Cotton Gin Quotes

Some colored people so scared of whitefolks they claim to love the cotton gin.

Whitney had carefully kept the cotton gin under wraps while he applied for a patent, but he made a tactical error when he allowed women to have a look at it,

the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country.

I love children say Sofia. But all the colored women that say they love yours is lying. They don't love Reynolds Stanley any more than I do. But if you so badly raise as to ast 'em, what you expect them to say? Some colored people so scared of whitefolks they claim to love the cotton gin.

Tinkerers built America. Benjamin Franklin, Thomas Edison, Henry Ford, all were tinkerers in their childhood. Everything from the airplane to the computer started in somebody's garage. Go back even further: the Industrial Revolution was a revolution of tinkerers. The great scientific thinkers of eighteenth-century England couldn't have been less interested in cotton spinning and weaving. Why would you be? It was left to a bloke on the shop floor who happened to glance at a one-thread wheel that had toppled over and noticed that both the wheel and the spindle were still turning. So James Hargreaves invented the spinning jenny, and there followed other artful gins and mules and frames and looms, and Britain and the world were transformed. By tinkerers rather than thinkerers. "Technological change came from tinkerers," wrote Professor J.R. McNeill of Georgetown, "people with little or no scientific education but with plenty of hands-on experience." John Ratzenberger likes to paraphrase a Stanford University study: "Engineers who are great in physics and calculus but can't think in new ways about old objects are doomed to think in old ways about new objects." That's the lesson of the spinning jenny: an old object fell over and someone looked at it in a new way.

Quite a few inventions do conform to this commonsense view of necessity as invention’s mother. In 1942, in the middle of World War II, the U.S. government set up the Manhattan Project with the explicit goal of inventing the technology required to build an atomic bomb before Nazi Germany could do so. That project succeeded in three years, at a cost of $2 billion (equivalent to over $20 billion today). Other instances are Eli Whitney’s 1794 invention of his cotton gin to replace laborious hand cleaning of cotton grown in the U.S. South, and James Watt’s 1769 invention of his steam engine to solve the problem of pumping water out of British coal mines. These familiar examples deceive us into assuming that other major inventions were also responses to perceived needs. In fact, many or most inventions were developed by people driven by curiosity or by a love of tinkering, in the absence of any initial demand for the product they had in mind.

there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die. The sight of Beanie’s mother howling at her son’s coffin would haunt them all in the next few days. Next week, or next month some time, some other mother would take her place, howling her grief. And another after that. They saw the future, too, she could tell. It would continue forever. It was all so very grim. But then, she thought, every once in a while there’s a glimmer of hope. Just a blip on the horizon, a whack on the nose of the giant that set him back on his heels or to the canvas,

Yet what bothers Maher most is a less tangible harm: the insult of seeing the clothes his company makes sell for prices that show just how little they are valued. 'Generation Z and millennials are really demanding ethical products,' he said. 'But when you buy a fast-fashion T-shirt for four dollars, or two dollars, you never ask, 'How could this have landed in Berlin or London or Montreal for this price? How does the cotton get grown, ginned, spun, woven, dyed, printed, sewn, packed, shipped, all for four dollars?' You've never realized how many lives you are touching, all because your payment doesn't pay for their wages.

Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And

The cotton gin meant bigger cotton yields and the iron tools to harvest it, iron horseshoes for the horses tugging the wagons with iron rims and parts that took it to market. More slaves and the iron to hold them. The crop birthed communities, requiring nails and braces for houses, the tools to build the houses, roads to connect them, and more iron to keep it all running. Let his father keep his disdain and his spirit, too. The two men were parts of the same system, serving a nation rising to its destiny.

Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.

