Cranberry Quotes

We've searched our database for all the quotes and captions related to Cranberry. Here they are! All 100 of them:

Well, art is art, isn't it? Still, on the other hand, water is water! And east is east and west is west and if you take cranberries and stew them like applesauce they taste much more like prunes than rhubarb does. Now, uh... now you tell me what you know.
Groucho Marx
You done with work? Yep, at home waiting for you. Now that's a nice visual... Prepare yourself, I'm taking bread out of the oven. Don't tease me woman...zucchini? Cranberry orange. Mmmm... No woman has ever done breakfast bread foreplay the way you do. Ha! When you coming? Can't. Drive. Straight. Can we have one conversation when you're not twelve? Sorry, I'll be there in 30 Perfect, that will give me time to frost my buns. Pardon me? Oh, didn't I tell you? I also made cinnamon rolls. Be there in 25.
Alice Clayton (Wallbanger (Cocktail, #1))
Frida Kahlo to Marty McConnell leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
I knew, as sure as I knew my name, that tomorrow he would send me another coat, in a big fancy box, with a big bow on it. It would be the right size, it would be a top brand, and it would be warm. ............... It was cranberry red, with a removable liner, a detachable hood, and tortoiseshell buttons.
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
Maybe you had to leave in order to really miss a place; maybe you had to travel to figure out how beloved your starting point was... ...Parents aren't the people you come from. They're the people you want to be, when you grow up. I sat between my mother and my father, watching strangers on TV carry in Shaker rockers and dusty paintings and ancient beer tankards and cranberry glass dishes; people and their hidden treasures, who had to be told by experts that they'd taken something incredibly precious for granted.
Jodi Picoult (Handle with Care)
I hated cranberry sauce, but for some reason my mom persisted in her lifelong belief that it was my very favorite food, even though every single Thanksgiving I politely declined to include it on my plate.
John Green (Looking for Alaska)
I studied her face as she got closer. Who wore that much makeup this early in the morning? She looked like she got smacked in the face by a drunk rainbow.
Beth Ehemann (Room for You (Cranberry Inn, #1))
You are my future, Kacie. You're my present and my future and if I could figure out a way to invent a damn time machine, you'd be my past.
Beth Ehemann (Room for More (Cranberry Inn, #2))
You two are like Dumb and Dumber on ice skates.
Beth Ehemann (Room for More (Cranberry Inn, #2))
This time, there are no tears. This time, there is only emptiness and I feel it set in the straight line of my mouth. I am not strong enough for this. I want an earthquake, a hurricane, anything - even a devil, the one with the cloven hoof - Mrs. Leed's unfortunate 13th child - to rush out and stomp on me, break me into little pieces and hurl me to the stars, let me go back with those people I love. Please.
Kathleen DeMarco (Cranberry Queen)
If you make Josh’s dumb white- chocolate cranberry cookies and not my fruitcake ones, it’s over.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I made cranberry sauce, and when it was done put it into a dark blue bowl for the beautiful contrast. I was thinking, doing this, about the old ways of gratitude: Indians thanking the deer they'd slain, grace before supper, kneeling before bed. I was thinking that gratitude is too much absent in our lives now, and we need it back, even if it only takes the form of acknowledging the blue of a bowl against the red of cranberries.
Elizabeth Berg (Open House)
I learned something in the juice isle, and that is, I don't know what's going on with cranberries, but they're getting in all the other juices. Whoever the salesman for cranberries does a great job. He's showing up everywhere. "Hey what do you got? Apples? Well let's put some cranberries in them; we'll call it cran-apple - go fifty fifty. What do you got? Grapes? What about cran-grape? What do you got? Mangos? Cran-mango! What do you got? Pork chops? Cran-chops!
Brian Regan
I have learned... that memories aren’t things that have to pile up and overwhelm you. They’re just colors... that shade all the new things you feel.
Ben Monopoli (The Cranberry Hush)
Christmas isn't Christmas without your white-chocolate cranberry cookies
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Carpe diem' doesn't mean seize the day--it means something gentler and more sensible. 'Carpe diem' means pluck the day. Carpe, pluck. Seize the day would be "cape diem," if my school Latin servies. No R. Very different piece of advice. What Horace had in mind was that you should gently pull on the day's stem, as if it were, say, a wildflower or an olive, holding it with all the practiced care of your thumb and the side of your finger, which knows how to not crush easily crushed things--so that the day's stalk or stem undergoes increasing tension and draws to a thinness, and a tightness, and then snaps softly away at its weakest point, perhaps leaking a little milky sap, and the flower, or the fruit, is released in your hand. Pluck the cranberry or blueberry of the day tenderly free without damaging it, is what Horace meant--pick the day, harvest the day, reap the day, mow the day, forage the day. Don't freaking grab the day in your fist like a burger at a fairground and take a big chomping bite out of it. That's not the kind of man that Horace was.
Nicholson Baker (The Anthologist (The Paul Chowder Chronicles #1))
So, she tells me, the words dribbling out with the cranberry muffin crumbs, commas dunked in her coffee.
Laurie Halse Anderson
Prepare yourself, I’m taking bread out of the oven. Don’t tease me, woman… zucchini? Cranberry orange. Mmmm… No woman has ever done breakfast bread foreplay the way you do.
