Crafts Motivational Quotes

All writers are vain, selfish, and lazy, and at the very bottom of their motives there lies a mystery. Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand. For all one knows that demon is simply the same instinct that makes a baby squall for attention. And yet it is also true that one can write nothing readable unless one constantly struggles to efface one's own personality. Good prose is like a windowpane.

As I see it, if you work more hours than somebody else, during those hours you learn more about your craft. That can make you more efficient, more able, even happier. Hard work is like compounded interest in the bank. The rewards build faster.

People who see themselves as “good” are much more likely to do “evil” things. This is because believing you are the “good guy” allows you to define your actions as good because you are the one doing them. This is why many successful cultures frame humans as intrinsically wretched. It can seem harsh to raise a child to believe deeply in their own wretchedness, but doing so helps them remember to always second-guess themselves by remembering their lesser, selfishly motivated instincts. Instincts that run counter to your morality and values have every bit as much access to your intelligence as “the better angels” of your consciousness and will use your own knowledge and wit to justify their whims. You can’t outreason your worst impulses without stacking the deck in your favor. Coming from a culture that anticipates bad impulses and steels you against them can do that. That said, cultures will no doubt develop different, less harsh mechanisms for achieving the same outcome.

An artist must be passionately in love with her art. Obsessed or possessed ― go mad for what you believe in.

Running a race assigns a point to a sport that often feels very pointless. It's an exuberant payoff to months of tedium. It's a way of crafting an end boss for a particularly cumbersome video game. It's a fun, monstrous reason to keep putting one foot in front of the other. So, do yourself a favor: go build a monster.

For every person who closed the door in my face, thank you. For every person who told me I wasn't good enough, thank you. For every person who laughed and told me that I was wasting my time going to college, because I was going to fail, thank you. For every person who tried to break me, thank you. For every person who took my kindness for weakness, thank you. For every person who told me I was wasting time chasing my dreams because I would fail, thank you. It could of broke me. From the core of my heart, I thank you. I truly mean it, because if it weren't for each of you I wouldn't be who I am today. I wouldn't of spend hours and loss sleep studying. I wouldn't developed tough skin. You pushed me to think about what I "really" want out of life. You pushed me to master my craft. You helped me develop the drive, passion and determination. You pushed me to not wait for someone to believe in my vision, but to find a way to make things happen. I know you didn't "intend" to, but I thank you for teaching me to believe in myself! AND you taught me to TRUST in God and lean on my faith, not man. Thank You!

Believe in yourself. Hone your craft. Take a different route. Achieve your highest potential.

Champions realise that defeat - and learning from it even more than from winning - is part of the path to mastery.

Vengeance is a potent emotion. It makes you easy prey to both humans and demons alike. Never let someone know what your true motivations are. If they know what you want more than anything, they’ll craft all sorts of sweet lies and half-truths to manipulate you. They’ll know exactly how far they can push, what to offer, and what you would never refuse, giving them the upper hand. Your first goal should be to remain alive. Figure out everything else as you go.

Crafting a brain requires reflection strategic thinking and self-awareness.

If you want to be taken seriously, be consistent in your craft even when all odds are against you.

And here’s an example of deliberate violation of a Fake Rule:   Fake Rule: The generic pronoun in English is he. Violation: “Each one in turn reads their piece aloud.”   This is wrong, say the grammar bullies, because each one, each person is a singular noun and their is a plural pronoun. But Shakespeare used their with words such as everybody, anybody, a person, and so we all do when we’re talking. (“It’s enough to drive anyone out of their senses,” said George Bernard Shaw.) The grammarians started telling us it was incorrect along in the sixteenth or seventeenth century. That was when they also declared that the pronoun he includes both sexes, as in “If a person needs an abortion, he should be required to tell his parents.” My use of their is socially motivated and, if you like, politically correct: a deliberate response to the socially and politically significant banning of our genderless pronoun by language legislators enforcing the notion that the male sex is the only one that counts. I consistently break a rule I consider to be not only fake but pernicious. I know what I’m doing and why.

What would you say is your pet peeve about poorly crafted romance novels? That would be when two adult characters avoid having a grown-up conversation that could change the course of the story.” “You know what I love most about the books? I love how they can make us cheer for pretty much any character if we understand why they’re doing something. We’ll let them get away with pretty much anything–including pushing away the woman they desperately want–if they have a strong motivation. The why behind their actions.

Hands can cook, hands can create, hands can kill. There is no better tool than our hands.

I wonder sometimes if the motivation for writers ought to be contempt, not admiration.

We are most human when love is our motive.

Imitation preceded creation.

The scariest moment is always just before you start. After that, things can only get better.

Within the universe’s intention and its unique design around relationship, we find that the focal point of the universe, the motive of the universe, is love. God created life so that we could know love. Everything God does is an expression of his love. It is neither trite nor superficial that the Scriptures summarize this in three simple words: “God is love.” It is critical to understand this because, if we are to reclaim our role in the creative process and express our lives as masterful works of art, we, too, must be sure that our motivation is the expansion of love.

Most writers who are beginners, if they are honest with themselves, will admit that they are praying for a readership as they begin to write. But it should be the quality of the craft not the audience, that should be the greatest motivating factor. For me, at least, I can declare that when I wrote THINGS FALL APART I couldn't have told anyone the day before it was accepted for publication that anybody was going to read it. There was no guarantee; nobody ever said to me, Go and write this, we will publish it and we will read it; it was just there. But my brother-in-law who was not a particularly voracious reader, told me that he read the novel through the night and it gave him a terrible headache the next morning. And I took that as an encouraging endorsement! The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn deep into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures and situations.

My use of their is socially motivated and, if you like, politically correct: a deliberate response to the socially and politically significant banning of our genderless pronoun by language legislators enforcing the notion that the male sex is the only one that counts. I consistently break a rule I consider to be not only fake but pernicious. I

I don't imagine book elitists as my audience when writing. I dream about teachers, morticians and garbage men instead.

Only a writer "with Bennett's craft and brass could manage to praise and insult his readers at the same time.

