Cow Field Quotes

It is not only my dreams, my belief is that all these dreams are yours as well. The only distinction between me and you is that I can articulate them. And that is what poetry or painting or literature or filmmaking is all about... and it is my duty because this might be the inner chronicle of what we are. We have to articulate ourselves, otherwise we would be cows in the field.

To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earth’s crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.

Beasts of England, beasts of Ireland, Beasts of every land and clime, Hearken to my joyful tidings Of the golden future time. Soon or late the day is coming, Tyrant Man shall be o'erthrown, And the fruitful fields of England Shall be trod by beasts alone. Rings shall vanish from our noses, And the harness from our back, Bit and spur shall rust forever, Cruel whips shall no more crack. Riches more than mind can picture, Wheat and barley, oats and hay, Clover, beans, and mangel-wurzels, Shall be ours upon that day. Bright will shine the fields of England, Purer shall its water be, Sweeter yet shall blow its breezes On the day that sets us free. For that day we all must labour, Though we die before it break; Cows and horses, geese and turkeys, All must toils for freedom's sake. Beasts of England, beasts of Ireland, Beasts of every land and clime, Hearken well and spread my tidings Of the golden future time.

Parties who want milk should not seat themselves on a stool in the middle of the field in hope that the cow will back up to them.

In America, alas, beauty has become something you drive to, and nature an either/or proposition--either you ruthlessly subjugate it, as at Tocks Dam and a million other places, or you deify it, treat it as something holy and remote, a thing apart, as along the Appalachian Trail. Seldom would it occur to anyone on either side that people and nature could coexist to their mutual benefit--that, say, a more graceful bridge across the Delaware River might actually set off the grandeur around it, or that the AT might be more interesting and rewarding if it wasn't all wilderness, if from time to time it purposely took you past grazing cows and till fields.

We startled some strange, long-necked shaggy creatures that had been grazing in the field, and I swear one of them spit at Feniul. Hagen slipped off of Leontes'neck and started to follow the creatures into the little copse of trees they had taken shelter in, fascinated, but I called him back. "They spit."I said. "They probably bite as well." "They are ill tempered things,"Amacarin agreed."But I saw someone riding one yesterday. It did not look like a smooth-gaited beast, though." Now there was even more longing in Hagen's face." Luka started laughing. "I shall buy you one when you finish your apprenticeship." He told my brother. "It can be your mastery gift. A hairy, spitting cow horse.

The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass....... .....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...

What can be said about those fields? There were blackbirds circling above their own shadows, and beneath them the cows stood around smelling one another’s butts.

There was nobody. Her words faded. So a rocket fades. Its sparks, having grazed their way into the night, surrender to it, dark descends, pours over the outlines of houses and towers; bleak hillsides soften and fall in. But though they are gone, the night is full of them; robbed of colour, blank of windows, they exist more ponderously, give out what the frank daylight fails to transmit—the trouble and suspense of things conglomerated there in the darkness; huddled together in the darkness; reft of the relief which dawn brings when, washing the walls white and grey, spotting each windowpane, lifting the mist from the fields, showing the red brown cows peacefully grazing, all is once more decked out to the eye; exists again. I am alone; I am alone!

A physicist, an engineer and a psychologist are called in as consultants to a dairy farm whose production has been below par. Each is given time to inspect the details of the operation before making a report. The first to be called is the engineer, who states: "The size of the stalls for the cattle should be decreased. Efficiency could be improved if the cows were more closely packed, with a net allotment of 275 cubic feet per cow. Also, the diameter of the milking tubes should be increased by 4 percent to allow for a greater average flow rate during the milking periods." The next to report is the psychologist, who proposes: "The inside of the barn should be painted green. This is a more mellow color than brown and should help induce greater milk flow. Also, more trees should be planted in the fields to add diversity to the scenery for the cattle during grazing, to reduce boredom." Finally, the physicist is called upon. He asks for a blackboard and then draws a circle. He begins: "Assume the cow is a sphere....

(pg.31) "As it was, my first days on Earth were somewhat anticlimactic. Mother and Father seemed so happy tempting and corrupting that I didn't want to interrupt them. But the fact was that I hadn't the slightest clue what to do with myself. I tried to convince cows to take over the world, to rampage across the fields slaughtering all in their wake, to start a new religion of udder worship, to build cities devoted to the consumption of grass, their aqueducts running with fresh milk. I even prepared a pictorial presentation of cows traveling into outer space aboard butter-powered space churns, but the cows seemed unconvinced, and soon returned to wondering how many stomachs they had. The current belief was seventeen. Cows:Unambitious.

On a farm, a child is an investment—an extra pair of hands to milk the cow, or shoulders to work the fields. But in a city a child is a liability, just another mouth to feed.

...and Lucy." She looked like she might cry. 'What about her?' "Lucy smells like food." She nearly gagged saying it. 'Sol, all that's normal. Lucy smelled good before I turned, and now she smells even better. But I haven't tried to eat her face and neither will you.' "She's not safe in this house." 'Safer than out there,' I argued, even though I agreed with her. 'Look, you used to eat hamburgers.' She blinked, confused. "So?" 'So, did you ever walk through one of the farms at a field party and suddenly try to eat a cow?' "Um, no." Her chuckle was watery but it was better than nothing. "And, ew." 'Exactly. You can crave blood and not eat your best friend.

I was just wishing for you," he said. "And here you are." "Must be your lucky day, Ace." "Eve." He lifted a hand, not quite steady, skimmed his fingers along her jaw. "Eve," he said again, and his arms were around her, banded like steel as he lifted her off her feet. "Oh God. Eve." She felt the shudder run through him as he buried his face in her hair, against the curve of her neck. And knew she'd been right to come. Whatever else there was, she'd been right to come. "Everything's okay now." To soothe, she ran her hands over his back. "It's okay." "You landed in a field of cows, in a jet-copter." "You're telling me?" He rubbed his hands up and down her arms before linking them with hers and easing back to look at her face. "You must love me madly." "I must." His eyes were wild and beautiful, his lips warm and tender as he pressed them to her cheeks. "Thank you." "You're welcome, but you missed a spot." She found his mouth with hers and let him sink in. When she felt the heat, the punch, her lips curved against his. "That's better.

When he [Colin] reached the center of the field, he paused to catch his breath and scan the area for telltale tufts of wool. When the lamb failed to appear, he cupped his hands around his mouth and tried again. "Dinner!" This time, his call earned an answer. Several answers. In fact, the ground shook with the collective bestial response. He spied several large, dark forms lumbering toward him through the twilight dusk. He blinked, trying to make them out. These weren't sheep. No, they were... Cows. Large cows. Remarkably fast and menacing cows. A small herd of them, all thundering straight for him where he stood in the center of the field. Colin took a few steps backward. "Wait," he said, holding up his hands. "I didn't mean you.

We were in an entirely other field by this time and in the company of white-coloured brown-coloured cows. They watched us quietly as we made a path between them and changed their attitudes slowly as if to show us all of the maps on their fat sides. They gave us to understand that they knew us personally and thought a lot of our families and I lifted my hat to the last of them as I passed her as a sign of my appreciation.

This is said to civilized men who are to venture into countries where sacred cows are fed, while children are left to starve - where female infants are killed or abandoned by the roadside- where men go blind, medical help being forbidden by their religion - where women are mutilated, to insure their fidelity - where unspeakable tortures are ceremonially inflicted on prisoners - where cannibalism is practiced. Are these the ‘cultural riches’ which a Western man is to greet with ‘brotherly love’? Are these the ‘valuable elements’ which he is to admire and adopt? Are these the ‘fields’ in which he is not to regard himself as superior? And when he discovers entire populations rotting alive in such conditions, is he not to acknowledge, with a burning stab of pride - of pride and gratitude - the achievements of his nation and his culture, of the men who created them and left him a nobler heritage to carry forward?

