Cotton Field Quotes

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I am, somehow, less interested in the weight and convolutions of Einstein’s brain than in the near certainty that people of equal talent have lived and died in cotton fields and sweatshops.
Stephen Jay Gould (The Panda's Thumb: More Reflections in Natural History)
Negroes Sweet and docile, Meek, humble, and kind: Beware the day They change their minds! Wind In the cotton fields, Gentle breeze: Beware the hour It uproots trees!
Langston Hughes
Let me also say I wanna make you sandwhiches, And soup, And peanut butter cookies, Though, the truth is peanutbutter is actually really bad for you 'cause they grow peanuts in old cotton fields to clean the toxins out of the soil, But hey, you like peanutbutter and I like you!
Andrea Gibson
I wish they'd had electric guitars in cotton fields back in the good old days. A whole lot of things would've been straightened out.
Jimi Hendrix
There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind...
Ben Hecht
I am somehow less interested in the weight and convolutions of Einstein's brain than in the near certainty that people of equal talent have lived and died in cotton fields and seeatshops
Stephen Jay Gould
I am, somehow, less interested in the weight and convolutions of Einstein’s brain than in the near certainty that people of equal talent have lived and died in cotton fields and sweatshops,” reflected the late writer Stephen Jay Gould.
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
She walks barefoot into the humid night, moonlight on her freckled shoulders. Near a huge, live oak tree on the edge of her father's cotton fields, Sidda looks up into the sky. In the crook of the crescent moon sits the Holy Lady, with strong muscles and a merciful heart. She kicks her splendid legs like the moon is her swing and the sky, her front porch. She waves down at Sidda like she has just spotted an old buddy. Sidda stands in the moonlight and lets the Blessed Mother love every hair on her six-year-old head. Tenderness flows down from the moon and up from the earth. For one fleeting, luminous moment, Sidda Walker knows there has never been a time when she has not been loved.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
Because the students were needed in the fields from early spring when the cotton was planted until after most of the cotton had been picked in the fall, the school adjusted its terms accordingly, beginning in October and dismissing in March.
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
You're thinking of revolution as a great all-or-nothing. I think of it as one more morning in a muggy cotton field, checking the undersides of leaves to see what's been there, figuring out what to do that won't clear a path for worse problems next week. Right now that's what I do. You ask why I'm not afraid of loving and losing, and that's my answer. Wars and elections are both too big and too small to matter in the long run. The daily work--that goes on, it adds up. It goes into the ground, into crops, into children's bellies and their bright eyes. Good things don't get lost. Codi, here's what I've decided: the very least you can do in you life is to figure out what you hope for. And the most you can do is live inside that hope. Not admire it from a distance but live right in it, under its roof. What I want is so simple I almost can't say it: elementary kindness. Enough to eat, enough to go around. The possibility that kids might one day grow up to be neither the destroyer nor the destroyed.
Barbara Kingsolver (Animal Dreams)
He lifts her white cotton skirt, revealing another hour. His hand. His hands. The syllables inside them. O father, O foreshadow, press into her — as the field shreds itself with cricket cries. Show me how ruin makes a home out of  hip bones. O mother, O minutehand, teach me how to hold a man the way thirst holds water. Let every river envy our mouths. Let every kiss hit the body like a season. Where apples thunder the earth with red hooves. & I am your son.
Ocean Vuong (Night Sky with Exit Wounds)
The most common theory points to the fact that men are stronger than women and that they have used their greater physical power to force women into submission. A more subtle version of this claim argues that their strength allows men to monopolize tasks that demand hard manual labor, such as plowing and harvesting. This gives them control of food production, which in turn translates into political clout. There are two problems with this emphasis on muscle power. First, the statement that men are stronger is true only on average and only with regard to certain types of strength. Women are generally more resistant to hunger, disease, and fatigue than men. There are also many women who can run faster and lift heavier weights than many men. Furthermore, and most problematically for this theory, women have, throughout history, mainly been excluded from jobs that required little physical effort, such as the priesthood, law, and politics, while engaging in hard manual labor in the fields....and in the household. If social power were divided in direct relation to physical strength or stamina, women should have got far more of it. Even more importantly, there simply is no direct relation between physical strength and social power among humans. People in their sixties usually exercise power over people in their twenties, even though twenty-somethings are much stronger than their elders. ...Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labor. Another theory explains that masculine dominance results not from strength but from aggression. Millions of years of evolution have made men far more violent than women. Women can match men as far as hatred, greed, and abuse are concern, but when push comes to shove…men are more willing to engage in raw physical violence. This is why, throughout history, warfare has been a masculine prerogative. In times of war, men’s control of the armed forces has made them the masters of civilian society too. They then use their control of civilian society to fight more and more wars. …Recent studies of the hormonal and cognitive systems of men and women strengthen the assumption that men indeed have more aggressive and violent tendencies and are…on average, better suited to serve as common soldiers. Yet, granted that the common soldiers are all men, does it follow that the ones managing the war and enjoying its fruits must also be men? That makes no sense. It’s like assuming that because all the slaves cultivating cotton fields are all Black, plantation owners will be Black as well. Just as an all-Black workforce might be controlled by an all-White management, why couldn’t an all-male soldiery be controlled by an all-female government?
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I was on the verge of tears, so I turned and ran past the trailer and along the field road until I was safely out of their sight. Then I ducked into the cotton and waited for friendly voices. I sat on the hot ground, surrounded by stalks four feet tall, and I cried, something I really hated to do.
John Grisham (A Painted House)
the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country.
James McBride (Deacon King Kong)
Brothers and sisters, I am here to tell you that I charge the white man. I charge the white man with being the greatest murderer on earth. I charge the white man with being the greatest kidnapper on earth. There is no place in this world that this man can go and say he created peace and harmony. Everywhere he's gone, he's created havoc. Everywhere he's gone, he's created destruction. So I charge him. I charge him with being the greates kidnapper on this earth! I charge him with being the greatest murderer on this earth! I charge him with being the greatest robber and enslaver on this earth! I charge the white man with being the greatest swine-eater on this earth. The greatest drunkard on this earth! He can't deny the charges! You can't deny the charges! We're the living proof *of* those charges! You and I are the proof. You're not an American, you are the victim of America. You didn't have a choice coming over here. He didn't say, "Black man, black woman, come on over and help me build America". He said, "N(i)gger, get down in the bottom of that boat and I'm taking you over there to help me build America". Being born here does not make you an American. I am not an American, you are not an American. You are one of the 22 million black people who are the *victims* of America. You and I, we've never see any democracy. We didn't see any... democracy on the-the cotton fields of Georgia, wasn't no democracy down there. We didn't see any democracy. We didn't see any democracy on the streets of Harlem or on the streets of Brooklyn or on the streets of Detroit or Chicago. Ain't no democracy down there. No, we've never seem democracy! All we've seen is hypocrisy! We don't see any American Dream. We've experienced only the American Nightmare!
Malcolm X
He was staring off across the long broad fields, raising his eyes above the red clay soil to the horizon, looking across the fiery-red plains of Hell with its endless gauntlet of dead-brown imps---the cotton, the cotton, cotton, cotton---closing his eyes to them and seeing only the horizon and its towering ranks of derricks. Steel giants, snorting and chuckling amongst themselves; sneering wonderingly at the cotton and the bent-backed pigmies admist it. Huffing and puffing and belching up gold.
Jim Thompson (Cropper's Cabin)
we’ll speak about two young men who found much happiness for a few weeks and lived the remainder of their lives dipping cotton swabs into that bowl of happiness, fearing they’d use it up, without daring to drink more than a thimbleful on ritual anniversaries.” But this thing that almost never was still beckons, I wanted to tell him. They can never undo it, never unwrite it, never unlive it, or relive it—it’s just stuck there like a vision of fireflies on a summer field toward evening that keeps saying, You could have had this instead. But going back is false. Moving ahead is false. Looking the other way is false. Trying to redress all that is false turns out to be just as false.
André Aciman (Call Me by Your Name)
Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms. It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.
