Crater Lake Quotes

We've searched our database for all the quotes and captions related to Crater Lake. Here they are! All 28 of them:

Commanding his domain on top of the world, Crater Lake sits in brooding blue and bold relief against an unsympathetic sky, the water like a solid, weighty mass anchored at the earth’s core. The winds are unforgiving, the clouds hostile, the hidden shoreline mysterious.
Foster Kinn (Freedom's Rush: Tales from The Biker and The Beast)
in about 5600 BC the Mount Mazama volcano in Oregon erupted, raining rock and burning ash for years, and leading to the many years of rainfall that eventually filled the volcanic crater today called Crater Lake.
Stephen Hawking (The Grand Design)
A lake so vibrant in color that it looks like a fine art painting.
Stefanie Payne (A Year in the National Parks: The Greatest American Road Trip)
Twice, Will has crashed into my world like a meteorite, and both times, I’ve been left hollowed out. Cratered.
Carley Fortune (Meet Me at the Lake)
Reaching a maximum depth of more than 1,900 feet, Crater Lake is the deepest lake in the United States and among the deepest in the world.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Like standing on air, about to plummet into the depths of the crater lake.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
In the depths of our crater lake, everything is silent. The volcano's been extinct for ages. Layer upon layer of solitude, like folds of soft mud. The little bit of light that manages to penetrate to the depths lights up the surroundings like the remains of some faint, distant memory. At these depths there's no sign of life. I don't know how long she looks at me—not at me, maybe, but at the spot where I am. Time's rules don't apply here.
Haruki Murakami
Mom once snuck me into a casino. We were going on vacation to Crater Lake and we stopped at a resort on an Indian reservation for the buffet lunch. Mom decided to do a bit of gambling, and I went with her while Dad stayed with Teddy, who was napping in his stroller. Mom sat down at the dollar blackjack tables. The dealer looked at me, then at Mom, who returned his mildly suspicious glance with a look sharp enough to cut diamonds followed by a smile more brilliant that any gem. The dealer sheepishly smiled back and didn’t say a word. I watched Mom play, mesmerized. It seemed like we were in there for fifteen minutes but then Dad and Teddy came in search of us, both of them grumpy. It turned out we’d been there for over an hour. The ICU is like that.
Gayle Forman (If I Stay (If I Stay, #1))
Maybe she's not looking at me, but beyond me. In the depths of our crater lake, all is silent. The volcano's been extinct for ages. Layer upon layer of solitude, like folds of soft mud. The little bit of light that manages to penetrate to the depths lights up the surroundings like the remnants of some faint, distant memory.
Haruki Murakami (Kafka on the Shore)
on the back of the chair in an attempt to ease my internal turmoil. My stomach was a lake of volcanic lava bubbling and popping fiercely in its crater with each additional piece of onion, every sip of whisky setting up a fresh violent reaction. Watching Granville at work, a great wave of nausea swept over me. He was sawing busily at the roast, carving off slices which looked to be an inch thick, slapping mustard on them and enclosing them in the bread. He hummed with contentment as the pile
James Herriot (Three James Herriot Classics: All Creatures Great and Small / All Things Bright and Beautiful / All Things Wise and Wonderful)
At one point, Ferrell notes that Truman actually gave thought to the sufferings of women and children should we go nuclear in Korea. As for Truman’s original decision to use two atomic bombs on Japan, most now agree that a single demonstration would have been quite enough to cause a Japanese surrender while making an attractive crater lake out of what had been Mount Fujiyama’s peak.
Gore Vidal (The Last Empire: Essays 1992-2000 (Vintage International))
She stepped onto the Devil’s Bridge arching over the deadly crater lake—a round pool of water beaming with bioluminescent light; the light of the dead. Like many other namesakes, the semi-circular metal structure connected the diameter of the small lake, reflecting in the water beneath it. Together, the bridge and its mirror became an immense sphere of sky and water. Blue and green combining into turquoise—always turquoise, the bane of her life.