People are prepared for everything except for the fact that beyond the darkness of their blindness there is a great light. They are prepared to go on breaking their backs plowing the same old field until the cows come home without seeing, until they stub their toes on it, that there is a treasure buried in that field rich enough to buy Texas. They are prepared for a God who strikes hard bargains but not for a God who gives as much for an hour’s work as for a day’s. They are prepared for a mustard-seed kingdom of God no bigger than the eye of a newt but not for the great banyan it becomes with birds in its branches singing Mozart. They are prepared for the potluck supper at First Presbyterian but not for the marriage supper of the Lamb, and when the bridegroom finally arrives at midnight with vine leaves in his hair, they turn up with their lamps to light him on his way all right only they have forgotten the oil to light them with and stand there with their big, bare, virginal feet glimmering faintly in the dark.

Whether they are part of a home or home is a part of them is not a question children are prepared to answer. Having taken away the dog, take away the kitchen–the smell of something good in the oven for dinner. Also the smell of washing day, of wool drying in the wooden rack. Of ashes. Of soup simmering on the stove. Take away the patient old horse waiting by the pasture fence. Take away the chores that kept him busy from the time he got home from school until they sat down to supper. Take away the early-morning mist, the sound of crows quarreling in the treetops. His work clothes are still hanging on a nail beside the door of his room, but nobody puts them on or takes them off. Nobody sleeps in his bed. Or reads the broken-back copy of Tom Swift and His Flying Machine. Take that away too, while you are at it. Take away the pitcher and bowl, both of them dry and dusty. Take away the cow barn where the cats, sitting all in a row, wait with their mouths wide open for somebody to squirt milk down their throats. Take away the horse barn too–the smell of hay and dust and horse piss and old sweat-stained leather, and the rain beating down on the plowed field beyond the door. Take all this away and what have you done to him? In the face of a deprivation so great, what is the use of asking him to go on being the boy he was. He might as well start life over again as some other boy instead.

What I thought was interesting about becoming vegetarian was when I stopped eating animals I really started to appreciate them much more. I discovered an empathy with animals and started noticing the serenity of cows in fields, and the beauty of horses, which brought a new and very welcome dimension to my world. It happened quickly and I was surprised. Fundamentally I realised that animals are innocent. My

Essex has her bride’s gown on: there’s cow parsley frothing by the road and daisies on the common, and the hawthorn’s dressed in white; wheat and barley fatten in the fields, and bindweed decks the hedges.

There are three men on a train. One of them is an economist and one of them is a logician and one of them is a mathematician. And they have just crossed the border into Scotland (I don’t know why they are going to Scotland) and they see a brown cow standing in a field from the window of the train (and the cow is standing parallel to the train). And the economist says, “Look, the cows in Scotland are brown.” And the logician says, “No. There are cows in Scotland of which one at least is brown.” And the mathematician says, “No. There is at least one cow in Scotland, of which one side appears to be brown.” And it is funny because economists are not real scientists, and because logicians think more clearly, but mathematicians are best.

Progress is a wonderful thing of course, and I can appreciate the lactiferins that are sprinkled on the pasture to turn the grass to cheese. And yet this lack of cows, however rational it may be, gives one the feeling that the fields and meadows, deprived of their phlegmatic, bemusedly ruminating presence, are pitifully empty.

Why do the men come, do you suppose?” asked Fiver. “Who knows why men do anything? They may drive cows or sheep in the fields, or cut wood in the copses. What does it matter? I’d rather dodge a man than a stoat or a fox.

New Rule: Stop pretending your drugs are morally superior to my drugs because you get yours at a store. This week, they released the autopsy report on Anna Nicole Smith, and the cause of death was what I always thought it was: mad cow. No, it turns out she had nine different prescription drugs in her—which, in the medical field, is known as the “full Limbaugh.” They opened her up, and a Walgreens jumped out. Antidepressants, anti-anxiety pills, sleeping pills, sedatives, Valium, methadone—this woman was killed by her doctor, who is a glorified bartender. I’m not going to say his name, but only because (a) I don’t want to get sued, and (b) my back is killing me. This month marks the thirty-fifth anniversary of a famous government report. I was sixteen in 1972, and I remember how excited we were when Nixon’s much ballyhooed National Commission on Drug Abuse came out and said pot should be legalized. It was a moment of great hope for common sense—and then, just like Bush did with the Iraq Study Group, Nixon took the report and threw it in the garbage, and from there the ’70s went right into disco and colored underpants. This week in American Scientist, a magazine George Bush wouldn’t read if he got food poisoning in Mexico and it was the only thing he could reach from the toilet, described a study done in England that measured the lethality of various drugs, and found tobacco and alcohol far worse than pot, LSD, or Ecstasy—which pretty much mirrors my own experiments in this same area. The Beatles took LSD and wrote Sgt. Pepper—Anna Nicole Smith took legal drugs and couldn’t remember the number for nine-one-one. I wish I had more time to go into the fact that the drug war has always been about keeping black men from voting by finding out what they’re addicted to and making it illegal—it’s a miracle our government hasn’t outlawed fat white women yet—but I leave with one request: Would someone please just make a bumper sticker that says, “I’m a stoner, and I vote.

She wanted to talk about it, to tell the peasants in the fields and the nobles in their palashos—the cows in the pastures, the very birds in the air— that everything was nothing. It was a delightful thought because it meant (to Tess) that one was free to choose, or decline to choose, without shame or coercion. For someone who was nothing, anything was possible.

You should really think about buying another new tractor. I hear the current models have air conditioning and Wi-Fi.” “What the fuck do we need Wi-Fi for out in the field?” “Don’t know. Cows might be into the beefcake of the month sites. You never know about them heifers

Close to the road a cow would stand knee-deep in the mist, with horns damp enough to have a pearly shine in the starlight, and it would look at the black blur we were as we went whirling into the blazing corridor of light which we could never quite get into for it would be always splitting the dark just in front of us. The cow would stand there knee-deep in the mist and look at the black blur and the blaze and then, not turning his head, at the place where the black blur and blaze had been, with the remote, massive, unvindictive indifference of God-All-Mighty or Fate or me, if I were standing there knee-deep in the mist, and the blur and the blaze whizzed past and withered on off between the fields and the patches of woods.

I want to live somewhere where it rains a lot and things grow furiously. I want to see the fruits of the earth multiply and all that sort of thing. I want to make provision for the future. I want to lay up riches on earth since I don’t believe in heaven. Not material riches— I want green fields and fat cows and oak trees.

By the dim light of a lantern, they crossed the field toward the oak woods. Ned took the lead then, being more familiar with the nocturnal hazards of a meadow. With his guidance they avoided cow pats, thistles, sudden ditches, murky dark puddles, and an iron rake someone had left lying about just waiting for a comic moment.

Same day, 11 o'clock p. m..—Oh, but I am tired! If it were not that I had made my diary a duty I should not open it tonight. We had a lovely walk. Lucy, after a while, was in gay spirits, owing, I think, to some dear cows who came nosing towards us in a field close to the lighthouse, and frightened the wits out of us. I believe we forgot everything, except of course, personal fear, and it seemed to wipe the slate clean and give us a fresh start. We had a capital `severe tea' at Robin Hood's Bay in a sweet little oldfashioned inn, with a bow window right over the seaweedcovered rocks of the strand. I believe we should have shocked the `New Woman' with our appetites. Men are more tolerant, bless them! Then we walked home with some, or rather many, stoppages to rest, and with our hearts full of a constant dread of wild bulls.