Goals, conflict, and motivation should be so specific that you can write them down in a few words.

Having someone who believes in you makes a lot of difference. They don't have to make speeches. Just believing is usually enough.

I think, as writers, we all want a validation to finish our story because there are so many needs to drop it.

When I first discovered the world of paper flower crafts, I was immediately excited and quickly consumed with all the possibilities.

Well-crafted and open-ended questions typically begin with What, Why, When, Who, How, and Where, all of which can prompt the most delightful of conversations.

If you want to have long-term success as a coach or in any role of leadership, having an obsession with your craft is essential.

I take a book with me everywhere I go, and find there are all sorts of opportunities to dip in. The trick is to teach yourself to read in small sips as well as in long swallows. Waiting rooms were made for books of course! But so are theater lobbies before the show, long and boring checkout lines, and everyones favorite, the john. You can even read while you're driving, thanks to the audiobook revolution.

The anxiety you feel—the lack of confidence you feel—comes from feeling unprepared. Once you realize that you can prepare yourself, that you can develop techniques to do whatever you seek to do well, that whatever you hope to achieve is ultimately a craft that you can learn to do better and better and better, and that any skills you currently lack you can learn, you naturally become more confident as you become more prepared.

Be specific in your prayers. Carefully craft what you speak. What you say should be in accordance with the word of God and the guidance of the Holy Spirit. You will find that this will resolve attacks or issues that arise.

Conflict must be personalized to the character. If you don’t know your story people and motivate them, you won’t have a strong conflict. A vague or general motivating force produces a vague and general plot. Being specific will increase the emotional intensity of your story.

Embrace your journey and those who come across your path. Be gracious in your endeavors. Focus on your craft. Those who support your dreams now and feel your sincere humility and gratitude will be there 20, 30, 40 years from now, padding your old bones and time worn, weary soul.

One business practice I want to eliminate is the use of microtargeting in political advertising. Facebook, in particular, enables advertisers to identify an emotional hot button for individual voters that can be pressed for electoral advantage, irrespective of its relevance to the election. Candidates no longer have to search for voters who share their values. Instead they can invert the model, using microtargeting to identify whatever issue motivates each voter and play to that. If a campaign knows a voter believes strongly in protecting the environment, it can craft a personalized message blaming the other candidate for not doing enough, even if that is not true. In theory, each voter could be attracted to a candidate for a different reason. In combination with the platforms’ persuasive technologies, microtargeting becomes another tool for dividing us. Microtargeting transforms the public square of politics into the psychological mugging of every voter.

Perhaps for many Japanese, autobiographical fiction writing is life. We are a people expected to complement, to harmonize, to anticipate one another's needs. All without a single spoken clue. And the reason is that he's in training to be a writer. Observing detail, understanding irony, interpreting motivation. Hiro knows that acts are symbolic. The hard sour fruit offered too soon in its season carries a message. He has made an error in the timing of his visit. He has inconvenienced that family. This is the Japanese way. Cogitating on inner meaning. Revealing ourselves and perceiving others through carefully crafted scenes. Writing our endless I-stories.

It's best to have your tools with you. If you don't, you're apt to find something you didn't expect and get discouraged." I want to suggest that to write to your best abilities, it behooves you to construct your own toolbox and then build up enough muscle so you can carry it with you. Then, instead of looking at a hard job and getting discouraged, you will perhaps seize the correct tool and get immediately to work.

Doing it all the time, whether or not we are in the mood, gives us ownership of our writing ability. It takes it out of the realm of conjuring where we stand on the rock of isolation, begging the winds for inspiration, and it makes it something as do-able as picking up a hammer and pounding a nail. Writing may be an art, but it is certainly a craft. It is a simple and workable thing that can be as steady and reliable as a chore—does that ruin the romance?

grace leads us to reflect Christ’s holiness, but grace also motivates and enables us to reflect his mercy for the poor, his care for his creation, his zeal for justice, his delight in beauty, his love of the unlovely, his dignifying all kinds of work that apply his gifts, his treasuring of chastity outside marriage, his blessing of fidelity in marriage, his tenderness toward “the least of these,” and his love for the lost who have not yet found their home in him.

What we feel and how we feel is far more important than what we think and how we think. Feeling is the stuff of which our consciousness is made, the atmosphere in which all our thinking and all our conduct is bathed. All the motives which govern and drive our lives are emotional. Love and hate, anger and fear, curiosity and joy are the springs of all that is most noble and most detestable in the history of men and nations. The opening sentence of a sermon is an opportunity. A good introduction arrests me. It handcuffs me and drags me before the sermon, where I stand and hear a Word that makes me both tremble and rejoice. The best sermon introductions also engage the listener immediately. It’s a rare sermon, however, that suffers because of a good introduction. Mysteries beg for answers. People’s natural curiosity will entice them to stay tuned until the puzzle is solved. Any sentence that points out incongruity, contradiction, paradox, or irony will do. Talk about what people care about. Begin writing an introduction by asking, “Will my listeners care about this?” (Not, “Why should they care about this?”) Stepping into the pulpit calmly and scanning the congregation to the count of five can have a remarkable effect on preacher and congregation alike. It is as if you are saying, “I’m about to preach the Word of God. I want all of you settled. I’m not going to begin, in fact, until I have your complete attention.” No sermon is ready for preaching, not ready for writing out, until we can express its theme in a short, pregnant sentence as clear as crystal. The getting of that sentence is the hardest, most exacting, and most fruitful labor of study. We tend to use generalities for compelling reasons. Specifics often take research and extra thought, precious commodities to a pastor. Generalities are safe. We can’t help but use generalities when we can’t remember details of a story or when we want anonymity for someone. Still, the more specific their language, the better speakers communicate. I used to balk at spending a large amount of time on a story, because I wanted to get to the point. Now I realize the story gets the point across better than my declarative statements. Omit needless words. Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell. Limits—that is, form—challenge the mind, forcing creativity. Needless words weaken our offense. Listening to some speakers, you have to sift hundreds of gallons of water to get one speck of gold. If the sermon is so complicated that it needs a summary, its problems run deeper than the conclusion. The last sentence of a sermon already has authority; when the last sentence is Scripture, this is even more true. No matter what our tone or approach, we are wise to craft the conclusion carefully. In fact, given the crisis and opportunity that the conclusion presents—remember, it will likely be people’s lasting memory of the message—it’s probably a good practice to write out the conclusion, regardless of how much of the rest of the sermon is written. It is you who preaches Christ. And you will preach Christ a little differently than any other preacher. Not to do so is to deny your God-given uniqueness. Aim for clarity first. Beauty and eloquence should be added to make things even more clear, not more impressive. I’ll have not praise nor time for those who suppose that writing comes by some divine gift, some madness, some overflow of feeling. I’m especially grim on Christians who enter the field blithely unprepared and literarily innocent of any hard work—as though the substance of their message forgives the failure of its form.