Alexandra Almeida (Unanimity (Spiral Worlds, #1))
Dinah said, “Ivy, you want to take this or should I?” “I’ll do it. You’re busy,” Ivy said. Dinah could hear her twisting around in the pilot’s seat to look at Julia. She spoke as follows: “Julia. Shut up. If you say another fucking word I’ll stave your fucking head in and put your corpse out the airlock. Nothing about this is acceptable. Starting with the fact that you are flapping your gums, posing a distraction to Dinah while she is carrying out a difficult mission-critical operation to protect the Cloud Ark. You just attempted to countermand a direct order from Markus, who is in charge of everything here under the PSAPS clause of the Cloud Ark Constitution. You are up here illegally. The Crater Lake Accord specifically barred the sending of national leaders to the Cloud Ark. You have violated that commitment and found a way to be launched up here anyhow, and judging from the looks of it there was no end of dirty dealing along the way. Your vehicle approached the Cloud Ark in a manner incompatible with our safety and security procedures, endangering the lives of everyone up here, and forcing arklets and Izzy itself to expend priceless and irreplaceable fuel to perform evasive maneuvers. We were sent here on an emergency basis, placing ourselves in harm’s way and expending more scarce resources to clean up the mess that you created by your cowardly and dishonorable act. For all of these reasons I am commanding you, by my authority as the commander of this vessel, to remain silent until we have docked safely at Izzy.
Neal Stephenson (Seveneves)
When the Bolide Fragmentation Rate shot up through a certain level on Day 701, marking the formal beginning of the White Sky, a number of cultural organizations launched programs that they had been planning since around the time of the Crater Lake announcement. Many of these were broadcast on shortwave radio, and so Ivy had her pick of programs from Notre Dame, Westminster Abbey, St. Patrick’s Cathedral, the Imperial Palace in Tokyo, Tiananmen Square, the Potala Palace, the Great Pyramids, the Wailing Wall. After sampling all of them she locked her radio dial on Notre Dame, where they were holding the Vigil for the End of the World and would continue doing so until the cathedral fell down in ruins upon the performers’ heads and extinguished all life in the remains of the building. She couldn’t watch it, since video bandwidth was scarce, but she could imagine it well: the Orchestre Philharmonique de Radio France, its ranks swollen by the most prestigious musicians of the Francophone world, all dressed in white tie and tails, ball gowns and tiaras, performing in shifts around the clock, playing a few secular classics but emphasizing the sacred repertoire: masses and requiems. The music was marred by the occasional thud, which she took to be the sonic booms of incoming bolides. In most cases the musicians played right through. Sometimes a singer would skip a beat. An especially big boom produced screams and howls of dismay from the audience, blended with the clank and clatter of shattered stained glass raining to the cathedral’s stone floor. But for the most part the music played sweetly, until it didn’t. Then there was nothing.
Neal Stephenson (Seveneves)
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
The right place; that was what he was looking for. The right place. Place was all important, place meant everything. Take this rock… "Take you, rock," he said. He squinted at it. Ah yes, here we have the nasty big flat rock, sitting doing nothing, just amoral and dull, and it sits like an island in the polluted pool. The pool is a tiny lake on the little island, and the island is in a drowned crater. The crater is a volcanic crater, the volcano forms part of an island in a big inland sea. The inland sea is like a giant lake on a continent and the continent is like an island sitting in the seas of the planet. The planet is like an island on the sea of space within its system, and the system floats within the cluster, which is like an island in the sea of the galaxy, which is like an island in the archipelago of of its local group, which is an island within the universe; the universe is like an island floating in a sea of space in the Continua, and they float like islands in the Reality, and… But down through the Continua, the Universe, the Local Group, the Galaxy, the Cluster, the System, the Planet, the Continent, the Island, the Lake, the Island… the rock remained. AND THAT MEANT THE ROCK, THE CRAPPY AWFUL ROCK HERE WAS THE CENTER OF THE UNIVERSE, THE CONTINUA, THE WHOLE REALITY!