Margaret Mitchell (Gone with the Wind)
The Dr. Nuts seemed only as an acid gurgling down into his intestine. He filled with gas, the sealed valve trapping it just as one pinches the mouth of a balloon. Great eructations rose from his throat and bounced upward toward the refuse-laden bowl of the milk glass chandelier. Once a person was asked to step into this brutal century, anything could happen. Everywhere there lurked pitfalls like Abelman, the insipid Crusaders for Moorish Dignity, the Mancuso cretin, Dorian Greene, newspaper reporters, stripteasers, birds, photography, juvenile delinquents, Nazi pornographers. And especially Myrna Minkoff. The musky minx must be dealt with. Somehow. Someday. She must pay. Whatever happened, he must attend to her even if the revenge took years and he had to stalk her through decades from one coffee shop to another, from one folksinging orgy to another, from subway train to pad to cotton field to demonstration. Ignatius invoked an elaborate Elizabethan curse upon Myrna and, rolling over, frantically abused the glove once more.
John Kennedy Toole (A Confederacy of Dunces)
I returned to a field of cotton, hallowed ground — as slave legend goes — each boll holding the ghosts of generations: those who measured their days by the heft of sacks and lengths of rows, whose sweat flecked the cotton plants still sewn into our clothes.
Natasha Trethewey (Native Guard: Poems)
on a bike ride through the Surrey Lanes, pedalling in my cotton dress through the hot fields blushing with poppies, freewheeling down a sudden dip into a cool wooded sanctum.
Chris Cleave (Little Bee)
Southern law enforcement people were even worse: the descendants of the paddyrollers and overseers who’d made their living grinding her kind into fertilizer in the cotton fields of slavery.
Barbara Neely (Blanche on the Lam (Blanche White, #1))
I am, somehow, less interested in the weight and convolutions of Einstein’s brain than in the near certainty that people of equal talent have lived and died in cotton fields and sweatshops,
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
The cotton was open and spilling into the fields; the very air smelled of it. In field after field as he passed along the pickers, arrested in stooping attitudes, seemed fixed amid the constant surf of bursting bolls like piles in surf, the long, partly-filled sacks streaming away behind them like rigid frozen flags. The air was hot, vivid and breathless--a final fierce concentration of the doomed and dying summer.
William Faulkner (The Hamlet (The Snopes Trilogy, #1))
I don't expect everyone to feel the same way that I do about land. For so many of us, the scars are still too fresh. Fields of cotton stretching to the horizon - land worked, sweated, and suffered over for the profit of others - probably don't engender warm feelings among most black people. But the land, in spite of its history, still holds hope for making good on the promises we thought it could, especially if we can reconnect to it. The reparations lie not in what someone will give us, but in what we already own. The land can grow crops for us as well as it does for others. It can yield loblolly pine and white oak for us as it has for others. And it can nurture wildlife and the spirit for us, just like it has for others.
J. Drew Lanham (The Home Place: Memoirs of a Colored Man's Love Affair with Nature)
Justify my soul, O God, but also from Your fountains fill my will with fire. Shine in my mind, although perhaps this means “be darkness to my experience,” but occupy my heart with Your tremendous Life. Let my eyes see nothing in the world but Your glory, and let my hands touch nothing that is not for Your service. Let my tongue taste no bread that does not strengthen me to praise Your great mercy. I will hear Your voice and I will hear all harmonies You have created, singing Your hymns. Sheep’s wool and cotton from the field shall warm me enough that I may live in Your service; I will give the rest to Your poor. Let me use all things for one sole reason: to find my joy in giving You glory. Therefore keep me, above all things, from sin. Keep me from the death of deadly sin which puts hell in my soul. Keep me from the murder of lust that blinds and poisons my heart. Keep me from the sins that eat a man’s flesh with irresistible fire until he is devoured. Keep me from loving money in which is hatred, from avarice and ambition that suffocate my life. Keep me from the dead works of vanity and the thankless labor in which artists destroy themselves for pride and money and reputation, and saints are smothered under the avalanche of their own importunate zeal. Stanch in me the rank wound of covetousness and the hungers that exhaust my nature with their bleeding. Stamp out the serpent envy that stings love with poison and kills all joy. Untie my hands and deliver my heart from sloth. Set me free from the laziness that goes about disguised as activity when activity is not required of me, and from the cowardice that does what is not demanded, in order to escape sacrifice. But give me the strength that waits upon You in silence and peace. Give me humility in which alone is rest, and deliver me from pride which is the heaviest of burdens. And possess my whole heart and soul with the simplicity of love. Occupy my whole life with the one thought and the one desire of love, that I may love not for the sake of merit, not for the sake of perfection, not for the sake of virtue, not for the sake of sanctity, but for You alone. For there is only one thing that can satisfy love and reward it, and that is You alone.
Thomas Merton (New Seeds of Contemplation)
How does someone keep a chicken inside a fence? I had closed my eyes at that one, picturing Cocky running off into the cotton fields, and me, standing at the edge of the fence, hollering the rooster’s name like a crazy woman.
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
East Texas is red dirt – not red, in sober truth, but the orange of rust, which it basically is, ferrous oxide – and magnolias and azaleas and dogwoods, old fields long since cottoned-out, far from the Mississippi River bottomlands that were ‘rich as six feet up a bull’s ass’: a land of hogs and hominy, and a tangled, grim past of slavery and segregation. It could as easily be the country as far eastwards of the Mississippi as it is west: it would fit all too readily into the area between Brandon and Meridian, Mississippi, hard by the Bienville National Forest.
Markham Shaw Pyle
am, somehow, less interested in the weight and convolutions of Einstein’s brain than in the near certainty that people of equal talent have lived and died in cotton fields and sweatshops,” reflected the late writer Stephen Jay Gould.
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
But he was so young then that later he was only able to remember fragments of what happened next: the lull of the morning fields, the springy cotton flanks of the sheep, the suddenness of the tumble down the deep hole in which he would spend the night, alone, gazing up at the puzzled sheep, and hours later, Mother Vera's thoughtful, dawn-lit face hovering over the mouth of the hole.
Téa Obreht (The Tiger's Wife)
The evening city lay decrepit and silent under an incessantly seething pink sky. A sky that hung overhead like a field of bloody cotton candy, bisected by the lightning of constantly raging storms. Every once in a while thunder rolled through the streets, shaking the buildings. This was life after the last Black Rain.
Costi Gurgu (Pink Corrosion (Corrosion #2))
Those faces on Main Street shaded by wide straw hats are surrounded in my child-memory by hardware and ploughs, seed bags and bales of cotton, the smell of guano and mule lots, hot sun on sidewalks and lovely white ladies with sweet childlike voices and smooth childlike faces, and Old gardens of boxwood and camellias, and fields endlessly curving around my small world. I know now that the bitterness, the cruel sensual lips, the quick fears in hard eyes, the sashshaying buttocks of brown girls, the thin childish voices of white women, had a great deal to do with high interest at the bank and low wages in the mills and gullied fields and lynchings and Ku Klux Klan and segregation and sacred womanhood and revivals, and Prohibition. And that no part of this memory can be understood without recalling it all of it.
Lillian E. Smith
Their revered minister John Cotton had instructed them that they could attack the natives “without provocation”—a procedure normally unlawful—because they had not only a natural right to their territory, but “a special Commission from God” to take their land.19 Already there were signs of the exceptionalist thinking that would in the future often characterize American politics.
