture That Doesn't Understand)
What is the real issue then, according to you?' Scholscher was on the point of replying that men needed another company than their own kind, that they craved it desperately, like an almost physical presence, and that nothing on earth seemed big enough to satisfy that urge, those roots of heaven, as Islam called them, which were forever gripping and torturing man's heart, but he felt that this sort of talk, and indeed of thinking, ill became the Army uniform he was wearing. The feeling dated probably from the time when, as a young cadet at Saint-Cyr, the thin stripe of a sub-lieutenant had been all the horizon to which he aspired. He smiled faintly at the memory of his youth. For a long time the Army uniform had remained for him the very symbol of what he had most fervently desired from the first metaphysical stirrings of adolescence: fidelity to a rule. This forbade certain attitudes, certain states of mind. So he kept his reflections to himself — all the more so since, these last years, he felt less and less need to exchange ideas with other men, because essentially they no longer came to him as questions, but as certainties. He had thus nothing left but minor curiosities. Sucking at his pipe, he gave the Dutchman a very friendly glance. 'What is the issue, according to you, if it isn't elephants?' Haas repeated, in a slightly menacing tone. 'Loneliness, I suppose,' said Scholscher vaguely.
Romain Gary (The Roots of Heaven)