Cracking The Bell Quotes

Ring the bells that still can ring Forget your perfect offering There is a crack in everything That's how the light gets in.

In that moment, she reminded me of a fairy princess. Or maybe a cracked-out Tinker Bell

There’s a coward and a fool, and both of them are you, My heart is cracked and broken, but yours is frozen through.

Walking away, I mentally hear glass cracking under my feet because I step right over my shattered heart.

A broken soul is not the absence of beauty, but a cracked and torn soul reeks of the sweet incense it contains.

so much of the world is plunged in darkness and chaos... So ring the bells that still can ring Forget your perfect offering There is a crack in everything That’s how the light gets in.

We all have cracks and tears and shattered glass within our souls. Some have more than others. We do not wish to seek one who has none; but we wish to find the one who can say "look at me, look at this." We wish to find the one who sees every bit of broken glass and who will put those pieces into the palms of our hands and say "please keep them." And we wish to be that kind of person, too. This is how it should be.

As the earth dies your spirit will bloom; as the world fades your soul will rise and glisten. Amongst the dehydrated crevices of a desert earth you will stumble upon your diamonds; in between the dry skulls and cracked bones you will find your sapphires.

There is a relationship between the eye contacts we make and the perceptions that we create in our heads, a relationship between the sound of another's voice and the emotions that we feel in our hearts, a relationship between our movements in space all around us and the magnetic pulls we can create between others and ourselves. All of these things (and more) make up the magic of every ordinary day and if we are able to live in this magic, to feel and to dwell in it, we will find ourselves living with magic every day. These are the white spaces in life, the spaces in between the written lines, the cracks in which the sunlight filters into. Some of us swim in the overflowing of the wine glass of life, we stand and blink our eyes in the sunlight reaching unseen places, we know where to find the white spaces, we live in magic.

Ring the bells that still can ring, Forget your perfect offering, There’s a crack in everything, That’s how the light gets in.

For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And

There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die, or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down just so far and then I say: 'I’ll go take a hot bath.' I meditate in the bath.The water needs to be very hot, so hot you can barely stand putting your foot in it. Then you lower yourself, inch by inch, till the water’s up to your neck. I remember the ceiling over every bathtub I’ve stretched out in. I remember the texture of the ceilings and the cracks and the colors and the damp spots and the light fixtures. I remember the tubs, too: the antique griffin-legged tubs, and the modern coffin-shaped tubs, and the fancy pink marble tubs overlooking indoor lily ponds, and I remember the shapes and sizes of the water taps and the different sorts of soap holders. I never feel so much myself as when I’m in a hot bath.

I am a broken person. And I know exactly where my cracks are and how deep they run. I don't pretend to not be a broken person and therein lies the big difference. Because the truth is, we are all broken in places, but it is those who know exactly where and how they are broken, who also know exactly where and how they are whole! And we may not be whole in all places and in all ways, but we take whatever wholeness that we do have, and we make good of it. And we try hard to work on the broken parts, and we ask for help when we need it.

Ring the bells that still can ring Forget your perfect offering There is a crack in everything That’s how the light gets in. —LEONARD COHEN

If you are looking for me I am beyond nowhere [ … ] Beyond nowhere there is a place desire opens like an umbrella, breeze like thirst sinks deep into the leaves. Bells of rain carol fresh watery tunes about how lonely humans are here where the shadows of tree trunks stream into endlessness. If you are looking for me, come soft and quietly, lest you crack the glass heart that cups my loneliness.

Lost in the forest, I broke off a dark twig and lifted its whisper to my thirsty lips: maybe it was the voice of the rain crying, a cracked bell, or a torn heart. Something from far off: it seemed deep and secret to me, hidden by the earth, a shout muffled by huge autumns, by the moist half-open darkness of the leaves. Wakening from the dreaming forest there, the hazel-sprig sang under my tongue, its drifting fragrance climbed up through my conscious mind as if suddenly the roots I had left behind cried out to me, the land I had lost with my childhood—- and I stopped, wounded by the wandering scent.

When the heart Is cut or cracked or broken Do not clutch it Let the wound lie open Let the wind From the good old sea blow in To bathe the wound with salt And let it sting. Let a stray dog lick it Let a bird lean in the hole and sing A simple song like a tiny bell And let it ring Let it go. Let it out. Let it all unravel. Let it free and it can be A path on which to travel.

I can't run no more with that lawless crowd while the killers in high places say their prayers out loud. But they've summoned, they've summoned up a thundercloud and they're going to hear from me. Ring the bells that still can ring Forget your perfect offering There is a crack in everything That's how the light gets in.

Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything. That's how the light gets in.-Leonard Cohen

When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam.

Through the mad mystic hammering of the wild ripping hail the sky cracked its poems in naked wonder, that the clinging of the church bells blew far into the breeze, leaving only bells of lightning and its thunder

She knows what it means. Oh, wonderfully bright at 6 a.m., yes, wonderfully clear for an hour. But the shorter the days, the longer the nights, the darker the house, the easier it is, the easier it is, the easier it is, to mistake a shadow for the writing on the wall, the sound of overland footsteps for the distant crack of thunder, and the midnight chime of a New Year clock for the bell that tolls the end of the world.

Lev was a clink in my armor, a crack in my wall,

There is nothing like a doorbell to precipitate the potential into the kinetic. When you stand outside a door and push the button, something has to happen. Someone must respond; whatever is inside must be revealed. Questions will be answered, uncertainties or mysteries dispelled. A situation will be started on its way through unknown complications to an unpredictable conclusion. The answer to your summons may be a rush of tearful welcome, a suspicious eye at the crack of the door, a shot through the hardwood, anything. Any pushing of any doorbell button is as rich in dramatic possibility as that scene in Chekhov when, just as the Zemstvo doctor's only child dies of diphtheria and the doctor's wife drops to her knees beside the bed and the doctor, smelling of carbolic, takes an uncertain step backward, the bell sounds sharply in the hall.

Ring the bells that still can ring, Forget your perfect offering, There’s a crack in everything, That’s how the light gets in.’ ‘What an extraordinary poem. Ruth Zardo?’ ‘Leonard Cohen. Clara used it in her piece. She wrote it on the wall behind the three of you, like graffiti.

As he helped her prepare, the sky darkened beyond the cracked-open window. The distant urban melody of wheels rattling over cobblestone, urchins hawking the evening paper, and church bells sonorously pealing the hour mingled with the muted conversations of guests passing in the hall outside.

How would that premise stand up if he examined it? That was probably why the Communists were always cracking down on Bohemiansism. When you were drunk or when you committed adultery you recognised your own personal fallability of that so mutable substitute for the apostles' creed, the party line. Down with Bohemianism, the sin of Majakowski.

I remember only a day that was perhaps never intended for me, it was an incessant day, without origins, Thursday. I was a man transported by chance with a woman vaguely found, we undressed as if to die or swim or grow old and we thrust ourselves one inside the other, she surrounding me like a hole, I cracking her like a bell, for she was the sound that wounded me and the hard dome determined to tremble.

