Coyote Blue Quotes

We've searched our database for all the quotes and captions related to Coyote Blue. Here they are! All 59 of them:

Love: the sickest of Irony’s sick jokes. The place where logic and order go to die.
Christopher Moore (Coyote Blue)
That's the scary thing about hope," she said. "If you let it go too long it turns into faith.
Christopher Moore (Coyote Blue)
You want me and I want you. right?" Who did she think she was? You can't just go around blurting out the truth like a prophet with Tourette's Syndrome. He said, "Well, I guess. Yeah, that's right.
Christopher Moore (Coyote Blue)
Like God's own chocolate, I'd lick her shadow off a hot sidewalk
Christopher Moore (Coyote Blue)
Adeline had come to Christianity the same way she had come to sex and smoking:through peer pressure.Thinking about her six kids and her smoker's hack, she wondered if perhaps peer pressure didn't always lead to the best habits.
Christopher Moore (Coyote Blue)
Anger is the spirits telling you that you are alive.
Christopher Moore (Coyote Blue)
We really have to get going," Sam said. "Can we leave the car here and pick it up later?" The monk said, "Does a dog have a Buddha nature?" Does a fish have a watertight asshole?" said Coyote.
Christopher Moore (Coyote Blue)
She's alone, they kept telling themselves, and surely she danced in no one's arms, yet somehow that seemed to matter less and less. As the night went on, and clarinet and coyote call mingled beyond the lantern light, the magic of their own powder-blue jackets and orchids seemed to fade, and it came to them in small sensations that they were more alone than she was.
Jerry Spinelli (Stargirl (Stargirl, #1))
You know, there's a 12 step program for gambling. You should look into that. Twelve steps. Coyote laughed. I'll bet I can do it in six.
Christopher Moore (Coyote Blue)
Hope is bulletproof, truth just hard to hit
Christopher Moore (Coyote Blue)
Why understand when you can believe?
Christopher Moore (Coyote Blue)
There's talk he's become emotionally unhinged.
Dianne Harman (Blue Coyote Motel (Coyote #1))
You must find a place on a woman's body and live there. In the dark, the noise far away, Sam ran his hands over Calliope's body and the world of work and worry seemed to move away. He found two depressions at the bottom of her back where sunlight collected, and he lived there, out of the wind and noise. He grew old there, died and ascended to the Great Spirit, found heaven in her cheek on his chest, the warm wind of her breath across his stomach carried sweet grass and sage, and... In another lifetime he had lived on the soft skin under her right breast, his lips riding light over the ridge and valley of every rib, shuffling through downy, dew damp hairs like a child dancing through autumn leaves. In the mountain of her breast, he fasted at the medicine wheel of her aureole, received a vision that he and she were steam people, mingled wet with no skin seperating them. And there he lived, happy. She followed, traveled, lived with him and in him as he was in her. They lived lifetimes and slept and dreamed together. It was swell.
Christopher Moore (Coyote Blue)
If you're going to learn, you need to forget what you know.
Christopher Moore (Coyote Blue)
Honey, I usually get $300, but I like you, so I'll just take $200.
Dianne Harman (Blue Coyote Motel (Coyote #1))
Religion was supposed to be a matter of faith. Gods were not supposed to jump on your desk and snarl at you. They weren't supposed to sit in your office smoking cigarettes. God's didn't do anything. They were supposed to ignore you and let you suffer and die having never known whether your religion was a waste of time. Faith.
Christopher Moore (Coyote Blue)
Coyote: A small canid (Canis latrans) native to western North America that is closely related to the American wolf and whose cry has often been compared to that of Sippie Wallace and Janis Joplin, amongst others.
Sherman Alexie (Reservation Blues)
It's easier to keep a secret if people think you're crazy
Christopher Moore (Coyote Blue)
The Old Ones say you can feel your spirit during a Vision Quest.
Dianne Harman (Blue Coyote Motel (Coyote #1))
He's been injecting the anti-aging hormone into his wife.
Dianne Harman (Blue Coyote Motel (Coyote #1))
This madman must be stopped.
Dianne Harman (Blue Coyote Motel (Coyote #1))
Action based on hope just felt better than the paralysis of certainty.
Christopher Moore (Coyote Blue)
To be safe is to be afraid.
Christopher Moore (Coyote Blue)
You can't just go around blurting out the truth like a prophet with Tourette's syndrome.