Alice Clayton (Wallbanger (Cocktail, #1))
That's when Sam grabbed my hand. "I love this song!" She led me to the dance floor. And she started dancing. And I started dancing. It was a fast song, so I wasn't very good, but she didn't seem to mind. We were just dancing, and that was enough. The song ended, and then a slow one came on. She looked at me. I looked at her. Then, she took my hands and pulled me in to dance slow. I don't know how to dance slow very well either, but I do know how to sway. Her whisper smelled like cranberry juice and vodka. "I looked for you in the parking lot today." I hoped mine still smelled like toothpaste. "I was looking for you, too." Then, we were quiet for the rest of the song. She held me a little closer. I held her a little closer. And we kept dancing. It was the one time all day that I really wanted the clock to stop. And just be there for a long time.
Stephen Chbosky (The Perks of Being a Wallflower)
I've knitted myself a hat, it's plum red with an appealing lace pattern, I figured that a few air holes would be nice now that it's spring. I put it on and feel like a cranberry in the snow, and I wonder if they can see me from the moon. Me and the Great Wall.
Kjersti Annesdatter Skomsvold (The Faster I Walk, the Smaller I Am)
What my Twinkies want, my Twinkies get.
Beth Ehemann (Room for More (Cranberry Inn, #2))
Tommy would never look at me like that, except maybe if I were walking toward him butt naked carrying a heaping plate of bacon.
Beth Ehemann (Room for You (Cranberry Inn, #1))
She is psychic a little voodoo magic soulful with cranberry lips eyes full of fantastic.
Melody Lee (Vine: Book of Poetry)
A lighthearted prayer for Thanksgiving: May you have turkey in season Cranberries for squeezin' Gravy (within reason) And leftovers worth freezin'! Amen by Merrill Miller of Scottdale, PA
Mary Beth Lind (Simply in Season (World Community Cookbooks))
His nose holes are opening and closing,” Piper responded, making a gross face.
Beth Ehemann (Room for You (Cranberry Inn, #1))
Her whisper smelled like cranberry juice and vodka.
Stephen Chbosky (The Perks of Being a Wallflower)
I went to the juice isle, I learned something. Cranberries are taking over everything. What do you got, apples? Put some cranberrise in there, make it 50/50. Cran-apple. Grapes? Cran-grape. Mangos? Cran-mango. Pork chops? Cran-chop!
Brian Regan
My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
Chuck Palahniuk (Invisible Monsters)
Pinkie swear?" Piper asked quietly, holding her tiny pinky finger in the air. "How about we change it to Twinkie swear?
Beth Ehemann (Room for More (Cranberry Inn, #2))
If you take cranberries and stew them like applesauce, they taste much more like prunes than rhubarb does.
Groucho Marx
Kacie, get attached. Please, get attached. I sure as hell know I am. You’re what I want. You and the girls. This is it for me.” I brushed a fresh tear from her cheek. “I know we’re taking our time, especially where the girls are concerned, but you’re my more, remember?” “You’re my more too.
Beth Ehemann (Room for More (Cranberry Inn, #2))
Brody, are you sick?" asked Piper. "Yeah, do you have a fever?" Lucy asked, tugging on my shirt. I bent down to her level as she felt my forehead. "Nope, not sick. Why?" They looked at each other and shrugged. "Mom was on the phone with Auntie Alexa and she said you were hot. If you're hot, you have a fever. Do you need medicine?
Beth Ehemann (Room for You (Cranberry Inn, #1))
People stand in front of an officiant and say 'I do' but that shouldn't mean 'I'm done' when comes to putting time and effort to grow their relationship.
Beth Ehemann (Room for More (Cranberry Inn, #2))
You're a good man, Brody." "It's my mom's fault.
Beth Ehemann (Room for More (Cranberry Inn, #2))
Fuck you, smiley face.
Beth Ehemann (Room for You (Cranberry Inn, #1))
Any physical contact with her was a bonus. She could give me a noogie and I’d consider it a win.
Beth Ehemann (Room for You (Cranberry Inn, #1))
I haven't brushed yet." "I'll take my chances," he said, gently pulling my hands away from my mouth. "Pay the toll, stinky.
Beth Ehemann (Room for More (Cranberry Inn, #2))
We’re having Thanksgiving at our place,” he said. “An old-fashioned Thanksgiving.” “With drag queens and hookers and cranberry sauce?” I asked breathlessly. “Just like at Grandma’s,” he replied.
Josh Kilmer-Purcell (I Am Not Myself These Days: A Memoir)
That's why an Angelina Jolie is always going to win over a Winona Ryder. Fuckups are more interesting.
Kathleen DeMarco (Cranberry Queen)
I, Brody, promise to love you, Lucy and Piper, just as much as I love your mommy. I promise to love you and protect you and always take care of you, no matter what. From this day forward, you will always and forever be my Twinkies. I also promise to always kill all the spiders.
Beth Ehemann (Room for Just a Little Bit More (Cranberry Inn, #2.5))
Kacie, look at me. You can do this, trust me.” “I can’t.” I meant that literally. I couldn’t will my feet to move even if I wanted them to. “Look in my eyes. Yes, you can. You said you trusted me, now come on. Jump in puddles with me.