There was no center to the world. The curves of all our bells are cracked.

The next moment I was chained to my chair again,--the fires were lit, the bells rang out, the litanies were sung;--my feet were scorched to a cinder,--my muscles cracked, my blood and marrow hissed, my flesh consumed like shrinking leather,--the bones of my legs hung two black withering and moveless sticks in the ascending blaze;--it ascended, caught my hair,--I was crowned with fire,--my head was a ball of molten metal, my eyes flashed and melted in their sockets;--I opened my mouth, it drank fire,--I closed it, the fire was within,...and we burned, and burned! I was a cinder body and soul in my dream.

Many people who experienced love their whole lives, in childhood and all throughout, do not know the worth of being loved as adults. People fed love on silver spoons don't feel the weight of love anymore. They don't feel the value of it because they always had it anyway. They are insatiable, they don't trust it, they always ask you for more! Fucking shits! It's the people who had to pull love out of cracks in the wall and out of holes in trees, who know the value of love, who feel the weight of love, even the smallest ounce of it! Love people who weren't loved. They're worth their weight in gold.

Tori, are you smoking crack or something?" The bell rings and she cocks her head. It's a mannerism that is so completely Tori, nonchalantly says to me, "To be coninued, once again. And no, Charlie, I do not smoke crack, I snort it." I look at her like she is the crazy one and burst out laughing. "Gotcha!" she says as we part ways and head to class.

We can be walking around in this world, with bits and pieces of our souls scattered in different time loops and space cracks. You feel like you are always looking for yourself, because you actually are always looking for yourself! You're always looking for those bits and pieces of you. You've got to sit down and remember where you left them at. You've got to quiet the noise and go back to those loops in time and cracks in space that you forgot about and you need to understand yourself in those moments, and embrace yourself. And maybe even embrace those who were around you, with you. That's how you get those pieces back, that's how you sew them back into you.

There’d be two ’pinions about a cracked bell, if the bell could hear itself.

Maybe the [liberty] bell didn’t crack because of the weight of hypocrisy. Perhaps it couldn’t bear the tension between what America is supposed to be and what it is.

That's what marriage does, you know, holds a mirror up to every crack and crevice it finds hiding stuff down in your soul.

Don't cover your cracks; that's how the light gets in. Don't cover your wounds; that's how your light pours out. Don't unweird yourself. Take up space enough for all the parts of you to come together -- the awful, the beautiful, the awe-inspiring, the wonderful and the strange.

I am a whore, but I am a print whore, and I miss cracking spines to see myself splayed open in wet, glossy spreads of luscious, expansive prose. Ask not for whom the bell tolls, it tolls for print media, and for me.

I read things that male relationship experts write about women and I read things that female relationship experts write about men, then I feel a true sadness in my heart. Why can’t there be a simple, pure, direct openness? Why can’t there be a simple, real, open trust? The truth is that male or female, gay or straight— we are all people— we have all been broken and put back together in so many different ways... it’s really just about learning how to recognize the sound of the other one's cracks. And that’s what it’s really about, just that.

His sister Kat, her husband, Morgan Williams, have been plucked from this life as fast as his daughters were taken, one day walking and talking and next day cold as stones, tumbled into their Thames-side graves and dug in beyond reach of the tide, beyond sight and smell of the river; deaf now to the sound of Putney's cracked church bell, to the smell of wet ink, of hops, of malted barley, and the scent, still animal, of woolen bales; dead to the autumn aroma of pine resin and apple candles, of soul cakes baking.

Somewhere in the garden a nightingale was singing, and a little breeze touched her hair and stirred the leaves overhead. All the different bells of the city chimed, once each, this one high, that one low, some close by, others farther off, one cracked and peevish, another grave and sonorous, but agreeing in all their different voices on what the time was, even if some of them got to it a little more slowly than others. In that other Oxford where she and Will had kissed good-bye, the bells would be chiming, too, and a nightingale would be singing, and a little breeze would be stirring the leaves in the Botanic Garden...

Ring the bells that still can ring; forget your perfect offering. There is a crack in everything; that’s how the light gets in.

A poem by Leonard Cohen says it well: Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything. That’s how the light gets in.

It's hotter than Satan's butt crack out here.

Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything. That’s how the light gets in. Philip

said. “Life gets hard when a woman hits her mid to late 30s. I told you it’s the Uglying Up years. The wrinkles come and the arm fat. The hangy-down thing on most necks.

Ring the bells that still can ring, Forget your perfect offering, There’s a crack in everything. That’s how the light gets in.

Ring the bells that still can ring Forget your perfect offering There is a crack in everything That’s how the light gets in.

His apology had the dull ring of a cracked bell, but I didn’t see any point in needling him further.

Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything. That’s how the light gets in. —LEONARD COHEN

Bigotry is an odd thing. To be bigoted you have to be absolutely sure that you are right and nothing makes that surety and righteousness like continence. Continence is the foe of heresy. How would that premise stand up if he examined it? That was probably why the Communists were always cracking down on Bohemianism. When you were drunk or when you committed either fornication or adultery you recognized your own personal fallibility of that so mutable substitute for the apostles' creed, the party line. Down with Bohemianism, the sin of Mayakovsky.

Agnes shut her eyes, clenched her fists, opened her mouth and screamed. It started low. Plaster dust drifted down from the ceiling. The prisms on the chandelier chimed gently as they shook. It rose, passing quickly through the mysterious pitch at fourteen cycles per second where the human spirit begins to feel distinctly uncomfortable about the universe and the place in it of the bowels. Small items around the Opera House vibrated off shelves and smashed on the floor. The note climbed, rang like a bell, climbed again. In the Pit, all the violin strings snapped, one by one. As the tone rose, the crystal prisms shook in the chandelier. In the bar, champagne corks fired a salvo. Ice jingled and shattered in its bucket. A line of wine-glasses joined in the chorus, blurred around the rims, and then exploded like hazardous thistledown with attitude. There were harmonics and echoes that caused strange effects. In the dressing-rooms the No. 3 greasepaint melted. Mirrors cracked, filling the ballet school with a million fractured images. Dust rose, insects fell. In the stones of the Opera House tiny particles of quartz danced briefly... Then there was silence, broken by the occasional thud and tinkle. Nanny grinned. 'Ah,' she said, 'now the opera's over.

The harp player had just fallen off the stage and cracked his head on an Italian tourist’s pint. There was a big cheer, and Con the barman rang a bell on the counter. St Patrick’s Day, and McCarthy’s Bar was heaving.

Let’s run, Ty. Come with me. We’ll bury ourselves and start over. With nothing to do but lie on a beach all day and drink and fuck.” Ty couldn’t answer, still torn between shock and anger. “Yeah,” he finally sneered. “Drink and fuck and run from the NIA.” “You bloody stubborn bastard!” Liam shouted, his façade finally cracking. “I’m telling you right here, I love you! We have a chance to cut and run, and I want you to come with me!

