Cow Sayings And Quotes

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Yes, we praise women over 40 for a multitude of reasons. Unfortunately, it's not reciprocal. For every stunning, smart, well-coiffed, hot woman over 40, there is a bald, paunchy relic in yellow pants making a fool of himself with some 22-year old waitress. Ladies, I apologize. For all those men who say, "Why buy the cow when you can get the milk for free?", here's an update for you. Nowadays 80% of women are against marriage. Why? Because women realize it's not worth buying an entire pig just to get a little sausage!
Andy Rooney
They say you can know a man by his enemies, Dresden." He smiled, and laughter lurked beneath his next words, never quite surfacing. "You defy beings that should cow you into silence. You resist forces that are inevitable for no more reason than that you believe they should be resisted. You bow your head to neither demons nor angels, and you put yourself in harm's way to defend those who cannot defend themselves." He nodded slowly. "I think I like you.
Jim Butcher (Changes (The Dresden Files, #12))
Have you ever watched the jet cars race on the boulevard?...I sometimes think drivers don’t know what grass is, or flowers, because they never see them slowly...If you showed a driver a green blur, Oh yes! He'd say, that’s grass! A pink blur! That’s a rose garden! White blurs are houses. Brown blurs are cows.
Ray Bradbury (Fahrenheit 451)
I don’t have to do nothing you say, you old heifer cow. And you are old. Really, really old. And a cow, too. (Simi)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
Coach Hedge grunted like he was pleased to have an excuse. He unclipped the megaphone from his belt and continued giving directions, but his voice came out like Darth Vader's. The kids cracked up. The coach tried again, but this time the megaphone blared: "The cow says moo!
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Just sit tight. Reinforcements should be here soon. Hopefully nothing happens before-" Lightning crackled overhead. The wind picked up with a vengeance. Worksheets flew into the Grand Canyon, and the entire bridge shuddered. Kids screamed, stumbling and grabbing the rails. "I had to say something," Hedge grumbled. He bellowed into his megaphone: "Everyone inside! The cow says moo! Off the skywalk!" "I thought you said this thing was stable!" Jason shouted over the wind. "Under normal circumstances," Hedge agreed, "which these aren't.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
What? (Nick) You one of them humans can’t follow Simi speak. That’s okay. This is why the Simi don’t bother talking to most humans ‘cause, no offense, you all weird. Some of you even stupid. Real stupid. Like stump stupid. It’s the lack of hornays, I say. See, only really smart creatures have hornays…except for them moo moo cows – they not bright. But akri says there’s always an exception to every rule. So they would be the exception to the hornay one. But they taste really good so the Simi will forgive them for bringing down her bell curve of superior intellect over all the other nonhorned subspecies. (Simi
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
Your perceptions are derived from your feelings and your ability to be yourself, to own and trust yourself, and to say what you feel, even when it may be diametrically opposed to everyone eles's opinion. You may be called the Devil Incarnate. You may feel like cow pies are being thrown at you. Sometimes that is part of being true to yourself.
Barbara Marciniak (Family of Light: Pleiadian Tales and Lessons in Living)
They kept saying cows watched sunsets. At that point I wished I’d used the fucking conspiracy theorists instead of the cows. Nobody would’ve cared if I’d turned people inside-out who think vaccines have nanites in them that mine cryptocurrency. But cows watch sunsets, man!
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
It's the reason we say "pork" and "beef" instead of "pig" and "cow." Dissection and surgical instruction, like meat-eating, require a carefully maintained set of illusions and denial.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
We shall soon be in a world in which a man may be howled down for saying that two and two make four, in which furious party cries will be raised against anybody who says that cows have horns, in which people will persecute the heresy of calling a triangle a three-sided figure, and hang a man for maddening mob with the news that grass is green.
G.K. Chesterton
Oh, man," says Dum. "That would have been so awesome. Can you imagine? Boom!" He mimes a mushroom cloud. "Moo!" Dee gives him a long-suffering look. "You´re such a child. You can´t just waste a nuke like that. You gotta figure out a way to control the trajectory so that when the bomb goes off, it shoots the radioactive cows into your enemies.
Susan Ee (World After (Penryn & the End of Days, #2))
Irri and Jhiqui argued about Rakharo. “You are too skinny for him,” Jhiqui was saying. “You are almost a boy. Rakharo does not bed with boys. This is known.” Irri bristled back. “It is known that you are almost a cow. Rakharo does not bed with cows.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
It was a silver cow. But when I say 'cow', don't go running away with the idea of some decent, self-respecting cudster such as you may observe loading grass into itself in the nearest meadow. This was a sinister, leering, Underworld sort of animal, the kind that would spit out of the side of its mouth for twopence.
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
You.. love me?'' Snow nods. ''Yeah,'' he says, ''of course.'' Like it's obvious. It isn't obvious. It has not been obvious. ''You never said,'' I say. ''Haven't I?'' ''No.'' He frowns. ''I thought- I mean... I've killed so many things for you.'' I laught. It might be another sob, but mabe it's just a laugh. ''What are you, a house cat? Am I supposed to know how you feel because you brought me a mouse?'' The corner of Snow's mouth twitches. ''I brought you a cow once, remember? And I killed that chimera for you in fifth year.
Rainbow Rowell (Any Way the Wind Blows (Simon Snow, #3))
No one would blow up their entire country in the hope that a few angels might be in the air when you did it. It's just not responsible nuke behavior." "Unlike nuclear cow missiles," says Dum. "Exactly.
Susan Ee (World After (Penryn & the End of Days, #2))
The coolies pull them across Howrah bridge, which they share with cars, trucks, bullock carts, a party of young women in saris strolling in no hurry wearing bangles on their ankles, an elephant also in no hurry, and a cow that is lying down in the middle of the road chewing lazily a booklet entitled Dr W C Roy’s SPECIFIC FOR INSANITY. The camera pauses on a portion of the half-eaten text: “Dr Roy’s insanity medicine acted a charm. I am completely cured,” says Srinath Ghosh of Bundelkund. 5 rupees per phial.
Michael Tobert (Karna's Wheel)
understand what he was saying. Nico wished the coach hadn’t brought the megaphone. Not only was it loud and obnoxious, but also, for no reason Nico understood, it occasionally blurted out random Darth Vader lines from Star Wars or yelled, “THE COW GOES MOO!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
She looks like the type that might freak out. It's something in the eyes, Frannie. It says if you shoot my sacred cows, I'll shoot yours.
Stephen King (The Stand)
I like being in a country where when cows attack, word of it gets around. That’s what I mean when I say Britain is cozy.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
For studying courage in textbooks doesn’t make you any more courageous than eating cow meat makes you bovine. By some mysterious mental mechanism, people fail to realize that the principal thing you can learn from a professor is how to be a professor—and the chief thing you can learn from, say, a life coach or inspirational speaker is how to become a life coach or inspirational speaker. So remember that the heroes of history were not classicists and library rats, those people who live vicariously in their texts. They were people of deeds and had to be endowed with the spirit of risk taking
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life)
It's just the way things are. Take a moment to consider this statement. Really think about it. We send one species to the butcher and give our love and kindness to another apparently for no reason other than because it's the way things are. When our attitudes and behaviors towards animals are so inconsistent, and this inconsistency is so unexamined, we can safely say we have been fed absurdities. It is absurd that we eat pigs and love dogs and don't even know why. Many of us spend long minutes in the aisle of the drugstore mulling over what toothpaste to buy. Yet most of don't spend any time at all thinking about what species of animal we eat and why. Our choices as consumers drive an industry that kills ten billion animals per year in the United States alone. If we choose to support this industry and the best reason we can come up with is because it's the way things are, clearly something is amiss. What could cause an entire society of people to check their thinking caps at the door--and to not even realize they're doing so? Though this question is quite complex, the answer is quite simple: carnism.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
Talaith leaned forward, studied her youngest daughter. “You think you’re evil?” “Pure evil,” Izzy clarified, which got her a rather vicious glare from Rhi. An expression Dagmar had never thought the young, perpetually smiling or sobbing girl was capable of. “Why would you think you’re evil?” “It’s a feeling I have.” “No. Someone told her.” Rhi glowered at her sister. “I never said that.” “You didn’t have to,” Izzy shot back. “I know you.” “Well, who told her that?” Talaith demanded. And, as one, they all turned and looked at Gwenvael. He blinked, sat up straight. “I would never say such a thing to my dear sweet niece!” “You said it to me,” Talwyn snapped. “That’s because you’re not my dear sweet niece. You’re the rude little cow who threw a knife at my head.” “I wasn’t aiming for you. I was aiming for Mum.” “She’s right,” Annwyl admitted. “I just ducked behind you.” She shrugged. “Sorry.
