“
You'd break your heart to make it bigger, so why not crack your skull when the mind swells.
”
”
Richard Siken (War of the Foxes)
“
And then a silver hare, a boar, and a fox soared past Harry, Ron, and Hermione's heads: The dementors fell back before the creatures' approach. Three more people had arrived out of the darkness to stand beside them, their wands outstretched, continuing to cast their Patronuses: Luna, Ernie, and Seamus.
"That's right," said Luna encouragingly, as if they were back in the Room of Requirement and this was simply spell practice for the D.A. "That's right, Harry... come on, think of something happy..."
"Something happy?" he said, his voice cracked.
"We're all still here," she whispered, "we're still fighting. Come on, now..."
There was a silver spark, then a wavering light, and then, with the greatest effort it had ever cost him, the stag burst from the end of Harry's wand.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
After all, solving a jigsaw puzzle is no fun, if you know what the picture is in advance.
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
He lifted the slice of cake and bit into it and turned the page. The old musty album with its foxed and crumbling paper seemed to breathe a reek of the vault, turning up one by one these dead faces with their wan and loveless gaze out toward the spinning world, masks of incertitude before the cold glass eye of the camera or recoiling before this celluloid immortality or faces simply staggered into gaga by the sheer velocity of time. Old distaff kin coughed up out of the vortex, thin and cracked and macled and a bit redundant. The landscapes, old backdrops, redundant too, recurring unchanged as if they inhabited another medium than the dry pilgrims shored up on them. Blind moil in the earth's nap cast up in an eyeblink between becoming and done. I am, I am. An artifact of prior races.
”
”
Cormac McCarthy (Suttree)
“
A scholar’s worst enemy is his own mind. Facts are slippery things. Almost anything can be proved with them, if they are correctly selected. . . .
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
The information. Every bit that of information that was ever in your brain. But the information is not the mind Jenna. That we've never accomplished before. What we've done with you is groundbreaking. We cracked the code. The mind is an energy that the brain produces. Think of a glass ball twirling on your fingertip. If it falls, it shatters into a million pieces. All the parts of a ball are still there, but it will never twirl with that force on your fingertip again. The brain is the same way.
”
”
Mary E. Pearson (The Adoration of Jenna Fox (Jenna Fox Chronicles, #1))
“
Instead of time moving like sand slowly pouring through an hourglass, she felt as if the hourglass had cracked open and all the sand was quickly spilling out. She didn't know if it was her fear or if it was something else, but she kept losing moments.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I guess grief is like that: the banshee patiently waiting in the many-halled house of your mind, so quiet in certain moments, until you turn a corner and see how it takes up rooms and rooms, cracking their floors and windows with its volume, its weight.
”
”
Sara Faring (White Fox)
“
What the hell are you doing?' Jacks growled.
Evangeline turned toward his voice, sweat trickling down her cheek, as she found him standing in the doorway. A vein throbbed furiously along the line of his smooth, marble neck. His skin looked so cool, and she was so hot. All she wanted was to press her mouth to his throat and maybe lick it just once. Her blood rushed faster at the thought, and her fangs started to lengthen.
'Jacks, get out of here!' Chaos ordered. 'Unless you've changed your mind about her becoming a vampire.'
Chaos gripped Evangeline's wrists tighter, pressing them- along with her- more firmly to the bed. She writhed against his grip; he was crushing her again with the full weight of his body.
Something loud cracked in the doorway.
Her eyes shot back to Jacks, who was fisting the now splintered edge of the door. Had he done that with his hands?
He certainly looked livid enough. His silver-blue eyes turned midnight dark as he watched her struggling under Chaos.
Evangeline dimly knew that she should stop her thrashing. If she broke free from Chaos and managed to bite Jacks, the life she had- the life she wanted to keep- would be over. But she also wanted this. She wanted Jacks to stop her struggling. She wanted him to rip Chaos off her chest so that he could pin her to the bed instead.
Evangeline took a rasping breath, and her gaze collided with Jacks' once more.
He scrubbed a hand over his jaw. With Evangeline's heightened senses, she could hear it clench under his palm. Then she heard the scrape of Jacks' boots as he sharply turned and disappeared down the hall.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes.
A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot.
God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman.
A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard.
She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale.
She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
”
”
Alan Beck
“
I guess she felt as I: that the weakness was not Government but Man, one at a time, that men were never as strong as their ideas and that ideas were governments turned into men;
and so it began on a couch with a spilled martini
and it ended in the bedroom: desire, revolution,
nonsense ended, and the shades rattled in the wind,
rattled like sabres, cracked like cannon,
and 30 dogs, 20 men on 20 horses chased one fox
across the fields under the sun
”
”
Charles Bukowski (Burning in Water, Drowning in Flame)
“
I guess she felt as I: that the weakness was not Government
but Man, one at a time, that men were never as strong as
their ideas and that ideas were governments turned into men;
and so it began on a couch with a spilled martini
and it ended in the bedroom: desire, revolution,
nonsense ended, and the shades rattled in the wind,
rattled like sabres, cracked like cannon,
and 30 dogs, 20 men on 20 horses chased one fox
across the fields under the sun
”
”
Charles Bukowski (Burning in Water, Drowning in Flame)
“
THROUGHOUT THE FIRST decades of the century, scholars were following Evans’s few publications on Linear B with rapt interest. Like him, they could only speculate on what the ancient language of the tablets might have been. Just one thing seemed certain: It wasn’t Greek.
