Crate Quotes

In the dictionary, next to the word stress, there is a picture of a midsize mutant stuck inside a dog crate, wondering if her destiny is to be killed or to save the world. Okay, not really. But there should be.

A werewolf tossed me against a giant packing crate while I was trying to rescue a frightened young girl who'd been kidnapped by an evil witch and a drug lord.

I gotta go to the bathroom," Emby mumbles. "You should have thought of that before you left," says Hayden, putting on his best mother voice. "How many times do we have to tell you? Always use the potty before climbing into a shipping crate.

The thing with your heart's desire is that your heart doesn't even know what it desires until it turns up. Like a tie at a tag sale, some perfect thing in a crate of nothing, you were just there, uninvited, and now suddenly the party was over and you were all I wanted. I hadn't even been looking, not for you, and now you were my heart's desire.

What I saw next stopped me dead in my tracks. Books. Not just one or two dozen, but hundreds of them. In crates. In piles on the floor. In bookcases that stretched from floor to ceiling and lined the entire room. I turned around and around in a slow circle, feeling as if I'd just stumbled into Ali Baba's cave. I was breathless, close to tears, and positively dizzy with greed.

Don’t”—he swung again—“touch”—another hard thwack—“my”—the crate broke into two pieces—“wife.

The fight unfolded like background noise. White noise. In the foreground, even with his ghastly pale face looking dead in my hands, my fingers clenching his ragged hair, all I could see was random images of Fang, not dead. Fang telling me stupid fart jokes from the dog crate next to mine at the school, trying to make me laugh. Fang asleep at Jeb's old house, and me jumping wildly on his bed to wake him up. Him pretending to be asleep. Me laughing when I "accidentally" kicked him where it counts. Him dumping me off the bed. Fang gagging on my first attempt at cooking dinner after Jeb disappeared. Him spitting out the mac and cheese. Me dumping the rest of the bowl on him in response. Fang on the beach, that first time he was badly injured. Me realizing how I felt about him. Fang kissing me. So close I couldn't even see his dark eyes anymore. The first time. The second time. The third. I could always remember each and every one of them. Would always remember them. Fang. Not. Dead.

I remember him saying, in the dark, cramped stockroom with my back against a wooden crate, "You have this power over me." He'd convinced himself that his wanting me was my fault. And I believed him. Look what I do to these poor boys, I thought. And yet also, Here is my value, my power.

But Gregor understood easily that it was not only consideration for him which prevented their moving, for he could easily have been transported in a suitable crate with a few air holes; what mainly prevented the family from moving was their complete hopelessness and the thought that they had been struck by a misfortune as none of their relatives and acquaintances had ever been hit.

What does it mean to be a self-conscious animal? The idea is ludicrous, if it is not monstrous. It means to know that one is food for worms. This is the terror: to have emerged from nothing, to have a name, consiousness of self, deep inner feelings, an excruciating inner yearning for life and self-expression and with all this yet to die. It seems like a hoax, which is why one type of cultural man rebels openly against the idea of God. What kind of deity would crate such a complex and fancy worm food?

Sir?” Kitay asked. The magistrate turned to look at him. “What?” With a grunt, Kitay raised the crate over his head and flung it to the ground. It landed on the dirt with a hard thud, not the tremendous crash Rin had rather been hoping for. The wooden lid of the crate popped off. Out rolled several very nice porcelain teapots, glazed with a lovely flower pattern. Despite their tumble, they looked unbroken. Then Kitay took to them with a slab of wood. When he was done smashing them, he pushed his wiry curls out of his face and whirled on the sweating magistrate, who cringed in his seat as if afraid Kitay might start smashing at him, too. “We are at war,” Kitay said. “And you are being evacuated because for gods know what reason, you’ve been deemed important to this country’s survival. So do your job. Reassure your people. Help us maintain order. Do not pack your fucking teapots.

You guys are weird," Tori said. Simon sat on the crate beside me. "That's right. We are totally weird and completely uncool. Your popularity is plummeting just by being near us.

As for his name, well, what attorney wouldn't want to be able put a Judge in a crate every now and then?

Forgetting takes space./Forgotten matters displace/as much anything else as/anything else. We must/skirt unlabeled crates/as thought it made sense/and take them when we go/to other states.

This word, the people in it- my mother, Tantine- they sort us. Put us in crates. You are an egg. You are a potato. You are a cabbage. They tell us who we are. What we will do. What we will be." "Because they're afraid. Afraid of what we could be." Tavi said. "But we let them do it!" Hugo said angrily. "Why?" "Tavi gave him a rueful smile. "Because we're afraid of what we could be, too.

While the melodrama of hucking crates of tea into Boston Harbor continues to inspire civic-minded hotheads to this day, it’s worth remembering the hordes of stoic colonial women who simply swore off tea and steeped basil leaves in boiling water to make the same point. What’s more valiant: littering from a wharf or years of doing chores and looking after children from dawn to dark without caffeine?

Do you think she is?" Her voice trembled. Her heart throbbed as she waited for him to answer. "You think they've killed her?" Every moment wrapped around Scarlet's neck, strangling her, until the only possiblbe word from Wolf's mouth had to be yes. Yes, she was dead. Yes, she was gone. They'd murdered her. These monsters had murdered her. Scarlet pressed her palms into the crate, trying to push through the plastic. "Say it." "No," he murmured, shoulder sinking, "No, I don't think they've killed her. Not yet." Scarlet shivered with relief. She covered her face with both hands, dizzy with the hurricane of emotions. "Thank the stars," she whispered. "Thank you.

But unlike thunder, this didn’t stop. It went on and on, machine-gun style, as if Zeus had loaded his bolts into an M60 with an inexhaustible ammo crate.

It's easy to be judgmental about crime when you live in a world wealthy enough to be removed from it. But the hood taught me that everyone has different notions of right and wrong, different definitions of what constitutes crime, and what level of crime they're willing to participate in. If a crackhead comes through and he's got a crate of Corn Flakes boxes he's stolen out of the back of a supermarket, the poor mom isn't thinking, 'I'm aiding and abetting a criminal by buying these Corn Flakes.' No. She's thinking, 'My family needs food and this guy has Corn Flakes', and she buys the Corn Flakes.