Christopher Moore (Coyote Blue)
My children are monsters, Kiro thought. And I am responsible. Perhaps if I had read them the haikus of Basho when they were little instead of that American manifesto of high-pressure sales, Green Eggs and Ham...
Christopher Moore (Coyote Blue)
He could still remember how the first sip of wine made him feel.
Dianne Harman (Blue Coyote Motel (Coyote #1))
She pulled off the highway and quickly changed into the burkha.
Dianne Harman (Blue Coyote Motel (Coyote #1))
One day I was telling him that I thought that cars had replaced guns as phallic symbols for American men, and I thought it was interesting that he had one that was so small and fast. The next day he gave me the Datsun and went out and bought a Lincoln.
Christopher Moore (Coyote Blue)
The sofa was lumpy enough to have had a body sewed into it; stuffing spilled out of the arms where the victim had tried to escape.
Christopher Moore (Coyote Blue)
Snake eyes!" the croupier said.          "Lizard dick!" Coyote shouted back. This sent me to convulsions.
Christopher Moore (Coyote Blue)
If you are going to learn, you need to forget what you know. - Pokey
Christopher Moore (Coyote Blue)
A day goes by. Every shiver of grass counts. The shallows and dapples in air that give grass life are like water. The bobcat returns nightly. During easy jags of sleep the dog’s dream-paws chase coyotes. I ride to the sheep. Empty sky, an absolute blue. Empty heart. Sunburned face blotches brown. Another layer of skin to peel, to meet myself again in the mirror. A plane passes overhead—probably the government trapper. I’m waving hello, but he speeds away.
Gretel Ehrlich (The Solace of Open Spaces)
Back in the buffalo days, the Cheyenne prophet Sweet Medicine had seen a vision of men with hair on their faces who would come bringing a white sand that was poison to Indians. The prophecy had come true, the white sand was sugar, and Adeline blamed the white man for poisoning her right up to two hundred pounds.
Christopher Moore (Coyote Blue)
Get in, get out, and nobody gets hurt, as Uncle Harlan always said, something he picked up in Vietnam.
Christopher Moore (Coyote Blue)
So safe,” Coyote said, “that you can lose it in a day? To be safe is to be afraid. Is that what you want: to be afraid?
Christopher Moore (Coyote Blue)
Liebe - von allen fiesen Streichen, die einem die Ironie des Lebens so spielt, der bei weitem fieseste.
Christopher Moore (Coyote Blue)
What I can play is blues. She was never that into blues. I can salve with Lightning and Cotton, BB and Clapton and Stevie Ray. I can blast Son Seals singing Dear Son until the coyotes in the creek raise up a sympathetic sky ripping interpretation of the harmonica solo. Piercing howls and yelps. Sounds like it’s killing them and also like they love it. Which when you get right down to it is the blues.
Peter Heller (The Dog Stars)
There are those who, deprived of physical beauty, develop a sincerity and beauty of spirit that seems to eclipse their appearance. They marry for love, stay married, and raise happy children who are quick to laugh and slow to judge.
Christopher Moore (Coyote Blue)
Look,” said Whiskey Jack. “This is not a good country for gods. My people figured that out early on. There are creator spirits who found the earth or made it or shit it out, but you think about it: who’s going to worship Coyote? He made love to Porcupine Woman and got his dick shot through with more needles than a pincushion. He’d argue with rocks and the rocks would win. “So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
Neil Gaiman (American Gods)
Look,” said Robinson Crusoe. “The grass.” “Look,” said Hawkeye. “The light.” The clouds had moved away from the mountains, opening a path to the sky. From where they sat, the old Indians and Coyote watched the prairies lean away and turn blue and green and gold as the edges of sunlight touched the storm. It was as if a bright fire had sprung up in the deep grass, running before the wind, seeking the world ablaze with colour. “How beautiful it was,” said the Lone Ranger. “Yes,” said Ishmael. “How beautiful it is.” “It is ever changing,” said Robinson Crusoe. “It remains the same,” said Hawkeye.
