Cowboy Hat Quotes

We've searched our database for all the quotes and captions related to Cowboy Hat. Here they are! All 100 of them:

You can't fool me, comrade. You want to put on a cowboy hat and keep lawless bank robbers in line.'' "No time. I have enough trouble keeping you in line.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Think about a good memory, she whispers in my mind. Remember a moment when you loved him. And just like that, I do. "What did the fish say when it hit a concrete wall?" he asked me. We're sitting on the bank of a stream and he's tying a fly onto my fishing rod, wearing a cowboy hat and red lumberjack-style flannel shirt over a gray tee. So adorable. "What?" I say, he grins. Unbelievable of how gorgeous he is. And that he's mine. He loves me and I love him. "Dam!" he says.
Cynthia Hand (Unearthly (Unearthly, #1))
What the hell is the cowboy hat rule? You wear the hat, you ride the cowboy.
Elsie Silver (Flawless (Chestnut Springs, #1))
Nash Hawthorne would probably tip his cowboy hat to Death herself.
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
He could wear hats. He could wear an assortment of hats of different shapes and styles. Boater hats, cowboy hats, bowler hats. The list went on. Pork-pie hats, bucket hats, trillbies and panamas. Top hats, straw hats, trapper hats. Wide brim narrow brim, stingy brim. He could wear a fez. Fezzes were cool. Hadn't someone once said that fezzes were cool? He was pretty aur ether had. And they were. They were cool.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
What did the fish say when it hit a concrete wall?" he asks me. We're sitting on the bank of a stream and he's tying a fly onto my fishing rod, wearing a cowboy hat and a red lumberjack-style flannel shirt over a gray tee. So adorable. "What?" I say, wanting to laugh and he hasn't even told me the punch line. He grins. Unbelievable how gorgeous he is. And that he's mine. He loves me and I love him and how rare and beautiful is that? "Dam!" he says.
Cynthia Hand (Unearthly (Unearthly, #1))
You can't fool me, comrade. You want to put on a cowboy hat and keep lawless bank robbers in line.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Puttin’ on a cowboy hat & a pair of boots doesn’t make you country; Like puttin’ on a ball gown & glass heels won’t make me Cinderella.
Kellie Elmore
I wander cowboy sidewalks of wood, wearing a too-small hat, filled with remorse for the many lives I failed to lead.
George Saunders (CivilWarLand in Bad Decline)
A wink and a smirk walk into a bar, and the bartender asked them what they were drinking, when all of the sudden a mustache in a cowboy hat riding a vagina runs through the door, and right there I have to stop the joke, because not only does it not have a punch line, but that punch line was kidnapped, and if it’s ever found, it will probably be rated Not Safe For Work. 

Jarod Kintz (This Book Has No Title)
All I want is to finally take off my cowboy hat and show you my jeweled horns. If we slow dance I will ask you not to tug on them but secretly I will want that very much.
Kaveh Akbar (Calling a Wolf a Wolf)
The people who visit the [Lincoln] memorial always look like an advertisement for democracy, so bizarrely, suspiciously diverse that one time I actually saw a man in a cowboy hat standing there reading the Gettysburg Address next to a Hasidic Jew. I wouldn’t have been surprised if they had linked arms with a woman in a burka and a Masai warrior, to belt out ‘It’s a Small World After All,’ flanked by a chorus line of nuns and field-tripping, rainbow-skinned schoolchildren
Sarah Vowell (Assassination Vacation)
Typical Cowboy,"she muttered. "The world could be coming to an end and you wouldn't go outside to watch without your hat." ... "You got that right.
Terri Farley (The Renegade (Phantom Stallion, #4))
Late in the afternoon, thunder growling, that same old green pickup rolled in and he saw Jack get out of the truck, beat up Resistol tilted back. A hot jolt scalded Ennis and he was out on the landing pulling the door closed behind him. Jack took the stairs two and two. They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack’s big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis’s straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other’s toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and his daughters, little darlin.
Annie Proulx (Brokeback Mountain)
Though he was missing the hat and the horse, this guy was every cowboy fantasy come to life.
Devney Perry (Indigo Ridge (The Edens, #1))
I want to be a cowboy.” “You what?” She laughs and turns to look at him. He runs his hand across the dash board. “This could be my steel horse. And look at me? I could rock a cowboy hat.” “This song’s not about an actual cowboy. It’s about touring with the band.” “It’s open to interpretation.
Cheryl McIntyre
I gladly shucked off my wet, muddy jeans and put on the new pair. I noticed she hadn't bought me any underwear; Granuaile either didn't think of it or she did think of it and decided that I should go commando. I tore open the package of undershirts and gingerly pulled a black one over my head before tucking it into my jeans. Though I was now dressed in similar fashion to Coyote, I figured he could keep the cowboy hat and I'd rock the tattoos. Granuaile gave me a good once-over and her gaze felt less than innocent, but all she said was, "Much better.
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
They couldn't very well bag everyone wearing a cowboy hat. This was Texas, which meant there'd be plenty of hats, and besides, there was such a thing as civil rights... and, worse, civilians with camera phones.
J. Fally (Bone Rider)
This is the kind of China you Americans always see in the movies - the poor countryside, people wearing big hats to protect themselves from the sun. No, I never wore a hat like that! I was from Shanghai. That's like thinking someone from San Francisco wears a cowboy hat and rides a horse. Ridiculous!
Amy Tan (The Kitchen God's Wife)
What the hell is the cowboy hat rule?” “You wear the hat, you ride the cowboy.
Elsie Silver (Flawless (Chestnut Springs, #1))
Seriously? A cowboy hat? Was he trying to slay her? What was next? Cuddling puppies against his shirtless chest?
Pamela Clare (Slow Burn (Colorado High Country, #2))
WESTON, COLORADO, was a small ranch town with dusty streets, too many cowboy hats, and a main drag that had been built to
Melissa Foster (Lovers At Heart)
For a moment, I tried to see myself through the eyes of the girl with the black hair, or even the boy in the cowboy hat, studying my features for a vibration under the skin. The effort was visible in my face, and I felt ashamed. No wonder the boy had seemed disgusted: He must have seen the longing in me. Seen how my face was blatant with need, like an orphan's empty dish. And that was the difference between me and the black-haired girl- her face answered all it's own questions.
Emma Cline (The Girls)
I think the black suits you more than the brown did.” “Oh yeah?” “Brings out your eyes.” “Is that what you look for in cowboy hats?” “Maybe. You know, in high school, if a girl got a guy to give her his Stetson, it was a sure thing they were going steady,” Zane said, his voice heated and smug. Zane’s attempts at flirting were a never-ending source of amusement. And damn him, they were starting to work. “You saying I’d make a great Texan girl?” “I’m saying you look damn good in my hat,” Zane growled. He cupped Ty’s chin with one hand and leaned over in the shadowed truck cab to kiss him.
Abigail Roux (Stars & Stripes (Cut & Run, #6))
Howdy, ma'am. You always talk to yourself?” Velia glanced up into bright eyes, as blue as the flame on a cigarette lighter, belonging to a man standing in front of her desk wearing a cowboy hat tipped back on his head.