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
But suddenly down the wind came tearing a smell sharper, stronger, more lacerating than any—a smell that ripped across his brain stirring a thousand instincts, releasing a million memories—the smell of hare, the smell of fox. Off he flashed like a fish drawn in a rush through water further and further. He forgot his mistress; he forgot all humankind. He heard dark men cry “Span! Span!” He heard whips crack He raced; he rushed. At last he stopped bewildered; the incantation faded; very slowly wagging his tail sheepishly he trotted back across the fields to where Miss Mitford stood shouting “Flush! Flush! Flush!” and waving her umbrella.
”
”
Virginia Woolf (Flush)
“
Now we see it, lying in the middle of the road. A swan, a mute swan. It looks like an offcut of organza, crumpled around the edges, twitching. As we pass we see its long neck has buckled into its body like a folding chair. We see its wings are tucked back as if the tar is liquid and the swan is swimming.
There are two men and a woman in the road. One man is standing on the tar, the other is directing the traffic. The woman is kneeling down beside the swan. I think she is crying, she seems to be crying, and this makes me suddenly angry. I think of all the other creatures we’ve seen since we set out. I think of the rat, the fox, the kitten, the badger. I think of the jackdaw, did you see the jackdaw? We passed it in the queue to pass the swan. Its beak was cracked open, its brains squeeged out. Why didn’t anybody stop for the jackdaw? Because the swan looks like a wedding dress, that’s why. Whereas the jackdaw looks like a bin bag. Because this is how people measure life.
”
”
Sara Baume (Spill Simmer Falter Wither)
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
road, I walked back at 9.45 in clear moonlight from the chief
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
With civilization comes stuff, and with stuff comes the need to keep track of it.
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
AND SO THE STORY ENDS, bracketed by two architects: Daedalus, who built the Minoan labyrinth, and Ventris, who found the thread that unraveled the tangle of writing unearthed there.
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
(Because Arthur had not mastered Latin grammar by the age of six, as his father before him had done, his paternal grandmother confided to Harriet her fear that the child was “a bit of a dunce.”)
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
It has also been suggested that Kober’s doctors never told her precisely how ill she was. Given the low esteem in which the medical establishment of the period held patients—especially female patients—this, too, is possible.
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
On the morning of May 16, 1950, Alice Kober died at her home in Brooklyn, at the age of forty-three. The letter to Myres is her last known to anyone. Perhaps that is fitting: For all its pulsating rage, it ends with a vision of Paradise.
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
Suddenly there was a huge flash of lightning that shone all the way inside the place, illuminating the people on the dirt floor. And just then a clap of thunder sounded , ready to crack the roof. Surprised, he stood up, and the crowd of people at the entrance turned as one to face him. Then he saw that theirs were the faces of animals— dogs or foxes, he wasn’t sure— and the animals all wore clothes, and some of them had long tongues hanging out, licking around the corners of their mouths.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
Though she is all but forgotten today, Alice Kober single-handedly brought the decipherment of Linear B closer to fruition than anyone before her. That she very nearly solved the riddle is a testament to the snap and rigor of her mind, the ferocity of her determination, and the unimpeachable rationality of her method. Kober was “the person on whom an astute bettor with full insider information would have placed a wager” to decipher the script, as Thomas Palaima, an authority on ancient Aegean writing, has observed.
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
There are few sounds at night on the frozen sea besides the roar of the wind. No plants to rustle, no waves to crash upon the shore, no birds to caw. The white owl flies on hushed wings. The white fox walks with silent tread. Even Inuit move as softly as spirits, the snow too hard to yield and crunch beneath our boots. We hear little, but what we do hear is vital: the exploding breath of a surfacing seal, the shift and crack of drifting ice. But in the forest there is always sound. The trees, even in their shrouds of snow, are alive, and their voices--groans, creaks, screams--never cease.
”
”
Jordanna Max Brodsky (The Wolf in the Whale)
“
It is in keeping with midcentury taboo that a serious illness would never have been named, even in correspondence with valued associates. Nor does any of the published obituaries of Kober list the cause of death, also a customary omission then. Even her death certificate sheds no light on the question:
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
Every language glimmers with sparks of earlier ones. These sparks - a word, a place-name — are residual traces of languages spoken before, often long before, in the same part of the world. Though tiny, the sparks can illuminate a history of invasion, conquest, trade, and the wholesale movement of populations.
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw.
“No.”
“Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.”
Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.”
She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.”
“How did he manage to have these drawn?” Ian asked, stopping her as she turned away.
“A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began,
I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot…
The next one opened with,
I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won.
From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him:
You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected…
I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius…
I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more.
Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly.
“Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven,
“the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!”
The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
THE OLD ARE LIKE BOOKS
The old are like books, crack-spined,
Their foxed pages dogeared at favorite paragraphs
While whole chapters have been forgotten.
Each cover scuffed, dust-jackets lost,
Titles alluding to something long out of style,
Prose suffering from an overuse of footnotes,
Occasional longueurs, over-repetitions of the main theme,
But overall, unique and idiosyncratic tales.
Of another era, but preface to this.