Iain M. Banks (Use of Weapons (Culture, #3))
Why do we care about Lizzie Borden, or Judge Crater, or Lee Harvey Oswald, or the Little Big Horn? Mystery! Because of all that cannot be known. And what if we did know? What if it were proved—absolutely and purely—that Lizzie Borden took an ax? That Oswald acted alone? That Judge Crater fell into Sicilian hands? Nothing more would beckon, nothing would tantalize. The thing about Custer is this: no survivors. Hence, eternal doubt, which both frustrates and fascinates. It’s a standoff. The human desire for certainty collides with our love of enigma. And so I lose sleep over mute facts and frayed ends and missing witnesses. God knows I’ve tried. Reams of data, miles of magnetic tape, but none of it satisfies even my own primitive appetite for answers. So I toss and turn. I eat pints of ice cream at two in the morning. Would it help to announce the problem early on? To plead for understanding? To argue that solutions only demean the grandeur of human ignorance? To point out that absolute knowledge is absolute closure? To issue a reminder that death itself dissolves into uncertainty, and that out of such uncertainty arise great temples and tales of salvation? I prowl and smoke cigarettes. I review my notes. The truth is at once simple and baffling: John Wade was a pro. He did his magic, then walked away. Everything else is conjecture. No answers, yet mystery itself carries me on.
Tim O'Brien (In the Lake of the Woods)
Menegai Crater overlooks the township and the lake. In the time of man it has breathed no brimstone, and barely a wisp of smoke. But in the annals of the Rift Valley which contains all this as a sea contains a coral atoll or a desert a dune, the time of man is too brief a period to deserve more than incidental recording.
Beryl Markham (West with the Night)
The upper part of the mountain had completely disappeared in a spectacular blast that caused the lower walls of the volcano to collapse inward, creating a huge, circular hole in the ground—a caldera—five miles (8 km) wide. This gradually filled with snowmelt and rainwater to form Crater Lake—with a maximum depth of 1,958 feet (597 m), the deepest lake in the United States. Magma spilled from cracks along the shattered volcanic rim and surged downhill in avalanches that filled nearby valleys with up to three hundred feet (90 m) of hot rock, pumice, and ash. Somewhere between eleven and fourteen cubic miles (not cubic yards, cubic miles, or 46–58 km3) of magma was ejected. A towering column of ash thirty miles (48 km) high rained down for several days on eastern Oregon, Washington, Idaho, Montana, Nevada, and southwestern Canada. An ash layer half an inch (1 cm) thick was measured in Saskatchewan, 745 miles (1,200 km) from its origin.
Jerry Thompson (Cascadia's Fault: The Coming Earthquake and Tsunami that Could Devastate North America)
The Moffat Tunnel is a cathedral to engineering. Its simplicity occludes its sophistication, with the creation of nothing from something—the deliberate absence of rock amid incalculable weight. The finalized engineering marvel has a ventilation system that performs a complete air exchange within the tunnel in 18 minutes. The seemingly endless stone archway has intricately designed and perfectly positioned “umbrellas” to disperse alpine lake seepage to either side of the tracks. During construction, on February 15, 1925, tunneling progress stalled 1,100 feet directly under Crater Lake as 1,800 gallons per minute of water began flowing into the tunnel. At the suggestion of electrician K.S. Weston, crews ventured to the lake, cut through three feet of ice, and poured in 10 pounds of chloride of lime. Shortly thereafter, the presence of lime was detected inside of the tunnel. In an attempt to close the seam, a stick of dynamite was tossed into the lake, and the flow rate dropped drastically to 150 gallons per minute and then slowed to a trickle. Multiple times per day, the visceral vibration of mechanical thunder reverberates through the bowels of the earth.