Mary J. McCoy-Dressel (Howdy, Ma'am (Bull Rider, #1))
White and his cowboy hat loomed over the diminutive Hoover, who was so sensitive about his modest stature that he rarely promoted taller agents to headquarters and later installed a raised dais behind his desk to stand on.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
cowboy walks into a bar, the place is almost empty, and he orders a beer. The bartender brings it to him and the cowboy says, ‘Where is everbody?’ “The bartender says, ‘Gone to the hangin.’ “The cowboy says ‘Hangin? Who are they hangin?’ “‘Brown Paper Pete,’ says the bartender. “‘That is a unusual name,’ says the cowboy. “‘Tell you what,’ says the bartender. ‘Call him that because he wears a brown paper hat, brown paper shirt, brown paper trousers, brown paper boots.’ “‘Dang!’ says the cowboy. ‘That’s weird. What are they hangin him for?’ “‘Rustlin,’ says the bartender.
Annie Proulx (That Old Ace in the Hole: A Novel)
The people who visit the [Lincoln] memorial always look like an advertisement for democracy, so bizarrely, suspiciously diverse that one time I actually saw a man in a cowboy hat standing there reading the Gettysburg Address next to a Hasidic Jew
Sarah Vowell (Assassination Vacation)
Christmas Eve, 1955, Benny Profane, wearing black levis, suede jacket, sneakers and big cowboy hat, happened to pass through Norfolk, Virginia. Given to sentimental impulses, he thought he'd look in on the Sailor's Grave, his old tin can's tavern on East Main Street.
Thomas Pynchon (V.)
The place Joanne is building inside [herself] has rooms for all of this. Not just rooms. Beautiful ones. For Karl and Jerry and Karen and Nate in his cowboy hat and the hot-tub guy and movie directors and old-lady healers and people trying to love their asses and people who think they're stupid for it. In these rooms, each thing that looks crazy or stupid will be like a drawing you give your mother, regarded with complete acceptance and put on the wall. Not because it is good but because it is trying to understand something. In these rooms, there will be understanding. In these rooms, each madness and stupidity will be unfolded from its knot and smoothed with loving hands until the true thing inside lies revealed.
Mary Gaitskill (Veronica)
Is that a fact, Miss Georgia Cracker? Maybe a gentleman does, but not a cowboy. The only time a real cowboy removes his hat is for a funeral, a wedding, or church. A cowboy likes to keep his hat close by in case he needs to get out in a real hurry. That thing you call a hat on your head is big enough for two barnyard owls to roost in.
Maggie Brendan (No Place for a Lady (Heart of the West, #1))
You wear the hat, you ride the cowboy.
Elsie Silver (Heartless (Chestnut Springs, #2))
I should have a bolo tie. Maybe a cowboy hat. Because I'm a rancher now.
Andy Weir (Project Hail Mary)
Better start planning my wardrobe for the Luuurve trail. What do the Hamburgese wear? Cowboy hats, I suppose.
Louise Rennison (Then He Ate My Boy Entrancers (Confessions of Georgia Nicolson, #6))
In his mind he’s that guy in the cowboy hat from The Walking Dead, wiping out the zombies.
Joe Hill (The Fireman)
One was a fast-talking, skinny white guy. With him was a big dude wearing a cowboy hat and boots.
Louis Sachar (Small Steps (Holes, #2))
Gathering her bags, Alani started around the side of her house to the front door. She drew up short at the sight of Jackson sprawled on her porch steps, a cowboy hat on his head, mirrored sunglasses hiding his eyes. He didn’t move, and neither did she. He had an utterly relaxed look about him. But then, Jackson had perfected a deceptively indolent pose that hid razor-sharp reflexes and phenomenal speed. Last night, all night, he’d been far from indolent. Breathing fast, Alani studied him. His continued stillness suggested sleep. Even when she inched closer, he didn’t move. He was now clean-shaven. A white T-shirt was pulled across his wide chest and shoulders, and hung looser around his taut abs. Awareness stiffened her knees. Memories of touching his body, tasting hit hot flesh, sent a tide of sensation through her veins. She swallowed audibly—and stared some more. He sat with his long legs loose, one foot braced on a step, the other stretched out, his elbows back, his breathing deep and even. Alani licked her lips and started to slowly, silently retreat. “Don’t make me chase you, darlin’.” Shock snapped her shoulders back. The big faker! He’d been watching her watch him. Teeth set, Alani asked, “What are you doing here?” He gave a slow smile. “Whatever it takes . . .
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Tucker took off his cowboy hat and laid it on top of the dresser and then crossed the room to close the curtains. The big question of the night was answered - he did take off his hat for sex.
Cat Johnson (One Night with a Cowboy (Oklahoma Nights, #1))
The previous year, Baba had surprised Hassan with a leather cowboy hat just like the one Clint Eastwood wore in The Good, the Bad, and the Ugly—which had unseated The Magnificent Seven as our favorite Western.
Khaled Hosseini (The Kite Runner)
found him in our bed with Mallory, wearing my favorite cowboy hat.” “Wait a minute, who was wearing your favorite cowboy hat, Mallory or the dude.” “The dude, but he was wearing it on his Johnson.” “Eww. Low class.
Lori Wilde (Somebody to Love (Cupid, Texas #3))
The sliding doors opened, and a man entered the baggage area. A tall, dark-haired man with incredibly broad shoulders, a cowboy hat and a gaze so penetrating Phoebe knew he could probably tell what color her panties were.
Susan Mallery (Kiss Me (Fool's Gold, #17))
He wears a Stetson so clean you could eat a sandwich off the brim. All hat, no cattle. Keith leaned forward and looked me right in the eye,. Family's been in Texas since forever. Probably got a whole cedar chest full of white hoods in the attic.
Elizabeth Wetmore (Valentine)
His eyes are cold and restless His wounds have almost healed And she'd give half of Texas Just to change the way he feels She knows his love's in Tulsa And she knows he's gonna go Well it ain't no woman flesh and blood It's that damned old rodeo Well it's bulls and blood It's dust and mud It's the roar of a Sunday crowd It's the white in his knuckles The gold in the buckle He'll win the next go 'round It's boots and chaps It's cowboy hats It's spurs and latigo It's the ropes and the reins And the joy and the pain And they call the thing rodeo She does her best to hold him When his love comes to call But his need for it controls him And her back's against the wall And it's So long girl I'll see you When it's time for him to go You know the woman wants her cowboy Like he wants his rodeo
Garth Brooks
I’m not a cowboy, darlin’.” The combination of his mocking tone and the fake flattery of the word “darling” alters something in my attitude. It sparks a flame. “No? Sorry. I guess the cowboy hat, boots, too-tight Wranglers, and compensator truck gave me that impression, for some reason.
Bailey Hannah (Alive and Wells (Wells Ranch, #1))
The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On the stage they would be set down at once as some old Oriental band of brigands. They are, however, I am told, very harmless and rather wanting in natural self-assertion.