Beth Ehemann (Room for You (Cranberry Inn, #1))
You guys are taking forever and I’m fucking starving. I figure if you haven’t made up yet, I’ll drop you off at home and you can fuck it out while I go get pizza.
Beth Ehemann (Room for More (Cranberry Inn, #2))
I have the sexiest, sweetest, most amazing boyfriend on the planet who's not afraid to kick his ass if he gets out of line.
Beth Ehemann (Room for More (Cranberry Inn, #2))
There’s a saying … I don’t remember it exactly, but something about how having kids is like allowing your heart to walk around outside of your body. It’s so true.
Beth Ehemann (Room for You (Cranberry Inn, #1))
Will took a deep breath. When he exhaled . . . I thought my eyes were playing tricks on me. We'd been in near-total darkness so long, I wasn't sure why Will's outline suddenly seemed clearer. I could see the texture of his jeans, the individual tufts of his hair, the blue of his eyes. His skin was glowing with a soft, warm golden light as if he'd ingested sunshine. 'Whoa,' Meg said. Rachel's eyebrows floated towards her hairline. Nico smirked. 'Friends, meet my glow-in-the-dark boyfriend.' 'Could you not make a big deal about it?' Will asked. I was speechless. How could anyone not make a big deal about this? As far as demigod powers went, glowing in the dark was perhaps not as showy as skeleton-summoning or tomato-vine mastery, but it was still impressive. And, like WIll's skill at healing, it was gentle, useful and exactly what we needed in a pinch. 'I'm so proud,' I said. Will's face turned the colour of sunlight shining through a glass of cranberry juice. 'Dad, I'm just glowing. I'm not graduating at the top of my class.' 'I'll be proud when you do that, too,' I assured him.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
She clearly had some deep scars and should be easy to walk away from, but instead of running the other direction I wanted to scoop her up, clean her off and make her world good again.
Beth Ehemann (Room for You (Cranberry Inn, #1))
Life is a sum made up of small parts, Kacie. Some are good; some are bad. You and the girls are definitely one of the good. The best good there is and I’ll fight like hell to keep you here.
Beth Ehemann (Room for You (Cranberry Inn, #1))
I find it’s best to go to the market or shopping if I have to pee. It saves me from buyer’s remorse.” “It’ll also give you a urinary tract infection,” Elizabeth mumbled. “Yes, but those can be treated with antibiotics and cranberry juice. An empty bank account can only be treated with whoring myself out down by the industrial park.
Penny Reid (Love Hacked (Knitting in the City, #3))
I loved her for the way she loved me. I loved her for the way she loved her girls. I loved her for the mother she would one day be to my kids, which were somewhere deep inside of her, waiting to be created.
Beth Ehemann (Room for More (Cranberry Inn, #2))
If someone tells you they love turkey smothered with cranberry sauce, that they love it more than anything else in the world, you might spend the day roasting that someone a turkey and smothering it with cranberry sauce. If that same someone then takes one little bite and says, 'That'll be all, thank you,' you'll likely go red in the face and hurl both these turkeys our the nearest window because clearly, this person never loved turkey smothered with cranberry sauce in the first place. Little bites are never enough when you love something. When you love something, you want it all. That's how it works. And that's how it was for Archer. Archer didn't want a little taste of adventure with a side of leftover discoveries. Archer wanted the whole turkey and he wanted it stuffed with enough salts and spices to turn his taste buds into sparklers.
Nicholas Gannon (The Doldrums (The Doldrums #1))
With my sunglasses shielding my eyes, she had no idea I stared at her constantly.
Beth Ehemann (Room for Just a Little Bit More (Cranberry Inn, #2.5))
Unhappiness where's when I was young, And we didn't give a damn, 'Cause we were raised, To see life as fun and take it if we can.
Dolores O'Riordan
People can’t run marathons. Marathons are when the same show is on TV all day long.
Beth Ehemann (Room for You (Cranberry Inn, #1))
FRIDA KAHLO TO MARTY MCCONNELL leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
I was bi and my heart was off-limits to no one, at least not for any reason like what they had between their legs or whether their chests were flat or round. And maybe because of that I never really could believe or understand that Griff, or anyone else, could be deterred from falling in love by such a trivial thing as gender.
Ben Monopoli (The Cranberry Hush)
He walked through the woods like a young Adam, naming creation. I learned to shape my mouth to the words—sasumuneash for cranberry, tunockuquas for frog. So many things grew and lived here that were strange to us, because they had not been in England. We named the things of this place in reference to things that were not of this place—cat briar for the thickets of vine whose thorns were narrow and claw-like; lambskill for the low-growing laurel that had proved poisonous to some of our hard-got tegs. But there had been no cats or lambs here until we brought them. So when he named a plant or a creature, I felt that I heard the true name of the thing for the first time.