Paul was an attorney. And this was what his as yet brief career in the law had done to his brain. He was comforted by minutiae. His mortal fears could be assuaged only by an encyclopedic command of detail. Paul was a professional builder of narratives. He was a teller of concise tales. His work was to take a series of isolated events and, shearing from them their dross, craft from them a progression. The morning’s discrete images—a routine labor, a clumsy error, a grasping arm, a crowded street, a spark of fire, a blood-speckled child, a dripping corpse—could be assembled into a story. There would be a beginning, a middle, and an end. Stories reach conclusions, and then they go away. Such is their desperately needed magic. That day’s story, once told in his mind, could be wrapped up, put aside, and recalled only when necessary. The properly assembled narrative would guard his mind from the terror of raw memory. Even a true story is a fiction, Paul knew. It is the comforting tool we use to organize the chaotic world around us into something comprehensible. It is the cognitive machine that separates the wheat of emotion from the chaff of sensation. The real world is overfull with incidents, brimming over with occurrences. In our stories, we disregard most of them until clear reason and motivation emerge. Every story is an invention, a technological device not unlike the very one that on that morning had seared a man’s skin from his bones. A good story could be put to no less dangerous a purpose. As an attorney, the tales that Paul told were moral ones. There existed, in his narratives, only the injured and their abusers. The slandered and the liars. The swindled and the thieves. Paul constructed these characters painstakingly until the righteousness of his plaintiff—or his defendant—became overwhelming. It was not the job of a litigator to determine facts; it was his job to construct a story from those facts by which a clear moral conclusion would be unavoidable. That was the business of Paul’s stories: to present an undeniable view of the world. And then to vanish, once the world had been so organized and a profit fairly earned.

we must believe that we can bend reality to our own preferences, crafting the lives we desire through disciplined learning and initiative. We mustn’t wait for permission or perfect timing any longer. Instead we must be courageous and self-reliant, moving forward at a moment’s notice. We must see struggle as positive and necessary for our growth and ability to innovate and serve. And we must know all that we need is accessible in the Now—there is abundance in this world to be had, and everything we need to begin the great quest toward a free and fulfilling life is already within us. Should we live from these beliefs, then we shall reach levels of motivation and happiness undreamed of by the timid masses.

Obsess to find ways to win. Work ethic separates the great from the good." "Be so focused on your own ambitions that no one can distract you from achieving them." "Have a maniacal work ethic. You want to overprepare so that luck becomes a product of design." "Stay hungry. Dominate each day with ambition unknown to humankind." "Goals motivate you. Bad habits corrode you." "Operate with love. It fuels the desire to become great." "Be comfortable with being uncomfortable. Growth comes at the end of discomfort." "Don't wait for opportunity. Create it. Seize it. Shape it." "Learn every aspect of your craft and substance will follow." "Find your killer instinct. Impose your will. But also realize you are part of a team.

The art of staying motivated, being happy, and continually improving oneself is a dynamic interplay that shapes a fulfilling life journey. Motivation is not a fleeting emotion but a sustained commitment to finding purpose and inspiration in daily pursuits. Happiness, the compass of well-being, emanates from a life aligned with personal values, while self-improvement serves as the engine propelling you towards your best self. To be better and stronger necessitates resilience, a dedication to continuous learning, and the wisdom to discern toxic individuals and political ideologies that may hinder your progress. Surrounding yourself with positivity and steering clear of toxicity is not just a lifestyle choice; it is a deliberate strategy for crafting a life of fulfillment and purpose.

Television’s greatest appeal is that it is engaging without being at all demanding. One can rest while undergoing stimulation. Receive without giving. It’s the same in all low art that has as goal continued attention and patronage: it’s appealing precisely because it’s at once fun and easy. And the entrenchment of a culture built on Appeal helps explain a dark and curious thing: at a time when there are more decent and good and very good serious fiction writers at work in America than ever before, an American public enjoying unprecedented literacy and disposable income spends the vast bulk of its reading time and book dollar on fiction that is, by any fair standard, trash. Trash fiction is, by design and appeal, most like televised narrative: engaging without being demanding. But trash, in terms of both quality and popularity, is a much more sinister phenomenon. For while television has from its beginnings been openly motivated by — has been about—considerations of mass appeal and L.C.D. and profit, our own history is chock-full of evidence that readers and societies may properly expect important, lasting contributions from a narrative art that understands itself as being about considerations more important than popularity and balance sheets. Entertainers can divert and engage and maybe even console; only artists can transfigure. Today’s trash writers are entertainers working artists’ turf. This in itself is nothing new. But television aesthetics, and television-like economics, have clearly made their unprecedented popularity and reward possible. And there seems to me to be a real danger that not only the forms but the norms of televised art will begin to supplant the standards of all narrative art. This would be a disaster. [...] Even the snottiest young artiste, of course, probably isn’t going to bear personal ill will toward writers of trash; just as, while everybody agrees that prostitution is a bad thing for everyone involved, few are apt to blame prostitutes themselves, or wish them harm. If this seems like a non sequitur, I’m going to claim the analogy is all too apt. A prostitute is someone who, in exchange for money, affords someone else the form and sensation of sexual intimacy without any of the complex emotions or responsibilities that make intimacy between two people a valuable or meaningful human enterprise. The prostitute “gives,” but — demanding nothing of comparable value in return — perverts the giving, helps render what is supposed to be a revelation a transaction. The writer of trash fiction, often with admirable craft, affords his customer a narrative structure and movement, and content that engages the reader — titillates, repulses, excites, transports him — without demanding of him any of the intellectual or spiritual or artistic responses that render verbal intercourse between writer and reader an important or even real activity." - from "Fictional Futures and the Conspicuously Young

If I don't sell any copies of my books/apps or if I sell a million copies, I'm still going to continue making them. I create because I'm passionate about the craft, making money was never the motivation.