To my quick ear the Leaves — conferred — The Bushes — they were Bells — I could not find a Privacy From Nature's sentinels — In Cave if I presumed to hide The Walls — begun to tell — Creation seemed a mighty Crack — To make me visible —

TO my quick ear the leaves conferred; The bushes they were bells; I could not find a privacy From Nature’s sentinels. In cave if I presumed to hide, The walls began to tell; Creation seemed a mighty crack To make me visible.

He did atrocious things, but it was him I wanted. Always, only him. Troy stopped when we were nose to nose. Toe to toe. I loved watching those eyes from up-close. They were so ocean blue, no wonder they made my head swim. “I love you, Red. I love you determined, tough, innocent, resilient…” His brows furrowed as he drank me in, stroking the curve of my face with his calloused fingertips. “I love you broken, insecure, scared, furious and pissed off…” He let a small smile loose. I actually felt it, even though it was on his lips. “I love every part of you, the good and the bad, the hopeless and the assertive. We don’t just love. We heal each other with every touch and complete each other with ever kiss. And fuck, I know it’s corny as hell, but that’s what I need. You’re what I need.” My eyes fluttered shut, a lone tear hanging from the tip of my eyelash. “We don’t have ordinary words between us. You always set my fucking brain on fire when you talk to me. We don’t even have ordinary moments of silence. I always feel like I’m playing with you or being played by you when you’re around. And I refuse to let you walk out on this, on us.” He cupped my cheeks and I locked his palms in place, tightening my grip. I never wanted him to let go. He dipped his head down, tilting his forehead against mine. I knew he was right. Knew that I’d already forgiven him. Probably before I even knew what he did, when we were still living together. Hell, probably on that dance floor, when I was nine. My capturer. My monster. My savior. “I’m an asshole, was an asshole, and have every intention of staying an asshole. It’s the makeup of my fucking DNA. But I want to be your asshole. To you, I can be good. Maybe even great. For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And yes, I sure as hell knew you’d come back. You came straight back into my arms, flew back to your nest, lovebird. Now why would you do that if you didn’t love the shit out of me?” My eyes roamed his face. His hands felt delicious on my skin. It was like he was pumping life into me with his fingertips. Like he made me whole before I even knew parts of me were missing.

Paradise,’ he began, and the p meant a spray. ‘The old legend about Paradise—that was about us, about right now. Yes! Just think about it. Those two in Paradise, they were offered a choice: happiness without freedom, or freedom without happiness, nothing else. Those idiots chose freedom. And then what? Then for centuries they were homesick for the chains. That’s why the world was so miserable, see? They missed the chains. For ages! And we were the first to hit on the way to get back to happiness. No, wait ... listen to me. The ancient God and us, side by side, at the same table. Yes! We helped God finally overcome the Devil—because that’s who it was that pushed people to break the commandment and taste freedom and be ruined. It was him, the wily serpent. But we gave him a boot to the head! Crack! And it was all over: Paradise was back. And we’re simple and innocent again, like Adam and Eve. None of those complications about good and evil: Everything is very simple, childishly simple —Paradise! The Benefactor, the Machine, the Cube, the Gas Bell, the Guardians: All those things represent good, all that is sublime, splendid, noble, elevated, crystal pure. Because that is what protects our nonfreedom, which is to say, our happiness.

Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything; that's how the light gets in." Leonard Cohen I started to write very late in life , but it's great, it's renewing. "Ring the bells that still can ring...

They taught the women that the home is a shame and in doing so, they successfully decomposed nations. Instead of it being the greatest honour to build a family, it became a laughingstock. And in this becoming, they successfully deconstructed nations. They taught the men that loyalty is merely an option and in doing so, they successfully destroyed nations. Instead of it being the greatest pride to love one woman, it became a joke, a funny side comment. And in this becoming, they successfully poisoned nations. Your home is your atom, your cell, your genome. Your love is your honour, your word, your truth. You wonder why we live in deconstructed nations, you ask one another why you live on torn fibres, cracked ground, and yet you continue to listen to what they tell you. You have put shame where there should be a throne, you have placed a joke where there should be a crown. You have successfully destroyed your nations.

Far from merely being a larger England, the United States had become something quite different: an incubator of lost or diluted British freedoms. As the Liberty Bell was originally cast in England but rang out in America, so those guarantees of the 'rights, liberties, and immunities of free and natural-born subjects' have found their truest expression across the Atlantic. 'That rifle on the wall of the labourer’s cottage or working class flat is the symbol of democracy,' wrote George Orwell in 1941. 'It is our job to see that it stays there.' In Britain and beyond, that rifle has long been taken away. England’s bell has fallen silent. Americans would do well to ensure that the crack in theirs grows no larger.

On the hill opposite, Joachim tolled the midday bell, announcing lunch to the workers in the fields. Klaus listened a moment, then said, "I thought it would be a bleaker scene." Dietrich turned to him, "What would be?" "This day. I thought it would be marked by terrible signs - lowering clouds, ominous winds, a crack of thunder. Twilight. Yet, it is so ordinary a morning that I grow frightened." "Only now frightened." "Ja. Portents would mean a Divine Mover, however mysterious His moves; and the wrath of an angry God may be turned away by prayer and penance. But it simply happened. Everard grew sick and fell down. There were no signs; so it may be a natural thing, as you have always said. And against nature, we have no recourse.

But at the next flare a big tree on the hill seemed to turn into fire before their eyes, every branch, twig, and leaf, and a purple cloud hung over it. 'Did you hear that crack?' asked Robbie Bell. 'That were its bones.' 'Why do you little niggers talk so much!' said Doc. 'Nobody’s profiting by this information.' 'We always talks this much,' said Sam, 'but now everybody so quiet, they hears us.' ("The Wide Net")

There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die, or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down just so far and then I say: “I’ll go take a hot bath.” I meditate in the bath. The water needs to be very hot, so hot you can barely stand putting your foot in it. Then you lower yourself, inch by inch, till the water’s up to your neck. I remember the ceiling over every bathtub I’ve stretched out in. I remember the texture of the ceilings and the cracks and the colors and the

Is what I am not saying, young LaMont Chu, is why you cease to seem to give total effort of self since you begin with the clipping pictures of great professional figures for your adhesive tape and walls. No? Because, privileged gentlemen and boys I am saying, is always something that is too. Cold. Hot. Wet and dry. Very bright sun and you see the purple dots. Very bright hot and you have no salt. Outside is wind, the insects which like the sweat. Inside is smell of heaters, echo, being jammed in together, tarp is overclose to baseline, not enough of room, bells inside clubs which ring the hour loudly to distract, clunk of machines vomiting sweet cola for coins. Inside roof too low for the lob. Bad lighting, so. Or outside: the bad surface. Oh no look no: crabgrass in cracks along baseline. Who could give the total, with crabgrass. Look here is low net high net. Opponent’s relatives heckle, opponent cheats, linesman in semifinal is impaired or cheats. You hurt. You have the injury. Bad knee and back. Hurt groin area from not stretching as asked. Aches of elbow. Eyelash in eye. The throat is sore. A too pretty girl in audience, watching. Who could play like this? Big crowd overwhelming or too small to inspire. Always something.’ [p.458]

Women try to leave, over and over they try to leave and the bad wolf brings them back and dumps them in a pot of boiling water, cooking their souls and frying their resolve until nothing is left. He promises to kill them if they don’t stay. And when they stay, like good dogs, he’ll beat them and rip their skins and break their bones but he won’t kill them. Not usually. He reserves the knives and bullets, vans and screwdrivers for when she gets brave enough to take out a restraining order and show a little power. This infuriates him. He decides to put her in her place. Once and for all. That’s just the way it is. The way it will always be.