How had subterranean frog people in love with hats and lizards become mortal enemies to a breed of bright-red devil bulls? Perhaps at the beginning of time, the elder gods had told the first trogs, You may now pick your nemesis! And the first trogs had pointed across the newly made fields of creations and yelled, We hate those cows!

The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.

My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw. There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since. My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes. Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs. Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom. My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over. Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone. My vagina. A live wet water village. My vagina my hometown. Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish. My vagina a live wet water village. They invaded it. Butchered it and burned it down. I do not touch now. Do not visit. I live someplace else now. I don't know where that is.

It's really quite a beautiful setting for an estate, in a woods of towering aspen trees near a field of high soft blue grass where pink cows sleep.

If you told me today that you wanted to become a cow and roam the fields, I would by you a little cowbell for that scrawny neck of yours.

The blue sea — a field without one cow!

For the Mongols, the lifestyle of the peasant seemed incomprehensible. The Jurched territory was filled with so many people and yet so few animals; this was a stark contrast to Mongolia, where there were normally five to ten animals for each human. To the Mongols, the farmers’ fields were just grasslands, as were the gardens, and the peasants were like grazing animals rather than real humans who ate meat. The Mongols referred to these grass-eating people with the same terminology that they used for cows and goats. The masses of peasants were just so many herds, and when the soldiers went out to round up their people or to drive them away, they did so with the same terminology, precision, and emotion used in rounding up yaks.

that I find most useful are: kneeling hip flexor stretch, swimmer stretch, Cossack stretch, hip external rotation stretch, reverse sleeper stretch, couch stretch, downward dog, and the cow face pose.

I will pull on my stockings and go quietly past the bedroom doors, and down through the kitchen, out through the garden past the greenhouse into the field. It is still early morning. The mist is on the marshes. The day is stark and stiff as a linen shroud. But it will soften; it will warm. At this hour, this still early hour, I think I am the field, I am the barn, I am the trees; mine are the flocks of birds, and this young hare who leaps, at the last moment when I step almost on him. Mine is the heron that stretches its vast wings lazily; and the cow that creaks as it pushes one foot before another munching; and the wild, swooping swallow; and the faint red in the sky, and the green when the red fades; the silence and the bell; the call of the man fetching cart-horses from the fields - all are mine.

This place sort of looks like one, I guess? With all the fields and the cows, and your parents still love each other. But even this isn’t perfect.” “No,” says Jamie. “But who ever said happy was perfect?

The rain began to fall harder, and it distracted him, but he tried to pull himself back because he felt on the verge of understanding something large and important. It seemed to him that this moment—the light and wind, the sweep of fields, the falling rain, the lowing cows, Leah’s form as it twisted to one side and then another—captured a sort of life that he longed for, a life of order and harsh beauty, and although this was his farm and his vision, it did not seem to be his life. It seemed instead to be the thing for which he must daily give up his life, an act of submission to something he could not name and only rarely, in moments such as these, have a sense of. Life during these moments seemed neither lost nor ruined but a power to be shared, as the grass shares its power with the living things that devour it.

The scene [Bruegel's 'Landscape with the Fall of Icarus'] is filled with a vast field, and a cow and a farmer plowing. In the left-hand corner is a tiny ocean the size of a palm, and there, I can barely make it out, the two legs of a man who fell headlong into the sea. This is called the Fall of Icarus. Compared to everyday life, the fall of an idealist who flew too high with candle-wax wings is an unremarkable tragedy.

In America, alas, beauty has become something you drive to, and nature an either/or proposition - either you ruthlessly subjugate it, as at Tocks Dam and a million other places, or you deify it, treat it as something holy and remote, a thing apart, as along the Appalachian Trail. Seldom would it occur to anyone on either side that people and nature could coexist to their mutual benefit - that, say, a more graceful bridge across the Delaware might actually set off the grandeur around it, or that the AT might be more interesting and rewarding if it wasn't all wilderness, if from time to time it purposely took you past grazing cows and tilled fields.

You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do: Say NO! You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do: Say NO! You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do: Say NO! You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do: Say NO! You. Pilot in your aeroplane. If tomorrow they tell you you are to carry bombs over the cities, then there's only one thing to do: Say NO! You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do: Say NO! You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do: Say NO! For if you do not say NO - if YOU do not say no - mothers, then: then! In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish. The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track. The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs. In the fields beside rusted ploughs the corn will be flattened like a beaten army. Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities. The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY? will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered, the last animal scream of the last human animal - All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if - You do not say NO.

Your average genre novel is like a high speed car chase ending in a massive crash, with death, destruction, and balls of flame, from which the main characters (usually) emerge mostly unscathed. Everything builds up to the crash, and it’s the anticipation that keeps us turning pages. Anthony Trollope, by contrast, is like a pleasant Sunday afternoon drive through the countryside in an open carriage behind a pair of matched horses. There’s conflict, sure; a herd of sheep blocks the road, two countrymen come to blows outside the pub, the cows in this field are looking daggers at the cows in that field. But the point of the drive is the drive itself, not the destination, because of course you’re just going to end up at home anyway.

We drive until the sun sets. There are more back roads into and out of these woods than anyone can count, than are probably on any map. You can drive and drive and drive and just see forest and fields, the occasional cow, the occasional elk, the even more occasional moose (the animal Patron Saint of Perpetual Embarrassment; I can relate, though not to being Catholic, which I’ve apparently decided mooses are). The Mountain glows in and out of view, turning pink, then blue, then shadow, as it watches us wander.

I’d rather see an apartment block any day, all charged up with people who go out to work every morning and keep this country buzzing and then come home to the nice little places they’ve earned, than a field doing bugger-all good to anyone except a couple of cows.

The Troubadours Etc." Just for this evening, let's not mock them. Not their curtsies or cross-garters or ever-recurring pepper trees in their gardens promising, promising. At least they had ideas about love. All day we've driven past cornfields, past cows poking their heads through metal contraptions to eat. We've followed West 84, and what else? Irrigation sprinklers fly past us, huge wooden spools in the fields, lounging sheep, telephone wires, yellowing flowering shrubs. Before us, above us, the clouds swell, layers of them, the violet underneath of clouds. Every idea I have is nostalgia. Look up: there is the sky that passenger pigeons darkened and filled— darkened for days, eclipsing sun, eclipsing all other sound with the thunder of their wings. After a while, it must have seemed that they followed not instinct or pattern but only one another. When they stopped, Audubon observed, they broke the limbs of stout trees by the weight of the numbers. And when we stop we'll follow—what? Our hearts? The Puritans thought that we are granted the ability to love only through miracle, but the troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them. Think of days of those scarlet-breasted, blue-winged birds above you. Think of me in the garden, humming quietly to myself in my blue dress, a blue darker than the sky above us, a blue dark enough for storms, though cloudless. At what point is something gone completely? The last of the sunlight is disappearing even as it swells— Just for this evening, won't you put me before you until I'm far enough away you can believe in me? Then try, try to come closer— my wonderful and less than.

