Courtesy Call Quotes

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Tzu Chang asked Confucius about jen. Confucius said, "If you can practice these five things with all the people, you can be called jen." Tzu Chang asked what they were. Confucius said, "Courtesy, generosity, honesty, persistence, and kindness. If you are courteous, you will not be disrespected; if you are generous, you will gain everything. If you are honest, people will rely on you. If you are persistent you will get results. If you are kind, you can employ people.
Confucius
Oh, I almost forgot. In case that anyone besides big-headed Near or the deluded murderer is reading these notes, then I shall at least perform the basic courtesy of introducing myself, here at the end of the prologue, I am your narrator, your navigator, your storyteller. For anyone else but those two, my identity may be of no interest to you, but I am the world's runner-up, the best dresser that died like a dog, Mihael Keehl. I once called myself Mello and was addressed by that name, but that was a long time ago. Good memories and nightmares.
NisiOisiN (Death Note: Another Note - The Los Angeles BB Murder Cases)
Nowadays, we never allow ourselves the convenience of being temporarily unavailable, even to strangers. With telephone and beeper, people subject themselves to being instantly accessible to everyone at all times, and it is the person who refuses to be on call, rather than the importunate caller, who is considered rude.
Judith Martin (Common Courtesy: In Which Miss Manners Solves the Problem That Baffled Mr. Jefferson)
I have always thought that in revolutions, especially democratic revolutions, madmen, not those so called by courtesy, but genuine madmen, have played a very considerable political part. One thing is certain, and that is that a condition of semi-madness is not unbecoming at such times, and often even leads to success.
Alexis de Tocqueville (Recollections on the French Revolution)
I opted for the rear door, both as a courtesy and so she couldn't freak out about me showing up on her front doorstep for all of East Falls to see. Being the village pariah does make social calls most trying. -Paige
Kelley Armstrong (Dime Store Magic (Women of the Otherworld, #3))
...when a phone call competes for attention with a real-world conversation, it wins. Everyone knows the distinctive high-and-dry feeling of being abandoned for a phone call, and of having to compensate - with quite elaborate behaviours = for the sudden half-disappearance of the person we were just speaking to. 'Go ahead!' we say. 'Don't mind us! Oh look, here's a magazine I can read!' When the call is over, other rituals come into play, to minimise the disruption caused and to restore good feeling.
Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
This was our last night. We only had one curtain call, Bree. And I thought they were going to give us a standing ovation, but no-o-o-. Do you know why half the audience stood up?" "To get a head start on the traffic," Bree said. "To get a head start on the traffic," Antonia agreed in indignation. "I mean, here we are, dancing and singing our little guts out, and all those folks want to do is get to bed early. I ask you, whatever happened to common courtesy? Whatever happened to decent manners? Doesn't anyone care about craft anymore? And on top of that, it's not even nice.
Mary Stanton (Defending Angels (Beaufort & Company, #1))
Come to the beach with me And watch the pelicans die, Hear their feeble screams Calling to an empty sky Where once they played And scouted for food, Not scavenging like the gulls But plummeting unafraid Into friendly waters. Come to the beach with me And watch the pelicans die, Listen to their feeble screams Calling to an empty sky. Maybe Christ will walk by And save them in their final toil Or work a miracle from the shore, A courtesy of Union Oil. Come to the beach with me And watch the pelicans die. My God! They'll never fly again. It's worse than Normandy somehow, For there we only murdered men.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
I wondered if anybody had ever called her “ma’am,” or “Miss Mayella” in her life; probably not, as she took offense to routine courtesy. What on earth was her life like? I soon found out.
Harper Lee
If I make deposits into an Emotional Bank Account with you through courtesy, kindness, honesty, and keeping my commitments to you, I build up a reserve. Your trust toward me becomes higher, and I can call upon that trust many times if I need to. I can even make mistakes and that trust level, that emotional reserve, will compensate for it. My communication may not be clear, but you’ll get my meaning anyway. You won’t make me “an offender for a word.” When the trust account is high, communication is easy, instant, and effective.
Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
The Death of Allegory I am wondering what became of all those tall abstractions that used to pose, robed and statuesque, in paintings and parade about on the pages of the Renaissance displaying their capital letters like license plates. Truth cantering on a powerful horse, Chastity, eyes downcast, fluttering with veils. Each one was marble come to life, a thought in a coat, Courtesy bowing with one hand always extended, Villainy sharpening an instrument behind a wall, Reason with her crown and Constancy alert behind a helm. They are all retired now, consigned to a Florida for tropes. Justice is there standing by an open refrigerator. Valor lies in bed listening to the rain. Even Death has nothing to do but mend his cloak and hood, and all their props are locked away in a warehouse, hourglasses, globes, blindfolds and shackles. Even if you called them back, there are no places left for them to go, no Garden of Mirth or Bower of Bliss. The Valley of Forgiveness is lined with condominiums and chain saws are howling in the Forest of Despair. Here on the table near the window is a vase of peonies and next to it black binoculars and a money clip, exactly the kind of thing we now prefer, objects that sit quietly on a line in lower case, themselves and nothing more, a wheelbarrow, an empty mailbox, a razor blade resting in a glass ashtray. As for the others, the great ideas on horseback and the long-haired virtues in embroidered gowns, it looks as though they have traveled down that road you see on the final page of storybooks, the one that winds up a green hillside and disappears into an unseen valley where everyone must be fast asleep.
Billy Collins
If you are to use Alexander Graham Bell’s product, which is to say the blower, you should, in all courtesy, use it as he would have wished; and Dr Bell insisted that all phone calls should begin with the words ‘Ahoy, ahoy’. Nobody knows why he insisted this – he had no connection to the navy – but insist he did and started every phone call that way. Nobody else did, and it was at the suggestion of his great rival Edison that people took to saying ‘Hello’. This seems unfair.
Mark Forsyth (The Horologicon: A Day's Jaunt Through the Lost Words of the English Language)
Life as a widow, she thinks, will always be like this. The friends will go on proposing toasts for months (for years!). To her. To their new center of attention. What she doesn't know yet is that, after a few courtesy calls, it will all be over. The silence that will follow is the same silence that always falls after a life in the shadows.
Herman Koch (Summer House with Swimming Pool)
Signior Antonio, many a time and oft In the Rialto you have rated me About my moneys and my usances; Still have I borne it with a patient shrug, For suff’rance is the badge of all our tribe; You call me misbeliever, cut-throat dog, And spet upon my Jewish gaberdine, And all for use of that which is mine own. Well then, it now appears you need my help; Go to, then; you come to me, and you say ‘Shylock, we would have moneys.’ You say so: You that did void your rheum upon my beard, And foot me as you spurn a stranger cur Over your threshold; moneys is your suit. What should I say to you? Should I not say ‘Hath a dog money? Is it possible A cur can lend three thousand ducats?’ Or Shall I bend low and, in a bondman’s key, With bated breath and whisp’ring humbleness, Say this:— ‘Fair sir, you spit on me on Wednesday last; You spurn’d me such a day; another time You call’d me dog; and for these courtesies I’ll lend you thus much moneys?
William Shakespeare (The Merchant of Venice)
War is not courtesy but the most horrible thing in life; and we ought to understand that and not play at war. We ought to accept this terrible necessity sternly and seriously. It all lies in that: get rid of falsehood and let war be war and not a game. As it is now, war is the favorite pastime of the idle and frivolous. The military calling is the most highly honored.
Leo Tolstoy (War and Peace)
I sometimes rented a car and drove from event to event in Europe; a road trip was a great escape from the day-to-day anxieties of playing, and it kept me from getting too lost in the tournament fun house with its courtesy cars, caterers, locker room attendants, and such — all amenities that create a firewall between players and what you might call the 'real' world — you know, where you may have to read a map, ask a question in a foreign tongue, find a restaurant and read the menu posted in the window to make sure you're not about to walk into a joint that serves only exotic reptile meat.
Patrick McEnroe (Hardcourt Confidential: Tales from Twenty Years in the Pro Tennis Trenches)
Many building custodians across the country would tell you that UCLA left the shower and dressing room the cleanest of any team. We picked up all the tape, never there soap on the shower floor for someone to slip on, made sure all the showers were turned off and all towels were accounted for. The towels were always deposited in a receptacle, if there was one, or stacked nearly near the door. It seems to me that this is everyone's responsibility-not just the mangers's. Furthermore, I believe it is a form of discipline that should be a way of life, not to please some building custodian, but as an expression of courtesy and politeness that each of us owes to his follow-man. These little things establish a spirit of togetherness and consideration that help unite the team into a solid unit.
John Wooden (They Call Me Coach)
Now take a look at the cemetery. It is quite difficult to do so because people who fail do not seem to write memoirs, and, if they did, those business publishers I know would not even consider giving them the courtesy of a returned phone call (as to returned e-mail, fuhgedit). Readers would not pay $26.95 for a story of failure, even if you convinced them that it had more useful tricks than a story of success.* The entire notion of biography is grounded in the arbitrary ascription of a causal relation between specified traits and subsequent events. Now consider the cemetery. The graveyard of failed persons will be full of people who shared the following traits: courage, risk taking, optimism, et cetera. Just like the population of millionaires. There may be some differences in skills, but what truly separates the two is for the most part a single factor: luck. Plain luck.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
I think he overlook a phase: that empathy stage in our lives when we may begin to see even the commonest animals on their own terms, fellow creatures with their own needs to meet and hardships to bear, joined with us in the mystery of life and death--and frankly, for all of our more exalted endowments, not all that much less enlightened than the sagest of naked apes about the meaning of it all. That kinship is to me reason enough to go about my own way in the world showing each one as much courtesy as I can, refraining from things that bring animals needless harm. They all seem to have enough dangers coming at them as it is. Whenever human beings with our loftier gifts and grander calling in the world can stop to think on their well-being, if only by withdrawing to let them be, it need not be a recognition of 'rights.' It is just a gracious thing, an act of clemency only more to our credit because the animals themselves cannot ask for it, or rebuke us when we transgress against them, or even repay our kindness.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
It is necessary to realize that the most sacrosanct article of sexual politics in the period, the Victorian doctrine of chivalrous protection and its familiar protestations of respect, rests upon the tacit assumption, a cleverly expeditious bit of humbug, that all women were "ladies"—namely members of that fraction of the upper classes and bourgeoisie which treated women to expressions of elaborate concern, while permitting them no legal or personal freedom. The psycho-political tacit here is a pretense that the indolence and luxury of the upper-class woman’s role in what Veblen called “vicarious consumption” was the happy lot of all women. The efficacy of this maneuver depends on dividing women by class and persuading the privileged that they live in an indulgence they scarcely deserve... To succeed, both the sexual revolution and the Woman's Movement which led it would have to unmask chivalry and expose its courtesies as subtle manipulation.