”
”
David Andrew Westwood
“
As the third evening approached, Gabriel looked up blearily as two people entered the room.
His parents.
The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside.
His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears.
"I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking.
Evie's gentle hands patted his back.
"I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion.
Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?"
"That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?"
"It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?"
Keeping his face pressed against her hair, Gabriel shook his head.
"Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me."
"Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery."
"You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement.
"I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover."
"I agree," Evie said firmly.
Letting out a shuddering sigh, Gabriel tightened his arms around her.
After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit."
"A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
I’ve always said that toking up expands your mind and gets the creative juices flowing and Barack proved me right. After a few hours of simmering in our fumes and cracking up at a VHS of Barbarella, he turns to me and says, “What if we just fucking sent in some helicopters into Pakistan?” I said, “Without permission? That’s either the craziest thing I ever heard or the most genius.” Barack starts laughing and says “Crazy like a fox!” and orders the choppers in. And that’s how we killed bin Laden. Later that night we ordered a Pad Thai Pizza from this place called Big Billy’s, and that was just as awesome as it sounds. Yeah, Barack’s a pretty good guy.
”
”
The Onion (The President of Vice: The Autobiography of Joe Biden)
“
Bluefur headed along the fern tunnel. Why wasn’t Goosefeather helping more? Why did ThunderClan seem to have the laziest, dumbest medicine cat? As she reached the end of the tunnel, she stopped. The medicine clearing was cool and green and empty. “Goosefeather!” Bluefur guessed he was sleeping in his den. Two eyes peered from the crack in the rock. Bluefur tensed. They were round and wild, and for a moment she thought a fox had got in. “Goosefeather?” she ventured shakily. The medicine cat padded out, his pelt ruffled. His eyes were still wild, but less startling in the daylight. “What is it?” “Featherwhisker sent me for herbs for my belly. I shared a bad mouse with Sweetpaw and Rosepaw last night.” “You as well?” He rolled his eyes. Bluefur nodded. “Evil omens everywhere.” Bluefur wondered if she’d heard the medicine cat correctly. He was muttering as he turned back into his den and still muttering as he came out and shoved a pawful of shredded leaves in front of her. “It was just a bad mouse,” she meowed, wondering why he was so upset. He leaned toward her, his breath stinky in her face. “Just a bad mouse?” he echoed. “Another warning, that’s what it was! I should have seen it coming. I should have noticed.” “How?” Bluefur backed away. “It didn’t taste bad.” She realized that his pelt wasn’t ruffled from sleep, but simply ungroomed. It clung to his frame as though the season were leaf-bare and he hadn’t eaten properly for a moon. She took another pace back. “It was just a bad mouse,” she repeated. He turned a disbelieving look on her. “How can you—you of all cats—ignore the signs?” he spat. “Me?” What did he mean? “You have a prophecy hanging over your head like a hawk. You’re fire, and only water can destroy you! You can’t ignore the signs.” “B-but…I’m just a warrior.” Was she supposed to have the insight of a medicine cat? That wasn’t fair. He should be giving her answers, not taunting her with the promise of a destiny she didn’t understand. She had wondered when Goosefeather would again speak to her about the prophecy, but now he was making even less sense than before. “Just a warrior?” His whiskers trembled. “Too many omens. Three cats poisoned, two only whiskers from StarClan, Leopardfoot nearly dead, her three kits hanging on to life like rabbits in a fox den.” He stared through her, seeming to forget she was there. “Why such a difficult birth for the Clan leader’s mate? The kits may not make it through another night. The tom is too weak to mew, let alone feed. I should help them, and yet how can I when the signs are clear?” What in the name of StarClan was he talking about? Forgetting the herbs, Bluefur backed out of the den. Only whiskers from StarClan.
”
”
Erin Hunter (Bluestar's Prophecy (Warriors Super Edition, #2))
“
A man on his deathbed left instructions
For dividing up his goods among his three sons.
He had devoted his entire spirit to those sons.
They stood like cypress trees around him,
Quiet and strong.
He told the town judge,
'Whichever of my sons is laziest,
Give him all the inheritance.'
Then he died, and the judge turned to the three,
'Each of you must give some account of your laziness,
so I can understand just how you are lazy.'
Mystics are experts in laziness. They rely on it,
Because they continuously see God working all around them.
The harvest keeps coming in, yet they
Never even did the plowing!
'Come on. Say something about the ways you are lazy.'
Every spoken word is a covering for the inner self.
A little curtain-flick no wider than a slice
Of roast meat can reveal hundreds of exploding suns.
Even if what is being said is trivial and wrong,
The listener hears the source. One breeze comes
From across a garden. Another from across the ash-heap.
Think how different the voices of the fox
And the lion, and what they tell you!
Hearing someone is lifting the lid off the cooking pot.
You learn what's for supper. Though some people
Can know just by the smell, a sweet stew
From a sour soup cooked with vinegar.
A man taps a clay pot before he buys it
To know by the sound if it has a crack.
The eldest of the three brothers told the judge,
'I can know a man by his voice,
and if he won't speak,
I wait three days, and then I know him intuitively.'
The second brother, 'I know him when he speaks,
And if he won't talk, I strike up a conversation.'
'But what if he knows that trick?' asked the judge.
Which reminds me of the mother who tells her child
'When you're walking through the graveyard at night
and you see a boogeyman, run at it,
and it will go away.'
