“
You've already made me cry countless times." I raised my middle finger to him slowly, and asked, "Do you know what this is?" I took my middle finger and patted the corner of my eye with it. "It's me, wiping away the last tear you'll ever get.
”
”
Penelope Douglas (Bully (Fall Away, #1))
“
Because salvation is by grace through faith, I believe that among the countless number of people standing in front of the throne and in front of the Lamb, dressed in white robes and holding palms in their hands (see Revelation 7:9), I shall see the prostitute from the Kit-Kat Ranch in Carson City, Nevada, who tearfully told me that she could find no other employment to support her two-year-old son. I shall see the woman who had an abortion and is haunted by guilt and remorse but did the best she could faced with grueling alternatives; the businessman besieged with debt who sold his integrity in a series of desperate transactions; the insecure clergyman addicted to being liked, who never challenged his people from the pulpit and longed for unconditional love; the sexually abused teen molested by his father and now selling his body on the street, who, as he falls asleep each night after his last 'trick', whispers the name of the unknown God he learned about in Sunday school.
'But how?' we ask.
Then the voice says, 'They have washed their robes and have made them white in the blood of the Lamb.'
There they are. There *we* are - the multitude who so wanted to be faithful, who at times got defeated, soiled by life, and bested by trials, wearing the bloodied garments of life's tribulations, but through it all clung to faith.
My friends, if this is not good news to you, you have never understood the gospel of grace.
”
”
Brennan Manning (The Ragamuffin Gospel)
“
Humanity’s debut novel you could say. Love, sex, blood, and tears. A journey to find eternal life. To escape death. It was written over four thousand years ago on clay tablets by people who tilled the mud and rarely lived past forty. It’s survived countless wars, disasters, and plagues, and continues to fascinate to this day, because here I am, in the midst of modern ruin, reading it.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
If you have ever peeled an onion, then you know that the first thin, papery layer reveals another thin, papery layer, and that layer reveals another, and another, and before you know it you have hundreds of layers all over the kitchen table and thousands of tears in your eyes, sorry that you ever started peeling in the first place and wishing that you had left the onion alone to wither away on the shelf of the pantry while you went on with your life, even if that meant never again enjoying the complicated and overwhelming taste of this strange and bitter vegetable.
In this way, the story of the Baudelaire orphans is like an onion, and if you insist on reading each and every thin, papery layer in A Series of Unfortunate Events, your only reward will be 170 chapters of misery in your library and countless tears in your eyes. Even if you have read the first twelve volumes of the Baudelaires' story, it is not too late to stop peeling away the layers, and to put this book back on the shelf to wither away while you read something less complicated and overwhelming. The end of this unhappy chronicle is like its bad beginning, as each misfortune only reveals another, and another, and another, and only those with the stomach for this strange and bitter tale should venture any farther into the Baudelaire onion. I'm sorry to tell you this, but that is how the story goes.
”
”
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
“
It’s easy to make people cry. Grief, humiliation, anger—there are countless avenues to tears. It’s easy to make them scream, too. There are so many things to fear.
”
”
Laini Taylor (Muse of Nightmares (Strange the Dreamer, #2))
“
She stared at me, almost amused. “You’ve already made me cry countless times.” And she raised her middle finger to me. “Do you know what this is?” she asked as she took it and patted the corner of her eye with it. “It’s me, wiping away the last tear you’ll ever get.
”
”
Penelope Douglas (Until You (Fall Away, #1.5))
“
Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess — no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity — back of that morning, he had done nothing. They knew that it took him six days to make the earth — all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death.
At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ.
Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow?
I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken — that there is no supernatural power that can answer prayer - no power that worship can persuade or change — no power that cares for man.
Is there a God?
I do not know.
Is man immortal?
I do not know.
One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be.
We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine — with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.
”
”
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol 1: Lectures)
“
You, Book! You are the only one who won't deceive, won't attack, won't insult, won't abandon! You're quiet - but you laugh, shout, and sing: you're obedient - but you amaze, tease, and entice; you're small, but you contain countless peoples. Nothing but a handful of letters, that's all, but if you feel like it, you can turn heads, confuse, spin, cloud, make tears spring to the eyes, take away the breath, the entire soul will stir in the wind like a canvas, will rise in waves and flap its wings!
”
”
Tatyana Tolstaya (The Slynx)
“
I am beginning to see that much of praying is grieving. This grief is so deep not just because the human sin is so great, but also—and more so—because the divine love is so boundless. To become like the Father whose only authority is compassion, I have to shed countless tears and so prepare my heart to receive anyone, whatever their journey has been, and forgive them from that heart.
”
”
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
“
I'll have you in tears in no time." His tone was calm and decisive. I believe every word.
Taking a long breath, my eyes narrowed at him. "You've already made me cry countless times." I raised my middle finger to him slowly, and asked, "Do you know what this is?" I took my middle finger and patted the corner of my eye with it. "It's me, wiping away the last tear you'll ever get.
”
”
Penelope Douglas (Bully (Fall Away, #1))
“
Father Forgive Us For Livin’
Why All My Homies Stuck In Prison?
Barely Breathin’ Believin That The World Is A Prison,
It’s Like A Ghetto We Could Neva Leave…
A Broken Rose, Trying to Bloom Through The Cracks Of The Concrete,
So Many Otha Things For Us To See, Things To Be,
Our History so Full Of Tragedy And Misery,
To All My Homies Neva Made It Home,
The Dead Peers I Shed Tatooed Tears For
When I’m Alone,
Picture Us Inside A Ghetto Heaven, A Place To Rest,
Findin’ Peace Through This Land Of Stress,
In My Chest I Feel Pain, Come In Sudden Storms,
Life Full Of Rain In This Game Watch For landstorms,
Our Unborn,
Neva Gotta Grow
Neva Gotta See What’s Next,
In This World Full Of Countless Threats,
I Beg God To Make A Way
For Our Ghetto Kids To Breathe
Show A Sign
Make Us All Believe,
Coz I Ain’t Mad At Cha
”
”
Tupac Shakur
“
To become like the Father whose only authority is compassion, I have to shed countless tears and so prepare my heart to receive anyone, whatever their journey has been, and forgive them from that heart.
”
”
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
“
I've been alone with him countless times, but this feels different. Here there are no eyes waiting to catch us, no voices waiting to shout at us, no hands ready to tear us apart--- just miles and miles of space. It's exciting and terrifying at the same time.
”
”
Lauren Oliver
“
We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self.
These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
The idea of immortality, that like a sea has ebbed and flowed in the human heart, with its countless waves of hope and fear, beating against the shores and rocks of time and fate, was not born of any book, nor of any creed, nor of any religion. It was born of human affection, and it will continue to ebb and flow beneath the mists and clouds of doubt and darkness as long as love kisses the lips of death. It is the rainbow – Hope shining upon the tears of grief.
”
”
Robert G. Ingersoll
“
They had fought and starved and even died in pursuit of mankind's oldest dream, but they hadn't known that Tear's vision was flawed. Too easy. Utopia was not the clean slate Tear had imagined, but an evolution. Humanity would have to work for that society, and work hard, dedicating themselves to an unending vigilance against the mistakes of the past. It would take generations, countless generations perhaps, but--
”
”
Erika Johansen (The Fate of the Tearling (The Queen of the Tearling, #3))
“
Worn out with this torture of thought, I rose to my knees. Night was come, and her planets were risen: a safe, still night; too serene for the companionship of fear. We know that God is everywhere; but certainly we feel His presence most when His works are on the grandest scale spread before us: and it is in the unclouded night-sky, where His worlds wheel their silent course, that we read clearest His infinitude, His omnipotence, His omnipresence. I had risen to my knees to pray for Mr. Rochester. Looking up, I, with tear-dimmed eyes, saw the mighty Milky Way. Remembering what it was--what countless systems there swept space like a soft trace of light--I felt the might and strength of God. Sure was I of His efficiency to save what He had made: convinced I grew that neither earth should perish, nor one of the souls it treasured. I turned my prayer to thanksgiving: the Source of Life was also the Saviour of spirits. Mr. Rochester was safe: he was God's, and by God would he be guarded.
”
”
Charlotte Brontë (Jane Eyre)
“
"Turn my back on the world..." the historian repeated softly and slowly, his head moving to face the mage. "Turn my back on the world!" Emotion rarely marred the surface of Astinus's cold voice, but now anger struck the placid calm of his soul like a rock hurled into still water.
"I? Turn my back on the world?" Astinus's voice rolled around the library as the thunder had rolled previously. "I am the world, as you well know, old friend! Countless times I have been born! Countless deaths I have died! Every tear shed - mine have flowed! Every drop of blood spilled - mine has drained! Every agony, every joy ever felt has been mine to share!
"I sit with my hand on the Sphere of Time, the sphere you made for me, old friend, and I travel the length and breadth of this world chronicling its history. I have committed the blackest deeds! I have made the noblest sacrifices. I am human, elf, and ogre. I am male and female. I have borne children. I have murdered children. I saw you as you were. I see you as you are. If I seem cold and unfeeling, it is because that is how I survive without losing my sanity! My passion goes into my words.
”
”
Margaret Weis
“
In this way, the story of the Baudelaire orphans is like an onion, and if you insist on reading each and every thin, papery layer in A Series of Unfortunate Events, your only reward will be 170 chapters of misery in your library and countless tears in your eyes.