Karen Armstrong (Fields of Blood: Religion and the History of Violence)
I frowned, staring into the eerie blackness along Route 33 truckers always complained about. It is odd how we rarely encounter true darkness. Somewhere, there is always light; a house, a town, headlights. Not here. Just total and complete darkness. I had been on the night run for months, long enough to get accustomed to total darkness if not entirely comfortable with it. What concerned me was the silence. I'd often had to pull over and take a pee along that godforsaken beltway. There were crickets rubbing their legs together in the cotton and wheat, grasshoppers jumping through the corn stalks, and June bugs flittering above the fields. Occasionally while relieving myself I'd even hear a lone armadillo burrowing. Tonight, however, I heard nothing. Less than nothing. Always there existed a strangeness here the truckers talked about, but tonight something had inexplicably hushed the sounds of night and made it stranger. The silence itself was dead; the kind of silence you get high up in the mountains when it snows, hushing the entire world beneath a white blanket. The blanket along Damnation Road was black, and it felt…unnatural." - NIGHT RUN - Bobby Underwood
Bobby Underwood (Night Run)
there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die. The sight of Beanie’s mother howling at her son’s coffin would haunt them all in the next few days. Next week, or next month some time, some other mother would take her place, howling her grief. And another after that. They saw the future, too, she could tell. It would continue forever. It was all so very grim. But then, she thought, every once in a while there’s a glimmer of hope. Just a blip on the horizon, a whack on the nose of the giant that set him back on his heels or to the canvas,
James McBride (Deacon King Kong)
Our living quarters were in the same compound as the Eastern District administration. Government offices were mostly housed in large mansions which had been confiscated from Kuomintang officials and wealthy landlords. All government employees, even senior officials, lived at their office. They were not allowed to cook at home, and all ate in canteens. The canteen was also where everyone got their boiled water, which was fetched in thermos flasks. Saturday was the only day married couples were allowed to spend together. Among officials, the euphemism for making love was 'spending a Saturday." Gradually, this regimented life-style relaxed a bit and married couples were able to spend more time together, but almost all still lived and spent most of their time in their office compounds. My mother's department ran a very broad field of activities, including primary education, health, entertainment, and sounding out public opinion. At the age of twenty-two, my mother was in charge of all these activities for about a quarter of a million people. She was so busy we hardly ever saw her. The government wanted to establish a monopoly (known as 'unified purchasing and marketing') over trade in the basic commodities grain, cotton, edible o'fi, and meat. The idea was to get the peasants to sell these exclusively to the government, which would then ration them out to the urban population and to parts of the country where they were in short supply.
Jung Chang (Wild Swans: Three Daughters of China)
Never did I learn to think in terms of The Niggers. When I grew up, and I did grow up with black people, they were Calpurnia, Zeebo the garbage collector, Tom the yard man, and whatever else their names were. There were hundreds of Negroes surrounding me, they were the hands in the fields, who chopped the cotton, who worked the roads, who sawed the lumber to make our houses. They were poor, they were diseased and dirty, some were lazy and shiftless but never in my life was I given the idea that I should despise one, should fear one, should be discourteous to one, or think that I could mistreat one and get away with it.They as a people did not enter my world, nor did I enter theirs: when I went hunting I did not trespass on a Negro's land, not because it was a Negro's, but because I was not supposed to trespass on anybody's land. I was taught never to take advantage of anybody who was less fortunate than myself, whether he be less fortunate in brains, wealth, or social position; it meant anybody, not just Negroes. I was given to understand that the reverse was to be despised. That is the way I was raised, by a black woman and a white man.
Harper Lee (Go Set a Watchman)
Have you forgotten me? by Nancy B. Brewer The bricks I laid or the stitches I sewed. I was the one that made the quilt; a drop of blood still shows from my needle prick. Your wedding day in lace and satin, in a dress once worn by me. I loaned your newborn baby my christening gown, a hint of lavender still preserved. Do you know our cause, the battles we won and the battles we lost? When our soldiers marched home did you shout hooray! Or shed a tear for the fallen sons. What of the fields we plowed, the cotton, the tobacco and the okra, too. There was always room at my table for one more, Fried chicken, apple pie, biscuits and sweet ice tea. A time or two you may have heard our stories politely told. Some of us are famous, recorded on the pages of history. Still, most of us left this world without glory or acknowledgment. We were the first to walk the streets you now call home, Perhaps you have visited my grave and flowers left, but did you hear me cry out to you? Listen, my child, to the voices of your ancestors. Take pride in our accomplishments; find your strength in our suffering. For WE are not just voices in the wind, WE are a living part of YOU!
Nancy B. Brewer (Beyond Sandy Ridge)
They were Amy and Jeff Carruthers and they rode south out of Bristol, gravel chattering under the upswept fenders. After a while the man said suddenly, “Whats it like?” Amy glanced out at the fields. “Cotton. Everywhere nothing but cotton.
Shelby Foote (Love in a Dry Season)
Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And
James McBride (Deacon King Kong)
At fourteen he runs away. He will not see again the freezing kitchenhouse in the predawn dark. The firewood, the washpots. He wanders west as far as Memphis, a solitary migrant upon that flat and pastoral landscape. Blacks in the fields, lank and stooped, their fingers spiderlike among the bolls of cotton. A shadowed agony in the garden. Against the sun's declining figures moving in the slower dusk across a paper skyline. A lone dark husbandman pursuing mule and harrow down the rainblown bottomland toward night.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
I am, somehow, less interested in the weight and convolutions of Einstein’s brain than in the near certainty that people of equal talent have lived and died in cotton fields and sweatshops,” reflected the late writer Stephen Jay Gould. A deepening class divide makes social mobility all but impossible. The result is a de facto caste system. This is not only morally wrong but also tremendously wasteful. Denying access to opportunity for large segments of the population means throwing away vast reserves of talent and brainpower. It’s also been shown to dampen economic growth.
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.
James McBride (Deacon King Kong)
Sprays of blue and purple wildflowers grew along the bank, and as she ran past them Ella marked their beauty, thinking what a strange thing it was for her to notice them in such detail at this moment. She did not know who ran in front of her or behind her, but she was aware that the dirt had blackened and hardened, and she discovered that she ran through the first rows of a cotton field, the bolls exploding in white puffs all around here. There were more gunshots behind her, and she wanted to drop to her knees and take shelter, but the field was open and the cotton plants low, and there was nowhere else to go.
Wiley Cash (The Last Ballad)
Even more importantly, there simply is no direct relation between physical strength and social power among humans. People in their sixties usually exercise power over people in their twenties, even though twenty-somethings are much stronger than their elders. The typical plantation owner in Alabama in the mid-nineteenth century could have been wrestled to the ground in seconds by any of the slaves cultivating his cotton fields. Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In organized crime, the big boss is not necessarily the strongest man. He is often an older man who very rarely uses his own fists; he gets younger and fitter men to do the dirty jobs for him. A guy who thinks that the way to take over the syndicate is to beat up the don is unlikely to live long enough to learn from his mistake. Even among chimpanzees, the alpha male wins his position by building a stable coalition with other males and females, not through mindless violence. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labor. This may reflect homo sapiens position in the food chain. If all that counted were raw physical abilities, sapiens would have found themselves on a middle rung of the ladder. But their mental and social skills placed them at the top. It is therefore only natural that the chain of power within the species will also be determined by mental and social abilities more than by brute force. It is therefore hard to believe that the most influential and most stable social hierarchy in history is founded on men's ability to physically coerce women.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
It was a savagely red land, blood-coloured after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seemed to wait with age-old patience, to threaten with soft sights: "Be careful! Be careful! We had you once. We can take you back again.
Margaret Mitchell (Gone with the Wind)
Justify my soul, O God, but also from Your fountains fill my will with fire. Shine in my mind, although perhaps this means “be darkness to my experience,” but occupy my heart with Your tremendous Life. Let my eyes see nothing in the world but Your glory, and let my hands touch nothing that is not for Your service. Let my tongue taste no bread that does not strengthen me to praise Your great mercy. I will hear Your voice and I will hear all harmonies You have created, singing Your hymns. Sheep’s wool and cotton from the field shall warm me enough that I may live in Your service; I will give the rest to Your poor. Let me use all things for one sole reason: to find my joy in giving You glory.
Thomas Merton (New Seeds of Contemplation)
When it came to treating her citizens of African descent fairly, America failed. She put them in chains. The government put them in slave quarters, put them on auction blocks, put them in cotton fields, put them in inferior schools, put them in substandard housing, put them in scientific experiments, put them in the lowest paying jobs, put them outside the equal protection of the law, kept them out of their racist bastions of higher education, and locked them into positions of hopelessness and helplessness. The government gives them the drugs, builds bigger prisons, passes a three-strike law, and then wants us to sing “God Bless America.” No, no, no. Not God bless America! God damn America!