The motivations of suicide bombers may seem hard to understand, but they are largely under-educated kids, turbocharged with carefully crafted religious mumbo-jumbo, and driven by brainwashing and a promise of paradise for them and their family.

Even while attaching, our toddlers are motivated by an internal clock that drives them to become more independent and autonomous! A challenge under the best of circumstance, adopted toddlers need special help finding appropriate declarations of independence. We have to surround our children with love that claims, but doesn’t repress appropriate development.

THAT IS SO IMPORTANT TO UNDERSTAND. IN FACT, IT IS THE REASON HULK PUT THE TWO HALVES OF INSPIRATION IN THAT ORDER. SO OFTEN PEOPLE THINK TO START WITH THE TINY NUGGETS AND THEN FIGURE OUT WHAT YOU WANT TO SAY LATER, BUT IT IS HULK’S EXPERIENCE THAT PEOPLE DON’T REALLY KNOW HOW TO DO THAT. AGAIN, SO MANY FILMS ARE VOICELESS. SO MANY FILMS SIMPLY SAY "I want to write about this textured, interesting person,” AND THINK THAT IT WILL SOMEHOW MAGICALLY PRODUCE A TEXTURED, INTERESTING STORY. A GOOD NARRATIVE HAS TO BE CREATED. CRAFTED. SLAVED OVER. WORKED THROUGH TIME AND TIME AGAIN BEFORE IT IS SOMETHING SO MUCH MORE. WHAT THIS DYNAMIC ACTUALLY SPEAKS TO IS THE GREAT LESSON THAT SINGULAR DETAILS ARE NOT STAND-INS FOR CHARACTERIZATION. FOR EXAMPLE, THERE HAVE BEEN A LOT OF RECENT MOVIES THAT HAVE GOTTEN INTO TROUBLE FOR ASSUMING TEXTURE AND CHARACTER DETAIL SOMEHOW IS THE SAME THING AS CHARACTER MOTIVE. WE DON’T NEED DETAILS TO TELL US WHO CHARACTERS ARE AND WHAT THEY LIKE, WE NEED DETAILS TO SHOW US WHAT CHARACTERS WANT AND NEED AND WHAT THEY WILL LIKELY DO. THIS IS THE HEART OF DRAMA (WELL… HULK WILL USE THIS PHRASE A LOT, SO IT’S ONE OF THEM).   AND

When you give a presentation, play the role of mentor, not the role of hero. The audience is the hero. Motivation

Speak directly to the audience, even when gesturing about things on the screen. Motivation

Good conflict should push your character further and further from their goals, yet strengthen their motivation to push ahead. Many,

Americans in any century can be too inclined to accept consultant-crafted images of flesh-and-blood people.

Once Trump had won, a panicked punditburo swung into action, insisting in a crescendo of consensus that trade had little to do with the country’s deindustrialization; that it was pretty much all due to technological factors; that what happened to manufacturing workers was therefore unavoidable. After the dust had settled, many commentators changed their mind on this question, quietly acknowledging the disastrous consequences of ill-crafted trade deals. But what matters for our purposes is the initial reaction, which was virtually unanimous and unfolded along the same lines as in 1896: the rationality of working-class grievances had to be denied.12 The outcome of the 2016 election, the same punditburo insisted, could not and must not be explained by reference to economic factors or to long-term, class-related trends. Yes, lots of Trump voters said they were motivated by economic concerns; yes, Trump talked about economic issues all the time; and yes, the economic stagnation of Trump-voting areas is obvious to anyone who has gone there. And also: every time our post-partisan liberal leaders deregulated banks and then turned around and told working-class people that their misfortunes were attributable to their poor education … every time they did this and then thought to themselves, “They have nowhere else to go” … they made the Trump disaster a little more likely. But to acknowledge those plain facts was to come dangerously close to voicing the intolerable heresy that the D.C. opinion cartel dubbed the “economic anxiety” thesis—the idea that people voted for Trump out of understandable worries about wages or opioids or unemployment or deindustrialization. The reason this was intolerable, one suspects, is because it suggested that there was a rational element to certain groups’ support for Trump and also that there was something less than A+ about the professional-class Camelot over which the Democrats presided for eight years.

Item Name: Teacup (Part of Lori’s Tea Set) Description: Crafted by Alana Cleary. This delicately carved and detailed cup was made by the hand of an Elven maiden. As beautiful as the creator, and about as stiff as her personality. It should be noted that the creation of this object had an ulterior motive.

Here is a thing about advice; An experienced person who has genuinely evaluated your craft will tell you how to make it better, while a 'wannabe' will try finding faults and tell you why your craft was not up to the mark. It is the same thing though- the advice. So, just make sure you take it from the right kind.

People are not interchangeable. They come from a variety of backgrounds and with a varied set of personalities, strengths, and goals. To be the best manager, you must manage to the person, accounting for each individual’s unique set of characteristics and current challenges. Craft unique roles that amplify each individual’s strengths and motivations. Avoid the Peter principle by promoting people only to roles in which they can succeed. Properly delineate roles and responsibilities using the model of DRI (directly responsible individual). People need coaching to reach their full potential, especially at new roles. Deliberate practice is the most effective way to help people scale new learning curves. Use the consequence-conviction matrix to look for learning opportunities, and use radical candor within one-on-ones to deliver constructive feedback. When trying new things, watch out for common psychological failure modes like impostor syndrome and the Dunning-Kruger effect. Actively define group culture and consistently engage in winning hearts and minds toward your desired culture and associated vision. If you can set people up for success in the right roles and well-defined culture, then you can create the environment for 10x teams to emerge.

character with both progressive motivation and internal changes, congratulations.