”
”
Lemony Snicket (A Series of Unfortunate Events Collection: Books 10-13 (A Series of Unfortunate Events Boxset Book 4))
“
Remember that your perception of the world is a reflection of your state of consciousness. You are not separate from it, and there is no objective world out there. Every moment, your consciousness creates the world that you inhabit. One of the greatest insights that has come out of modern physics is that of the unity between the observer and the observed: the person conducting the experiment — the observing consciousness — cannot be separated from the observed phenomena, and a different way of looking causes the observed phenomena to behave differently. If you believe, on a deep level, in separation and the struggle for survival, then you see that belief reflected all around you and your perceptions are governed by fear. You inhabit a world of death and of bodies fighting, killing, and devouring each other. Nothing is what it seems to be. The world that you create and see through the egoic mind may seem a very imperfect place, even a vale of tears. But whatever you perceive is only a kind of symbol, like an image in a dream. It is how your consciousness interprets and interacts with the molecular energy dance of the universe. This energy is the raw material of so-called physical reality. You see it in terms of bodies and birth and death, or as a struggle for survival. An infinite number of completely different interpretations, completely different worlds, is possible and, in fact, exists — all depending on the perceiving consciousness. Every being is a focal point of consciousness, and every such focal point creates its own world, although all those worlds are interconnected. There is a human world, an ant world, a dolphin world, and so on. There are countless beings whose consciousness frequency is so different from yours that you are probably unaware of their existence, as they are of yours. Highly conscious beings who are aware of their connectedness with the Source and with each other would inhabit a world that to you would appear as a heavenly realm — and yet all worlds are ultimately one.
”
”
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
“
Most people had trouble accepting the fact that Chloe was ill. Fibromyalgia and chronic pain were invisible afflictions, so they were easy to dismiss. Eve was healthy, so she would never feel Chloe’s bone-deep exhaustion, her agonizing headaches or the shooting pains in her joints, the fevers and confusion, the countless side effects that came from countless medications. But Eve didn’t need to feel all of that to have empathy. She didn’t need to see Chloe’s tears or pain to believe her sister struggled sometimes. Neither, for that matter, did Dani. They understood.
”
”
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
“
After two or three stanzas and several images by which he was himself astonished, his work took possession of him and he experienced the approach of what is called inspiration. At such moments the correlation of the forces controlling the artist is, as it were, stood on its head. The ascendancy is no longer with the artist or the state of mind which he is trying to express, but with language, his instrument of expression. Language, the home and dwelling of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in the sense of outward, audible sounds but by virtue of the power and momentum of its inward flow. Then, like the current of a mighty river polishing stones and turning wheels by its very movement, the flow of speech creates in passing, by the force of its own laws, rhyme and rhythm and countless other forms and formations, still more important and until now undiscovered, unconsidered and unnamed.
At such moments Yury felt that the main part of his work was not being done by him but by something which was above him and controlling him: the thought and poetry of the world as it was at that moment and as it would be in the future. He was controlled by the next step it was to take in the order of its historical development; and he felt himself to be only the pretext and the pivot setting it in motion.
...
In deciphering these scribbles he went through the usual disappointments. Last night these rough passages had astonished him and moved him to tears by certain unexpectedly successful lines. Now, on re-reading these very lines, he was saddened to find that they were strained and glaringly far-fetched.
”
”
Boris Pasternak (Doctor Zhivago)
“
Looking back down the vale of the ages at the endless recurrence of their reincarnations, before they were forced to drink their vials of forgetting and all became obscure to them again, they could see no pattern at all to their efforts; if the gods had a plan, or even a set of procedures, if the long train of transmigrations was supposed to add up to anything, if it was not just mindless repetition, time itself nothing but a succession of chaoses, no one could discern it; and the story of their transmigrations, rather than being a narrative without death, as the first experiences of reincarnation perhaps seemed to suggest, had become instead a veritable charnel house. Why read on? Why pick up their book from the far wall where it has been thrown away in disgust and pain, and read on? Why submit to such cruelty, such bad karma, such bad plotting?
The reason is simple: these things happened. They happened countless times, just like this. The oceans are salt with our tears. No one can deny that these things happened.
And so there is no choice in the matter. They cannot escape the wheel of birth and death, not in the experience of it, or in the contemplation of it afterwards; and their anthologist, Old Red Ink himself, must tell their stories honestly, must deal in reality, or else the stories mean nothing. And it is crucial that the stories mean something.
”
”
Kim Stanley Robinson (The Years of Rice and Salt)
“
People will always tear you down and give you countless reasons to give up, but if you have faith in yourself, you can accomplish anything.
”
”
Emma Ludbrook
“
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother]
The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower.
Dear Friends: I am going to do that which the dead oft promised he would do for me.
The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west.
He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust.
Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death.
This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day.
He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts.
He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers.
Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing.
He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead.
And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust.
Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
There will be peaks of great joy from which to crow and vales of tears out of which to climb. When and why they will happen, no one can say, but they will happen. To all of us. We will all go back and forth from one to the other countless times during a lifetime. This is not some call to bipartisanship between inimical sides. The Happy and the Sad are the same population.
”
”
David Rakoff (Half Empty)
“
We survey the past, and see that its history is of blood and tears, of helpless blundering, of wild revolt, of stupid acquiescence, of empty aspirations. We sound the future, and learn that after a period, long compared with the individual life, but short indeed compared with the divisions of time open to our investigation, the energies of our system will decay, the glory of the sun will be dimmed, and the earth, tideless and inert, will no longer tolerate the race which has for a moment disturbed its solitude. Man will go down into the pit, and all his thoughts will perish. The uneasy consciousness, which in this obscure corner has for a brief space broken the contented silence of the universe, will be at rest. Matter will know itself no longer. 'Imperishable monuments' and 'immortal deeds,' death itself, and love stronger than death, will be as though they had never been. Nor will anything that is be better or be worse for all that the labour, genius, devotion, and suffering of man have striven through countless generations to effect.
Arthur Balfour, The Foundations of Belief, eighth edition, pp. 30-31.
”
”
Arthur Balfour
“
To accept what is bitter; acceptance must not be allowed to project itself on to the bitterness and lessen it; otherwise the force and purity of the acceptance are proportionally lessened. For the object of the acceptance is to taste what is bitter, as such, and not anything else. (St. Thomas on the suffering of Christ.)—To say like Ivan Karamazov: nothing can possibly make up for a single tear from a single child. And yet to accept all tears, and the countless horrors which lie beyond tears. To accept these things not simply in so far as they may admit of compensations, but in themselves. To accept that they should exist, simply because they do exist.
To accept that event because it exists, and by this acceptance to love God through and beyond it. To accept that it should exist, because it does exist, what exactly does this mean? Is it not simply to recognize that it is?
When one loves God through and beyond evil as such, it is indeed God whom one loves.
”
”
Simone Weil (The Notebooks of Simone Weil)
“
These pearls are said to be rare, precious and beautiful, yet when I look at them now I see only bloodshed, greed and death. There are many creatures lying dead because of them, from the family of Grath down to countless searats and corsairs. But one touched our own lives deeply, a young Abbeymaid who was friend to us all. Piknim was slain because of these six pearls. Truly they are called the Tears of all Oceans. We have no need for things such as these at Redwall Abbey, life is a far more precious and beautiful thing. I give back to the oceans these six tears, so that they will never cause grief or sorrow to any living creature!
”
”
Brian Jacques (Pearls of Lutra (Redwall, #9))
“
In vain do I stretch out my arms toward her when I awaken in the morning from my weary slumbers. In vain do I seek for her at night in my bed, when some innocent dream has happily deceived me, and placed her near me in the fields, when I have seized her hand and covered it with countless kisses. And when I feel for her in the half confusion of sleep, with the happy sense that she is near, tears flow from my oppressed heart; and, bereft of all comfort, I weep over my future woes.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
Exoneration of Jesus Christ If Christ was in fact God, he knew all the future.
Before Him like a panorama moved the history yet to be. He knew how his words would be interpreted.
He knew what crimes, what horrors, what infamies, would be committed in his name. He knew that the hungry flames of persecution would climb around the limbs of countless martyrs. He knew that thousands and thousands of brave men and women would languish in dungeons in darkness, filled with pain.
He knew that his church would invent and use instruments of torture; that his followers would appeal to whip and fagot, to chain and rack. He saw the horizon of the future lurid with the flames of the auto da fe.
He knew what creeds would spring like poisonous fungi from every text. He saw the ignorant sects waging war against each other.
He saw thousands of men, under the orders of priests, building prisons for their fellow-men. He saw thousands of scaffolds dripping with the best and bravest blood. He saw his followers using the instruments of pain. He heard the groans—saw the faces white with agony.
He heard the shrieks and sobs and cries of all the moaning, martyred multitudes. He knew that commentaries would be written on his words with swords, to be read by the light of fagots. He knew that the Inquisition would be born of the teachings attributed to him. He saw the interpolations and falsehoods that hypocrisy would write and tell. He saw all wars that would be waged, and-he knew that above these fields of death, these dungeons, these rackings, these burnings, these executions, for a thousand years would float the dripping banner of the cross.
He knew that hypocrisy would be robed and crowned—that cruelty and credulity would rule the world; knew that liberty would perish from the earth; knew that popes and kings in his name would enslave the souls and bodies of men; knew that they would persecute and destroy the discoverers, thinkers and inventors; knew that his church would extinguish reason’s holy light and leave the world without a star.
He saw his disciples extinguishing the eyes of men, flaying them alive, cutting out their tongues, searching for all the nerves of pain.
He knew that in his name his followers would trade in human flesh; that cradles would be robbed and women’s breasts unbabed for gold.