Bram Stoker (Dracula)
I’m not a big drinker and I’ve had enough secondhand smoke for this decade and the next, so . . .” Great. All she had to do was complain about the deafening volume of the music, and she might as well slap a sticker on her forehead saying old next to the one that already said nerd. “Band’s good, though,” she added. “Country’s not my thing, but the players are . . . proficient.” And great, now she sounded like a professor. Proficient. God. But he was nodding. “Country’s not my thing, either.” “But you have a cowboy hat,” she said, and as soon as the words left her lips, she realized how stupid she sounded, no—not that she sounded, but that she was.
Suzanne Brockmann (Infamous)
You have wondered perhaps, why all real accountants wear hats? They are today’s cowboys
David Foster Wallace
Opening the lid, I looked down at the gleaming belt buckle and rubbed my thumb over the engraved word 'Champion'. Realizing that right then I actually felt like one, I dropped my knee in the dirt, pulled my cowboy hat from my head, put it to my chest, raised a hand to my forehead and thanked the heavens for a job well done, a clean, safe ride and for the woman waiting for me in the stands.
Carly Kade (Cowboy Away (In The Reins #2))
Found in trees. Sometimes also in old silent movie theaters, seaside zoos, magic shops, hat shops, time-travel shops, topiary gardents, cowboy boots, castle turrets, comet museums, dog pounds, mermaid ponds, dragon lairs, library stacks (the ones in the back), piles of leaves, piles of pancakes, the belly of a fiddle, the bell of a flower, or in the company of wild herds of typewriters. But mostly in trees.
Michelle Cuevas (Confessions of an Imaginary Friend)
A Republican, then?” Jack asked, after a moment. “Oh, for God’s sake.” Olive stopped walking, looked at him through her sunglasses. “I didn’t say moron. You mean because we have a cowboy for a president? Or before that an actor who played a cowboy? Let me tell you, that idiot ex-cocaine-addict was never a cowboy. He can wear all the cowboy hats he wants. He’s a spoiled brat to the manor born. And he makes me puke.
Elizabeth Strout (Olive Kitteridge)
The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On
Bram Stoker (Dracula)
Campbell was an ordinary-looking man, but he was extravagantly costumed in a uniform of his own design. He wore a white ten-gallon hat and black cowboy boots decorated with swastikas and stars. He was sheathed in a blue body stocking which had yellow stripes running from his armpits to his ankles. His shoulder patch was a silhouette of Abraham Lincoln’s profile on a field of pale green. He had a broad armband which was red, with a blue swastika in a circle of white.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Imagine if you looked different to every person who saw you. Not, like, some people thought you were more or less attractive, but one person thinks you’re a sixty-five-year-old cowboy from Wyoming complete with boots and hat and leathery skin, and the next person sees an eleven-year-old girl wearing a baseball uniform. You have no control over this, and what you look like has nothing to do with the life you have lived or even your genome. You have no idea what each person sees when they look at you. That’s what fame is like.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
So many of the men who came to the West were southerners— men looking for work and a new life after the Civil War—that chivalrousness and strict codes of honor were soon thought of as western traits. There were very few women in Wyoming during territorial days, so when they did arrive (some as mail-order brides from places like Philadelphia) there was a standoffishness between the sexes and a formality that persists now. Ranchers still tip their hats and say, "Howdy, ma'am" instead of shaking hands with me. Even young cowboys are often evasive with women. It's not that they're Jekyll and Hyde creatures—gentle with animals and rough on women—but rather, that they don't know how to bring their tenderness into the house and lack the vocabulary to express the complexity of what they feel.
Gretel Ehrlich
You want to leave the moat, to go back to the room; you’re already turning and trying to find the door, covered with fake leather, in the steep wall of the moat, but the master succeeds in grabbing your hand and, looking straight in your eyes, says: Your assignment: describe the jaw of a crocodile, the tongue of a hummingbird, the steeple of the New Maiden Convent, a shoot of bird cherry, the bend of the Lethe, the tail of any village dog, a night of love, mirages over hot asphalt, the bright midday in Berezov, the face of a flibbertigibbet, the garden of hell, compare the termite colony to the forest anthill, the sad fate of leaves to the serenade of a Venetian gondolier, and transform a cicada into a butterfly, turn rain into hail, day into night, give us today our daily bread, make a sibilant out of a vowel, prevent the crash of the train whose engineer is asleep, repeat the thirteenth labor of Hercules, give a smoke to a passerby, explain youth and old age, sing a song about a bluebird bringing water in the morn, turn your face to the north, to the Novgorodian barbicans, and then describe how the doorman knows it is snowing outside, if he sits in the foyer all day, talks to the elevator operator, and does not look out the window because there is no window; yes, tell how exactly, and in addition, plant in your orchard a white rose of the winds, show it to the teacher Pavel and, if he likes it, give the white rose to the teacher Pavel, pin the flower to his cowboy shirt or to his dacha hat, bring joy to the man who departed to nowhere, make your old pedagogue—a joker, a clown, and a wind-chaser—happy.
Sasha Sokolov (A School for Fools)
She wanted one last peek at him. No, she shouldn’t— She had to. Couldn’t resist. Meg glanced back and found him standing exactly where he had been, stock-still, watching her. He tipped the front of his hat. Oh, cowboy, she thought. What in the world am I going to do with you?
Becky Wade (Undeniably Yours (Porter Family #1))
Grayson’s expression became, in a word, murderous. “He touches her when she doesn’t want to be touched. I saw the father do the same thing to Acacia—a hand on her shoulder, inching toward her neck.” There were slabs of granite softer than Grayson’s jaw at that moment. “The son is whiny,” he told them. “The father is dangerous.” “So we take him out.” Nash took off his second-favorite cowboy hat. Jameson smiled. Kent Trowbridge didn’t know what he’d gotten himself into. No one stood a chance against any two of the Hawthorne brothers, let alone all four. “What do we have to work with, Gray?