'But what,' replies the child, 'if the boogeyman's
Mother has told it to do the same thing?
Boogeymen have mothers too.'
The second brother had no answer.
'I sit in front of him in silence,
And set up a ladder made of patience,
And if in his presence a language from beyond joy
And beyond grief begins to pour from my chest,
I know that his soul is as deep and bright
As the star Canopus rising over Yemen.
And so when I start speaking a powerful right arm
Of words sweeping down, I know him from what I say,
And how I say it, because there's a window open
Between us, mixing the night air of our beings.'
The youngest was, obviously,
The laziest. He won.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
Jacks tore at another piece of bread. 'I don't ever come here. The Hollow used to be my home.' His eyes turned a bleak shade of blue.
Evangeline felt the urge to say she was sorry, but she wasn't sure what for. All she knew was that her heart had cracked when he'd said the word home.
What had happened to change things? How had he turned from a boy with a family and friends in to a Fate? And why did he no longer want to come here? To her, the Hollow felt warm and wonderful, but it clearly didn't to Jacks.
'When was the last time you were here?'
'Right after I became a Fate.' Jacks countenance shifted as soon as the words were out.
It was like watching a spell break apart.
The fire crackled and the tavern grew hotter as Jack's entire body tensed. He dropped the bread, hardened his jaw, narrowed his eyes on Evangeline, then slowly lowered his stormy gaze to the chain around her neck. And this time, he didn't ask if it was a a gift from Luc.
'I think you've been naughty, Little Fox.' He made a tsking sound with his tongue. 'Where did you find the truth stone?
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
He raised his wand, but a dull hopelessness was spreading through him: How many more lay dead that he did not yet know about; he felt as though his soul had already half left his body. . . . “HARRY, COME ON!” screamed Hermione. A hundred dementors were advancing, gliding toward them, sucking their way closer to Harry’s despair, which was like a promise of a feast. . . . He saw Ron’s silver terrier burst into the air, flicker feebly, and expire; he saw Hermione’s otter twist in midair and fade; and his own wand trembled in his hand, and he almost welcomed the oncoming oblivion, the promise of nothing, of no feeling. . . . And then a silver hare, a boar, and a fox soared past Harry, Ron, and Hermione’s heads: The dementors fell back before the creatures’ approach. Three more people had arrived out of the darkness to stand beside them, their wands outstretched, continuing to cast their Patronuses: Luna, Ernie, and Seamus. “That’s right,” said Luna encouragingly, as if they were back in the Room of Requirement and this was simply spell practice for the D.A. “That’s right, Harry . . . come on, think of something happy. . . .” “Something happy?” he said, his voice cracked. “We’re all still here,” she whispered, “we’re still fighting. Come on, now. . . .
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon.
The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified.
It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel.
One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice.
The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched.
The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward.
Death has his whims. He takes it into his head to dismount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along.
In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment.
Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there.
There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them.
For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops.
But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
”
”
Johannes V. Jensen (Kongens fald)
“
New trout, having never seen rain on the river, rise eagerly to ripples on the Mink. Some windows close against the moist and some open for the music. Rain slips and slides along hawsers and chains and ropes and cables and gladdens the cells of mosses and weighs down the wings of moths. It maketh the willow shiver its fingers and thrums on doors of dens in the fens. It falls on hats and cats and trucks and ducks and cars and bars and clover and plover. It grayeth the sand on the beach and fills thousands of flowers to the brim. It thrills worms and depresses damselflies. Slides down every window rilling and murmuring. Wakes the ancient mud and mutter of the swamp, which has been cracked and hard for months. Falls gently on leeks and creeks and bills and rills and the last shriveled blackberries like tiny dried purple brains on the bristles of bushes. On the young bear trundling through a copse of oaks in the woods snorffling up acorns. On ferns and fawns, cubs and kits, sheds and redds. On salmon as long as your arm thrashing and roiling in the river. On roof and hoof, doe and hoe, fox and fence, duck and muck. On a slight man in a yellow slicker crouched by the river with his recording equipment all covered against the rain with plastic wrap from the grocery store and after he figures out how to get the plastic from making crinkling sounds when he turns the machine on he settles himself in a little bed of ferns and says to the crow huddled patiently in rain, okay, now, here we go, Oral History Project, what the rain says to the river as the wet season opens, project number …something or other … where’s the fecking start button? …I can’t see anything … can you see a green light? yes? is it on? damn my eyes … okay! there it is! it’s working! rain and the river! here we go!
”
”
Brian Doyle (Mink River: A Novel)
“
The first time Christina and Lachlan Meet
...Christina wasn't about to stop fighting—not until she took her last breath. Boring down with her heels, she thrashed. "Get off me, ye brute." She would hold her son in her arms this day if it was the last thing she did. And by the shift of the crushing weight on her chest, she only had moments before her life's breath completely whooshed from her lungs.
The very thought of dying whilst her son was still held captive infused her with strength. With a jab, she slammed the heel of her hand across the man's chin. He flew from her body like a sack of grain. Praises be, had the Lord granted her with superhuman strength? Blinking, Christina sat up.
No, no. Her strike hadn't rescued her from the pillager.
A champion had.