It's a motivating force to implement something; I really recommend it. If you want to understand C, write a C compiler. If you want to understand Lisp, write a Lisp compiler or a Lisp interpreter. I've had people say, “Oh, wow, it's really difficult writing a compiler.” It's not. It's quite easy. There are a lot of little things you have to learn about, none of which is difficult. You have to know about data structures. You need to know about hash tables, you need to know about parsing. You need to know about code generation. You need to know about interpretation techniques. Each one of these is not particularly difficult. I think if you're a beginner you think it's big and complicated so you don't do it. Things you don't do are difficult and things you've done are easy. So you don't even try. And I think that's a mistake.

Your minds, when inspired by imagination, are unbound by glass ceilings, when inflamed with courage to tackle real societal problems, and when grounded and motivated by our love for our country and its people can make the crafting of a sustainable and stable future for our nation not just possible, but rather, inevitable.

Madison wasn’t naive enough to believe that citizens’ rights would be secured by virtue of a grant on a piece of parchment. The delegates would need to design a system that would ensure liberty by leveraging man’s weaknesses instead of ignoring them—pitting men against other men and levels and branches of government against one another. These competing institutions under the control of fallen men would keep each other in check, thereby maximizing individual liberties. “This policy of supplying, by opposite and rival interests, the defect of better motives, might be traced through the whole system of human affairs, private as well as public,” Madison explained. “We see it particularly displayed in all the subordinate distributions of power, where the constant aim is to divide and arrange the several offices in such a manner as that each may be a check on the other—that the private interest of every individual may be a sentinel over the public rights. These inventions of prudence cannot be less requisite in the distribution of the supreme powers of the State.” Had the framers crafted a pure democracy, there would have been no safeguards against encroachments on citizens’ unalienable rights. The rights of the minority would have been subject to abuses at the hands of the majority—a concept Madison called the “tyranny of the majority.”41 The delegates’ challenge was to establish a federal government sufficiently strong to protect its citizens from domestic and foreign threats but without enough power to imperil the people’s liberties. Their solution was to build into the Constitution a scheme of governmental powers and limitations. The government would

Write because you have a story to tell, not because you want a story to sell.

We make designer fine art prints for inspirational wall decor, motivational wall art, high-resolution art printed on fine paper, canvas, acrylic or metal. AWAKE art is specifically crafted to keep your mind focused on your goals, to engage your spirit, and energize your actions. We've designed our inspirational wall decor for the office, home, or studio that needs an extra boost of prosperity energy.

Motives are story mechanics, pillars of structural necessity. Without them, you’re fuckled, sideways…With a giant piranha covered pogo stick.

For pretty much my whole life, I thought I was living to better myself, to create the best life possible. About a year ago, that mindset changed. I now believe I’m here to create the best world possible. This shift from me to everyone is what altered my entire understanding of passion, and my purpose. Ben Horowitz is one of my digital mentors (meaning I follow his blog). I find him very insightful. Whenever he says (or writes about) anything, I inevitably start nodding my head until my neck is sore. Here’s an excerpt from the commencement speech he gave at Columbia, his alma mater: “Following your passion is a very me centered view of the world, and as you go through life, what you’ll find is that what you take out of the world over time—be it…money, cars, stuff, accolades—is much less important than what you put into the world. And so my recommendation would be to follow your contribution. Find the thing that you’re great at, put that into the world, contribute to others, help the world be better. That is the thing to follow." Most of the time, if you follow your contribution, it’s either already a passion, or likely to become one. Doing something you’re good at is intoxicating, as is contributing to the world. Writing and launching The Connection Algorithm was a full year of hard work. It was the result of countless hours of reflection, deeply philosophical thinking, and brutal honesty. Throughout the entire process, I felt driven, passionate, and motivated. At first, I thought this was because I was doing it on my own. But I’ve come to realize it was something else—something far more profound. Shortly after the book was released, I began receiving emails from people who had read the book and been deeply impacted by it. A highschooler in Miami. An entrepreneur in Amsterdam. A small business owner in the midwest. People were also leaving reviews on Amazon—people I didn’t know, saying the book helped them live a better life. And on my Kindle, I could see passages that people were highlighting. People weren’t just reading my book, they were taking notes on useful things to remember. The craft of writing has been unbelievably fulfilling for me. And so I’m continuing the pursuit. My motivation is no longer to make a buck, or “win at life.” Rather, I’m working to improve the world. I think of myself as an inventor, creating a new piece of art for the world to discover. When you make the world better, you get rewarded. So find your craft, and then determine the best contribution you can make with it.

If you want to be great, you have to pursue your craft without quitting. You have to show up every day with the desire to get better.

If you want to attract greater success, prosperity, health, and to enjoy more fulfilling relationships, craft your speech to affirm and manifest them.

My hope for you is not only to learn skills through this collection of projects, but also that it brings you a little something more: happy vibes when you transform pieces of paper into impressive works of art for yourself or loved ones.

When I was a young and aspiring speaker, I sought mentorship from a man who had been a Dale Carnegie trainer for decades. Eagerly wanting to know how to improve my stage presence and build my career, I contacted Dr. Joe Carnley in Destin, Florida and invited him out to lunch. After we placed our order at the Harbor Docks Restaurant, he dove right in and gave me some of the best advice of my life. He said, “Susan, you have to make them laugh! When they leave your presentations, you want them to feel better and leave happier than when they came in. Help them enjoy your time together.” He continued to describe the magical power that humor has over the human spirit. When we craft humor into our speeches, we can take our audiences on a journey they will never forget. Immediately after our delightful lunch ended, I drove straight to a Books-a-Million store and headed for the humor section. Since I was not a particularly funny person, I needed all the help I could get. For over an hour I stood there reading titles, flipping through funny books, and enjoying outrageous belly laughs, giggles, and snorts. People were staring, and probably thinking, “I want what she is having!” The humor section was one of the smallest in the entire bookstore, but it may well have been the most important. When I turned around, I noticed the opposite aisle was the “Self-Improvement” section. It ran half the length of the store and displayed hundreds of books. At that cathartic moment, I had a huge "Ah-Ha" moment.