Nikole Hannah-Jones (The 1619 Project: A New Origin Story)
So what you’re really saying is you’ll come only when you think you’ll be too old to care. When my kids have left. Or when I’m a grandfather. I can just see us—and on that evening, we’ll sit together and drink a strong eau-de-vie, like the grappa your father used to serve at night sometimes.” “And like the old men who sat around the piazzetta facing the Piave memorial, we’ll speak about two young men who found much happiness for a few weeks and lived the remainder of their lives dipping cotton swabs into that bowl of happiness, fearing they’d use it up, without daring to drink more than a thimbleful on ritual anniversaries.” But this thing that almost never was still beckons, I wanted to tell him. They can never undo it, never unwrite it, never unlive it, or relive it—it’s just stuck there like a vision of fireflies on a summer field toward evening that keeps saying, You could have had this instead. But going back is false. Moving ahead is false. Looking the other way is false. Trying to redress all that is false turns out to be just as false. Their life is like a garbled echo buried for all time in a sealed Mithraic chamber. Silence.
André Aciman (Call Me by Your Name)
She loved the smell of old truck; thick cotton and vinyl seat covers, old gasoline and oil, the smell of country, decades of farmers, workers and families taking trips back and forth to town, up backroads to swimming holes, over fields, through all the weather. She imagined what this truck would have seen if it had eyes and a memory. She was about to become one more episode in its existence.
Glenda Love
Across the South, someone was hanged or burned alive every four days from 1889 to 1929, according to the 1933 book The Tragedy of Lynching, for such alleged crimes as “stealing hogs, horse-stealing, poisoning mules, jumping labor contract, suspected of killing cattle, boastful remarks” or “trying to act like a white person.”18 Sixty-six were killed after being accused of “insult to a white person.”19 One was killed for stealing seventy-five cents.20 Like the cotton growing in the field, violence had become so much a part of the landscape that “perhaps most of the southern black population had witnessed a lynching in their own communities or knew people who had,” wrote the historian Herbert Shapiro.21 “All blacks lived with the reality that no black individual was completely safe from lynching.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
MAN AS “NIGGER”? In the early years of the women’s movement, an article in Psychology Today called “Women as Nigger” quickly led to feminist activists (myself included) making parallels between the oppression of women and blacks.29 Men were characterized as the oppressors, the “master,” the “slaveholders.” Black congresswoman Shirley Chisholm’s statement that she faced far more discrimination as a woman than as a black was widely quoted. The parallel allowed the hard-earned rights of the civil rights movement to be applied to women. The parallels themselves had more than a germ of truth. But what none of us realized was how each sex was the other’s slave in different ways and therefore neither sex was the other’s “nigger” (“nigger” implies a one-sided oppressiveness). If “masculists” had made such a comparison, they would have had every bit as strong a case as feminists. The comparison is useful because it is not until we understand how men were also women’s servants that we get a clear picture of the sexual division of labor and therefore the fallacy of comparing either sex to “nigger.” For starters . . . Blacks were forced, via slavery, to risk their lives in cotton fields so that whites might benefit economically while blacks died prematurely. Men were forced, via the draft, to risk their lives on battlefields so that everyone else might benefit economically while men died prematurely. The disproportionate numbers of blacks and males in war increases both blacks’ and males’ likelihood of experiencing posttraumatic stress, of becoming killers in postwar civilian life as well, and of dying earlier. Both slaves and men died to make the world safe for freedom—someone else’s.
Warren Farrell (The Myth of Male Power)
Only yesterday an express train tore up a whole flock of sheep not far from here, over forty dead animals, flung through the air like cotton-wool balls, the good shepherd fallen asleep drunk somewhere, the dog in the field alone, not a hope. Now the shepherd has to bear joint responsibility for the whole loss, or don't you think he bears a responsibility, dear television audience, write and let us know what you think, it's your views that count.
Elfriede Jelinek (Greed)
That was Sea Island cotton the slaver had ordered for his rows, but scattered among the seeds were those of violence and death, and that crop grew fast. The whites were right to be afraid. One day the system would collapse in blood. An insurrection of one. She smiled for a moment, before the facts of her latest cell reasserted themselves. Scrabbling in the walls like a rat. Whether in the fields or underground or in an attic room, America remained her warden.
Colson Whitehead (The Underground Railroad)
And I could not see them, not from this height, but I knew they were out there, hundreds of Persons Bound to Labor too small to be seen, lost in among the long white lines of cotton. For a second or two I stared out into those distant fields, stared at the fact that when this was over, once I talked to that driver and he pointed me to the next place I had to go, I would walk out of here, and those people I could not seen but knew to be suffering, they all would be here forever.
Ben H. Winters (Underground Airlines)
Do those of you in like Chicago or NYC ever notice how commuters on the train tend to get all quiet and intense when South Side or South Bronx starts to flow past? If you look closely at the faces, you see it’s not depression, not even discomfort; it’s a kind of rigid fascination with the beauty of ruins in which people live but look or love nothing like you, a horizonful of numbly complex vistas in slab-gray and spraypaint-red. Hieroglyphs on walls, people on stoops, hoops w/o nets. White people have always loved to gaze at the ‘real black world,’ preferably at a distance and while moving briskly through, toward business. A view from this remove yields easy abstractions about rap in its role as just the latest ‘black’ music. Like: the less real power a people have, the more they’ll assert hegemony in areas that don’t much matter in any grand scheme. A way to rule in hell: their own vocabulary, syntax, gestures, music, dance; own food; religious rhetoric; social and party customs; that…well-known athletic superiority—the foot-speed, vertical leap—we like them in fields, cotton- or ball-. It’s a Hell we like to look at because it has so clearly been made someone else’s very own….And the exported popular arts! The singing and dancing!…each innovation, new Scene, and genius born of a ‘suffering’ we somehow long to imagine, even as we co-opt, overpay, homogenize, make the best of that suffering song go to stud for our own pale performers.
David Foster Wallace (Signifying Rappers: Rap and Race in the Urban Present)
Cobb was in a Klan group back in the 60's, and told me stories about how they used to throw live 'coons, possums, porcupines, or ganders into Black houses at night in attempts to run them out of Johnston and Harnett County. Cobb said that late one night, he and three or four other local rednecks snuck up on the house of one Black family, peered through the window and saw a huge Black woman sitting in front of a TV watching Gunsmoke, with a gang of children all around her. The window was open and Cobb threw a live possum in her lap. Cobb said she squalled about the loudest and longest he'd ever heard, and jumped about four feet up in the air. Cobb then ran and jumped into a nearby ditch to observe what would happen next, and it wasn't long before they saw the Black woman bust out of the back door and run across a cotton field with a trail of children behind. Cobb said she was as wide as three rows of cotton, but fast and agile. She outran all the young'uns.
Frazier Glenn Miller (A White Man Speaks Out)
People did not tell the truth or speak with any sincerity, and when they allowed themselves to be plain-spoken, they went to the other extreme and became insulting and offensive. Men and women became the pitiful representatives of an unattractive age. Although the guns were silenced and peace had apparently enveloped the earth, there was no quietude. Dance mania was the new fever, and the air was poisoned by the braying of the saxophone, the whine of love songs, and the stamping rhythm of the cotton-fields.
Daphne du Maurier (Gerald: A Portrait)
Every year several million people are killed quite pointlessly by epidemics and other natural catastrophes. And we should shrink from sacrificing a few hundred thousand for the most promising experiment in history? Not to mention the legions of those who die of under-nourishment and tuberculosis in coal and quicksilver mines, rice-fields and cotton plantations. No one takes any notice of them; nobody asks why or what for; but if here we shoot a few thousand objectively harmful people, the humanitarians all over the world foam at the mouth. Yes, we liquidated the parasitic part of the peasantry and let it die of starvation. It was a surgical operation which had to be done once and for all; but in the good old days before the Revolution just as many died in any dry year—only senselessly and pointlessly. The victims of the Yellow River floods in China amount sometimes to hundreds of thousands. Nature is generous in her senseless experiments on mankind. Why should mankind not have the right to experiment on itself?