A behemoth of a man pummeled the pikeman's face with his fists. "Never. Ever." His fists moved so fast they blurred. "Harm. A. Woman!"
Bloodied and battered, the varlet dropped to the dirt.
A swordsman attacked her savior from behind.
"Watch out," she cried, but before the words left her lips the warrior spun to his feet. Flinging his arm backward, he grabbed his assailant's wrist, stopped the sword midair and flipped the cur onto his back.
Onward, he fought a rush of English attackers with his bare hands, without armor. Not even William Wallace himself had been so talented. This warrior moved like a cat, anticipating his opponent's moves before they happened.
Five enemy soldiers lay on their backs.
"Quickly," the man shouted, running toward her, his feet bare.
No sooner had she rolled to her knees than his powerful arms clamped around her. The wind whipped beneath her feet. He planted her bum in the saddle.
"Behind!" Christina screamed, every muscle in her body clenching taut.
Throwing back an elbow, the man smacked an enemy soldier in the face resulting in a sickening crack.
She picked up her reins and dug in her heels.
"Whoa!" The big man latched onto the skirt of her saddle and hopped behind her, making her pony's rear end dip. But the frightened galloway didn't need coaxing. He galloped away from the fight like a deer running from a fox.
Christina peered around her shoulder at the mass of fighting men behind them. "My son!"
"Do you see him?" the man asked in the strangest accent she'd ever heard.
She tried to turn back, but the man's steely chest stopped her. "They took him."
"Who?"
"The English, of course."
The more they talked, the further from the border the galloway took them.
"Huh?" the man mumbled behind her like he'd been struck in the head by a hammer. Everyone for miles knew the Scots and the English were to exchange a prisoner that day.
The champion's big palm slipped around her waist and held on—it didn't hurt like he was digging in his fingers, but he pressed firm against her. The sensation of such a powerful hand on her body was unnerving. It had been eons since any man had touched her, at least gently. The truth? Aside from the brutish attack moments ago, Christina's life had been nothing but chaste.
White foam leached from the pony's neck and he took in thunderous snorts. He wouldn't be able to keep this pace much longer. Christina steered him through a copse of trees and up the crag where just that morning she'd stood with King Robert and Sir Boyd before they'd led the Scottish battalion into the valley. There, she could gain a good vantage point and try to determine where the backstabbing English were heading with Andrew this time.
At the crest of the outcropping, she pulled the horse to a halt. "The pony cannot keep going at this pace."
The man's eyebrows slanted inward and he gave her a quizzical stare. Good Lord, his tempest-blue eyes pierced straight through her soul. "Are you speaking English?
”
”
Amy Jarecki (The Time Traveler's Christmas (Guardian of Scotland, #3))
“
The prisoner was Driver A. J. Hayes, chauffeur of the commander of one of the crack field batteries attached to the Fourth Indian Division. “He says Hitler has on several occasions offered Britain good peace terms. But Churchill, inspired by malice and ruthlessness, is leading the British people toward the abyss. The prisoner’s manner of speaking makes his testimony seem trustworthy.
”
”
David Irving (THE TRAIL OF THE FOX The Search for the True Field Marshall)
“
We just watched the egg. At first, it seemed like it'd be okay. But then a crack wiggled its way from the bottom to the top, and the insides took their cue, oozing out with a definitive blurp.
"My, my," Pascal said.
We watched as the white spread fast and loose, while the bright orange yolk moved with purpose, like a paramecium.
"Kinda sexy, no?" he remarked, more to the egg than to me, but I blushed four thousand degrees anyway.
Oh. My. God.
”
”
Jessica Tom (Food Whore)
“
Somehow, this has turned into the world’s deadliest couples retreat,” Charlie cracks.
”
”
Kelly Fox (Protection (Mobsters + Billionaires, #2))
“
And then the crack seals up and I’m back on familiar ground, and I remember to miss my friend, and I am relieved.
”
”
Lauren Fox (Days of Awe)
“
Life is like a peanut M&M; starts out smooth and sweet, but cracks gradually appear, and eventually you're left nothing but nuts!
”
”
Fox Brison
“
Stay / nonplussed. Make / them work / to crack / you, writes Poetry Fox, among other things.
”
”
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
“
Looking superior, Hannah handed him the headset. Fox put them on. A moment later, he let out a crack of laughter. Piper turned in the seat. “What song did you play him?” “‘No Scrubs.
”
”
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
“
Morning's Serenade by Stewart Stafford
Stirred by a magpie's auction bids,
I opened up our curtained eyelids,
To pale dawn's reverential blinking,
Beyond my lady's distant inkling.
Anointed by the infant sun's rays,
I stand in regal morning’s praise;
Surveying virgin domain’s expanse,
Before the hatchling public dance.
The early-risen owl hoots carried far,
The songbirds played off fading stars,
Cockcrow drew in a loping red fox,
Scattering fawns and sheep flocks.
My lady spent, sports a drowsy crown,
Her chest rises, then slowly down,
Cityscape visions to last night's desire,
Golden tresses tossed in oriole fire.
To the kitchen, a connoisseur's start,
A lover's labour, a chef's work of art,
Crack avian treasures, new life's motif.
Ground coffee, perfumed weekend relief.
© Stewart Stafford, 2024. All rights reserved.