G.A. Aiken (How to Drive a Dragon Crazy (Dragon Kin, #6))
India is beyond statement, for anything you say, the opposite is also true. It's rich and poor, spiritual and material, cruel and kind, angry but peaceful, ugly and beautiful, and smart but stupid. It's all the extremes.
Sarah Macdonald (Holy Cow: An Indian Adventure)
Americans are pushy, obnoxious, neurotic, crass - anything and everything - the full catastrophe as our friend Zorba might say. Canadians are none of that. The way you might fear a cow sitting down in the middle of the street during rush hour, that's how I fear Canadians. To Canadians, everyone is equal. Joni Mitchell is interchangeable with a secretary at open-mic night. Frank Gehry is no greater than a hack pumping out McMansions on AutoCAD. John Candy is no funnier than Uncle Lou when he gets a couple of beers in him. No wonder the only Canadians anyone's ever heard of are the ones who have gotten the hell out. Anyone with talent who stayed would be flattened under an avalanche of equality. The thing Canadians don't understand is that some people are extraordinary and should be treated as such.
Maria Semple (Where'd You Go, Bernadette)
In America, alas, beauty has become something you drive to, and nature an either/or proposition--either you ruthlessly subjugate it, as at Tocks Dam and a million other places, or you deify it, treat it as something holy and remote, a thing apart, as along the Appalachian Trail. Seldom would it occur to anyone on either side that people and nature could coexist to their mutual benefit--that, say, a more graceful bridge across the Delaware River might actually set off the grandeur around it, or that the AT might be more interesting and rewarding if it wasn't all wilderness, if from time to time it purposely took you past grazing cows and till fields.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Got anything we can cull the herd with?" Nick stared at Zane for a few seconds. "I never realized how disturbing your accent is until you use cow analogies." "Yeah okay, say 'car'.
Abigail Roux (Ball & Chain (Cut & Run, #8))
I walked stiffly past the worst hussy of them all: my former BFF, who'd apparently decided to move in. Jessica had been at the restaurant every day for over two weeks. Most days more than once. I knew she was hot for my man, but holy cow. Clearly I'd have to say yes to Reyes soon. This was getting ridiculous. he needed a ring on his finger--and fast.
Darynda Jones (Sixth Grave on the Edge (Charley Davidson, #6))
But when I say 'cow', don’t go running away with the idea of some decent, self-respecting cudster such as you may observe loading grass into itself in the nearest meadow.
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
Shank’s got more guts than I’ve fried up from every pig and cow in the last year.” He paused, as if expecting a laugh, but none came. “How stupid is this—he saves Alby’s life, kills a couple of Grievers, and we’re sitting here yappin’ about what to do with him. As Chuck would say, this is a pile of klunk.
James Dashner (The Maze Runner (Maze Runner, #1))
There's an old saying: the definition of insanity is shooting an invulnerable cow in the face over and over and expecting a different result.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
CARL SAGAN SAID that if you want to make an apple pie from scratch, you must first invent the universe. When he says “from scratch,” he means from nothing. He means from a time before the world even existed. If you want to make an apple pie from nothing at all, you have to start with the Big Bang and expanding universes, neutrons, ions, atoms, black holes, suns, moons, ocean tides, the Milky Way, Earth, evolution, dinosaurs, extinction- level events, platypuses, Homo erectus, Cro- Magnon man, etc. You have to start at the beginning. You must invent fire. You need water and fertile soil and seeds. You need cows and people to milk them and more people to churn that milk into butter. You need wheat and sugar cane and apple trees. You need chemistry and biology. For a really good apple pie, you need the arts. For an apple pie that can last for generations, you need the printing press and the Industrial Revolution and maybe even a poem.To make a thing as simple as an apple pie, you have to create the whole wide world.
Nicola Yoon (The Sun Is Also a Star)
No matter how shitty it got, I could always look back and say, “At least I don’t have my arm stuck up a cow’s vagina.” In fact, that’s kind of become my life’s motto. It’s also what I say when I’m at a loss for words when talking to people who are grieving the loss of their grandparents.
Jenny Lawson
I'm really not looking to date anyone." I know people often say that when secretly looking for a romantic partner, but I mean it. I definitely felt attracted to some people, and I liked the idea of being with someone, but the actual mechanics of it didn't much suit my talents. Like, parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to apologize; 4. Being at a movie theater together and feeling obligated to hold hands even after your hands become sweaty and the sweat starts mixing together; 5. The part where they say, "What are you thinking about?" And they want you to be, like, "I'm thinking about you, darling," but you're actually thinking about how cows literally could not survive if it weren't for the bacteria in their guts, and how that means that cows do not exist as independent life-forms, but that's not really something you can say out loud, so you're ultimately forced to choose between lying and seeming weird.
John Green (Turtles All the Way Down)
Gareth sucked in a breath. Hyacinth’s brother wasn’t going to make this easy on him. But that didn’t matter. He had vowed to do this right, and he would not be cowed. He looked up, meeting the viscount’s dark eyes with steady purpose. “I would like to marry Hyacinth,” he said. And then, because the viscount did not say anything, because he didn’t even move, Gareth added, “Er, if she’ll have me.” And then about eight things happened at once. Or perhaps there were merely two or three, and it just seemed like eight, because it was all so unexpected. First, the viscount exhaled, although that did seem to understate the case. It was more of a sigh, actually—a huge, tired, heartfelt sigh that made the man positively deflate in front of Gareth. Which was astonishing. Gareth had seen the viscount on many occasions and was quite familiar with his reputation. This was not a man who sagged or groaned. His lips seemed to move through the whole thing, too, and if Gareth were a more suspicious man, he would have thought that the viscount had said, “Thank you, Lord.” Combined with the heavenward tilt of the viscount’s eyes, it did seem the most likely translation. And then, just as Gareth was taking all of this in, Lord Bridgerton let the palms of his hands fall against the desk with surprising force, and he looked Gareth squarely in the eye as he said, “Oh, she’ll have you. She will definitely have you.” It wasn’t quite what Gareth had expected. “I beg your pardon,” he said, since truly, he could think of nothing else. “I need a drink,” the viscount said, rising to his feet. “A celebration is in order, don’t you think?” “Er…yes?” Lord Bridgerton crossed the room to a recessed bookcase and plucked a cut-glass decanter off one of the shelves. “No,” he said to himself, putting it haphazardly back into place, “the good stuff, I think.” He turned to Gareth, his eyes taking on a strange, almost giddy light. “The good stuff, wouldn’t you agree?” “Ehhhh…” Gareth wasn’t quite sure what to make of this. “The good stuff,” the viscount said firmly. He moved some books to the side and reached behind to pull out what looked to be a very old bottle of cognac. “Have to keep it hidden,” he explained, pouring it liberally into two glasses. “Servants?” Gareth asked. “Brothers.” He handed Gareth a glass. “Welcome to the family.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Sometimes people ask you: "When is your birthday?" But you might ask yourself a more interesting question: "Before that day which is called my birthday, where was I?" Ask a cloud: "What is your date of birth? Before you were born, where were you?" If you ask the cloud, "How old are you? Can you give me your date of birth?" you can listen deeply and you may hear a reply. You can imagine the cloud being born. Before being born it was the water on the ocean's surface. Or it was in the river and then it became vapor. It was also the sun because the sun makes the vapor. The wind is there too, helping the water to become a cloud. The cloud does not come from nothing; there has been only a change in form. It is not a birth of something out of nothing. Sooner or later, the cloud will change into rain or snow or ice. If you look deeply into the rain, you can see the cloud. The cloud is not lost; it is transformed into rain, and the rain is transformed into grass and the grass into cows and then to milk and then into the ice cream you eat. Today if you eat an ice cream, give yourself time to look at the ice cream and say: "Hello, cloud! I recognize you.