Harry’s heart was pumping frantically now that he knew they were on the right track. He led the way forward down the narrow space between the lines of the desks, heading, as he had done in his dream, for the source of the light, the crystal bell jar quite as tall as he was that stood on a desk and appeared to be full of a billowing, glittering wind. “Oh look!” said Ginny, as they drew nearer, pointing at the very heart of the bell jar. Drifting along in the sparkling current inside was a tiny, jewel-bright egg. As it rose in the jar it cracked open and a hummingbird emerged, which was carried to the very top of the jar, but as it fell on the draft, its feathers became bedraggled and damp again, and by the time it had been borne back to the bottom of the jar it had been enclosed once more in its egg.

There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die, or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down just so far and then I say: “I’ll go take a hot bath.” I meditate in the bath. The water needs to be very hot, so hot you can barely stand putting your foot in it. Then you lower yourself, inch by inch, till the water’s up to your neck. I remember the ceiling over every bathtub I’ve stretched out in. I remember the texture of the ceilings and the cracks and the colors and the damp spots and the light fixtures. I remember the tubs, too: the antique griffin-legged tubs, and the modern coffin-shaped tubs, and the fancy pink marble tubs overlooking indoor lily ponds, and I remember the shapes and sizes of the water taps and the different sorts of soap holders. I never feel so much myself as when I’m in a hot bath.

THERE WERE LAUGHS, TOO. One night, after playing a college in Orlando, as I found myself sitting on the floor, full of a cheap red blend and organic tobacco smoke in a hotel room so sparse and lonely that even Bukowski would’ve been like, “They should get a fern in here or something,” my pity party was strangely and hilariously interrupted. Turned out, my hotel was right next to Disney World. And turned out, Disney World has fireworks every night. Gorgeous, sensational fireworks. Imagine a man, drunk and alone, trying to get a good cry going, slurring along to Adam Duritz playing out of an iPhone speaker, as every joyful color bounces and pops, splashing into the night sky as a barely visible Tinker Bell zips lines to and from the Magic Kingdom, literally granting wishes to the hope-filled children below, all of them audibly cheering and gasping with delight as I lie on the floor motionless, like a pair of sad pants kicked off and waiting for laundry day. I had to laugh. There I was, Depressed Guy, being depressed as gigantic speakers blasted over the cracking fireworks, You can fly! You can fly! You can flyyyy!

At the bottom of the passage, behind thick steel doors, I witnessed the true wealth of that country. Others have estimated the value in those rooms of grains, of nuts, of beans; of the millions in canned foie and white asparagus; of the greenhouses under their orange lights, and the vast spice grottos. I can't quote numbers. I can only say what happened when I pressed my face to a wheel of ten-year Parmigiano, how in a burst of grass and ripe pineapple I stood in some green meadow that existed only in the resonance, like a bell's fading peal, of that aroma. I can tell you how it was to cradle wines and vinegars older than myself, their labels crying out the names of lost traditions. And I can tell you of the ferocious crack in my heart when I walked into the deep freezer to see chickens, pigs, rabbits, cows, pheasants, tunas, sturgeon, boars hung two by two. No more boars roamed the world above, no Öland geese, no sharks; the day I climbed the mountain, there vanished wild larks. I knew, then, why the storerooms were guarded as if they held gold, or nuclear armaments. They hid something rarer still: a passage back through time. The animal carcasses were left unskinned. In the circulating air, the extinct revolved on their hooks to greet me.

Even in the dry heat of summer's end, the great forest was never silent. Along the ground – soft, bare soil, twigs and fallen branches, decaying leaves black as ashes – there ran a continuous flow of sound. As a fire burns with a murmur of flames, with the intermittent crack of exploding knots în the logs and the falling and settling of coal, so on the forest floor the hours of dusky light consumed away with rustlings, patterings, sighing and dying of breeze, scuttlings of rodents, snakes, lizards and now and then the padding of some larger animal on the move. Above, the green dusk of creepers and branches formed another realm, inhabited by the monkeys and sloths, by hunting spiders and birds innumerable -creatures passing all their lives high above the ground. Here the noises were louder and harsher –chatterings, sudden cacklings and screams, hollow knockings, bell-like calls and the swish of disturbed leaves and branches. Higher still, in the topmost tiers, where the sunlight fell upon the outer surface of the forest as upon the upper side of an expanse of green clouds, the raucous gloom gave place to a silent brightness, the province of great butterflies flitting across the sprays in a solitude where no eye admired nor any ear caught the minute sounds made by those marvellous wings.

Bells Screamed all off key, wrangling together as they collided in midair, horns and whistles mingled shrilly with cries of human distress; sulphur-colored light ex-ploded through the black windowpane and flashed away in darkness. Miranda waking from a dreamless sleep asked without expecting an answer, “What is happening?” for there was a bustle of voices and footsteps in the corridor, and a sharpness in the air; the far clamour went on, a furious exasperated shrieking like a mob in revolt. The light came on, and Miss Tanner said in a furry voice, “Hear that? They’re celebrating . It’s the Armistice. The war is over, my dear.” Her hands trembled. She rattled a spoon in a cup, stopped to listen, held the cup out to Miranda. From the ward for old bedridden women down the hall floated a ragged chorus of cracked voices singing, “My country, ’tis of thee…” Sweet land… oh terrible land of this bitter world where the sound of rejoicing was a clamour of pain, where ragged tuneless old women, sitting up waiting for their evening bowl of cocoa, were singing, “Sweet land of Liberty-” “Oh, say, can you see?” their hopeless voices were asking next, the hammer strokes of metal tongues drowning them out. “The war is over,” said Miss Tanner, her underlap held firmly, her eyes blurred. Miranda said, “Please open the window, please, I smell death in here.