Kate Millett (Sexual Politics)
The value of money is subjective, depending on age. At the age of one, one multiplies the actual sum by 145,000, making one pound seem like 145,000 pounds to a one-year-old. At seven – Bertie’s age – the multiplier is 24, so that five pounds seems like 120 pounds. At the age of twenty four, five pounds is five pounds; at forty five it is divided by 5, so that it seems like one pound and one pound seems like twenty pence. (All figures courtesy of Scottish Government Advice Leaflet: Handling your Money.)
Alexander McCall Smith (Bertie's Guide to Life and Mothers (44 Scotland Street, #9))
I will take you down my own avenue of remembrance, which winds among the hazards and shadows of my single year as a plebe. I cannot come to this story in full voice. I want to speak for the boys who were violated by this school, the ones who left ashamed and broken and dishonored, who departed from the Institute with wounds and bitter grievances. I want also to speak for the triumphant boys who took everything the system could throw at them, endured every torment and excess, and survived the ordeal of the freshman year with a feeling of transformation and achievement that they never had felt before and would never know again with such clarity and elation. I will speak from my memory- my memory- a memory that is all refracting light slanting through prisms and dreams, a shifting, troubled riot of electrons charged with pain and wonder. My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essentional fire that is poetry itself. But i will try to isolate that one lonely singer who gathered the fragments of my plebe year and set the screams to music. For many years, I have refused to listen as his obsessive voice narrated the malignant litany of crimes against my boyhood. We isolate those poets who cause us the greatest pain; we silence them in any way we can. I have never allowed this furious dissident the courtesy of my full attention. His poems are songs for the dead to me. Something dies in me every time I hear his low, courageous voice calling to me from the solitude of his exile. He has always known that someday I would have to listen to his story, that I would have to deal with the truth or falsity of his witness. He has always known that someday I must take full responsibility for his creation and that, in finally listening to him, I would be sounding the darkest fathoms of myself. I will write his stories now as he shouts them to me. I will listen to him and listen to myself. I will get it all down. Yet the laws of recall are subject to distortion and alienation. Memory is a trick, and I have lied so often to myself about my own role and the role of others that I am not sure I can recognize the truth about those days. But I have come to believe in the unconscious integrity of lies. I want to record even them. Somewhere in the immensity of the lie the truth gleams like the pure, light-glazed bones of an extinct angel. Hidden in the enormous falsity of my story is the truth for all of us who began at the Institute in 1963, and for all who survived to become her sons. I write my own truth, in my own time, in my own way, and take full responsibility for its mistakes and slanders. Even the lies are part of my truth. I return to the city of memory, to the city of exiled poets. I approach the one whose back is turned to me. He is frail and timorous and angry. His head is shaved and he fears the judgment of regiments. He will always be a victim, always a plebe. I tap him on the shoulder. "Begin," I command. "It was the beginning of 1963," he begins, and I know he will not stop until the story has ended.
Pat Conroy (The Lords of Discipline)
Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!
Rudyard Kipling
We’ve piled his plate high with shit,” Fox conceded. “And not even tied a bib around his neck,” Kaye added. “Is your afternoon grilling to be courtesy of a woman called Stoddart?
Ian Rankin (The Complaints (Malcolm Fox #1))
I wondered if anybody had ever called her “ma’am” or “Miss Mayella” in her life; probably not, as she took offense to routine courtesy. What on earth was her life like?
Harper Lee (To Kill a Mockingbird)
All have validity in the present, and to call anyone wrong for using any one of them would be to reveal oneself as bereft of general knowledge and courtesy, as well as scholarship.
Ronald Hutton (The Witch: A History of Fear, from Ancient Times to the Present)
My Last Duchess That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said “Fra Pandolf” by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek: perhaps Fra Pandolf chanced to say “Her mantle laps Over my lady’s wrist too much,” or “Paint Must never hope to reproduce the faint Half-flush that dies along her throat”: such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate’er She looked on, and her looks went everywhere. Sir, ’twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men,—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling? Even had you skill In speech—(which I have not)—to make your will Quite clear to such an one, and say, “Just this Or that in you disgusts me; here you miss, Or there exceed the mark”—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, —E’en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene’er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will’t please you rise? We’ll meet The company below, then. I repeat, The Count your master’s known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter’s self, as I avowed At starting, is my object. Nay, we’ll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!
Robert Browning (My Last Duchess and Other Poems (Dover Thrift Editions: Poetry))
I’d been called ma’am at least two dozen times in the past week, and despite learning the term was a southern courtesy used on any woman, it still set my teeth on edge. Unless you were geriatric, no one used 'ma’am' up north.
Heather Webber (Midnight at the Blackbird Café)
Shirt off.” Neil stared at her. “Why?” “I can’t check track marks through cotton, Neil.” “I don’t do drugs.” “Good on you,” Abby said. “Keep it that way. Now take it off.” […] “I want to make this as painless as possible, but I can’t help you if you can’t help me. Tell me why you won’t take off your shirt.” Neil looked for a delicate way to say it. The best he managed was, “I’m not okay.” She put a finger to his chin and turned his face back toward her. “Neil, I work for the Foxes. None of you are okay. Chances are I’ve seen a lot worse than whatever it is you’re trying to hide from me.” Neil’s smile was humorless. “I hope not. “Trust me,” Abby said. “I’m not going to judge you. I’m here to help, remember? I’m your nurse now. That door is closed, and it comes with a lock. What happens in here stays in here.” […] “You can’t ask me about them,” he said at last. “I won’t talk to you about it. Okay?” “Okay,” Abby agreed easily. “But know that when you want to, I’m here, and so is Betsy.” Neil wasn’t going to tell that psychiatrist a thing, but he nodded. Abby dropped her hand and Neil pulled his shirt over his head before he could lose his nerve. Abby thought she was ready. Neil knew she wouldn’t be, and he was right. Her mouth parted on a silent breath and her expression went blank. She wasn’t fast enough to hide her flinch, and Neil saw her shoulders go rigid with tension. He stared at her face as she stared at him, watching her gaze sweep over the brutal marks of a hideous childhood. It started at the base of his throat, a looping scar curving down over his collarbone. A pucker with jagged edges was a finger-width away, courtesy of a bullet that hit him right on the edge of his Kevlar vest. A shapeless patch of pale skin from his left shoulder to his navel marked where he’d jumped out of a moving car and torn himself raw on the asphalt. Faded scars crisscrossed here and there from his life on the run, either from stupid accidents, desperate escapes, or conflicts with local lowlifes. Along his abdomen were larger overlapping lines from confrontations with his father’s people while on the run. His father wasn’t called the butcher for nothing; his weapon of choice was a cleaver. All of his men were well-versed in knife-fighting, and more than one of them had tried to stick Neil like a pig. And there on his right shoulder was the perfect outline of half a hot iron. Neil didn’t remember what he’s said or done to irritate his father so much.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
She said, I have no excuses, least of all for God. Like all tyrants, he is not worthy of the spit you would waste on negotiations. The deal we have is infinitely simpler—I don’t call him to account, and he extends me the same courtesy.
Richard K. Morgan (Broken Angels (Takeshi Kovacs, #2))
Angus thought about this. She was right. That was why our national conversation was so bad. Courtesy had been abandoned in favour of the put-down, the attack, the calculated sound bite. What sort of national conversation was that? The answer came to him immediately: none.
Alexander McCall Smith (The Revolving Door of Life (44 Scotland Street, #10))
Jethri had lately formed the theory that this reluctance to offer information was not what a Terran would call spitefulness, but courtesy. It would be—an insult, if his reading of the tapes was right, to assume that another person was ignorant of any particular something.
Sharon Lee (Balance of Trade (Liaden Universe, #3))
For a short while she considered the idea of orchestral courtesy. Certainly one should avoid giving political offence: German orchestras, of course, used to be careful about playing Wagner abroad, at least in some countries, choosing instead German composers who were somewhat more ... apologetic.
Alexander McCall Smith (The Sunday Philosophy Club (Isabel Dalhousie, #1))
A man does not choose his companions in the black cells,” the handsome one with the red-and-white hair said. Something about the way he talked reminded her of Syrio; it was the same, yet different too. “These two, they have no courtesy. A man must ask forgiveness. You are called Arry, is that not so?
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
We have a new king now,” Cersei Lannister replied. “Lord Eddard, when last we spoke, you gave me some counsel. Allow me to return the courtesy. Bend the knee, my lord. Bend the knee and swear fealty to my son, and we shall allow you to step down as Hand and live out your days in the grey waste you call home.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Asmoday slides a finger down Keely’s spine, exposed from the backless nightgown. “I did not do this.” Keely shivers at his unexpected touch. His fingers are like ice and feel good against the painful gashes. “No, you didn’t. This is courtesy of our brother.” “I am not a fan of his art, though he did have a beautiful canvas.
Cheryl McIntyre
That evening there were police outside the building in which I spoke, and in the air the rising tension of race that is peculiar to the South. It had been rumored that some of the local citizenry were saying that I should be run out of town, and that one of the sheriffs agreed, saying, "Sure, he ought to be run out! It's bad enough to call Christ a bastard. But when he calls him a nigger, he's gone too far!"... ...Nevertheless, I remember with pleasure the courtesy and kindness of many of the students and faculty at Chapel Hill and their lack of agreement with the anti-Negro elements of the town. There I began to learn at the University of North Carolina how hard it is to be a white liberal in the South.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
won’t be surprised if the answer is yes and no. The lambs will stop for now. But, Clarice, you judge yourself with all the mercy of the dungeon scales at Threave; you’ll have to earn it again and again, the blessed silence. Because it’s the plight that drives you, seeing the plight, and the plight will not end, ever. I have no plans to call on you, Clarice, the world being more interesting with you in it. Be sure you extend me the same courtesy.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
I won’t be surprised if the answer is yes and no. The lambs will stop for now. But, Clarice, you judge yourself with all the mercy of the dungeon scales at Threave; you’ll have to earn it again and again, the blessed silence. Because it’s the plight that drives you, seeing the plight, and the plight will not end, ever. I have no plans to call on you, Clarice, the world being more interesting with you in it. Be sure you extend me the same courtesy.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
Sir Topas, never was man thus wronged: good Sir Topas, do not think I am mad: they have laid me here in hideous darkness. Feste: Fie, thou dishonest Satan! I call thee by the most modest terms; for I am one of those gentle ones that will use the devil himself with courtesy: sayest thou that house is dark? Malvolio: As hell, Sir Topas. Feste: Why it hath bay windows transparent as barricadoes, and the clearstores toward the south north are as lustrous as ebony; and yet complainest thou of obstruction?