Thich Nhat Hanh (No Death, No Fear: Comforting Wisdom for Life)
Otter. Otter. Otter,” I mutter. “Yes, Bear?” he says beautifully. “Don’t lead cows to slaughter,” I say. He arches an eyebrow. “Come again?” I take a deep breath. “I… love you and I know I should’ve told ya soon-a.” His eyes widen slightly. “Wait, what? You… me?” I shake my head. “But you didn’t buy the dolphin-safe tuna.” “Bear, what the hell? Did you just… rhyme?
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
We're an Ag college," I explain to them. "Not as good as the one in Yanco but we have livestock." "Cows?" Anson Choi asks, covering his nose. "Pigs, too. And horses. Great for growing tomatoes. The Cadets are wanna-be soldiers. City people. They may know how to street fight but they don't know how to wade through manure. "I'm going to throw up," one of the guys says. "Don't feel too bad," I explain. "Some of our lot did while they were laying out this stuff. Actually, right there where you're standing.
Melina Marchetta (On the Jellicoe Road)
On the Ning Nang Nong Where the Cows go Bong! And the Monkeys all say Boo! Theres a Nang Nong Ning Where the trees go Ping! And the tea pots Jibber Jabber Joo On the Nong Ning Nang All the Mice go Clang! And you just cant catch em when they do! So its Ning Nang Nong! Cows go Bong! Nong Nang Ning! Trees go Ping! Nong Ning Nang! The mice go Clang! What a noisy place to belong,Is the Ning Nang Ning Nang Nong!
Spike Milligan
The role of listeners has never been fully appreciated. However, it is well known that most people don’t listen. They use the time when someone else is speaking to think of what they’re going to say next. True Listeners have always been revered among oral cultures, and prized for their rarity value; bards and poets are ten a cow, but a good Listener is hard to find, or at least hard to find twice.
Terry Pratchett (Pyramids (Discworld, #7))
Damn you.” That was a swear that Opal was also not supposed to say (but sometimes did, over and over again, to the sleeping cows, at a whisper, to see if the shock would wake them).
Maggie Stiefvater (Opal (The Raven Cycle, #4.5))
We send one species to the butcher and give our love and kindness to another apparently for no reason other than because it's the way things are. When our attitudes and behaviors toward animals are so inconsistent, and this inconsistency is so unexamined, we can safely say we have been fed absurdities.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think. If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting. A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing. Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it. Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated. A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her. Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know. A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart. Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her. Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress. Ladies, I apologize. For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
Andy Rooney
For a Coming Extinction Gray whale Now that we are sending you to The End That great god Tell him That we who follow you invented forgiveness And forgive nothing I write as though you could understand And I could say it One must always pretend something Among the dying When you have left the seas nodding on their stalks Empty of you Tell him that we were made On another day The bewilderment will diminish like an echo Winding along your inner mountains Unheard by us And find its way out Leaving behind it the future Dead And ours When you will not see again The whale calves trying the light Consider what you will find in the black garden And its court The sea cows the Great Auks the gorillas The irreplaceable hosts ranged countless And fore-ordaining as stars Our sacrifices Join your word to theirs Tell him That it is we who are important
W.S. Merwin
The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass....... .....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...
Justin Cronin (The Passage (The Passage, #1))
You listen to me,” she says. Her jaw is set, ironclad. It’s the game face he’s seen her use to stare down Congress, to cow autocrats. Her grip on his hand is steady and strong. He wonders, half-hysterically, if this is how it felt to charge into war under Washington. “I am your mother. I was your mother before I was ever the president, and I’ll be your mother long after, to the day they put me in the ground and beyond this earth. You are my child. So, if you’re serious about this, I’ll back your play.” Alex is silent. But the debates, he thinks. But the general. Her gaze is hard. He knows better than to say either of those things. She’ll handle it. “So,” she says. “Do you feel forever about him?” And there’s no room left to agonize over it, nothing left to do but say the thing he’s known all along. “Yeah,” he says, “I do.” Ellen Claremont exhales slowly, and she grins a small, secret grin, the crooked, unflattering one she never uses in public, the one he knows best from when he was a kid
Casey McQuiston (Red, White & Royal Blue)
He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
A consequentialist or utilitarian is likely to approach the abortion question in a very different way, by trying to weigh up suffering. Does the embryo suffer? (Presumably not if it is aborted before it has a nervous system; and even if it is old enough to have a nervous system it surely suffers less than, say, an adult cow in a slaughterhouse.) Does the pregnant woman, or her family, suffer if she does not have an abortion? Very possibly so; and, in any case, given that the embryo lacks a nervous system, shouldn't the mother's well-developed nervous system have the choice?
Richard Dawkins (The God Delusion)
I have learned that I, we, are a dollar-a-day people (which is terrible, they say, because a cow in Japan is worth $9 a day). This means that a Japanese cow would be a middle class Kenyan... a $9-a-day cow from Japan could very well head a humanitarian NGO in Kenya. Massages are very cheap in Nairobi, so the cow would be comfortable.
Binyavanga Wainaina
Had I catalogued the downsides of parenthood, "son might turn out to be a killer" would never have turned up on the list. Rather, it might have looked something like this: 1. Hassle. 2. Less time just the two of us. (Try no time just the two of us.) 3. Other people. (PTA meetings. Ballet teachers. The kid's insufferable friends and their insufferable parents.) 4. Turning into a cow. (I was slight, and preferred to stay that way. My sister-in-law had developed bulging varicose veins in her legs during pregnancy that never retreated, and the prospect of calves branched in blue tree roots mortified me more than I could say. So I didn't say. I am vain, or once was, and one of my vanities was to feign that I was not.) 5. Unnatural altruism: being forced to make decisions in accordance with what was best for someone else. (I'm a pig.) 6. Curtailment of my traveling. (Note curtailment. Not conclusion.) 7. Dementing boredom. (I found small children brutally dull. I did, even at the outset, admit this to myself.) 8. Worthless social life. (I had never had a decent conversation with a friend's five-year-old in the room.) 9. Social demotion. (I was a respected entrepreneur. Once I had a toddler in tow, every man I knew--every woman, too, which is depressing--would take me less seriously.) 10. Paying the piper. (Parenthood repays a debt. But who wants to pay a debt she can escape? Apparently, the childless get away with something sneaky. Besides, what good is repaying a debt to the wrong party? Only the most warped mother would feel rewarded for her trouble by the fact that at last her daughter's life is hideous, too.)
Lionel Shriver (We Need to Talk About Kevin)
I sometimes think drivers don't know what grass is, or flowers, because they never see them slowly," she said. "If you showed a driver a green blur, Oh yes! he'd say, that's grass! A pink blur? That's a rose-garden! White blurs are houses. Brown blurs are cows. My uncle drove slowly on a highway once. He drove forty miles an hour and they jailed him for two days. Isn't that funny, and sad, too?
Ray Bradbury (Fahrenheit 451)
God is universal," spluttered the priest. The imam nodded strong approval. "There is only one God." "And with their one god Muslims are always causing troubles and provoking riots. The proof of how bad Islam is, is how uncivilized Muslims are,: pronounced the pandit. "Says the slave-driver of the cast system," huffed the imam. "Hindus enslave people and worship dressed-up dolls." "They are golden calf lovers. They kneel before the cows," the priest chimed in. "While Christians kneel before a white man! They are flunkies of a foreign god. They are nightmare of all nonwhite people.
Yann Martel (Life of Pi)
Dennis looked at the puppy in the window. We both did. It was the oddest thing. Normally, puppies in pet store windows sleep or pee or roll around on top of other dogs. This one ignored us its window-mates and was instead sitting with its nose pressed against the glass, looking at us with an extremely serious little expression on its face. An expression that seemed to me to be saying, "I am a sacred cow. Get out your wallet.
