Cracking Skulls Quotes

We've searched our database for all the quotes and captions related to Cracking Skulls. Here they are! All 100 of them:

You'd break your heart to make it bigger, so why not crack your skull when the mind swells.
Richard Siken (War of the Foxes)
A pity to survive night flights over St. Georges Channel only to crack my skull falling from a ladder.
Eoin Colfer (Airman)
I feel occasionally my skull will crack, fatigue is continuous - I only go from less exhausted to more exhausted & back again.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Why the net, Kaz?" Yes, why the net? Why something that could complicate the assault he'd planned on the silos and leave them twice as open to exposure? I couldn't bear to watch you fall. "I just went to a lot of trouble to get my spider back. I didn't do it so you could crack your skull open the next day.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
As the earth dies your spirit will bloom; as the world fades your soul will rise and glisten. Amongst the dehydrated crevices of a desert earth you will stumble upon your diamonds; in between the dry skulls and cracked bones you will find your sapphires.
C. JoyBell C.
They're fanatics. It's like expecting humanity from a falling rock. It's not going to have a fit of compassion and not crack your skull open.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
You stubborn bastard. Take it from someone who knows firsthand, there’s a lot to be said for forgiveness. Grudges seldom hurt anyone except the one bearing them." "And there’s a lot to be said for knocking enemies upside their heads and cracking skulls open." Ash & Urian
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
I kept a straight face while my inner Neanderthal spluttered and then went on a mental rampage through a hypothetical produce section, knocking over shelves and spattering fruit everywhere in sheer frustration, screaming, 'JUST TELL ME WHOSE SKULL TO CRACK WITH MY CLUB, DAMMIT!
Jim Butcher (Cold Days (The Dresden Files, #14))
Don't fight in front of the client, boys." Catarina implored in her sweet voice," or I will knock your heads together so hard, your skulls will crack like eggs
Cassandra Clare (What Really Happened in Peru (The Bane Chronicles, #1))
You arrogant...” thrust through the stomach of a snapping zombie, twisting and using all my strength to cleave him in half “... over published...” wasn't going to work, it clawed at the blade, and my God, these things were tough, “...showy old bat...” Crack! There went my head into the wall. If I didn't have a split skull, I'd be amazed. “What are you waiting for? Aren't you the king of all bogeymen? The legend children fear will devour them if they don't behave?” “Come on, Vlad, live up to your reputation! If you can't burn to death one Egyptian vampire chained to a wall, how did you ever drive the Turks from Romania?” “You did it!” “Of course, I'm Vlad Tepesh, what did you expect?
Jeaniene Frost (At Grave's End (Night Huntress, #3))
I hear the crack of his skull before the spattering of blood reaches me.
Colleen Hoover (Verity)
Great books are the ones that are urgent, life-changing, the ones that crack open the reader’s skull and heart.
Siri Hustvedt
An original thought would crack your feeble skull like a thunderbolt, you craven vulture.
Christopher Moore (Fool)
You stubborn bastard. Take it from someone who knows firsthand, there’s a lot to be said for forgiveness. Grudges seldom hurt anyone except the one bearing them. (Acheron) And there’s a lot to be said for knocking enemies upside their heads and cracking skulls open. (Urian) To everything there is a season, and tonight ours is to stand together or lose everything. I’m not fighting for Stryker or to save your sister. I’m fighting to protect the ones I love. The ones who will suffer most if War isn’t stopped. (Acheron)
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
How about I crack your skull open like a robin’s egg?” “You don’t want a look at what’s inside my head, Nina dear.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I should have cracked his skull mid song and sent his blood spraying out wet through the mead hall like a shocking change of key.
John Gardner (Grendel)
Get over it. It’s all in your head. I get so fucking tired of that line. Of course it’s in my goddamned head. If I knew how to get it out, I’d have already found a way to crack open my skull and scoop the shit out. Smear it all over the fucking walls and light it on fire. Watch it burn to the shitty-ass ground I have to walk on every single day.
K. Webster (This is War, Baby (War & Peace, #1))
Crash call to a labour ward room. The husband was dicking around on a birthing ball and fell off, cracking his skull on the ground.
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
As soon as reality breaks, as soon as we're separated from the phsical world, the cracks begin to appear in our minds. And through them seeps the madness that has always been there, flowing into your skull like a liquid nightmare ..
Alexander Gordon Smith
When I was younger, I was told that there is too much inside me. That I have feelings where others have bone. At the age of seven, a doctor tapped inside my head and asked, "Do you choke on memories from time to time? Do you cry for no good reason at all? Do words take a hammer to your head and crack your skull?" Yes, yes, yes, I nodded. "Then you've definitely got them," he said, as he checked off a box on his list. "Too many feelings. What a shame. Try not to keep them inside or you'll drown.
Lora Mathis
His brain was simmering and bubbling within the cracking tenement of the skull.Flames burst forth from his skull like a corolla,shrieking like voices: -Hell! Hell! Hell! Hell! Hell!
James Joyce (A Portrait of the Artist as a Young Man)
Pompeii has nothing to teach us, we know crack of volcanic fissure, slow flow of terrible lava, pressure on heart, lungs, the brain about to burst its brittle case (what the skull can endure!)
H.D.
I follow her progress, terrified, wondering if this is motherhood: anxiously picturing your child with her skull cracked open.
Ali Hazelwood (Bride (Bride, #1))
But you got out. You got the crown. And then you cracked it against a man's skull.
Lauren Roberts
But you got out. You got the crown. And then you cracked it against a man's skull.'" ... 'Well, I didn't enjoy it.' 'I know,' His gaze softens. 'I wish I could have done it for you.
Lauren Roberts
Headache!" Zeus bellowed. "Bad. bad headache!" As if to prove his point, the lord of the universe slammed his face into his pancakes, which demolished the pancakes and the plate and put a crack in the table, but did nothing for his headache. "Aspirin?" Apollo suggested. (he was the god of healing) "Nice cup og tea?" Hestia suggested "I could split your skull open," offered Hephaestus, the blacksmith god "Hephaestus!" Hera cried. "Don't talk to your father that way!" "What?" Hephaestus demanded "Clearly he's got a problem in there. I could open up the hood and take a look. Might relieve the pressure. Besides, he's immortal. It won't kill him
Rick Riordan (Percy Jackson's Greek Gods)
Mum came and held me while I cried. I wanted to punch myself. I wanted to punch myself until my skull cracked.
Alice Oseman (Radio Silence)
MarkBaynard: I figured out in the first grade that it was better to crack a joke than somebody's skull.
Teresa Medeiros (Goodnight Tweetheart)
You have the chance of a lifetime and your ready to throw it away because their's a crack in your skull.