Jennifer Lynn Barnes (The Brothers Hawthorne (The Inheritance Games, #4))
The sliding doors opened, and a man entered the baggage area. A tall, dark-haired man with incredibly broad shoulders, a cowboy hat and a gaze so penetrating Phoebe knew he could probably tell what color her panties were. He moved with the kind of stride and purpose of someone who was never indecisive, confused or anything other than in charge. He was gorgeous. Adam Levine gorgeous. Of course. Any small shred of confidence she might have cultivated from her self-help books went belly-up like a zapped bug. She tried to brush off the last of the peanut dust from the front of her yellow T-shirt and wished for the millionth time in her life that she was tall, blonde, blue-eyed and stunning. Actually, right now she would take any one of the four.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Evening,” Zane said. It was a pretty wordy opening for him. Phoebe debated inviting him in, then decided it would be too much like an offer to sleep with him. Instead of stepping back and pointing to the bed, which was really what she wanted to do, she moved down the hallway, shutting the door behind her, and did her best to look unimpressed. “Hi, Zane. How are the preparations coming?” He gave her one of his grunts, then shrugged. She took that to mean, “Great. And thanks so much for asking.” They weren’t standing all that close, but she was intensely aware of him. Despite the fact that he’d probably been up at dawn and that it was now close to ten, he still smelled good. He wasn’t wearing his cowboy hat, so she could see his dark hair. Stubble defined his jaw. She wanted to rub her hands over the roughness, then maybe hook her leg around his hip and slide against him like the sex-starved fool she was turning out to be.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Welcome to Fool’s Gold,” Elaine said with a smile. Instead of her usual suit and high heels, Maya wore jeans, a long-sleeved shirt and boots. Her blond hair was pulled back in a braid. “You look like a local,” Phoebe said. “Speaking of locals,” Maya began, a note of warning in her voice. “Oh, shit,” Zane said before she could continue. Phoebe looked toward the bus and immediately saw why Zane’s face had gone a little ashen. The two crazy old women who had cornered her at his truck in town had just gotten off the bus. Eddie and Gladys, if she remembered right. The skinny one was wearing stiff, dark blue jeans and a plaid Western shirt with pearly snaps along the front. The plump one, who still looked as if she had asked for one of everything at the cosmetic counter, was wearing jeans, too, and leather chaps with fringe along the sides. They both had cowboy hats perched atop their white curls. Besides her Zane muttered under his breath. She caught a handful of words. Something about being old, broken bones and a reference to hanging Chase from the lightning rod in the middle of a storm.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Grinning to himself, Blue went out the door pulling out on his T-shirt. So sue him, he had changed his mind, but he sure wasn’t going to quite admit it. She’d laugh like a hyena, and he had some pride. He found his hat, made sure to clean up Roy’s kitchen, and went out to see to the horses. God, had he ever had so much fun in a relationship before? Most of them had been just about sex, and he and Jenna still hadn’t even done that. Maybe that was the secret. Liking someone first and then realizing you wanted to make love to them made a lot more sense. Blue put on his hat. And he would be making love with Jenna, he was damned sure about that. Sometimes even a Marine had to reassess his priorities. 44%
Kate Pearce (The Maverick Cowboy (Morgan Ranch, #2))
The door clicked. She inhaled a tiny gasp. "You should use the deadbolt." "I was expecting you," she said. "I was afraid you might change your mind." "No, Reid. I haven't changed my mind. No games, right?" His hot gaze raked slowly up and down her body. He doffed his hat and tossed it on the chair. "You're a sight for sore eyes, Haley Cooper. His voice was low and husky, inciting tiny ripples deep inside her sex. He was in tight control, but his desire was palpable, like some powerful force that was about to unleash. He extended his hand. She approached with an intentional slow and seductive sway of her hips, shivering again as their gazes met and held. Oh dear God. All the foreplay she needed was right there, reflected in his blue eyes.
Victoria Vane (Sharp Shootin' Cowboy (Hot Cowboy Nights, #3))
I’d never been with anyone like Marlboro Man. He was attentive--the polar opposite of aloof--and after my eighteenth-month-long college relationship with my freshman love Collin, whose interest in me had been hampered by his then-unacknowledged sexual orientation, and my four-year run with less-than-affectionate J, attentive was just the drug I needed. Not a day passed that Marlboro Man--my new cowboy love--didn’t call to say he was thinking of me, or he missed me already, or he couldn’t wait to see me again. Oh, the beautiful, unbridled honesty. We loved taking drives together. He knew every inch of the countryside: every fork in the road, every cattle guard, every fence, every acre. Ranchers know the country around them. They know who owns this pasture, who leases that one, whose land this county road passes through, whose cattle are on the road by the lake. It all looked the same to me, but I didn’t care. I’d never been more content to ride in the passenger seat of a crew-cab pickup in all my life. I’d never ridden in a crew-cab pickup in all my life. Never once. In fact, I’d never personally known anyone who’d driven a pickup; the boys from my high school who drove pickups weren’t part of my scene, and in their spare time they were needed at home to contribute to the family business. Either that, or they were cowboy wannabes--the kind that only wore cowboy hats to bars--and that wasn’t really my type either. For whatever reason, pickup trucks and I had never once crossed paths. And now, with all the time I was spending with Marlboro Man, I practically lived in one.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I found a sense of peace on Beechnut. I could just walk with him and not have to say a word. In between takes, I would sit with the cast and Beechnut would stand behind me, sometimes with his head on my shoulder. I didn't have to tie him, up; he would just stand there. I loved being a cowboy... again. The only other times I'd felt this sense of peace had been while fielding ground balls or playing catch on a baseball field or doing stand-up when everything was working. When filming was over, my agent, Andrea Eastman, gave me Beechnut as a surprise gift. at first, I didn't want him. Owning a horse is an enormous responsibility, and I was concerned hat my relationship with him was just a location romance. But I accepted, and I rode him until 2009, when he passed away at the age of twenty-eight.
Billy Crystal (Still Foolin' 'Em: Where I've Been, Where I'm Going, and Where the Hell Are My Keys)
Imagine if you looked different to every person who saw you. Not, like, some people thought you were more or less attractive, but one person thinks you're a sixty-five-year-old cowboy from Wyoming complete with boots and hat and leathery skin, and the next person sees an eleven-year-old girl wearing a baseball uniform. You have no control over this, and what you look like has nothing to do with the life you have lived or even your genome. You have no idea what each person sees when they look at you. That's what fame is like. You think this sounds like beauty because we sometimes that beauty is all in the eye of the one beholding the beauty. And, indeed, we don't get to decide if we are beautiful. Different people will have different opinions, and the only person who gets to decide if I'm attractive is the person looking at me. But then there is some consensus about what attractive is. Beauty is an attribute defined by human nature and culture. I can my eyes and my lips and my boobs when I look in a mirror. I know what I look like. Fame is not this way. A person's fame is in everyone's head except their own. You could be checking into your flight at the airport and 999 people will see you as just another face in the crowd. The thousandth might think you're more famous than Jesus. As you can imagine, this makes fame pretty disorienting. You never know who knows what. You never know if someone is looking at you because you went to college with them or because they've been watching your videos or listening to your music or reading about you in magazines for years. You never know if they know you and love you. Worse, you never know if they know you and hate you.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
Roan studied the photo in his hand. Shiloh Gallagher had to be twenty-nine years old according to what Maud had told him. Damned if she didn’t look twenty-five or so, her features unlined. She wasn’t model pretty, but she had an arresting face, with huge intelligent-looking green eyes. His gaze dropped to her mouth and he felt himself stir. Her mouth would make any man go crazy. Her upper lip was full, but thinner than her lower one. The shape of her mouth made him feel heat in his lower body. “Is she married?” “No,” Maud said. She’s single. Never did marry. I don’t know why. Shiloh’s a beautiful girl.” She was hardly a girl, but Roan said nothing because he was fully reacting to her as a woman. He wondered if she was curvy or rail thin. He was disgruntled over his avid curiosity. “I have no problem with it. You know I get up early and come in late. She’s going to have to fend for herself. I’m not cooking for her.” “Right,” Maud agreed. “She’s pretty shaken up, Roan. You might find that stressful until, hopefully, Shiloh will start to relax.” Shrugging, he slid the photo onto the desk. “Maud, I just hope I don’t stress her out with my award-winning personality,” he said, and he cracked a small, sour grin. Maud cackled. “I think you’ll like her, Roan. She’s a very kind person. An introvert like you. Just remember, she’s trying to write. Because of the stalking, she’s suffering from writer’s block and she’s got a book due to her editor in six months. So, she’s under a lot of other stress.” “I’ll handle it, Maud. No problem.” “Good,” Maud said, relieved. She sat up in the chair. “I’ll call Shiloh back, let her know she can come, and I’ll find out what time she’s arriving tomorrow. I’d like you to pick her up at the Jackson Hole Airport. So take that photo with you.” He stood, settling the cowboy hat on his head. “Don’t need the photo.” Because her face was already stamped across his heart. Whatever that meant. “I’ll find her after she deplanes, don’t worry. Just get back to me on the time.