Augusten Burroughs (Possible Side Effects)
Calo bit the inside of his cheek, retuned his harp, and then began again: "Said the reeve to the maid who was fresh to the farm 'Let me show you the beasts of the yard!’ Here’s a cow that gives milk, and a pig that’s for ham Here’s a cur and a goat and a lamb; Here’s a horse tall and proud, and a well-trained old hawk, But the thing you should see is this excellent cock!" “Where could you possibly have learned that?” shouted Chains. Calo broke up in a fit of giggles, but Galdo picked up the song with a deadpan expression on his face: "Oh, some cocks rise early and some cocks stand tall, But the cock now in question works hardest of all! And they say hard’s a virtue, in a cock’s line of work So what say you, lovely, will you give it a—
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
New York! I say New York, let black blood flow into your blood. Let it wash the rust from your steel joints, like an oil of life Let it give your bridges the curve of hips and supple vines. Now the ancient age returns, unity is restored, The recociliation of the Lion and Bull and Tree Idea links to action, the ear to the heart, sign to meaning. See your rivers stirring with musk alligators And sea cows with mirage eyes. No need to invent the Sirens. Just open your eyes to the April rainbow And your eyes, especially your ears, to God Who in one burst of saxophone laughter Created heaven and earth in six days, And on the seventh slept a deep Negro sleep.
Léopold Sédar Senghor (The Collected Poetry (CARAF Books: Caribbean and African Literature Translated from French))
You wasn't made like watch-dogs and house-cats and cows. You was made a fox, and you be a fox, and its queer-like to me, Foxy, as folk canna see that. They expect you to be what you wanna made to be. You'm made to be a fox; and when you'm busy being a fox they say you'm a sinner!
Mary Webb (Gone to Earth)
Lord Peter Wimsey: Facts, Bunter, must have facts. When I was a small boy, I always hated facts. Thought they were nasty, hard things, all nobs. Mervyn Bunter: Yes, my lord. My old mother always used to say... Lord Peter Wimsey: Your mother, Bunter? Oh, I never knew you had one. I always thought you just sort of came along already-made, so it were. Oh, excuse me. How infernally rude of me. Beg pardon, I'm sure. Mervyn Bunter: That's all right, my lord. Lord Peter Wimsey: Thank you. Mervyn Bunter: Yes indeed, I was one of seven. Lord Peter Wimsey: That is pure invention, Bunter, I know better. You are unique. But you were going to tell me about your mater. Mervyn Bunter: Oh yes, my lord. My old mother always used to say that facts are like cows. If you stare them in the face hard enough, and they generally run away. Lord Peter Wimsey: By Jove, that's courageous, Bunter. What a splendid person she must be. Mervyn Bunter: I think so, my lord.
Dorothy L. Sayers (Clouds of Witness (Lord Peter Wimsey, #2))
Speak from right attitude. Ask yourself, “What do I really need to communicate to this person?” and refrain from venting your feelings for other motives. Check for self-indulgence, ill will, potential harm in one’s own words and actions. Ask yourself not only what must I say, buthow must I say it.
Leonard Scheff (The Cow in the Parking Lot: A Zen Approach to Overcoming Anger)
Big fishy!" said Wentworth again. "That's right!" Tiffany said, delighted. "Big fishy! And what makes it particularly interesting is that a whale isn't a fish! It is in fact a mammal, just like a cow!" Did you just say that? said her Second Thoughts, as all the pictsies stared at her an the boat spun in the surf. The first time he's ever said anything that wasn't about sweeties or weewee and you just corrected him?
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
...and Lucy." She looked like she might cry. 'What about her?' "Lucy smells like food." She nearly gagged saying it. 'Sol, all that's normal. Lucy smelled good before I turned, and now she smells even better. But I haven't tried to eat her face and neither will you.' "She's not safe in this house." 'Safer than out there,' I argued, even though I agreed with her. 'Look, you used to eat hamburgers.' She blinked, confused. "So?" 'So, did you ever walk through one of the farms at a field party and suddenly try to eat a cow?' "Um, no." Her chuckle was watery but it was better than nothing. "And, ew." 'Exactly. You can crave blood and not eat your best friend.
Alyxandra Harvey (Out for Blood (Drake Chronicles, #3))
The very beginning of Genesis tells us that God created man in order to give him dominion over fish and foul and all creatures. Of course, Genesis was written by a man, not a horse. There is no certainty that God actually did grant man dominion over other creatures. What seems more likely, in fact, is that man invented God to sanctify the dominion that he had usurped for himself over the cow and the horse. Yes, the right to kill a deer or a cow is the only thing all of mankind can agree upon, even during the bloodiest of wars. The reason we take that right for granted is that we stand at the top of the hierarchy. But let a third party enter the game - a visitor from another planet, for example, someone to whom God says, "Thou shalt have dominion over creatures of all other other stars" - and all at once taking Genesis for granted becomes problematic. Perhaps a man hitched to the cart of a Martian or roasted on the spit by inhabitants of the Milky Way will recall the veal cutlet he used to slice on his dinner plate and apologize (belatedly!) to the cow.
Milan Kundera (The Unbearable Lightness of Being)
Most abusive men put on a charming face for their communities, creating a sharp split between their public image and their private treatment of women and children. He may be: Enraged at home but calm and smiling outside Selfish and self-centered with you but generous and supportive with others Domineering at home but willing to negotiate and compromise outside Highly negative about females while on his own turf but a vocal supporter of equality when anyone else is listening Assaultive toward his partner or children but nonviolent and nonthreatening with everyone else Entitled at home but critical of other men who disrespect or assault women The pain of this contrast can eat away at a woman. In the morning her partner cuts her to the quick by calling her a “brainless fat cow,” but a few hours later she sees him laughing with the people next door and helping them fix their car. Later the neighbor says to her, “Your partner is so nice. You’re lucky to be with him—a lot of men wouldn’t do what he does.” She responds with a mumbled “Yeah,” feeling confused and tongue-tied. Back at home, she asks herself over and over again, “Why me?
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
She says it’s wrong to be frittering away my hours asking questions when there’s work to be done. But I don’t see how a question can be wrong. Can you, Pa? Ma says the Bible sets out what’s right and wrong so we don’t have to bother ourselves with it none but it seems to me that it ain’t so matter-of-fact. Like when you kilt that old cow last week and I didn’t want to eat it ’cause he was my favorite and so gentle besides. Ma said I was sinful to waste food. But I said that maybe we shouldn’t go about killing and eating cows when they was so peaceful-like. Ma said that was foolishness and that God put the cows here just so as we can eat ’em. But that don’t seem like such a good deal for the cows to me. Preacher told us not more than four Sundays ago that God loves all his creatures, but it ain’t loving to my way of thinking to create a thing just for it to be food. Them cows ain’t never done nothing to us. Which got me to thinking that maybe we got it wrong and they got a purpose we don’t know nothing about.
Victoria Forester (The Girl Who Could Fly (Piper McCloud, #1))
Said the reeve to the maid who was fresh to the farm Let me show you the beasts of the yard! Here's a cow that gives milk, and a pig that's for ham Here's a cur and a goat and a lamb; Here's a horse tall and proud and a well-trained old hawk, But the thing you should see is this excellent cock! Oh, some cocks rise early and some cocks stand tall, But he cock now in question works hardest of all! And they saw hard's a virtue, in a cock's line of work So what say you, lovely, will you give it a-
Scott Lynch
Emil was already familiar with those people who always say, “Goodness, everything was better in the old days.” And he no longer listened when people told him that in the old days the air was cleaner or that cows had bigger heads. Because it usually wasn’t true. Those people simply wanted to be dissatisfied, because otherwise they would have to be satisfied.
Erich Kästner
I'm hungry.' 'Me too.' 'Will you get us something to eat?' 'I suppose I could take a look around. Maybe find a baby bird or a dead squirrel, or something. One word about a quiche, and I'll kill you.' 'While you're up there, try to find some nice, soft grasses we can sit on and be more comfortable.' 'Yes, comrade. ... Here. I found some eggs to suck on.' 'Did you remember to get the grasses?' 'No. I forgot.' 'Are you going to get the grasses?' 'Can I eat first?' 'I don't know why you say you'll do things if you don't mean it.' 'I MEANT it! I just FORGOT!' 'You can get the grasses after you finish eating.' 'Thank you.' 'And try to find some water. We're going to need water if we plan on hiding out here.' 'YES COMRADE! ANYTHING ELSE?' ... 'Y'know, we could've had these eggs in a quiche!