Arthur Koestler (Darkness at Noon)
We do our part,” Ridgeway said, “slave and slave catcher. Master and colored boss. The new arrivals streaming into the harbors and the politicians and sheriffs and newspapermen and the mothers raising strong sons. People like you and your mother are the best of your race. The weak of your tribe have been weeded out, they die in the slave ships, die of our European pox, in the fields working our cotton and indigo. You need to be strong to survive the labor and to make us greater. We fatten hogs, not because it pleases us but because we need hogs to survive. But we can’t have you too clever. We can’t have you so fit you outrun us.
Colson Whitehead (The Underground Railroad)
And I could not see them, not from this height, but I knew they were out there, hundreds of Persons Bound to Labor too small to be seen, lost in among the long white lines of cotton. For a second or two I stared out into those distant fields, stared at the fact that when this was over, once I talked to that driver and he pointed me to the next place I had to go, I would walk out of here, and those people I could not seen but knew to be suffering, they all would be here forever. What do you do with that fact? Do you hold it like a stone in your hand? Pitch it away from this great height and watch it fall? Do you swallow it and feel it in your throat till the day you die?
Ben H. Winters (Underground Airlines)
the cotton fields and strawberry patches of a much harsher world whose tragedies and daily burdens had blunted her temperament and quelled her emotions. But its most immediate impact on this teenage girl was not the lack of a demure coquettishness that otherwise might have defined her had she grown up in better circumstances; it was the visible evidence of the hardship of her journey. This was not a pom-pom-waving homecoming queen or a varsity athlete who had toned her body in a local gym. My mother never complained, but it was her struggles that had visibly shaped her shoulders, grown her biceps, and crusted her palms—while in a less visible way narrowing her view of her own long-term horizons. Decades later, when I was in my forties, I suppressed a defensive anger as I watched my mother sit quietly in an expansive waterfront Florida living room while a well-bred woman her age described the supposedly difficult impact of the Great Depression on her family. As the woman told it, the crash on Wall Street and the failed economy had made it necessary for them to ship their car by rail from New York to Florida when they headed south for the winter. Who could predict, she reasoned, whether there would be food or gasoline if their driver had to refuel and dine in the remote and hostile environs of small-town Georgia? My mother merely smiled and nodded, as
James Webb (I Heard My Country Calling: A Memoir)
Speaking of… I gotta go. I need to be at the field.” His voice rumbled through his chest and against my ear as he spoke. I sighed and stepped out of his arms. I was sad that our couple days together were over and I would be here tonight without him. Classes started tomorrow, and I knew we were going to see a lot less of each other now that the semester was starting. “I’ll walk you out,” I said and followed him to the door. Ivy was still digging through my clothes and called out a good-bye. “Just stay inside,” he said, palming the handle. “It’s cold and slippery out there. You’ll be safer in here.” I grimaced. “You’re probably right.” He grinned. “I’ll call you later, ‘kay?” I nodded. He released the door handle and closed the distance between us with one step. The toes of his shoes bumped against my boots and the front of his jacket brushed against me. My stomach fluttered and my heart rate doubled. The effect he had on me was nothing short of amazing. I tipped my head back so I could look up into his eyes, and the corner of his mouth lifted. He looked at me with so much affection in his gaze that emotion caught in my throat. He didn’t have to say anything because I heard everything just by looking in his eyes. My fingers curled around the hem of his shirt and tangled in the cotton fabric, and at the same time I stretched up, he bent down. The feel of his lips against me was my favorite sensation. Nothing compared to the way his mouth owned mine. His tongue stretched out, sweeping through my mouth with gentle pressure, and I sighed into him and sagged forward. A low laugh vibrated his chest and he pulled back. “Be careful walking to class tomorrow, huh? Don’t fall and hurt yourself.” I nodded, barely comprehending his words. He slipped out the door before reality came flooding back. I rushed forward, caught the closing door, and called out his name. He stopped and turned. The lopsided, knowing smile on his face was smug. “Good luck at practice,” I called, ignoring the few girls who stopped to watch us. “Thanks, baby.” I swear every girl within earshot sighed. I couldn’t even blame them. I shut the door and leaned against it. Ivy put her hands on her hips and looked at me. “I’m gonna need a mega supply of barf bags to put up with you two this semester.” I smiled.
Cambria Hebert (#Hater (Hashtag, #2))
A couple of years later, I found out an angry hog is even worse than an angry beaver. My buddy Mike Williams invited me to go hog-hunting with him on a cantaloupe farm. Wild boars were destroying the cantaloupe crop, and the Louisiana Department of Wildlife and Fisheries gave the landowner permission to have hunters kill the hogs. They even let us chase the boars and shoot them from the back of a truck while the game wardens watched the proceedings from a distance! Now, I’d never hunted hogs, but a few of the guys I was hunting with claimed they were experts. We shot one or two hogs apiece and then chased a 360-pound boar into an adjoining cotton field. My buddies convinced me to go into the overgrown cotton field and attempt to flush the hog out into the open. About a hundred yards into the thick brush, I heard the hog grunt. The hog was so close to me that when I put my scope on it to shoot, I couldn’t tell if it was its front end or rear end! I fired my gun. Unfortunately, I shot the hog in the rear, which only made it madder! The hog turned around and charged toward me. I turned and ran out of the cotton field. I felt its tusks clipping at my ankles as I ran. Fortunately, I stayed ahead of the hog until we reached the cantaloupe field, and then to my surprise the hog fell into a heap. It was dead. I looked at my buddies and they were laughing and rolling on the ground. I thought it was a very strange response to my almost getting devoured by a vicious wild hog. I didn’t know I’d lost control of my bladder during the chase!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Compared to cotton, synthetic fibers require a lot less water to produce, but that’s not necessarily a good enough argument for using them, since they have other significant impacts: they are still made of oil, and their production can require a lot of energy. MIT calculated that the global impact of producing polyester alone was somewhere between 706 million metric tons of carbon dioxide, or about what 185 coal-fired power plants emit in a year.2 Samit Chevli, the principal investigator for biomaterials at DuPont, the giant chemical company, has said that it will be hundreds of years before regular polyester degrades.3 Plus, while the chemicals used in production typically aren’t released to the environment, if factories don’t have treatment systems in the last phase of production, they can release antimony, an element that can be harmful to human health, as well as other toxins and heavy metals. Despite having just written a good amount about the impacts associated with the production of synthetic fibers, that’s actually not why I wanted to call attention to your yoga pants and dry-fit sweat-wicking T-shirts, which we wear out to dinner. It is hard for me to leave my fashion critique at the door, but what I actually want to say about synthetic fibers is that they are everywhere—not just in all of our clothes, but literally everywhere: rivers, lakes, oceans, agricultural fields, mountaintops, glaciers. Everywhere. Synthetic fibers, actually, may be one of the most abundant, widespread, and stubborn forms of pollution that we have inadvertently created.
Tatiana Schlossberg (Inconspicuous Consumption: The Environmental Impact You Don't Know You Have)
I’m Danny Wexler and this is Channel Five sports! The [Undisclosed] football team has been raped in the ass by fate once again, booted from the first round of the playoffs as they failed to carry their inflatable turd past a chalk line in the grass as often as their opponents did. Here’s Hornets quarterback Mikey Wolford, flopping that right arm around like a retard while he tries to pass to a teammate that apparently only he can see. Aaaaand, it’s intercepted. Nice pass, ’tard! Now here’s Spartans fullback Derrick Simpson, pumping those nigger thighs down the field like pistons on a machine designed for cotton picking. Ooh, nice tackle attempt there, Freddy Mason! I bet you could tackle that fullback if he was made of dick, couldn’t you, Freddy? But, he’s not, so final score, forty-one to seventeen. May every Spartan die with a turd on his lips. All hail Korrok.