Our holiday food splurge was a small crate of tangerines, which we found ridiculously thrilling after an eight-month abstinence from citrus.... Lily hugged each one to her chest before undressing it as gently as a doll. Watching her do that as she sat cross-legged on the floor one morning in pink pajamas, with bliss lighting her cheeks, I thought: Lucky is the world, to receive this grateful child. Value is not made of money, but a tender balance of expectation and longing.

That if you didnt get your medicine in the next twenty-four hours you'd be dead?" i said, " Not exactly, but close. you know, the old ' upping the ante with a fatal disease that needs medication twist. APerently it still works." "Kind of a letdown, then, huh?" "No kidding. Look at you, your not even gasping." " All right then, emergency medical situation, take two." he leaped to his feet, stagored, kneeled over, then lifted his head weakly. Chloe? Is that you?" he couphed, " DO you have my insulin?" i placed it in his outstreched hand. "You savedmy life, how can i ever repay you?" he said. "undying servitude sounds good. i like my eggs scrambled." he held up a piece of fruit, "Would you settle for a bruised apple?" i lauphed. "YOu guys are wierd." tori said. simon sat on the crate beside me. "thats right. we are totally wierd and completely uncool. you popularity is plummeting just by being near us. so why dont you-" "Chloe?" derek inturupted. "Hows your arm?" "HEr-?" simon swore under his breath. "Way to keep showing me up. first food. now her arm" he turned to me"How is it?

Hell.” Straightening, she stepped out from the pile of stacked crates. “You’re going to make me save your bony ass, aren’t you?” ~Greta; #Greta2

I thought I would love you forever—and, a little, I may, in the way I still move toward a crate, knees bent, or reach for a man: as one might stretch for the three or four fruit that lie in the sun at the top of the tree; too ripe for any moment but this, they open their skin at first touch, yielding sweetness, sweetness and heat, and in me, each time since, the answering yes.

Falling in love for the first time is a completely transcendent experience. It’s like eating pizza-flavored ice cream. Your brain can’t even process that level of joy. Love makes people do crazy things like kill other people or shop at Crate & Barrel. I think on some level it makes us all delusional. Deep down, our whole lives, no matter how low our self-esteem gets, we think, I have a special skill that no one knows about and if they knew they’d be amazed. And then eventually we meet someone who says, “You have a secret special skill.” And you’re like, “I know! So do you!” And they’re like, “I know!” And then you’re like, “We should eat pizza ice cream together.” And that’s what love is. It’s this giant mound of pizza-flavored ice cream and delusion

The creation of genius always seem like miracles, because they are, for the most part, crated far out of the reach of observation.

So I want to share a little news." "You getting married?" Butch tossed back half the new Lag. "Where you registered? Crate and Bury 'Em?" "Try Heckler and Koch." The Reverend opened his jacket and flashed the butt of a forty. "Nice little poodle shooter you got there, vampire." "Put a hell of a-" V cut in. "You two are like playing tennis, and racquet sports bore me. What's the news?" Revh looked at Butch. "He has such phenomenal people skills, doesn't he." "Try living with him.

We walked in the door, and I was stunned by the sterile emptiness of the place. Most of the tiny living room was taken up by one of those giant strength-building home gyms you see on TV. In addition to that, there was one metal folding chair, an old wooden end table (being used as a coffee table, in front of the one chair), and a TV sitting on a milk crate. And it was the cleanest bachelor pad I had ever seen. “Wow. Nice place. The prison cell motif is really working for you. Very feng shui.

You wouldn't hurt a virgin, would you? Where do you think they get virgin olive oil, huh? Don't you think we're pathetic enough as it is?

I am unpacking my library. Yes I am. The books are not yet on the shelves, not yet touched by the mild boredom of order. I cannot march up and down their ranks to pass them in review before a friendly audience. You need not fear any of that. Instead, I must ask you to join me in the disorder of crates that have been wrenched open, the air saturated with the dust of wood, the floor covered with torn paper, to join me among piles of volumes that are seeing daylight again after two years of darkness, so that you may be ready to share with me a bit of the mood -- it is certainly not an elegiac mood but, rather, one of anticipation -- which these books arouse in a genuine collector.

Dogs possess a quality that's rare among humans--the ability to make you feel valued just by being you--and it was something of a miracle to me to be on the receiving end of all that acceptance. The dog didn't care what I looked like, or what I did for a living, or what a train wreck of a life I'd led before I got her, or what we did from day to day. She just wanted to be with me, and that awareness gave me a singular sensation of delight. I kept her in a crate at night until she was housebroken, and in the mornings I'd let her up onto the bed with me. She'd writhe with joy at that. She'd wag her tail and squirm all over me, lick my neck and face and eyes and ears, get her paws all tangled in my braid, and I'd just lie there, and I'd feel those oceans of loss from my past ebbing back, ebbing away, and I'd hear myself laugh out loud.

May the Saints receive me. She pressed the tip beneath her breast, between her ribs, an arrow to her heart. Then a hand gripped her wrist painfully, forcing her to drop the blade. “Not just yet, Inej.” The rasp of stone on stone. Her eyes flew open. Kaz. He bundled her into his arms and leapt down from the crates, landing roughly, his bad leg buckling. She moaned as they hit the ground. “Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He couldn’t carry her and use his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She

But even now, with the crates piled high in the hall, what I see most plainly about the books is that they are beautiful. They take up room? Of course they do: they are an environment; atoms, not bits. My books are not dead weight, they are live weight — matter infused by spirit, every one of them, even the silliest. They do not block the horizon; they draw it. They free me from the prison of contemporaneity: one should not live only in one’s own time. A wall of books is a wall of windows.

Cu ce poate fi comparata fericirea absoluta? Cu Dumnezeu? Mai intai de toate, cu multumirea sufleteasca, apoi probabil cu un ceai cald si o crate buna pe malul marii.

They would go about town sighing and talking to themselves. "I love you," they would say to the imagined beloved, though it might have appeared to someone else that they were speaking to a snow shovel or an egg crate.