Jeff Smith (Bone, Vol. 2: The Great Cow Race (Bone, #2))
I'll remind you of that someday , Maura says. "when you're married to a man who once looked into your eyes and promised to forsake all others. I'll remind of that after you've just had his baby and you have postpartum depression and feel as fat as cow and you are pumping milk into a plastic containers in the middle of the night while he's running around with some twenty-two-years old named Lissette. I'll remind you of that. Maura to Jess.
Emily Giffin (Baby Proof)
For most of my life, I would have automatically said that I would opt for conscientious objector status, and in general, I still would. But the spirit of the question is would I ever, and there are instances where I might. If immediate intervention would have circumvented the genocide in Rwanda or stopped the Janjaweed in Darfur, would I choose pacifism? Of course not. Scott Simon, the reporter for National Public Radio and a committed lifelong Quaker, has written that it took looking into mass graves in former Yugoslavia to convince him that force is sometimes the only option to deter our species' murderous impulses. While we're on the subject of the horrors of war, and humanity's most poisonous and least charitable attributes, let me not forget to mention Barbara Bush (that would be former First Lady and presidential mother as opposed to W's liquor-swilling, Girl Gone Wild, human ashtray of a daughter. I'm sorry, that's not fair. I've no idea if she smokes.) When the administration censored images of the flag-draped coffins of the young men and women being killed in Iraq - purportedly to respect "the privacy of the families" and not to minimize and cover up the true nature and consequences of the war - the family matriarch expressed her support for what was ultimately her son's decision by saying on Good Morning America on March 18, 2003, "Why should we hear about body bags and deaths? I mean it's not relevant. So why should I waste my beautiful mind on something like that?" Mrs. Bush is not getting any younger. When she eventually ceases to walk among us we will undoubtedly see photographs of her flag-draped coffin. Whatever obituaries that run will admiringly mention those wizened, dynastic loins of hers and praise her staunch refusal to color her hair or glamorize her image. But will they remember this particular statement of hers, this "Let them eat cake" for the twenty-first century? Unlikely, since it received far too little play and definitely insufficient outrage when she said it. So let us promise herewith to never forget her callous disregard for other parents' children while her own son was sending them to make the ultimate sacrifice, while asking of the rest of us little more than to promise to go shopping. Commit the quote to memory and say it whenever her name comes up. Remind others how she lacked even the bare minimum of human integrity, the most basic requirement of decency that says if you support a war, you should be willing, if not to join those nineteen-year-olds yourself, then at least, at the very least, to acknowledge that said war was actually going on. Stupid fucking cow.
David Rakoff (Don't Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems)
If Republicans care about the Constitution, they have to find the courage to say no or lose their constituencies and ultimately their cause. They have to say no to the anticonstitutional views of Supreme Court nominees such as Ruth Bader Ginsburg and Sonia Sotomayor and to un-Constitutional executive orders by presidents like Barack Obama, and that means they have to be prepared to obstruct them by any constitutional means necessary. Nor should they be cowed by a corrupt anti-Republican press. No candidate was ever vilified more by the media than Donald Trump, and he won.
David Horowitz (Big Agenda: President Trump's Plan to Save America)
Nowhere can I think so happily as in a train. I am not inspired; nothing so uncomfortable as that. I am never seized with a sudden idea for a masterpiece, nor form a sudden plan for some new enterprise. My thoughts are just pleasantly reflective. I think of all the good deeds I have done, and (when these give out) of all the good deeds I am going to do. I look out of the window and say lazily to myself, “How jolly to live there”; and a little farther on, “How jolly not to live there.” I see a cow, and I wonder what it is like to be a cow, and I wonder whether the cow wonders what it is to be like me; and perhaps, by this time, we have passed on to a sheep, and I wonder if it is more fun being a sheep. My mind wanders on in a way which would annoy Pelman a good deal, but it wanders on quite happily, and the “clankety-clank” of the train adds a very soothing accompaniment. So soothing, indeed, that at any moment I can close my eyes and pass into a pleasant state of sleep.
A.A. Milne
In between bites of banana, Mr. Remora would tell stories, and the children would write the stories down in notebooks, and every so often there would be a test. The stories were very short, and there were a whole lot of them on every conceivable subject. "One day I went to the store to purchase a carton of milk," Mr. Remora would say, chewing on a banana. "When I got home, I poured the milk into a glass and drank it. Then I watched television. The end." Or: "One afternoon a man named Edward got into a green truck and drove to a farm. The farm had geese and cows. The end." Mr. Ramora would tell story after story, and eat banana after banana, and it would get more and more difficult for Violet to pay attention.
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
There’s a saying that all roads lead to Ankh-Morpork, greatest of Discworld cities. At least, there’s a saying that there’s a saying that all roads lead to Ankh-Morpork. And it’s wrong. All roads lead away from Ankh-Morpork, but sometimes people just walk along them the wrong way. Poets long ago gave up trying to describe the city. Now the more cunning ones try to excuse it. They say, well, maybe it is smelly, maybe it is overcrowded, maybe it is a bit like Hell would be if they shut the fires off and stabled a herd of incontinent cows there for a year, but you must admit that it is full of sheer, vibrant, dynamic life. And this is true, even though it is poets that are saying it. But people who aren't poets say, so what? Mattresses tend to be full of life too, and no one writes odes to them. Citizens hate living there and, if they have to move away on business or adventure or, more usually, until some statute of limitations runs out, can’t wait to get back so they can enjoy hating living there some more. They put stickers on the backs of their carts saying "Anhk-Morpork—Loathe It or Leave It.
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
There are three men on a train. One of them is an economist and one of them is a logician and one of them is a mathematician. And they have just crossed the border into Scotland (I don’t know why they are going to Scotland) and they see a brown cow standing in a field from the window of the train (and the cow is standing parallel to the train). And the economist says, “Look, the cows in Scotland are brown.” And the logician says, “No. There are cows in Scotland of which one at least is brown.” And the mathematician says, “No. There is at least one cow in Scotland, of which one side appears to be brown.” And it is funny because economists are not real scientists, and because logicians think more clearly, but mathematicians are best.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
New Rule: Stop pretending your drugs are morally superior to my drugs because you get yours at a store. This week, they released the autopsy report on Anna Nicole Smith, and the cause of death was what I always thought it was: mad cow. No, it turns out she had nine different prescription drugs in her—which, in the medical field, is known as the “full Limbaugh.” They opened her up, and a Walgreens jumped out. Antidepressants, anti-anxiety pills, sleeping pills, sedatives, Valium, methadone—this woman was killed by her doctor, who is a glorified bartender. I’m not going to say his name, but only because (a) I don’t want to get sued, and (b) my back is killing me. This month marks the thirty-fifth anniversary of a famous government report. I was sixteen in 1972, and I remember how excited we were when Nixon’s much ballyhooed National Commission on Drug Abuse came out and said pot should be legalized. It was a moment of great hope for common sense—and then, just like Bush did with the Iraq Study Group, Nixon took the report and threw it in the garbage, and from there the ’70s went right into disco and colored underpants. This week in American Scientist, a magazine George Bush wouldn’t read if he got food poisoning in Mexico and it was the only thing he could reach from the toilet, described a study done in England that measured the lethality of various drugs, and found tobacco and alcohol far worse than pot, LSD, or Ecstasy—which pretty much mirrors my own experiments in this same area. The Beatles took LSD and wrote Sgt. Pepper—Anna Nicole Smith took legal drugs and couldn’t remember the number for nine-one-one. I wish I had more time to go into the fact that the drug war has always been about keeping black men from voting by finding out what they’re addicted to and making it illegal—it’s a miracle our government hasn’t outlawed fat white women yet—but I leave with one request: Would someone please just make a bumper sticker that says, “I’m a stoner, and I vote.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
William groaned. It was Vimes. Worse, he was smiling, in a humourless predatory way. "Ah, Mr de Worde," he said, stepping inside. "There are several thousand dogs stampeding through the city at the moment. This is an interesting fact, isn't it?" He leaned against the wall and produced a cigar. "Well, I say dogs," he said, striking a match on Goodmountain's helmet. "Mostly dogs, perhaps I should say. Some cats. More cats now, in fact, 'cos, hah, there's nothing like a, yes, a tidal wave of dogs, fighting and biting and howling, to sort of, how can I put it, give a city a certain . . . busyness. Especially underfoot, because - did I mention it? -they're very nervous dogs too. Oh, and did I mention cattle?" he went on, conversationally. "You know how it is, market day and so on, people are driving the cows and, my goodness, around the corner comes a wall of wailing dogs . . . Oh, and I forgot about the sheep. And the chickens, although I imagine there's not much left of the chickens now.