Thomas B. Costain
No! I don't want to speak of that! But I'm going to. I want you to hear. I want you to know what's in store for you. There will be days when you'll look at your hands and you'll want to take something and smash every bone in them, because they'll be taunting you with what they could do, if you found a chance for them to do it, and you can't find that chance, and you can't bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he'll be only asking for a dime, but that won't be what you hear; you'll hear that you're nothing, that he's laughing at you, that it's written on your forehead, that thing they hate you for. There will be days when you'll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about the work you love, and the things he'll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you'll hear people applauding him, and you'll want to scream, because you won't know whether they're real or you are, whether you're in a room full of gored skulls, or whether someone has just emptied your own head, and you'll say nothing, because the sounds you could make - they're not a language in that room any longer; but you'd want to speak, you won't anyway, because you'll be brushed aside, you who have nothing to tell them about buildings! Is that what you want?
Ayn Rand (The Fountainhead)
And how we burned in the camps later, thinking: What would things have been like if every security operative, when he went out at night to make an arrest, had been uncertain whether he would return alive and had to say good-bye to his family? Or if, during periods of mass arrests, as for example in Leningrad, when they arrested a quarter of the entire city, people had not simply sat there in their lairs, paling with terror at every bang of the downstairs door and at every step on the staircase, but had understood they had nothing left to lose and had boldly set up in the downstairs hall an ambush of half a dozen people with axes, hammers, pokers, or whatever else was at hand? After all, you knew ahead of time that those bluecaps were out at night for no good purpose. And you could be sure ahead of time that you’d be cracking the skull of a cutthroat.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
In Paris, when certain people see you ready to set your foot in the stirrup, some pull your coat-tails, others loosen the buckle of the strap that you may fall and crack your skull; one wrenches off your horse's shoes, another steals your whip, and the least treacherous of them all is the man whom you see coming to fire his pistol at you point blank.
Honoré de Balzac (The Atheist’s Mass)
A few of the guests, who had the misfortune of being too near the windows, were seized and feasted on at once. When Elizabeth stood, she saw Mrs. Long struggle to free herself as two female dreadfuls bit into her head, cracking her skull like a walnut, and sending a shower of dark blood spouting as high as the chandeliers. As guests fled in every direction, Mr. Bennet's voice cut through the commotion. "Girls! Pentagram of Death!" Elizabeth immediately joined her four sisters, Jane, Mary, Catherine, and Lydia in the center of the dance floor. Each girl produced a dagger from her ankle and stood at the tip of an imaginary five-pointed star. From the center of the room, they began stepping outward in unison - each thrusting a razor-sharp dagger with one hand, the other hand modestly tucked into the small of her back.
Seth Grahame-Smith (Pride and Prejudice and Zombies (Pride and Prejudice and Zombies, #1))
He hated seeing her upset. He fucking hated it more than anything in the world. It made him want to rip out hearts and crack open skulls and burn entire buildings to the ground.
Kayla Edwards (City of Souls and Sinners (House of Devils, #2))
A brick could be used to help you become the next Great American Novelist. Hopefully after you use it to crack your own skull, and not too long after your death, the public will realize your genius and celebrate the greatness that was you. 

Jarod Kintz (Brick and Blanket Test in Brick City (Ocala) Florida)
I've always envied people who sleep easily. Their brains must be cleaner, the floorboard of the skull well swept, all the little monsters closed up in a steamer trunk at the foot of the bed. I was born an insomniac and that's the way I'll die, wasting thousands of hours along the way longing for unconsciousness, longing for a rubber mallet to crack me in the hear, not so hard, not hard enough to do any damage, just a good whack to put me down for the night. But that night I didn't have a chance. I stared into the blackness until the blackness blurred into gray, until the ceiling above me began to take form and the light from the east dribbled in through the narrow barred window.
David Benioff (City of Thieves)
Her lungs, like moldering cheesecloth sacks, hung visible between cracked and yellowing ribs. Her internal organs, long absent, only flaked brown gristle clung to her spine. Sparse clumps of pale hair clung to the few shreds of flesh still gripping her skull. Five other Cotardist assassins stood mutely behind her. Though none looked to be such an advanced state of decay, they all showed signs of rot and neglect.
Michael R. Fletcher (Beyond Redemption (Manifest Delusions, #1))
There is a moment when all hope disappears, all pride is gone, all expectation, all faith, all desire. I own that moment. It belongs to me. That's when I hear the sound, the sound of a mind breaking. It's not a loud crack like when bones shatter or a spine fractures or a skull collapses. And it's not something soft and wet like a heart breaking. It's a sound that makes you wonder how much pain a person can endure; a sound that shatters memories and lets the past leak into the present; a sound so high that only the hounds of hell can hear it. Can you hear it? Someone is curled up in a tiny ball crying softly into an endless night.
Michael Robotham (Shatter (Joseph O'Loughlin, #3))
“Maurency seems to be undergoing a remarkable and somewhat undesirable transformation.” “What?” “He’s changed hair color, put on some muscle and now seems to be cracking skulls rather than saying his prayers.” Mason rose and rounded the table. “In short, it looks like Linnet’s ideal hero might be turning into you.” [...] “He looks improved, but I still don’t like him.” “He’s you, you fool,” responded Oswald scathingly.
Alice Coldbreath (Her Bastard Bridegroom (Vawdrey Brothers, #1))
My head ached. I was thinking of the pain, and wondering how it was possible for physical agony to be so intense. I had never imagined that such a torture could be endured. Yet here was I, both conscious and able to think clearly. And not only to think, but to observe the process and make calculations about it. The steel circle round my skull was closing in with faint cracking noises. How much farther could it shrink? I counted the cracking sounds. Since I took the triple dose of pain-killer, there had been two more. …I took out my watch and laid it on the table. “Give me morphia,” I said in a calm, hostile, icy tone. “You mustn’t take morphia! You know perfectly well. The very idea! And what are you doing with that watch?” “You will give me morphia within three minutes.” They looked me uneasily up and down. No one moved. Three minutes went by. Then ten more. I slipped the watch calmly into my pocket and rose unsteadily to my feet. “Then take me to the Fiakker Bar. They say it’s a good show, and to-night I want to enjoy myself.” The others jumped up with a feeling of relief. I never confessed the secret to anyone, either then or afterwards. I had made up my mind at the end of those three minutes — for the first and last time in my life — that if my headache had not stopped within the next ten I should throw myself under the nearest tram. It never came out whether I should have kept to my resolve, for the pain left with the suddenness of lighting.
Frigyes Karinthy (A Journey Round My Skull)
We’ll crack your skulls open and fatten our hogs on your blood!
Christopher Paolini (Eldest (Inheritance, #2))
Because you want to have everything in your own volition, your deliberate voluntary consciousness. You want it all in that loathsome little skull of yours, that ought to be cracked like a nut. For you'll be the same till it is cracked, like an insect in its skin. If one cracked your skull perhaps one might get a spontaneous, passionate woman out of you, with real sensuality. As it is, what you want is pornography--looking at yourself in mirrors, watching your naked animal actions in mirrors, so that you can have it all in your consciousness, make it all mental.
D.H. Lawrence (Women in Love)
Hatred gnawed at my insides like inside, made my blood boil so hard it felt like my skull would crack and split wide open. And yet, hatred was its own kind of fire. The kind that kept me warm.