What in Hood's name are you doing down here?' 'Hiding, what's it look like? That's always been your problem, Kal, your lack of subtlety. Sooner or later it's going to get you into trouble. Is it dark yet?' 'No. Listen, what's with this damned gale up top? It's all wrong-' 'You just noticed?' Kalam scowled in the gloom. Well, at least he'd found the wizard. The High Mage of the Fourteenth, hiding between crates and casks and bales. Oh, how bloody encouraging is that? ... Quick Ben moved further into the narrow space between cargo. 'Here, there's room.' After a moment, Kalam joined him. 'You got anything to eat? Drink?' 'Naturally.' 'Good.

Most sows are repeatedly inseminated, brood after brood, till their bodies give way and they go to slaughter. But while they’re still useful, they’re made to nurse—strapped to their sides in a farrowing crate, legs apart, nipples exposed. Pigs are extremely smart, sociable creatures, and this forced assembly-line intimacy makes the nursing sows want to die. Which, as soon as they dry up, they do. Even the idea of this practice I find repulsive. But the sight of it actually does something to you, makes you less human. Like watching a rape and saying nothing.

Dad on Child-rearing: "There's no education superior to travel. Think of The Motorcycle Diaries, or what Montrose St. Millet wrote in Ages of Exploration: 'To be still is to be stupid. To be stupid is to die.' And so we shall live. Every Betsy sitting next to you in a classroom will only know Maple Street on which sits her boxy white house, inside of which whimper her boxy white parents. After your travels, you'll know Maple Street, sure, but also wilderness and ruins, carnivals and the moon. You'll know the man sitting on an apple crate outside a gas station in Cheerless, Texas, who lost his legs in Vietnam, the woman in the tollboth outside Dismal, Delaware, in possession of six children, a husband with black lung but no teeth. When a teacher asks the class to interpret Paradise Lost, no one will be able to grab your coattails, sweet, for you will be flying far, far out in front of them all. For them, you will be a speck somewhere above the horizon. And thus, when you're ultimately set loose upon the world..." He shrugged, his smile lazy as an old dog. "I suspect you'll have no choice but to go down in history.

Nerves were on hair triggers, and if my virgin aunt had stepped out from behind those crates with a puppy in one hand and a baby in the other my guys would have capped her.

I always say, the time you spend with your dog makes the difference in a great dog or a crate dog.

Someone's moved these crates away from the wall. Go up to the house, will you, and see if you can find a flashlight? I want a better look." "Here." She pulled out the small flashlight she'd stuck in her pocket. "Do you have any idea how annoying that is?" "I'll try not to do it again.

No person is just one person. Everyone is a crate of fruits, a crate of mixed fruits. The apple in there may have worms, a peach may be mildewed, a banana may be too green, a pear may be in perfect ripeness, and a melon may have the sweetest smell.

There’s no such thing as a young refugee; every migrant has a past they’ve fled from, and how can you be young when you already have one life behind you?

Sometimes freedom means being the bad guy. Sometimes you gotta embrace the darkness they crate in you and make it your own. Words can hurt, wounds can fester, but even the most broken of bones can heal again, Red.

Hippocrates cured many illnesses—and then fell ill and died. The Chaldaeans predicted the deaths of many others; in due course their own hour arrived. Alexander, Pompey, Caesar—who utterly destroyed so many cities, cut down so many thousand foot and horse in battle—they too departedthis life. Heraclitus often told us the world would end in fire. But it was moisture that carried him off; he died smeared with cowshit. Democritus was killed by ordinary vermin, Socrates by the human kind. And? You boarded, you set sail, you’ve made the passage. Time to disembark. If it’s for another life, well, there’s nowhere without gods on that side either. If to nothingness, then you no longer have to put up with pain and pleasure, or go on dancing attendance on this battered crate, your body—so much inferior to that which serves it. One is mind and spirit, the other earth and garbage.

And whose rules will choose to you follow? God's? Or man's? You say you want to break the outmoded patterns and crate a new model? Then do it. That is part of your destiny, boy.

Pickled asparagus!” Iko stopped digging through the crate beside her long enough to shoot her a glare. “You and your taste buds can stop bragging anytime now.

...odorous as a crateful of bad eggs with the miasma of original sin.

Besides, no one can keep me away from my fish. Thank you, by the way, for the crate of fish you left for me. They are a delight. Come, let us go down to the sea.

Comedians in their infancy are generally selfish, irresponsible, emotionally retarded, morally dubious, substance-addicted animals who live out of boxes and milk crates. They are plagued with feelings of failure and fraudulence. They are prone to fleeting fits of manic grandiosity and are completely dependent on the acceptance and approval of rooms full of strangers, strangers the comedian resents until he feels sufficiently loved and embraced. Perhaps I am only speaking for myself here.

Thursday morning. I usually let my Mum wake me up but today I have set my alarm for seven. Even from under my duvet, I can hear it bleating on the other side of my room. I hid it inside my plastic crate for faulty joysticks so that I would have to get out of bed, walk across the room, yank it out of the box by its lead and, only then, jab the snooze button. This was a tactical manoeuvre by my previous self. He can be very cruel.

Tonight," he announced, "is the night we take back that village. And we're not going to do it by marching in lines or committing acts of brave idiocy. We're going to do it by being men. Manly men. The kind of men a woman wants to take control." Brows wrinkled in confusion. "But . . ." The blacksmith looked around the group. "We are men. Last I checked, anyhow." "It's not just a matter of having the proper equipment. It's using the equipment properly." Leaping up on a crate, Colin spread his arms wide. "Look at me. Now look at yourselves. Now look back at me. I am the man you want to be like." Dawes crossed his arms. "Why is that, precisely?" "Do you know how many women I've bedded?" When Rufus and Finn perked, he waved at them. "Have a guess, boys." "Seventeen," offered Finn. "More." "Eighteen." "Still more." "Er . . . nineteen?" "Oh, for the love of God," he muttered. "We'll be here all day. Let's just call the number more than you can imagine. Because clearly, that is the case." Under his breath, he added, "Perhaps higher than you know how to count.