Terry Pratchett (The Truth: Stage Adaptation)
He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature ... We are the birds eggs. Birds eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
My God!" Amaury glared resentfully at the armed men surrounding his own as Castle Eberhart came into view. "See you the gall of the woman?" Blake hid a smile an shrugged. "'Twould seem your bride would have you safely delivered." "Safely delivered?" Grimacing,he shook his head. "She sends her man out to fetch me as if I am a stray cow." "Surely she would not send so many for a cow?" Amaury glared at his laughing friend. Blake shrugged. "Well,I have said it afore and-" "If you say once more that I should refuse to marry her,I will strike you down right here." "You may try," Blake allowed with a small smile.
Lynsay Sands (The Deed (Deed, #1))
As they were speaking, a dog that had been lying asleep raised his head and pricked up his ears. This was Argos, whom Odysseus had bred before setting out for Troy, but he had never had any enjoyment from him. In the old days he used to be taken out by the young men when they went hunting wild goats, or deer, or hares, but now that his master was gone he was lying neglected on the heaps of mule and cow dung that lay in front of the stable doors till the men should come and draw it away to manure the great close; and he was full of fleas. As soon as he saw Odysseus standing there, he dropped his ears and wagged his tail, but he could not get close up to his master. When Odysseus saw the dog on the other side of the yard, dashed a tear from his eyes without Eumaeus seeing it, and said: 'Eumaeus, what a noble hound that is over yonder on the manure heap: his build is splendid; is he as fine a fellow as he looks, or is he only one of those dogs that come begging about a table, and are kept merely for show?' 'This dog,' answered Eumaeus, 'belonged to him who has died in a far country. If he were what he was when Odysseus left for Troy, he would soon show you what he could do. There was not a wild beast in the forest that could get away from him when he was once on its tracks. But now he has fallen on evil times, for his master is dead and gone, and the women take no care of him. Servants never do their work when their master's hand is no longer over them, for Zeus takes half the goodness out of a man when he makes a slave of him.' So saying he entered the well-built mansion, and made straight for the riotous pretenders in the hall. But Argos passed into the darkness of death, now that he had fulfilled his destiny of faith and seen his master once more after twenty years…
Homer (The Odyssey)
I turn just as Aithinne leaps from a rock that juts out under the cliff. She lands with a soft thud, looking very pleased with herself. Her clothes are sopping wet, hair dripping, every inch of her covered in sand. And she doesn’t seem to mind one bit. Aithinne makes her way across the larger beach rocks toward us, her movements graceful. “You both look miserable.” “I’m cold and wet,” I say. “I feel wretched, and my blunderbuss is probably destroyed from the swim. No need to state the obvious.” She glances at her brother. “And I suppose your face is just stuck that way?” Kiaran pushes to his feet and I do the same. “What you see is the incessant, grave look of someone in possession of a sibling.” “Ha ha.” Aithinne focuses her attention on me, tilting her head. “You know, I had a kyloe look at me exactly like that once. His hair was a similar color and everything.” I glare at her. “You did not just compare me to a cow.” “No, no. I compared your expression to one. Cows truly are majestic creatures, aren’t they
Elizabeth May (The Vanishing Throne (The Falconer, #2))
I will not service your sister,” he told her flatly, unable to think of anything else to say. Elina laughed. “She does not want servicing. At least not from you.” “But when I came into your room earlier—” “It gets cold on Steppes. We share beds. We share food. We do not share cocks. There is no cock sharing among the Daughters of the Steppes. That is disgusting.” “So then earlier . . .” “She was inviting you to nap with us, like our brothers and cousins sometimes do. But not fuck.” “Oh.” “You sound disappointed.” “No. Just depressingly relieved.” “What?” “Beautiful sisters invite me to bed—I usually dive in headfirst. A little time away with you and suddenly I’m . . . my father.” “I like your father. Now he is charming. You are dolt with ineffective travel-cow and cousin that keeps trying to dress me like doll.” “Is that where you got that eye patch from?” “Yes.” “It’s a nice color on you.
G.A. Aiken (Light My Fire (Dragon Kin, #7))
Mr. Edwards admired the well-built, pleasant house and heartily enjoyed the good dinner. But he said he was going on West with the train when it pulled out. Pa could not persuade him to stay longer. "I'm aiming to go far West in the spring," he said. "This here, country, it's too settled up for me. The politicians are a-swarming in already, and ma'am if'n there's any worse pest than grasshoppers it surely is politicians. Why, they'll tax the lining out'n a man's pockets to keep up these here county-seat towns..." "Feller come along and taxed me last summer. Told me I got to put in every last thing I had. So I put in Tom and Jerry, my horses, at fifty dollars apiece, and my oxen yoke, Buck and Bright, I put in at fifty, and my cow at thirty five. 'Is that all you got?' he says. Well I told him I'd put in five children I reckoned was worth a dollar apiece. 'Is that all?' he says. 'How about your wife?' he says. 'By Mighty!' I says to him. 'She says I don't own her and I don't aim to pay no taxes on her,' I says. And I didn't.
Laura Ingalls Wilder (The Long Winter (Little House, #6))
Old-time ranchers planted cheatgrass because it would green up fast in the spring and provide early forage for grazing cattle,” Oyster says, nodding his head at the world outside. This first patch of cheatgrass was in southern British Columbia, Canada, in 1889. But fire spreads it. Every year, it dries to gunpowder, and now land that used to burn every ten years, it burns every year. And the cheatgrass recovers fast. Cheatgrass loves fire. But the native plants, the sagebrush and desert phlox, they don’t. And every year it burns, there’s more cheatgrass and less anything else. And the deer and antelope that depended on those other plants are gone now. So are the rabbits. So are the hawks and owls that ate the rabbits. The mice starve, so the snakes that ate the mice starve. Today, cheatgrass dominates the inland deserts from Canada to Nevada, covering an area over twice the size of the state of Nebraska and spreading by thousands of acres per year. The big irony is, even cattle hate cheatgrass, Oyster says. So the cows, they eat the rare native bunch grasses. What’s left of them... “When you think about it from a native plant perspective,” Oyster says, “Johnny Appleseed was a fucking biological terrorist.” Johnny Appleseed, he says, might as well be handing out smallpox.
Chuck Palahniuk (Lullaby)
Whenever somebody challenges me with the notion that killing carrots is no different to killing cows, I make a point of pointing out how different they would feel if they spent the day weeding in the garden, or the day slaughtering chickens. Just to make it clear how ridiculous they are being, because there can be no doubt, their argument is ridiculous, there isn’t a person out there who given both scenarios would look at them and say “yes they are the same”. I like to state this clearly, because I understand that even if the person challenging me refuses to acknowledge the difference, others who come along later and read the conversation will see both sides to the argument and maybe it will help these new people to not start presenting the same kind of ridiculous logic in opposition towards compassionate living.
Mango Wodzak
There are times when you almost tell the harmless old lady next door what you really think of her face—that it ought to be on a night-nurse in a house for the blind; when you’d like to ask the man you’ve been waiting ten minutes for if he isn’t all overheated from racing the postman down the block; when you nearly say to the waiter that if they deducted a cent from the bill for every degree the soup was below tepid the hotel would owe you half a dollar; when—and this is the infallible earmark of true exasperation—a smile affects you as an oil-baron’s undershirt affects a cow’s husband. But the moment passes. Scars may remain on your dog or your collar or your telephone receiver, but your soul has slid gently back into its place between the lower edge of your heart and the upper edge of your stomach, and all is at peace.