Jeremy Szal (Blindspace (The Common, #2))
i am no longer soft i built this city on broken spines and cracked open rib cages my collar bones prop up street lamps femurs line railroads tibias stacked to build straw homes my smashed skull is why no one lives here anymore i am sorry you expected petals when all i’ll ever have are bones
Michaela Angemeer (You'll Come Back to Yourself)
The sound my skull makes as it hits the rock is like no sound I have heard before. It’s an assault. One part crack, one part slosh, one part thump. My brain shudders inside my skull. I feel it move.3 When
Sarah Vallance (Prognosis: A Memoir of My Brain)
When I was a kid and would tell my mom that people at school were mean to me, she’d pat me on the head and tell me stories about how she’d lived through war and an actual revolution, and when she was fifteen someone cracked open her skull in the middle of the street while her best friend was gutted like a fish so, hey, why don’t you just eat your Cheerios and walk it off, you ungrateful American child. I ate my cheerios. I didn't talk about it.
Tahereh Mafi (A Very Large Expanse of Sea)
Imagine waking from a twenty-five-year sleep, and the first faces you saw were Sil and Lord Weirdo. Aunty Terpy’s sanity would run gibbering back to whatever cracked little corner of her skull it had been occupying all these years.
Vic James (Gilded Cage (Dark Gifts, #1))
She held him at arms’ length, looked at the pipe still gripped in his hand, then looked at his face and read him like a book. She ran the tip of her red tongue slowly across her full cushiony, sensuous lips, making them wet-red and looked him straight in the eyes with her own glassy, speckled bedroom eyes. The man drowned. When he came up, he stared back, passion cocked, his whole black being on a live-wire edge. Ready! Solid ready to cut throats, crack skulls, dodge police, steal hearses, drink muddy water, live in a hollow log, and take any rape-fiend chance to be once more in the arms of his high-yellow heart.
Chester Himes (A Rage in Harlem (Harlem Cycle, #1))
Outside in the yard, the rusted tractors and car bodies, the harvester combs and the sheets of corrugated iron, the motors and trays and wheel rims and cyclone wire and steel drums and sheep skulls and windows and metal lockers and a single broken vending machine crack and sigh as the morning sun evaporates the dew from their hides.
Paddy O'Reilly (The Fine Colour of Rust)
You see you can use a hammer to build a house or crack a skull. (Isaac The Forgemaster)
Frederator Studios (Castlevania: The Art of the Animated Series)
Their large skulls all cracked and crunched like California walnuts under the force of my leather boot.
Aubrey Law (Werebear Skye (Black Annis Origins, #1))
Nigel went to Toronto on holiday and got his skull cracked by a hockey puck.
Kevin Hearne (Ink & Sigil (Ink & Sigil, #1))
And be good,” he told me. “If I hear anyone touched you, I will crack his fucking skull.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Show your maggot-riddled faces if you dare, you lily-livered, bandy-legged, snake-eyed wretches! We’ll crack your skulls open and fatten our hogs on your blood!
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
You correctly predicted the rise of heroin while Bush was in office,” he said. “And people still don’t think to ask why his Yale Skull and Bones fraternity name is ‘Poppy.’ Since Clinton is more heavily involved in cocaine ops than he is Bush’s heroin ops7, the price of coke and crack will probably drop in this country while availability soars. ” Mark agreed. “The Presidency switched parties all right, from a heroin party to a coke party with all the same players involved.” “Except for the kids Bush used and abused,” I said. “Neither Hillary nor Bill believe in pedophilia. From my point of view, that is a major difference between the Bushes and Clintons. Other than that, they’re playing the same DARPA-Sandia Labs computer game.
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
Feet scraped inside-out next to unblemished boots. Black-and-gold Kel uniforms braided into cracked rib cages. Gape-jawed, twisted skulls with eye sockets staring out their sides and strands of tendon knotted through crumbling teeth. A book of profanities written in every futile shade of red the human body had ever devised, its pages upended over the battlefield from horizon to horizon.
Yoon Ha Lee (Ninefox Gambit (The Machineries of Empire, #1))
Tell me, Blaise, are we very far from Montmartre?' Worries Forget your worries All the stations full of cracks tilted along the way The telegraph wires they hang from The grimacing poles that gesticulate and strangle them The world stretches lengthens and folds in like an accordion tormented by a sadistic hand In the cracks of the sky the locomotives in anger Flee And in the holes, The whirling wheels the mouths the voices And the dogs of misfortune that bark at our heels The demons are unleashed Iron rails Everything is off-key The broun-roun-roun of the wheels Shocks Bounces We are a storm under a deaf man's skull... 'Tell me, Blaise, are we very far from Montmartre?' Hell yes, you're getting on my nerves you know very well we're far away Overheated madness bellows in the locomotive Plague, cholera rise up like burning embers on our way We disappear in the war sucked into a tunnel Hunger, the whore, clings to the stampeding clouds And drops battle dung in piles of stinking corpses Do like her, do your job 'Tell me, Blaise, are we very far from Montmartre?
Blaise Cendrars (Prose of the Trans-Siberian and of the Little Jeanne de France)
Hey, Dad, check this out!” Ike stared at the boy. He clearly wanted to be down there watching his kid possibly crack his skull open, rather than recording a song about how frightened he was that his kids might crack their skulls open.
Steve Almond (Rock and Roll Will Save Your Life: A Book by and for the Fanatics Among Us)
I walk the straight lines. I walk through the summer nights. I walk the silver rope of dreams. I walk through dawns of dawns. There’s not a lot that isn’t dying. I see people parading in front of each other like insects in a killing jar, watching each other die. I walk the straight lines through the Christ machines. Through the eyes of the throwaway people. Through the wards and the shores and the cracks in the skulls of the sidewalks. Through love’s howling vacancy. I am the freedom soil. I dig my own grave. I resurrect myself every night. I am all things to myself. I walk the straight lines. I walk the spider’s jailhouse. I walk the think line, the thin line, the white line and all the lines in between. I wish I could trade in my eyes.
Henry Rollins (Black Coffee Blues)
This same library is my den — the only corner of the Hall-house where I am safe from my … cousins. They never venture there, I suppose for fear the folios should fall down and crack their skulls; for they will never affect their heads in any other way... — Miss Diana Vernon
Walter Scott (Rob Roy, Volume 01)
throats in a dreadful silence. The infection will spread outward from that point. Old ladies will crack skulls with their deadly handbags. Cars will plunge down the crowded sidewalks. Drivers will be torn out of their cars and stomped. It will spread to all the huge cities of the world, and by dawn of the next day there will be a horrid silence of sprawled bodies and tumbled vehicles, gutted buildings and a few wisps of smoke. And through that silence will prowl a few, a very few of the most powerful ones, ragged and bloody, slowly tracking each other down.