Outside the rooms, Sam pointed to a small opening in a wall beneath a set of stairs with CELLULE DES RECALCITRANTS written over the top of it. This is where they kept the slaves who resisted, Momar translated for me. It was too dark to tell what it looked like. I turned on my phone's flashlight, bent down, and scooted inside. The stone seemed to almost absorb the light, so it still felt dark inside the shallow cavern. I waited for my eyes to adjust to the darkness. They did not. I hugged my knees close to my chest as I sat inside. The joints in my knees and ankles cracked. Dirt fell from the wall where I touched it. It was impossible to feel as if the walls weren't closing in on me. I thought of people being held here, how they might barely have been able to see their hands in front of their faces. How they would have been able to taste the salt water that hung in the air without seeing any of the ocean. I thought of all the times I had heard, 'But why didn't they fight back?' when slavery was discussed in my classes. I thought of the bell at plantations like the Whitney, which had been rung to tell the enslaved people to gather round and watch one of their loved ones being lashed until the bled. I thought of the rooms at Angola's Red Hat cell block, how the smallness of those spaces had closed in on me. The cramped cavern might have been where the lessons on first resistance had taken place in a person's earliest days of enslavement. Where spirits and bodies had been broken.

If it were any of the other Sharpes, he wouldn’t balk. But the idea of spending serveral hours in her company was both intoxicating and terrifying. “If you don’t let me go along,” she continued, “I’ll just follow you. He scowled at her. She probably would; the woman was as stubborn as she was beautiful. “And don’t think you can outride me, either,” she added. “Halstead Hall has a very good stable, and lady Bell is one of our swiftest mounts.” “Lady Bell?” he said sarcastically. “Not Crack Shot or Pistol?” She glared over at him. “Lady Bell was my favorite doll when I was a girl, the last one Mama gave me before she died. I used to play with it whenever I wanted to remember her. The doll got so ragged that I threw her away when I outgrew her.” Her voice lowered. “I regretted that later, but by then it was too late.” The idea of her playing with a doll to remember her late mother made his throat tighten and his heart falter. “Fine,” he bit out. “You can go with me to High Wycombe.” Surprise turned her cheeks rosy. “Oh, thank you, Jackson! You won’t regret it, I promise you!” “I already regret it,” he grumbled. “And you must do as I say. None of your going off half-cocked, do you hear?” “I never go off half-cocked!” “No, you just walk around with a pistol packed full of powder, thinking you can hold men at bay with it.” She tossed her head. “You’ll never let me forget that, will you?” “Not as long as we both shall live.” The minute the words left his lips, he could have kicked himself. They sounded too much like a vow, one he’d give anything for the right to make. Fortunately, she didn’t seem to have noticed. Instead, she was squirming and shimmying about on her saddle. “Are you all right?” he asked. “I’ve got a burr caught in my stocking that keeps rubbing against my leg. I’m just trying to work it out. Don’t mind me.” His mouth went dry at her mention of stockings. It brought yesterday’s encounter vividly into his mind, how he’d lifted her skirts to reach the smooth expanse of calf encased in silk. How he’d run his hands up her thighs as his mouth had tasted- God save him. He couldn’t be thinking about such things while riding. He shifted uncomfortably in the saddle as they reached the road and settled into a comfortable pace. The road was busy at this early hour. The local farmers were driving their carts to market or town, and laborers were headed for the fields. To Jackson’s relief, that made it easy not to talk. Conversaing with her was bound to be difficult, especially if she started consulting him about her suitors.

These worm-eaten physiological casualties are all men of ressentiment, a whole, vibrating realm of subterranean revenge, inexhaustible and insatiable in its eruptions against the happy, and likewise in masquerades of revenge and pretexts for revenge: when will they actually achieve their ultimate, finest, most sublime triumph of revenge? Doubtless if they succeeded in shoving their own misery, in fact all misery, on to the conscience of the happy: so that the latter eventually start to be ashamed of their happiness and perhaps say to one another: ‘It’s a disgrace to be happy! There is too much misery!’ . . . But there could be no greater or more disastrous mis- understanding than for the happy, the successful, those powerful in body and soul to begin to doubt their right to happiness in this way. Away with this ‘world turned upside down’! Away with this disgraceful molly- coddling of feeling! That the sick should not make the healthy sick – and this would be that kind of mollycoddling – ought to be the chief concern on earth: – but for that, it is essential that the healthy should remain sep- arated from the sick, should even be spared the sight of the sick so that they do not confuse themselves with the sick. Or would it be their task, perhaps, to be nurses and doctors? . . . But they could not be more mis- taken and deceived about their task, – the higher ought not to abase itself as the tool of the lower, the pathos of distance ought to ensure that their tasks are kept separate for all eternity! Their right to be there, the prior- ity of the bell with a clear ring over the discordant and cracked one, is clearly a thousand times greater: they alone are guarantors of the future, they alone have a bounden duty to man’s future. What they can do, what they should do, is something the sick must never do: but so that they can do what only they should, why should they still be free to play doctor, comforter and ‘saviour’ to the sick? . . . And so we need good air! good air! At all events, well away from all madhouses and hospitals of culture! And so we need good company, our company! Or solitude, if need be! But at all events, keep away from the evil fumes of inner corruption and the secret, worm-eaten rottenness of disease! . . . So that we, my friends, can actually defend ourselves, at least for a while yet, against the two worst epidemics that could possibly have been set aside just for us – against great nausea at man! Against deep compassion for man! . . . If you have comprehended in full – and right here I demand profound apprehension, profound comprehension – why it can absolutely not be the task of the healthy to nurse the sick, to make the sick healthy, then another necessity has also been comprehended, – the necessity of doctors and nurses who are sick themselves: and now we have and hold with both hands the meaning of the ascetic priest.

And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb—on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost—climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!—for it seems at times, as though the ear also possessed a sight of its own,—behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. You can follow the dialogue, by turns grave and shrill, of the treble and the bass; you can see the octaves leap from one tower to another; you watch them spring forth, winged, light, and whistling, from the silver bell, to fall, broken and limping from the bell of wood; you admire in their midst the rich gamut which incessantly ascends and re-ascends the seven bells of Saint-Eustache; you see light and rapid notes running across it, executing three or four luminous zigzags, and vanishing like flashes of lightning. Yonder is the Abbey of Saint-Martin, a shrill, cracked singer; here the gruff and gloomy voice of the Bastille; at the other end, the great tower of the Louvre, with its bass. The royal chime of the palace scatters on all sides, and without relaxation, resplendent trills, upon which fall, at regular intervals, the heavy strokes from the belfry of Notre-Dame, which makes them sparkle like the anvil under the hammer. At intervals you behold the passage of sounds of all forms which come from the triple peal of Saint-Germain-des-Prés. Then, again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars. Below, in the very depths of the concert, you confusedly distinguish the interior chanting of the churches, which exhales through the vibrating pores of their vaulted roofs. Assuredly, this is an opera which it is worth the trouble of listening to. Ordinarily, the noise which escapes from Paris by day is the city speaking; by night, it is the city breathing; in this case, it is the city singing. Lend an ear, then, to this concert of bell towers; spread over all the murmur of half a million men, the eternal plaint of the river, the infinite breathings of the wind, the grave and distant quartette of the four forests arranged upon the hills, on the horizon, like immense stacks of organ pipes; extinguish, as in a half shade, all that is too hoarse and too shrill about the central chime, and say whether you know anything in the world more rich and joyful, more golden, more dazzling, than this tumult of bells and chimes;—than this furnace of music,—than these ten thousand brazen voices chanting simultaneously in the flutes of stone, three hundred feet high,—than this city which is no longer anything but an orchestra,—than this symphony which produces the noise of a tempest.