Your kidding" i said. "we've escaped from top- security prisons, lived on our own for years, made tons of smarty-pants grown-ups look like fools without even trying,eaten desert rats with no A1 steak sauce, and your telling me we're minors and have to have guardians?" I shook my head, staring at him. "Listen pal, i grew up in a freaking dog crate. I've seen horrible, part-human mutations die gut-wrenching deaths. I've had people, mutants, and robots trying to kill me twenty-four/seven for as long as i can remember, and you think i'm gonna cave to state law? are you bonkers?

Clark had always been fond of beautiful objects, and in his present state of mind, all objects were beautiful. He stood by the case and found himself moved by every object he saw there, by the human enterprise each object had required. Consider the snow globe. Consider the mind that invented those miniature storms, the factory worker who turned sheets of plastic into white flakes of snow, the hand that drew the plan for the miniature Severn City with its church steeple and city hall, the as**sembly-line worker who watched the globe glide past on a conveyer belt somewhere in China. Consider the white gloves on the hands of the woman who inserted the snow globes into boxes, to be packed into larger boxes, crates, shipping containers. Consider the card games played belowdecks in the evenings on the ship carrying the containers across the ocean, a hand stubbing out a cigarette in an overflowing ashtray, a haze of blue smoke in dim light, the cadences of a half dozen languages united by common profanities, the sailors’ dreams of land and women, these men for whom the ocean was a gray-line horizon to be traversed in ships the size of overturned skyscrapers. Consider the signature on the shipping manifest when the ship reached port, a signature unlike any other on earth, the coffee cup in the hand of the driver delivering boxes to the distribution center, the secret hopes of the UPS man carrying boxes of snow globes from there to the Severn City Airport. Clark shook the globe and held it up to the light. When he looked through it, the planes were warped and caught in whirling snow.

How often have you been to visit Wolf and Scarlet?" Iko asked, kicking her feet against a storage crate in the cargo bay as Thorne powered down the ship's engines. "A few times a year," said Cress. "Scarlet finally built us a landing pad beside the hanger so Thorne would stop flattening her crops." She glanced toward the cockpit. "I hope he didn't miss it." They could hear Thorne's growl from the cockpit. "I didn't miss it!

It would’ve been hilarious if it didn’t hurt so much.

It was funny, I thought, eyeing the Chinese and English logos on the crates, the names of the companies that supplied both countries, funny because our weapons to kill each other were different. But our medicines to save lives were the same.

You slow. Is Dangerous." His tentacles curled down, gripping the ends of the wood. As they watched he slid off the crate and nudged it away. Underneath was a grate, filthy with slude. He plunged his tentacles into the gaps and pulled it aside. "There is drop.

A tall, thin, middle-aged man with a long, gray Jovian beard stood outside the Hermitage Museum with an expression of absolute shattered regret. Tatiana instantly reacted to his face. What could make a man look this way? He was standing next to the back of a military truck, watching young men carry wooden crates down the ramp from the Winter Palace. It was these crates the man looked at with such profound heartbreak, as if they were his vanishing first love. "Who is that man?" she asked, tremendously affected by his expression. "The curator of the Hermitage." "Why is he looking at the crates that way?" Alexander said, "They are his life's sole passion. He doesn't know if he is ever going to see them again.

Of what am I guilty," once exclaimed Antisthenes, "that I should be praised?

Pride is a master of deception: when you think you’re occupied in the weightiest business, that’s when he has you in his spell. (Compare Crates on Xenocrates.)

Connor strode confidently into the light-filled image. His body blurred for a moment and then there he was, standing among the crates. He paused, stretching his arms and yawning, and then suddenly dropped his pants and mooned us. "Oh God, Connor!" Adne groaned. "Get through there and bite him, Shay." "I'm not coming, remember?" Shay objected, but he laughed. "Even if I was, I wouldn't bite his ass." "Maybe Calla will," Adne grinned. "Not likely," I muttered though on a second glance I had to admit that Connor's ass wasn't that bad to look at.

I look back and think of all the ways he wasn’t the devil in that moment. The devil would break a dog’s neck, not cradle it in his own. The devil would have a mouth comparable to a crate of knives, not a mouth with teeth that held the curves of marshmallows. I think of all the devils I’ve seen in my long life. I know now how brief the innocent, how permanent the wicked. I

Excellent," said Cinder, standing up and brushing off her hands. "I was beginning to worry we wouldn't have a pilot for when it's time to take Kai back to Earth. Now I just have to worry about not having a competent one." Thorne leaned against the crate Cress was organizing. She froze, but when she dared to peer up through her lashes, his attention was on the other side of the cargo bay. "Oh, Cinder, I've missed seeing your face when you make sarcastic comments in an attempt to hide your true feelings about me." "Please." Rolling her eyes, Cinder started organizing the guns against the wall. "See that eye roll? It translates to 'How am I possibly keeping my hands off you, Captain?" "Yeah, keeping them from strangling you." Kai folded his arms, grinning. "How come no one told me I had such steep competition?" Cinder glared. "Don't encourage him.

With a sigh, Cinder wilted onto a crate, staring down at her mismatched hands. She scrunched her whole face up, like preparing for a blow, and muttered, “I’m Princess Selene.” Thorne snorted and they all turned to him. He blinked. “What, really?” “Really.” The joking smile froze on his lips. A heavy silence was followed by a vibration beneath their feet and Iko’s voice. “I don’t compute.

It is more likely that the paths others have chosen influence the paths I choose. This suggests that the simplest way to help others make different choices is to make them myself, and to do it openly. As I shift the patterns of my own participation in the systemps of privilege, I make it easier for others to do so as well, and harder for them not to. Simply by setting an example - rather than trying to change them - I crate the possibility of their participating in change in their own time and in their own way. In this way I widen the circle of change without provoking the kind of defensiveness that perpetuates paths of least resistance and the oppressive systems they serve.

A country watches dumbstruck as New England’s priceless chestnuts melt away. The tree of the tanning industry, of railroad ties, train cars, telegraph poles, fuel, fences, houses, barns, fine desks, tables, pianos, crates, paper pulp, and endless free shade and food—the most harvested tree in the country—is vanishing.