John D. MacDonald (Nightmare in Pink (Travis McGee, #2))
And then I felt him next to me, his warm breath just above my ear. “Enjoy your freedom while it lasts, Winter Ashby, because we’re not done,” Damon warned in a low voice that snaked through my ear, taunting me. “Grow up, learn things, and have fun in high school, but don’t change the little girl who loves it ‘in the black’, because I like you there, too. And I will be back for what’s mine when you’re old enough for bigger things.” I turned my face away, breathing harder. “And be good,” he told me. “If I hear anyone touched you, I will crack his fucking skull.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I half believe him, but I can’t risk being wrong based on a gut feeling. [...] “What do you want me to do?” Jack throws up his hands. “If I could crack open my skull and let you read my brain like a book, I would!” My breath catches in my throat. Because I… I could read his brain like a book.
Beth Revis (The Body Electric)
They heard the thud of wood on flesh. Boot on bone. On teeth. The muffled grunt when a stomach is kicked in. The muted crunch of skull on cement. The gurgle of blood on a man’s breath when his lung is torn by the jagged end of a broken rib. Blue-lipped and dinner-plate-eyed, they watched, mesmerized by something that they sensed but didn’t understand: the absence of caprice in what the policemen did. The abyss where anger should have been. The sober, steady brutality, the economy of it all. They were opening a bottle. Or shutting a tap. Cracking an egg to make an omelette.
Arundhati Roy (The God of Small Things)
When every link to the outside world is severed, time has no meaning. It ceases to exist other than as a dull memory, a vague recollection of what a minute used to be, an hour, a day. Sealed up tight so far beneath the ground, every single second was stretched out almost to infinity—each one a vast and empty abyss where time used to reign, an ageless aeon barren of significance and consequence. When every scrap of light and sound has been taken away, reality has no meaning. It too ceases to exist, for what is reality other than the cumulation of senses—images witnessed by our own eyes and the noises that enter through our ears? But when all those senses are starved, then the real world fades away like the last frantic gasp of a television program when the set is switched off. And when reality goes, sanity has no reason. How can your ability to behave in a normal and rational way still exist when nothing normal or rational remains? As soon as reality breaks, as soon as we are separated from the physical world, the cracks begin to appear in our minds. And through them seeps the madness that has always been there, flowing into your skull like a liquid nightmare.
Alexander Gordon Smith (Solitary (Escape from Furnace, #2))
Mr. Brock’s account of his adventure in London has given the reader some short notice of his friend, Mr Macshane. Neither the wits nor the principles of that worthy Ensign were particularly firm: for drink, poverty, and a crack on the skull at the battle of Steenkirk had served to injure the former; and the Ensign was not in his best days possessed of any share of the latter. He had really, at one period, held such a rank in the army, but pawned his half-pay for drink and play; and for many years past had lived, one of the hundred thousand miracles of our city, upon nothing that anybody knew of, or of which he himself could give any account. Who has not a catalogue of these men in his list? who can tell whence comes the occasional clean shirt, who supplies the continual means of drunkenness, who wards off the daily-impending starvation? Their life is a wonder from day to day: their breakfast a wonder; their dinner a miracle; their bed an interposition of Providence. If you and I, my dear sir, want a shilling tomorrow, who will give it us? Will OUR butchers give us mutton-chops? will OUR laundresses clothe us in clean linen? — not a bone or a rag. Standing as we do (may it be ever so) somewhat removed from want,[*] is there one of us who does not shudder at the thought of descending into the lists to combat with it, and
William Makepeace Thackeray (Delphi Complete Works of W. M. Thackeray (Illustrated))
It was during a misunderstanding conducted with crowbars with a fellow we used to call Hercules. He laid me out with a crusher alongside the head that made everything crack, and seemed to spring every joint in my skull and made it overlap its neighbor.  Then the world went out in darkness, and I didn't feel anything more, and didn't know anything at all—at least for a while. When I came to again, I was sitting under an oak tree, on the grass, with a whole beautiful and broad country landscape all to myself—nearly.  Not entirely; for there was a fellow on a horse, looking down at me—a fellow fresh out of a picture-book.  He was in old-time iron armor from head to heel, with a helmet on his head the shape of a nail-keg with slits in it; and he had a shield, and a sword, and a prodigious spear; and his horse had armor on, too, and a steel horn projecting from his forehead, and gorgeous red and green silk trappings that hung down all around him like a bedquilt, nearly to the ground. "Fair sir, will ye just?" said this fellow.
Mark Twain (A Connecticut Yankee in King Arthur's Court)
This is my emergency kit. It contained a roll of duct tape, a spare pair of pants, an envelope with two hundred dollars, two bags of dried fruit, two packages of beef jerky, three bottles of water, a roll of thick shop towels you see mechanics use, a small metal pipe - just right for cracking a skull with - and a fake beard. Look, you never know.
David Wong (John Dies at the End (John Dies at the End, #1))
You want me to...kiss you?” I ask. I can see his eyes narrow beneath the cracked skull mask. “No.” He frowns in disgust, as if the idea is sickening to him. “I told you to suck on my tongue. Wrap your lips around it, and suck.” His words, the way he’s demanding, and the wild look in his eyes, has my forehead glossing over with perspiration and my body tense with a mixture of nerves and impulses that are seemingly out of my control. Pressing me against the door, I feel the hardening in his pants as he grinds into me. Just the idea that I can cause such a reaction to a man makes my face flush. He leans down over me, tilting his chin out so our mouths are aligned, his shaggy, wet hair tickling my forehead. He smells like wine, leather, and horrible, soul-shattering decisions.
Jescie Hall (That Sik Luv)
Is that dog of yours likely to cause trouble?” he asked suspiciously. Hal smiled winningly at him. “Bless you, no. She’s as peaceable as your old granny.” The waiter’s frown deepened. “My old granny is always starting fights,” he said. “She set off a riot in here last month. Cracked the skull of one of the watch with a chamber pot.” “Well, Kloof is hardly likely to do that. She doesn’t have a chamber pot,
John Flanagan (The Caldera (The Brotherband Chronicles #7))
They were a form of mutated twinning, joined at the base of the skull so that a single cephalic structure served both separate bodies. Evidently the personality George inhabited one hemisphere of the brain, made use of one eye: the right, as he recalled. And the personality Walt existed on the other side, distinct with its own idiosyncrasies, views and drives—and its own eye from which to view the outside universe.
Philip K. Dick (The Crack in Space)
Hana?" Lena says softly. "Are you okay?" That single stupid question breaks me. All the metal fingers relax me at once, and the tears they've been holding back come surging up at once. Suddenly I am sobbing and telling her everything: about the raid, and the dogs, and the sounds of skulls cracking underneath regulator's nightsticks. Thinking about it again makes me feel like I might puke. At a certain point, Lena puts her arms around me and starts murmuring things into my hair. I don't even know what she's saying, and I don't care. JUst having her here—solid, real, on my side—makes me feel better than I have in weeks. Slowly I manage to stop crying, swallowing back the hiccups and sobs that are still running through me. I try to tell her that I've missed her, and that I've been stupid and wrong, but my voice is muffled and thick
Lauren Oliver (Hana (Delirium, #1.5))
Even now, I'm not sure there's a way to accurately recount the experience without sounding dumb and hammy. I wanted to curl up inside the record; I wanted to inhabit it. Then I wanted it to inhabit me: I wanted to crack it into bits and use them as bones. I wanted it to keep playing forever, from somewhere deep inside my skull. This is how it often begins for collectors: with a feeling that music is suddenly opening up to you.