The cotton gin made it possible to grow medium- and short-staple cotton commercially, which led to the spread of the cotton plantation from a small coastal area to most of the South. As cotton planting expanded, so did slavery, and slavery’s becoming the central institution of the Southern economy was the central precondition of the Civil War. What

Edison’s famous “invention” of the incandescent light bulb on the night of October 21, 1879, improved on many other incandescent light bulbs patented by other inventors between 1841 and 1878. Similarly, the Wright brothers’ manned powered airplane was preceded by the manned unpowered gliders of Otto Lilienthal and the unmanned powered airplane of Samuel Langley; Samuel Morse’s telegraph was preceded by those of Joseph Henry, William Cooke, and Charles Wheatstone; and Eli Whitney’s gin for cleaning short-staple (inland) cotton extended gins that had been cleaning long-staple (Sea Island) cotton for thousands of years.

Too late to cry, Miss Eleanor Jane, say Sofia. All us can do now is laugh. Look at him, she say. And she do laugh. He can't even walk and already he in my house messing it up. Did I ast him to com? Do I care whether he sweet or not? Will it make any difference in the way he grow up to treat me what I think? You just don't like him cause he look like daddy, say Miss Eleanor Jane. *You* don't like him cause he look like daddy, say Sofia. I don't feel nothing about him at all. I don't love him, I don't hate him. I just wish he couldn't run loose all the time messing up folks stuff. All the time! All the time! say Miss Eleanor Jane. Sofia, he just a baby. Not even a year old. He only been here five or six times. I feel like he been here forever, say Sofia. I just don't understand, say Miss Eleanor Jane. All the other colored women I know love children. The way you feel is something unnatural. I love children, say Sofia. But all the colored women that say they love yours is lying. They don't love Reynolds Stanley any more than I do. But if you so badly raise as to ast 'em, what you expect them to say? Some colored people so scared of whitefolks they claim to love the cotton gin.

Broadening or burrowing to the moon's phases, turbid with pulverized wastemantle, on through flatter, duller, hotter, cotton-gin country it scours, approaching the tidal mark where it puts off majesty, disintegrates, and through swamps of a delta, punting-pole, fowling-piece, oyster-tongs country, wearies to its final act of surrender, effacement, atonement in a huge amorphous aggregate no cuddled attractive child ever dreams of, non-country, image of death as a spherical dew-drop of life. Unlovely monsters, our tales believe, can be translated too, even as water, the selfless mother of all especials.

the treaties, the agreements between these intruders and the people, all of which would be broken, and the land that would be taken—and taken again. There was the Treaty of Savannah in 1733. The Treaty of Coweta in 1739. The Treaty of Augusta in 1763. Ten years later, a second treaty in that same place. The Treaty of New York in 1790, and the realization that our land would be fertile for short-staple cotton, and after this, there came an invention by a man named Eli Whitney. Think of him, a man stewing in the juice of mediocrity, the blankness of his legacy breathing down his neck, tinkering with his rude invention. Or did a slave invent the gin, as some have said?

1860 there had risen in West Dougherty perhaps the richest slave kingdom the modern world ever knew. A hundred and fifty barons commanded the labor of nearly six thousand Negroes, held sway over farms with ninety thousand acres tilled land, valued even in times of cheap soil at three millions of dollars. Twenty thousand bales of ginned cotton went yearly to England, New and Old; and men that came there bankrupt made money and grew rich. In a single decade the cotton output increased four-fold and the value of lands was tripled. It was the heyday of the nouveau riche, and a life of careless extravagance among the masters. Four and six bobtailed thoroughbreds rolled their coaches to town; open hospitality and gay entertainment were the rule. Parks and groves were laid out, rich with flower and vine, and in the midst stood the low wide-halled “big house,” with its porch and columns and great fireplaces. And yet with all this there was something sordid, something forced,—a certain feverish unrest and recklessness; for was not all this show and tinsel built upon a groan? “This land was a little Hell,” said a ragged, brown, and grave-faced man to me. We were seated near a roadside blacksmith shop, and behind was the bare ruin of some master’s home. “I’ve seen niggers drop dead in the furrow, but they were kicked aside, and the plough never

Modern Mississippi reverberates with human history. Shotgun shacks and silver metal cotton gins go the way of the lowly mule, sexless beast of burden replaced by soulless progress tractor, strip mining the black dirt in parallel lines of row crop conformity, bending the rhythm of the land to the stubborn will of corporate agriculture, evil grandchild of the plantation.