F. Scott Fitzgerald (The Curious Case of Benjamin Button and Other Jazz Age Stories (Penguin Classics))
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Anna?" Someone knocks on my door, and it startles me out of my seat. No.Not someone. St. Clair. I'm wearing an old Mayfield Dairy T-shirt, complete with yellow-and-brown cow logo,and hot pink flannel pajama bottoms covered in giant strawberries. I am not even wearing a bra. "Anna,I know you're in there. I can see your light." "Hold on a sec!" I blurt. "I'll be right there." I grab my black hoodie and zip it up over the cow's face before wrenching open the door. "Hisorryaboutthat. Come in." I open the door wide but he stands there for a moment, just staring at me. I can't read the expression on his face. Then he breaks into a mischievous smile and brushes past me. "Nice strawberries." "Shut up." "No,I mean it. Cute." And even though he doesn't mean it like I-want-to-leave-my-girlfriend-and-start-dating-you cute,something flickers inside of me. The "force of strength and destruction" Tita de la Garza knew so well.St. Clair stands in the center of my room.He scratches his head, and his T-shirt lifts up on one side, exposing a slice of bare stomach. Foomp! My inner fire ignites. "It's really...er...clean," he says. Fizz. Flames extinguished.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Defining words properly is a fine and peculiar craft. There are rules—a word (to take a noun as an example) must first be defined according to the class of things to which it belongs (mammal, quadruped), and then differentiated from other members of that class (bovine, female). There must be no words in the definition that are more complicated or less likely to be known that the word being defined. The definition must say what something is, and not what it is not. If there is a range of meanings of any one word—cow having a broad range of meanings, cower having essentially only one—then they must be stated. And all the words in the definition must be found elsewhere in the dictionary—a reader must never happen upon a word in the dictionary that he or she cannot discover elsewhere in it. If the definer contrives to follow all these rules, stirs into the mix an ever-pressing need for concision and elegance—and if he or she is true to the task, a proper definition will probably result.
Simon Winchester (The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary)
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw. There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since. My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes. Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs. Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom. My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over. Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone. My vagina. A live wet water village. My vagina my hometown. Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish. My vagina a live wet water village. They invaded it. Butchered it and burned it down. I do not touch now. Do not visit. I live someplace else now. I don't know where that is.
V (formerly Eve Ensler) (The Vagina Monologues)
It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...) 'I really don't know, Dad,' (...) 'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?' (...) 'Right, Dad,' he says. (...) 'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?' 'OK, Dad,' says the boy (...) 'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?' Bunny Junior nods. 'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?' 'OK, Dad.' 'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone. 'So what do you go and do, Dad?' says Bunny Junior. 'Well, you've got to have something they think they need, you know, above all else.' 'And what's that, Dad?' 'Hope... you know... the dream. You've got to sell them the dream.
Nick Cave (The Death of Bunny Munro)
I had recently read to my dismay that they have started hunting moose again in New England. Goodness knows why anyone would want to shoot an animal as harmless and retiring as the moose, but thousands of people do—so many, in fact, that states now hold lotteries to decide who gets a permit. Maine in 1996 received 82,000 applications for just 1,500 permits. Over 12,000 outof-staters happily parted with a nonrefundable $20 just to be allowed to take part in the draw. Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America. Mastodons, saber-toothed tigers, wolves, caribou, wild horses, and even camels all once thrived in eastern North America alongside the moose but gradually stumbled into extinction, while the moose just plodded on. It hasn’t always been so. At the turn of this century, it was estimated that there were no more than a dozen moose in New Hampshire and probably none at all in Vermont. Today New Hampshire has an estimated 5,000 moose, Vermont 1,000, and Maine anywhere up to 30,000. It is because of these robust and growing numbers that hunting has been reintroduced as a way of keeping them from getting out of hand. There are, however, two problems with this that I can think of. First, the numbers are really just guesses. Moose clearly don’t line up for censuses. Some naturalists think the population may have been overstated by as much as 20 percent, which means that the moose aren’t being so much culled as slaughtered. No less pertinent is that there is just something deeply and unquestionably wrong about killing an animal that is so sweetly and dopily unassuming as a moose. I could have slain this one with a slingshot, with a rock or stick—with a folded newspaper, I’d almost bet—and all it wanted was a drink of water. You might as well hunt cows.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
I find myself increasingly shocked at the unthinking and automatic rubbishing of men which is now so part of our culture that it is hardly even noticed. Great things have been achieved through feminism. We now have pretty much equality at least on the pay and opportunities front, though almost nothing has been done on child care, the real liberation. We have many wonderful, clever, powerful women everywhere, but what is happening to men? Why did this have to be at the cost of men? I was in a class of nine- and ten-year-olds, girls and boys, and this young woman was telling these kids that the reason for wars was the innately violent nature of men. You could see the little girls, fat with complacency and conceit while the little boys sat there crumpled, apologising for their existence, thinking this was going to be the pattern of their lives. The teacher tried to catch my eye, thinking I would approve of this rubbish. This kind of thing is happening in schools all over the place and no one says a thing. It has become a kind of religion that you can't criticise because then you become a traitor to the great cause, which I am not. It is time we began to ask who are these women who continually rubbish men. The most stupid, ill-educated and nasty woman can rubbish the nicest, kindest and most intelligent man and no one protests. Men seem to be so cowed that they can't fight back, and it is time they did.
Doris Lessing
Sometimes,” he said, “life does seem to be unfair. Do you know the story of Elijah and the Rabbi Jachanan?” “No,” said the Wart. He sat down resignedly upon the most comfortable part of the floor, perceiving that he was in for something like the parable of the looking-glass. “This rabbi,” said Merlyn, “went on a journey with the prophet Elijah. They walked all day, and at nightfall they came to the humble cottage of a poor man, whose only treasure was a cow. The poor man ran out of his cottage, and his wife ran too, to welcome the strangers for the night and to offer them all the simple hospitality which they were able to give in straitened circumstances. Elijah and the Rabbi were entertained with plenty of the cow’s milk, sustained by home-made bread and butter, and they were put to sleep in the best bed while their kindly hosts lay down before the kitchen fire. But in the morning the poor man’s cow was dead.” “Go on.” “They walked all the next day, and came that evening to the house of a very wealthy merchant, whose hospitality they craved. The merchant was cold and proud and rich, and all that he would do for the prophet and his companion was to lodge them in a cowshed and feed them on bread and water. In the morning, however, Elijah thanked him very much for what he had done, and sent for a mason to repair one of his walls, which happened to be falling down, as a return for his kindness. “The Rabbi Jachanan, unable to keep silence any longer, begged the holy man to explain the meaning of his dealings with human beings. “ ‘In regard to the poor man who received us so hospitably,’ replied the prophet, ‘it was decreed that his wife was to die that night, but in reward for his goodness God took the cow instead of the wife. I repaired the wall of the rich miser because a chest of gold was concealed near the place, and if the miser had repaired the wall himself he would have discovered the treasure. Say not therefore to the Lord: What doest thou? But say in thy heart: Must not the Lord of all the earth do right?’