Geraldine Brooks (Caleb's Crossing)
CRANBERRY JELLY IN A CAN 2. EXPLODING BISCUITS 3. NIPSY DOODLES 4. RAINBOW SPRINKLES 5. TOILET PAPER 6. MONEY
Barbara Park (Junie B. Jones #28: Turkeys We Have Loved and Eaten (and Other Thankful Stuff))
Entranced by her gorgeous green eyes, I realize that the Queen of Hearts is not in the blackjack dealer’s deck, but rather sitting at the table drinking a watered-down Vodka Cranberry.
Zac Young (God's in the Water)
You think we woke them?” She turned on her side and leaned on her hand. The way her breast rolled on top of the other one almost made me hard again. “No. I think we were fairly quiet, considering.” She blinked a couple times and frowned at me. “Considering what?” “Considering that I came so hard, if I didn’t have a condom on, you’d already be pregnant with quadruplets.
Beth Ehemann (Room for More (Cranberry Inn, #2))
You were so scared, Kacie, just like you are about life. I wanted you to see that sometimes, even when something terrifies you, if you just give it a chance it’s actually pretty incredible.
Beth Ehemann (Room for You (Cranberry Inn, #1))
It's the same old theme since 1916 In your head, in your head they're still fighting With their tanks and their bombs And their bombs and their guns In your head, in your head they are dying
The Cranberries
Oh shit!” She tried to scramble off my lap, but I caught her hips and held her still. “What?” “The French toast, it’s gonna burn!” “Fuck it.” I waved toward the kitchen. “Let it burn, I’m more interested in something else French right now.
Beth Ehemann (Room for You (Cranberry Inn, #1))
Many of our days should be spent, not in vain expectations and lying on our oars, but in carrying out deliberately and faithfully the hundred little purposes which every man’s genius must have suggested to him. Let not your life be wholly without an object, though it be only to ascertain the flavor of a cranberry, for it will not be only the quality of an insignificant berry that you will have tasted, but the flavor of your life to that extent, and it will be such a sauce as no wealth can buy.
Henry David Thoreau (The Journal, 1837-1861)
Please, God. I am a smart woman, I know words, I've read books; he's just a guy, he's just a person, I can speak to him. "Hmm," I say, and during the subsequent silence, I consider ways to kill myself.
Kathleen DeMarco (Cranberry Queen)
Why, I've seen Kentuckians who hated whiskey, Virginians who weren't descended from Pocahontas, Indianians who hadn't written a novel, Mexicans who didn't wear velvet trousers with silver dollars sewed along the seams, funny Englishmen, spendthrift Yankees, cold-blooded Southerners, narrow- minded Westerners, and New Yorkers who were too busy to stop for an hour on the street to watch a one-armed grocer's clerk do up cranberries in paper bags. Let a man be a man and don't handicap him with the label of any section.
O. Henry (The Complete Works of O. Henry)
You are my future, Kacie. You’re my present and my future and if I could figure out a way to invent a damn time machine, you’d be my past.
Beth Ehemann (Room for More (Cranberry Inn, #2))
You called God’s name so many times last night that either you were enjoying yourself or you were having a massive prayer session while in bed with me.
Beth Ehemann (Room for Just a Little Bit More (Cranberry Inn, #2.5))
Our mother always told us no to tell lies, even to ourselves, because they became truer every time you said them. But we had told ourselves lies, and they had become the truth. We had started to believe that Roja was the sister whose heart was a handful of hard red jewels, and I was the one as insubstantial as the hollow center of a cranberry. The lie of who we were had killed who we might have been. It had buried us. It stripped us down into girls uncomplicated enough to be understood.
Anna-Marie McLemore (Blanca & Roja)
leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
You of all people know how hard it is to trust. Especially when the world we live in is not the one humans are aware of. Trust must be earned, and the way to earn it is to prove you deserve it.
Elizabeth Morgan (Cranberry Blood (Blood, #1))
Kacie, get attached. Please, get attached. I sure as hell know I am. You’re what I want. You and the girls. This is it for me.” I brushed a fresh tear from her cheek. “I know we’re taking our time, especially where the girls are concerned, but you’re my more, remember?
Beth Ehemann (Room for More (Cranberry Inn, #2))
The discussion was escalating into an argument when the Demeter head counselor offered one last suggestion. "What about this?" He held out a small red object. "Miniature explosive!" the Ares boy bellowed. "Duck!" "It's not an explosive or a duck," the Demeter boy said. "It's a berry native to this land. Grows all over the place here." The Aphrodite girl wrinkled her nose. "Excuse me, but ew! There are seeds all over the outside! So unattractive. And red? That colour is so overdone, fruit-wise." "Yes, but it's tasty," the Demeter counselor said. "I call it a strawberry. "Why?" the Athena girl wanted to know. "Because blueberry, raspberry, blackberry, and cranberry were taken.
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
Stuart Maxwell told me in a shaky voice that the first time Cheyenne picked him out as her victim for the kissing game, it had been like a nightmare as he'd found himself cornered by the circle of girls, only to see Cheyenne's lips coming closer and closer, until finally the smell of cranberry Kiehl's lip balm had overwhelmed him. 'And that's when,' Stuart told me in a horrified voice, 'I knew it was all over.