Amanda Petrusich (Do Not Sell at Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records)
And then something hit the BMW with such force that Alex cried out, his whole body caught in a massive shock wave that tore him away from the steering-wheel and threw him helplessly into the back. At the same time, the roof buckled and three huge metal fingers tore through the skin of the car like a fork through an eggshell, trailing dust and sunlight. One of the fingers grazed the side of his head – any closer and it would have cracked his skull. Alex yelled as blood trickled over his eye. He tried to move, then was jerked back a second time as the car was yanked off the ground and tilted high up in the air. He couldn’t see. He couldn’t move. But his stomach lurched as the car swung in an arc, the metal grinding and the light spinning. It had been picked up by the crane. It was going to be put inside the crusher. With him inside. He tried to raise himself up, to
Anthony Horowitz (Stormbreaker (Alex Rider, #1))
The foreigners who heard the noise in the dining room and hastened to remove the body noticed the suffocating odor of Remedios the Beauty on his skin. It was so deep in his body that the cracks in his skull did not give off blood but an amber-colored oil that was impregnated with that secret perfume, and then they understood that the smell of Remedios the Beauty kept on torturing men beyond death, right down to the dust of their bones.
Gabriel García Márquez (One Hundred Years of Solitude)
His head kind of imploded. He had always wondered what it would feel like to crush a human head with his foot – and now he knew. He thoroughly enjoyed the deep-sounding crack of his skull splitting open. The noise was a physical thing, jolting up his leg and reverberating through his entire body. God, it was deeply satisfying, even if it was his old friend Harlan. Oh well, never mind. Richard was right, friends and family were a liability.
Sam West (Splatterpunks)
I gasp for air, trying to remain calm. I fight the urge to claw uselessly at the arm crushing my windpipe and instead whip my head back, connecting my skull with his nose and earning a sickening crack followed by the sound of gurgling blood. Blood. There was so much of it coating the floor of our small house resting between Merchant and Elm Street. Coating me, my father. I haven’t been back since that night I ran. That night the king plunged a sword through my father’s chest.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
A blanket could be used to represent a thing. Now this thing is curious, because it represents an idea. This idea is called sleep, and as far as ideathings go, it’s about as relaxing as it gets. Ideas within sleep are called dreams, and they are like bricks, only not real and considerably lighter and less damaging as they bounce off your skull. So if a dream is an ideaideathing, then a dream about a blanket would be an ideathingideathing, and thinking about that makes me want to crack my brainbone with a brick. 

Jarod Kintz (Brick and Blanket Test in Brick City (Ocala) Florida)
Travis?” Her voice came out scratchy and cracked. “What are you doing in my room?” Those eyes—not quite green, not quite brown—crinkled at the corners. “I’m not in your room, darlin’. You’re in mine.” What? Maybe she was still dreaming. That would explain why Travis was here and why nothing was making a lick of sense. But the throbbing behind her ear seemed awfully real. “My head hurts.” “You were kicked by a mule.” A mule? Meredith frowned. Uncle Everett didn’t own a mule. Had she been injured at the livery fetching Ginger? And why was Travis grinning at her? Shouldn’t he be more concerned? “It’s not very heroic of you to smile at my misfortune.” Really. This was her dream after all. Her hero should be more solicitous. Of course, usually in her dreams, Travis rescued her before any injury occurred. The man was getting lax. She’d started to tell him so when he laid the back of his hand on her forehead as if feeling for fever. The gentle touch instantly dissolved her pique. He removed his hand and met her gaze. “I’m smiling because I’m happy to see you awake. We’ve been worried about you.” “Awake?” Meredith scrunched her brows together until the throbbing around her skull forced her to relax. “Travis, you’re not making any sense. I can’t be awake. You only come to me when I’m dreaming. Although you’re usually younger and . . . well . . . cleaner, and not so in need of a shave. “But don’t get me wrong,” she hurried to assure him. It wouldn’t do to insult her hero. “You’re just as handsome as always. I don’t even mind that you didn’t save me this time. The important thing is that you’re here.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
And begins to rot. There is no other way to describe it. As if devoured by insects, his flesh withers away, his muscles decomposing as silvery fungi erupt along his flank, then rot in turn. The skin falls from his face to reveal yellowed bone and cracked teeth, his eyes sink into his skull and vanish in the blackness of gaping sockets. His skeleton breaks and shifts and reforms; it is as if his body is taking itself apart and reassembling into a whole new shape. Into a man. No, a half-man; the stag’s ghoulish skull remains, hiding his face from view.
A.B. Poranek (Where the Dark Stands Still)
Robert Frost at Eighty" I think there are poems greater and stranger than any I have known. I would like to find them. They are not on the greying paper of old books or chanted on obscure lips. They are not in the language of mermaids or the sharp-tongued adjectives of vanishing. They run like torn threads along paving stones. They are cracked as the skull of an old man. They stir in the mirror at fifty, at eighty. My ear keeps trying to hear them but the seafront is cold. The tide moves in. They migrate like crows at a cricket ground. They knock at the door when I am out. I have done with craft. How can I front ghosts with cleverness, the slick glide of paradox and rhyme that transforms prejudice to brittle gems of seeming wisdom? Though I bury all I own or hold close though my skin outlives the trees though the lines fall shattering the stone I cannot catch them. They have the lilting accent of a house I saw but never entered. They are the sounds a child hears – the water, the afternoon, the sky. I watch them now trickling through the open mirror. Sometimes, but almost never we touch what we desire.
Peter Boyle
Scarlet jumped on top of her, straddling her and sending her skull cracking into the ground. Her aunt clawed blindly, and actually managed to rake a hand down Scarlet’s stitches, ripping every single one open. “My former mistress is such a…girl,” Cronus said, disappointed. “Where are the pounding fists?” “Well, my man ain’t got no skills,” Gideon replied proudly. He wanted to stand up and point to himself and shout that Scarlet was his. That she belonged to him. “Don’t you just wait and see.” A moment passed in silence, then Cronus shook his head and said, “How do the others stand you?” Gideon
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
Screams died in them and floated belly up, like dead fish. Cowering on the floor, rocking between dread and disbelief, they realized that the man being beaten was Velutha. Where had he come from? What had he done? Why had the policemen brought him here? They heard the thud of wood on flesh. Boot on bone. On teeth. The muffled grunt when a stomach is kicked in The muted crunch of skull on cement. The gurgle of blood on a man's breath when his lung is torn by the jagged end of a broken rib. Blue-lipped and dinner-plate-eyed, they watched, mesmerized by something that they sensed but didn't understand: the absence of caprice in what the policemen did. The abyss where anger should have been. The sober, steady brutality, the economy of it all. They were opening a bottle. Or shutting a tap. Cracking an egg to make an omelette. The twins were too young to know that these were only history’s henchmen. Sent to square the books and collect the dues from those who broke its laws. Impelled by feelings that were primal yet paradoxically wholly impersonal. Feelings of contempt born of inchoate, unacknowledged fear — civilization’s fear of nature, men’s fear of women, power’s fear of powerlessness. Man’s subliminal urge to destroy what he could neither subdue nor deify. Men’s Needs. What Esthappen and Rahel witnessed that morning, though they didn’t know it then, was a clinical demonstration in controlled conditions (this was not war after all, or genocide) of human nature’s pursuit of ascendancy. Structure. Order Complete monopoly. It was human history, masquerading as God’s Purpose, revealing herself to an under-age audience. There was nothing accidental about what happened that morning. Nothing incidental. It was no stray mugging or personal settling of scores. This was an era imprinting itself on those who lived in it. History in live performance.