And yet he died with voiceless lips.
Why did he fail to speak? Why did he not tell his disciples, and through them the world: “You shall not burn, imprison and torture in my name. You shall not persecute your fellow-men.”
Why did he not plainly say: “I am the Son of God,” or, “I am God”? Why did he not explain the Trinity? Why did he not tell the mode of baptism that was pleasing to him? Why did he not write a creed? Why did he not break the chains of slaves? Why did he not say that the Old Testament was or was not the inspired word of God? Why did he not write the New Testament himself?
Why did he leave his words to ignorance, hypocrisy and chance? Why did he not say something positive, definite and satisfactory about another world? Why did he not turn the tear-stained hope of heaven into the glad knowledge of another life? Why did he not tell us something of the rights of man, of the liberty of hand and brain?
Why did he go dumbly to his death, leaving the world to misery and to doubt?
I will tell you why. He was a man, and did not know.
”
”
Robert G. Ingersoll
“
I am totally lost in the folds of Love,
totally free of worry and care.
I have passed beyond the four qualities.
My heart has torn away the veil of pretense.
There was a time I circled with the nine spheres, rolling with the stars across the sky.
There was a time I stayed by his side—
I lived in his world
and he gave me everything.
With the best of intentions
I became a prisoner in this form.
How else did I get here?
What crime did I commit?
But I’d rather be in a prison with my Friend
than in a rosegarden all alone.
I came to this world
To have a sight of Joseph’s purity.
Like a baby born of its mother’s womb,
I was brought here with blood and tears.
People think they are born only once
But they have been here so many times.
In the cloak of this ragged body
I have walked countless paths.
How many times I have worn out this cloak!
With ascetics in the desert
I watched night turn into day.
With pagans in the temple
I slept at the foot of idols.
I’ve been a charlatan and a king;
I’ve been a healer, and fraught with disease.
I’ve been on my death-bed so many times. . . . Floating up like the clouds
Pouring down like the rain.
As a darvish I sought the dust of annihilation
but it never touched my robe.
So I gathered armfuls of roses
in this faded garden of existence.
I am not of wind nor fire
nor of the stormy seas.
I am not formed out of painted clay.
I am not even Shams-e Tabriz—
I am the essence of laughter,
I am pure light.
Look again if you see me—
It’s not me you have seen!
”
”
Jalal ad-Din Muhammad ar-Rumi (Rumi: In the Arms of the Beloved)
“
Every year in this war and that, even in our own cities, countless children are killed, while those who spray the bullets—or plant the roadside bomb, authorize the use of nerve gas, send the drone with the Hellfire missile that strikes the wrong target—shed not a tear, referring to those tender deceased as mere “collateral damage,” if they acknowledge
”
”
Dean Koontz (The House at the End of the World)
“
Utopia was not the clean slate Tear had imagined, but an evolution. Humanity would have to work for that society, and work hard, dedicating themselves to an unending vigilance against the mistakes of the past. It would take generations, countless generations perhaps, but— “We could get there,” Kelsea murmured. “And even if not, we should always be growing closer.
”
”
Erika Johansen (The Fate of the Tearling (The Queen of the Tearling, #3))
“
People like to make up stories about things they don’t understand, so there are over a thousand myths about the moon. One legend claims that on the surface is everything that was wasted here on Earth: misspent time, squandered wealth, broken vows, unanswered prayers, useless tears, all the leftover bits and pieces of countless shattered lives.
If you believe in that sort of thing.
”
”
Bob Thurber (Paperboy: A Dysfunctional Novel)
“
Oh, I know, I know that heart, it is a wild but noble heart, gentlemen of the jury. It will bow down before your deed, it thirsts for a great act of love, it will catch fire and resurrect forever. There are souls that in their narrowness blame the whole world. But overwhelm such a soul with mercy, give it love, and it will curse what it has done, for there are so many germs of good in it. The soul will expand and behold how merciful God is, and how beautiful and just people are. He will be horrified, he will be overwhelmed with repentance and the countless debt he must henceforth repay. And then he will not say, ‘I am quits,’ but will say, ‘I am guilty before all people and am the least worthy of all people.’ In tears of repentance and burning, suffering tenderness he will exclaim: ‘People are better than I, for they wished not to ruin but to save me!
”
”
Fyodor Dostoevsky (The Brothers Karamazov: A Novel in Four Parts With Epilogue)
“
Kiera blushes deeply as she continues tearfully, “Jeff, our life has been crazy since the moment we met. Yet, with each challenge we face, we grow stronger. You told me before we even had our first formal date that you’d like to prove to me that you’d love me until the stars fall from the sky. Although at first, I was scared to believe, you have demonstrated in big ways and small that you love me. So, for me this ring is a tangible sign of my love for you.”
Gabriel walks over to Kiera and hands her a ring, which she slides on my finger as she asks, “Jeffery Charles Whitaker, will you take this ring as a symbol of my love and faithfulness until the stars fall from the sky?”
To my shock, it is the simple gold band that I’ve seen my dad wear in countless pictures before he died. My eyes tear up as I breathe, “Oh Pip, this is perfect. I wanted him to be here.” In a much louder voice, I reply, “Of course I will.
”
”
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
“
As a stalwart reader of printed books, I’m left to wonder what will happen to the wide, slow silty river of the their history, to the countless volumes waiting now in the abandoned silence of library stacks. Stacks: The word itself connects books to the harvest, to corn and hay. They were always earthbound. Smell the must, feel the brittle, browning pages between your thumb and forefinger. The tears, the cracked spines, the stains and folds. Even if we readers forget them, printed books will hold us in their memory.
”
”
Jane Brox
“
They say everything happens for a reason. I can see the truth within that now. If it was not for all the mishaps, all the drama, all the heartache, all the stress that I have endured within the last six months I would not have the book that I have just published, nor the works for the next two books that I am currently working on. If I would have had my cake to eat it as well I may still be stuck where was six months ago. Or worst I may have a regular job. YIKES!!! But in retrospect everything that has happened to me in the last six month I now take with wisdom and a thankful heart for all of the turbulence within my life, as crazy as that sounds. Sometimes it is when you hit rock bottom that you can begin to reach for the stars and beyond. Today I shed the last of my painful tears and I released myself of the countless disappointments within my heart. I am now totally focused on my path. I have already reached many plateaus to meet my ultimate goal of being an accomplished author. I have tried it many times and now it is my time to shine. I have full knowledge of what to do and how to execute my master plan. Within time my words will ascend to the four corners of the universe and I will be on my way to travel the world and see all the great sites this beautiful planet has to offer.
”
”
Kenneth G. Ortiz
“
Our house stood within a few rods of the Chesapeake Bay, whose broad bosom was ever white with sails from every quarter of the habitable globe. Those beautiful vessels, robed in purest white, so delightful to the eye of freemen, were to me so many shrouded ghosts, to terrify and torment me with thoughts of my wretched condition. I have often, in the deep stillness of a summer's Sabbath, stood all alone upon the lofty banks of that noble bay, and traced, with saddened heart and tearful eye, the countless number of sails moving off to the mighty ocean. The sight of these always affected me powerfully. My thoughts would compel utterance; and there, with no audience but the Almighty,
”
”
Frederick Douglass (Narrative Of The Life Of Frederick Douglass: By Frederick Douglass & Illustrated)
“
Impermanence is also seen in the fact that the end of meeting is separation. Our meetings with each other are like mingling in a dream. Yet we often become so intensely entangled in our relationships that separation of one kind or another becomes the source of overwhelming sorrow. The Buddha gave a striking example of this when he said that in the course of countless lifetimes each one of us has shed more tears over the death of loved ones than all of the water in the great oceans. Although feelings of loss and sorrow are natural for most of us, still, the more we contemplate and accept the truth that all meetings will end in separation, the less likely we will be to drown in those waters.
”
”
Joseph Goldstein (One Dharma: The Emerging Western Buddhism)
“
Hey - Duggie! Duggie! Duggie!" He came running up to me, sparkler in hand. I felt like sticking one on him, the cheeky bastard. Nobody called me Duggie.
He held the sparkler up in front of my face and said, "Wait. Wait."
I was already waiting. What else was there to do?
"Here you are," he said. "Look! What's this?"
At that precise moment, his sparkler fizzled out. I didn't say anything, so he supplied the answer himself. "The death of the socialist dream," he said.
He giggled like a little maniac, and stared at me for a second or two before running off, and in that time I saw exactly the same thing I'd seen in Stubbs's eyes the day before. The same triumphalism, the same excitement, not because something new was being created, but because something was being destroyed. I thought about Phillip and his stupid rock symphony and I swear that my eyes pricked with tears. This ludicrous attempt to squeeze the history of the countless millennia into half an hour's worth of crappy riffs and chord changes suddenly seemed no more Quixotic than all the things my dad and his colleagues had been working towards for so long. A national health service, free to everyone who needed it. Redistribution of wealth through taxation. Equality of opportunity. Beautiful ideas, Dad, noble aspirations, just as there was the kernel of something beautiful in Philip's musical hodge-podge. But it was never going to happen. If there had ever been a time when it might have happened, that time was slipping away. The moment had passed. Goodbye to all that.
Easy to be clever with hindsight, I know, but I was right, wasn't I? Look back on that night from the perspective of now, the closing weeks of the closing century of our second millennium - if the calendar of some esoteric and fast-disappearing religious sect counts for anything any more - and you have to admit that I was right. And so was Benjamin's brother, the little bastard, with his sparkler and his horrible grin and that nasty gleam of incipient victory in his twelve-year-old eyes. Goodbye to all that, he was saying. He'd worked it out already. He knew what the future held in store.