Canceling my cable TV service has provided many extra hours a week that I use for study, reading and learning new skills, and working in my studio, all things that keep me motivated creatively. Sure we still watch television, but that content comes from internet services such as NetFlix, and DVDs where we control when we watch. Most importantly, I have more time to spend with my family , read more books, and get out in nature, which is so key to a balanced life in general. And best of all, I feel I’m making better use of my time on day to day basis.

August Murder creates a fast-paced thriller about terrorism, murder, politics, and one man who doesn't believe the report of events surrounding his son's death in Puerto Rico, and who assembles a posse of lawyers and investigators to uncover the truth. The focus on political investigations and a web of intrigue and conspiracy, combined with a heavy dose of Puerto Rican politics and cultural insights, lends to a creation which serves to both entertain and enlighten. It takes a talented hand to wind nonfiction facts into a fictional mystery, grapple with a myriad of characters which prove compelling and recognizable in their own rights through the story line, and maintain a flow of action and drama that easily holds reader attention. August Mystery succeeds in all these aspects, and is a compelling saga of conflicting evidence and motivations for murder, crafting an especially astute eye to capturing Puerto Rican daily lives and experiences: "Mr. Miller, policemen in Puerto Rico don’t make a lot of money. The average salary for a police officer is around $30,000, about the same as the average salary for a teacher. For that kind of money, they risk their lives in dangerous places. They have to deal with young delinquents in the projects who may make $30,000 in one week, and who are much better armed than any policeman. It’s amazing that more of them are not taking money to look the other way or do worse." T. Miranda's ability to enlighten readers about the underlying culture, social issues, and political pressures in Puerto Rico contributes to an outstanding thriller especially recommended for modern readers who would gain a sense of the island's processes and peoples. D. Donovan, Senior Editor, Midwest Book Review

People who are intelligent are considered smarter than idiots. Intelligent people will not get distracted by piglets squealing and naysaying. With their deep understanding, their minds will continue to work, in pursuit of their craft, just like night owls at their desks in their quiet lairs; using the blood of the defeated piglets as ink for their writings.

Don’t fret, my dear. If art is the translation of the ephemeral into an observable form, then always remember that it is the translation that is the craft. The craft is that which can always be improved. But the ephemeral is that which only you have been able to observe, and that which only you have chosen to translate, and so in a way, the ephemeral is you, and it is already beautiful.

Be original with your craft, don't act like a cliche & plagiarize; or watch your manuscript get tossed in the trash.

If it is the struggle for power that explains the motivation of those who crafted the genocide, then it is the combined fear of a return to servitude and of reprisals thereafter that energized the foot soldiers of the genocide. The irony is that--whether in the Church, in hospitals, or in human rights groups, as in fields and homes--the perpetrators of the genocide saw themselves as the true victims of an ongoing political drama, victims of yesterday who may yet be victims again. That moral certainly explains the easy transition from yesterday's victims to killers the morning after.

craft your landing page effortlessly and not have to stare at a blank template for long, you need the following elements: • The title of your lead magnet • The main benefit or main promise of your lead magnet • What your lead magnet teaches or what your subscribers will learn from it? o What will they achieve or overcome by consuming your lead magnet? o What pain points or problems does your lead magnet solve? o What desires or motivations does your lead magnet fulfill? o What mini transformation does it give? • Testimonials for social proof • A screenshot, mock-up, or visual of your lead magnet Note: You want to convert these benefits into 3–7 bullet points. These bullet points should begin with an action verb, with “how to” or “why,” or with a number. They should also include specific details such as page numbers or time stamps in videos where key information is found. For example, • How a 20-minute video recording turned into my first digital product that brought in $36,429.56 in the first month • 13 limiting beliefs that keep 99% of people from ever launching their ecommerce store—and how to beat them (Hint: You’re probably suffering from at least 5 of these) – pg. 3 • The ONLY two blogging rules ever (seriously, if you ignore these it will take you YEARS to launch your blog and business!) – 1min 37sec Your landing page should be a reflection of the words and sentences your target audience uses to describe their pain points. When it does, your target audience recognizes and identifies with the problem. Your lead magnet also becomes immediately more attractive.

Good ideas can come from anywhere. Don’t let your ego prevent you from getting advice or counsel from others. 8.  Understand the feelings and motivation of everyone on your team by communicating with them. 9. Having fun activities and using humor to break up routine can help improve performance. 10. You can take your craft seriously and still maintain perspective in your life.

If you want to have long-term success as a coach, or in any role of leadership, having an obsession with your craft is essential. It isn't enough to be knowledgeable about what you do - you have to be hungry for improvement.

Even today I have difficulty motivating myself to do the small things that will help the future me, like crafting a better resume or boosting my credit, because I am not totally sure that I am going to exist tomorrow.

ADMIRATION, the mirror facet, builds on the other facets because it is an emotion focused on others, specifically those whose model of character or craft encourage us to become more of our genius selves. To admire someone is to feel wonder at a display of someone’s excellence. While admiration’s sneaky twin, envy, might also motivate us toward getting better at how we do what we do, it is tinged with negativity. We can track both admiration and benign envy. Tracking admiration as a facet of wonder reminds us how to see ourselves as sources of wonder for others. Ultimately, learning how to praise, appreciate, and create enchanting experiences for others is how you keep this mirror facet reflecting in multiple directions.