Meg Cabot (Best Friends and Drama Queens (Allie Finkle's Rules for Girls, #3))
The one thing I couldn’t wait for was to watch Kacie walk down the aisle toward me, hold my hand, and swear to love me for the rest of her life. Everything else would forever pale in comparison to that moment.
Beth Ehemann (Room for Just a Little Bit More (Cranberry Inn, #2.5))
In fact," Eric said, as he went to the front door, "I'd throw it away entirely. Maybe burn it." He left, closing the door behind him very quietly. I knew, as sure as I knew my name, that tomorrow he would send me another coat, in a big fancy box, with a big bow on it. It would be the right size, it would be a top brand, and it would be warm. It was cranberry red, with a removable liner, a detachable hood and tortoiseshell buttons.
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
Um, I don’t know.” “That’s not the answer I was hoping for. I was looking for something more along the lines of: ‘Why yes, Brody, I’d love to spend the weekend at your house having copious amounts of crazy, sweaty monkey sex.’” Silence
Beth Ehemann (Room for You (Cranberry Inn, #1))
I’ve loved you since that night out on the pier when we looked up at the stars, then I fell in love with you again the next day when you peeked at the sunset from the top of the Ferris wheel, then I fell in love with you again when I saw you in that blue dress, then I fell in love with you again on my kitchen counter, then I fell in love with you again at the cake tasting, then I fell in love with you again at Lauren’s wedding, then I fell in love with you again in that hospital room when you stared at your daughter lying unconscious in that bed…
Beth Ehemann (Room for You (Cranberry Inn, #1))
Flint's pond! Such is the poverty of our nomenclature. What right had the unclean and stupid farmer, whose farm abutted on this sky water, whose shores he has ruthlessly laid bare, to give his name to it? Some skin-flint, who loved better the reflecting surface of a dollar, or a bright cent, in which he could see his own brazen face; who regarded even the wild ducks which settled in it as trespassers; his fingers grown into crooked and bony talons from the long habit of grasping harpy-like; — so it is not named for me. I go not there to see him nor to hear of him; who never saw it, who never bathed in it, who never loved it, who never protected it, who never spoke a good word for it, nor thanked God that He had made it. Rather let it be named from the fishes that swim in it, the wild fowl or quadrupeds which frequent it, the wild flowers which grow by its shores, or some wild man or child the thread of whose history is interwoven with its own; not from him who could show no title to it but the deed which a like-minded neighbor or legislature gave him who thought only of its money value; whose presence perchance cursed — him all the shores; who exhausted the land around it, and would fain have exhausted the waters within it; who regretted only that it was not English hay or cranberry meadow — there was nothing to redeem it, forsooth, in his eyes — and would have drained and sold it for the mud at its bottom. It did not turn his mill, and it was no privilege to him to behold it. I respect not his labors, his farm where everything has its price, who would carry the landscape, who would carry his God, to market, if he could get anything for him; who goes to market for his god as it is; on whose farm nothing grows free, whose fields bear no crops, whose meadows no flowers, whose trees no fruits, but dollars; who loves not the beauty of his fruits, whose fruits are not ripe for him till they are turned to dollars. Give me the poverty that enjoys true wealth.
Henry David Thoreau (Walden & Civil Disobedience)
That man is scorching hot, and I’m assuming his southern hemisphere is pretty heavily populated, if you know what I mean,” she said, wiggling her eyebrows up and down.
Beth Ehemann (Room for You (Cranberry Inn, #1))
The Jumblies I They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter's morn, on a stormy day, In a Sieve they went to sea! And when the Sieve turned round and round, And every one cried, 'You'll all be drowned!' They called aloud, 'Our Sieve ain't big, But we don't care a button! we don't care a fig! In a Sieve we'll go to sea!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. II They sailed away in a Sieve, they did, In a Sieve they sailed so fast, With only a beautiful pea-green veil Tied with a riband by way of a sail, To a small tobacco-pipe mast; And every one said, who saw them go, 'O won't they be soon upset, you know! For the sky is dark, and the voyage is long, And happen what may, it's extremely wrong In a Sieve to sail so fast!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. III The water it soon came in, it did, The water it soon came in; So to keep them dry, they wrapped their feet In a pinky paper all folded neat, And they fastened it down with a pin. And they passed the night in a crockery-jar, And each of them said, 'How wise we are! Though the sky be dark, and the voyage be long, Yet we never can think we were rash or wrong, While round in our Sieve we spin!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. IV And all night long they sailed away; And when the sun went down, They whistled and warbled a moony song To the echoing sound of a coppery gong, In the shade of the mountains brown. 'O Timballo! How happy we are, When we live in a Sieve and a crockery-jar, And all night long in the moonlight pale, We sail away with a pea-green sail, In the shade of the mountains brown!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. V They sailed to the Western Sea, they did, To a land all covered with trees, And they bought an Owl, and a useful Cart, And a pound of Rice, and a Cranberry Tart, And a hive of silvery Bees. And they bought a Pig, and some green Jack-daws, And a lovely Monkey with lollipop paws, And forty bottles of Ring-Bo-Ree, And no end of Stilton Cheese. Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. VI And in twenty years they all came back, In twenty years or more, And every one said, 'How tall they've grown! For they've been to the Lakes, and the Torrible Zone, And the hills of the Chankly Bore!' And they drank their health, and gave them a feast Of dumplings made of beautiful yeast; And every one said, 'If we only live, We too will go to sea in a Sieve,--- To the hills of the Chankly Bore!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
Edward Lear
DRESS CASUAL. WEAR THAT LITTLE BLACK NUMBER.   K: WHAT BLACK NUMBER?   THE ONE YOU WERE WEARING IN THE BATHROOM WHEN PIPER OPENED THE DOOR.   K: ASS :)   Oh, I see you’re back again, smiley face. I hope you’re ready to get your ass kicked this time. I’m gonna turn that one eye into a wink if it kills me.