”
”
Jonathan Coe (The Rotters' Club)
“
I had many things to say, I did not have the words to say them. Painfully aware of my limitations, I watched helplessly as language became an obstacle. It became clear that it would be necessary to invent a new language. But how was one to rehabilitate and transform words betrayed and perverted by the enemy? Hunger—thirst—fear—transport—selection—fire—chimney: these words all have intrinsic meaning, but in those times, they meant something else. Writing in my mother tongue—at that point close to extinction—I would pause at every sentence, and start over and over again. I would conjure up other verbs, other images, other silent cries. It still was not right. But what exactly was "it"? "It" was something elusive, darkly shrouded for fear of being usurped, profaned. All the dictionary had to offer seemed meager, pale, lifeless. Was there a way to describe the last journey in sealed cattle cars, the last voyage toward the unknown? Or the discovery of a demented and glacial universe where to be inhuman was human, where disciplined, educated men in uniform came to kill, and innocent children and weary old men came to die? Or the countless separations on a single fiery night, the tear- ing apart of entire families, entire communities? Or, incredibly, the vanishing of a beautiful, well-behaved little Jewish girl with golden hair and a sad smile, murdered with her mother the very night of their arrival? How was one to speak of them without trembling and a heart broken for all eternity?
”
”
Elie Wiesel (Night (The Night Trilogy, #1))
“
Taking her grandfather’s advice, Anna turned her head toward the sky. Clouds were moving in quickly to cover the moon and stars, but for now the stars were so bright they almost blinded her. She stared up into the sky for several minutes and then closed her eyes. Gradually, her thoughts dissolved in the glistening bounty, and Anna felt herself lifted upward, her body nearly weightless. For a fleeting moment, the world around her fell away. As if drawn by a vision, Anna drifted deep into the night, engulfed in a bright gleam. She had no thoughts, no feelings. The tears in her eyes splintered the light into countless separate beams, leading Anna toward a glittering palace of shining rays. Perfect indifference flooded her body. If only this sensation would last forever!
”
”
Catherine Shepherd (Fatal Puzzle (Zons Crime #1))
“
Cheeks reddening, Mia peered at the first boy.
“Your name is Shivs? O, because you carry knives, aye?” She glanced at the younger boy. “You’d be Fleas then?” To the girl. “Let me guess, Worms?”1
“Clever,” said the blonde. And stepping lightly to Mia’s side, she drew back a fist and buried it in Mia’s stomach.
The breath left her lungs with a wet cough as she fell to her knees. Blinking and blinded, Mia clutched her belly, trying not to retch. Astonishment inside her. Astonishment and rage.
Nobody had hit her before.
Nobody haddared.
She’d seen her mother fence wits countless times in the Spine. She’d seen men reduced to stuttering and women driven to tears. And Mia had studied well. But the rules said the aggrieved was supposed to riposte with some barb of their own, not haul off and punch her like some lowborn thug in an alley scra—
“O …,” Mia wheezed. “Right.
”
”
Jay Kristoff (Nevernight (The Nevernight Chronicle, #1))
“
We know that God is everywhere; but certainly we feel His presence most when His works are on the grandest scale spread before us; and it is in the unclouded night-sky, where His worlds wheel their silent course, that we read clearest His infinitude, His omnipotence, His omnipresence. I had risen to my knees to pray for Mr. Rochester. Looking up, I, with tear-dimmed eyes, saw the mighty Milky-way. Remembering what it was—what countless systems there swept space like a soft trace of light—I felt the might and strength of God. Sure was I of His efficiency to save what He had made: convinced I grew that neither earth should perish, nor one of the souls it treasured. I turned my prayer to thanksgiving: the Source of Life was also the Saviour of spirits. Mr. Rochester was safe: he was God’s, and by God would he be guarded. I again nestled to the breast of the hill; and ere long in sleep forgot sorrow.
”
”
Charlotte Brontë (Jane Eyre)
“
Soldiers of the Eastern Front! In countless battles in the year 1941, you not only removed from the Finnish, German, Slovak, Hungarian, and Romanian borders the enemy who was ready to launch an attack, but you also drove him back over a thousand kilometers into his own land. In attempting to bring about a turn of events in the winter of 1941–1942 and to move against us once more, he must and will fail! Yes, on the contrary, in the year 1942, after all the preparations that have been made, we will engage this enemy of mankind anew and do battle with him for as long as it takes to break the destructive will of the Jewish-capitalist and Bolshevik world. Germany will not and cannot be dragged into a new war for its existence or nonexistence by the same criminals every twenty-five years! Europe cannot and will not tear itself to pieces forever, just so that a bunch of Anglo American and Jewish conspirators can find satisfaction for their business machinations in the dissatisfaction of the people.
It is our hope that the blood that is spilled in this war will be the last in Europe for generations. May the Lord help us with this in the coming year!
Address to the Wehrmacht: January 1, 1942
”
”
Adolf Hitler (Collection of Speeches: 1922-1945)
“
You sit and lean against the wall, and look at the beautiful, riddlesome totality. The Summa52 lies before you like a book, and an unspeakable greed seizes you to devour it. Consequently you lean back and stiffen and sit for a long time. You are completely incapable of grasping it. Here and there a light flickers, here and there a fruit falls from high trees which you can grasp, here and there your foot strikes gold. But what is it, ifyou compare it with the totality, which lies spread out tangibly close to you? You stretch out your hand, but it remains hanging in invisible webs. You want to see it exactly as it is but something cloudy and opaque pushes itself exactly in between. You would like to tear a piece out of it; it is smooth and impenetrable like polished steel. So you sink back against the wall, and when you have crawled through all the glow- ing hot crucibles of the Hell of doubt, you sit once more and lean
back, and look at the wonder of the Summa that lies spread out before you. Here and there a light flickers, here and there a fruit falls. For you it is all too little. But you begin to be satisfied with yourself, and you pay no attention to the years passing away. What are years? What is hurrying time to him that sits under a tree? Your time passes like a breath of air and you wait for the next light, the next fruit.
The writing lies before you and always says the same, if you believe in words. But if you believe in things in whose places only words stand, you never come to the end. And yet you must go an endless road, since life flows not only down a finite path but also an infinite one. But the unbounded makes you53 anxious since the unbounded is fearful and your humanity rebels against it. Consequently you seek limits and restraints so that you do not lose yoursel£ tumbling into infinity Restraint becomes imperative for you. You cry out for the word which has one meaning and no other, so that you escape boundless ambiguity. The word becomes your God, since it protects you from the countless possibilities of interpretation. The word is protective magic against the daimons of the unending, which tear at your soul and want to scatter you to the winds. You are saved if you can say at last: that is that and only that. You spealc the magic word, and the limitless is finally banished. Because of that men seek and make words.54
He who breaks the wall ofwords overthrows Gods and defiles temples. The solitary is a murderer. He murders the people, because he thus thinks and thereby breaks down ancient sacred walls. He calls up the daimons of the boundless. And he sits, leans back, and does not hear the groans of mankind, whom the fearful fiery smoke has seized. And yet you cannot find the new words if you do not shatter the old words. But no one should shatter the old words, unless he finds the new word that is a firm rampart against the limitless and grasps more life in it than in the old word. A new word is a new God for old men. Man remains the same, even if you create a new model of God for him. He remains an imitator. What was word, shall become man. The word created the world and came before the world. It lit up like a light in the darkness, and the darkness did not comprehend it.55 And thus the word
should become what the darkness can comprehend, since what use is the light if the darkness does not comprehend it? But your darkness should grasp the light.
The God of words is cold and dead and shines from afar like the moon, mysteriously and inaccessibly: Let the word return to its / creator, to man, and thus the word will be heightened in man. Man should be light, limits, measure. May he be your fruit, for which you longingly reach. The darkness does not compre- hend the word, but rather man; indeed, it seizes him, since he himself is a piece of the darkness. Not from the word down to man, but from the word up to man: that is what the darkness comprehends. The darkness is your mother; she is dangerous.
”
”
C.G. Jung
“
Marry me.” A statement. Not a question. It came again. “Marry. Me.” His eyes burned into
mine. I breathed in, my ears ringing. My pulse sped up, my heart raced, I was trying to remember exactly what breathing meant. I was wet, and I was gasping.
“I want you. I want that, what they had today. I want it all, and I want it with you. I want you, want you to be my wife. I’ve got a ring, I’ll give it to you right now if you’ll say yes.” With every
word, his hands tightened on my hips, desperate, crazy, longing. “I had this all planned out, so much smoother and romantic and everything you deserve. But my head’s been spinning since
yesterday, when I saw my best friend steal a van to go meet his new family. And all I want, all I’ve ever wanted, is exactly that. Exactly you. And when I walked up those stairs, and heard the
shower go on, and knew you were in here all naked and wet and waiting for me, I knew I couldn’t wait another day, another hour, another minute, without asking you to be my wife. So. Marry. Me.”
He knelt. Christ on a crutch, he knelt on the shower floor, where he had knelt countless times before . . . ahem . . . took my hand, and repeated those words
again. Finally, with a question mark at the end. “Marry me?”
And in that moment, I realized all the worrying, all the hand wringing and wonder ponder, all the thoughts about who says what’s right for a couple, and when is it too soon, and when is it the right time, and if it ain’t broke don’t blah blah blah. Fuck all that noise. It wasn’t about what was right for other couples, it was about what was right for us. Simon and me. Because when Wallbanger kneels down and asks you to be his wife, it’s not really something you need to think too long on. Funny thing about getting proposed to in a shower. You can’t tell which is water and which is tears.