Arundhati Roy (The God of Small Things)
All over him a flaking, and the flakes tiny creatures, clawed and with mouths, all light, that crawled into the cracks that had been opened in him, seeking bone. Only when a shadow of cloud passed over did the many mouths of the light desist. Tries to hold it, the shadow; to make at least the memory of it last on his flesh, and cool and calm the furious activity all over the surface of him. But his mind lets the cloud slide away like everything else it has held. All that remains in his skull, behind the blind eyes, is sky, and that too burns, shakes out flame. Cloud after cloud rolls over, touches, cools, and is gone. Beyond hold.
David Malouf (Remembering Babylon)
I want you to hear. I want you to know what’s in store for you. There will be days when you’ll look at your hands and you’ll want to take something and smash every bone in them, because they’ll be taunting you with what they could do, if you found a chance for them to do it, and you can’t find that chance, and you can’t bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he’ll be only asking for a dime, but that won’t be what you’ll hear; you’ll hear that you’re nothing, that he’s laughing at you, that it’s written on your forehead, that thing they hate you for. There will be days when you’ll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about that work which you love, and the things he’ll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you’ll hear the people applauding him, and you’ll want to scream, because you won’t know whether they’re real or you are, whether you’re in a room full of gored skulls, or whether someone has just emptied your own head, and you’ll say nothing, because the sounds you could make—they’re not a language in that room any longer; but if you’d want to speak, you won’t anyway, because you’ll be brushed aside,
Ayn Rand (The Fountainhead)
Once I thought that to be human was the highest aim a man could have, but I see now that it was meant to destroy me. Today I am proud to say that I am inhuman, that I belong not to men and governments, that I have nothing to do with creeds and principles. I have nothing to do with the creaking machinery of humanity—I belong to the earth! I say that lying on my pillow and I can feel the horns sprouting from my temples. I can see about me all those cracked forebears of mine dancing around the bed, consoling me, egging me on, lashing me with their serpent tongues, grinning and leering at me with their skulking skulls. I am inhuman! I say it with a mad, hallucinated grin, and I will keep on saying it though it rain crocodiles.
Henry Miller (Tropic of Cancer)
I thought back to a soliloquy I’d seen on TV about pain as women’s birthright. It’s not hard to catalog the dazzling torment life puts us through: childbirth and menstrual cramps and the suffocating heat of menopause. We do our best to avoid it, but men run toward it: war and wrestling and football that cracks their skulls, bruises the fragile gray matter underneath. Their bravado is just them manufacturing their own pain, trying to seem strong. But fear—fear is at least as strong a motivator as pain. Maybe the TV show had it wrong; maybe men aren’t out to experience pain so much as fear, the icy jolt of feeling alive. They crave it because they have no idea how miserable it is to feel that frigid blast a hundred times a day.
Andrea Bartz (We Were Never Here)
I thought back to a soliloquy I’d seen on TV about pain as women’s birthright. It’s not hard to catalog the dazzling torment life puts us through: childbirth and menstrual cramps and the suffocating heat of menopause. We do our best to avoid it, but men run toward it: war and wrestling and football that cracks their skulls, bruises the fragile gray matter underneath. Their bravado is just them manufacturing their own pain, trying to seem strong. But fear—fear is at least as strong a motivator as pain. Maybe the TV show had it wrong; maybe men aren’t out to experience pain so much as fear, the icy jolt of feeling alive. They crave it because they have no idea how miserable it is to feel that frigid blast a hundred times a day. I
Andrea Bartz (We Were Never Here)
Her attention was fixed so completely on Jane that she did not see her own death hurtling toward her head. The poker slammed into Edwina’s skull, and Lily felt the crack of crushing bone, transmitted straight to her hand through wrought iron. Edwina dropped to the floor without uttering a sound. Lily lost her grip, and the falling poker clanged as it hit wood. She stared down at what she had just done. At Edwina’s head, the skull caved in. At the blood, flowing like a black river. And suddenly the room darkened, and her legs wobbled out from beneath her. She slid to the floor, landing on her rump. She dropped her head in her lap and could feel nothing: no pain, no sensation at all in her limbs. She was floating disembodied on the edge of blackness.
Tess Gerritsen (The Mephisto Club)
FACT 3 – In 1969, the combined agencies of the CIA, Army and FBI were put into full operational use. The Sharon Tate-La Bianca murders were committed in August 1969. The Altamont violence occurred four months later. CIA The CIA prepared for defense against domestic unrest in 1965, coinciding with Camelot and Politica. The CIA joined forces with the FBI and the Army. By August 1967, a special operations group went after the youth. By July 1968, Operation Chaos, identical to the Chilean “Chaos,” clamped down on “restless youth.” This wasn’t a study. It was an attack. Mid-summer of 1969, one month before the Manson Family massacres, Operation Chaos entered a phase of tight security. From 1956-63, the Agency had produced enough LSD to incite every violent act associated with the chaos in Los Angeles or at Altamont. It was identical to handing out poison candy at Halloween. LSD was the moving force, the cause for the Sharon Tate-La Bianca slaughters. It was a steady diet at the Spahn ranch. LSD was the catalyst of the Altamont killing. Thousands of tablets were distributed to the Hell’s Angels, who then went totally berserk and started cracking skulls. FBI May 1964, after the JFK assassination, the FBI instituted COINTELPRO. July 1968, explicit orders went out to proceed, accompanied with instructions, to neutralize segments of American society, including those “restless youth.” By 1969, the Special Services Staff (SSS) of the FBI teamed up with the Justice Department and the CIA’s Operation Chaos.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
Do we really want to condemn as excessive the use of safety helmets, car seats, playgrounds designed so kids will be less likely to crack their skulls, childproof medicine bottles, and baby gates at the top of stairs? One writer criticizes "the inappropriateness of excessive concern in low-risk environments," but of course reasonable people disagree about what constitutes both "excessive" and "low risk." Even if, as this writer asserts, "a young person growing up in a Western middle-class family is safer today than at any time in modern history," the relevance of that relative definition of safety isn't clear. Just because fewer people die of disease today than in medieval times doesn't mean it's silly to be immunized. And perhaps young people are safer today because of the precautions that some critics ridicule.