David Wong (John Dies at the End)
People in their sixties usually exercise power over people in their twenties, even though twentysomethings are much stronger than their elders. The typical plantation owner in Alabama in the mid-nineteenth century could have been wrestled to the ground in seconds by any of the slaves cultivating his cotton fields. Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In organised crime, the big boss is not necessarily the strongest man. He is often an older man who very rarely uses his own fists; he gets younger and fitter men to do the dirty jobs for him. A guy who thinks that the way to take over the syndicate is to beat up the don is unlikely to live long enough to learn from his mistake. Even among chimpanzees, the alpha male wins his position by building a stable coalition with other males and females, not through mindless violence. In fact, human history shows that there is often an inverse relation between physical prowess and social power. In most societies, it’s the lower classes who do the manual labour. This may reflect Homo sapiens’ position in the food chain. If all that counted were raw physical abilities, Sapiens would have found themselves on a middle rung of the ladder. But their mental and social skills placed them at the top. It is therefore only natural that the chain of power within the species will also be determined by mental and social abilities more than by brute force. It is therefore hard to believe that the most influential and most stable social hierarchy in history is founded on men’s ability physically to coerce women.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I am like God, Codi? Like GOD? Give me a break. If I get another letter that mentions SAVING THE WORLD, I am sending you, by return mail, a letter bomb. Codi, please. I've got things to do. You say you're not a moral person. What a copout. Sometime, when I wasn't looking, something happened to make you think you were bad. What, did Miss Colder give you a bad mark on your report card? You think you're no good, so you can't do good things. Jesus, Codi, how long are you going to keep limping around on that crutch? It's the other way around, it's what you do that makes you who you are. I'm sorry to be blunt. I've had a bad week. I am trying to explain, and I wish you were here so I could tell you this right now, I am trying to explain to you that I'm not here to save anybody or any thing. It's not some perfect ideal we're working toward that keeps us going. You ask, what if we lose this war? Well, we could. By invasion, or even in the next election. People are very tired. I don't expect to see perfection before I die. Lord, if I did I would have stuck my head in the oven back in Tucson, after hearing the stories of some of those refugees. What keeps you going isn't some fine destination but just the road you're on, and the fact that you know how to drive. You keep your eyes open, you see this damned-to-hell world you got born into, and you ask yourself, "What life can I live that will let me breathe in & out and love somebody or something and not run off screaming into the woods?" I didn't look down from some high rock and choose cotton fields in Nicaragua. These cotton fields chose me. The contras that were through here yesterday got sent to a prison farm where they'll plant vegetables, learn to read and write if they don't know how, learn to repair CB radios, and get a week-long vacation with their families every year. They'll probably get amnesty in five. There's hardly ever a repeat offender. That kid from San Manuel died. Your sister, Hallie "What's new with Hallie?" Loyd asked. "Nothing." I folded the pages back into the envelope as neatly as I could, trying to leave its creases undisturbed, but my fingers had gone numb and blind. With tears in my eyes I watched whatever lay to the south of us, the land we were driving down into, but I have no memory of it. I was getting a dim comprehension of the difference between Hallie and me. It wasn't a matter of courage or dreams, but something a whole lot simpler. A pilot would call it ground orientation. I'd spent a long time circling above the clouds, looking for life, while Hallie was living it.
Barbara Kingsolver (Animal Dreams)
In addition, of course, they would be taken to a bath and in the bath vestibule they would be ordered to leave their leather coats, their Romanov sheepskin coats, their woolen sweaters, their suits of fine wool, their felt cloaks, their leather boots, their felt boots (for, after all, these were no illiterate peasants this time, but the Party elite—editors of newspapers, directors of trusts and factories, responsible officials in the provincial Party committees, professors of political economy, and, by the beginning of the thirties, all of them understood what good merchandise was). "And who is going to guard them?" the newcomers asked skeptically. "Oh, come on now, who needs your things?" The bath personnel acted offended. "Go on in and don't worry." And they did go in. And the exit was through a different door, and after passing through it, they received back cotton breeches, field shirts, camp quilted jackets without pockets, and pigskin shoes. (Oh, this was no small thing! This was farewell to your former life—to your titles, your positions, and your arrogance!) "Where are our things?" they cried. "Your things you left at home!" some chief or other bellowed at them. "In camp nothing belongs to you. Here in camp, we have communism! Forward march, leader!" And if it was "communism," then what was there for them to object to? That is what they had dedicated their lives to.
Aleksandr Solzhenitsyn (The Gulag Archipelago)
Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth. Marcelina Hoffman was well on her way to becoming a Botox junkie. Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.” Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin. Because I’m worth it.
Ian McDonald (Brasyl)
There simply is no direct relation between physical strength and social power among humans. People in their sixties usually exercise power over people in their twenties, even though twentysomethings are much stronger than their elders. The typical plantation owner in Alabama in the mid-nineteenth century could have been wrestled to the ground in seconds by any of the slaves cultivating his cotton fields. Boxing matches were not used to select Egyptian pharaohs or Catholic popes. In forager societies, political dominance generally resides with the person possessing the best social skills rather than the most developed musculature. In organised crime, the big boss is not necessarily the strongest man. He is often an older man who very rarely uses his own fists; he gets younger and fitter men to do the dirty jobs for him. A guy who thinks that the way to take over the syndicate is to beat up the don is unlikely to live long enough to learn from his mistake. Even among chimpanzees, the alpha male wins his position by building a stable coalition with other males and females, not through mindless violence.
Yuval Noah Harari (Sapiens - A brief history of humankind (Marathi) (Marathi Edition))
Rosalia was standing in a field of fragrant white jasmine flowers. It was the first week in June, and the sun was especially hot today. She could feel it warming her head through the cotton kerchief she wore. A large straw basket, slung around her arm, held the jasmines she was harvesting for the jasmine water that was needed to make Gelo di Melone- watermelon pudding. With the temperatures well in the eighties, the shop couldn't make enough of the watermelon pudding that was popular with the villagers during late spring and throughout the summer. As she picked the jasmines from their stems, she frequently took the time to smell them although she didn't need to do so since the fragrance surrounded her. But she loved holding the blossoms up to her nose and inhaling deeply.
Rosanna Chiofalo (Rosalia's Bittersweet Pastry Shop)
Fieldking rotavator is better as it saves fuel, Time, soil compaction & wear and tear of the tractor as it accomplishes better pulverization in no time. And with Robust Multi Speed now no need for multiple operations of the cultivator, disc harrow, and leveler. Fielding Rotary Tillers is economical series and it can be coupled with 30 to 60 HP tractors quite easily. It is mainly intended with a rigid structure, multi-speed Gearbox, Visual Oil Level Indicator, Features of Fielding Rotavator Innovation – neatly designed keeping in mind minimum diesel consumption & breakages Better Production – It helps in holding wet of the soil and will increase soil porousness and aeration which boosts germination and growth of crops. Hard truth – Rigid structure, Multi-speed shell, Mechanical oil seal, Advanced designed Front support and serious duty back guard (Trialing board) makes it appropriate and effectively on object yet as in wet and paddy condition. Technically advanced – It specially installs with Spiral shapes of the rotor assembly to cut back the load on tractors, scale back fuel consumption and avoids tire slippage. Smartly Placed – Visual oil level indicator, scale back the possibilities to breakage of gears thanks to inaccessibility of minimum oil level within gear transmission. King of Crop – It makes the simplest bed to victimization at before and once rain. it’s in the main appropriate for every type of crops like cotton, castor, vegetable, sugarcane, banana, wheat, maize, and paddy. Easy to use – It will simply take away residues components of the previous crop, cut into items and completely combine it them into the soil in kind of organic manure to extend productivity. Long life – Powder coated glorious resistance to corrosion, maintains the machine in just-bought condition for a extended amount.
Julia Smith
The charge sheet against the fashion industry could read as follows: fashion reinforces racism, sexism, gender stereotypes, class and unequal power relations. Fashion seriously exploits its impoverished workers and its customers. It pushes the values of wealth and greed, and promotes body insecurity and dissatisfaction. Fashion is a monopolised industry with large corporations controlling both the luxury and the mass markets. Corporations control the factories and the shops, the fashion magazines and the cotton fields. Fashion’s endless quest for profit means scant regard is ever shown for people, animals or the environment. In an industry that sells itself as a promoter of individuality, the reality is one of conformity with billions of pieces of trend-based clothing churned out each year and sent to identikit stores from Birmingham to Bangkok, with magazines on different continents promoting the same styles.