”
”
Alice Clayton
“
Twenty years? No kidding: twenty years? It’s hard to believe. Twenty years ago, I was—well, I was much younger. My parents were still alive. Two of my grandchildren had not yet been born, and another one, now in college, was an infant. Twenty years ago I didn’t own a cell phone. I didn’t know what quinoa was and I doubt if I had ever tasted kale. There had recently been a war. Now we refer to that one as the First Gulf War, but back then, mercifully, we didn’t know there would be another. Maybe a lot of us weren’t even thinking about the future then. But I was. And I’m a writer. I wrote The Giver on a big machine that had recently taken the place of my much-loved typewriter, and after I printed the pages, very noisily, I had to tear them apart, one by one, at the perforated edges. (When I referred to it as my computer, someone more knowledgeable pointed out that my machine was not a computer. It was a dedicated word processor. “Oh, okay then,” I said, as if I understood the difference.) As I carefully separated those two hundred or so pages, I glanced again at the words on them. I could see that I had written a complete book. It had all the elements of the seventeen or so books I had written before, the same things students of writing list on school quizzes: characters, plot, setting, tension, climax. (Though I didn’t reply as he had hoped to a student who emailed me some years later with the request “Please list all the similes and metaphors in The Giver,” I’m sure it contained those as well.) I had typed THE END after the intentionally ambiguous final paragraphs. But I was aware that this book was different from the many I had already written. My editor, when I gave him the manuscript, realized the same thing. If I had drawn a cartoon of him reading those pages, it would have had a text balloon over his head. The text would have said, simply: Gulp. But that was twenty years ago. If I had written The Giver this year, there would have been no gulp. Maybe a yawn, at most. Ho-hum. In so many recent dystopian novels (and there are exactly that: so many), societies battle and characters die hideously and whole civilizations crumble. None of that in The Giver. It was introspective. Quiet. Short on action. “Introspective, quiet, and short on action” translates to “tough to film.” Katniss Everdeen gets to kill off countless adolescent competitors in various ways during The Hunger Games; that’s exciting movie fare. It sells popcorn. Jonas, riding a bike and musing about his future? Not so much. Although the film rights to The Giver were snapped up early on, it moved forward in spurts and stops for years, as screenplay after screenplay—none of them by me—was
”
”
Lois Lowry (The Giver (Giver Quartet Book 1))
“
And now, my young Comrades, you must understand one thing: in the year 1919, I took up a struggle which appeared nearly hopeless at the time. An unknown man who undertook to rid a world of resistance, to tear down walls of prejudice. Prejudice at times is worse than divine force.
A man took a stand against all the bearers of public life back then, against the parties, against their press, against the whole system of capitalist fabrication of public opinion. I led this struggle until the final seizure of power.
You must understand one thing: that at this moment I could have only one wish, namely, that if this war is indeed inevitable, that it still be fought during my lifetime, because I am the man who possesses the greatest authority with the German Volk. And moreover, because I believe that based on the experiences of my life, I am the most able to strengthen the nation in this battle and to lead it into this battle. Thus, once I became aware that England was determined to fight this battle, I did not capitulate, but in an instant determined to do everything to prepare Germany to hold its own in this most difficult struggle for its existence. And my appeal to the German nation was not in vain. I labored in these years to build up armament for the German Volk. I subordinated everything to the one thought: how can Germany be made strong? How can its armament be made powerful? I was determined to do nothing by half-measures, but to stake everything on one throw. I knew that this struggle would determine whether Germany will be or will not be.
It is not a question of a system. It is a question of whether these 85 million people, in their national unity, can carry through on their right to life or not.
If yes, then the future of Europe belongs to this Volk. If no, then this Volk shall perish, shall sink back, and it will no longer be worthwhile to live in this Volk.
Faced with this alternative, I was determined to employ all means-down to the last-in this struggle. The nation understood this. Millions of men never spoke of it. Still all thought the same. And throughout this period, nobody ever reproached me for this enormous mobilization of public means for the one goal: national armament. I also wished that, if the hour was to come and come it would, the German soldier should not set out against the enemy as, regrettably, this has been the case far too often in Germany’s past.
This phrase, “the best weapons for the best soldier in the world,” has profound meaning. The best soldier must and will despair once it dawns on him that, in spite of his valor, the effectiveness of his arms does not suffice to force the victory. Therefore, I was determined to do my utmost to secure for us the best arms. And, before German history, I may be faulted on many a thing, but on one topic assuredly not: that I had not done my utmost, what was humanly possible, to prepare the German Volk better for this struggle than, regrettably, it was prepared in the year 1914. In this, I found the support of countless people, men of the state, the Party, and in particular the Wehrmacht. They walked by my side. And thus we were able, in barely seven years, to make the German Wehrmacht once more the world’s best. And, for my person, I have always been convinced that for us Germans there are only two possibilities: either we are no soldiers or we are the world’s best. There is no in-between.
Adolf Hitler - speech at the annual rally of young officer cadets at the Berlin Sportpalast December 18, 1940
”
”
Adolf Hitler (Collection of Speeches: 1922-1945)
“
[comrades] are ashes, entrails, dung, stove smoke, clay, and they’ll all return to clay. They’re full of dirt, candle oil, droppings, dust.
You, O Book, my pure, shining precious, my golden singing promise, my dream, a distant call—
O tender specter, happy chance,
Again I heed the ancient lore,
Again with beauty rare in stance,
You beckon from the distant shore!”
You, Book! You are the only one who won't deceive, won't attack, won't insult, won't abandon! You're quiet--but you laugh, shout, and sing; you're obedient--but you amaze, tease and entice; you're small but you contain countless peoples. Nothing but a handful of letters, that's all, but if you feel like it, you can turn heads, confuse, spin, cloud, make tears spring to the eye, take away the breath, the entire soul will stir in the wind like a canvas, will rise in the waves and flap its wings! Sometimes a kind of wordless feeling tosses and turns in the chest, pounds its fists on the door, the walls: I'm suffocating! Let me out! How can you let that feeling out, all fuzzy and naked? What words ca you dress it in? We don't have any words, we don't know! Just like wild animals, or a blindlie bird, or a mermaid--no words, just a bellowing. But you open a book--and there they are, fabulous, flying words:
O city! O wind! O snowstorms and blizzards!
O azure abyss all raveled and tattered!
Here am I! I'm blameless! I'm with you forever...
...Or there's bile and sadness and bitterness. The emptiness dries your eyes out and you search for the words, and here they are:
But is the world not all alike?
From the Cabbala of Chaldaic signs
Throughout the ages, now and ever more,
To the sky where the even star shines.
The same old wisdom--born of ashes,
And in that wisdom, like our twin,
The face of longing, frailty, fear, and sin,
Stares straight across the ages at us.
”
”
Tatyana Tolstaya (The Slynx)
“
- “Do you know the difference between us and them.... We are awake. We sense the truth: that something is deeply wrong with the world.... Deep down, they know it too. The feeling ebbs and flows. Some events cover it up for a time: you fall in love, you get a new job, you win the game. You think that’s all you needed, that the feeling will go away, but it doesn’t. It returns, again and again. Our species has become exceedingly adept at covering up the feeling. We work ourselves to death. We buy things. We go to parties and ball games. We laugh, shout, and cheer—and worse, we fight, and argue, and say things we don’t mean. Alcohol and drugs quiet the most acute episodes. But we are constantly keeping the beast at bay. Underneath it all, our subconscious is crying out for help. For a solution—a cure for the root problem. We’re all suffering from the same thing.”
- “Which is?”
- “We’ve been told that it’s simply the human condition. But that’s not true. Our problem is really very simple: the world is not as it seems.”
- “Then what is it?”
- “Science gives you one answer. Religious texts offer countless others. But the human population is slowly tiring of those answers. They are starting not to believe. They are awakening—and that awakening will soon tear the world apart. It will be a catastrophe with no equal.
”
”
A.G. Riddle (Genome (The Extinction Files, #2))
“
Neither of us is a starry-eyed idealist. We are both hardened realists with distrust for one another, and that mistrust is shared at the top levels of our respective governments. At the same time, we have seen the destructive consequences of crises in which our countries side with one or another government or movement involved in a competition for power — for example in Yemen, Syria, Lebanon, Bahrain or Iraq. While we each blame the other side for this pattern, we agree that the net result has been costly, has eroded the confidence of the people our governments serve, and has wasted incalculable resources and countless lives that should have been used to build a new Middle East, rather than tear it down.
The time for dialogue is now, because the situations in the historic conflict zones are ripe for diplomacy.
”
”
Hossein Mousavian & Abdulaziz Sager
“
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.
”
”
Carl Safina (Beyond Words: What Animals Think and Feel)
“
I look to the west. The sun is about to set and the whole sky is swirls of pink and orange and red. I’ve seen the sunset countless times, but I’ve never seen the sun when it’s separated from me by nothing more than ocean and a small sliver of land. It looks like it’s dangling above the earth like a floating flame. It’s the first sunset I’ve ever felt this deep in my chest. I feel my eyes begin to tear up at the sheer beauty of it.
”
”
Colleen Hoover (Heart Bones)
“
Like a painter in temperance,
the brush flow with the melody on the canvas kindle light within a cadence heart a reflection of life and death.
Strokes of countless ink a constellation of countless little tears, wide emotions and lengthy death.