Social norms have changed. New technologies—the cotton gin, the automobile, the airplane—always alter human civilization, and not always for the better. Yes, some of the more deleterious effects of the Internet will probably flatten out over time, but by then our youth, maybe even our lives, will have been squandered.

The effect of the cotton gin was exponential. It enabled greater production and simultaneously increased the need for slaves. When the legal African slave trade expired in 1808, the price of slaves already in the United States went up, making the interstate trafficking of slaves much more profitable. In 1790 “a thousand tons of cotton were being produced every year in the South. By 1860, it was a million tons. In the same period, 500,000 slaves grew to 4 million.”35 The increased demand for slaves pushed up their price. Prices varied depending on the location, age, sex, and condition of slaves, but they always went up. In 1835 an unskilled male field hand could be purchased for about $450. But by the 1850s, a field hand, especially a strong healthy one, could fetch up to $1600 at auction.

With his skill in manufacturing and fame as inventor of the cotton gin, he received an initial order for ten thousand muskets for $134,000 from the U.S. government. His long-awaited fortune eventually came from guns. In doing so, Whitney set the stage for the Connecticut River Valley to become a leader in arms manufacturing, a competitive advantage for the North that poetically would be felt by South Carolina and Georgia decades later.

Knowledge work is where agricultural work was at the dawn of the industrial economy. Then, the machines of the industrial economy, like the steam shovel and cotton gin, automated manual work. Now, the software of the information economy, from ATMs to self-driving cars and the AI able to make medical diagnosis, is automating knowledge work.

and after a Natchez slave fabricated an improved cotton gin based upon a description by his owner, who had seen Eli Whitney’s invention, many planters

The slave driver reported him to the overseer, who ordered a hundred lashes for Smith. When the driver brought Smith to the cotton gin house for his beating, he demanded to know why the man prayed. He even offered to stop beating Smith if he would promise not to pray again. Smith refused the man’s offer and took his whipping. The next night he ran away, but the tracking dogs quickly found him, and the search party dragged him back to the plantation. He

Aren't we constantly discovering how mistaken some of our cherished beliefs were? That is what progress is. We learn continually to cast aside outgrown notions and adopt wiser and better ones.

A football is not pigskin. It’s made of cowhide. A baseball is not horsehide. It’s also made of cowhide. When Juliet asks, “Wherefore art thou, Romeo?”, she’s not asking where he is, but rather, in the meaning of the time, why he is doing what he’s doing. Bone china actually does contain bone. Calcified animal-bone ash adds to the durability of the product. Henry Ford is thought to be the innovator of mass production, but just before 1800, Eli Whitney, of cotton gin fame, found a way to manufacture muskets by machine, producing interchangeable parts. Bix Beiderbecke, the renowned jazz musician, did not play the trumpet. His instrument was the cornet. Lucrezia Borgia was not the wicked murderess she is reputed to have been. Her major fault, according to Bergen Evans, was “an insipid, almost bovine, good nature.” Contrary to much popular usage, hoi polloi does not refer to the elite; rather, it means the common people. Natural gas, the kind used for heating and cooking in the home, is odorless. Odiferous additives are put in to give the gas a recognizable smell as a measure to alert people to gas leaks. Muhammad Ali did not win the heavyweight gold medal at the 1960 Rome Olympics. His gold in 1960 was in the light heavyweight category. The heavyweight gold went to Franco De Piccoli of Italy. Sacrilegious means violating or profaning anything sacred. In spite of its frequent mispronunciation, the word is not related to religion or religious.

What the house kept us, we kept. The buttonhooks, the cotton gin advertisement, the letters, the filthy lady's glove, gnarled and frozen in a claw, all of it were framed under glass, in shadow boxes, displayed in the parlor by the guest book. We even managed to save the silvery gilt of wallpaper and the peacock frieze we found like a gift under the brown and orange daisy paper in the hallway. Lost objects in a house are like memories tucked in the gray folds of our brains. They will resurface. Eventually, they will come back.