William Shakespeare (Twelfth Night)
He was being childish. "Stop saying 'Your Majesty'!" Jane tore a pillow off her bed and hurled it at him. He sidestepped it quickly. "I told you not to call me that." He blinked slowly, as though trying to give an impression of guilelessness. "Then what should I call you, Your Majesty?" "Use my name" "Yes, Your Majesty." He bowed and swirled his hand a few times in an overly dramatic display of courtesy. "Anything you say, Your Majesty. And not to question Your Majesty, but shouldn't you be using the royal we? You are all of England now." He paused a beat. "Your Majesty.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
The first caller’s avatar appeared in front of me in my support chat room. His name and stats also appeared, floating in the air above him. He had the astoundingly clever name of “HotCock007.” I could see that it was going to be another fabulous day. HotCock007 was a hulking bald barbarian with studded black leather armor and lots of demon tattoos covering his arms and face. He was holding a gigantic bastard sword nearly twice as long as his avatar’s body. “Good morning, Mr. HotCock007,” I droned. “Thank you for calling technical support. I’m tech rep number 338645. How may I help you this evening?” The customer courtesy software filtered my voice, altering its tone and inflection to ensure that I always sounded cheerful and upbeat. “Uh, yeah …” HotCock007 began. “I just bought this bad-ass sword, and now I can’t even use it! I can’t even attack nothing with it. What the hell is wrong with this piece of shit? Is it broke?” “Sir, the only problem is that you’re a complete fucking moron,” I said. I heard a familiar warning buzzer and a message flashed on my display: COURTESY VIOLATION—FLAGS: FUCKING, MORON LAST RESPONSE MUTED—VIOLATION LOGGED
Ernest Cline (Ready Player One (Ready Player One, #1))
A local white bootlegger, idling under the store awning, accosted Major Stem. “Why’d you call that damned nigger woman ‘Mrs. Shaw’?” he demanded. In those days, white Southerners did not use courtesy titles for their black neighbors. While it was permissible to call a favored black man “Uncle” or “Professor”—a mixture of affection and mockery—he must never hear the words “mister” or “sir.” Black women were “girls” until they were old enough to be called “auntie,” but they could never hear a white person, regardless of age, address them as “Mrs.” or “Miss” or “Ma’am.” But Major Stem made his own rules.
Timothy B. Tyson (Blood Done Sign My Name: A True Story)
All their men—brothers, uncles, fathers, husbands, sons—had been picked off one by one by one. They had a single piece of paper directing them to a preacher on DeVore Street. The War had been over four or five years then, but nobody white or black seemed to know it. Odd clusters and strays of Negroes wandered the back roads and cowpaths from Schenectady to Jackson. Dazed but insistent, they searched each other out for word of a cousin, an aunt, a friend who once said, “Call on me. Anytime you get near Chicago, just call on me.” Some of them were running from family that could not support them, some to family; some were running from dead crops, dead kin, life threats, and took-over land. Boys younger than Buglar and Howard; configurations and blends of families of women and children, while elsewhere, solitary, hunted and hunting for, were men, men, men. Forbidden public transportation, chased by debt and filthy “talking sheets,” they followed secondary routes, scanned the horizon for signs and counted heavily on each other. Silent, except for social courtesies, when they met one another they neither described nor asked about the sorrow that drove them from one place to another. The whites didn’t bear speaking on. Everybody knew.
Toni Morrison (Beloved: Pulitzer Prize Winner (Vintage International))
So, in less elevated circles, we might toss a coin as to whether or not to go to a party, decide to go, and there meet the person whom we are to marry and spend our lives with. And if that person came, say, from New Zealand, and wanted to return, then we might find ourselves spending our life in Christchurch. Not that spending one’s lifetime in Christchurch is anything less than very satisfactory—who among us would not be happy living in a city of well-behaved people, within reach of mountains, where the civic virtues ensure courtesy and comfort and where the major problems of the world are an ocean away? But had the coin fallen the other way—as coins occasionally do—then that wholly different prospect might never have opened up and one might spend the rest of one’s days in the place where one started out. Or one might pick up a newspaper abandoned in a train by a person not well schooled in those same civic virtues, open it and chance to see an advertisement for a job that one would not otherwise have seen. And that same job might take one into the path of risk, and that very risk may materialise and end one’s life prematurely. Again the act of picking up the paper has consequences unglimpsed at the time, but profound nonetheless.
Alexander McCall Smith (Corduroy Mansions (Corduroy Mansions, #1))
He never spoke to me. He never touched me. We stood beside one another, the host and the hostess, and we were not together. I watched his courtesy to his guests. He flung a word to one, a jest to another, a smile to a third, a call over his shoulder to a fourth, and no one but myself could know that every utterance he made, every movement, was automatic and the work of a machine. We were like two performers in a play, but we were divided, we were not acting with one another. We had to endure it alone, we had to put up this show, this miserable, sham performance, for the sake of all these people I did not know and did not want to see again.
Daphne du Maurier (Rebecca)
No, when the stresses are too great for the tired metal, when the ground mechanic who checks the de-icing equipment is crossed in love and skimps his job, way back in London, Idlewild, Gander, Montreal; when those or many things happen, then the little warm room with propellers in front falls straight down out of the sky into the sea or on to the land, heavier than air, fallible, vain. And the forty little heavier-than-air people, fallible within the plane's fallibility, vain within its larger vanity, fall down with it and make little holes in the land or little splashes in the sea. Which is anyway their destiny, so why worry? You are linked to the ground mechanic's careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There's nothing to do about it. You start to die the moment you are born. The whole of life is cutting through the pack with death. So take it easy. Light a cigarette and be grateful you are still alive as you suck the smoke deep into your lungs. Your stars have already let you come quite a long way since you left your mother's womb and whimpered at the cold air of the world. Perhaps they'll even let you go to Jamaica tonight. Can't you hear those cheerful voices in the control tower that have said quietly all day long, 'Come in BOAC. Come in Panam. Come in KLM'? Can't you hear them calling you down too: 'Come in Transcarib. Come in Transcarib'? Don't lose faith in your stars. Remember that hot stitch of time when you faced death from the Robber's gun last night. You're still alive, aren't you? There, we're out of it already. It was just to remind you that being quick with a gun doesn't mean you're really tough. Just don't forget it. This happy landing at Palisadoes Airport comes to you courtesy of your stars. Better thank them.
Ian Fleming (Live and Let Die (James Bond, #2))
Anything perceived as a threat trips the amygdala—the brain’s hand-wringing sentry—to set in motion the biochemical cascade known as the fight-or-flight response. Bruce Siddle, who consults in this area and sits on the board of Strategic Operations, prefers the term “survival stress response.” Whatever you wish to call it, here is a nice, concise summary, courtesy of Siddle: “You become fast, strong, and dumb.” Our hardwired survival strategy evolved back when threats took the form of man-eating mammals, when hurling a rock superhumanly hard or climbing a tree superhumanly fast gave you the edge that might keep you alive. A burst of adrenaline prompts a cortisol dump to the bloodstream. The cortisol sends the lungs into overdrive to bring in more oxygen, and the heart rate doubles or triples to deliver it more swiftly. Meanwhile the liver spews glucose, more fuel for the feats at hand. To get the goods where the body assumes they’re needed, blood vessels in the large muscles of the arms and legs dilate, while vessels serving lower-priority organs (the gut, for example, and the skin) constrict. The prefrontal cortex, a major blood guzzler, also gets rationed. Good-bye, reasoning and analysis. See you later, fine motor skills. None of that mattered much to early man. You don’t need to weigh your options in the face of a snarling predator, and you don’t have time.
Mary Roach (Grunt: The Curious Science of Humans at War)
But while women had more rights these days, I feel like they never actually gained any more respect. The boys around me still used the word ‘girl’ as an insult. They called girls who slept with them sluts, but girls who didn't were prudes, and they didn’t even bother to show girls basic courtesy anymore when they were courting them. They didn’t pull out chairs for their girlfriends or take off their hats or stand when they went in or out of a room. My father — my real father — raised me to do those things to show a woman respect, and my father had always had a tremendous amount of respect for women. Maybe there were new ways, more modern ways, to show respect to a woman. But if so, I didn’t know what they were
C.L. Lynch (History (Stella Blunt #2))
He is our cousin, cousin; but 'tis doubt, When time shall call him home from banishment, Whether our kinsman come to see his friends. Ourself, and Bushy, Bagot here, and Green, Observ'd his courtship to the common people; How he did seem to dive into their hearts With humble and familiar courtesy; What reverence he did throw away on slaves, Wooing poor craftsmen with the craft of smiles And patient underbearing of his fortune, As 'twere to banish their affects with him. Off goes his bonnet to an oyster-wench; A brace of draymen bid God speed him well And had the tribute of his supple knee, With 'Thanks, my countrymen, my loving friends'; As were our England in reversion his, And he our subjects' next degree in hope.