Lindsay McKenna (Wind River Wrangler (Wind River Valley, #1))
Two starving kids and tree-hugging vegetarians. I’m going to kill Chase.” Phoebe didn’t blame him. Despite her lack of experience in the cattle-drive department, even she could see the potential for trouble. Then a familiar figure standing beside the driver caught her attention, and she waved. Maya grinned and waved back. “It’s Maya,” Phoebe said. Zane turned and followed her gaze. “Just perfect,” he muttered as his ex-stepsister walked toward them. “You’re looking grim, Zane,” Maya said cheerfully when she joined them. “Who died?” She smiled. “Oh, I forgot. You’re just being your usual charming self.” She squeezed his arm. “You’ve missed me, I know.” Zane’s eyes narrowed. “Like foot fungus.” She laughed and turned to Phoebe. “You’re still alive. I see Zane didn’t bore you to death.” “Not even close.” Phoebe hugged her friend. Maya waved forward the bus driver, a pretty woman in her fifties. “Phoebe, this is Elaine Mitchell.” “You’re the one Maya worked for in high school?” Phoebe asked. “I am.” Maya put her arm around Phoebe’s shoulders. “And this is my BFF, Phoebe.” “Welcome to Fool’s Gold,” Elaine said with a smile. Instead of her usual suit and high heels, Maya wore jeans, a long-sleeved shirt and boots. Her blond hair was pulled back in a braid. “You look like a local,” Phoebe said. “Speaking of locals,” Maya began, a note of warning in her voice. “Oh, shit,” Zane said before she could continue. Phoebe looked toward the bus and immediately saw why Zane’s face had gone a little ashen. The two crazy old women who had cornered her at his truck in town had just gotten off the bus. Eddie and Gladys, if she remembered right. The skinny one was wearing stiff, dark blue jeans and a plaid Western shirt with pearly snaps along the front. The plump one, who still looked as if she had asked for one of everything at the cosmetic counter, was wearing jeans, too, and leather chaps with fringe along the sides. They both had cowboy hats perched atop their white curls. Besides her Zane muttered under his breath. She caught a handful of words. Something about being old, broken bones and a reference to hanging Chase from the lightning rod in the middle of a storm.
Susan Mallery (Kiss Me (Fool's Gold, #17))
New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy. Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska. What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney. I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing." The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing. We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys. So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.
Jane Jacobs
Evening,” Zane said. It was a pretty wordy opening for him. Phoebe debated inviting him in, then decided it would be too much like an offer to sleep with him. Instead of stepping back and pointing to the bed, which was really what she wanted to do, she moved down the hallway, shutting the door behind her, and did her best to look unimpressed. “Hi, Zane. How are the preparations coming?” He gave her one of his grunts, then shrugged. She took that to mean, “Great. And thanks so much for asking.” They weren’t standing all that close, but she was intensely aware of him. Despite the fact that he’d probably been up at dawn and that it was now close to ten, he still smelled good. He wasn’t wearing his cowboy hat, so she could see his dark hair. Stubble defined his jaw. She wanted to rub her hands over the roughness, then maybe hook her leg around his hip and slide against him like the sex-starved fool she was turning out to be. “Maya’ll be here tomorrow,” he said. “Elaine Mitchell is bringing her out to the ranch with all of the greenhorns in her tourist bus.” She had to clear her throat before speaking. “Maya called me about an hour ago to let me know she’d be getting here about three.” He folded his arms across his broad chest, then leaned sideways against the doorjamb beside her. So very close. Her attention fixed on the strong column of his neck, and a certain spot just behind his jaw that she had a sudden urge to kiss. Would it be warm? Would she feel his pulse against her lips? “She doesn’t need to know what happened,” Zane said. Phoebe couldn’t quite make sense of his words, and he must have read the confusion in her eyes. They were alone, it was night and the man seemed to be looming above her in the hallway. She’d never thought she would enjoy being loomed over, but it was actually very nice. She had the feeling that if she suddenly saw a mouse or something, she could shriek and jump, and he would catch her. Of course he would think she was an idiot, but that was beside the point. “Between us,” he explained. “Outside. She doesn’t need to know about the kiss.” A flood of warmth rushed to her face as she understood that he regretted kissing her. She instinctively stepped backward, only to bump her head against the closed bedroom door. Before she had time to be embarrassed about her lack of grace or sophistication, he groaned, reached for her hips and drew her toward him. “She doesn’t need to know about this one, either.” His lips took hers with a gentle but commanding confidence. Her hands settled on either side of the strong neck she’d been eyeing only seconds ago. His skin was as warm as she’d imagined it would be. The cords of his muscles moved against her fingers as he lifted his head to a better angle. His hands were still, except his thumbs, which brushed her hip bones, slow and steady. His fingers splayed over the narrowest part of her waist and nearly met at the small of her back. She wished she could feel his fingertips against her skin, but her thin cotton top got in the way. He kept her body at a frustrating distance from his. In fact, when she tried to move closer, he held her away even as he continued the kiss. Lips on lips. Hot and yielding. She waited for him to deepen the kiss, but he didn’t. And she couldn’t summon the courage to do it herself. Finally, he drew back and rested his forehead against hers for a long moment. “Do me a favor,” he said. “Try to be a little more resistible. I don’t think I can take a week of this.” Then he turned on his heel, walked to a door at the end of the long hallway, and went inside. She stood in place, her fingers pressed against her still-tingling lips. More than a minute passed before she realized she was smiling.