Tansy E. Hoskins (Stitched Up: The Anti-Capitalist Book of Fashion)
Roosevelt secured passage of the Agricultural Adjustment Act (AAA), which levied a new tax on agricultural processors and used the revenue to supervise the wholesale destruction of valuable crops and cattle. Federal agents oversaw the ugly spectacle of perfectly good fields of cotton, wheat, and corn being plowed under. Healthy cattle, sheep, and pigs by the millions were slaughtered and buried in mass graves. Even if the AAA had helped farmers by curtailing supplies and raising prices, it could have done so only by hurting millions of others who had to pay those prices or make do with less to eat. Perhaps
Lawrence W. Reed (Excuse Me, Professor: Challenging the Myths of Progressivism)
I went for walks across the fields in my cozy, cotton-knit shirt, my worn out jeans, and my cowboy boots. I would stand at the pasture fence and watch the sun set. One day, pink ripples trailed its red ball; then the next it was a yellow bulb shining against gold-dusted clouds. Though it seemed as if heaven was on the other side of the hill, for some reason, the sunset was sad. At night, I would sit in the rocking chair by the fire with a cup of coffee and a book in my hand, a practice I had grown to love over the years. But what was once refreshing was now depressing. And when I stopped to ask myself what was wrong with me to see the world as so dull, dark, and worn-out looking, I remembered.
James Russell Lingerfelt (The Mason Jar)
I jogged along the deck to the stern, tracking the shipwreck as it disappeared beneath our wake. Then, just as I was starting to wonder if we’d need climbing gear to get onto the island, its steep cliffs sloped down to meet us. We rounded a headland to enter a rocky half-moon bay. In the distance I saw a little harbor bobbing with colorful fishing boats, and beyond it a town set into a green bowl of land. A patchwork of sheep-speckled fields spread across hills that rose away to meet a high ridge, where a wall of clouds stood like a cotton parapet. It was dramatic and beautiful, unlike any place I’d seen. I felt a little thrill of adventure as we chugged into the bay, as if I were sighting land where maps had noted only a sweep of undistinguished blue.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Sprays of blue and purpose wildflowers grew along the bank, and as she ran past them Ella marked their beauty, thinking what a strange thing it was for her to notice them in such detail at this moment. She did not know how ran in front of her or beside her or behind her, but she was aware that the dirt had blackened and hardened, and she discovered that she ran through the first rows of a cotton field, the bolls exploding in white puffs all around her. There were more gunshots behind her, and she wanted to drop to her knees and take shelter, but the field was open and the cotton plants low, and there was nowhere else to go.
Wiley Cash
Jewel and I come up from the field, following the path in single file. Although I am fifteen feet ahead of him, anyone watching us from the cottonhouse can see Jewel’s frayed and broken straw hat a full head above my own. The path runs straight as a plumb-line, worn smooth by feet and baked brick-hard by July, between the green rows of laidby cotton, to the cottonhouse in the center of the field, where it turns and circles the cottonhouse at four soft right angles and goes on across the field again, worn so by feet in fading precision. The cottonhouse is of rough logs, from between which the chinking has long fallen. Square, with a broken roof set at a single pitch, it leans in empty and shimmering dilapidation in the sunlight, a single broad window in two opposite walls giving onto the approaches of the path. When we reach it I turn and follow the path which circles the house. Jewel, fifteen feet behind me, looking straight ahead, steps in a single stride through the window. Still staring straight ahead, his pale eyes like wood set into his wooden face, he crosses the floor in four strides with the rigid gravity of a cigar store Indian dressed in patched overalls and endued with life from the hips down, and steps in a single stride through the opposite window and into the path again just as I come around the corner. In single file and five feet apart and Jewel now in front, we go on up the path toward the foot of the bluff. Tull’s wagon stands beside the spring, hitched to the rail, the reins wrapped about the seat stanchion. In the wagon bed are two chairs. Jewel stops at the spring and takes the gourd from the willow branch and drinks. I pass him and mount the path, beginning to hear Cash’s saw. When I reach the top he has quit sawing. Standing in a litter of chips, he is fitting two of the boards together. Between the shadow spaces they are yellow as gold, like soft gold, bearing on their flanks in smooth undulations the marks of the adze blade: a good carpenter, Cash is. He holds the two planks on the trestle, fitted along the edges in a quarter of the finished box. He kneels and squints along the edge of them, then he lowers them and takes up the adze. A good carpenter. Addie Bundren could not want a better one, a better box to lie in. It will give her confidence and comfort. I go on to the house, followed by the                                     Chuck.   Chuck.   Chuck.of the adze.
William Faulkner (As I Lay Dying)
I went out the side door, and Sam fell into step behind me as we walked out beyond the mule barn where four mules stood in the lot and on past the cotton house and then down the dim road past a little leaning shack where our tenant farmers lived, a black family in which there was a boy just a year older than I was. His name was Willalee Bookatee. I went on past their house because I knew they would be in the field, too, so there was no use to stop
Harry Crews (A Childhood: The Biography of a Place)
The effect of the cotton gin was exponential. It enabled greater production and simultaneously increased the need for slaves. When the legal African slave trade expired in 1808, the price of slaves already in the United States went up, making the interstate trafficking of slaves much more profitable. In 1790 “a thousand tons of cotton were being produced every year in the South. By 1860, it was a million tons. In the same period, 500,000 slaves grew to 4 million.”35 The increased demand for slaves pushed up their price. Prices varied depending on the location, age, sex, and condition of slaves, but they always went up. In 1835 an unskilled male field hand could be purchased for about $450. But by the 1850s, a field hand, especially a strong healthy one, could fetch up to $1600 at auction.
Steven Dundas
Even among the uninitiated - men and women who were unaware of how a day's labor had been defined through years of tense negotiation - extracting such large drafts of labor required extraordinarily coercive measures. Violent confrontations between masters and slaves seemed to grow as the lower Mississippi Valley became a slave society. Wielding the lash with greater frequency if not greater force, planters struggled to bend slaves to the new order. Slaves resisted with equal ferocity. Unrest increased and rumors of rebellion boiled to the surface. During the 1790s and into the new century, the lower Mississippi Valley was alive with news of revolt, as one intrigue after another came to light. In 1791, 1795, and again in 1804 and 1805, planters uncovered major conspiracies. They responded with the lash, mutilating many rebels and suspected rebels, deporting others, and executing still others, often after grotesque torture. Yet behind this bloody facade, master and slave began to renegotiate the terms under which slaves lived and worked. Many of these involved the pace of labor; others originated in the organization of labor and the authority of the masters' subalterns, as overseers became a fixture on the largest estates. From the planters' perspective, the large units on which sugar and cotton were grown made movement from plantation to plantation - a prominent feature of slave life in eighteenth-century Louisiana - unnecessary and undesirable. But perhaps the most intense conflicts arose over the slaves' economy: their free Sundays and half-Saturdays, their gardens and provision grounds, and their right to sell their labor and market its product. Slaves in the lower Mississippi Valley had a long tradition of independent productive activities. Planters, who once saw advantages in allowing slaves to subsist themselves, pressed for an allowance society in which rations replaced gardens and the right to market. ... Under the new regime, plantation slaves frequently worked from dawn to noon and then, after a two hour break, until 'the approach of night.' As the planters' demands intensified, the time left for slaves to work their gardens grew shorter. Sustaining them took an extraordinary commitment. The frantic pace at which slaves worked in their own plots was captured by an emigre from Saint Domingue in 1799, who observed that a slave returning form the field 'does not lose his time. He goes to work at a bit of the land which he has planted with provisions for his own use, while his companion, if he has one, busies herself in preparing some for him, herself, and their children.' 'Many of the owners take off a part of that ration,' noted another visitor. Slaves 'must obtain the rest of their food, as well as their clothing, from the results of their Sunday labors.' Planters who supplied their slaves with clothes forced them to work on Sunday 'until they have been reimbursed for their advances,' so that the cash that previously went into the slaves' pockets went to the masters'.