William Shakespeare (Richard II)
Being Willing to Ask for Help • I’ll ask for help whenever I need to. • I’ll remind myself that if I need something, most people will be glad to help if they can. • I’ll use clear, intimate communication to ask for what I want, explaining my feelings and the reasons for my request. • I’ll trust that most people will listen if I ask them to. Being Myself, Whether People Accept Me or Not • When I state my thoughts clearly and politely, without malice, I won’t try to control how people take it. • I won’t give more energy than I really have. • Instead of trying to please, I’ll give other people a true indication of how I feel. • I won’t volunteer for something if I think I’ll resent it later. • If someone says something I find offensive, I’ll offer an alternative viewpoint. I won’t try to change the other person’s mind; I just won’t let the statement go unremarked upon. Sustaining and Appreciating Emotional Connections • I’ll make a point of keeping in touch with special people I care about and returning their calls or electronic messages. • I’ll think of myself as a strong person who deserves to give and receive help from my community of friends. • Even when people aren’t saying the “right” thing, I’ll tune in to whether they’re trying to help me. If their effort makes me feel emotionally nurtured, I’ll express my gratitude. • When I’m irritated with someone, I’ll think about what I want to say that could improve our relationship. I’ll wait until I cool off and then ask if the other person is willing to listen to my feelings. Having Reasonable Expectations for Myself • I’ll keep in mind that being perfect isn’t always necessary. I’ll get stuff done rather than obsess over getting things done perfectly. • When I get tired, I’ll rest or do something different. My level of physical energy will tell me when I’ve been doing too much. I won’t wait for an accident or illness to make me stop. • When I make a mistake, I’ll chalk it up to being human. Even if I think I’ve anticipated everything, there will be outcomes I don’t expect. • I’ll remember that everyone is responsible for their own feelings and for expressing their needs clearly. Beyond common courtesy, it isn’t up to me to guess what others want.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
a life different from hers; in Paris, perhaps; a wilder life; not always taking care of some man or other; for there was in all their minds a mute questioning of deference and chivalry, of the Bank of England and the Indian Empire, of ringed fingers and lace, though to them all there was something in this of the essence of beauty, which called out the manliness in their girlish hearts, and made them, as they sat at the table beneath their mother's eyes, honour her strange severity, her extreme courtesy, like a Queen's raising from the mud to was a beggar's dirty foot, when she thus admonished them so very severely about that wretched atheist who had chased them--or peaking accurately, been invited to stay with them--in the Isles of Skye.
Virginia Woolf (To the Lighthouse)
But I'm pretty sure Mom won't consent to a field trip across the country with my hot boyfriend. Especially not back to Florida." I clamp my mouth shut so fast my teeth should be chipped. He grins. "You think I'm hot?" "My mom thinks you are." Except, Mom's not the one blushing right now. "Hmm," he says, giving me a you're-busted look. "As hot as I am, I don't think she'd buy into my charm on this one. We'll have to call in a professional." Then that fish prince actually winks at me. "You mean Rachel," I say, toeing the sand. "I guess it's worth a shot. Don't expect much, though. I've already missed too much school." "We could fly down on the weekend. Be back before school on Monday." I nod. "She might go for that. If Rachel plays her cards right." Yeah, she might go for that. She might also pierce her tongue, dye her hair cherry red and spike it peacock-style. Ain't happening. I shrug. "I'll just keep practicing while you're gone. Maybe we don't have to go-" "No!" Galen and Toraf shout, startling me. "Why not? I won't go too deep-" "Out of the question," Galen says, standing. "You will not get in the water while I'm gone." I stomp a hole in the sand. "I already told you that you're not ordering me around, didn't I? Now you've pretty much guaranteed that I'm getting in the water, Your Highness." Galen runs a hand through his hair and utters a string of cuss words, courtesy of Rachel, no doubt. he paces in the sane a few seconds, pinching the bridge of his nose. Suddenly he stops. Relaxes. Smiles even. He walks over to his friend, slaps him on the back. "Toraf, I need a favor.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
If there was none of this magnanimity in war, we should go to war only when it was worth while going to certain death, as now. Then there would not be war because Paul Ivanovich had offended Michael Ivanovich. And when there was a war, like this one, it would be war! And then the determination of the troops would be quite different. Then all these Westphalians and Hessians whom Napoleon is leading would not follow him into Russia, and we should not go to fight in Austria and Prussia without knowing why. War is not courtesy but the most horrible thing in life; and we ought to understand that and not play at war. We ought to accept this terrible necessity sternly and seriously. It all lies in that: get rid of falsehood and let war be war and not a game. As it is now, war is the favorite pastime of the idle and frivolous. The military calling is the most highly honored.
Leo Tolstoy (War and Peace)
His face was a mask, his smile was not his own. The eyes were not the eyes of the man I loved, the man I knew. They looked through me and beyond me, cold, expressionless, to some place of pain and torture I could not enter, to some private, inward hell I could not share. He never spoke to me. He never touched me. We stood beside one another, the host and the hostess, and we were not together. I watched his courtesy to his guests. He flung a word to one, a jest to another, a smile to a third, a call over his shoulder to a fourth, and no one but myself could know that every utterance he made, every movement, was automatic and the work of a machine. We were like two performers in a play, but we were divided, we were not acting with one another. We had to endure it alone, we had to put up this show, this miserable, sham performance, for the sake of all these people I did not know and did not want to see again.
Daphne du Maurier (Rebecca)
From the same twelfth-century bestiary, we learn that the hedgehog is covered with spikes and curls itself into a ball for protection; that the fox is a 'fraudulent and ingenious animal' that plays dead in order to catch its prey; that cranes move about in military formation; that the serpent called 'basilisk' can with the power of its glance; that the lynx's urine turns into a precious stone; that lions are compassionate and courageous, and that the eyebrows and manes offer a clue to their disposition. Finally, many (but not all) entries go on to draw a moral or make a theological point on the basis of the animal description. The hedgehog is an example of prudence, the crane of courtesy and responsibility. The fox is employed as a type of the devil, who entices carnal man through fraudulent behavior. And the male lion, breathing life into its stillborn offspring after three days, represents God the Father raising Christ from the dead.
David C. Lindberg (The Beginnings of Western Science: The European Scientific Tradition in Philosophical, Religious, and Institutional Context, 600 B.C. to A.D. 1450)
If you haven’t sent them an email yet, send an email as soon as you leave them the voicemail—give them more than one way to get back to you. Example 1: “Hi John, this is Aaron Ross from Salesforce.com. My number is 555-555-5555. John, I sent you an email a couple of days ago and hadn’t heard back, and I was hoping you could give me a quick courtesy response. I’ll resend it here in a minute. Again, Aaron Ross, 555-555-5555. Thank you and have a great day.” Example 2: “Hi John, this is Aaron Ross from Salesforce.com. My number is 555-555-5555. John, I’m calling to follow up on the email I sent you, I’d love to hear either way if you can please help me out or not. Again, Aaron Ross, 555-555-5555. Thank you and have a great day.” Example 3: (the mysterious version): “Hi John, this is Aaron Ross following up. My number is 555-555-5555. I’m free after 3pm today. Again, Aaron Ross, from Salesforce.com, 555-555-5555. Thanks and have a great day.
Aaron Ross (Predictable Revenue: Turn Your Business Into A Sales Machine With The $100 Million Best Practices Of Salesforce.com)
[D]o you know what began my real education?... Your calling me Miss Doolittle that day when I first came to Wimpole Street. That was the beginning of self-respect for me. And there were a hundred little things you never noticed, because they came naturally to you. Things about standing up and taking off your hat and opening doors... [T]hings that showed you thought and felt about me as if I were something better than a scullerymaid; though of course I know you would have been just the same to a scullery-maid if she had been let in the drawing-room. You see, really and truly, apart from the things anyone can pick up (the dressing and the proper way of speaking, and so on), the difference between a lady and a flower girl is not how she behaves, but how she's treated. I shall always be a flower girl to Professor Higgins, because he always treats me as a flower girl, and always will; but I know I can be a lady to you, because you always treat me as a lady, and always will.
George Bernard Shaw (Pygmalion)
Both Cooper and Brennan got their start as extras. Like Brennan, Cooper had learned his craft by roaming around movie lots, absorbing the atmosphere and watching how things were done—especially the subtle interplay between actors, and between the best actors and the camera lens, which always picked up details that not even the most perceptive directors could spot before they were projected onto a screen. And like Brennan, when Cooper got his first two minutes of screen time, he was prepared. Watch him in Wings, playing an aviator about to go to his death, enter a tent and converse with the film’s two stars, Buddy Rogers and Richard Arlen, who are immediately fascinated by his bluff allure. He is a hero without bravado. He is for those two minutes the picture’s star, the very embodiment of what Hemingway called grace under pressure. Cooper’s ability to convey composure just before a dogfight, to act with such quiet courtesy and aplomb, stuns Rogers and Arlen—and just that quickly Cooper takes the picture away from them.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
He opened his hand, and inside was a tiny lavender-colored flower with a small stem. "Well, well, well. Look what we have here. Mr. Exley left us a present. Cichorium intybus. Chicory. The plant of freedom and one of the nine plants. He used it to get out of the basement, and then he left us a cutting as a courtesy. Your Mr. Exley has a good sense of humor." "He's not my Mr. Exley." "Unimportant. This little petal tells us how he got out of here." "He broke a deadbolt with a flower petal?" "In a sense, yes. Cichorium intybus is a perennial related to the dandelion. It's cultivated in England and Ireland and from Nova Scotia to Florida and west to the plains. It is not cultivated here, in South America. He brought it with him!" "For what?" "For its magical properties. The plant has a long, thick taproot filled with a bitter milky-white juice. The ancient Egyptians believed that if the juice is rubbed on the body it promotes invisibility, and removal of obstacles. The Mayans called it the plant of freedom, for the same reason.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The Negro had been deeply disappointed over the slow pace of school desegregation. He knew that in 1954 the highest court in the land had handed down a decree calling for desegregation of schools "with all deliberate speed." He knew that this edict from the Supreme Court had been heeded with all deliberate delay. At the beginning of 1963, nine years after this historic decision, approximately 9 percent of southern Negro students were attending integrated schools. If this pace were maintained, it would be the year 2054 before integration in southern schools would be a reality. In its wording the Supreme Court decision had revealed an awareness that attempts would be made to evade its intent. The phrase "all deliberate speed" did not mean that another century should be allowed to unfold before we released Negro children from the narrow pigeonhole of the segregated schools; it meant that, giving some courtesy and consideration to the need for softening old attitudes and outdated customs, democracy must press ahead, out of the past of ignorance and intolerance, and into the present of educational opportunity and moral freedom.