The name itself is trouble. “Slough” means, literally, muddy field. A snake sloughs, or sheds, its dead skin. John Bunyan wrote of the “slough of despond” in Pilgrim’s Progress. In the 1930s, John Betjeman wrote this poem about Slough: Come friendly bombs and fall on Slough! It isn’t fit for humans now, There isn’t grass to graze a cow, Swarm over, Death! Then he got nasty. To this day, the residents of Slough rankle when anyone mentions the poem. The town’s reputation as a showpiece of quiet desperation was cemented when the producers of the TV series The Office decided to set the show in Slough.

The light was soft, diffuse, as if the sun itself had been wrapped in a white mourning veil. While fields of wheat whispered consolation to themselves, the hedgerows were filled with the bright shout of buttercups and champion, bluebells and cow parsley. Even in the shade the air was warm. It would be a good year for honey

And because I had the latest advanced mathematical training, I was given the job of analyzing the retractable landing gear for Jimmy Doolittle’s Lockheed Orion 9-D, a modification of the basic Orion. That was my first contact with any of the famous early aviators who would frequent the Lockheed plant. Others included Amelia Earhart, Wiley Post, Sir Charles Kingsford-Smith, and Roscoe Turner. Doolittle, of course, was an early record-setting pilot, both military and civilian, with a master’s degree and doctorate in science from M.I.T. Then he was flying for Shell Oil Company, landing in out-of-the-way fields, cow pastures, and other unprepared strips.

People are prepared for everything except for the fact that beyond the darkness of their blindness there is a great light. They are prepared to go on breaking their backs plowing the same old field until the cows come home without seeing, until they stub their toes on it, that there is a treasure buried in that field rich enough to buy Texas.

Rousseau saw the invention of farming as one big fiasco, and for this, too, we now have abundant scientific evidence. For one thing, anthropologists have discovered that hunter-gatherers led a fairly cushy life, with work weeks averaging twenty to thirty hours, tops. And why not? Nature provided everything they needed, leaving plenty of time to relax, hang out and hook up. Farmers, by contrast, had to toil in the fields and working the soil left little time for leisure. No pain, no grain. Some theologists even suspect that the story of the Fall alludes to the shift to organised agriculture, as starkly characterised by Genesis 3: ‘By the sweat of your brow you shall eat bread.’29 Settled life exacted an especially heavy toll on women. The rise of private property and farming brought the age of proto-feminism to an end. Sons stayed on the paternal plot to tend the land and livestock, which meant brides now had to be fetched for the family farm. Over centuries, marriageable daughters were reduced to little more than commodities, to be bartered like cows or sheep.30

How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]

the beholders.' " 70. They said, "Call upon your Lord for us to make plain to us what it is. Verily to us all cows are alike, And surely, if Allaah wills, we will be guided." 71. He [Moosa (Moses)] said, "He says, 'It is a cow neither trained to till the soil nor water the fields, sound, having no other colour except bright yellow.' " They said, "Now you have brought the truth.

Furthermore, I refuse to be affected by these cheap theatrics!" She gestured to the boiling sky. "Gor!" Shelton covered his eyes with one hand. Dougal instantly went from mad to furious, and the clouds rumbled to life. Yet in that instant, he realized that this tiny little bit of a woman had just reduced centuries of a dramatic and secretive curse to "cheap theatrics." He didn't know whether to rage or laugh, but somehow, looking up into her amazing blue eyes, laughter was beginning to win. "Furthermore," she continued in high dudgeon, "I won't be cowed by a few damned drops of rain!" Shelton groaned loudly. "Law,here it comes now." But it didn't. Instead, a chuckle rippled through Dougal. Sophia appeared outraged. "Are you laughing at me?" "No,sweetheart. I'm laughing at us. We cannot even ride from the field to the house without racing. We're doomed to challenge each other forever,and if we don't have a care, my temper will try the two of us like sausages over a spit." Her lips quivered in response. "I don't particularly care for that image." "I haven't time for elegance, my love. It is getting ready to rain, so sausages are all you'll get.

Radha Krishna Krishna, Svayam Bhagavan, Avatar of Vishnu, play your flute for me beneath this parasol of stars, diadems bejeweling your eternal crown, and I will dance for you a joyous dance. Svayam Bhagavan, Avatar of Vishnu, visit your consort, Radha, mantled in the black of night, the cow-herd girl who has stolen your heart, and now the gopi has become the guru and awaits her lover with open arms. Svayam Bhagavan, Avatar of Vishnu, stay the night, and learn the love of Radha,shakti, her wifely love, the svakaya-rasa, her spiritual love, the parakiya-rasa, for immortality is a curse without both of these. Svayam Bhagavan, Avatar of Vishnu, return to heaven now for the cock has crowed and yet you linger, lazy in Radha’s bed. Even endless love must seek and end to repeat the joy of new beginnings. Return, Krishna, I beseech you, for my feet are weary of the dance and I have fields to plow and rice to plant.

She was fine. She was just…jumbly, as if her whole life was a jigsaw puzzle that had been put away in the wrong box, so she’d been trying to make a picture of a sunset with pieces that were meant to be a cow. And while the prospect of no longer trying to build a skyline out of hooves was enough to make her genuinely giddy—like when she’d been running through some poor farmer’s field with Anvita and Harry—she was also on the verge of resentful. Deeply, deeply resentful.

She drives him home. It is five in the morning. ‘I’ve never made love all night,’ she says. Her right hand rests in his…She drives with her left. They pass the cornbread meadow—a field covered with yellow poppies and black and white cows motionless in the blue mist. Sleeping. A small spread of land in the middle of civilization…it is almost dawn. The streets are peaceful. The world does not hurt at such an hour. There is time. -from Who Has Known Heights: The Mystique Memoirs of a Melancholic Mind

What are they, Dad? Cows, son. What are cows, Dad? Cows are cows, son. We walked farther along the brightening road and there were other creatures in the fields, white furry creatures. Malachy said, What are they, Dad? Sheep, son. What are sheep, Dad? My father barked at him, Is there any end to your questions? Sheep are sheep, cows are cows, and that over there is a goat. A goat is a goat. The goat gives milk, the sheep gives wool, the cow gives everything. What else in God’s name do you want to know? And

The first god, the Cailleach, was very old. In fact, one of her other names was the Old Woman of Scotland, although most humans never saw her in that form. Instead, those with the Sight merely felt her invisible presence in a wild storm or a rushing waterfall or even in the melted snow that pools in fresh-plowed spring fields. The Cailleach was a goddess of creation. She made trees bud. Grass thicken. Calves grow inside cows. Fruit ripen on the vine. Her work was the ancient business of making and renewing.

In Winesburg, as in all Ohio towns of twenty years ago, there was a section in which lived day laborers. As the time of factories had not yet come, the laborers worked in the fields or were section hands on the railroads. They worked twelve hours a day and received one dollar for the long day of toil. The houses in which they lived were small cheaply constructed wooden affairs with a garden at the back. The more comfortable among them kept cows and perhaps a pig, housed in a little shed at the rear of the garden.

Um… no reason in particular except that it’s cow country and less populated.” Both men grinned. “To be honest, Mr. Moore, thirty miles north is like being in a different country. All that’s around the area are fields where farmers on tractors are plowing something with shit-smelling fertilizer. We found a flat, straight road where we could see for miles in each direction. There wasn’t any traffic, so we pulled over, yanked out the bodies, and dumped them in a deep ditch. We unrolled them from the shrink wrap and left them there.