Robb glanced over the side of the crate to see for himself. The headless android twitched and began to rise. If he believed in the Moon Goddess, he'd be praying right now. He'd be praying really, really hard. And he'd be praying something like, Merciful Goddess, if you exist, please hand my ass to me some other day. I don't want to die, I haven't kissed Jax yet. That last revelation sent a cold chill down his spine. He wanted to KISS JAX. He wanted to taste the starlight on his skin and press his lips against the cool curve of his collarbone--

The notion that we should promote “happy” or “humane” exploitation as “baby steps” ignores that welfare reforms do not result in providing significantly greater protection for animal interests; in fact, most of the time, animal welfare reforms do nothing more than make animal exploitation more economically productive by focusing on practices, such as gestation crates, the electrical stunning of chickens, or veal crates, that are economically inefficient in any event. Welfare reforms make animal exploitation more profitable by eliminating practices that are economically vulnerable. For the most part, those changes would happen anyway and in the absence of animal welfare campaigns precisely because they do rectify inefficiencies in the production process. And welfare reforms make the public more comfortable about animal exploitation. The “happy” meat/animal products movement is clear proof of that. We would never advocate for “humane” or "happy” human slavery, rape, genocide, etc. So, if we believe that animals matter morally and that they have an interest not only in not suffering but in continuing to exist, we should not be putting our time and energy into advocating for “humane” or “happy” animal exploitation.

Anyone who loves books the way Homer does, loves libraries, too. It doesn't matter if the library has fancy red leather chairs and gold-plated shelves that reach to a vaulted ceiling, or if the library has splintery wooden benches and shelves made of old milk crates. it's the scent that sets the book lover at ease. It's better than grandma's perfume, or freshly baked chocolate chip cookies, or even toast. It's a scent derived from paper, mildew, dust, and human endeavors.

Mirrors aren’t complicated: whether in Cleveland or in Kabul, a mirror reflects what the mind sees, no more, no less.

It’s public knowledge. It’s not my problem you just found out,” his mother is saying, pacing double-time down a West Wing corridor. “You mean to tell me,” Alex half shouts, jogging to keep up, “every Thanksgiving, those stupid turkeys have been staying in a luxury suite at the Willard on the taxpayers’ dime?” “Yes, Alex, they do—” “Gross government waste!” “—and there are two forty-pound turkeys named Cornbread and Stuffing in a motorcade on Pennsylvania Avenue right now. There is no time to reallocate the turkeys.” Without missing a beat, he blurts out, “Bring them to the house.” “Where? Are you hiding a turkey habitat up your ass, son? Where, in our historically protected house, am I going to put a couple of turkeys until I pardon them tomorrow?” “Put them in my room. I don’t care.” She outright laughs. “No.” “How is it different from a hotel room? Put the turkeys in my room, Mom.” “I’m not putting the turkeys in your room.” “Put the turkeys in my room.” “No.” “Put them in my room, put them in my room, put them in my room—” That night, as Alex stares into the cold, pitiless eyes of a prehistoric beast of prey, he has a few regrets. THEY KNOW, he texts Henry. THEY KNOW I HAVE ROBBED THEM OF FIVE-STAR ACCOMMODATIONS TO SIT IN A CAGE IN MY ROOM, AND THE MINUTE I TURN MY BACK THEY ARE GOING TO FEAST ON MY FLESH. Cornbread stares emptily back at him from inside a huge crate next to Alex’s couch. A farm vet comes by once every few hours to check on them. Alex keeps asking if she can detect a lust for blood. From the en suite, Stuffing releases another ominous gobble.

It had been easy to decide in favor of love on Bethune Street, in favor of walking proud and naked on the grass rug of an apartment that caught the morning sun among its makeshift chairs, its French travel posters and its bookcase made of packing-crate slats—an apartment where half the fun of having an affair was that it was just like being married, and where later, after a trip to City Hall and back, after a ceremonial collecting of the other two keys from the other two men, half the fun of being married was that it was just like having an affair. She’d decided in favor of that, all right.

There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.

ROOT CELLAR" Nothing would sleep in that cellar, dank as a ditch, Bulbs broke out of boxes hunting for chinks in the dark, Shoots dangled and drooped, Lolling obscenely from mildewed crates, Hung down long yellow evil necks, like tropical snakes. And what a congress of stinks!-- Roots ripe as old bait, Pulpy stems, rank, silo-rich, Leaf-mold, manure, lime, piled against slippery planks. Nothing would give up life: Even the dirt kept breathing a small breath.

I told her about the best and the worst. The slow and sleepy places where weekdays rolled past like weekends and Mondays didn’t matter. Battered shacks perched on cliffs overlooking the endless, rumpled sea. Afternoons spent waiting on the docks, swinging my legs off a pier until boats rolled in with crates full of oysters and crayfish still gasping. Pulling fishhooks out of my feet because I never wore shoes, playing with other kids whose names I never knew. Those were the unforgettable summers. There were outback towns where you couldn’t see the roads for red dust, grids of streets with wandering dogs and children who ran wild and swam naked in creeks. I remembered climbing ancient trees that had a heartbeat if you pressed your ear to them. Boomboom-boomboom. Dreamy nights sleeping by the campfire and waking up covered in fine ash, as if I’d slept through a nuclear holocaust. We were wanderers, always with our faces to the sun.

Again and again workers told me that they are under tremendous pressure not to report injuries. The annual bonuses of plant foremen and supervisors are often based in part on the injury rate of their workers. Instead of crating a safer workplace, these bonus schemes encourage slaughterhouse managers to make sure that accidents and injuries go unreported. Missing fingers, broken bones, deep lacerations and amputated limbs are difficult to conceal from authorities. But the dramatic and catastrophic injuries in a slaughterhouse are greatly outnumbered by less visible, though no less debilitating, ailments: torn muscles, slipped disks, pinched nerves.