Even if the girl were me, the guy in the story isn’t Hunter. The guy in the story knows all about anatomy.” “Hunter is taking anatomy,” Summer said. My scissors stopped their progress across the magazine page, and the metallic scrapings of Summer’s scissors and Jordis’s filled my ears like alarm bells. I forced myself to start cutting again before they noticed I’d stopped. “No, he isn’t,” I told Summer. “He’s a business major. Why would he take anatomy?” “I don’t know,” she admitted, “but I saw his anatomy book on his bed when I went to Manohar’s room yesterday.” “And why did you go to Manohar’s room yesterday?” Jordis asked with as much innuendo as her Danish accent would allow. “Oh, it was nothing like that,” Summer assured her. “I was pacing in the hall outside his room-“ “Because you just happened to find yourself three flights up on a men’s floor for no apparent reason,” I played along. Laughing, she put her hand over my mouth. “-and he called me inside because he was making mulligatawny and wanted me to sample it.” Jordis and I cracked up, careful to move our sharp scissors aside before we doubled over laughing on the bed. Summer smiled ruefully at us. Finally Jordis managed, “You sampled his mulligatawny! Was it good?” “It was okay,” Summer said. “I would have to get used to it.” That made Jordis and me laugh harder. Coughing through it, I asked Summer, “Are you going to sample his mulligatawny again?” Still smiling, she shook her head. “Sometimes mulligatawny is just mulligatawny.” “Oh,” Jordis and I said together.

Meanwhile the rain continued to beat sonorously down upon the wooden roof, and could be heard trickling into a water butt; nor for a single moment did the dogs cease to bark with all the strength of their lungs. One of them, throwing up its head, kept venting a howl of such energy and duration that the animal seemed to be howling for a handsome wager; while another, cutting in between the yelpings of the first animal, kept restlessly reiterating, like a postman's bell, the notes of a very young puppy. Finally, an old hound which appeared to be gifted with a peculiarly robust temperament kept supplying the part of contrabasso, so that his growls resembled the rumbling of a bass singer when a chorus is in full cry, and the tenors are rising on tiptoe in their efforts to compass a particularly high note, and the whole body of choristers are wagging their heads before approaching a climax, and this contrabasso alone is tucking his bearded chin into his collar, and sinking almost to a squatting posture on the floor, in order to produce a note which shall cause the windows to shiver and their panes to crack. Naturally,

Silverware was marching like little soldiers down the long length of the table toward Belle. Pieces of china were shoving each other precariously out of the way, vying to be in the single place setting in front of her. Little pots of mustard and chutney and other condiments hopped one after another off the shelves lining the room, landing surprisingly intact on silver trays. Too many things were moving around the room- things that shouldn't have been moving at all. It was dizzying, and more than a little ominous. "Really, this isn't necessary..." Belle said, getting ready to bolt. A fresh boule, the cracks in its crust emitting amazing-smelling steam, was carried to her by a spidery basket with alarming silver legs.

There was an electric bell push screwed to the counter. It had a thin wire that ran away to a nearby crack, and a handwritten sign that said If Unattended Ring For Service. The message was carefully lettered and protected by many layers of clear tape, applied in strips of generous length, some of which were curled at the corners, and dirty, as if picked at by bored or anxious fingers.

Adam saw those brown eyes widen, the pouty lips soften, and then they were kissing. Gaston’s mouth was pliable and submissive under his. Adam was enamored by the taste of those lips as he deepened the kiss and their tongues touched. Then without warning, Adam was thrown back. His whole body warmed to the point of sweating, and in his mind’s eye he traveled through the dark forest, into the castle ruins and to that magical mirror. The images swirled faster and faster until the glass cracked. It splintered halfway through the mirror, and then the entire object burst into a thousand glittering pieces. Adam was thrust back into his body and stared up at Gaston’s worried expression. “What the bloody hell was that?” “True love’s kiss…” Adam whispered. Belle hadn’t broken the curse on the mirror, so that’s why it still worked, but Gaston had just freed Adam. He felt the lingering anger and abilities of the beast falling away. His fingers uncurled as if the claws had been ripped out from his fingers. That urge to hunt and rip things apart dissolved. Adam felt … human. The curse was truly broken. Adam could find a real happy ending in Gaston’s arms now that the beast was gone.

his abode looked like the creation of a campfire story. Its black walls stood six stories high. Scraps of worn paint peeled beneath the fingers of a sudden, foreboding wind that picked up the moment Ceony stepped foot onto the unpaved lane leading away from the main road. Three uneven turrets jutted up from the house like a devil’s crown, one of which bore a large hole in its east-facing side. A crow, or maybe a magpie, cried out from behind a broken chimney. Every window in the mansion—and Ceony counted only seven—hid behind black shutters all chained and locked, without the slightest glimmer of candlelight behind them. Dead leaves from a dozen past winters clogged the eaves and wedged themselves under bent and warped shingles—also black—and something drip-drip-dripped nearby, smelling like vinegar and sweat. The grounds themselves bore no flower gardens, no grass lawn, not even an assortment of stones. The small yard boasted only rocks and patches of uncultivated dirt too dry and cracked for even a weed to take root. The tiles composing the path up to the front door, which hung only by its top hinge, were cracked into pieces and overturned, and Ceony didn’t trust a single one of the porch’s gray, weathered boards to hold her weight long enough for her to ring the bell. “I’ve

When we first went to Provence, I assumed I would be observing a different culture. With attachment in mind, it became obvious to me that it is much more than a different culture — I was witnessing a culture at work and a culture that worked. Children greeted adults and adults greeted children. Socializing involved whole families, not adults with adults and children with children. There was only one village activity at a time, so families were not pulled in several directions. Sunday afternoon was for family walks in the countryside. Even at the village fountain, the local hangout, teens mixed with seniors. Festivals and celebrations, of which there were many, were all family affairs. The music and dancing brought the generations together instead of separating them. Culture took precedence over materialism. One could not even buy a baguette without first engaging in the appropriate greeting rituals. Village stores were closed for three hours at midday while schools emptied and families reconvened. Lunch was eaten in a congenial manner as multigenerational groupings sat around tables, sharing conversation and a meal. The attachment customs around the village primary school were equally impressive. Children were personally escorted to school and picked up by their parents or grandparents. The school was gated and the grounds could be entered only by a single entrance. At the gate were the teachers, waiting for their students to be handed over to them. Again, culture dictated that connection be established with appropriate greetings between the adult escorts and the teachers as well as the teachers and the students. Sometimes when the class had been collected but the school bell had not yet rung, the teacher would lead the class through the playground, like a mother goose followed by her goslings. While to North American eyes this may appear to be a preschool ritual, even absurd, in Provence it was selfevidently part of the natural order of things. When children were released from school, it was always one class at a time, the teacher in the lead. The teacher would wait with the students at the gate until all had been collected by their adult escort. Their teachers were their teachers whether on the grounds or in the village market or at the village festival. There weren't many cracks to fall through. Provençal culture was keeping attachment voids to a minimum.