In riddance of suicidal emotions embracing serenity tone
”
”
Tapiwanaishe Pamacheche
“
Happy Mother’s Day
From the time of our existence in your womb,
You have done everything under the sun to ensure our happiness.
You have sweated countless sleeves and shed endless drops of tears in silence,
All the selfless sacrifice for the sake of our happiness.
You are our happiness,
All the goodness started from you,
Allowing us to experience the true happiness of having you,
We are happy all that because of you.
Today a happy day to honor you with this special day, Bringing a happy face to greet you,
Thanking you for all the happiness you have provided. We want all the happiness in this world for you too.
”
”
Tina Leung (Happy Mother's Day a Day to Celebrate and Remembrance of You)
“
These hands holding yours on your wedding day are young, strong, and full of love for you, as you promise to love each other today, tomorrow, and forever. These are the hands that will work alongside yours as you build your future together. These are the hands that will passionately love you and cherish you through the years, and with the slightest touch, will comfort you like no other. These are the hands that will hold you when fear or grief fills your mind. These are the hands that will countless times wipe the tears from your eyes, tears of sorrow and tears of joy. These are the hands that will tenderly hold your children, the hands that will join your family as one. These are the hands that will give you strength when you need it, support and encouragement to pursue your dreams, and comfort you through difficult times. And lastly, these are the hands that, even when wrinkled and aged, will still be reaching for yours, still giving you the same unspoken tenderness with just a touch.
”
”
Leigh Fenty (A Christmas Wedding: The Carmichaels)
“
I have heard countless sad stories since. I witnessed people come into the room for their first group with rounded shoulders, crumpled in grief. I have said, “It’s okay,” a thousand times as a griever sniffles and apologizes for their tears. But what I’ve also seen is the shriveled griever straighten and strengthen as they surprise themselves with a resilience they never thought they were capable of.
”
”
Karyn Arnold
“
A single tear rolled down my cheek as I watched the boy who had saved my life on countless occasions finally reap the rewards he so justly deserved.
”
”
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
“
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.… Early afternoon. They were coming to this place, to this tall grass, all along. They will feed here for a while and then, because there’s no water right here, go down to where those egrets are. There’s water there. After they’ve had a good drink, they might make a big loop and come back here again later to feed some more. It will be a one-family-at-a-time choice as the adults decide when to drink and bathe. When elephants are finally ready to make a significant move, everyone points in the same direction. But they do wait until the matriarch decides. “I’ve seen families cued up waiting for half an hour,” comments Vicki, “waiting for the matriarch to signal, ‘Okay.’” And now they go. Makelele, eleven years old, walks with a deep limp. Five years ago he showed up with a broken right rear leg. It must have been agony, and it’s healed at a horrible angle, almost as if his knee faces backward, shaping that leg like the hock on a horse. Yet he is here, surviving with a little help from his friends. “He’s slow,” Vicki acknowledges. “It’s remarkable that he’s managing, but his family seems to wait for him.” Another Amboseli elephant, named Tito, broke a leg when he was a year old, probably from falling into a garbage pit.
”
”
Carl Safina (Beyond Words: What Animals Think and Feel)
“
And so our reunion was like countless others:
the tear of joy were mixed with tears of sorrows, the laughing merging with the weeping. For every one of us who rejoiced at finding a loved one alive, there was someone else who mourned the dead. And those who had survived often had taken the place of someone more worthy who had die.
”
”
Minfong Ho (The Stone Goddess)
“
Countless widows and widowers could tell us with tears in their eyes what it would mean for them to have one more chance to greet, kiss, and hold their spouses again. Since we each have no guarantee of tomorrow, every new day with our spouse is a gift from God for us to cherish and enjoy.
”
”
Alex Kendrick (The Love Dare)
“
Because of the constant media surveillance, I could not venture out to see the countless tributes that mourners laid down in front of the zoo. But all the items were collected and stored safely, and we now display a lovely memorial selection.
The public response to Steve’s death would have overwhelmed him most of all--the kind thoughts, prayers, sympathy, and tears. I wasn’t facing this grief on my own. So many people from around the world were trying to come to terms with it as well. The process seemed particularly difficult for children who had not had the opportunity to experience the circle of life as Bindi had. I felt it was important to get a message out to them. When your hero dies, everything he stood for does not end. Everything he stood for must continue.
”
”
Terri Irwin (Steve & Me)
“
Because of the constant media surveillance, I could not venture out to see the countless tributes that mourners laid down in front of the zoo. But all the items were collected and stored safely, and we now display a lovely memorial selection.
The public response to Steve’s death would have overwhelmed him most of all--the kind thoughts, prayers, sympathy, and tears. I wasn’t facing this grief on my own. So many people from around the world were trying to come to terms with it as well. The process seemed particularly difficult for children who had not had the opportunity to experience the circle of life as Bindi had. I felt it was important to get a message out to them. When your hero dies, everything he stood for does not end. Everything he stood for must continue.
There was never a doubt in my mind that I’d keep working toward stopping the destruction of our environment and wildlife that was spiraling out of control. There were so many triumphs that Steve had already worked so hard for.
I sat down with Wes. “First, we’re going to work on everything Steve wanted to achieve,” I said. “Then we’ll move on to everything that we were collectively working toward. And finally, I want to continue with my own goals, in terms of our conservation work.”
We strategized about the expansion of the zoo. I didn’t want to just maintain the zoo as it was, I wanted to follow Steve’s plans for the future. I felt that I was still having this wonderful, cheeky, competitive relationship with Steve.
Wes and I took the stacks of plans, blueprints, and manila folders from Steve’s desk. I assembled them and laid them out on a conference table.
“This was Steve’s plan for Australia Zoo over the next ten years,” I said. “I want to do it in five.”
We would secure more land. I remember the first two acres we ever bought to enlarge the zoo, how Steve and I sat with our arms around each other, looking at the property next door and dreaming. Now we were negotiating for an additional five hundred acres of forestry land. This tract would join the existing zoo property with the five hundred acres of our conservation property, bringing our total to fifteen hundred acres at Australia Zoo.
This winter we christened Steve’s Whale One, a whale-watching excursion boat that will realize another of his long-held dreams. He always wanted to expand the experience of the zoo to include whales. Steve’s Whale One is a way for people to see firsthand some of the most amazing creatures on earth. The humpbacks in Australian waters approach whale-watching boats with curiosity and openness. It is a delightful experience, and one that I am confident will work to help inspire people and end the inhumane practice of whaling.
”
”
Terri Irwin (Steve & Me)
“
Countless tears. Helplessness. Failure. Failure. Failure. Her broken heart. My empty chest. Thirty-seven
”
”
Aly Martinez (Retrieval (The Retrieval Duet, #1))
“
Mother’s tenderness toward my younger sisters caused more tears to pool in my eyes. I felt too old to be hugged and caressed by her, yet my body yearned for her touch; at least this once. I couldn't recall the last time she had shared the same warmth with me. The countless months of hardship had created an ocean of distance between us. It would be too awkward to hug her now. I sat across from her with tear-stained cheeks, wondering if she could feel my sadness and if she knew I loved her unconditionally.
”
”
Jennifer H. Lau (Beautiful Hero: How We Survived the Khmer Rouge)
“
Your desire for vengeance will cause countless deaths, child,” she said, pointing a crooked finger at Rhylie. “Innocents will be caught up in your maelstrom, their lives torn apart. People you have never met, and will never know will die beneath your shadow if you do not stop. You tear the galaxy asunder with each step you take towards Vorcia.
”
”
Charles Hash (Nascent Decay (The Goddess of Decay Book 1))
“
A Zen master was heartbroken when her son died. At the funeral she cried and cried. Her disciples were surprised. “Didn’t you teach us,” they asked, “that everything is illusion?” She glared at them and said, “If you don’t understand that each tear I shed saves countless sentient beings, you know nothing about Zen.” Are
”
”
Ken I McLeod (Reflections on Silver River: Tokme Zongpo's Thirty-Seven Practices of a Bodhisattva)
“
Walls are more than stone and mortar. They are silent sentinels, their eyes following every movement, their mouths sealed yet harboring countless reminiscences.
They're silent storytellers. They witness hushed secrets and grand pronouncements, absorbing the laughter and tears that reverberate within their confines.
Their textures saying under its breath, of the lives lived within. The worn wallpaper narrating chronicles. The chipped paint flecks capture fleeting moments, and the floor creak with impressions unseen.
The silence of walls holds the weight of history.
A chronicle of lives lived within their embrace.