Martin Luther King Jr. (Why We Can't Wait)
She arranged the bacon on a platter and then debated what to do with the ten-inch biscuit that had actually been four small biscuits when she’d placed the pan in the oven. Deciding not to break it into irregular chucks, she placed the entire biscuit neatly in the center of the bacon and carried the platter over to the table, were Ian had just seated himself. Returning to the stove, she tried to dig the eggs out of the skillet, but they wouldn’t come loose, so she brought the skillet and spatula to the table. “I-I thought you might like to serve,” she offered formally, to hide her growing trepidation over the things she had prepared. “Certainly,” Ian replied, accepting the honor with the same grave formality with which she’d offered it: then he looked expectantly at the skillet. “What have we here?” he inquired sociably. Scrupulously keeping her gaze lowered, Elizabeth sat down across from him. “Eggs,” she answered, making an elaborate production of opening her napkin and placing it on her lap. “I’m afraid the yolks broke.” “It doesn’t matter.” When he picked up the spatula Elizabeth pinned a bright, optimistic smile on her face and watched as he first tried to lift, and then began trying to pry the eggs from the skillet. “They’re stuck,” she explained needlessly. “No, they’re bonded,” he corrected, but at least he didn’t sound angry. After another few moments he finally managed to pry a strip loose, and he placed it on her plate. A few moments more and he was able to gouge another piece loose, which he placed on his own plate. In keeping with the agreed-upon truce they both began observing all the polite table rituals with scrupulous care. First Ian offered the platter of bacon with the biscuit centerpiece to Elizabeth. “Thank you,” she said, choosing two black strips of bacon. Ian took three strips of bacon and studied the flat brown object reposing on the center of the platter. “I recognize the bacon,” he said with grave courtesy, “but what is that?” he asked, eyeing the brown object. “It looks quite exotic.” “It’s a biscuit,” Elizabeth informed him. “Really?” he said, straight-faced. “Without any shape?” “I call it a-a pan biscuit,” Elizabeth fabricated hastily. “Yes, I can see why you might,” he agreed. “It rather resembles the shape of a pan.
Judith McNaught (Almost Heaven (Sequels, #3))
It’s a strange thing, but somehow we expect more of girls than of boys. It is the sisters and wives and mothers, you know, Caddie, who keep the world sweet and beautiful. What a rough world it would be if there were only men and boys in it, doing things in their rough way! A woman’s task is to teach them gentleness and courtesy and love and kindness. It’s a big task, too, Caddie—harder than cutting trees or building mills or damming rivers. It takes nerve and courage and patience, but good women have those things. They have them just as much as the men who build bridges and carve roads through the wilderness. A woman’s work is something fine and noble to grow up to, and it is just as important as a man’s. But no man could ever do it so well. I don’t want you to be the silly, affected person with fine clothes and manners whom folks sometimes call a lady. No, that is not what I want for you, my little girl. I want you to be a woman with a wise and understanding heart, healthy in body and honest in mind. Do you think you would like to be growing up into that woman now? How about it, Caddie, have we run with the colts long enough?
Carol Ryrie Brink (Caddie Woodlawn)
They’ll think the worst,” she said. “I don’t want them to think ill of me, Vim. Mr. Charpentier, oh—bother. What do I call you?” He stopped short in the process of turning Kit loose among his blankets. “If I’m to call you Lady Sophia, you might consider calling me Lord Sindal.” Her brows flew up, then down. “You’re titled?” “A courtesy title, much like your own, but humbler. I’m heir to the Rothgreb viscountcy. Baron Sindal.” “Oh. My goodness.” She did meet his gaze then, and he saw understanding and relief in her eyes. “You did not tell me because you thought I was just a what… a lady’s companion? A housekeeper?” “Something like that. Mostly I thought you were lovely.” He still did. “What do we tell your brothers, Sophie? They’ve left us these few moments out of respect for you, but they’ll be in here any minute, crockery be damned.” “I suppose we tell them as little as possible.” It wasn’t what he’d wanted to hear, though the constraints of honor allowed him one further attempt to secure his heart’s desire. “I will offer for you, if that’s what you want.” Offer for her again. He kept the hope from his voice only with effort. Though from the severe frown Sophie displayed, a renewed offer wasn’t what she sought from him. “I won’t ask it of you.” He
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
As she lifted her own backpack over the side of the black, heavy-duty dodge pickup, Owen took it out of her hands and set it beside the one-man tent and sleeping bag the FBI had provided for him. “I could have done that,” she said. “Sure you could. But my daddy taught me a gentleman always helps a lady.” Bay was so startled at what he’d said, and the chagrined way he’s said it, that she laughed. “Oh, my god. Chauvinism is alive and well—” “We call it chivalry, or Southern courtesy, ma’am,” he said. She realized he was heading around the truck to open the door for her. She stepped in front of him and said, “It’s going to be a long trip if you refuse to let me pull my weight. I can get my own door, Mr. Blackthorne.” For a minute, she thought he was going to make an issue of it. Then he touched the brim of his hat, shot her a rakish grin that turned her insides to mush, and said, “Whatever you say, Mizz Creed.” She was so flustered, she took a half step backward, slid into the seat when he opened the door for her after all, and said, “My friends call me Bay.” Bay flushed as she realized what she’d said. As he came around the hood and got in, she said, “That is—I mean—you know what I mean!” He belted himself into the driver’s seat and started the engine, before he turned to her and said, “My friends call me Owe. You can call me Owen.” She stared at him disbelief. “Oh. You. Blackthorne, you.
Joan Johnston (The Texan (Bitter Creek, #2))
We ended the day and hobbled back inside, greeted by the scent of the stew Laadan had cooked up. I went upstairs to wash the day’s worth of grime off, and Aiden followed. Once inside the room, I tossed him a coy look over my shoulder. At least, I thought it was coy, but I probably looked like I had something in my eye. Aiden grinned nonetheless. “Are you following me?” I asked, kicking off my boots. He prowled forward, moving like one of those caged panthers we’d seen at the zoo. “I’m just being here for you, and I think you really need me right now.” “Ha. Ha.” Out of my shoes, Aiden towered over me, I felt like a hobbit standing in front of him. Aiden’s grin spread and a dimple in his left cheek appeared. He tucked a strand of my hair back, then his hands dropped and he tugged the shirt out of my cargos. “I think you called it ‘manning up’.” This wasn’t the kind of manning up I’d been talking about the night before, because even with my limited knowledge of such things, he excelled in that department. But I said nothing as I stared up at him. Lowering his head, his lips brushed over mine. I was sure I tasted of dirt and sour apple, courtesy of the Blow Pop I’d been nursing earlier, but he made this sound against my mouth, part growl and part something deeper. As the kiss deepened, like he could just devour the taste and feel, I melted against him. “I really like your idea of manning up,
Jennifer L. Armentrout (Apollyon (Covenant, #4))
I have time for only one drink,” Jordan said, glancing at the ormolu clock on the opposite wall. “I’ve promised Alexandra to stand at her side at a ball tonight and beam approvingly at a friend of hers.” Whenever Jordan mentioned his wife’s name, Ian noted with amusement, the other man’s entire expression softened. “Care to join us?” Ian shook his head and accepted his drink from the footman. “It sounds boring as hell.” “I don’t think it’ll be boring, precisely. My wife has taken it upon herself to defy the entire ton and sponsor the girl back into the ranks. Based on some of the things Alexandra said in her note, that will be no mean feat.” “Why is that?” Ian inquired with more courtesy than interest. Jordan sighed and leaned his head back, weary from the hours he’d been working for the last several weeks and unexcited at the prospect of dancing attendance on a damsel in distress-one he’d never set eyes on. “The girl fell into the clutches of some man two years ago and an ugly scandal ensued.” Thinking of Elizabeth and himself, Ian said casually, “That’s not an uncommon occurrence, evidently.” “From what Alex wrote me, it seems this case is rather extreme.” “In what way?” “For one thing, there’s every chance the young woman will get the cut direct tonight from half the ton-and that’s the half that will be willing to acknowledge her. Alex has retaliated by calling in the heavy guns-my grandmother, to be exact, and Tony and myself, to a lesser degree. The object is to try to brave it out, but I don’t envy the girl. Unless I miss my guess, she’s going to be flayed alive by the wagging tongues tonight. Whatever the bastard did,” Jordan finished, downing his drink and starting to straighten in his chair, “it was damaging as hell. The girl-who’s purported to be incredibly beautiful, by the way-has been a social outcast for nearly two years.” Ian stiffened, his glass arrested partway to his mouth, his sharpened gaze on Jordan, who was already starting to rise. “Who’s the girl?” he demanded tautly. “Elizabeth Cameron.” “Oh, Christ!” Ian exploded, surging out of his chair and snatching up his evening jacket. “Where are they?” “At the Willington’s. Why?” “Because,” Ian bit out, impatiently shrugging into his jacket and tugging the frilled cuffs of his shirt into place, “I’m the bastard who did it.” An indescribable expression flashed across the Duke of Hawthorne’s face as he, too, pulled on his evening jacket. “You are the man Alexandra described in her note as an ‘unspeakable cad, vile libertine,’ and ‘despoiler of innocents’?” “I’m all that and more,” Ian replied grimly, stalking toward the door with Jordan Townsende beside him. “You go to the Willingtons’ as quickly as you can,” he instructed. “I’ll be close behind you, but I’ve a stop to make first. And don’t, for God’s sake, tell Elizabeth I’m on my way.” Ian flung himself into his coach, snapped orders to his driver, and leaned back, counting minutes, telling himself it couldn’t possibly be going as badly for her as he feared it would. And never once did he stop to think that Jordan Townsende had no idea what motives could possibly prompt Elizabeth Cameron’s “despoiler” to be bent on meeting her at the Willington’s ball.
Judith McNaught (Almost Heaven (Sequels, #3))
All the same, the New Testament, without going into details, gives us a pretty clear hint of what a fully Christian society would be like. Perhaps it gives us more than we can take. It tells us that there are to be no passengers or parasites: if man does not work, he ought not to eat. Every one is to work with his own hands, and what is more, every one's work is to produce something good: there will be no manufacture of silly luxuries and then of sillier advertisements to persuade us to buy them. And there is to be no "swank" or "side," no putting on airs. To that extent a Christian society would be what we now call Leftist. On the other hand, it is always insisting on obedience—obedience (and outward marks of respect) from all of us to properly appointed magistrates, from children to parents, and (I am afraid this is going to be very unpopular) from wives to husbands. Thirdly, it is to be a cheerful society: full of singing and rejoicing, and regarding worry or anxiety as wrong. Courtesy is one of the Christian virtues; and the New Testament hates what it calls "busybodies." If there were such a society in existence and you or I visited it, I think we should come away with a curious impression. We should feel that its economic life was very socialistic and, in that sense, "advanced," but that its family life and its code of manners were rather old-fashioned—perhaps even ceremonious and aristocratic. Each of us would like some bits of it, but I am afraid very few of us would like the whole thing. That is just what one would expect if Christianity is the total plan for the human machine.