Thomas King (Green Grass, Running Water)
Hawk-soar, and butterflies - water trickling, and especially the night sounds: owls, and fish splashing in the creek, the invisible sound of bats over the water, and the howls of the coyotes, the silence of the stars, the sound of the wind, the cool wind: both howling blue northers in the winter, and cool southerly prairie-scented night breezes coming up from Mexico in the summer, cooling the land and bathing us in blossom scents-huisache, agarita. Fire-flies,drawing light it seemed (and blinking it through their bodies) as if fueled by the presence of joy, or happiness, somewhere in the world, and that energy has, and still is, on Prade Ranch
Rick Bass (The Sky, The Stars, The Wilderness)
We do not want to go to the right or left,” he said, “but straight back to our own country!” A few days later, on June 1, a treaty was drawn up. The Navajos agreed to live on a new reservation whose borders were considerably smaller than their traditional lands, with all four of the sacred mountains outside the reservation line. Still, it was a vast domain, nearly twenty-five thousand square miles, an area nearly the size of the state of Ohio. After Barboncito, Manuelito, and the other headmen left their X marks on the treaty, Sherman told the Navajos they were free to go home. June 18 was set as the departure date. The Navajos would have an army escort to feed and protect them. But some of them were so restless to get started that the night before they were to leave, they hiked ten miles in the direction of home, and then circled back to camp—they were so giddy with excitement they couldn’t help themselves. The next morning the trek began. In yet another mass exodus, this one voluntary and joyful, the entire Navajo Nation began marching the nearly four hundred miles toward home. The straggle of exiles spread out over ten miles. Somewhere in the midst of it walked Barboncito, wearing his new moccasins. When they reached the Rio Grande and saw Blue Bead Mountain for the first time, the Navajos fell to their knees and wept. As Manuelito put it, “We wondered if it was our mountain, and we felt like talking to the ground, we loved it so.” They continued marching in the direction the coyote had run, toward the country they had told their young children so much about. And as they marched, they chanted—
Hampton Sides (Blood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West)
TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.
Pattiann Rogers (Quickening Fields (Penguin Poets))
coyote and a buffalo on a feather bed.
Lou Bradshaw (Hell's Gate (Ben Blue, #8))
ANTHROPOCENE PASTORAL BY Catherine Pierce In the beginning, the ending was beautiful. Early spring everywhere, the trees furred Pink and white, lawns the sharp green That meant new. The sky so blue it looked Manufactured. Robins. We’d heard The cherry blossoms wouldn’t blossom This year, but what was one epic blooming When even the desert was an explosion Of verbena? When coyotes slept deep in orange Poppies. One New Year’s Day we woke To daffodils, wisteria, onion grass wafting Through the open windows. Near the end, We were eyeletted. We were cottoned. We were sundressed and barefoot. At least It’s starting gentle, we said. An absurd comfort, We knew, a placebo. But we were built like that. Built to say at least. Built to reach for the heat Of skin on skin even when we were already hot, Built to love the purpling desert in the twilight, Built to marvel over the pink bursting dogwoods, To hold tight to every pleasure even as we Rocked together toward the graying, even as We held each other, warmth to warmth, And said, sorry, I’m sorry, I’m so sorry while petals Sifted softly to the ground all around us.
Ayana Elizabeth Johnson (All We Can Save: Truth, Courage, and Solutions for the Climate Crisis)
FLAVOR PROFILE The flavor pairings below are the foundation of the most popular Nicoyan dishes. You can use these arresting combinations to enhance a variety of different meals. beans + corn + squash garlic + cilantro + culantro coyote garlic + onions + mini sweet peppers lime + cilantro + onion
Dan Buettner (The Blue Zones Kitchen: 100 Recipes to Live to 100)
Nicoyans enjoy beans, rice, and corn at almost every meal; squash, peppers, and different tubers like potatoes and yuca also make daily appearances in all types of dishes. Papaya trees grow like weeds on the peninsula, so locals enjoy them year-round, along with a bounty of other colorful fruits including plantains, mangoes, guava, zapote, pineapple, peach palms, and lemons and limes. They also choose to enhance the flavor and nutrient density of their meals with anti-inflammatory herbs and spices like ginger, cilantro, culantro coyote, and garlic.