But then, staring at the label on one crate, which read SWORD-CANE-DLUBECK SHOE TREE-HORA SUITS (3)-HORA ASSORTED HANDKERCHIEFS (6)-HORA Josef felt a bloom of dread in his belly, and all at once he was certain that it was not going to matter one iota how his father and the others behaved. Orderly or chaotic, well inventoried and civil or jumbled and squabbling, the Jews of Prague were dust on the boots of the Germans, to be whisked off with an indiscriminate broom. Stoicism and an eye for detail would avail them nothing. In later years, when he remembered this moment, Josef would be tempted to think that he had suffered a premonition, looking at those mucilage-caked labels, of the horror to come. At the time it was a simpler matter. The hair stood up on the back of his neck with a prickling discharge of ions. His heart pulsed in the hollow of his throat as if someone had pressed there with a thumb. And he felt, for an instant, that he was admiring the penmanship of someone who had died.

We sat on a crate of oranges and thought what good men most biologists are, the tenors of the scientific world--temperamental, moody, lecherous, loud-laughing, and healthy. Once in a while one comes on the other kind--what used in the university to be called a 'dry-ball'--but such men are not really biologists. They are the embalmers of the field, the picklers who see only the preserved form of life without any of its principle. Out of their own crusted minds they create a world wrinkled with formaldehyde. The true biologist deals with life, with teeming boisterous life, and learns something from it, learns that the first rule of life is living. The dry-balls cannot possibly learn a thing every starfish knows in the core of his soul and in the vesicles between his rays. He must, so know the starfish and the student biologist who sits at the feet of living things, proliferate in all directions. Having certain tendencies, he must move along their lines to the limit of their potentialities. And we have known biologists who did proliferate in all directions: one or two have had a little trouble about it. Your true biologist will sing you a song as loud and off-key as will a blacksmith, for he knows that morals are too often diagnostic of prostatitis and stomach ulcers. Sometimes he may proliferate a little too much in all directions, but he is as easy to kill as any other organism, and meanwhile he is very good company, and at least he does not confuse a low hormone productivity with moral ethics.

Wyatt should’ve looked ridiculous sitting on the floor, leaning into the crate making kissykiss noises at the cat, but he didn’t. He looked … mouthwatering. “Hey, sweet thing,” he said in a low cajoling voice. “Come on out. I’ll gonna love you up, I promise. You know you want some of that.” “Oh, please,” Emily said on a laugh to cover up the fact that her bones melted at the sound of him. “That’s never going to work—“ But hell if the cat didn’t shift ever so slightly closer to Wyatt and sniff at him. Wyatt flashed both Sweetie and Emily a smile. “Aw, that’s it,” he crooned to the suspicious, wary cat. “Come on, baby girl, all the way. I’ll be good to you, I promise.” Emily laughed again, even as she felt her nipples tighten. She crossed her arms over her chest. “Honestly, Wyatt, no selfrespecting female – cat or woman – is going to—

I remember back a number of years, talkin about fairs, they had a old boy come through would shoot live pigeons with ye. Him with a rifle and you with a shotgun. Or anything else. He must of had a truckload of pigeons. Had a boy out in the middle of a field with a crateful and he’d holler and the boy’d let one slip and he’d raise his rifle and blam, he’d dust it. Misters, he could strictly make the feathers fly. We’d never seen the like of shootin. They was a bunch of us pretty hotshot birdhunters lost our money out there fore we got it figured out. What he was doin, this boy was loadin the old pigeons up the ass with them little firecrackers. They’d take off like they was home free and get up about so high and blam, it’d blow their asses out. He’d just shoot directly he seen the feathers fly. You couldn’t tell it. Or I take that back, somebody did finally. I don’t remember who it was. Reached and grabbed the rifle out of the old boy’s hand fore he could shoot and the old pigeon just went blam anyways. They like to tarred and feathered him over it.

In the Oval Office, President Bush told Khalilzad, “Musharraf denies all of what you are saying.” “Didn’t they deny, Mr. President, for years that they had a nuclear program?” 8 Bush said he would call Musharraf and arrange for the ambassador to meet with him, to discuss the accusations directly. Khalilzad flew to Islamabad. Beforehand, he sent Musharraf a gift, a crate of Afghan pomegranates. When they sat down, Musharraf thanked him, but added that he hated pomegranates—too many seeds. They talked extensively about Musharraf’s usual complaints about the Afghan government—too many Panjshiris in key security positions, too many Indian spies under diplomatic cover in Kabul and elsewhere. Khalilzad proposed a joint intelligence investigation between the United States and Pakistan to document any covert Indian activity in Afghanistan. “There are no Taliban here,” Musharraf said blankly. 9

You're the last line of defense. When you're dead, Hitler will march through Leningrad the way he marched through Paris. Do you remember that?' 'That's not fair. The French didn't fight,' Tatiana said, wanting to be anywhere right now but standing in front of men loading artwork from the Hermitage onto armored trucks. 'They didn't fight, Tania, but you will fight. For every street and for every building. And when you lose--' 'The art will be saved.' 'Yes! The art will be saved,' Alexander said emotionally. 'And another artist will paint a glorious picture, immortalizing you, with a club in your raised hand, swinging to hit the German tank as it's about to crush you, all against the backdrop of the statue of Peter the Great atop his bronze horse. And that picture will hang in the Hermitage, and at the start of the next war the curator will once again stand on the street, crying over his vanishing crates.

Some nights he sat up late on his front porch with a glass of Jack and listened to the trucks heading south on 220, carrying crates of live chickens to the slaughterhouses—always under cover of darkness, like a vast and shameful trafficking—chickens pumped full of hormones that left them too big to walk—and he thought how these same chickens might return from their destination as pieces of meat to the floodlit Bojangles’ up the hill from his house, and that meat would be drowned in the bubbling fryers by employees whose hatred of the job would leak into the cooked food, and that food would be served up and eaten by customers who would grow obese and end up in the hospital in Greensboro with diabetes or heart failure, a burden to the public, and later Dean would see them riding around the Mayodan Wal-Mart in electric carts because they were too heavy to walk the aisles of a Supercenter, just like hormone-fed chickens.

Beyond this point on the river Cambridge became a kind of miniature Venice, its river water lapping up against the ancient stone of college walls, here mottled and reddened brick, there white stone. Stained, lichened, softened by water light. Here the river became a great north-south tunnel, a gothic castle from the river, flanked by locked iron gates, steps leading nowhere, labyrinths, trapdoors, landing stages where barges had unloaded their freight: crates of fine wines, flour, oats, candles, fine meats carried into the damp darkness of college cellars.