C.S. Lewis (Mere Christianity and The Screwtape Letters)
329 Leisure and Idleness. - There is an Indian savagery, a savagery peculiar to the Indian blood, in the manner in which the Americans strive after gold: and the breathless hurry of their work- the characteristic vice of the New World-already begins to infect old Europe, and makes it savage also, spreading over it a strange lack of intellectuality. One is now ashamed of repose: even long reflection almost causes remorse of conscience. Thinking is done with a stop-watch, as dining is done with the eyes fixed on the financial newspaper; we live like men who are continually " afraid of letting opportunities slip." " Better do anything whatever, than nothing "-this principle also is a noose with which all culture and all higher taste may be strangled. And just as all form obviously disappears in this hurry of workers, so the sense for form itself, the ear and the eye for the melody of movement, also disappear. The proof of this is the clumsy perspicuity which is now everywhere demanded in all positions where a person would like to be sincere with his fellows, in intercourse with friends, women, relatives, children, teachers, pupils, leaders and princes,-one has no longer either time or energy for ceremonies, for roundabout courtesies, for any esprit in conversation, or for any otium whatever. For life in the hunt for gain continually compels a person to consume his intellect, even to exhaustion, in constant dissimulation, overreaching, or forestalling: the real virtue nowadays is to do something in a shorter time than another person. And so there are only rare hours of sincere intercourse permitted: in them, however, people are tired, and would not only like " to let themselves go," but to stretch their legs out wide in awkward style. The way people write their letters nowadays is quite in keeping with the age; their style and spirit will always be the true " sign of the times." If there be still enjoyment in society and in art, it is enjoyment such as over-worked slaves provide for themselves. Oh, this moderation in "joy" of our cultured and uncultured classes! Oh, this increasing suspiciousness of all enjoyment! Work is winning over more and more the good conscience to its side: the desire for enjoyment already calls itself " need of recreation," and even begins to be ashamed of itself. " One owes it to one's health," people say, when they are caught at a picnic. Indeed, it might soon go so far that one could not yield to the desire for the vita contemplativa (that is to say, excursions with thoughts and friends), without self-contempt and a bad conscience.-Well! Formerly it was the very reverse: it was "action" that suffered from a bad conscience. A man of good family concealed his work when need compelled him to labour. The slave laboured under the weight of the feeling that he did something contemptible :- the "doing" itself was something contemptible. "Only in otium and bellum is there nobility and honour:" so rang the voice of ancient prejudice !
Friedrich Nietzsche (The Gay Science with a Prelude in Rhymes and an Appendix of Songs)
The Venetians catalogue everything, including themselves. ‘These grapes are brown,’ I complain to the young vegetable-dealer in Santa Maria Formosa. ‘What is wrong with that ? I am brown,’ he replies. ‘I am the housemaid of the painter Vedova,’ says a maid, answering the telephone. ‘I am a Jew,’ begins a cross-eyed stranger who is next in line in a bookshop. ‘Would you care to see the synagogue?’ Almost any Venetian, even a child, will abandon whatever he is doing in order to show you something. They do not merely give directions; they lead, or in some cases follow, to make sure you are still on the right way. Their great fear is that you will miss an artistic or ‘typical’ sight. A sacristan, who has already been tipped, will not let you leave until you have seen the last Palma Giovane. The ‘pope’ of the Chiesa dei Greci calls up to his housekeeper to throw his black hat out the window and settles it firmly on his broad brow so that he can lead us personally to the Archaeological Museum in the Piazza San Marco; he is afraid that, if he does not see to it, we shall miss the Greek statuary there. This is Venetian courtesy. Foreigners who have lived here a long time dismiss it with observation : ‘They have nothing else to do.’ But idleness here is alert, on the qui vive for the opportunity of sightseeing; nothing delights a born Venetian so much as a free gondola ride. When the funeral gondola, a great black-and-gold ornate hearse, draws up beside a fondamenta, it is an occasion for aesthetic pleasure. My neighbourhood was especially favoured this way, because across the campo was the Old Men’s Home. Everyone has noticed the Venetian taste in shop displays, which extends down to the poorest bargeman, who cuts his watermelons in half and shows them, pale pink, with green rims against the green side-canal, in which a pink palace with oleanders is reflected. Che bello, che magnifici, che luce, che colore! - they are all professori delle Belle Arti. And throughout the Veneto, in the old Venetian possessions, this internal tourism, this expertise, is rife. In Bassano, at the Civic Museum, I took the Mayor for the local art-critic until he interupted his discourse on the jewel-tones (‘like Murano glass’) in the Bassani pastorals to look at his watch and cry out: ‘My citizens are calling me.’ Near by, in a Paladian villa, a Venetian lasy suspired, ‘Ah, bellissima,’ on being shown a hearthstool in the shape of a life-size stuffed leather pig. Harry’s bar has a drink called a Tiziano, made of grapefruit juice and champagne and coloured pink with grenadine or bitters. ‘You ought to have a Tintoretto,’ someone remonstrated, and the proprietor regretted that he had not yet invented that drink, but he had a Bellini and a Giorgione. When the Venetians stroll out in the evening, they do not avoid the Piazza San Marco, where the tourists are, as Romans do with Doney’s on the Via Veneto. The Venetians go to look at the tourists, and the tourists look back at them. It is all for the ear and eye, this city, but primarily for the eye. Built on water, it is an endless succession of reflections and echoes, a mirroring. Contrary to popular belief, there are no back canals where tourist will not meet himself, with a camera, in the person of the another tourist crossing the little bridge. And no word can be spoken in this city that is not an echo of something said before. ‘Mais c’est aussi cher que Paris!’ exclaims a Frenchman in a restaurant, unaware that he repeats Montaigne. The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St. Mark’s Square filled with ‘Turks, Libyans, Parthians, and other monsters of the sea’. Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words.
Mary McCarthy
Are you two finished beatin' the hell out of each other? Mason, you slept with his sister, you know he deserved to get that punch in. Bellemy, you got your hit in. Now, leave it alone. He obviously loves her if he was willin' to call me for help.” Clay lifted his mug again, taking another sip before he continued. “Next one of you to throw a punch is out of here and won't get to know what is goin' on. It's a courtesy that I even let either of you in here or tell you the details of the investigation. Don't take advantage of my kind nature.
Alex Morgan (Chasing Midnight (The Darkest Desires of Dixie, #1))
Well, spring sprang. We've had our state of grace and our little gift of sanctioned madness, courtesy of Mother Nature. Thanks, Gaia. Much obliged. I guess it's time to get back to that daily routine of living we like to call normal.
David Assael
Gossipy neighbors wondered why Captain Grant, as they called him, did not put Colonel Dent's slaves to work in his fields. Rather, when extra labor was needed, he hired free blacks and paid them more than the average wage. He could have benefited from selling the one slave that he owned (courtesy of Colonel Dent) but instead freed him.
Joan Waugh (U. S. Grant: American Hero, American Myth (Civil War America))
I’ve heard the most interesting rumors regarding you and the oh-so-dishy Mr. Haverstein,” Millie said. “I don’t believe dishy is a real word” was all Lucetta could think to respond. Millie waved that away with a flick of her dainty wrist. “I can’t be expected to know all the right words, Lucetta, and you’re stalling.” Lucetta blew out a breath, stirring the bubbles. “What have you heard?” “That you and Mr. Haverstein were caught in a most interesting situation in a storage room of all places, that he tried to save you from drowning twice in his, uh, moat from what I’ve been told, and . . . that he did save you once from a mad goat by the name of Geoffrey. I’ve also heard that you seem to enjoy his company, so much so that there’s been talk of marriage—but you rejected the marriage idea because of mysterious happenings occurring at Ravenwood.” “Bram didn’t save me from drowning twice. He almost caused me to drown both of those times.” “Again . . . stalling.” Tracing a finger through the bubbles, Lucetta took a second to gather her thoughts. “He’s explained away practically all the mysteries surrounding him, which has allowed me to come to the conclusion he’s not insane.” Millie’s eyes turned the size of saucers. “You had reason to doubt his sanity?” “He maintains a dungeon and has a castle where suits of armor go strolling about in the middle of the night—what else was I to conclude?” “A . . . dungeon?” “Yes, but I can’t explain that in any further detail, since the dungeon is part of a rather large secret that Bram has yet to divulge to anyone except his staff—and now me, of course.” Millie settled back in her chair and crossed her arms over her chest. “Fair enough, but . . . tell me this, how do you feel about the man, especially since his sanity is no longer in question?” “That’s a little tricky to answer.” Millie sent her a look that had exasperation stamped all over it. “It is not. And since you’re the one who insisted Harriet and I dwell on exactly what our feelings were for Oliver and Everett just a few months back, I’m going to extend you the same courtesy. So . . . feelings—yours for Mr. Haverstein—what are they?” “He, uh . . . did mention that he’d like to court me.” “Court you?” “Yes, you know, call on me, take me for drives, bring me flowers, and . . . well . . . court me.” “That’s incredibly romantic.” “Well, yes, it is, but . . .” “You don’t want to be courted because you see that as a weakness of being female.” “What?” Millie rolled her eyes. “Lucetta, you and I have been friends for a very long time, and while you never talk about yourself much—as in ever—it’s always been clear to me and Harriet that you’ve got this attitude, if you will, about being a female. It’s one of the reasons I believe you’ve held yourself so distant from any gentleman who has ever shown an interest in you. And, it’s why you’re incredibly wary of men like Bram Haverstein, who clearly—and this is without me even knowing that much about him—is an old-fashioned man, one who enjoys swooping in and saving the damsel in distress.” “There’s that romance novel lover I’ve been missing.” Millie sat forward. “You know I’m right.” “So
Jen Turano (Playing the Part (A Class of Their Own, #3))
Are you really dating Rick Addison?” the darkest-haired of the girls, Emma, asked. “I am.” “Awesome.” “Pause the game, Haley,” Livia instructed. “We need to pay Sam, and then she’s going to help get Anatomy Man back.” Great. Now she could rob piggy banks. “You don’t need to pay me. We’ll call it a family courtesy.