But the innovation that would most transform the subcontinent—and its economic relationship to the rest of the world—did not involve separating the seeds from their fibers; every society that domesticated cotton for textile use ultimately developed some kind of mechanical gin. What made Indian cotton unique was not the threads themselves, but rather their color. Making cotton fiber receptive to vibrant dyes like madder, henna, or turmeric was less a matter of inventing mechanical contraptions as it was dreaming up chemistry experiments. The waxy cellulose of the cotton fiber naturally repels vegetable dyes. (Only the deep blue of indigo—which itself takes its name from the Indus Valley where it was first employed as a dye—affixes itself to cotton without additional catalysts.) The process of transforming cotton into a fabric that can be dyed with shades other than indigo is known as “animalizing” the fiber, presumably because so much of it involves excretions from ordinary farm animals. First, dyers would bleach the fiber with sour milk; then they attacked it with a range of protein-heavy substances: goat urine, camel dung, blood. Metallic salts were then combined with the dyes to create a mordant that permeated the core of the fiber. The result was a fabric that could both display brilliant patterns of color and retain that color after multiple washings.

The same pattern of movements may be performed by a swarm of fireflies, a flock of birds, a number of toy balloons or perhaps a flight of aeroplanes; the same machine, a bicycle or a cotton gin, a lathe, a telephone exchange or an adding machine, can be constructed from a large variety of materials and yet remains the same kind of machine within which elements of different individual properties will perform the same functionsyIn the same sense the peculiar properties of the elementary neural events which are the terms of the mental order have nothing to do with that order itself. What we have called physical properties of those events are those properties which will appear if they are placed in a variety of experimental relations to different other kinds of events. The mental properties are those which they possess only as a part of the particular structure and which may be largely independent of the former. It is at least conceivable that the particular kind of order which we call mind might be built up from anyone of several kinds of different elements — electrical, chemical, or what not; all that is required is that by the simple relationship of being able to evoke each other in a certain order they correspond to the structure which we call mind.

For example, the Defender source noted that the cotton gin where the men got the fan was called the Progressive Ginning Company, located nearly three and a half miles from the town of Cleveland, in Bolivar County. Huie named

It was already an age of scientific wonders that promised to reshape economies and boost productivity. From the first steam engine that James Watt built in Great Britain in the 1760s to the hot-air balloons that floated across French skies in the 1780s to Eli Whitney’s invention of the cotton gin and the use of interchangeable parts in the 1790s, it was a time of technological marvels. No industry was being transformed more dramatically than British textiles. Sir Richard Arkwright had devised a machine called the water frame that used the power of rushing water to spin many threads simultaneously. By the time Hamilton was sworn in as treasury secretary, Arkwright’s mills on the Clyde in Scotland employed more than 1,300 hands.

They decided to kill the boy and throw the body in the Tallahatchie River. What Milam needed most was a weight. There was a cotton gin nearby where they had just brought in some new equipment, and he remembered some workers carrying out the old gin fan, about three feet long: the perfect anchor. They drove over to the cotton gin and found the fan. By then it was daylight and Milam boasted to Huie, for the first time, that he was a little nervous. “Somebody might see us and accuse us of stealing the fan,” he said. Then he and Bryant took Till to a deserted bank of the Tallahatchie. Milam made the boy strip naked. “You still as good as I am?” “Yeah,” Till answered. At that point, Milam shot him in the head with the .45. Then they wired him to the gin fan, which weighed seventy-four pounds, and they tossed the body in the Tallahatchie River.

Then the God and Goddess of the River Thames made their presence known. The force of them rolled in like a wave and a confusion of images and smells. Coal smoke and brick dust, cardamom and ginger, damp straw and warm hops, pub piano, wet cotton and sloe gin, tonic water and rose petals, sweat and blood. The waiting onlookers went down on their knees around us, the showmen slowly with respect, the tourists with looks of utter surprise.