Reality is crafted

A lady recently said to me, “Lebo, the passion you have for women is so deep. I don’t think I have half the passion you have for my own self and I’m a woman.” Truth is, every man inherently has this drive whether they aware of it or not. We, as men, whether gay or straight, live to unravel the sensual mystery/beauty of the feminine energy. Not to sound like a male chauvinist, but I believe this is one of the biggest reasons why as Tom Ford said, “Men are often better designers for women than other women.” It is this approach of “mining” and wanting to “unravel” the sensual feminine mystery/beauty that serves as our biggest drive or motivation. Male designers (i.e. David tlale, Gert Johan Coetzee, Christian Louboutin, Tomford, ME, etc.) are very exceptional at their craft because I believe they have this deep acknowledgement that they were first and foremost “CALLED” TO PUT WOMEN ON A PEDESTAL, and that means understanding that women want to feel overwhelmingly desired rather than rationally considered. By the way, women are not given the luxury to unravel their own sensual feminine mystery/beauty as men are. Women in general tend to have a very limited perspective of themselves which prevents them from reaching their fullest sensual feminine potential. Blame it on the society. Their biggest challenge is seeing themselves beyond their insecurities; they’re trapped by their own views of themselves particularly as women in a patriarchal society. But men (NOT patriarchal men), on the other hand, are able to see beyond women’s insecurities; they can see women’s potential than most women can see themselves. AND AWAKENED MODERN MEN WANT TO FULLY MAXIMIZE THAT POTENTIAL. This is why I strongly believe that a man’s ultimate role in the 21st century is to help carve the definition of what it means to be a woman. I know most feminists are pissed to hear me say that. The legendary photographer Peter Lindbergh said, “The most important part of fashion photography, for me, is not the models; it is not the clothes. It’s that you are responsible for defining what a woman today is. That, I think, is my job.” If women are diamonds/gold, then men got to be jewelry designers.

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I was becoming very confident in my skills as a musician. There’s an inherent contradiction embedded in practice—at least that I’ve found in my experience: While motivation to put in the hours comes from being confident in your ability to eventually master and contribute to a craft, arriving at that confidence to begin with often requires putting in many, many hours of practice. This catch-22 is the reason so many people pick up the guitar only to quit after learning a couple Jimmy Buffett songs—it’s difficult to imagine yourself as anything but a beginner when you are starting out.

Unlock the captivating stories of remarkable individuals with our FPBiography collection. Dive into the lives of history's greatest heroes, visionaries, and trailblazers. With FPBiography, you're not just buying a book; you're embarking on a journey of knowledge, motivation, and inspiration. Discover the Benefits: Unparalleled Inspiration: Immerse yourself in the extraordinary lives of iconic figures who changed the course of history. Their stories will ignite your passion and drive. Insightful Wisdom: Learn from the experiences, triumphs, and even setbacks of these luminaries. Gain valuable insights that can empower you to overcome challenges in your own life. Engaging Narratives: Our FPBiographies are meticulously crafted to keep you hooked from the first page to the last. Say goodbye to dull reading and hello to captivating storytelling. Real-Life Role Models: Let these extraordinary individuals become your role models. Witness their journey from adversity to achievement and be motivated to pursue your dreams relentlessly. Timeless Appeal: FPBiographies are not just books; they are a timeless investment in your personal growth. Share these stories with generations to come and inspire a legacy of greatness. With FPBiography, you have the opportunity to own a piece of history and wisdom. Seize the chance to immerse yourself in narratives that have the power to transform your life. Don't miss out on this opportunity to gain access to the secrets of success and resilience. Order your FPBiography today and start your journey towards a brighter, more inspired future. Embrace the power of knowledge, be driven by the stories of legends, and become the hero of your own life story!

Unlock the captivating stories of remarkable individuals with our FPBiography.com collection. Dive into the lives of history's greatest heroes, visionaries, and trailblazers. With FPBiography, you're not just buying a book; you're embarking on a journey of knowledge, motivation, and inspiration. Discover the Benefits: Unparalleled Inspiration: Immerse yourself in the extraordinary lives of iconic figures who changed the course of history. Their stories will ignite your passion and drive. Insightful Wisdom: Learn from the experiences, triumphs, and even setbacks of these luminaries. Gain valuable insights that can empower you to overcome challenges in your own life. Engaging Narratives: Our FPBiographies are meticulously crafted to keep you hooked from the first page to the last. Say goodbye to dull reading and hello to captivating storytelling. Real-Life Role Models: Let these extraordinary individuals become your role models. Witness their journey from adversity to achievement and be motivated to pursue your dreams relentlessly. Timeless Appeal: FPBiographies are not just books; they are a timeless investment in your personal growth. Share these stories with generations to come and inspire a legacy of greatness. With FPBiography, you have the opportunity to own a piece of history and wisdom. Seize the chance to immerse yourself in narratives that have the power to transform your life. Don't miss out on this opportunity to gain access to the secrets of success and resilience. Order your FPBiography today and start your journey towards a brighter, more inspired future. Embrace the power of knowledge, be driven by the stories of legends, and become the hero of your own life story!

I lacked the craft and dexterity to match my narrative intoxication. But the son montunos and Mozart of my adolescence offered themselves anew, this time as dramaturgical structures. Fugues and batá songs had sturdy architectures. Bach gave me motivic momentum. Batá gave me slow-build suspense. One scene ended tempestuously, raucously. What next, after all that explosion, how to start anew? Schubert offered clues. There lay the answer in his A-major sonata, the one I’d recorded at Yale. After fortissimo, a note or two to test the water. After cacophony, a single solitary melodic line.

The most important part of a character is their motivation. What does your protagonist want to accomplish? If you can’t clearly communicate their motives through their actions, he or she is not a complete character.

We far too often fail to account for how situations in real life have also been crafted, intentionally or not, to confer advantages on some and disadvantages on others. This tendency contributes to beliefs that students from difficult homes are less motivated or less capable because of who they are, rather than what their home situation is.

Over the years, Bill has seen hundreds of kids who had relatively low academic motivation but were extremely motivated about something else—crafting, music, sports, or making Star Wars replicas. What he says to the parents of these kids is that so long as they are working hard at something they really enjoy doing, he’s not worried, because he knows they’re shaping a brain that will eventually enable them to be successful.