Suzanne Enoch (A Touch of Minx (Samantha Jellicoe, #5))
You open your door one evening to find a uniformed police officer standing outside. Nothing’s wrong, don’t worry. This is just a courtesy call. There’s been a burglary in the area and they’re just letting you know so your home isn’t next. Lock your doors and windows. Keep valuables out of view. Think about installing an alarm. You chat for a few minutes. You might mention the door at the back that doesn’t lock. Or that fact that you live here alone. Or that the couple who owns this construction site is living here while the work goes on—or, well, one of them is, because her husband is going back to San Francisco for a few weeks next week. Maybe you don’t reveal any information, but while you speak he’s still gathering it. The integrity of the front-door lock. The layout of the ground floor. Whether or not he likes the look of you. If he’d like to do to you what he’s already done to the others. That’s how he was choosing them, we felt sure. Donning a Garda uniform and doing door-to-door calls in the aftermath of a real burglary. But was he really a guard? Neither Tom nor Johnnie could remember seeing a Garda car, and we thought it would be relatively easy to convince a member of the public that you were wearing a Garda uniform when in actual fact you were wearing an approximation of one. He could’ve also easily gotten hold of a real uniform—if he was prepared to murder innocent people, he was probably willing to steal items of clothing too. Moreover this behavior would have been an incredible risk for a serving member to take, when one phone call to the local station would’ve been all it took to bring his little rogue scouting missions crashing down.
Catherine Ryan Howard (The Nothing Man)
He was what I would call one of the Hidden Ones (Saints). His patience with me was extraordinary. He was connected with Allah. That was the only important thing for him, nanosecond to nanosecond. There was nothing else that mattered. And all the spiritual courtesy (adab) of the conventional Muslim – don‘t waste time, don‘t talk about trivia, all of these things – it came from the fact that he was connected. He didn‘t have to make the effort. He wouldn‘t involve himself in trivia. (p. 206)
Michael Sugich (Hearts Turn: Sinners, Seekers, Saints and the Road to Redemption)
If I make deposits into an Emotional Bank Account with you through courtesy, kindness, honesty, and keeping my commitments to you, I build up a reserve. Your trust toward me becomes higher, and I can call upon that trust many times if I need to.
Stephen R. Covey (The 7 Habits of Highly Effective People)
Trademark Trademark is fundamentally exceptional of a licensed innovation comprising plans, logos, and imprints. Organizations utilize different plans, logos, or words to recognize their items and administrations from others. Those imprints which help in distinctive the item or administrations from others and help the clients in distinguishing their image, quality, and even source of the item is known as Trademark. In contrast to licenses, a brand name is enlisted for a very long time, and from that point, it tends to be recharged for an additional 10 years after an additional installment of reestablishment expenses. Trademark Objection After the enrollment of the brand name, an Examiner/Registrar or outsider can set a trademark objection. As per Section(s) 9 (Absolute Grounds of Refusal) and 11 (Relative Grounds of Refusal) of the Act, these two can be the ground of a complaint:- The application contains wrong data, or Comparable or indistinguishable brand names exist. At whatever point a Trademark enlistment center mentions a criticism, a candidate has an occasion to send a composed answer alongside the strong proof, realities, and reasons why the imprint ought to be assigned to him within 30 days of the protest. On the off chance that the analyst/enlistment center discovers the answer to be adequate and addresses the entirety of his interests in the assessment report and there is no contention, at that point he may give authorization to the candidate to distribute the application in the Trademark diary before enrollment. How to respond to an objection A Trademark assessment report is set up on the Trademark office site alongside the subtleties of the brand name application and a candidate or a specialist has the occasion to send a composed answer which ought to be known as a trademark objection reply. The answer can be submitted as "Answer to the assessment report" either on the web or it tends to be submitted through a post or individual alongside supporting archives or a sworn statement. When the application gets recorded a candidate ought to be given a notification about the protest and ground of the complaint. Different grounds are:- There ought to be a counter assertion of the application, It ought to be recorded within 2 months of the application, On the off chance that the analyst neglects to record a complaint inside the time, at that point the status of the application will be deserted. After recording the counter of a complaint, the enlistment center will call a candidate for the meeting. On the off chance that it rules in the courtesy, at that point, the candidate will get it enrolled, and on the off chance that the answer isn't agreeable, at that point, the application for the enlistment will get dismissed. Trademark Objection Reply Fees Although I have gone through various sites, finding a perfect formal reply is quite difficult. But Professional Utilities provides a perfect reply through experts, also the trademark objection reply fees are really affordable. They provide services for just 1,499/- only.
Shweta Sharma
All the religions had very strong views about talking to the dead. And so did Mrs. Cake. They held that it was sinful. Mrs. Cake held that it was only common courtesy. This usually led to a fierce ecclesiastical debate which resulted in Mrs. Cake giving the chief priest what she called 'a piece of her mind'. There were so many pieces of Mrs. Cake's mind left around the city now that it was quite surprising that there was enough left to power Mrs. Cake but, strangely enough, the more pieces of her mind she gave away the more there seemed to be left.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
You know those telemarketing people who always call you at dinnertime? I’m talking about the ones who never come right out and say they’re selling something. Lately, they’ve been using the bizarre term “courtesy call” to describe what they’re doing. “Mr. Barry,” they’ll say, “this is just a courtesy call to do you the courtesy of interrupting your dinner so I can ask you this question: Would you like to save fifty percent or more on your long-distance phone bill?” I always say no. I tell them that I WANT a big long-distance bill, and that I often place totally unnecessary calls to distant continents just to jack it up. I tell them that if my long-distance bill is not high enough to suit me, I deliberately set fire to a pile of cash. Then I hang up. But of course this does not stop them. The next night, they call again. That’s how courteous they are.
Dave Barry (Boogers Are My Beat: More Lies, but Some Actual Journalism)
There’s a tap on my shoulder. I turn around and get lost in a sea of blue. A Jersey-accented voice says, “It’s about time, kid,” and Frank Sinatra rattles the ice in his glass of Jack Daniel’s. Looking at the swirling deep-brown liquid, he whispers, “Ain’t it beautiful?” This is my introduction to the Chairman of the Board. We spend the next half hour talking Jersey, Hoboken, swimming in the Hudson River and the Shore. We then sit down for dinner at a table with Robert De Niro, Angie Dickinson and Frank and his wife, Barbara. This is all occurring at the Hollywood “Guinea Party” Patti and I have been invited to, courtesy of Tita Cahn. Patti had met Tita a few weeks previous at the nail parlor. She’s the wife of Sammy Cahn, famous for such songs as “All The Way,” “Teach Me Tonight” and “Only the Lonely.” She called one afternoon and told us she was hosting a private event. She said it would be very quiet and couldn’t tell us who would be there, but assured us we’d be very comfortable. So off into the LA night we went. During the evening, we befriend the Sinatras and are quietly invited into the circle of the last of the old Hollywood stars. Over the next several years we attend a few very private events where Frank and the remaining clan hold forth. The only other musician in the room is often Quincy Jones, and besides Patti and I there is rarely a rocker in sight. The Sinatras are gracious hosts and our acquaintance culminates in our being invited to Frank’s eightieth birthday party dinner. It’s a sedate event at the Sinatras’ Los Angeles home. Sometime after dinner, we find ourselves around the living room piano with Steve and Eydie Gorme and Bob Dylan. Steve is playing the piano and up close he and Eydie can really sing the great standards. Patti has been thoroughly schooled in jazz by Jerry Coker, one of the great jazz educators at the Frost School of Music at the University of Miami. She was there at the same time as Bruce Hornsby, Jaco Pastorius and Pat Metheny, and she learned her stuff. At Frank’s, as the music drifts on, she slips gently in on “My One and Only Love.” Patti is a secret weapon. She can sing torch like a cross between Peggy Lee and Julie London (I’m not kidding). Eydie Gorme hears Patti, stops the music and says, “Frank, come over here. We’ve got a singer!” Frank moves to the piano and I then get to watch my wife beautifully serenade Frank Sinatra and Bob Dylan, to be met by a torrent of applause when she’s finished. The next day we play Frank’s eightieth birthday celebration for ABC TV and I get to escort him to the stage along with Tony Bennett. It’s a beautiful evening and a fitting celebration for the greatest pop singer of all time. Two years later Frank passed away and we were generously invited to his funeral. A
Bruce Springsteen (Born to Run)
We should at least stay for the sunset,” Mike suggested. “There’s nothing like a Pacific sunset. Would you like that?” “I would. Do you think I should call Jack? Let him know?” Mike shrugged. “I don’t know what kind of arrangement you two have. Would he be worried if you’re not home before dark?” Remembering her brother’s dark mood in the morning, the way he’d tried to warn her off Mike, she almost said that Jack would be especially worried tonight. But instead she said, “As a courtesy, I’ll give him a call. I’m really having too much fun to go back yet.” He touched her cheek with the back of a knuckle. “Are you, Brie?” he asked softly. “You don’t have to ask.” She smiled. “There’s
Robyn Carr (Whispering Rock (Virgin River, #3))
Listed below are three basic rules that will help you become a successful candidate. Remember, however, that you need not be offered a job in every case to consider yourself successful. Rather, you are successful if you keep the job search process going in a professional manner. In working with countless people in the process of looking for a job, I have concluded that, for those who are currently unemployed, the full-time job should be just that: looking for a job. For those who currently have a job, but are openly seeking a better position with new challenges or a higher salary, take comfort in knowing you are working from a position of strength; use that knowledge to add to your self-esteem. In all cases, see yourself from the employer’s point of view. In their eyes, you are a more likely candidate if you behave professionally before and after the interview (with appropriate inquiry and follow-up—more on that later) and if you interact appropriately during the interview itself. As you continue to look for a job, remember the following tips for success: 1. When you call about a job prospect, get as much information as you can about the position and the company—including the name of the person doing the interviewing. Don’t be put off by feelings of anxiety—you have a right to “interview” them too. If possible, go to the library and research the company. By the time of your interview, you will feel more confident—and less anxious—because you will have resources from which to draw during your conversation. 2. If you have time to mail your resume before your scheduled interview, do so. But be sure to include a cover letter as well. While the resume gives background information about you, the cover letter explains why you are writing and briefly describes what makes you a good candidate for the job. Don’t allow low self-esteem to make you afraid to “sell yourself!” Only you can say why you would be an asset to the company. And one more thing—write the letter to a particular person, not “To Whom It May Concern” or “Dear Sir or Madam.” Most of the time, a prospective employer’s receptionist is willing to tell you exactly whom to contact. Use courtesy titles (“Dear Mrs. Smith”), unless the person is someone you already know on a first-name basis. 3. Do follow up. An appropriate measure of assertiveness goes a long way. Most employers appreciate someone who is diligent and communicates a genuine interest in the position. But don’t be aggressive. Limit your contact to a follow-up note, a phone call two weeks later, and perhaps a third one a few weeks after that. Be sure to let them know that if another, more appropriate, position comes along, you would be interested to learn about it. Again, by communicating properly and creating your own opportunities, you can achieve some control over your own destiny.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
Asking permission to call someone by their first name is a gesture of gentility and consideration. And once permission is granted, the gate is open for mutual respect and mutual purpose. Simply demonstrating this courtesy before making an assumption is impressive. Once permission is granted, you have earned points on both sides.