Susan Mallery (Kiss Me (Fool's Gold, #17))
he is a sence of unrest the new birth maybe is not that good....bitterness...except for his grandson ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 8 | posición 123-125 | Añadido el miércoles, 6 de mayo de 2015 23:07:16 Ethan was still as good-looking as he’d been before, a fact that annoyed her as much as anything else. It seemed like a life of crime should cast its mark on your appearance. But he still had the same strong features, vivid green eyes, and lean, fit body. His hair had been blazing red when he was a kid, but it had darkened now to an auburn. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 127-128 | Añadido el miércoles, 6 de mayo de 2015 23:07:49 Ethan’s plans, the way he always had. He’d always trusted Ethan. So had she. The thought upset ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 132-134 | Añadido el miércoles, 6 de mayo de 2015 23:09:09 He’d seemed to transform while he was away from the skinny boy she’d known before. He’d broadened across the shoulders and chest, and he’d suddenly become really good-looking. Very good-looking. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 134-135 | Añadido el miércoles, 6 de mayo de 2015 23:09:22 The lingering crush on him Ashley had had all her life had morphed into full-blown love. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 28 | posición 427-427 | Añadido el jueves, 7 de mayo de 2015 7:39:32 hot-wire a car. Why ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 38 | posición 574-574 | Añadido el jueves, 7 de mayo de 2015 18:22:07 He screeched to a halt. As soon as he slammed it into ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 42 | posición 641-642 | Añadido el jueves, 7 de mayo de 2015 19:30:10 He was the antithesis of the nice, clean, stable life she wanted to build for herself. He was bossy, and arrogant, and infuriating, and condescending, and presumptuous, and smug, and without compassion, and bossy… ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 42 | posición 643-644 | Añadido el jueves, 7 de mayo de 2015 19:30:23 And he had looked so funny in that cowboy hat. And he had the most delicious laugh she had ever heard. And sometimes, like when he’d fake-kissed her earlier, there was a warmth in his eyes that was so unexpected, so breathtaking… ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 62 | posición 945-945 | Añadido el jueves, 7 de mayo de 2015 20:55:59 As long as you don’t hog the covers.” ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 82 | posición 1253-1254 | Añadido el jueves, 7 de mayo de 2015 23:37:15 he wasn’t a bad guy at heart. He’d never been truly a bad guy. For the first time in the last eighteen months, she knew it for sure. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 94 | posición 1438-1439 | Añadido el viernes, 8 de mayo de 2015 7:45:17 she felt like it was only humane to let him know she was okay. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 179 | posición 2744-2745 | Añadido el viernes, 8 de mayo de 2015 21:04:11 was uncomfortably hot and smushed. Attempting to rouse herself ========== Mis recortes - Tu subrayado en la posición 1-6 | Añadido el sábado, 9 de mayo de 2015 13:59:08 When I Break (Ryan, Kendall) - Tu subrayado en la posición 518-519 | Añadido el viernes, 13 de marzo de 2015 20:31:52 Her voice was light, clear, and appealing. ========== When We Fall (Kendall Ryan) - Tu subrayado en la página 105 | posición 1601-1601 | Añadido el lunes, 16 de marzo de 2015 11:42:37 Two long and hard days had passed since Knox told me. ========== Unravel Me (Ryan, Kendall) - Tu nota en la página 20 | posición 304 | Añadido el martes, 17 de marzo de 2015 1:24:23 interesante ====
Anonymous
Too anxious to sit still, she stood in the stirrups to stretch her legs, then moved her bottom back and forth in the saddle until she found a comfortable spot to settle. She dallied her reins loosely around the saddle horn and reached up to unbutton the top two buttons of her blouse, then leaned over and shook the cotton cloth back and forth to cool herself. Her Stetson hat came off next. She settled it on the saddle horn, so what little breeze there was could reach the sweat on her nape. “What the hell kind of strip show are you putting on?” Bay nearly fell out of the saddle at Owen’s angry outburst. She jerked upright, knocking her hat off the horn and onto the ground. Her horse saw the shadow when it fell, figured it for a dangerous, horse-eating jackrabbit, and shied violently toward Owen’s mount. His horse took exception to being bumped and kicked out with both hooves, striking Bay’s horse in the rump, which grabbed for the reins, but they fell loose from the horn, and she was helpless to restrain her mount when he began to run helter-skelter down the canyon, sunfishing and crowhopping. Bay was thrown up onto her mount’s neck, where she held on for dear life. She heard Owen galloping behind her and knew it was only a matter of time before he caught up to her. But a narrow passage was coming up, and there wasn’t room for both her and her horse. She was going to be scraped off. Unless she jumped first. From her precious perch, Bay stared down at the rocky soil racing past her nose and thought of all the movies she’d seen where cowboys leaped from their horses and got up and walked away. Surely it couldn’t be that difficult. In a moment, when they reached that narrow passage, the choice was going to be taken from her. Bay closed her eyes and launched herself as far as she could from her horse’s flashing hooves. And landed like a sack of wet cement. She skidded for maybe two feet along the rocky bed of the canyon. On her face. And her right hip. And her left hand. When she stopped, she lay there stunned for a moment, then gave a shaky laugh. “Oh, that was not at all like it is in the movies.
Joan Johnston (The Texan (Bitter Creek, #2))
LUCAS GOT HOME, changed into jeans, a wool vest over a white dress shirt, and an Italian cotton sport coat, blue-black in color that would be excellent, he thought, for nighttime shoot-outs. It hadn’t yet been tested for that. When he got back downstairs, Flowers had come in, wearing a barn coat, jeans, and carrying a felt cowboy hat. His high-heeled cowboy boots made him an inch taller than Lucas. “There better not be a fuckin’ horse in my driveway,” Lucas said.
John Sandford (Silken Prey (Lucas Davenport #23))
Have you thought about retiring early?” “I’ve thought about it. I would lose a fair amount of my pension if I did. Besides, what would I do with myself?” “You could work for me.” “Work ... as a ranch hand?” She laughed, genuinely amused by the image of herself in a cowboy hat cutting cattle that popped into her head. “I can’t even walk in the snow without help.” He glared at her. “You’re a fantastic rider.” She narrowed her eyes at him. “Are you truly offering me a job?” He stopped shoveling, rested on the hay fork, gave her a lopsided grin. “I would if it would keep you around.” Something about that felt more romantic to her than a dozen red roses. “Jack West, you are a charming man.” “Me?” He shook his head, got back to shoveling. “I think you need to look that word up in the dictionary, angel.
Pamela Clare (Soul Deep (I-Team, #6.5))
Despite his attractiveness, Sandie couldn’t have been more disappointed. She lamented, thinking that she should have known that it would have just been another stupid cowboy like her father to show up. Still, she couldn’t help but hope that he would be some sort of comfort, even if only as company and a hand with the sometimes back-breaking work. He certainly was easy on the eyes, and his warm smile conveyed a sort of gentleness that was almost entirely foreign to her. The way he extended his hand earnestly, even removing his hat when walking up to her, made her feel respected and appreciated.