Dan Buettner (The Blue Zones Kitchen: 100 Recipes to Live to 100)
what it meant.” “That’s fine.” Bosch moved to the drawer and looked in. There were two thin manila files and two packs of envelopes with rubber bands holding them together. The first file he looked through contained Eno’s birth certificate, passport, marriage license and other personal records. He put it back in the drawer. The next file contained LAPD forms and Bosch quickly recognized them as the pages and reports that had been removed from the Marjorie Lowe murder book. He knew he had no time to read them at the moment and put the file in the beer box with the other files. The rubber band on the first package of envelopes snapped when he tried to remove it and he was reminded of the band that had been around the blue binder that contained the case files. Everything about this case was old and ready to snap, he thought. The envelopes were all from a Wells Fargo Bank branch in Sherman Oaks and each one contained a statement for a savings account in the name of McCage
Michael Connelly (The Last Coyote (Harry Bosch, #4; Harry Bosch Universe, #4))
come up here if you have a vision or if you are in trouble.” Pokey grabbed a bag from the floor of the truck and handed it to Samson through the window. “There’s a blanket in there and some mint
Christopher Moore (Coyote Blue)
Calling to Measure It’s an obsession now, this matching And measuring, comparing, for instance, The coral-violet of the inner lip Of a queen conch to the last rim of dusk On the purple-flowering raspberry To the pure indigo of the bird-voiced Tree frog’s twittering tongue, then converting The result to an accepted standard Of rose-scarlet gradations. It’s difficult to say which is greater- The brevity of the elk’s frosty bellow Or the moments of fog sun-lifted Through fragrances of blue spruce Or the fading flavor in one spoonful Of warm chocolate rum. I mark out space by ten peas Strung on a string. The pane perimeter Of my window, for instance, is twenty-eight Lengths, twelve lengths over. Seventy pea-strings stretch from bed To door, Four go round my neck. My longing for you is more painful Than the six-times folding, doubling And doubling, of a coyote’s Most piercing cry, more inconsolable Than a whole night of moonlight blinded By thunderclouds, more constant Than black at the center of a cavern Stone below leagues of granite. I gauge my cold by the depth Of stillness in the pod heart of a frozen Wren. I time my breath by the faltering Leaves of aspen in wind. I count the circles Of my dizziness by the spreading rings Of rain-lassos on the pond, by the repeating Bell chimes of the corridor clock, By the one unending ring of the horizon. Where is the tablet, where the rule, where The steel weights, the balance, the book, Properly to make measure of a loss So grand and deep I can spread and stitch it To every visible star I name- Arcturus, Spica, Vega, Regulus- in this dark Surrounding dark surrounding dark?
Pattiann Rogers (Quickening Fields (Penguin Poets))
There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.
Brian Doyle (Mink River: A Novel)
They sleep pressed together, in a circle around a little clearing where nothing is lit and nothing warmed. They eat cold jerky and cold tortillas, and they listen to their horses patiently chewing, the animals silhouetted in the moonglow. In the distance, they see blue-tinged thunderbolts strike silently on the horizon, and they see the scrawny shadows of coyotes, and stars that burn for an instant and are extinguished, and others so bright they look like caldera conveying fire from another world.
Juan Gómez Bárcena (Not Even the Dead)
C​G/B​C To play the drums ​F​C/F​G To be picked for teams ​C​C/F​C A safe place to pee ​Em​Am Tall trees to climb ​F​C/E​G A dark blue bike ​C​G​C For her to notice me ​E Don’t braid my hair ​Am Don’t make me wear ​G That bridesmaid’s dress, oh joy ​C​G/B​C That school today ​F​C/E​G Will be easy I pray ​C​G​C Or to just wake up a boy C (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) C Thou shalt learn to wink ​G Thou shalt learn all the knots ​F Thou shalt cuss liberally ​C Thou shalt not trash talk ​G the girls ​​F Thou shalt not let the world make you hard ​​C Thou shalt learn to dance and lead C (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) C Thou shalt acquire scars ​G Thou shalt start a pine cone war ​F Thou shalt practice throwing punches ​C Thou shalt not wear a skort ​G Get dirty ​​F In your pockets thou shalt keep A special rock a pocket knife your grubby mitts ​C And several melodies G Tomboy! Tomboy! Tomboy! F​Dm​G​C Tomboy! Tomboy! Tomboy! (Muscles, muscles, muscles, muscles, muscles, muscles, muscles) (repeating) C I always have a piece of string G I want to practice French kissing F Don’t cry so much all of the time G I shine my armour every night G Tomboy! Tomboy! Tomboy! F​Dm​G​C Tomboy! Tomboy! Tomboy! C Thou shalt learn to wink G Thou shalt learn all the knots ​F Thou shalt cuss liberally ​C Thou shalt not trash talk ​G the girls ​​F Thou shalt not let the world make you hard make you bad ​​C Thou shalt learn to dance and lead G Tomboy! Tomboy! Tomboy! F​Dm​G​C Just to be a good Tomboy!