My personal hell is a place filled with loud, cocky, inked hipster—millennials. It’s a place where every guy looks like a member of Mumford & Sons, and all the women shun makeup. No, it isn’t Lollapalooza, nor an Arcade Fire concert. No, it isn’t some hipster independent coffee shop serving the latest trend in cold brewed coffee and a donut. No, not a craft cocktail lounge playing Daft Punk on vinyl while everyone sits on low striped cushions and corduroy couches wearing color schemes of pants and tops that make no sense. I’ll give you a hint. A woman walked around wearing a t-shirt stating, “Data is the new bacon.” Excuse me, but fuck you, it is not! Okay, fine. Last hint. All the Mumford & Sons dudes and non-makeup wearing inked millennials are wearing the exact same shirt. Slap yourself if you get this wrong. My hell is the APPLE STORE!

Failure provides a very potent avenue through which we can acknowledge what went wrong, and craft an approach to ensure such outcomes can be avoided in the future.

In fiction that has a higher aim, the credibility of every important action in the story is at risk unless the writer is confident that the motivation or ability of the character makes the action credible.

Masters give all of their life to their art; they invest more effort, sweat, toil, and tears into mastering their craft than ordinary people. Mastery demands grit, determination, and total focus.

Don't let the hustle and grind of life cloud your judgment - take the time to understand what works best for YOU and craft a plan that aligns with your goals.

First, articulate the kernel segments for which you don’t have a thoughtful point of view. Just knowing what you don’t know gives you permission for that confidence about the things that you do know, and in the process allows you be honest about what you don’t know. Heck, just whip out the list when a client asks a question about anything on it. They are fine with advice-givers who are human, and merely saying “no” from time to time can give real meaning to your “yes” statements. “Honestly, I’ve been asking that same question and I don’t think I have it figured out yet. [Reaching down] Here are my notes so far, and this will provide that opportunity to finally figure it out. Any thoughts along the way would be welcome. Thanks.” Second, determine all the methods that would motivate you, as a unique individual, to develop a given position. This might include a public speaking engagement, a repeatable section to include in proposals, an article you can place for publication, an interview with a journalist seeking expertise, a seminar you will teach, some internal training to prepare for, or a handout to be used at predictable conversation intersections when talking to clients in person. Third, group the topics by platform, order the topics in each group by descending level of importance, and assign a date to each item. About that: You cannot fully explore one of these topics and then craft the language to present it in less than two weeks; typically it requires a month or two. Fourth, ignite the research (less than you’ll guess) and insight generation (more than you’ll guess) by articulating a compressed 2,400–3,600 words for each topic. Fifth, begin what academia calls the peer review process. Release it to the brutal public for feedback, disagreement, and “this strikes me as right” commentary. If nobody reads your blog, that’s like winning a race with no opponents; you can just skip that and cast it far and wide instead. Email it to everyone not already tired of you and wait. Or just let that one cynical employee eagerly make you wince as they’ve always dreamed of doing. Sixth, over the following years, strip out what later seems like filler and replace it with more substance. Work on it long enough each time to make it shorter and shorter.

Writing stories for children is not only about creating a world of wonder and adventure, but also about crafting tales that touch the hearts and minds of young readers, inspire them to explore their own imaginations, and instill in them the wisdom and courage to navigate the world around them.

Association of dissimilar ideas “I had earlier devised an arrangement for beam steering on the two-mile accelerator which reduced the amount of hardware necessary by a factor of two…. Two weeks ago it was pointed out to me that this scheme would steer the beam into the wall and therefore was unacceptable. During the session, I looked at the schematic and asked myself how could we retain the factor of two but avoid steering into the wall. Again a flash of inspiration, in which I thought of the word ‘alternate.’ I followed this to its logical conclusion, which was to alternate polarities sector by sector so the steering bias would not add but cancel. I was extremely impressed with this solution and the way it came to me.” “Most of the insights come by association.” “It was the last idea that I thought was remarkable because of the way in which it developed. This idea was the result of a fantasy that occurred during Wagner…. [The participant had earlier listened to Wagner’s ‘Ride of the Valkyries.’] I put down a line which seemed to embody this…. I later made the handle which my sketches suggested and it had exactly the quality I was looking for…. I was very amused at the ease with which all of this was done.” 10. Heightened motivation to obtain closure “Had tremendous desire to obtain an elegant solution (the most for the least).” “All known constraints about the problem were simultaneously imposed as I hunted for possible solutions. It was like an analog computer whose output could not deviate from what was desired and whose input was continually perturbed with the inclination toward achieving the output.” “It was almost an awareness of the ‘degree of perfection’ of whatever I was doing.” “In what seemed like ten minutes, I had completed the problem, having what I considered (and still consider) a classic solution.” 11. Visualizing the completed solution “I looked at the paper I was to draw on. I was completely blank. I knew that I would work with a property three hundred feet square. I drew the property lines (at a scale of one inch to forty feet), and I looked at the outlines. I was blank…. Suddenly I saw the finished project. [The project was a shopping center specializing in arts and crafts.] I did some quick calculations …it would fit on the property and not only that …it would meet the cost and income requirements …it would park enough cars …it met all the requirements. It was contemporary architecture with the richness of a cultural heritage …it used history and experience but did not copy it.” “I visualized the result I wanted and subsequently brought the variables into play which could bring that result about. I had great visual (mental) perceptibility; I could imagine what was wanted, needed, or not possible with almost no effort. I was amazed at my idealism, my visual perception, and the rapidity with which I could operate.

The day when on the cover of my books, my name will appear in bigger fond than the title of my book- I will stop writing because that would be the death of the writer in me.

Whatever you think about this definition of leadership, a problem arises when it is confused with strategy. Leadership and strategy may be joined in the same person, but they are not the same thing. Leadership inspires and motivates self-sacrifice. Change, for example, requires painful adjustments, and good leadership helps people feel more positively about making those adjustments. Strategy is the craft of figuring out which purposes are both worth pursuing and capable of being accomplished.