Alaria Thorne (Bridled Passion: Sandie's First Rodeo)
Have you ever tried a role-playing game?” Richard asked me one day over lunch. “I don't know if that's any of your business, pervert.” Richard sneered. “Not sex, idiot. It's a kind of game.” “You mean like, what, Dungeons and Dragons? Wearing a cloak and pretending to cast magic spells with elves? No, I've never done that.” “I'm not talking about pretending to be a elf, dummy. Not every role-playing game is about dragons and gnomes. Some of them are about secret agents, or commandos, or anything else you can think of. A role-playing game is a natural evolution from cops and robbers or cowboys and indians into something much more structured and codified. The principle, however, is the same. A scenario creator posits a challenge, and the participants offer up ways in which they would overcome the challenge, with the creator acting as a referee, determining success or failure.” “If I checked under your bed, I wouldn't find a wizard's hat and a magic wand, would I?” Richard flicked a cracker crumb at me. “It is a tool for training your mind to approach situations analytically, and quickly find a solution to the problem.” “Okay, you win, Bilbo Baggins. Give me a challenge.
Jack Badelaire (Killer Instincts)
His hat nudged her forehead, tipping back as he deepened the kiss and drew her closer. His jaw was rough against her palm, and she savored the feel of it before slipping her fingers through the soft waves at his nape and straight up through the back of his hair. His hat hit the ground. “Abby . . .” he whispered. It was a plea, and she gladly answered it with her mouth. She loved the raspy drawl of her shortened name on his lips.
Denise Hunter (A Cowboy's Touch (Big Sky Romance #1))
Wade pulled his gaze from hers before he got stuck there again, then retrieved his hat from where it had fallen. He set it on Abigail’s head and looked at her appreciatively. She made one heck of a cowgirl. “You were born to wear that thing.” “A little big.” He gazed at her face, loving the planes and curves that were becoming so familiar. “Fits just right.
Denise Hunter (A Cowboy's Touch (Big Sky Romance #1))
He remembered the way she looked wearing his hat, remembered the warmth of her in his arms as they danced, their first kiss in the barn when he’d been rocked by the riot she’d caused inside him. There was nothing he didn’t remember. Including the way she looked at him, like he hung the moon and the stars. It was the look Dylan referred to, the one that convinced his friend her feelings were real. Wade would give anything to have her here now, looking at him like that.
Denise Hunter (A Cowboy's Touch (Big Sky Romance #1))
Sandino dismissed all the married men in his army and wen to the hills...His men reverently called him San Digno (The Worthy Saint). When he went into battle he hung extra cartridge belts around his neck, shined up his puttees and stuck a jungle flower into his shovel-shaped cowboy hat. The Nicaraguan Government could not stop him. Five thousand U.S. Marines chased him for five years, killed nearly 1,000 of his followers, reported him dead a score of times, but never laid hands on him. U.S. newspapers uniformly called him "bandit." But what Sandino wanted, and what he finally got in January 1933, was the withdrawal of all U.S. Marines from Nicaragua.
Bernard Diederich (Somoza and the Legacy of U.S. Involvement in Central America)
The man himself faced away from her. He was shirtless and muscled, bronzed skin gleaming with sweat. A thick scar marked the small of his back, making an inverted cross of his spine. His dark, shoulder-length hair shone almost red in the sun. He wore only jeans and boots, but there was a blue cotton work shirt and a black cowboy hat hung neatly from a nearby post. So he was a ranch hand.
Morgan Blaze (Cowboy's Pride (Welcome to Covendale, #1))
Davis picked up a chocolate cowboy hat stuffed with a popcorn bull and red foil candy hearts. "Not only do I want to be a cowboy, I want five—better make it six of these hats. Don’t want Bambi to feel left out.
Kathy Carmichael (Chasing Charlie (The Texas Two-Step #2))
Delicious” might sound excessive, but it was the only word that properly described how he looked in worn blue jeans and chaps. Since she’d started coming down to the barns, she’d seen the other hands wearing chaps, but those cowboys hadn’t made her heart thump painfully or feel as if she should suddenly start fanning her face. Ward wore the kind that zippered down his long muscular legs, hugging them. Made of dark tan suede, they didn’t have the fringes or ornamentation that she’d noticed on some of the ones worn by the wranglers. There was nothing to distract her eyes or to keep her gaze from zeroing in on where the chaps buckled, framing the bulge of his sex. Her internal thermostat soared just from not looking at that particular spot. But the brim of his hat was angled downward—the better to study her new boots, she assumed. With his gaze shielded, she found the temptation impossible to resist. Yup, his crotch was truly the finest eye candy: yummy and calorie free.
Laura Moore (Once Tempted (Silver Creek, #1))
We thought you’d been shot, Freddy,” she said, “because Old Whibley found your hat way up beyond the ranch, and it had bullet holes in it.” So
Walter Rollin Brooks (Freddy the Cowboy (Freddy the Pig))
building.  She could almost see Jesse standing there as he had that first day, white hat like a halo.  How sure she’d been that he was a passing fancy, soon to be forgotten.
Angelina Vance (The Cowboy's New Bride (The Wild J Divorce Ranch, #1))
I still think it’s one of the war’s great ironies that our replacement crew ended up arriving in a privately owned civilian vehicle. Spacecraft Three, the ship originally designed for prewar orbital tourism. The pilot, with his cowboy hat and big, confident Yankee grin. [He tries his best Texas accent.] “Anyone order takeout?” [He laughs, then winces and self-medicates again.]
Max Brooks (World War Z: An Oral History of the Zombie War)
In the American South, there is a kind of lawman every decent cop instantly recognizes. His uniform is usually soiled and wrinkled, more like army fatigues or marine utilities, as though he has worked long hours in it. If allowed, he wears a coned cowboy hat. His posture and physicality exude a quiet sense of confidence, whether he’s leaning against a rail or gazing idly at something he doesn’t like. There is no moral light in his eyes. For reasons you cannot explain, he bears an animus toward the world, particularly toward people of color, no matter how poor or powerless they are.
James Lee Burke (A Private Cathedral (Dave Robicheaux #23))
But the reengineering was helped along because the masterminds of the economic right brilliantly used the madly proliferating nostalgia. By dressing up their mean new rich-get-richer system in old-time patriotic drag. By portraying low taxes on the rich and unregulated business and weak unions and a weak federal government as the only ways back to some kind of rugged, frontiersy, stronger, better America. And by choosing as their front man a winsome 1950s actor in a cowboy hat, the very embodiment of a certain flavor of American nostalgia
Kurt Andersen (Evil Geniuses: The Unmaking of America)
the West of open spaces, or the West of mythology, this region’s hold on the American character never seemed stronger. A person puts on a cowboy hat anywhere in the world, even if alone in a room, and starts acting differently—sometimes stupidly, sometimes nobly, but it is a new personality.
Timothy Egan (Lasso the Wind: Away to the New West)
Rugrat didn’t need sleep. He didn’t need food as he drank Stamina solutions mixed with water from his camelbak. He didn’t need a shirt, nor pants, but he did need his American flag shorts and cowboy hat.
Michael Chatfield (The Second Realm (Ten Realms, #2))
Sitting on his horse, his hat pulled down to shade his eyes, the guy was a living, breathing ad for why every girl needed a cowboy under her tree this Christmas.
Cassandra Gannon (Cowboy from the Future)
He looks like one of Bobby Ewing’s buddies straight out of 1980s Texas, just without the cowboy hat—a sort of anachronism in a cowboy shirt plunked down in a small town in Sweden.