Beth Ehemann (Room for You (Cranberry Inn, #1))
What happened to the days of the hero rescuing the damsel in distress?" Not that I could envisage Heather as a damsel in distress. "Those days are long gone, Brendan. Nowadays, the damsel takes care of herself, and on occasion she might even rescue the hero, if she feels he deserves it." "I'm screwed, then.
Elizabeth Morgan (Cranberry Blood (Blood, #1))
Maybe you can bring that up at the next fan club meeting too.” “Hey! I don’t even know what you’re talking about, okay? I hear things when I’m on my travels. I don’t even care about stuff like that.” I cared so hard. I had actually gone three times to the fan club meeting. They knew me as Mervin. I had a backstory and everything. It was my turn to bring muffins next time. I was considering poppy seed. Or cranberry. Fun.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
I love you. I love you so damn much it scares me. But what scares me more is the thought of ever losing you. I have no idea what the future holds, or where my career will take me, but I do know that none of it is worth looking forward to if you’re not by my side. Please, let me love you forever. You and the girls. Will you marry me?
Beth Ehemann (Room for More (Cranberry Inn, #2))
I don’t think of Superman as being angsty, though.” “That’s the problem. Most people don’t. But really he’s pure angst. He has a Fortress of Solitude, you know? What do you think he does there, throw parties? No. He broods.
Ben Monopoli (The Cranberry Hush)
The corners of his eyes crinkled as he smiled and nodded once at me. “Good, cause this lake is pretty deep out there in the middle, and I have a lot of old weights from my military days just laying around, looking for a new purpose.
Beth Ehemann (Room for You (Cranberry Inn, #1))
Eight o'clock, no later, You light the lamps, The big one by the large window, The small one on your desk, They are not to see by-- It is still twilight out over the sand, The scrub oaks and cranberries. Even the small birds have not settled For sleep yet, out of the reach Of prowling foxes. No, You light the lamps because You are alone in your small house And the wicks sputtering gold Are like two visitors with good stories They will tell slowly, in soft voices, While the air outside turns quietly A grainy and luminous blue. You wish it would never change-- But of course the darkness keeps Its appointment. Each evening, An inscrutable presence, it has the final word Outside every door.
Mary Oliver (New and Selected Poems, Volume One)
discovery and settlement of the New World resulted in: “a dietary revolution unparalleled in history save possibly for the first application of fire to the cooking of edibles.” He continued, “Picture the long centuries when the Old World existed without white and sweet potatoes, tomatoes, corn and the many varieties of beans, and you have some notion of the extraordinary gastronomic advance. Add, for good measure, such dishes as pumpkins, squashes, turkeys, cranberries, maple syrup,
Vine Deloria Jr. (Spirit and Reason: The Vine Deloria Jr. Reader)
His left hand rested on the island to my right, while his other hand purposely grazed my elbow as he leaned in, reaching for the bag of chocolate chips and pinning my hips to the island. “Just thought I’d help you make pancakes.” His taunting tone was husky with underlying meaning as he bent down, his lips nearly touching mine. “My specialty is licking . . . the spoon when you’re done.
Beth Ehemann (Room for You (Cranberry Inn, #1))
For as long as we can remember,” [Griff] said, “I mean literally our whole conscious lives, time has been neatly divided into semesters and years. Each year completely distinguishable and unique. First grade, third grade. We didn’t measure by age, we measured by grade. Like I know I broke my arm in sixth grade but I’d have to do the math to figure out what year that was, or how old I was.
Ben Monopoli (The Cranberry Hush)
What’s up, ass clown!” He slapped me on the shoulder as he walked past me. “Dude, I just got the number of the hottest blonde ever with the most amazing tits down in your lobby. She has no idea that I’m going to be fucking the shit out of her in about”—he craned his neck to look at the clock on my oven—”five hours.
Beth Ehemann (Room for More (Cranberry Inn, #2))
The chokecherries -- gregarious and chatty, perched on their branches calling out to everyone to strip them off. Wild plums -- sarcastic and timid at the same time -- called out from behind their leaves only to retreat into the brushy brambles where they lived. Raspberries and blackberries -- royal and corrupt princes -- braved it out in the full sun of forest clearings. Gooseberries and huckleberries -- reticent, tradition-bound and private -- lived on unbothered in the swamps. Cranberries and pincherries (those party-goers) draped themselves over the furniture of the branches and invited all passerby, birds and people, to join the party. The blueberries and wintergreen grew undisturbed -- calmly bourgeois -- in the carpeted hush of the big woods.