10- We went walking along the footpaths that snaked through vineyards and barley fields, looking down at our own shadows each preoccupied with our own thoughts. Mostly we wandered. There wasn’t much in the way of a tourist industry on Tinos in those days. It was a farming Island, really people living off their cows and goats and olive trees and wheat.We would end up bored, eating lunch somewhere, quietly, in the shade of a tree or a windmill, looking between bites at the ravines, the fields of thorny bushes, the mountains the sea.

Five months after Zoran's disappearance, his wife gave birth to a girl. The mother was unable to nurse the child. The city was being shelled continuously. There were severe food shortages. Infants, like the infirm and the elderly, were dying in droves. The family gave the baby tea for five days, but she began to fade. "She was dying," Rosa Sorak said. "It was breaking our hearts." Fejzić, meanwhile, was keeping his cow in a field on the eastern edge of Goražde, milking it at night to avoid being hit by Serbian snipers. "On the fifth day, just before dawn, we heard someone at the door," said Rosa Sorak. "It was Fadil Fejzić in his black rubber boots. He handed up half a liter of milk he came the next morning, and the morning after that, and after that. Other families on the street began to insult him. They told him to give his milk to Muslims, to let the Chetnik children die. He never said a word. He refused our money. He came 442 days, until my daughter-in-law and granddaughter left Goražde for Serbia." The Soraks eventually left and took over a house that once belonged to a Muslim family in the Serbian-held town of Kopaci. Two miles to the east. They could no longer communicate with Fejzić. The couple said they grieved daily for their sons. They missed their home. They said they could never forgive those who took Zoran from them. But they also said that despite their anger and loss, they could not listen to other Sebs talking about Muslims, or even recite their own sufferings, without telling of Fejzić and his cow. Here was the power of love. What this illiterate farmer did would color the life of another human being, who might never meet him, long after he was gone, in his act lay an ocean of hope.

….two slate-colored gravestones settled at a slant into the lower corner of the field beside the lane. She could not read the names engraved on them, but she knew what they were. Joseph Watson, 1820-1891, and James Watson, son of Joseph and Hannah Watson, 1844-1863. The grave of Hannah Watson lay beside her husband’s and because she had died last, she had no marker, unless the pine tree growing there might count as one. To-morrow two men would drive up and leave a basket of flowers and a flag for Joseph because he had fought in the Civil War, and for James because he had died on his way home from it, but they would not have anything for Hannah because she had only identified her son James one hot summer day on the platform of North Derwich Station, and raised all the food her husband ate for twenty years as he sat in a chair in her kitchen, and done washings for Mrs. Hale to buy monuments for them at the end. But the flowers would die in the boxes; even if Jen found time to go down and set out the pansy plants in the ground, stray cows were sure to eat them off before the summer was over; and the Forrest children would take the flags to play with. Nothing would interfere with the tree.

Are you superstitious?’ This time I must have said it aloud, because he answers. ‘Black cats and rabbits’ feet?’ ‘That sort of thing,’ I say, and he leans in further to listen. ‘White cows and butterflies, field mice and hares. I saw a hare once in the library at Lyntons.’ Victor tenses, hopeful for a net that he can use to save me. A child’s net on a stick that he can thrust into the rushing water where I spin and turn in the eddies. He would scoop me out if he could. But there’s nothing now that will stop me flowing downstream with the current. Soon I’ll reach the falls and be swept over the brink, and that will be the end of me.

Pa watched and listened all the time. The plow was in the field where he had left it; Pet and Patty and the colt and the cow and calf stayed in the barn. Mary and Laura could not go out of the house. And Pa never stopped looking at the prairie all around, and turning his head quickly toward the smallest noise. He ate hardly any dinner; he kept getting up and going outdoors to look all around at the prairie. One day his head nodded down to the table and he slept there. Ma and Mary and Laura were still to let him sleep. He was so tired. But in a minute he woke up with a jump and said, sharply, to Ma, “Don’t let me do that again!” “Jack was on guard,” Ma said gently.

Grandparents For many peoples of black Africa, ancestors are the spirits that live in the tree beside your house or in the cow grazing in the field. The great-grandfather of your great-great-grandfather is now that stream snaking down the mountainside. Your ancestor could also be any spirit that decides to accompany you on your voyage through the world, even if he or she was never a relative or an acquaintance. The family has no borders, explains Soboufu Somé of the Dagara people: “Our children have many mothers and many fathers. As many as they wish.” And the ancestral spirits, the ones that help you make your way, are the many grandparents that each of you has. As many as you wish.

Gardening Work There was a man breaking up the ground, getting ready to plant, when another man came by, "Why are you ruining this land?" "Don't interfere. Nothing can grow here until the earth is turned over and crumbled. There can be no roses and no orchard without first this devastation. You must lance an ulcer to heal. You must tear down parts of an old building to restore it." So it is with the sensual life that has no spirit. A person must face the dragon of his or her appetites with another dragon, the life energy of the soul. When that's not strong, everyone seems to be full of fear and wanting, as one thinks the room is spinning when one's whirling around. If your love has contracted into anger, the atmosphere itself feels threatening, but when you're expansive and clear, no matter what the weather, you're in an open windy field with friends. Many people travel as far as Syria and Iraq and meet only hypocrites. Others go all the way to India and see only people buying and selling. Others travel to Turkestan and China to discover those countries are full of cheats and sneak thieves. You always see the qualities that live in you. A cow may walk through the amazing city of Baghdad and notice only a watermelon rind and a tuft of hay that fell off a wagon. Don't repeatedly keep doing what your lowest self wants. That's like deciding to be a strip of meat nailed to dry on a board in the sun.

He wondered why on earth he had asked these people, and what one really expected to get from bunching human beings up together. "Cows," he reflected, "draw together in a field; ships in a calm; and we're just the same when we've nothing else to do. But why do we do it?—is it to prevent ourselves from seeing to the bottom of things" (he stopped by a stream and began stirring it with his walking-stick and clouding the water with mud), "making cities and mountains and whole universes out of nothing, or do we really love each other, or do we, on the other hand, live in a state of perpetual uncertainty, knowing nothing, leaping from moment to moment as from world to world?—which is, on the whole, the view I incline to.

Hirst, who had been eating and drinking without interruption, now lit a cigarette, and observed, “Oh, but we’re all agreed by this time that nature’s a mistake. She’s either very ugly, appallingly uncomfortable, or absolutely terrifying. I don’t know which alarms me most—a cow or a tree. I once met a cow in a field by night. The creature looked at me. I assure you it turned my hair grey. It’s a disgrace that the animals should be allowed to go at large.” “And what did the cow think of him?” Venning mumbled to Susan, who immediately decided in her own mind that Mr. Hirst was a dreadful young man, and that although he had such an air of being clever he probably wasn’t as clever as Arthur, in the ways that really matter.

But as yet, the neighbourhood was shy to own the Railroad. One or two bold speculators had projected streets; and one had built a little, but had stopped among the mud and ashes to consider farther of it. A bran-new Tavern, redolent of fresh mortar and size, and fronting nothing at all, had taken for its sign The Railway Arms; but that might be rash enterprise—and then it hoped to sell drink to the workmen. So, the Excavators’ House of Call had sprung up from a beer shop; and the old-established Ham and Beef Shop had become the Railway Eating House, with a roast leg of pork daily, through interested motives of a similar immediate and popular description. Lodging-house keepers were favourable in like manner; and for the like reasons were not to be trusted. The general belief was very slow. There were frowzy fields, and cow-houses, and dunghills, and dustheaps, and ditches, and gardens, and summer-houses, and carpet-beating grounds, at the very door of the Railway. Little tumuli of oyster shells in the oyster season, and of lobster shells in the lobster season, and of broken crockery and faded cabbage leaves in all seasons, encroached upon its high places. Posts, and rails, and old cautions to trespassers, and backs of mean houses, and patches of wretched vegetation stared it out of countenance. Nothing was the better for it, or thought of being so. If the miserable waste ground lying near it could have laughed, it would have laughed it to scorn, like many of the miserable neighbours.