Nina pulled off her gown and the heavy rubber belly she had strapped over her tunic while Rotty rid himself of his beard and coat. They tied everything in a bundle and Nina tossed it overboard as they climbed into the bottleboat moored beneath Zentsbridge. “Good riddance,” she said as it sank into the water. “So little maternal sentiment,” Kaz said, emerging from behind the wine crates. “Where’s Inej?” “I’m fine,” said Inej from behind him. “But Kuwei—” “You’re bleeding again,” Nina observed as she slid behind the high stacks of crates to join them. There was little traffic on the canal now, but it didn’t do to take chances. “And what happened to your eyes?” “I’d tell you to ask the White Blade, but…” Inej shrugged. “I hope she suffered.” “Nina.” “What? We can’t both be merciful and serene.

Atro had once explained to him how this was managed, how the sergeants could give the privates orders, how the lieutenants could give the privates and the sergeants orders, how the captains... and so on and so on up to the generals, who could give everyone else orders and need take them from none, except the commander in chief. Shevek had listened with incredulous disgust. "You call that organization?" he had inquired. "You even call it discipline? But it is neither. It is a coercive mechanism of extraordinary inefficiency--a kind of seventh-millennium steam engine! With such a rigid and fragile structure what could be done that was worth doing?" This had given Atro a chance to argue the worth of warfare as the breeder of courage and manliness and weeder-out of the unfit, but the very line of his argument had forced him to concede the effectiveness of guerrillas, organized from below, self-disciplined. "But that only works when the people think they're fighting for something of their own--you know, their homes, or some notion or other," the old man had said. Shevek had dropped the argument. He now continued it, in the darkening basement among the stacked crates of unlabeled chemicals. He explained to Atro that he now understood why the Army was organized as it was. It was indeed quite necessary. No rational form of organization would serve the purpose. He simply had not understood that the purpose was to enable men with machine guns to kill unarmed men and women easily and in great quantities when told to do so.

Having lost his mother, father, brother, and grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an easy escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his life, from ropes, chains, boxes, bags, and crates, from handcuffs and shackles, from countries and regimes, from the arms of a woman who loved him, from crashed airplanes and an opiate addiction and from an entire frozen continent intent on causing his death. The escape from reality was, he felt—especially right after the war—a worthy challenge.

Come on in, I’ve got a sale on scratch and dent dreams, whole cases of imperfect ambitions stuff the idealists couldn't sell. Yeah, I know none of its got price tags, you decide how much its worth. And none of its got glossy colored packaging but it all works just fine. I’ve got rainy day swing sets good night kisses and stationary stars still flying at the speed of light. And over there out back if you dig down through those alabaster stoplights and those old 45’s you’ll find a whole crate of second hand hope. Yeah right there, that’s no chrome, you just gotta work, polish it up a little bit. Most folks give up too easy, trade it in for some injection mold and here and now.

To the Nameless Saints who soothe the winds and still the restless sea... Lenos turned his grandmother's talisman between his hands as he prayed. I beg protection for this vessel-- A sound shuddered through the ship, followed by a swell of cursing. Lenos looked up as Lila got to her feet, steam rising from her hands. -- and those who sail aboard it. I beg kind waters and clear skies as we make our way-- "If you break my ship, I will kill you all," shouted Jasta. His fingers tightened around the pendant. -- our way into danger and darkness. "Damned Antari," muttered Alucard, storming up the steps to the landing where Lenos stood, elbows on the rail. The captain slumped down against a crate and produced a flask. "This is why I drink." Lenos pressed on. I beg this as a humble servant, with faith in the vast world, in all its power. He straightened, tucking the necklace back under his collar. "Did I interrupt?" asked Alucard. Lenos looked from the singe marks on the deck to Jasta bellowing from the wheel as the ship tepped suddenly sideways under the force of whatever magic the three Antari were working, and at last to the man who sat drinking on the floor. "Not really,

didn’t bother them that the corpses would arrive at their doors, to quote Ruth Richardson, “compressed into boxes, packed in sawdust,…trussed up in sacks, roped up like hams…” So similar in their treatment were the dead to ordinary items of commerce that every now and then boxes would be mixed up in transit. James Moores Ball, author of The Sack-’Em-Up Men, tells the tale of the flummoxed anatomist who opened a crate delivered to his lab expecting a cadaver but found instead “a very fine ham, a large cheese, a basket of eggs, and a huge ball of yarn.” One can only imagine the surprise and very special disappointment of the party expecting very fine ham, cheese, eggs, or a huge ball of yarn, who found instead a well-packed but quite dead Englishman.

Hauk!" a man shouted in the hallway outside. He fell back from the door and braced himself against the wall. Sumi went low in the center of the room, behind a crate. "What?" Dancer answered. "Surrender or we're going to kill them all! Piece by piece, until their screams echo in your ears!" Dancer laughed at the threat. "You do that and I will eat you, piece by fucking piece. The three of them are the only thing keeping you alive right now. Release them and we'll let you live. It's your choice on how you leave this place. On your feet or feet first. You have thirty seconds to decide.

In the end the real wealth of the Hungarian Jewish community had not been packed in crates and boxes and loaded onto that train. What is the value to a daughter of a single pair of Sabbath candlesticks passed down from her mother and grandmother before her, generation behind generation, for a hundred, even a thousand, years? Beyond price, beyond measure. And what of ten thousand pairs of similar candlesticks, when all the grandmothers, mothers, and daughters are dead? No more than the smelted weight of the silver. The wealth of the Jews of Hungary, of all of Europe, was to be found not in the laden boxcars of the Gold Train but in the grandmothers and mothers and daughters themselves, in the doctors and lawyers, the grain dealers and psychiatrists, the writers and artists who had created a culture of sophistication, of intellectual and artistic achievement. And that wealth, everything of real value, was all but extinguished.