”
”
Stewart Stafford
“
Damn manor," he says. "Damn girl. Intrepid thing you are, eager to be swallowed by a beast just to examine its innards." He laughs, in the merciless way that ice cracks underfoot on a frozen lake. "It seems I named you poorly. Clever, clever fox, with your inexplicable charms. You are my penance, aren't you?
”
”
A. B. Poranek
“
You can't just tie people up and whisk them to wherever you want them.'
'I wouldn't need to, if you would just remember.' His voice was still quiet, but it was a dangerous sort of quiet, one that gave his words a bite.
Evangeline told herself not to care. But instead she felt compelled to argue. 'You don't think I'm trying to remember?'
'Clearly not hard enough,' Jacks said coldly. 'Do you even want your memories back?'
'All I've been doing is trying to get them back!'
'If you believe that, then either you're lying to yourself or you've forgotten how to really try.' His eyes burned as they met hers; it was a fire like anger. But she could see hurt as well. It came in threads of silver that moved through the blue of his eyes like cracks. 'I've seen you try before. I've seen you want something more than anything else in the entire world. I've seen what you're willing to do. How far you were willing to go. You haven't even come close to that now.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Evangeline spun to the side and slapped him hard across the face. The sound of her hand hitting his cheek echoed through the inn, loud, cracking and satisfying.
You loathsome, conceited, cowardly worm of a prince, she thought as she watched his skin turn an inflamed shade of red.
She didn't tell him that she knew what he really was and that she would never be his. She wanted to. But she wasn't that foolish. Not when Apollo was surrounded by guards and heroes who could effortlessly subdue her if she picked a proper fight with the prince.
'Oh, Apollo!' she exclaimed instead. 'You startled me.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
part of me wanted to see Mr. Armitage’s smooth façade crack just a little.
”
”
C.J. Archer (Murder at the Mayfair Hotel (Cleopatra Fox, #1))
“
The library (Ed’s; shelves full, cracked spines and foxed dust jackets, all packed tight as teeth) and the study
”
”
A.J. Finn (The Woman in the Window)
“
Lilian?” Kevin needed a moment to register that, indeed, Lilian was standing before him. “What are you doing here? I thought you were taking a bath with the others.” “I was going to,” Lilian admitted, “but then I realized that my mate and I haven’t been able to spend much time alone together because my family kept getting in the way, and I thought this would be the perfect opportunity for us to bond.” “Bond?” He studied the girl, and eventually realized that she wasn’t looking at his face. Feeling a sense of unease growing in the pit of his stomach, Kevin looked down. His face grew red. He let out a loud “eep!” and tried to cover himself with his hands. “Ufufufu,” Lilian chuckled. “You’re still too cute when you get embarrassed like that.” Kevin tried to glare at her, but the blush on his face lessened the effect. “It’s got nothing to do with being embarrassed and everything to do with common decency,” he insisted, lying through his teeth. “Most people don’t stand around in the nude while someone else is present, not even if they’re dating that person.” “Most people aren’t mated to a kitsune.” “Ugh…” She had him there. “Kevin” Lilian’s eyes were warm and so incredibly earnest that Kevin was unable to look away, “you are my mate; the person I love more than anyone else in this world.” Delicate hands reached up and cupped his face. “This isn’t some random person wanting to see you naked. This is me, your mate, who wants to become more intimate with you. If it helps, I promise not to touch anything below the belt.” Staring at the girl with an uncomprehending gaze, Kevin’s mind became a warzone, a battle the likes of which no one had ever seen before—mostly because it was all happening in his mind. *** The desolate wasteland spread out for miles, its borders traveling far beyond the distant horizon. Cracks traversed the ground like a myriad system of interconnecting spiderwebs. There was no flora or fauna in this wasteland. It was the perfect place… for war. Two forces stood on opposite ends of each other, armies of nearly equal might. Multi-segmented plates clicked together as figures moved and jostled each other. Horned helms adorned the many heads, their faceplates masking their identities. Hands gripped massive halberds with leaf-shaped blades that gleamed like a thousand suns. The army on the northern border wore white armor, while those in the southern quadrant wore red. A moment of silence swept through the clearing. A tumbleweed rolled across the ground. It was the unspoken signal for the battle to start, and the two forces rushed in toward the center, yelling out their battle cries. “For Lilian!!” “For chastity!!” Thunder struck the earth as these two titanic armies fought. Bodies were thrown into the air with impunity. Halberds clashed, the sound of metal on metal, steel ringing against steel, rang out in a symphony of chaos. Sparks flew and shouts accompanied the maelstrom of combat. It was, indeed, a battle worthy of being placed within the annals of history. A third party soon entered the fray. From one of the many cliffs surrounding the battlefield, an army appeared. Unlike the two forces duking it out down below, this army was bereft of nearly all their clothes. Wearing nothing but simple loincloths and bandoleers similar to Tarzan’s, the group of individuals looked identical. Messy blond hair framed bright blue eyes that glared down at the battlefield. With nary a thought, this force surged down the cliff, their own battle cry echoing across the land. “DEATH TO THE CHERRY!!” And so more chaos was unleashed upon the battlefield. ***
”
”
Brandon Varnell (A Fox's Family (American Kitsune #4))
“
Kevin Swift woke up to a series of unusual sounds. The first, not to mention easiest, for him to identify was crying—no, not just crying. Sobbing. It was the sound of someone sobbing manly tears, though they did not sound sad. The second sound was, strangely enough, a word: kawaii. Just what the heck someone was doing speaking Japanese was beyond him. It was the third sound, however, that caused him to open his eyes—namely because it was right next to his ear. “Nya.” Cracking a single eye open, Kevin first saw nothing but red. It was hair. Lilian’s hair. A million strands of silk that tickled his nose. The familiar scent of strawberries and vanilla lulled his mind into a sense of contentment. He must have buried his face in her hair sometime during the night. “Nya.” Something swatted at his ear, sharp and hard. It kind of hurt. Unburying his face and turning his head, Kevin met the large yellow orbs of a black cat. “Nya.” “Morning.” He yawned. “Nya.” “Did you sleep well?” “Nya.” “Good to know.” “Nya.” “… You don’t really say anything other than ‘nya’ do you? Shouldn’t you be ‘meowing’ instead? You know, like a cat should?” The cat tilted her head. “Nya?” “… Never mind.