”
”
Monika Ajay Kaul
“
His soul, filled with ecstasy, thirsted for freedom, space, latitude. Above him wide and boundless keeled the cupola of the heavens, full of quiet, brilliant stars. Doubled from zenith to horizon ran the Milky Way, as yet unclear. The cool night, quiet to the point of fixity, enveloped the earth. The white towers and golden domes of the cathedral sparkled in the sapphire sky. In the flowerbeds luxuriant autumn flowers had fallen asleep until morning. The earth’s silence seemed to fuse with that of the heavens, the earth’s mystery came into contact with that of the stars … Alyosha stood, looked and suddenly cast himself down upon the earth like one who has had the legs cut from under him. Why he embraced it he did not know, he did not try to explain to himself why he so desperately wanted to kiss it, kiss it, all of it, but weeping he kissed it, sobbing and drenching it with his tears, and frenziedly he swore to love it, love it until the end of the ages. ‘Drench the earth with the tears of your joy and love those tears of yours …’ resounded in his soul. What did he weep about? Oh, he wept in his ecstasy even about those stars that shone to him out of the abyss, and ‘was not ashamed of this frenzy’. As though threads from all these countless of God’s worlds had all coincided within his soul at once, and it trembled all over, in ‘the contiguity with other worlds’. He wanted to forgive all creatures for all things and to ask forgiveness, oh, not for himself, but for all persons, all creatures and all things, while ‘others asked the same for me’ – resounded again in his soul. But with each moment that passed he felt plainly and almost palpably that something as firm and unshakeable as this celestial vault was descending into his soul. Something that was almost an idea took mastery of his intellect – and now for the rest of his life and until the end of the ages. A feeble youth had he fallen to the earth, yet now he arose a resolute warrior for the rest of his life and knew and felt this suddenly, at that same moment of his ecstasy. And never, never for all the rest of his life would Alyosha be able to forget that moment. ‘Someone visited my soul in that hour,’ he would say later with resolute faith in his words …
”
”
FYODOR / KOMROFF DOSTOYEVSKY (The Brothers Karamazov)
“
Here is a fact that does not change: the best place to go for information is a library. Even if you’re countless miles from home, dirty and worried, even if your mouth has a copperish tang where you bit your tongue on landing, and you want to scream or pummel your fists into the dirt, or tear down a wall, or kick something, all out of pure fear and frustration. Even if you don’t like to read. Head to the library. They’ll set you straight.
”
”
Grace Curtis (Frontier)
“
Old homes are enigmatical. It is a given that
historic properties always come with countless invisible guests and much that remains hidden. They become alive through the people that reside in them. They breathe, love, and dream much the same way mortals do. Awakening, with every heartbeat
and regretting every tear as they scream in silence. And if we listen carefully, we may be able to understand the meaning of such unexplainable noises. In time, walls deteriorate and their splendour fades. All that remains then is their skeletal structure and soul; the eternal memories of all those who lived and died within. And that is, in essence, what ghosts truly are. Shadows of what we once were, yet somehow refusing or unable to cease in existence. But some things are just not meant to last forever; it
is unnatural.
”
”
Helena B. Scott (Loftus: The Hall of Dreams)
“
A Powerful Woman
Ode to my wonderful Mother
When a powerful woman departs from this world
She leaves behind a great legacy
For real, she rests in eternal peace
Because her entire life was lived not only for herself
But for countless generations to come
When a powerful woman departs from this world
Although her loved ones shed tears
They still look back and appreciate
As they affectionately remember
What she has done for them
When a powerful woman departs from this world
The Mighty hand of God is seen
Through how she ran her race
Under the influence of Divine Grace
Which leads her to the Promised Land
When a powerful woman departs from this world
Her beautiful memories remain
Her wonderful contribution embraced
Her colourful name celebrated
By those whose lives she changed
When a powerful woman departs from this world, no one can dispute that she made her mark
”
”
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
“
I can’t help you,’ the Buddha said. ‘No one can. For countless lives you have wept for loved ones. Your tears could fill the four oceans. But no one can be in a secure, hiding place from suffering. Knowing this, a wise person walks the path of awakening.
”
”
Om Swami (The Big Questions of Life)
“
You don’t have to look far to see evidence that we like to think in threes. According to J.D., “the simplest reason [three accomplishments work so well] is because our brains are trained from early on to think in threes: the beginning, the middle, the end.” For example, “the military uses threes to help people remember survival information: You can go three minutes without air, three days without water, three weeks without food.” When you look around, there are also countless examples of sets of threes embedded everywhere: the three bears, three blind mice, three little pigs, and three musketeers; phrases like “blood, sweat, and tears” and “the good, the bad, and the ugly”; and ideas like gold, silver, and bronze medals, and “life, liberty, and the pursuit of happiness.” Our mind is wired to think in groups of three.
”
”
Chris Bailey (The Productivity Project: Accomplishing More by Managing Your Time, Attention, and Energy)
“
I am clamour. I am avarice. I am not part of this world in front of me. I am not compatible with it. Grass grows upon the sky. Reptiles spend the day in pursuit of the sun. Night belongs to the moon. Wind passes through the rivers. Rain turns ice-cold to fall like shooting stars. But only me…I am crude and simple, confined and trapped in this insignificant form. A great sorrow fermented inside me, but not a single tear ran down my cheek. My weaknesses were on full display. I was the petulant child stamping my feet for attention, a clown putting on a show in the hope that someone would watch. But no one did. Nature turned a deaf ear to tantrum. I’ve spoken before…lamented many times my loneliness. I’ve also spoken of the many kinds of loneliness experienced by countless numbers of people. But the more I say about this, the more embarrassed I feel. I stand alone on the earth, unable to bring the show to an end.
”
”
Li Juan
“
Don’t turn your back on me as you have turned it on the world!” Raistlin snarled. “Turn my back on the world …” the historian repeated softly and slowly, his head moving to face the mage. “Turn my back on the world!” Emotion rarely marred the surface of Astinus’s cold voice, but now anger struck the placid calm of his soul like a rock hurled into still water. “I? Turn my back on the world?” Astinus’s voice rolled around the library as the thunder had rolled previously. “I am the world, as you well know, old friend! Countless times I have been born! Countless deaths I have died! Every tear shed—mine have flowed! Every drop of blood spilled—mine has drained! Every agony, every joy ever felt has been mine to share! “I sit with my hand on the Sphere of Time, the sphere you made for me, old friend, and I travel the length and breadth of this world chronicling its history. I have committed the blackest deeds! I have made the noblest sacrifices. I am human, elf, and ogre. I am male and female. I have borne children. I have murdered children. I saw you as you were. I see you as you are. If I seem cold and unfeeling, it is because that is how I survive without losing my sanity! My passion goes into my words. Those who read my books know what it is to have lived in any time, in any body that ever walked this world!
”
”
Margaret Weis (Dragons of Spring Dawning (Dragonlance: Chronicles, #3))
“
Think of St. Paul’s tears when he was in prison: for three years, night and day, he did not stop weeping. What fountain can you compare to those tears? The one in Paradise, that waters the entire earth? But this font of tears watered souls, not earth. If some artist were to show us St. Paul bathed in tears and groaning, wouldn’t that be far better to see than a choir of countless singers, all gaily crowned?… With these tears the Church is watered; with these tears souls are planted; with these tears any fire, no matter how fero cious, is quenched…. Christ said, “Blessed are they who mourn, and blessed are they that weep, for they shall laugh.” Nothing is sweeter than these tears; they are sweeter than any laughter…. So tears are not painful. In fact, tears that flow from pious sorrow are better than tears from worldly pleasures and disasters…. For where is a pious tear not useful? In prayers? In exhortations? We give tears an ill name, by not using them the way they were given us to be used.
”
”
John Chrysostom
“
Women should occupy their time with things that suit their sex; cooking, cleaning, knitting, and beauty tips. Countless are those times when a woman is denounced for doing something for the mere reason that it is not for the ladies to do; says who? I got no memo detailing who does what and why.
”
”
Fatima Mohammed (Tear the Veil 1: 19 Extraordinary Visionaries Help Other Women Break their Silence by Sharing their Stories and Reclaiming their Legacy!)
“
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man
”
”
Carl Safina (Beyond Words: What Animals Think and Feel)
“
It won’t be long now.”
Such an odd old holy man, young Scytale thought. Even compared to the smells of disinfectant, medicine, and sickness, he’d always had an odd smell about him.
Sounding compassionate, Yueh said, “There isn’t much we can do.”
Gasping for air, old Scytale croaked out, “A Tleilaxu Master should not be so weak and decrepit. It is . . . unseemly.”
His youthful counterpart tried again to trigger the flow of memories, to squeeze them into his brain by sheer force of will, as he had attempted to do countless times before. The essential past must be in there somewhere, buried deep. But he felt no tickle of possibilities, no glimmer of success. What if they are not there at all? What if something had gone terribly wrong? His pulse pounded as the panic began to rise. Not much time. Never enough time.
He tried to cut off the thought. The body provided a wealth of cellular material. They could create more Scytale gholas, try again and again if necessary. But if his own memories had failed to resurface, why should an identical ghola have any better luck without the guidance of the original?
I am the only one who knew the Master so intimately.
He wanted to shake Yueh, demand to know how he had managed to remember his past. Tears were in full flow now, falling onto the old man’s hand, but Scytale knew they were inadequate. His father’s chest spasmed in an almost imperceptible death rattle. The life-support equipment hummed with more intensity, and the instrument readings fluctuated.
“He’s slipped into a coma,” Yueh reported.
The Rabbi nodded. Like an executioner announcing his plans, he said, “Too weak. He’s going to die now.”
Scytale’s heart sank. “He has given up on me.” His father would never know if he succeeded now; he would perish wondering and worrying. The last great calamity in a long line of disasters that had befallen the Tleilaxu race.
He gripped the old man’s hand. So cold, too cold. He felt the life ebbing. I have failed!
As if felled by a stunner, Scytale dropped to his knees at the bedside. In his crashing despair, he knew with absolute certainly that he could never resurrect the recalcitrant memories. Not alone. Lost! Forever lost! Everything that comprised the great Tleilaxu race. He could not bear the magnitude of this disaster. The reality of his defeat sliced like shattered glass into his heart.
Abruptly, the Tleilaxu youth felt something changing inside, followed by an explosion between his temples. He cried out from the excruciating pain. At first he thought he was dying himself, but instead of being swallowed in blackness, he felt new thoughts burning like wildfire across his consciousness. Memories streamed past in a blur, but Scytale locked onto each one, absorbing it again and reprocessing it into the synapses of his brain. The precious memories returned to where they had always belonged.