Ivan E. Coyote (Tomboy Survival Guide)
I can blast Son Seals singing Dear Son until the coyotes in the creek raise up a sympathetic sky ripping interpretation of the harmonica solo. Piercing howls and yelps. Sounds like it’s killing them and also like they love it. Which when you get right down to it is the blues.
Peter Heller (The Dog Stars)
The road clung to the spine of the ridge, sidewinding in sinuous loops toward the blue smokes of Smoky Mountain where deposits of coal, ignited by lightning some long-gone summer afternoon a thousand—ten thousand?—years before, smoldered beneath the surface of the mountain’s shoulders. There seemed to be no pursuit. But why should there be? They hadn’t done anything wrong. So far they had done everything right. Down on the alkali flats where only saltbush, cholla and snakeweed grew, they met a small herd of baldface cows ambling up to the higher country. Beef on the hoof, looking for trouble. What Smith liked to call “slow elk,” regarding them with satisfaction as a reliable outdoor meat supply in hard times. How did they survive, these wasteland cattle? It was these cattle which had created the wasteland. Hayduke and Smith dallied several times to get out the old pliers and cut fence. “You can’t never go wrong cuttin’ fence,” Smith would say. “Especially sheep fence.” (Clunk!) “But cow fence too. Any fence.” “Who invented barbed wire anyhow?” Hayduke asked. (Plunk!) “It was a man named J. F. Glidden done it; took out his patent back in 1874.” An immediate success, that barbwire. Now the antelope die by the thousands, the bighorn sheep perish by the hundreds every winter from Alberta down to Arizona, because fencing cuts off their escape from blizzard and drought. And coyotes too, and golden eagles, and peasant soldiers on the coils of concertina wire, victims of the same fat evil the wide world over, hang dead on the barbed and tetanous steel. “You can’t never go wrong cuttin’ fence,” repeated Smith, warming to his task. (Pling!) “Always cut fence. That’s the law west of the hundredth meridian. East of that don’t matter none. Back there it’s all lost anyhow. But west, cut fence.” (Plang!)
Edward Abbey (The Monkey Wrench Gang)
He met his day in the shower, washing his hair with shampoo that was guaranteed to have never been put in a bunny’s eyes and from which ten percent of the profits went to save the whales. He lathered his face with shaving cream free of chlorofluorocarbons, thereby saving the ozone layer. He breakfasted on fertile eggs laid by sexually satisfied chickens that were allowed to range while listening to Brahms, and muffins made with pesticide-free grain, so no eagle-egg shells were weakened by his thoughtless consumption. He scrambled the eggs in margarine free of tropical oils, thus preserving the rain forest, and he added milk from a carton made of recycled paper and shipped from a small family farm. By the time he finished his second cup of coffee, which would presumably help to educate the children of a poor peasant farmer named Juan Valdez, Sam was on the verge of congratulating himself for single-handedly saving the planet just by getting up in the morning.
Christopher Moore (Coyote Blue)
Sam tried to think of a quick explanation, but was too weary from lack of sleep to tackle the concept of Las Vegas in twenty-five words or less. Finally he said, “These are places where you go if you want to fuck up your life and you don’t have a lot of time to do it in.” “Are we going to stop?” “No, I seem to be fucking up at a fine rate of speed, thank you.
Christopher Moore (Coyote Blue)
Spotlighting for animals at night, you’re looking for their luminous eyes. Eyeshine is technically an effect of the tapetum lucidum, a layer of tissue behind the retina of some vertebrate animals that reflects light, allowing the eye’s photoreceptors a second chance to process incoming signals. This gives nocturnal species their superior low-light vision, and the tissue is highly visible: if you direct light at an animal with a tapetum lucidum, its eyes will seem to glow in the dark. The color varies by species, and you can often guess the type of animal by its eyeshine. Cat and dog eyes glow iridescent green; horses and cows are blue; fish are white; and coyotes, rodents, and birds are red. (Primates, including humans, don’t have a tapetum lucidum, so you won’t see any eyeshine by spotlighting a person. The redeye effect in powerful flash photos is a reflection of blood vessels at the back of the eyeball.)
Noah Strycker (Birding Without Borders: An Obsession, a Quest, and the Biggest Year in the World)
The silver flask called to him. Blue Coyote Motel
Dianne Harman