T.H. White
A Lion Overpowered Sheikh Abu Masood bin Abi Bakr Harimi (r.a) reports that there was a very great Saint by the name of Sheikh Ahmed Jaam (r.a) He used to travel on a lion wherever he went. In every city that he visited, it was his habit to ask the people of the city to send one cow for his lion’s meal. Once, he went to a certain city and requested from the Saint of that city a cow for his lion. The Saint sent the cow to him and said, “If you ever go to Baghdad, your lion will receive a welcome invitation.” Sheikh Ahmed Jaam (r.a) then journeyed to Baghdad Shareef. On arriving in Baghdad, he sent one of his disciples to al-Ghawth al-A’zam (r.a) and commanded that a cow be sent to him, as a meal for his lion. The great Ghawth was already aware of his coming. He had already arranged for a cow to be kept for the lion. On the command of Sheikh Ahmed Jaam (r.a) Sheikh Abdul Qadir Jilani (r.a) sent one of his disciples with a cow to him. As the disciple took the cow with him, a weak and old stray dog which used to sit outside the home of Sheikh Abdul Qadir Jilani (r.a) followed the disciple. The disciple presented the cow to Sheikh Ahmed Jaam (r.a) who in turn signalled the lion to commence feeding. As the lion ran towards the cow, this stray dog pounced on the lion. It caught the lion by its throat and killed the lion by tearing open its stomach. The dog then dragged the lion and threw it before al-Ghawth al-A’zam (r.a) On seeing this, Sheikh Ahmed Jaam (r.a) was very embarrassed. He humbled himself before the great Ghawth and asked for forgiveness for his arrogant behaviour. This incident shows the strength of a dog that only sat outside the stoop of Sheikh Abdul Qadir Jilani (r.a) This was due to its Nisbat to the blessed stoop of the great Saint. It also proves that even animals recognise and are loyal to the the Awliya Allah. A’la Hazrat, Sheikh Imam Ahmed Raza al-Qaadiri (r.a) portrays the above-mentioned incident in one of his poetic stanzas. He says: “Kya Dab’be Jis Pe Himayat Ka Ho Panja Tera, Sher Ko Khatre me Laata, Nahi Kut’ta Tera
Hazrat Abdul Qadir Jilani
There are some animal advocates who say that to maintain that veganism is the moral baseline is objectionable because it is “judgmental,” or constitutes a judgment that veganism is morally preferable to vegetarianism and a condemnation that vegetarians (or other consumers of animal products) are “bad” people. Yes to the first part; no to the second. There is no coherent distinction between flesh and other animal products. They are all the same and we cannot justify consuming any of them. To say that you do not eat flesh but that you eat dairy or eggs or whatever, or that you don’t wear fur but you wear leather or wool, is like saying that you eat the meat from spotted cows but not from brown cows; it makers no sense whatsoever. The supposed “line” between meat and everything else is just a fantasy–an arbitrary distinction that is made to enable some exploitation to be segmented off and regarded as “better” or as morally acceptable. This is not a condemnation of vegetarians who are not vegans; it is, however, a plea to those people to recognize their actions do not conform with a moral principle that they claim to accept and that all animal products are the result of imposing suffering and death on sentient beings. It is not a matter of judging individuals; it is, however, a matter of judging practices and institutions. And that is a necessary component of ethical living.
Gary L. Francione
You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do: Say NO! You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do: Say NO! You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do: Say NO! You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do: Say NO! You. Pilot in your aeroplane. If tomorrow they tell you you are to carry bombs over the cities, then there's only one thing to do: Say NO! You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do: Say NO! You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do: Say NO! For if you do not say NO - if YOU do not say no - mothers, then: then! In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish. The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track. The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs. In the fields beside rusted ploughs the corn will be flattened like a beaten army. Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities. The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY? will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered, the last animal scream of the last human animal - All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if - You do not say NO.
Wolfgang Borchert
I tried every diet in the book. I tried some that weren’t in the book. I tried eating the book. It tasted better than most of the diets. I tried the Scarsdale diet and the Stillman water diet (you remember that one, where you run weight off trying to get to the bathroom). I tried Optifast, Juicefast, and Waterfast. I even took those shots that I think were made from cow pee. I endured every form of torture anybody with a white coat and a clipboard could devise for a girl who really liked fried pork chops. One night while I was on some kind of liquid-protein diet made from bone marrow, or something equally appetizing, I was with a group of friends at a Howard Johnson’s and some of them were having fried clams. I’ll never forget sitting there with all of that glorious fried fat filling my nostrils and feeling completely left out. I went home and wrote one of my biggest hits, “Two Doors Down.” I also went off my diet and had some fried clams. There were times when I thought of chucking it all in. “Damn the movie,” I would say. “I’m just gonna eat everything and go ahead and weigh five hundred pounds and have to be buried in a piano case.” Luckily, a few doughnuts later, that thought would pass and I would be back to the goal at hand. I remember something in a book I read called Gentle Eating. The author said you should pretend the angels are eating with you and that you want to save some for them. I loved that idea, because I love angels. I have to admit, though, there were times I would slap those angels out of the way and have their part too. A true hog will do that.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
Terence, this is stupid stuff: You eat your victuals fast enough; There can’t be much amiss, ’tis clear, To see the rate you drink your beer. But oh, good Lord, the verse you make, It gives a chap the belly-ache. The cow, the old cow, she is dead; It sleeps well, the horned head: We poor lads, ’tis our turn now To hear such tunes as killed the cow. Pretty friendship ’tis to rhyme Your friends to death before their time Moping melancholy mad: Come, pipe a tune to dance to, lad.’ Why, if ’tis dancing you would be, There’s brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God’s ways to man. Ale, man, ale’s the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world’s not. And faith, ’tis pleasant till ’tis past: The mischief is that ’twill not last. Oh I have been to Ludlow fair And left my necktie God knows where, And carried half way home, or near, Pints and quarts of Ludlow beer: Then the world seemed none so bad, And I myself a sterling lad; And down in lovely muck I’ve lain, Happy till I woke again. Then I saw the morning sky: Heigho, the tale was all a lie; The world, it was the old world yet, I was I, my things were wet, And nothing now remained to do But begin the game anew. Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck’s a chance, but trouble’s sure, I’d face it as a wise man would, And train for ill and not for good. ’Tis true, the stuff I bring for sale Is not so brisk a brew as ale: Out of a stem that scored the hand I wrung it in a weary land. But take it: if the smack is sour, The better for the embittered hour; It should do good to heart and head When your soul is in my soul’s stead; And I will friend you, if I may, In the dark and cloudy day. There was a king reigned in the East: There, when kings will sit to feast, They get their fill before they think With poisoned meat and poisoned drink. He gathered all that springs to birth From the many-venomed earth; First a little, thence to more, He sampled all her killing store; And easy, smiling, seasoned sound, Sate the king when healths went round. They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up: They shook, they stared as white’s their shirt: Them it was their poison hurt. —I tell the tale that I heard told. Mithridates, he died old.
A.E. Housman (A Shropshire Lad)
The one-eyed man stood helplessly by. "I'll help ya if ya want," he said. "Know what that son-of-a-bitch done? He come by an' he got on white pants. An' he says, 'Come on, le's go out to my yacht.' By God, I'll whang him some day!" He breathed heavily. "I ain't been out with a woman sence I los' my eye. An' he says stuff like that." And big tears cut channels in the dirt beside his nose. Tom said impatiently, "Whyn't you roll on? Got no guards to keep ya here." "Yeah, that's easy to say. Ain't so easy to get a job - not for a one-eye' man." Tom turned on him. "Now look-a-here, fella. You got that eye wide open. An' ya dirty, ya stink. Ya jus' askin' for it. Ya like it. Lets ya feel sorry for yaself. 'Course ya can't get no woman with that empty eye flappin' aroun'. Put somepin over it an' wash ya face. You ain't hittin' nobody with no pipe wrench." "I tell ya, a one-eye' fella got a hard row," the man said. "Can't see stuff the way other fellas can. Can't see how far off a thing is. Ever'thing's jus' flat." Tom said, "Ya full of crap. Why, I knowed a one-legged whore one time. Think she was takin' two-bits in a alley? No, by God! She's gettin' half a dollar extra. She says, 'How many one-legged women you slep' with? None!' she says. 'O.K.,' she says. 'You got somepin pretty special here, an it's gonna cos' ya half a buck extry.' An' by God, she was gettin' 'em, too, an' the fellas comin' out thinkin' they're pretty lucky. She says she's good luck. An' I knowed a hump-back in - in a place I was. Make his whole livin' lettin' folk rub his hump for luck. Jesus Christ, an' all you got is one eye gone." The man said stumblingly, "Well, Jesus, ya see somebody edge away from ya, an' it gets into ya." "Cover it up then, goddamn it. Ya stickin' it out like a cow's ass. Ya like to feel sorry for yaself. There ain't nothin' the matter with ya. Buy yaself some white pants. Ya gettin' drunk and cryin' in ya bed, I bet." ... The one-eyed man said softly, "Think - somebody'd like - me?" "Why, sure," said Tom. "Tell 'em ya dong's growed sence you los' your eye.
John Steinbeck (The Grapes of Wrath)
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))