”
”
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
“
Ken was thrown backwards by Kevin’s powerful double heel kick. Kevin, having used the kitsune as a springboard, flipped through the air and landed in a crouch. The two-tailed fox was not so lucky. After sailing through the air, he hit the ground. Hard. “Urk!” Ken nearly swallowed his tongue as he slammed into the ground. He continued to tumble across the asphalt for several more feet before coming to a halt. Kevin stood back up and clapped his hands several times, wearing an expression that epitomized satisfaction. He turned his head to look at his mate and the flabbergasted kappa. “You just kicked a kitsune,” Kyle stated the obvious. “That I did.” Kevin nodded, quite proud of himself. This was the first time he’d managed that kick without landing on his back. “You two should get going. I can handle things here.” “You sure?” Kyle appeared dubious. “You may have gotten the drop on him, but that guy is still a kitsune, and, well, you’re just a human.” Two sets of cheeks puffed up simultaneously. “Don’t underestimate me! Who the hell do you think I am?” Kevin shouted, pointing at Kyle. Don’t underestimate my mate! Who the hell do you think he is?” Lilian also shouted. She was also pointing at Kyle. The kappa looked at the two of them, his face slowly deadpanning. “You two just did that in synch.” Kevin and Lilian tilted their heads at the same time. Their expressions were almost identical. “We did?” “Yes, you did.” The two might have responded to Kyle’s words, but they were forced to scramble out of the way when a drill made of water crashed into the ground, which cracked underneath the intense pressure. They looked at the person who’d created it—Ken, once again on his feet, with blood trailing down his forehead, and his two tails writhing in furious agitation. “Quit ignoring me!” “Oh, right,” Kevin muttered. “You’re still here.” “Are you saying you forgot about me already?!” “I’m sorry. You’re just not that important.” “What?!” Ken gawked. “That’s what happens when you’re a fop,” Lilian added. “Ugh.” “Yeah, nobody likes a fop,” Kevin agreed. “Gurk.” “Especially not pretty boy fops,” even Kyle got in on the action. “Shut up!” Ken growled, his cheeks almost neon red. “Shut up, shut up, shut up! I’ll show you! I’ll prove to all of you that I’m not a fop!” “Only someone who’s a fop would bother trying to prove that he’s not a fop,” Kevin chided.
”
”
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
“
Kevin might have been fast when it came to running track, but that meant nothing when he couldn’t make use of that speed. He was used to moving linearly, not weaving around punches and kicks like a monkey on crack.
”
”
Brandon Varnell (A Fox's Family (American Kitsune #4))
“
When I return to my mom’s room, it’s like seeing it for the first time: there on the bedside table are my notes, lists of medications, doctors’ phone numbers. Next to the trash can is a scattered pile of orange peels. A pale blue curtain used to divide the room is pushed back, revealing a wheelchair in the corner. I can hear the oxygen concentrator on the other side of her bed, pumping air into the tube beneath her nose. There is a huge vase of roses and hoary stock, sent from Guy, their colors bright against the drab, and on the muted TV, Fox News or CNN—it doesn’t matter. She just likes the company. “Mom.” My voice cracks. “You shouldn’t make a mess, the nurses have enough to do.” I collect the orange rinds without looking at her and put them in the trash. “I’m so uncomfortable,” she complains. “And I don’t like the nurse on duty tonight. She’s the one I told you about. Big Russian woman.