Hirst, who had been eating and drinking without interruption, now lit a cigarette, and observed, “Oh, but we’re all agreed by this time that nature’s a mistake. She’s either very ugly, appallingly uncomfortable, or absolutely terrifying. I don’t know which alarms me most—a cow or a tree. I once met a cow in a field by night. The creature looked at me. I assure you it turned my hair grey. It’s a disgrace that the animals should be allowed to go at large.” “And what did the cow think of him?” Venning mumbled to Susan, who immediately decided in her own mind that Mr. Hirst was a dreadful young man, and that although he had such an air of being clever he probably wasn’t as clever as Arthur, in the ways that really matter. “Wasn’t it Wilde who discovered

No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly.  No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are!  No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles’s Wain like a locomotive engine-driver.  No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs.   To

I took the Washington bus; wasted some time there wandering around; went out of my way to see the Blue Ridge, heard the bird of Shenandoah and visited Stonewall Jackson’s grave; at dusk stood expectorating in the Kanawha River and walked the hillbilly night of Charleston, West Virginia; at midnight Ashland, Kentucky, and a lonely girl under the marquee of a closed-up show. The dark and mysterious Ohio, and Cincinnati at dawn. Then Indiana fields again, and St. Louis as ever in its great valley clouds of afternoon. The muddy cobbles and the Montana logs, the broken steamboats, the ancient signs, the grass and the ropes by the river. The endless poem. By night Missouri, Kansas fields, Kansas night-cows in the secret wides, crackerbox towns with a sea for the end of every street; dawn in Abilene. East Kansas grasses become West Kansas rangelands that climb up to the hill of the Western night.

At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.

It is not that modern people are less intelligent than their grandparents: only that, being busier, they are less careful. They must learn to take short cuts, skimming through the columns of a newspaper, flicking over the pages of a book or magazine, deciding at each new paragraph or page whether to read it either attentively or cursorily, or whether to let it go unread. There is a running commentary in the mind. For example, in reading a Life of Napoleon: ‘page 9 … yes, he is still talking about Napoleon’s childhood and the romantic scenery of Corsica … something about James Boswell and Corsican independence … tradition of banditry … now back to the family origins again … wait a minute … no … his mother … more about her … yes … French Revolution … page 24, more about the French Revolution … still more … page 31, not interested … ah … Chapter 2, now he’s at the military school … I can begin here … but oughtn’t to waste time over this early part … in the artillery, was he? … but when do we get to the Italian campaign?’ And even when the reader does get to the Italian compaign and settles down comfortably to the story, he seldom reads a sentence through, word by word. Usually, he takes it in either with a single comprehensive glance as he would a stream or a field of cows that he was passing in the train, or with a series of glances, four or five words to a glance. And unless he has some special reason for studying the narrative closely, or is in an unusually industrious mood, he will not trouble about any tactical and geographical niceties of the campaign that are not presented with lively emphasis and perfect clarity. And, more serious still from the author’s point of view, he will not stop when the eye is checked by some obscurity or fancifulness of language, but will leave the point unresolved and pass on. If there are many such obstructions he will skim over them until his eye alights on a clear passage again.

When we came out of the cookhouse, we found the boy's father, the Indian man who had been grazing the horses in the pasture, waiting for us. He wanted someone to tell his troubles to. He looked about guardedly, afraid that the Señora might overhear him. 'Take a look at me' he said. I don't even know how old I am. When I was young, the Señor brought me here. He promised to pay me and give me a plot of my own. 'Look at my clothes' he said, pointing to the patches covering his body. 'I can't remember how many years I've been wearing them. I have no others. I live in a mud hut with my wife and sons. They all work for the Señor like me. They don't go to school. They don't know how to read or write; they don't even speak Spanish. We work for the master, raise his cattle and work his fields. We only get rice and plantains to eat. Nobody takes care of us when we are sick. The women here have their babies in these filthy huts.' 'Why don't you eat meat or at least milk the cows?' I asked. 'We aren't allowed to slaughter a cow. And the milk goes to the calves. We can't even have chicken or pork - only if an animal gets sick and dies. Once I raised a pig in my yard' he went on. 'She had a litter of three. When the Señor came back he told the foreman to shoot them. That's the only time we ever had good meat.' 'I don't mind working for the Señor but I want him to keep his promise. I want a piece of land of my own so I can grow rice and yucca and raise a few chickens and pigs. That's all.' 'Doesn't he pay you anything?' Kevin asked. 'He says he pays us but he uses our money to buy our food. We never get any cash. Kind sirs, maybe you can help me to persuade the master . Just one little plot is all I want. The master has land, much land.' We were shocked by his tale. Marcus took out a notebook and pen. 'What's his name?'. He wrote down the name. The man didn't know the address. He only knew that the Señor lived in La Paz. Marcus was infuriated. 'When I find the owner of the ranch, I'll spit right in his eye. What a lousy bastard! I mean, it's really incredible'. 'That's just the way things are,' Karl said. 'It's sad but there's nothing we can do about it.

From the bottom of her heart, from the bottom of her soul, she despised and detested people, adult people. She loved only children and animals: children she loved passionately, but coldly. They made her want to hug them, to protect them, to give them life. But this very love, based on pity and despair, was only a bondage and a pain to her. She loved best of all the animals, that were single and unsocial as she herself was. She loved the horses and cows in the field. Each was single and to itself, magical. It was not referred away to some detestable social principle. It was incapable of soulfulness and tragedy, which she detested so profoundly. She could be very pleasant and flattering, almost subservient, to people she met. But no one was taken in. Instinctively each felt her contemptuous mockery of the human being in himself, or herself. She had a profound grudge against the human being. That which the word 'human' stood for was despicable and repugnant to her. Mostly her heart was closed in this hidden, unconscious strain of contemptuous ridicule. She thought she loved, she thought she was full of love. This was her idea of herself.

When you see that you're making other things feel good, it gives you a good feeling, too. The feeling inside sort of just happens, and you can't say this did it or that did it. It's the many little things. It doesn't seem that taking sweat-soaked harnesses off tired, hot horses would be something that would make you notice. Opening a barn door for the sheep standing out in a cold rain, or throwing a few grains of corn to the chickens are small things, but these little things begin to add up in you, and you can begin to understand that you're important. You may not be real important like people who do great things that you read about in the newspaper, but you begin to feel that you're important to all the life around you. Nobody else knows or cares too much about what you do, but if you get a good feeling inside about what you do, then it doesn't matter if nobody else knows. I do think about myself a lot when I'm alone way back on the place bringing in the cows or sitting on a mowing machine all day. But when I start thinking about how our animals and crops and fields and woods and gardens sort of all fit together, I then get that good feeling inside and don't worry much about what will happen to me.