Alfie Kohn (The Myth of the Spoiled Child: Coddled Kids, Helicopter Parents, and Other Phony Crises)
This stuff is cheap but it’s very nutritious.” He picked up the can and read from it. “Listen to this: ‘beef tripe, beef hearts, beef, pork, salt, vinegar, flavoring, sugar and sodium nitrite.’ Do you know what tripe is?” “It’s the gut part.” “That’s what I thought. I suspected it was something like that.” “It’s all meat. Meat is meat. Have you ever eat any squirrel brains?” “No, how are they?” “About like calf brains. They’re not bad if you don’t think about it. The bad part is cracking them little skulls open. One thing I won’t eat is hog’s head cheese. My sister Vernell, you can turn her loose with a spoon and she’ll eat a pound of it before she gets up. Some people call it souse.” “Why do they call it that?” “I don’t know. You got to have a name for everything.” “Yes, I hadn’t thought of that. Well, they’re both good names. Tripe. Souse.
Charles Portis (Norwood)
The night is filled with intermittent panicked shouts and pained wails, followed by the occasional laughter of an Evrallonic soldier. Fury warms me and I don’t feel the bite of the wintry air anymore, but I control my rage, filter and focus it, so that when two soldiers run past me, chasing after a young boy, I am able to act swiftly. I step out of the shadows and grab the first soldier by the hair, which has been left exposed after he either discarded or dropped his helmet. He opens his mouth to shout but it dies on his lips when I slit his throat, dropping him to the ground as he chokes. The soldier chasing the boy stops and turns around, drawing his sword upon seeing me. It’s the last thing he does. Before he moves an inch, I’ve thrown my dagger into his forehead. A wave of shock rolls through the soldiers body and I walk past him, snatching the blade from his skull just before he falls to the ground. The boy has disappeared but he’s none of my concern now. I move through the community like the wraith I’ve been labeled. Anyone wearing soldier’s attire is brought to their knees and left to die in the streets. Fishing families scurry out of my way like they know who I am and take refuge in their homes as I make my way to the other side of the community. An Evrallonic soldier stands on the doorstep of a home, hovering over a young woman whose blouse has been torn. The young woman is sobbing, her body trembling under the pressing soldier. The Evrallonic man is leaning towards her when I approach. He barely has time to look up before I’ve brought my knee up and connected it with his nose. The satisfying crack sounds through the air and the soldier shouts in disbelief, holding his nose. He drops his hand a moment later and unsheathes his sword, swinging a deadly strong blow at me. I sidestep and place my foot between his, easily knocking him to the ground when he trips over me. His sword spills from his hands and I snatch it up, jabbing it through the man’s chest before he can even utter a plea for mercy.
Rose Reid (Crown of Crimson (The Afterlight Chronicles, #1))
"I'm not going anywhere. I'm joining your little gang of baby heroes on the quest to find Superdad." Simon and Derek exchanged a look. "No," Derek said. "No? Excuse me, it was Rae who betrayed you guys. Not me. I helped Chloe." "And was it Rae who tormented her at Lyle House?" "Tormented?" A derisive snort. "I didn't—" "You did everything you could to get Chloe kicked out," Simon said. "And when that didn't work, you tried to kill her." "Kill her?" Tori's mouth hardened. "I'm not my mother. Don't you dare accuse—" "You lured her into the crawl space," Derek said. "Hit her over the head with a brick, bound and gagged her, and locked her in. Did you even check to make sure she was okay? That you hadn't cracked her skull?" Tori sputtered a protest, but from the horror in her eyes, I knew the possibility hadn't occurred to her. "Derek," I said, "I don't think—" "No she didn't think. She could have killed you with the brick, suffocated you with the gag, given you a heart attack from fright, not to mention what would have happened if you hadn't gotten out of your bindings. It only takes a couple of days to die from dehydration." "I would never have left Chloe to die. You can't accuse me of that." "No," Derek said. "Just of wanting hr locked up in a mental hospital. And why? Because you didn't like her. Because she talked to a guy you did like. Maybe you're not your mother, Tori. But what you are..." He fixed her with an icy look. "I don't want around." The expression on her face...I felt for her, whether she'd welcome my sympathy or not. "We don't trust you," Simon said, his tone softer than his brother's. "We can't have someone along that we don't trust." "What if I'm okay with it," I cut in. "If i feel safe with her..." "You don't," Derek said. "You won't kick her to the curb, though, because it's not the kind of person you are." He met Tori's gaze. "But it's the kind of person I am. Chloe won't force you to leave because she'd feel horrible if anything happened to you. Me? I don't care. You brought it on yourself."
Kelley Armstrong (The Awakening (Darkest Powers, #2))
My child, deep-thundering Zeus controls the end of all that is, disposing as he wills. We who are mortals have no mind; we live like cattle, day to day, knowing nothing of god's plans to end each one of us. Yet we are fed by hope and faith to dream impossible plans. Some wait for a day to come, others watch the turning of years. No one among the mortals feels so broken as not to hope in coming time to fly home rich to splendid goods and lands. Yet before he makes his goal, odious old age lays hold of him first. Appalling disease consumes another. Some are killed in war where death carries them under the dark earth. Some drown and die under the myriad waves when a hurricane slams across the blue salt water cracking their cargo ship. Others rope a noose around their wretched necks and choose to die, abandoning the sun of day. A thousand black spirits waylay man with unending grief and suffering. If you listen to my counsel, you won't want the good things of life; not batter your heart by torturing your skull with cold remorse.