As Loretta drew near the door, Tom cried, “No! You miserable coward, Henry. You send that girl out there, and you’ll never sleep a whole night through the rest of your life.” Loretta touched the door planks and froze. Through the cracks she heard bells tinkling, a merry sound, as out of place as cheerful music at a funeral. She made the sign of the cross and squeezed her eyes closed, trying to remember how to make an act of contrition, but the words jumbled in her head. “Henry, no,” Rachel pleaded. “Loretta, don’t open that door. If they want a woman, I’ll go.” “It’s not you they’re wantin’,” Henry snapped. “One of ’em spotted Loretta down by the river the other day, and he’s come back for her. They’ll shoot ya down where ya stand.” Rachel whirled on her husband. “That girl’s my sister’s daughter. I’ll never forgive you if you let her go out there!” “Ya don’t have to do it, Loretta,” Tom argued. “There’s some things worse than dyin’, and this is one of ’em.” Loretta hesitated. Then the door squeaked on its leather hinges, swinging open a crack. A shaft of light fell across her face. She stepped across the threshold. Better just me than everyone. Another step. Better the Comanches take me than Amy. It wasn’t so hard, now that she was doing it. She took a deep breath and walked out onto the porch. The door slammed shut behind her, and the bar thudded home with an echo of finality. Staring at her with impenetrable blue-black eyes, the warrior on the black nudged the animal a pace forward. With that relentless eye-to-eye contact, he held her pinioned where she stood. For what seemed a lifetime, he studied her, not moving, not speaking, his lance still held aloft. Loretta’s courage disintegrated, and a violent tremor swept the length of her. He noted the shudder, and his observant gaze trailed up her body in its wake. His attention fell to her hips, lingered there with an insulting contempt, then traveled upward to her breasts. Humiliation scorched her cheeks.

language, especially the English language, was filled with redundancy and predictability. Indeed, he later calculated that English was about 75 to 80 percent redundant. This had ramifications for cryptography: The less redundancy you have in a message, the harder it is to crack its code.

would not propose to her—no. Neither of us wanted a marriage, and I suspected Belle was harder to tame than a honey badger on crack.

Ring the bells that still can ring Forget your perfect offering There’s a crack in everything. That’s how the light gets in.

So is this the Grandma's Special?" The grin that bursts on my face almost cracks from the cold air. "Wow. My mom really does like you." Pepper is poised with it in front of her mouth and raises an eyebrow at me. "Do you trust me?" "Not a bit. Take a bite." She does, and I prop my head on my palm and lean in close enough she has to muffle a laugh as she chews. "Well?" I demand. "Finally willing to concede that our grilled cheese is vastly superior?" She looks like she's about to give a begrudging nod, but then her eyes go wide. "The secret ingredient." She peels apart the grilled cheese, staring at it and then up at me, her face so incredulous. "It's sweet bell peppers?

Ring the bells that still can ring / Forget your perfect offering. / There is a crack in everything, / That’s how the light gets in.” Leonard Cohen

since the accident. I don’t know what her problem was. After all, I was a “hero.” At least the newspaper said so. “Hey, Alex,” she said, twirling her ponytail with her pencil. “Oh, hi,” I stammered, looking down at my burger. “You guys sounded really great in the talent show. I didn’t know you could sing like that.” “Uhh, thanks. It must be all the practice I get with my karaoke machine.” Oh God, did I just tell her I sing karaoke? Definitely not playing it cool, I thought to myself. TJ butted in, “Yeah, Small Fry was ok, but I really carried the show with my awesome guitar solo.” He smiled proudly. “Shut up, TJ,” I said, tossing a fry at him, which hit him between the eyes. “Hey, watch it, Baker. Just because you’re a ‘hero’ doesn’t mean I won’t pummel you.” “Yeah, right,” I said, smiling. Emily laughed. “Maybe we could come over during Christmas break and check out your karaoke machine. Right, Danielle?” Danielle rolled her eyes and sighed. “Yeah, whatever.” I gulped. “Uhhh…yeah…that sounds great.” “Ok, give me your hand,” she said. “My hand,” I asked, surprised. “Yep,” she said, grabbing my wrist and opening my palm. “Here’s my number,” she said, writing the numbers 585-2281 in gold glitter pen on my palm.” I will never wash my hand again, I thought to myself. “Text me over break, ok?” she said, smiling brightly. “Yeah, sure,” I nodded, as she walked away giggling with Danielle. “Merry Christmas to me!” I whispered to TJ and Simon. “Yeah, there’s just one problem, Dufus,” TJ said. “Oh yeah, what’s that, TJ? That she didn’t give you her number?” I asked. “No, Dork. How are you going to text her if you don’t have a cell phone?” He smiled. “Oh, right,” I said, slumping down in my seat. “That could be a problem.” “You could just call her on your home phone,” Simon suggested, wiping his nose with a napkin. “Yeah, sure,” TJ chuckled. “Hi Emily, this is Alex Baker calling from the year 1984.” He held his pencil to his ear like a phone.  “Would you like to come over to play Atari? Then maybe we can solve my Rubik’s Cube while we break dance ….and listen to New Kids on the Block.” He was cracking himself up and turning bright red. “Maybe I’ll type you a love letter on my typewriter. It’s so much cooler than texting.” “Shut up, TJ,” I said, smiling. “I’m starting to remember why I didn’t like you much at the beginning of the year.” “Lighten up, Baker. I’m just bustin’ your chops. Christmas is coming. Maybe Santa will feel sorry for your dorky butt and bring you a cell phone.” Chapter 2 ePhone Denied When I got home from school that day, it was the perfect time to launch my cell phone campaign. Mom was in full Christmas mode. The house smelled like gingerbread. She had put up the tree and there were boxes of ornaments and decorations on the floor. I stepped over a wreath and walked into the kitchen. She was baking sugar cookies and dancing around the kitchen to Jingle Bell Rock with my little brother Dylan. My mom twirled Dylan around and smiled. She was wearing the Grinch apron that we had given her last Christmas. Dylan was wearing a Santa hat, a fake beard, and of course- his Batman cape. Batman Claus. “Hey Honey. How was school?” she asked, giving Dylan one more spin. “It was pretty good. We won second place in the talent show.” I held up the candy cane shaped award that Ms. Riley had given us. “Great job! You and TJ deserved it. You practiced hard and it payed off.” “Yeah, I guess so,” I said, grabbing a snicker-doodle off the counter. “And now it’s Christmas break! I bet your excited.” She took a tray of cookies out of the oven and placed

It should be thirty-six fingers breadth (in circumference) in its widest part, and sixteen in height. The neck should be four fingers breadth, the mouth six fingers, and the bottom five fingers breadth. This is the rule for the design of the kalasha (182). It should be made either of gold, silver, copper, bell-metal, mud, stone, or glass, and without hole or crack.

and pulled the bell. The same bell, the same cracked note. He rang it a second and a third time; he listened and remembered. The hideous and agonisingly fearful sensation he had felt then began to come back more and more vividly. He shuddered at every ring and it gave him more and more satisfaction.