Nobody ever talked about what a struggle this all was. I could see why women used to die in childbirth. They didn't catch some kind of microbe, or even hemorrhage. They just gave up. They knew that if they didn't die, they'd be going through it again the next year, and the next. I couldn't understand how a woman might just stop trying, like a tired swimmer, let her head go under, the water fill her lungs. I slowly massaged Yvonne's neck, her shoulders, I wouldn't let her go under. She sucked ice through threadbare white terry. If my mother were here, she'd have made Melinda meek cough up the drugs, sure enough. "Mamacita, ay," Yvonne wailed. I didn't know why she would call her mother. She hated her mother. She hadn't seen her in six years, since the day she locked Yvonne and her brother and sisters in their apartment in Burbank to go out and party, and never came back. Yvonne said she let her boyfriends run a train on her when she was eleven. I didn't even know what that meant. Gang bang, she said. And still she called out, Mama. It wasn't just Yvonne. All down the ward, they called for their mothers. ... I held onto Yvonne's hands, and I imagined my mother, seventeen years ago, giving birth to me. Did she call for her mother?...I thought of her mother, the one picture I had, the little I knew. Karin Thorvald, who may or may not have been a distant relation of King Olaf of Norway, classical actress and drunk, who could recite Shakespeare by heart while feeding the chickens and who drowned in the cow pond when my mother was thirteen. I couldn't imagine her calling out for anyone. But then I realized, they didn't mean their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers and purgers, women smiling into mirrors, women in girdles, women in barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in it for me? Not the women who watched TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying loneliness is the human condition, get used to it. They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for is when we could not breathe anymore, who would fight for us, who would kill for us, die for us. Yvonne was sitting up, holding her breath, eyes bulging out. It was the thing she should not do. "Breathe," I said in her ear. "Please, Yvonne, try." She tried to breathe, a couple of shallow inhalations, but it hurt too much. She flopped back on the narrow bed, too tired to go on. All she could do was grip my hand and cry. And I thought of the way the baby was linked to her, as she was linked to her mother, and her mother, all the way back, insider and inside, knit into a chain of disaster that brought her to this bed, this day. And not only her. I wondered what my own inheritance was going to be. "I wish I was dead," Yvonne said into the pillowcase with the flowers I'd brought from home. The baby came four hours later. A girl, born 5:32 PM.

He told how the light moved, he told of shadows, he told how the air was white and bright and pale; he told how for a little while Earth began to grow like Elfland, with a kinder light and the beginning of colours, and then just as one thought of home the light would blink away and the colours be gone. He told of stars. He told of cows and goats and the moon, three horned creatures that he found curious. He had found more wonder in Earth than we remember, though we also saw these things once for the first time; and out of the wonder he felt at the ways of the fields we know, he made many a tale that held the inquisitive trolls and gripped them silent upon the floor of the forest, as though they were indeed a fall of brown leaves in October that a frost had suddenly bound. They heard of chimneys and carts for the first time: with a thrill they heard of windmills. They listened spell-bound to the ways of men; and every now and then, as when he told of hats, there ran through the forest a wave of little yelps of laughter. Then he said that they should see hats and spades and dog-kennels, and look through casements and get to know the windmill; and a curiosity arose in the forest amongst that brown mass of trolls, for their race is profoundly inquisitive.

—a slave was owned by a Continental Army soldier who'd been killed in the French and Indian War. The slave looked after the soldier's widow. He did everything, from dawn to dark didn't stop doing what needed to be done. He chopped and hauled the wood, gathered the crops, excavated and built a cabbage house and stowed the cabbages there, stored the pumpkins, buried the apples, turnips, and potatoes in the ground for winter, stacked the rye and wheat in the barn, slaughtered the pig, salted the pork, slaughtered the cow and corned the beef, until one day the widow married him and they had three sons. And those sons married Gouldtown girls whose families reached back to the settlement's origins in the 1600s, families that by the Revolution were all intermarried and thickly intermingled. One or another or all of them, she said, were descendants of the Indian from the large Lenape settlement at Indian Fields who married a Swede—locally Swedes and Finns had superseded the original Dutch settlers—and who had five children with her; one or another or all were descendants of the two mulatto brothers brought from the West Indies on a trading ship that sailed up the river from Greenwich to Bridgeton, where they were indentured to the landowners who had paid their passage and who themselves later paid the passage of two Dutch sisters to come from Holland to become their wives; one or another or all were descendants of the granddaughter of John Fenwick, an English baronet's son, a cavalry officer in Cromwell's Commonwealth army and a member of the Society of Friends who died in New Jersey not that many years after New Cesarea (the province lying between the Hudson and the Delaware that was deeded by the brother of the king of England to two English proprietors) became New Jersey.

No? And yet you are a part of it, like I was, and I’ll wager you don’t like it any more than I did. Well, why am I the black sheep of the Butler family? For this reason and no other—I didn’t conform to Charleston and I couldn’t. And Charleston is the South, only intensified. I wonder if you realize yet what a bore it is? So many things that one must do because they’ve always been done. So many things, quite harmless, that one must not do for the same reason. So many things that annoyed me by their senselessness. Not marrying the young lady, of whom you have probably heard, was merely the last straw. Why should I marry a boring fool, simply because an accident prevented me from getting her home before dark? And why permit her wild-eyed brother to shoot and kill me, when I could shoot straighter? If I had been a gentleman, of course, I would have let him kill me and that would have wiped the blot from the Butler escutcheon. But—I like to live. And so I’ve lived and I’ve had a good time…. When I think of my brother, living among the sacred cows of Charleston, and most reverent toward them, and remember his stodgy wife and his Saint Cecilia Balls and his everlasting rice fields—then I know the compensation for breaking with the system. Scarlett, our Southern way of living is as antiquated as the feudal system of the Middle Ages. The wonder is that it’s lasted as long as it has. It had to go and it’s going now. And yet you expect me to listen to orators like Dr. Meade who tell me our Cause is just and holy? And get so excited by the roll of drums that I’ll grab a musket and rush off to Virginia to shed my blood for Marse Robert? What kind of a fool do you think I am? Kissing the rod that chastised me is not in my line. The South and I are even now. The South threw me out to starve once. I haven’t starved, and I am making enough money out of the South’s death throes to compensate me for my lost birthright.

Why should I fight to uphold the system that cast me out? I shall take pleasure in seeing it smashed.' 'I never heard of any system,' she said crossly. 'No? And yet you are a part of it, like I was, and I'll wager you don't like it any more than I did. Well, why am I the black sheep of the butler family? For this reason and no other-I didn't conform to Charleston and I couldn't. And Charleston is the South, only intensified. I wonder if you realize yet what a bore it is? So many things that one must do because they've always been done. So many things, quite harmless, that one must not do for the same reason. So many things that annoyed me by their senselessness. not marrying the young lady, of whom you have probably heard, was merely the last straw. Why should I marry a boring fool, simply because an accident prevented me from getting her home before dark? And why permit her wild-eyed brother to shoot and kill me, when I could shoot straighter? If I had been a gentleman, of course, I would have let him kill me and that would have wiped the blot from the Butler escutcheon. But-I like to live. And so I've lived and I've had a good time. . . . When I think of my brother, living among t he sacred cows of Charleston, and most reverent toward them, and remember his stodgy wife and his Saint Cecilia Balls and his everlasting rice fields-then I know the compensation for breaking with the system. Scarlett, our Southern way of living is as antiquated as the feudal system of the Middle Ages. The wonder is that it's lasted as long as it has. It had to go and it's going now. And yet you expect me to listen to orators like Dr. Meade who tell me our Cause is just and holy? And get so excited by the roll of drums that I'll grab a musket and rush off to Virginia to shed my blood for Marse Robert? What kind of a fool do you think I am? Kissing the rod that chastised me is not in my line. The South and I are even now. The South threw me out to starve once. I haven't starved, and I am making enough money out of the South's death throes to compensate me for my lost birthright.