Camilla Grebe (More Bitter Than Death)
Cowboy hats. Cowboy boots. Super hot guys who call you ma'am, and not in a you're-an-old-lady way but in a sexy I-respect-your-womanhood way.
Wendy Higgins (Kiss Collector)
This life is an Equal Swagger Opportunity. We all have an absolute right to swagger, like a Texas oil man with Western boots, a cowboy hat, and a leathery tan—the whole rich, old white dude package.
Sarah Hays Coomer (The Habit Trip: A Fill-in-the-Blank Journey to a Life on Purpose)
The masquerades bend and rise, as if bowing again to Pauly, but they do not jump and twirl and somersault this time. They sway, at first slowly, and then faster. They sway left and right, their heads almost touching the ground before they go in the reverse direction. The feathers do not spread out in glorious performance; they droop behind the wooden head. The cowboy hat has a crooked rim. The silver face doesn’t reflect the sun; the slits darken.
Ruoxi Chen (Some of the Best of Tor.com 2021)
Have you ever looked at a picture of yourself when you were a kid? Or pictures of famous people when they were kids? It seems to me that they can either make you happy or sad. There's a lovely picture of Paul McCartney as a little boy, and the first time I saw it, it made me feel good: all that talent, all that money, all those years of blissed-out domesticity, a rock-solid marriage and lovely kids, and he doesn't even know it yet. But then there are others — JFK and all the rock deaths and fuckups, people who went mad, people who came off the rails, people who murdered, who made themselves or other people miserable in ways too numerous to mention, and you think, stop right there! This is as good as it gets! Over the last couple of years, the photos of me when I was a kid, the ones that I never wanted old girlfriends to see . . . well, they've started to give me a little pang of something, not unhappiness, exactly, but some kind of quiet, deep regret. There's one of me in a cowboy hat, pointing a gun at the camera, trying to look like a cowboy but failing, and I can hardly bring myself to look at it now. Laura thought it was sweet (she used that word! Sweet, the opposite of sour!) and pinned it up in the kitchen, but I've put it back in a drawer. I keep wanting to apologize to the little guy: 'I'm sorry, I've let you down. I was the person who was supposed to look after you, but I blew it: I made wrong decisions at bad times, and I turned you into me.
Nick Hornby (High Fidelity)
Rob Petrie, trying to write a novel, found himself with writer’s block and decided to go to a mountain cabin alone, to get some work done. He needed space, freedom from disturbance. The only scene Amos could remember was toward the end: the wooden crate on the cabin floor overflowing with discarded sheets of paper; Rob wearing a cowboy hat, smacking a ball on a string against a paddle over and over. Rob didn’t put on the cowboy hat or pick up the paddleball at the beginning—oh, no. He tried hour after hour to get something written. The cowboy hat came on by degrees.
Haven Kimmel (The Solace of Leaving Early: A Novel)
for the rest of the night. Other than to refuel with holiday leftovers. “Would you still love me if I told you I didn’t know what tasted better, Christmas leftovers or you?” Jana cocked her eyebrow with a sexy smile on her face. Damn, she was beautiful. “No but I will be mad unless you do some very thorough research and come up with a satisfying answer…” I grinned. This Christmas was unlike any of the others Jana and I had spent together. This time we had two little boys, a bigger family and we’d faced our biggest threat yet and come out on top. “If it’s for the sake of research, consider me in babe.” And I spent the rest of the night doing science. Between the gorgeous legs of my beautiful wife. I was pretty sure in that moment, life for the Reckless Bastard’s couldn’t get any better. Merry friggin’ Christmas to us! * * * * If you think the Reckless Bastards are spicy bad boys, they’re nothing compared to the steam in my next series Reckless MC Opey, TX Chapter where Gunnar and Maisie move to Texas! There’s also a sneak peek on the next page.   Don’t wait — grab your copy today!  Copyright © 2019 KB Winters and BookBoyfriends Publishing Inc Published By: BookBoyfriends Publishing Inc Chapter One Gunnar “We’re gonna be cowboys!” Maisie had been singing that song since we got on the interstate and left Nevada and the only family we’d had in the world behind. For good. Cross was my oldest friend, and I’d miss him the most, even though I knew we’d never lose touch. I’d miss Jag too, even Golden Boy and Max. The prospects were cool, but I had no attachment to them. Though I gave him a lot of shit, I knew I’d even miss Stitch. A little. It didn’t matter that the last year had been filled with more shit than gold, or that I was leaving Vegas in the dust, we were all closer for the hell we’d been through. But still, I was leaving. Maisie and I’d been on the road for a couple of days. Traveling with a small child took a long damn time. Between bathroom breaks and snack times we’d be lucky to make it to Opey by the end of the month. Lucky for me, Maisie had her mind set on us becoming cowboys, complete with ten gallon hats, spurs and chaps, so she hadn’t shed one tear, yet. It wasn’t something I’d been hoping for but I was waiting patiently for reality to sink in and the uncontrollable sobs that had a way of breaking a grown man’s heart. “You’re not a boy,” I told her and smiled through the rear view mirror. “Hard to be a cowboy if you’re not even a boy.” Maisie grinned, a full row of bright white baby teeth shining back at me right along with sapphire blue eyes and hair so black it looked to be painted on with ink. “I’m gonna be a cowgirl then! A cowgirl!” She went on and on for what felt like forever, in only the way that a four year old could, about all the cool cowgirl stuff she’d have. “Boots and a pony too!” “A pony? You can’t even tie your shoes or clean up your toys and you want a pony?” She nodded in that exaggerated way little kids did. “I’ll learn,” she said with the certainty of a know it all teenager, a thought that terrified the hell out of me. “You’ll help me, Gunny!” Her words brought a smile to my face even though I hated that fucking nickname she’d picked up from a woman I refused to think about ever again. I’d help Maisie because that’s what family did. Hell, she was the reason I’d uprooted my entire fucking life and headed to the great unknown wilds of Texas. To give Maisie a normal life or as close to normal as I was capable of giving her. “I’ll always help you, Squirt.” “I know. Love you Gunny!” “Love you too, Cowgirl.” I winked in the mirror and her face lit up with happiness. It was the pure joy on her face, putting a bloom in her cheeks that convinced me this was the right thing to do. I didn’t want to move to Texas, and I didn’t want to live on a goddamn ranch, but that was my future. The property was already bought and paid for with my name
K.B. Winters (Mayhem Madness (Reckless Bastards MC #1-7))
What the hell is the cowboy hat rule?” “You wear the hat, you ride the cowboy.
Penny Reid (Beach Reads Box Set 3)
Grace.” I tipped my hat to her. “Where’s Owen?” I expected her to tell me that Emma was looking after him. “Day camp.” “Camp? Since when?” “Since Emma left.” My brain fuzzed out. “Left?” “She didn’t call you?” “No.
Deborah Garland (The Cowboy's Forbidden Crush (Wild Texas Hearts, #0.5))