”
”
Liska Jacobs (The Worst Kind of Want)
“
Golden Egg Pets · Golden Dragon · Golden Griffin · Golden Unicorn Diamond Egg Pets · Diamond Dragon · Diamond Griffin · Diamond Unicorn Common Pets · Bandicoot (Aussie Egg) · Buffalo (Cracked Egg or Pet Egg) · Cat (Starter Egg, Cracked Egg, or Pet Egg) · Chicken (Farm Egg) · Dog (Starter Egg, Cracked Egg, or Pet Egg) · Otter (Cracked Egg or Pet Egg) · Robin (Christmas Egg) Uncommon Pets · Black Panther (Jungle Egg) · Blue Dog (Blue Egg) · Capybara (Jungle Egg) · Chocolate Labrador (Cracked Egg, Pet Egg, or Royal Egg) · Dingo (Aussie Egg) · Drake (Farm Egg) · Fennec Fox (Cracked Egg, Pet Egg, or Royal Egg) · Meerkat (Safari Egg) · Pink Cat (Pink Egg) · Puma (Cracked Egg, Pet Egg, or Royal Egg) · Silly Duck (Farm Egg) · Snow Cat (Cracked Egg, Pet Egg, or Royal Egg) · Wild Boar (Safari Egg) · Wolf (Christmas Egg) Rare Pets · Australian Kelpie (Aussie Egg) · Beaver (Cracked Egg, Pet Egg, or Royal Egg) · Brown Bear (Jungle Egg) · Bunny (Cracked Egg, Pet Egg, or Royal Egg) · Cow (Farm Egg) · Elephant (Safari Egg) · Elf Shrew (Christmas Event: 23,000 Gingerbread) · Emu (Aussie Egg) · Hyena (Safari Egg) · Pig (Farm Egg) · Polar Bear (Christmas Egg) · Rabbit (Cracked Egg, Pet Egg, or Royal Egg) · Rat (Lunar New Year Event 2020 - Rat Box - 14 in 15 Chance) · Reindeer (Christmas Egg) · Rhino (Jungle Egg) · Snow Puma (Cracked Egg, Pet Egg, or Royal Egg) · Swan (Christmas Egg) Ultra-Rare Pets · Arctic Fox (Christmas Egg) · Bee (Coffee Shop - Honey: 199 Robux - 35 in 40 Chance) · Crocodile (Jungle Egg) · Elf Hedgehog (Christmas Event: eighty,500 Gingerbread) · Flamingo (Safari Egg) · Frog (Aussie Egg) · Horse (Pet Shop: 300 Robux) · Koala (Aussie Egg) · Lion (Safari Egg) · Llama (Farm Egg) · Panda (Lunar New Year Event - Game Pass: 249 Robux) · Penguin (Throw a Golden Goldfish (225 Robux) to a Penguin on the Ice Cream Parlor) · Platypus (Jungle Egg) · Red Panda (Cracked Egg, Pet Egg, or Royal Egg) · Santa Dog (Christmas Event: 250 Robux) · Shiba Inu (Cracked Egg, Pet Egg, or Royal Egg) · Sloth (Pet Shop: 199 Robux) · Turkey (Farm Egg) · Zombie Buffalo (Halloween Event) Legendary Pets · Arctic Reindeer (Christmas Egg) · Bat Dragon (Halloween Event 2019: a hundred and eighty,000 Candies) · Crow (Farm Egg) · Dragon (Cracked Egg, Pet Egg, or Royal Egg) · Evil Unicorn (Halloween Event 2019: 108,000 Candies) · Frost Dragon (Christmas Event 2019: 1,000 Robux) · Giraffe (Safari Egg) · Golden Penguin (Throw a Golden Goldfish (225 Robux) to a Penguin at the Ice Cream Parlor) · Golden Rat (Lunar New Year Event 2020 - Rat Box - 1 in 15 Chance) · Griffin (Gamepass or six hundred Robux) · Kangaroo (Aussie Egg) · King Bee (Coffee Shop - Honey: 199 Robux - 4 in 40 Chance) · Owl (Farm Egg) · Parrot (Jungle Egg) · Queen Bee (Coffee Shop - Honey: 199 Robux - 1 in 40 Chance) · Shadow Dragon (Halloween Event 2019: 1,000 Robux) · Turtle (Aussie Egg) · Unicorn (Cracked Egg, Pet Egg, or Royal Egg)
”
”
Bozz Kalaop (Roblox Adopt me, Arsenal, Boxing, Simulator full codes - Tips And Tricks)
“
Pick your life and then fit your job in the cracks. Don’t pick your job and then fit your life in the cracks.
”
”
Matt Fox (The Hitchhiker Man)
“
thought you said you just came last night?” And the minute she says it, that particular choice of words, I can tell exactly what Grant’s thinking. His stoic expression cracks for just a moment as the tiniest smirk quirks the mustache that stands out thicker from the scruff along his beard. And I’m realizing really fucking quickly that Grant Fox is not just attractive. No, this guy is ruggedly handsome. Tall and built. Thick, dark brown hair long enough to thread through fingers and grip along the top. Hazel eyes shining with colors that make them pretty as they dance around my face. “That true, honey? Did you just come last night?” “Sure did,” I quip right back without missing a beat. “Not that it’s any of your business.” “Honey? What did I miss?” Lincoln asks his brother. The glare I’m trying to muster turns into a staring contest that, if I’m not careful, I might lose. He keeps his eyes trained on me while he answers his brother. “She was wandering around the back of the main house in one of Ace’s t-shirts. No pants. Thought she was still drunk or lost.” My hands ball up into fists and a full-body flash of heat flushes my face, staining my cheeks and up my neck too. “I was neither of those, fuck you very much.” He crosses his arms over his broad chest. “Didn’t think I’d see you again. He usually doesn’t like repeats.” Hadley barks out a laugh and slings her arm around my shoulders. “Well, it looks like you might be seeing even more of her since she just moved into the cottage across from your place.” The speed at which his eyebrows raise and lips part is priceless. I smile with satisfaction. Lincoln leans closer and quietly asks, “That true? You and Ace?
”
”
Victoria Wilder (Bourbon & Lies (The Bourbon Boys, #1))