She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror. Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name. But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu? She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband- Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things. Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all. She'd taken the freedom of her childhood for granted. When she turned fourteen, everything changed. I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan. Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden. Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her. Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family. How much she had wanted them to be proud of her.

State Road 60 is one of those great old Florida drives. From Tampa on the west coast to Vero Beach on the east, rolling through Mulberry and Bartow and Yeehaw Junction. Phosphate mines and orange groves and cows loitering near water holes in vast open flats dotted with sabal palms, stretching for miles, making the sky big. Here and there were the kind of occasional, isolated farmhouses that made people subconsciously think: Do they get Internet? In the middle of one overgrown field stood a single concrete wall, several stories high, covered with grime and mildew, the ancient ruins of a drive-in theater. The top of the wall was the last thing to catch a warm glow from the setting sun.

THE LITTLE MILK-MAID 挤奶的小姑娘 Look at me, boys and girls. I am a little milk-maid. I am going home with my milk-pail and my stool. I have been milking the cow. You can see her on the grass in the field. The cow knows me. She never moves when I am milking her. Now my pail is quite full of nice sweet milk. Little baby is very fond of milk. When he can speak, I will teach him to say— Thank you, pretty cow, that made Nice rich milk to soak my bread, Every morn and every night, Fresh and warm, and sweet and white. 中文阅读 孩子们，看看我！我是个挤奶的小姑娘，正拿着凳子和奶桶回家。 我刚才一直在给那头牛挤奶。你看，牛就在田野的草地上。 那头牛认识我，我给它挤奶的时候，它从来都一动不动。 现在，我的提桶，已经装了满满一桶香甜的牛奶。 （家里的）小宝宝特别喜欢喝奶。等他会说话了，我就教他说—— 谢谢好奶牛，因为有了你， 我的面包才能，浸在牛奶里。 新鲜又温暖，甜美又洁白， 早晚每一天，都是那么可爱！ 04 THE SWING 秋 千 Fred and his little sister Lucy are on the swing in the garden. Look what a nice large seat of wood it has! It is so large that it holds them both. This is the first day Lucy has been on the swing, so she is a little afraid. But Fred will take care of her, and keep her from falling. Look at her as she sits by his side and holds on by the rope. When all is ready, Fred says, One, two, three, and away! Up and down, on we go; Here we swing to and fro!

You know I won’t be staying there, either. I have things I want to see before I can’t. Like the Grand Canyon. And the Pacific Ocean. A buddy of mine from the war is going with me.” “But can’t—” His fingers squeezed mine. “I want you to remember me like this, Rebekah. And I want to remember you in this place. Don’t worry. You’ll get what you want one of these days. Just be patient.” I drew in a sharp breath. How did he know what I wanted? And how did he know I’d get it? Did God give the dying special messages? “How do you know?” The words blurted out on the breath I’d been holding. “Because I’ve watched you. I can see in your every action that you were made for this.” “This?” I huffed. “It suits you. A house. A farm. Children. The husband who will give it all to you.” I rocked back on my heels and stood. “That’s not what I want, Will.” I backed away from his startled look, my hands fidgeting with each other. “I’m going to the city. I don’t know how or when, but I won’t be tied to the seasons and the sun. Don’t get me wrong: I want a husband and a child or two of my own. But this . . . ?” I nodded toward the yard beyond the house, to the hog now in its pen, the chickens, the cow and the mules, even the fields farther beyond. “This is not what I want. I want adventure. I want . . .” His eyes glazed over a bit. I looked away. The children’s joyful shrieks carried on the cool breeze. I wondered if memories of childhood days invaded Will’s head as they did mine. Such simple days. Days I’d once wished away, wanting to be grown up, wanting my life to begin. Now that I’d crossed that line, I wished I could go back. Will cleared his throat, pushed to his feet, and faced me. “I’m sorry, Rebekah,” he said. “I hope you get what you want. I really do. But be careful. If France taught me anything, it’s that new experiences aren’t always what we imagine them to be.

When I realized that my home was completely filled with a biologically toxic radio wave field, I decided that the best route forward was to milk the home for all of the biological research that I could possibly produce from it!

Apart from the fact that a lot of them know each other, they were all in livery. Anyone dressed differently would have been as obvious as a horse in a field of cows.

For those who think it’s greener on the other side . . . it’s really just a field full of pretty weeds growing out of cow shit.

A nation who sits like cows on the fields while the country’s trees are being cut down ruthlessly deserves the emptiest deserts thousands of times!

Remember when Hoover came on our field trip to the apple farm and we found her in the barn rolling in cow manure?” Dub was saying. The class groaned. “On the way there you were all fighting over who got to sit with her on the bus,” Mr. Henry said. “But on the way back, as I recall, she was all mine.

I was enchanted as soon as I stepped off the train. As were the hundreds of others who got off the train with me who were now in the process of climbing into buggies and wagons, en route to the dozens of resorts, enclaves, and tent campgrounds in the area, where they would soak up the sun, get drunk on Cabernet, swim and picnic in the druidy redwood groves while reciting Shakespeare. I climbed into a wagon and was driven off by a Mr. Lars Magnusson to view the old Olson farm. We traveled a mile or so into the hills, past oak glens, brooks, and pools of water, past manzanitas, madrones, and trees dripping with Spanish moss. Sonoma Mountain was to the west; its shadow cast everything in a soft purple light. When we finally reached the farm and I saw the luscious valley spread out in front of me, I knew this was it. Greengage. It would be a home for me and Martha at first, but I hoped it would soon be something more. A tribute to my mother and her ideals; a community in which she would have flourished, where she would have lived a good long life. Greengage.The burbling creek that ran smack down the middle of the property. The prune, apple, and almond orchards: the fields of wheat, potatoes, and melons. The pastures for cows and sheep. The chicken house and pigsty. The gentle, sloping hills, mounds that looked like God's knuckles, where I would one day plant a vineyard.

Just because a cow stands in a field all day doesn’t make it a philosopher

Knock, Knock! Who’s there? Hive! Hive who? Hive forgotten my key, now let me in! What do you call a scary dog? PETrifying! What is the beekeeper’s motto? Bee prepared! What’s the loudest sound at a birdwatchers’ picnic? Swallows! What do you call cows in the wrong field? Miss-herd!

Creation Myth I'm the great-grandson of a sheep farmer, child of sumacs, trash trees shedding their ancient scales. I'm drawn from fair grass on the north end, my molecules spat from coal and cattle, the Indiana dusk. I'm notes scrawled on freezer paper, the one looped oven mitt Aunt Bev crocheted while the baby lay feverish in its crib. I rise from a day gone thin as Cousin Ceily, who wore her cancer wigs to church. I come from boys unfastening in the 4-H bathroom, the stink of urinal cakes, dirty hands that scratched an itch. I breathe in arc welders and air compressors. I breathe out milk leaking from nurse cows, Uncle Jake's spoiled old bitches. I'm run through with moths and meth labs, a child of the KKK, men who lynched Tom Shipp from a split oak in Marion, August 1930. My cells carry his shadow swaying over uncut grass. They carry my second third cousin cheering in the back. I rise from aphids in honeysuckle, egg yolks flecked with blood. Born one humid summer night, my body hums like a black cricket, transmitting August across the fields. I sing till my throat bleeds. I smoke like a pan of scorched sugar. I'll never forget the miracle of firecrackers, freezer meat, murky gray lemonade. I'm born to thunder in the veins, a child of form, a rusted gasket ring, some disenchanted thing, the promise of a worm.