Semonides
The boy's smile was a mockery of innocence. 'Are you frightened?' 'Yes,' I said. Never lie- that had been Rhys's first command. The boy stood, but kept to the other side of the cell. 'Feyre,' he murmured, cocking his head. The orb of faelight glazed the inky hair in silver. 'Fay-ruh,' he said again, drawing out the syllables as if he could taste them. At last, he straightened his head. ''Where did you go when you died?' 'A question for a question,' I replied, as I'd been instructed over breakfast. ... Rhys gave me a subtle nod, but his eyes were wary. Because what the boy had asked... I had to calm my breathing to think- to remember. But there was blood and death and pain and screaming- and she was breaking me, killing me so slowly, and Rhys was there, roaring in fury as I died. Tamlin begging for my life on his knees before her throne... But there was so much agony, and I wanted it to be over, wanted it all to stop- Rhys had gone rigid while he monitored the Bone Carver, as if those memories were freely flowing past the mental shields I'd made sure were intact this morning. And I wondered if he thought I'd give up then and there. I bunched my hands into fists. I had lived; I had gotten out. I would get out today. 'I heard the crack,' I said. Rhys's head whipped toward me. 'I heard the crack when she broke my neck. It was in my ears, but also inside my skull. I was gone before I felt anything more than the first lash of pain.' The Bone Carver's violet eyes seemed to glow brighter. 'And then it was dark. A different sort of dark than this place. But there was a... thread,' I said. 'A tether. And I yanked on it- and suddenly I could see. Not through my eyes, but- but his,' I said, inclining my head toward Rhys. I uncurled the finger of my tattooed hand. 'And I knew I was dead, and this tiny scrap was all that was left of me, clinging to the thread of our bargain.' 'But was there anyone there- were you seeing anything beyond?' 'There was only that bond in the darkness.' Rhysand's face had gone pale, his mouth a tight line. 'And when I was Made anew,' I said, 'I followed that bond back- to me. I knew that home was on the other end of it. There was light then. Like swimming up through sparkling wine-' 'Were you afraid?' 'All I wanted was to return to- to the people around me. I wanted it badly enough I didn't have room for fear. The worst had happened and the darkness was calm and quiet. It did not seem like a bad thing to fade into. But I wanted to go home. So I followed the bond home.' 'There was no other world,' the Bone Carver pushed. 'If there was or is, I did not see it.' 'No light, no portal?' Where is it that you want to go? The question almost leaped off my tongue. 'It was only peace and darkness.' 'Did you have a body?' 'No.' 'Did-' 'That's enough from you,' Rhysand purred- the sound like velvet over sharpest steel. 'You said a question for a question. Now you've asked...' He did a tally on his fingers. 'Six.' The Bone Carver leaned back against the wall and slid to a sitting position. 'It is a rare day when I meet someone who comes back from true death. Forgive me for wanting to peer behind the curtain.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
His teeth began to chatter. God All-Mighty! he thought, why haven't I realized it all these years? All these years I've gone around with a--SKELETON--inside me! How is it we take ourselves for granted? How is it we never question our bodies and our being? A skeleton. One of those jointed, snowy, hard things, one of those foul, dry, brittle, gouge-eyed, skull-faced, shake-fingered, rattling things that sway from neck-chains in abandoned webbed closets, one of those things found on the desert all long and scattered like dice! He stood upright, because he could not bear to remain seated. Inside me now, he grasped his stomach, his head, inside my head is a--skull. One of those curved carapaces which holds my brain like an electrical jelly, one of those cracked shells with the holes in front like two holes shot through it by a double-barreled shotgun! With its grottoes and caverns of bone, its revetments and placements for my flesh, my smelling, my seeing, my hearing, my thinking! A skull, encompassing my brain, allowing it exit through its brittle windows to see the outside world!
Ray Bradbury (The October Country)
the rhythm which was barely intricate to most ears in the commons was to him painful because it was timed to the processes of his body, to jar and strike against them…and she was surprised he had held up this long. “All right, Cord, to be lord of this black barrack, Tarik’s, you need more than jackal lore, or a belly full of murder and jelly knees. Open your mouth and your hands. To understand power, use your wit, please. Ambition like a liquid ruby stains your brain, birthed in the cervixed will to kill, swung in the arc of death’s again, you name yourself victim each time you fill with swill the skull’s cup lipping murder. It predicts your fingers’ movement toward the blade long laid against the leather sheath cord-fixed to pick the plan your paling fingers made; you stayed in safety, missing worlds of wonder, under the lithe hiss of the personafix inflicting false memories to make them blunder while thunder cracks the change of Tarik. You stick pins in peaches, place your strange blade, ranged with a grooved tooth, while the long and strong lines of my meaning make your mind change from fulgent to frangent. Now you hear the wrong cord-song, to instruct you. Assassin, pass in…
Samuel R. Delany (Babel-17)
I’ll find out who’s inside. Wait here and keep alert!’ Hallam rasped. He skirted the main path to skulk towards one of the shuttered windows on the building’s eastern wall. There was a crack in the wood and he gently inched closer to peer inside. There was a hearth-fire with a pot bubbling away and a battered table made of a length of wood over two pieces of cut timber. A small ham hung from the rafters, away from the rats and mice. He couldn’t see anyone but there was a murmur of voices. Hallam leaned in even closer and a young boy with hair the colour of straw saw the movement to stare. It was Little Jim. Thank God, the child was safe. Snot hung from his nose and he was pale. Hallam put a finger to his lips, but the boy, not even four, did not understand, and just gaped innocently back. Movement near the window. A man wearing a blue jacket took up a stone bottle and wiped his long flowing moustache afterwards. His hair was shoulder-length, falling unruly over the red collar of his jacket. Tied around his neck was a filthy red neckerchief. A woman moaned and the man grinned with tobacco stained teeth at the sound. Laughter and French voices. The woman whimpered and Little Jim turned to watch unseen figures. His eyes glistened and his bottom lip dropped. The woman began to plead and Hallam instinctively growled. The Frenchman, hearing the noise, pushed the shutter open and the pistol’s cold muzzle pressed against his forehead. Hallam watched the man’s eyes narrow and then widen, before his mouth opened. Whatever he intended to shout was never heard, because the ball smashed through his skull to erupt in a bloody spray as it exited the back of the Frenchman’s head. There was a brief moment of silence. ‘28th!’ Hallam shouted, as he stepped back against the wall. ‘Make ready!
David Cook (Blood on the Snow (The Soldier Chronicles, #3))
What a lovely day again; were it a new-made world, and made for a summer-house to the angels, and this morning the first of its throwing open to them, a fairer day could not dawn upon that world. Here's food for thought, had Ahab time to think; but Ahab never thinks; he only feels, feels, feels; that's tingling enough for mortal man! to think's audacity. God only has that right and privilege. Thinking is, or ought to be, a coolness and a calmness; and our poor hearts throb, and our poor brains beat too much for that. And yet, I've sometimes thought my brain was very calm—frozen calm, this old skull cracks so, like a glass in which the contents turned to ice, and shiver it. And still this hair is growing now; this moment growing, and heat must breed it; but no, it's like that sort of common grass that will grow anywhere, between the earthy clefts of Greenland ice or in Vesuvius lava. How the wild winds blow it; they whip it about me as the torn shreds of split sails lash the tossed ship they cling to. A vile wind that has no doubt blown ere this through prison corridors and cells, and wards of hospitals, and ventilated them, and now comes blowing hither as innocent as fleeces. Out upon it!—it's tainted. Were I the wind, I'd blow no more on such a wicked, miserable world. I'd crawl somewhere to a cave, and slink there. And yet, 'tis a noble and heroic thing, the wind! who ever conquered it? In every fight it has the last and bitterest blow. Run tilting at it, and you but run through it. Ha! a coward wind that strikes stark naked men, but will not stand to receive a single blow. Even Ahab is a braver thing—a nobler thing that that. Would now the wind but had a body; but all the things that most exasperate and outrage mortal man, all these things are bodiless, but only bodiless as objects, not as agents. There's a most special, a most cunning, oh, a most malicious difference! And yet, I say again, and swear it now, that there's something all glorious and gracious in the wind. These warm Trade Winds, at least, that in the clear heavens blow straight on, in strong and steadfast, vigorous mildness; and veer not from their mark, however the baser currents of the sea may turn and tack, and mightiest Mississippies of the land swift and swerve about, uncertain where to go at last. And by the eternal Poles! these same Trades that so directly blow my good ship on; these Trades, or something like them—something so unchangeable, and full as strong, blow my keeled soul along!
Herman Melville (Moby-Dick or, The Whale)