He asked my aunt, said, ‘Hon, could you get your guitar out and sang us a purty song?’ Aunt Faye was a’ fanning herself with a big old flap of cardboard and told him, ‘I’m too hot to move,’ and he picked up his shotgun and blowed her right off the porch and up to Jesus.

You need to let me go, Dmitri, and move on. I am not going to marry you.” “I will have you.” Such conviction, and he’d brought some muscle to try and prove his statement. A pair of brutes exited the car. Dmitri’s order of, “Don’t hurt her,” made her tsk aloud. Please. If he thought to subdue her, he should have brought more guys. As the one gorilla— and seriously, despite his obvious humanity, she had to wonder at his ancestry— grabbed for her arm, she sidestepped, causing him to snare only air. She, on the other hand, didn’t miss. Her foot swung out and cracked goon number one in the knee. He let out a yelp of pain, but before she could take him out fully, the second guy lunged for her. She ducked under his grasping hands and thrust, her fist connecting with his diaphragm. He gasped for breath. She took no mercy and kneed him in the groin, just as goon number one made his next move. With a tinkle of bells, the door to the coffee shop opened, and a very calm-sounding Leo said, “Lay a finger on her, and I will rip your arm off and beat you with it.” As threats went, it was adorable. Especially since, given his size and mien, Leo probably could. The idiot didn’t listen. The thug went to grab Meena’s arm, and curiosity made her let him instead of breaking his fingers. Why exert herself when Pookie seemed determined to come to her rescue? While outwardly he appeared cool and composed, a wild storm brewed in his eyes as Leo growled, “I said don’t touch.” Crack. Yup. There was one guy who wouldn’t be touching anything with that arm for a while, and he’d probably end up hoarse with the way he was screaming. Pussy. In the distance, sirens wailed to life, and it didn’t take Dmitri’s barked, “Get in the car, you idiots,” for the thugs to realize their attempt at a coerced kidnapping had failed. Meena didn’t bother watching the car speed off, not when she had something much more important to attend to. Like a man who thought she needed saving. How her dad would laugh when he heard about it. Her sister, Teena, would sigh about how romantic it was. Her mom, on the other hand, would chastise Meena for causing chaos once again. Turning to Leo, who wore a formidable glower, she threw herself at him. Apparently, he half expected it because his arms opened wide, and he caught her— without even a tiny stagger! She latched her legs around his waist, draped her arms around his neck, and exclaimed, “Pookie, you were awesome. You saved me from those big, bad men. You’re like a knight in Under Armour.” Not entirely true. He wore a plain black Fruit of the Loom T-shirt. But she could totally picture him in one of those form-fitting tees that Under Armour specialized in that would mold his perfect chest. On second thought, given how it would show off his impressive musculature, perhaps she should leave his wardrobe alone. No use taunting the female public with what they couldn’t have. It would also mean less blood for her to rinse if they dared to touch. “I’d hardly say I saved you. You seemed to be doing all right on your own.” She planted a big smooch on his lips and declared him, “My hero.

It was a Sunday evening in London, gloomy, close and stale. Maddening church bells of all degrees of dissonance, sharp and flat, cracked and clear, fast and slow, made the brick and mortar echoes hideous. Melancholy streets in a penitential garb of soot, steeped the souls of the people who were condemned to look at them out of windows, in a dire despondency. In every thoroughfare, up almost every alley, and down almost every turning, some doleful bell was throbbing, jerking, tolling, as if the Plague were in the city and the dead-carts were going round. Everything was bolted and barred that could by possibility furnish relief to an overworked people. No pictures, no unfamiliar animal, no rare plants or flowers, no natural or artificial wonders of the ancient world - all taboo with that enlightened strictness, that the ugly South sea gods in the British Museum might have supposed themselves at home again. Nothing to see but streets, streets, streets. Nothing to breathe but streets, streets, streets. Nothing to change the brooding mind, or raise it up. Nothing for the spent toiler to do, but to compare the monotony of his seventh day with the monotony of his six days, think what a weary life he led, and make the best of it - or the worst, according to the probabilities.

Ring the bells that still can ring; forget your perfect offering. There is a crack, a crack in everything – that’s how the light gets in.

It took an entire month for Miranda’s jaundice to clear up, and three more months for her skin to lighten from brownish orange to olive and for her black hair to fade to a softer brown. I will admit she did, indeed, appear to be Mexican. But that’s no reason for a husband to accuse a woman of cheating. He ruined the birth. Up and ruined it.

I’m saying this is the South. And we’re proud of our crazy people. We don’t hide them up in the attic. We bring ‘em right down to the living room and show ‘em off. No one in the South ever asks if you have crazy people in your family. They just ask what side they’re on.” – Dixie Carter, better known as Julia Sugarbaker of Designing Women.

Thus they were speaking when the thunderous voice came. So mighty it was that it filled every hall and chamber of the palace; and its first word dashed the pictures from the walls so that their crash and smash added to the roar, though they were lost in it. Its second word broke all the crockery in the palace and set the shards to sliding like screes of stones, so that they burst open cabinets and cupboards and descended to the floors in avalanches. Its third word toppled all the statues along the broad avenue that led up to the Great Gate; its fourth stopped the fountain and snapped off both arms of the marble nymph who blessed the waters; and its fifth cracked the basin itself. Its sixth, seventh, and eighth words maddened every cat in the place, struck dead seventeen bat-winged black rooks of the flock that swept the sky about the Grand Campanile, and set all the bells to ringing. Its ninth soured every cask in the cellars, while its tenth word stove them in. Its eleventh stopped the clocks and started the hounds to howling. Its twelfth and last (which was an especially big word) knocked the Dwarves off their feet and sent every one of them rolling and somersaulting amongst all their foulnesses while they held their ears and screeched. And what that voice said was, “What vermin are these who dare defile the body of a Giant?” Oh, my friends! Let us of this star, who are ourselves but Dwarves, heed well the warning.

After a while, a woman can find the satin edges of grace in tragedy’s wool blanket.