David Treuer (The Translation of Dr Apelles: A Love Story)
Sorry. You don’t think he’s hot?” She waited for my answer, but I was too busy choking. I just shook my head no. “That boy makes me want to turn into a jaguar.” “A what?” “A jaguar. You know, a woman who goes after younger men?” She wiggled her eyebrows. “You mean a cougar?” I laughed. “Yeah, yeah, that’s it. I knew it was one of those feline animals.” Shoving a cookie in her mouth, a devilish grin slowly crept across her face. “What?” I asked nervously, unsure I wanted to hear the answer. “I was just thinking about that sexy, young man and what he could do to this old pussy—cat.
Beth Ehemann (Room for More (Cranberry Inn, #2))
It has now been many months, at the present writing, since I have had a nourishing meal, but I shall soon have one—a modest, private affair, all to myself. I have selected a few dishes, and made out a little bill of fare, which will go home in the steamer that precedes me, and be hot when I arrive—as follows: Radishes. Baked apples, with cream Fried oysters; stewed oysters. Frogs. American coffee, with real cream. American butter. Fried chicken, Southern style. Porter-house steak. Saratoga potatoes. Broiled chicken, American style. Hot biscuits, Southern style. Hot wheat-bread, Southern style. Hot buckwheat cakes. American toast. Clear maple syrup. Virginia bacon, broiled. Blue points, on the half shell. Cherry-stone clams. San Francisco mussels, steamed. Oyster soup. Clam Soup. Philadelphia Terapin soup. Oysters roasted in shell-Northern style. Soft-shell crabs. Connecticut shad. Baltimore perch. Brook trout, from Sierra Nevadas. Lake trout, from Tahoe. Sheep-head and croakers, from New Orleans. Black bass from the Mississippi. American roast beef. Roast turkey, Thanksgiving style. Cranberry sauce. Celery. Roast wild turkey. Woodcock. Canvas-back-duck, from Baltimore. Prairie liens, from Illinois. Missouri partridges, broiled. 'Possum. Coon. Boston bacon and beans. Bacon and greens, Southern style. Hominy. Boiled onions. Turnips. Pumpkin. Squash. Asparagus. Butter beans. Sweet potatoes. Lettuce. Succotash. String beans. Mashed potatoes. Catsup. Boiled potatoes, in their skins. New potatoes, minus the skins. Early rose potatoes, roasted in the ashes, Southern style, served hot. Sliced tomatoes, with sugar or vinegar. Stewed tomatoes. Green corn, cut from the ear and served with butter and pepper. Green corn, on the ear. Hot corn-pone, with chitlings, Southern style. Hot hoe-cake, Southern style. Hot egg-bread, Southern style. Hot light-bread, Southern style. Buttermilk. Iced sweet milk. Apple dumplings, with real cream. Apple pie. Apple fritters. Apple puffs, Southern style. Peach cobbler, Southern style Peach pie. American mince pie. Pumpkin pie. Squash pie. All sorts of American pastry. Fresh American fruits of all sorts, including strawberries which are not to be doled out as if they were jewelry, but in a more liberal way. Ice-water—not prepared in the ineffectual goblet, but in the sincere and capable refrigerator.
Mark Twain
There’s our homecoming picture. Last Halloween, when I dressed up as Mulan and Peter wore a dragon costume. There’s a receipt from Tart and Tangy. One of his notes to me, from before. If you make Josh’s dumb white-chocolate cranberry cookies and not my fruitcake ones, it’s over. Pictures of us from Senior Week. Prom. Dried rose petals from my corsage. The Sixteen Candles picture. There are some things I didn’t include, like the ticket stub from our first real date, the note he wrote me that said, I like you in blue. Those things are tucked away in my hatbox. I’ll never let those go. But the really special thing I’ve included is my letter, the one I wrote to him so long ago, the one that brought us together. I wanted to keep it, but something felt right about Peter having it. One day all of this will be proof, proof that we were here, proof that we loved each other. It’s the guarantee that no matter what happens to us in the future, this time was ours. When he gets to that page, Peter stops. “I thought you wanted to keep this,” he said. “I wanted to, but then I felt like you should have it. Just promise you’ll keep it forever.” He turns the page. It’s a picture from when we took my grandma to karaoke. I sang “You’re So Vain” and dedicated it to Peter. Peter got up and sang “Style” by Taylor Swift. Then he dueted “Unchained Melody” with my grandma, and after, she made us both promise to take a Korean language class at UVA. She and Peter took a ton of selfies together that night. She made one her home screen on her phone. Her friends at her apartment complex said he looked like a movie star. I made the mistake of telling Peter, and he crowed about it for days after. He stays on that page for a while. When he doesn’t say anything, I say, helpfully, “It’s something to remember us by.” He snaps the book shut. “Thanks,” he says, flashing me a quick smile. “This is awesome.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Culture is a vulture but there's also vulture culture and cultured vultures and cultured yougurt (cherry, peach, pear, pineapple, grape, vanilla, plain, cherry vanilla, pineapple orage, cranberry, orange, mandarin orange, coffee, apricot, raspberry, blueberry, boysenberry, prune). And speaking of vulture culture there's counter-culture and under-the-counter culture, too. But whether you call it kulchur with a k and a ch and without the e it's still the same thing and you can't disguise it with pretty frills and a gallon of dog sweat. It still has two syllables and TWO-SYLLABLE WORDS SUCK so you can just forgetit, man. It's no fun at all and even fun wouldn't be fun if it was called funjure or funion or funching. But somehow fucking is still loads of fun even though there's that extra 3-letter cluster of vowels and consonants. Proof positive that there are exceptions everywhere you look. But don't look too hard, you might get eyestrain.