His father’s death had opened the barriers. At last Scytale retrieved what he was supposed to know, the critical data bank of a Tleilaxu Master, all the ancient secrets of his race.
Instilled with pride and a new sense of dignity, he rose to his feet. Wiping away warm tears, he looked down at the discarded copy of himself on the bed. It was nothing more than a withered husk. He no longer needed that old man.
”
”
Brian Herbert (Sandworms of Dune (Dune, #8))
“
Certainly, money is not everything;
but, in this hard world, who needs everything?
Just enough to wipe tears of self-pity
is all dreamed of by the countless needy.
”
”
Rodolfo Martin Vitangcol, The Pink Poetry
“
The reason is simple: these things happened. They happened countless times, just like this. The oceans are salt with our tears. No one can deny that these things happened. And so there is no choice in the matter. They cannot escape the wheel of birth and death,
”
”
Kim Stanley Robinson (The Years of Rice and Salt)
“
A Powerful Woman
When a powerful woman departs from this world
She leaves behind a great legacy
Because her entire life was lived not only for herself
But for countless generations to come
When a powerful woman departs from this world
Although her loved ones shed tears
They still look back and appreciate
As they affectionately remember
What she has done for them
When a powerful woman departs from this world
Indeed, the Mighty hand of God is seen
Through how she ran her race
As she walks by faith
And marches towards the Promised Land
When a powerful woman departs from this world
Her beautiful memories remain
Her wonderful contribution embraced
Her colourful name celebrated
By those whose lives she changed
When a powerful woman departs from this world, no one can dispute that she made her mark
”
”
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
“
A Powerful Woman
Ode to my wonderful Mother
When a powerful woman departs from this world
She leaves behind a great legacy
Because her entire life was lived not only for herself
But for countless generations to come
When a powerful woman departs from this world
Although her loved ones shed tears
They still look back and appreciate
As they affectionately remember
What she has done for them
When a powerful woman departs from this world
Indeed, the Mighty hand of God is seen
Through how she ran her race
As she walks by faith
And marches towards the Promised Land
When a powerful woman departs from this world
Her beautiful memories remain
Her wonderful contribution embraced
Her colourful name celebrated
By those whose lives she changed
When a powerful woman departs from this world, no one can dispute that she made her mark
”
”
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
“
Life had taught me that it is possible that things, ideas, concepts, and feelings can mean the opposite of what might seem apparent. It was possible for people to be the opposite of what they claimed. It was possible for 'home' to signify 'exile' and vice versa. Laughter may be tears in disguise. Revolutions could be about oppressive powers pulling the carpet from under the feet of other oppressors. Climbing to the top might not really mean 'going up,' it could in fact be a harsh form of falling; reaching the pinnacle of fame, surrounded by camera flashes has led to the demise of countless souls on this planet. In brief, it was possible that everything we are told and taught is the opposite of what we think, or that it might be outright false.
”
”
Louis Yako (Bullets in Envelopes: Iraqi Academics in Exile)
“
Janner propped himself on one elbow and rubbed his eyes. In the faint light he could see Tink asleep with his head on Podo’s leg and Leeli curled up beside Nia with her backpack cuddled to her chest the way she used to hold Nugget. Janner crept from the tent. The clearing was soft with dewy mist. Chunks of rubble rose out of the fog like gravestones, but the effect wasn’t unpleasant. He had been awake for many sunrises before, but never so close to the cliffs that he could watch the fiery ball lift itself from the sea. He walked through wet grass and sat with his feet dangling over the cliff. The Dark Sea of Darkness wasn’t dark at all at this hour. Feathery clouds at the edge of the world glowed orange and savage yellow. Birds wheeled in the bright air far below. Janner thought of his life only weeks ago, in the dregs of summer, when hay needed baling, the hogpig needed feeding, the garden needed weeding, and life was boring. So much had happened to the Janner he used to be. His life had been in danger countless times. More tears had been shed in these last weeks than in his whole life before.
”
”
Andrew Peterson (North! or Be Eaten)
“
If all ministers said: Bear the evils of this life; your Father in heaven counts your tears; the time will come when pain and death and grief will be forgotten words; I should have listened with the rest. What else does the minister say to the poor people who have answered the chimes of your bell? He says: "The smallest sin deserves eternal pain." "A vast majority of men are doomed to suffer the wrath of God forever." He fills the present with fear and the future with fire. He has heaven for the few, hell for the many. He describes a little grass-grown path that leads to heaven, where travelers are "few and far between," and a great highway worn with countless feet that leads to everlasting death. Such Sabbaths are immoral. Such ministers are the real savages. Gladly would I abolish such a Sabbath. Gladly would I turn it into a holiday, a day of rest and peace, a day to get acquainted with your wife and children, a day to exchange civilities with your neighbors; and gladly would I see the church in which such sermons are preached changed to a place of entertainment. Gladly would I have the echoes of orthodox sermons—the owls and bats among the rafters, the snakes in crevices and corners—driven out by the glorious music of Wagner and Beethoven. Gladly would I see the Sunday school where the doctrine of eternal fire is taught, changed to a happy dance upon the village green. Music refines. The doctrine of eternal punishment degrades. Science civilizes. Superstition looks longingly back to savagery.
”
”
Robert G. Ingersoll (The Essential Works of Robert G. Ingersoll)
“
The world was two, like your breasts
The world was also three, like your eyes
The world was countless, like your thoughts
I was alone, like the tang of your tear
I was alone, like the lone mole on your forehead
I remained alone
Despite living in a world that was countless.
- Geet Chaturvedi,
Translated by Anita Gopalan
”
”
Geet Chaturvedi (The Memory of Now (Chapbook, 26))
“
Alice suddenly found herself examining the birdbath as if it was a tide pool along the shore whose depths held countless creatures instead of just algae and bird droppings. Admiring the sunset instead might have been a wiser decision, as then she could at least attempt to blink away the tears forming in her eyes.
”
”
Jean-Luke Swanepoel (The Thing About Alice)
“
The older people who experienced and still remember the terrible times of repression say that the soil around Karaganda is soaked with the tears and blood of countless innocent persons. Once the late Russian Orthodox Patriarch of Moscow, Alexij, when visiting Karaganda, said that the area of Karaganda can symbolically be described as an “antimension”—a kind of “corporal” in the Byzantine Rite, in which are sewn the relics of martyrs.
”
”
Athanasius Schneider (Christus Vincit: Christ's Triumph Over the Darkness of the Age)
“
There are so many things I don’t know how to do. Countless flaws. Configurations of words that elude me all the time. But I’d give my entire life if only to know what to say in this moment. […] I fail me as I always do. […] I nod mutely as tears wet my hand.
”
”
Mary H.K. Choi (Permanent Record)
“
THE NEXT DAY WAS RAIN-SOAKED and smelled of thick sweet caramel, warm coconut and ginger. A nearby bakery fanned its daily offerings. A lapis lazuli sky was blanketed by gunmetal gray clouds as it wept crocodile tears across the parched Los Angeles landscape.
When Ivy was a child and she overheard adults talking about their break-ups, in her young feeble-formed mind, she imagined it in the most literal of essences. She once heard her mother speaking of her break up with an emotionally unavailable man.
She said they broke up on 69th Street. Ivy visualized her mother and that man breaking into countless fragments, like a spilled box of jigsaw pieces. And she imagined them shattered in broken shards, being blown down the pavement of 69th Street.
For some reason, on the drive home from Marcel’s apartment that next morning, all Ivy could think about was her mother and that faceless man in broken pieces, perhaps some aspects of them still stuck in cracks and crevices of the sidewalk, mistaken as grit.
She couldn’t get the image of Marcel having his seizure out of her mind. It left a burning sensation in the center of her chest. An incessant flame torched her lungs, chest, and even the back door of her tongue.
Witnessing someone you cared about experiencing a seizure was one of those things that scribed itself indelibly on the canvas of your mind. It was gut-wrenching. Graphic and out-of-body, it was the stuff that post traumatic stress syndrome was made of.
”
”
Brandi L. Bates (Remains To Be Seen)
“
Why read on? Why pick up their book from the far wall where it has been thrown away in disgust and pain, and read on? Why submit to such cruelty, such bad karma, such bad plotting?
The reason is simple: these things happened. They happened countless times, just like this. The oceans are salt with our tears. No one can deny that these things happened.
And so there is no choice in the matter. They cannot escape the wheel of birth and death, not in the experience of it, or in the contemplation of it afterwards; and their anthologist, Old Red Ink himself, must tell their stories honestly, must deal in reality, or else the stories mean nothing. And it is crucial that the stories mean something.
”
”
Kim Stanley Robinson (The Years of Rice and Salt)
“
The grave was over grown now. Once there would have always been the vivid smells and colours of fresh flowers and the corridors of the cemetery would have echoed with the sounds of tears and heartache; once this child and his death had been the focal point for generations of lives, had shaped the fate and fortune of countless people, and traumatised the entire village. Now there was only Sergio, and the once flawless statue of an angel, now stained and weathered, green moss growing across half his face. Sergio smiled and patted the statue’s head.
‘Ahhh. My little boy,’ he said, smiling wistfully. ‘I remember you when there was not a mark on you. It’s a shame we all have to get old… Even statues of angels…
”
”
Leonardo Donofrio (The Killing of Bruno Rossi - Old Country Part Two)