B. Travis Wright (Rollins Pass (Images of America))
Plasma escapes containment to displace great gulps of dirt and air. It turns running men and women into gray puffs of instant cinder, then blows them into dust with howling wind. A thick layer of surface sand ripples into moving sheets of gooey glass that flow stickily down flattened dunes, pooling into molten lakes at the bottom. Rolling sheets engulf craters and ruins, encasing scalded bones of dead armor and bits of wrecked trench works. More liquid glass captures screaming fighters inside hardening silicate globes. a man’s or woman’s last moment of life and pain and final scream trapped in clear, golden glass sarcophagi. They’ll cool later, lying atop the desert like huge, ancient insects locked in Triassic amber. They’ll be the most prized of all Amasian death-glass, illegal but kept anyway in secret private collections.
Kali Altsoba (Rikugun: The Orion War)
My body shakes with a million different fires. Feet that look like yours warp and the corns split so you see craters of infinite variety, some pus-filled Lake Toba. The weakness in my limbs, the thick weight on my head and chest and the slow burning inside me that never reaches the skin, bring me closer to you. My afflictions bring me closer to you.
Jinat Rehana Begum (First Fires)
The of sitting a telescope in space was obviously not to get closer to the stars and planets the telescope was to study. That would have been about as daft as standing on tip-toe to get a better picture of the craters on the moon. The whole idea of a space telescope is to study space from a point outside the earth' atmosphere that gives that impression, in roughly the same way the ripping surface of a lake can give the impression that the stones beneath are wavy and indistinct. Or the reverse: from the bottom of a swimming pool it's not easy to see what's happening above the surface.
Jostein Gaarder (The Orange Girl)
Though outsiders always assumed Southern California is perpetually soft and subtropical with the perfect beach breeze, that sweet lick of sunshine, I knew the truth. The real Southern California exists in extremes. It's a place of spontaneous wildfires, and Santa Ana winds, and droughts that turn lakes into craters, splintering the earth like pottery that has crazed. It's a place of storms that transform streets into oceans, and I had no doubts now: the rain was coming.
Sarah Nicole Smetana (The Midnights)
A mountain on Mars may have built up over time from lake sediments, according to NASA scientists who have been studying observations from the Curiosity rover scouring the Red Planet. The latest analysis is based on rocks discovered at the lower edges of Mount Sharp, which is located, rather oddly, in the midst of a crater on Earth’s neighbouring planet. While scientists are still not sure how long Mars was wet for any given spell through history, a “great surprise” was finding slanted rocks and soil that point to the existence of a lake bed in the crater, said Curiosity project scientist John Grotzinger of the California Institute of Technology. Curiosity’s pictures and data collected from the Martian soil in the lowest sedimentary layers of Mount Sharp has helped scientists see the remnants of how rivers once carried sand and silt to the lake, depositing sediment at the mouth of the river. This process would have repeated itself again and again to form a delta. Billions of years ago, the planet is believed to have been much warmer, with a thicker atmosphere that would have supported liquid water and potentially some form of life. — AFP
Anonymous
Sherrena tilted her head, confused. The window had a hole, not a crater, and it was warm enough outside that children were still swimming in Lake Michigan. How could the house be cold?
Matthew Desmond (Evicted: Poverty and Profit in the American City)
Allied Bombing of Überlingen from “Suppressed I Rise” Covered in dust from the plaster, I walked down the path past the restaurant to a parking area near the lake. The evidence of the bombing was everywhere. Vehicles were strewn about like so many toys and, since the water table this close to the lake was fairly high, I could see water seeping into the huge craters the bombs had made, slowly filling them like swimming pools. My only interest was to return safely to our room with my children. Fearing the worst, we returned to our home and saw that the front door had been blasted off its hinges, but fortunately the house was still standing.
Hank Bracker (Suppressed I Rise)
Fall on the Kancamagus Highway, the tear blue of Crater Lake. Sunrise over Lake Tahoe, two million years to carve out its place. Sunset over a spring Skagit Valley, the tulips absolute in each shade. He had stood beneath the two-thousand-yard canopy of Angel Oak. And each of those times he had been reminded that it was not God’s work, for alongside each of those sights he had seen missing faces and shelled souls.
Chris Whitaker (All the Colors of the Dark)