Richard Meltzer (Gulcher: Post-Rock Cultural Pluralism in America (1649-1993))
Luca knows we're following him." His voice, soft and deep, seemed to roll right through to my bones. "We don't have time for you to shimmy up and down drainpipes like you usually do." My coat dropped in a heap on the floor, and I suddenly felt able to breathe without the hot, sticky weight of the leather clinging to me. Maybe we didn't have time to . . . . "Did you say shimmy?" He nodded. "I never shimmy. I climb." "Then you and I have different views on what climbing is.
Elizabeth Morgan (Cranberry Blood (Blood, #1))
First thing Monday morning, Ruby came in. She seemed upset. "Zach, I've had a vision," she said immediately. "Was it a dream," Angelo began suddenly, with a wicked grin on his face, "where you see yourself standing in sort of sun-god robes on a pyramid with a thousand naked women screaming and throwing little pickles at you?" Ruby and I both gaped at him. "Of course not," Ruby said with disgust, "Why would you even ask something like that?" "Just wonderin'." He was facing her, But he held up a DVD case, facing me. 'Real Genius'. I had no idea what that was supposed to mean. Ruby shook her head at him and then turned back to me. "There was a bird. It tried to land in your hands, but a giant horse scared it away." As usual when Ruby announced her visions, I had no idea how to respond. I just smiled. "That's fascinating." She nodded sagely. "I hope you're nat planning any horse riding this weekend." Before I could answer, Nero Sensei burst through the doo, breathless. "Do any of you own the blue convertible parked at Jeremy's?" Which meant another kid had pucked off the balcony. "Hope the top wasn't down," Angelo said lightly. Sensei shook his head as he headed back out the door. "No, but it's a soft top, and Tim had cranberry juice before class. It's gonna stain." Ruby followed Nero out the door. Angelo turned to me. His eyes were sparkling and he was grinning from ear to ear. "Best job I ever had," he said. and I had to smile back.
Marie Sexton (A to Z (Coda, #2))
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)
Hypothetically, then, you may be picking up in someone a certain very strange type of sadness that appears as a kind of disassociation from itself, maybe, Love-o.’ ‘I don’t know disassociation.’ ‘Well, love, but you know the idiom “not yourself” — “He’s not himself today,” for example,’ crooking and uncrooking fingers to form quotes on either side of what she says, which Mario adores. ‘There are, apparently, persons who are deeply afraid of their own emotions, particularly the painful ones. Grief, regret, sadness. Sadness especially, perhaps. Dolores describes these persons as afraid of obliteration, emotional engulfment. As if something truly and thoroughly felt would have no end or bottom. Would become infinite and engulf them.’ ‘Engulf means obliterate.’ ‘I am saying that such persons usually have a very fragile sense of themselves as persons. As existing at all. This interpretation is “existential,” Mario, which means vague and slightly flaky. But I think it may hold true in certain cases. My own father told stories of his own father, whose potato farm had been in St. Pamphile and very much larger than my father’s. My grandfather had had a marvelous harvest one season, and he wanted to invest money. This was in the early 1920s, when there was a great deal of money to be made on upstart companies and new American products. He apparently narrowed the field to two choices — Delaware-brand Punch, or an obscure sweet fizzy coffee substitute that sold out of pharmacy soda fountains and was rumored to contain smidgeons of cocaine, which was the subject of much controversy in those days. My father’s father chose Delaware Punch, which apparently tasted like rancid cranberry juice, and the manufacturer of which folded. And then his next two potato harvests were decimated by blight, resulting in the forced sale of his farm. Coca-Cola is now Coca-Cola. My father said his father showed very little emotion or anger or sadness about this, though. That he somehow couldn’t. My father said his father was frozen, and could feel emotion only when he was drunk. He would apparently get drunk four times a year, weep about his life, throw my father through the living room window, and disappear for several days, roaming the countryside of L’Islet Province, drunk and enraged.’ She’s not been looking at Mario this whole time, though Mario’s been looking at her. She smiled. ‘My father, of course, could himself tell this story only when he was drunk. He never threw anyone through any windows. He simply sat in his chair, drinking ale and reading the newspaper, for hours, until he fell out of the chair. And then one day he fell out of the chair and didn’t get up again, and that was how your maternal grandfather passed away. I’d never have gotten to go to University had he not died when I was a girl. He believed education was a waste for girls. It was a function of his era; it wasn’t his fault. His inheritance to Charles and me paid for university.’ She’s been smiling pleasantly this whole time, emptying the butt from the ashtray into the wastebasket, wiping the bowl’s inside with a Kleenex, straightening straight piles of folders on her desk.
David Foster Wallace (Infinite Jest)