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
had been adorably tipsy, having swiped his glass of thoroughly spiked punch, and he’d enjoyed the effects of the alcohol on her demeanor. Enjoyed her passionate, artless, determined kisses much more—and much longer—than he should have. She’d been a cheerful, even mischievous girl, dear and sweet and easy to tease. With her brother Bart’s death, something had changed and not for the better. When Deene had made some courtesy calls after selling his commission, he’d found Eve Windham to be punctiliously proper, stiff, and even chilly toward him, though Bart had more than intimated that the lady had her reasons. She wasn’t chilly now. She was utterly undone. It pleased him not at all to see it. He had, though, been pleased to find himself accosted in the coat closet out at Morelands over the holidays. The old Eve had been there in that kiss—wicked, sweet, playful, but also all grown-up in the best places. “Eve,
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
You lie, cheat and steal and call it courtesy, cunning and thrift.
Gregory Maguire (What-the-Dickens: The Story of a Rogue Tooth Fairy)
Stefano greeted Miss Perkins in English, and with perfect courtesy. Then he turned a satirical eye upon me. "My dear Miss Perkins, are you sure you and Andrea found the right Miss Fairbourn? This infant doesn't look old enough to be out of the schoolroom. What on earth am I to call her? I don't know her well enough to use a pet name, and the more formal mode of address---" "Francesca will do nicely," I interrupted. I had felt sorry for him when I saw his infirmity, but his sarcastic manner of speaking about me, as if I were the infant he had called me, irritated me very much. His thin smile broadened. "I see you have a mind of your own---and a tongue to go with it.
Barbara Michaels (Wings of the Falcon)
Love was the answer, of course, to this, as it was to so many other problems. Love the people who did not love you; treat with courtesy those who did not show that courtesy to you, and they would realise what wrong they were doing. That was what she did, and she had found that in almost every case those who showed arrogance, or unkindness, or sheer malice, could be shamed into regret, and through regret came change. Of course, it did not always work. There were some occasions in which confrontation was necessary, and harsh words had to be spoken because some people seemed impervious to the pain they caused. But it was better to avoid such showdowns if one possibly could. There was always more than one way of bringing in a harvest.
Alexander McCall Smith (The Joy and Light Bus Company (No. 1 Ladies' Detective Agency, #22))
Thrown into this mix was the Epoch Times, which also published in Chinese and English. It was founded and largely funded by the Falun Gong, a religious branch group that was devoted to the overthrow of the Communist Party of China and the elevation of the group’s leader, a kind of cross between Jesus, the Dalai Lama and Charles Manson. In New York, Falun Gong was best known for organizing and leading yoga classes in Central Park, and handing out free copies of the Epoch Times near the Port Authority bus terminal. In China, its members were hunted down by PLA squads, swept off the streets and sent, without trial, to re-education camps that had once been the exclusive preserve of Catholic priests. Because of its extreme right-wing (in American terms) slant, the Epoch Times had drawn the attention and interest of American conservatives, including the Trump Administration, which treated it with a courtesy well out of keeping with its influence. Liu read and believed the Epoch Times. Its news fit her beliefs, and that after all, was what a free news media was all about. She had seen a brief item about Qi Qi Dieh on its website months ago, and largely forgotten about it. Now, with the real item sitting in front of her, drinking her tea, Liu began hallucinating about fame and fortune. And, of course, getting the truth out there, too. It took three calls to the newspaper’s
John Moody (Of Course They Knew, Of Course They...)
For the totalitarian of our more enlightened century there is no soul and no creator; there is merely a lump of physiological raw material moulded by conditioned reflexes and social pressures into what, by courtesy, is still called a human being.
Aldous Huxley (The Devils of Loudun)
The other gem was Tawang’s gift to us: A tiny purebred Apso, whom we called Mickey. A beautiful ball of white fur, a hopping rabbit, with heart-melting puppy eyes hidden behind shaggy Apso hair, perfect in all ways, well almost. Except Mickey farted. Farts so potent and loud, it was hard to believe a pintsized dog was capable of generating such toxic fumes. Strangely, he saved his best ones for the weekly ladies’ get-together at home. ‘Your dog is dangerous,’ one of the ladies said laughingly to my mother. ‘This fellow will break wind and run off and we’ll be left wondering which one of us did it.’ The modus operandi was simple. He would come hopping into the living room for tasty treats and while the ladies were fawning over him, Mickey broke wind. There was a hushed silence as the fumes spread quickly, and the ladies silently wondered which one of them was the uncouth culprit. It took them a few visits to figure this out, by which time Mickey the Fartonator had been confined to the veranda. My poor mother was always at the receiving end courtesy our dogs and, well, me!
Nidhie Sharma (INVICTUS)
I thought the only threat against us came from the rogue noblemen who are plotting a revolt under our very noses. Not the Aveyonian commoners you've spent weeks assuring us are content, happy even." Bastien eyed her as though seeing her in a new light. "Threats can take many forms, madame. It would not be prudent in times like these to invite them into your home." "If we are willing to open our doors to the rich, then we must also be willing to open our doors to the poor. You speak as though wealth precludes someone from committing a crime, and that has not been true in my experience." "I think I speak for everyone, the king included, when I say you are perhaps not thinking clearly." "And I speak for myself alone when I say you're wrong. Do you forget that I am a commoner? That I grew up in a poor village with the very people you seek to malign? I do not fear them in the same way I fear a rich man who believes justice is a fluid concept and that innocence can be bought." She let them sit with what she had said for a few moments before continuing. "I called this meeting as a courtesy. This is how I envision the salon, and I believe it will be beneficial for all the people of our kingdom. You still get the prestige-raising, economy-boosting aspects, only now the doors are open for everyone. If you cannot abide by that, then I suggest you remain in your estates for the duration." If she had ruffled the feathers of the advisers before, it was nothing compared to how they viewed her now. "All in favor of the amendment to the salon?" They mutely assented with barely raised hands, but it was enough. In a way, it seemed they almost feared her. No one protested or voiced any concerns, and the meeting ended in near silence. She would take their unease over their disdain. She thought perhaps it was time for men like them to fear what a woman could do.
Emma Theriault (Rebel Rose (The Queen's Council, #1))
Until one of the five men stepped forward and pressed his gun to Daniel’s temple. “Hands the fuck up,” he spat in a distinctive Brooklyn accent. “That repeat was a courtesy, and your only warning. Next time, I’m squeezing on your ass.
Avril Ashton (Call the Coroner (Staniel, #1))
You are treated with less courtesy than other people are. You are treated with less respect than other people are. You receive poorer service than other people at restaurants or stores. People act as if they think you are not smart. People act as if they are afraid of you. People act as if they think you are dishonest. People act as if they’re better than you are. You are called names or insulted. You are threatened or harassed.
Linda Villarosa (Under the Skin: The Hidden Toll of Racism on American Lives (Pulitzer Prize Finalist))
Mrs. Högfors scratched Martin’s back, a courtesy that he always greatly appreciated. “Poor Martin,” she said. “It’s not easy being a dog, is it?” Ulf was not sure whether the question was directed at him or at Martin. He replied, though, on Martin’s behalf. “I get by,” he said. “As long as you people remember to feed me. And, of course, give me plenty of exercise.” Mrs. Högfors smiled. “But that’s in the contract, Martin. That’s in the contract between dogs and man.” —
Alexander McCall Smith (The Man with the Silver Saab (Detective Varg, #3))
Most people are conscious of the fact that in looking back upon their past lives, especially upon the days of their childhood, it is the sunshine that abides with them and not the shadow. In all the memories, let us say of a garden in which we played as children, the says are hot and bright, the flowers always blooming. So it is with Oxford. Heaven knows the place is often enough shrouded in cold, wet mist: for weeks together the streets are muddy beyond all other streets: at the beginning of each term (save that one by courtesy called "summer") the chemists' shops are (or used to be) filled with rows of bottles of quinine, to enable the poor undergraduate to struggle against a depressing climate. But who remembers all these things in after years? The man of fifty hears Oxford mentioned, and there comes back to him at once a place where old grey buildings throw shadows across shaven lawns; where the young green of the chestnut makes a brilliant splash of colour above the college garden wall; where cool bright waters wind beneath ancient willows, and it is good to bask in flannels in a punt. In fact it is the few days of real summer—the two or three in each "summer" term—that he remembers in accordance with memory's happy scheme, in which it is the fittest that survive.
Frederick Douglas How (Oxford)
I have no excuses. Least of all for god. Like all tyrants, he's not worthy of the spit you'd waste on negotiations. The deal we have is infinitely simpler. I don't call him to account, and he extends me the same courtesy.
Richard K. Morgan (Broken Angels (Takeshi Kovacs, #2))
Certain places seem to exist mainly because someone has written about them. Kilimanjaro belongs to Ernest Hemingway. Oxford, Mississippi, belongs to William Faulkner, and one hot July week in Oxford I was moved to spend an afternoon walking the graveyard looking for his stone, a kind of courtesy call on the owner of the property. A place belongs forever to whoever claims it hardest, remembers it most obsessively, wrenches it from itself, shapes it, renders it, loves it so radically that he remakes it in his image, and not only Schofield Barracks but a great deal of Honolulu itself has always belonged for me to James Jones.
Joan Didion (The White Album)