The owner as he crosses the board floor, moving between shelves, past stacked crates and burlap sacks bulging with sugar and flour. “Jessup? It’s Brady! You in back?” The twelve burros crane their scrawny necks in his direction when Brady emerges from the merc. He reaches into his greatcoat, pulls out a tin of Star Navy tobacco, and shoves a chaw between lips and gums gone blackish purple in the last year. “What the hell?” he whispers. When he delivered supplies two weeks ago, this little mining town was bustling. Now Abandon looms listless before him in the gloom of late afternoon, streets empty, snow banked high against the unshoveled plank sidewalks, no tracks as far as he can see. The cabins scattered across the lower slopes lie buried to their chimneys, and with not a one of them smoking, the air smells too clean. Brady is a man at home in solitude, often spending days on the trail, alone in wild, quiet places, but this silence is all wrong—a lie. He feels menaced by it, and with each passing moment, more certain that something.

APPLES SCENT, You arrive in the basement. Immediatly it catches you. Apples are here, lying on fruit trays, turned crates. You didn't think about it. You had no wish to be flooded by this melancholic wave. But you can't resist. Apple scent is a breaker. How could you manage without this childhood, bitter and sweet ? Shrivelled fruits surely are delicious, from this feak dryness where candied taste seems to have wormed in each wrinkle. But you don't wish to eat them. Particularly don't turn into an identifiable taste this floating power of smell. Say that it smells good, strong? But not ..... It's beyond .... An inner scent, scent of a better oneself. Here is shut up school autumn, with purple ink we scratch paper with down strokes and thin strokes. Rain bangs against glasses, evening will be long .... But apple perfume is more than past. You think about formerly because of fullness and intensity from a remembrance of salpetered cellar, dark attic. But it's to live here, stay here, stand up. You have behind you high herbs and damp orchards. Ahead it's like a warm blow given in the shade. Scent got all browns, all reds with a bit of green acid. Scent distilled skin softness, its tiny roughness. Lips dried, we alreadyt know that this thirst is not to be slaked. Nothing would happen if you bite the white flesh. You would need to become october, mud floor, moss of cellar, rain, expectation. Apple scent is painful. It's from a stronger life, a slowness we deserve no more.

Your short understanding, your clipped mind, your hollow heart, will make more of mankind than it has the power to become. Make of a man what you will, yet he cannot be more than this I say to you, with the leave of all pure women: a human is conceived in sin, nourished with impure, unspeakable feculence in the maternal body, born naked and smeared like a beehive; a mass of refuse, a churn of filth, a dish for worms, a stinkhouse, a repulsive washtub, a rancid carcass, a mildewed crate, a bottomless sack, a perforated pocket, a bellows, a rapacious maw, a reeking flagon of urine, a malodorous pail, a deceptive marionette-show, a loamy robber’s den, an insatiably slaking trough, a painted delusion. Let recognise who will: every human created to completion has nine holes in his body; out of all these there flows such repellent filth that nothing could be more impure. You would never see human beauty, if you had the eyes of a lynx, and your gaze could penetrate to the innards; you would shudder at the sight. Strip the dressmaker’s colouring from the loveliest of ladies, and you will see a shameful puppet, a hastily withering flower, a sparkle of little durance and a soon decomposing clod of earth! Show me a handful of beauty of all the belles who lived a hundred years ago, excluding those painted on the wall, and you shall have the Kaiser’s crown! Let love flow away, let grief flow away! Let the Rhine run its course like other waters, you wise lad from Assville!

The Marquess screamed. All this time, she had been small and cowering, nothing like herself, a shadow of a shadow. But when Nod sunk his squarish teeth into her dark skin, she screamed and hissed—and then suddenly stood. She stared at the creature clamping down on her wrist. He shook his muzzle to get a better grip on her. Her spine straightened, and September saw her face settle into its old self, a face used to power, to getting her way, and never balking at any single thing. “How dare you,” the Marquess snarled. “How dare you put your teeth on me?” She clamped her hand down on his snout and tore him free of her flesh. Shadow-blood welled up and fell. The tip of his elephant-like nose stretched far longer than September would have thought possible. It sought and found her wound as she held him fast. She threw him aside like a doll; his weight shattered a crate stamped with Pluto’s Fancy Mushrooms. Dark soil spilled out. The Marquess reached down and opened the shadow of the box, her eyes blazing. She opened it as herself, as the Marquess in all her fury and beauty and terror.

Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?) While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well. The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.

It isn't just the idea of a woman in a truck. At this point, they're everywhere. The statisticians tell us today's woman is as likely to buy a truck as a minivan. One cheers the suffrage, but the effect is dilutive. My head doesn't snap around the way it used to. Ignoring for the moment that my head (or the gray hairs upon it) may be the problem, I think it's not about women in trucks, it's about certain women in certain trucks. Not so long ago I was fueling my lame tan sedan at the Gas-N-Go when a woman roared across the lot in a dusty pickup and pulled up to park by the yellow cage in which they lock up the LP bottles. She dismounted wearing scuffed boots and dirty jeans and a T-shirt that was overwashed and faded, and at the very sight of her I made an involuntary noise that went, approximately, ohf...! I suppose ohf...! reflects as poorly on my character as wolf whistle, but I swear it escaped without premeditation. Strictly a spinal reflex. [...] The woman plucking her eyebrows in the vanity mirror of her waxed F-150 Lariat does not elicit the reflex. Even less so if her payload includes soccer gear or nothing at all. That woman at the Gas-N-Go? I checked the back of her truck. Hay bales and a coon dog crate. Ohf...!

The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume. "Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper. "Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London." Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek. "There's something else," Marcus said. Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?" "With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses. Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it. "Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?" "Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?" Marcus gave her a speaking look, as if only an imbecile would suppose otherwise. Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes. No miles of level desert, no jagged mountain heights, no sea of endless blue Neither words nor tears, nor silent fears will keep me from coming back to you. There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought. "It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes. "Let me see it." Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.

Come on, Gray,” another sailor called. “Just one toast.” Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response. Siren. “Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.” The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.” Her eyes narrowed to slits. The men groaned. “You’re no fun anymore, Gray,” O’Shea grumbled. “No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.” “Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.” Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed? Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.” My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had. “My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.” The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.” “Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.” “The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks. “He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.” “I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.” That was it. This little scene was at its end. Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat. “Put me down, you brute!” She squirmed and pounded his back with her fists. Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other. “Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.” Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin. With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides. Oh, bloody hell.