Ira Berlin (Generations of Captivity: A History of African-American Slaves)
The extreme demands of sugar production and a work force that was composed disproportionately of young, unmarried men made the renegotiation of slave labor particularly contentious, and the violence that accompanied it especially savage. Few southern slaves were accustomed to working at the murderous pace sugar production demanded. In lower Louisiana, they learned at the end of the lash. 'At the season's end, when cane is cut,' noted one visitor to Louisiana in the 1830s, 'nothing but the severest application of the lash can stimulate the human frame to endure it.' 'From the time of the commencement of sugar making to the close, the grinding and boiling does not cease day or night,' recalled Northup. 'The whip was given to me with directions to us it upon anyone who was caught idling.' The demands on slaves were felt in the quarter as well as in the field. While the slave population of the cotton South grew through natural increase, deaths in the sugar parishes outnumbered births. At mid-century, the fertility ate of slave women in St. Barnard and St. James parishes were only 60 percent of that of slave women in the cotton South. This demographic profile was more akin to the sugar islands of the Caribbean than to the mainland. With high mortality and low fertility, sugar planters sustained their workforce only by importation.
Ira Berlin (Generations of Captivity: A History of African-American Slaves)
Reconstructing family life amid the chaos of the cotton revolution was no easy matter. Under the best of circumstances, the slave family on the frontier was extraordinarily unstable because the frontier plantation was extraordinarily unstable. For every aspiring master who climbed into the planter class, dozens failed because of undercapitalization, unproductive land, insect infestation, bad weather, or sheer incompetence. Others, discouraged by low prices and disdainful of the primitive conditions, simply gave up and returned home. Those who succeeded often did so only after they had failed numerous times. Each failure or near-failure caused slaves to be sold, shattering families and scattering husbands and wives, parents and children. Success, moreover, was no guarantee of security for slaves. Disease and violence struck down some of the most successful planters. Not even longevity assured stability, as many successful planters looked west for still greater challenges. Whatever the source, the chronic volatility of the plantation took its toll on the domestic life of slaves. Despite these difficulties, the family became the center of slave life in the interior, as it was on the seaboard. From the slaves' perspective, the most important role they played was not that of field hand or mechanic but husband or wife, son or daughter - the precise opposite of their owners' calculation. As in Virginia and the Carolinas, the family became the locus of socialization, education, governance, and vocational training. Slave families guided courting patterns, marriage rituals, child-rearing practices, and the division of domestic labor in Alabama, Mississippi, and beyond. Sally Anne Chambers, who grew up in Louisiana, recalled how slaves turned to the business of family on Saturdays and Sundays. 'De women do dey own washing den. De menfolks tend to de gardens round dey own house. Dey raise some cotton and sell it to massa and git li'l money dat way.' As Sally Anne Chambers's memories reveal, the reconstructed slave family was more than a source of affection. It was a demanding institution that defined responsibilities and enforced obligations, even as it provided a source of succor. Parents taught their children that a careless word in the presence of the master or mistress could spell disaster. Children and the elderly, not yet or no longer laboring in the masters' fields, often worked in the slaves' gardens and grounds, as did new arrivals who might be placed in the household of an established family. Charles Ball, sold south from Maryland, was accepted into his new family but only when he agreed to contribute all of his overwork 'earnings into the family stock.' The 'family stock' reveals how the slaves' economy undergirded the slave family in the southern interior, just as it had on the seaboard. As slaves gained access to gardens and grounds, overwork, or the sale of handicraft, they began trading independently and accumulating property. The material linkages of sellers and buyers - the bartering of goods and labor among themselves - began to knit slaves together into working groups that were often based on familial connections. Before long, systems of ownership and inheritance emerged, joining men and women together on a foundation of need as well as affection.
Ira Berlin (Generations of Captivity: A History of African-American Slaves)
Most slaves achieved status within the black community by winning the respect of their fellow slaves, not their owners. Indeed, slave leaders generally secured their high standing by virtue of opposing their owners, not collaborating with them. Many were connected with the new religiosity in the quarter, as preachers, shamen, and conjurers - men and women who could join the natural and unnatural worlds together, whether through African folk rituals or biblical injunctions. Others were healers and midwives, and still others earned the respect of their peers in the field or workshop. A few secured a bit of book learning and were able to read the Bible. All were enmeshed in the expanding web of kinship and spirituality - connections of blood, marriage, and belief - that bound slaves together. While they may have exhibited some personal quality, such as courage, intelligence, honesty, or piety, that their compatriots found attractive, it was kinship - a sense of belonging to a common family, on this earth or in heaven hereafter - that carried them to the top of black society and provided the basis for solidarity. Whether their social position rested on knowledge of the cosmos or the key to the corn crib, whether their authority derived from the Big House or the quarter, it was to these men and women - not their owners - that slaves turned first in moments of distress. And few crises shook slave society as deeply as the transfer from the seaboard to the interior. Annealed in the furnace of the Second Middle Passage and the cotton and sugar revolutions, a new generation of leaders struggled to express the collective aspirations of a people who were often divided by their multiple origins, diverse expectations, and increasingly differential wealth.
Ira Berlin (Generations of Captivity: A History of African-American Slaves)
When the Europeans conquered America, they opened gold and silver mines and established sugar, tobacco and cotton plantations. These mines and plantations became the mainstay of American production and export. The sugar plantations were particularly important. In the Middle Ages, sugar was a rare luxury in Europe. It was imported from the Middle East at prohibitive prices and used sparingly as a secret ingredient in delicacies and snake-oil medicines. After large sugar plantations were established in America, ever-increasing amounts of sugar began to reach Europe. The price of sugar dropped and Europe developed an insatiable sweet tooth. Entrepreneurs met this need by producing huge quantities of sweets: cakes, cookies, chocolate, candy, and sweetened beverages such as cocoa, coffee and tea. The annual sugar intake of the average Englishman rose from near zero in the early seventeenth century to around eight kilograms in the early nineteenth century. However, growing cane and extracting its sugar was a labour-intensive business. Few people wanted to work long hours in malaria-infested sugar fields under a tropical sun. Contract labourers would have produced a commodity too expensive for mass consumption. Sensitive to market forces, and greedy for profits and economic growth, European plantation owners switched to slaves.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Historians who explore slavery's relationship to capitalism generally focus on the roles that men played in the development of both. But if we considered the very real possibility that some of the enslaved people these men compelled to work in southern cotton fields actually belonged to their wives, the narrative about American slavery and capitalism would be strikingly different. And when we consider that the enslaved people women owned before they married or acquired afterward helped make the nineteenth-century scale of southern cotton cultivation possible, the narrative of slavery, nineteenth-century markets, and capitalism as the domain of men becomes untenable.
Stephanie E. Jones-Rogers (They Were Her Property: White Women as Slave Owners in the American South)
them. Now farming became industry, and the owners followed Rome, although they did not know it. They imported slaves, although they did not call them slaves: Chinese, Japanese, Mexicans, Filipinos. They live on rice and beans, the business men said. They don’t need much. They wouldn’t know what to do with good wages. Why, look how they live. Why, look what they eat. And if they get funny—deport them. And all the time the farms grew larger and the owners fewer. And there were pitifully few farmers on the land any more. And the imported serfs were beaten and frightened and starved until some went home again, and some grew fierce and were killed or driven from the country. And the farms grew larger and the owners fewer. And the crops changed. Fruit trees took the place of grain fields, and vegetables to feed the world spread out on the bottoms: lettuce, cauliflower, artichokes, potatoes—stoop crops. A man may stand to use a scythe, a plow, a pitchfork; but he must crawl like a bug between the rows of lettuce, he must bend his back and pull his long bag between the cotton rows, he must go on his knees like a penitent across a cauliflower patch. And it came about that owners no longer worked on their farms. They farmed on paper; and they forgot the land, the smell, the feel of it, and remembered only that they owned it, remembered only what they gained and lost by it. And some of the farms grew so large that one man could not even conceive of them any more, so large that it took batteries of bookkeepers to keep track of interest and gain and loss; chemists to test the soil, to replenish; straw bosses to see that the stooping men were moving along the rows as swiftly as the material of their bodies could stand. Then such a farmer really became a storekeeper, and kept a store. He paid the men, and sold them food, and took the money back. And after a while he did not pay the men at all, and saved bookkeeping. These farms gave food on credit. A man might work and feed himself; and when the work was done, he might find that he owed money to the company. And the owners not only did not work the farms any more, many of them had never seen the farms they owned.
John Steinbeck (The Grapes of Wrath / The Moon Is Down / Cannery Row / East of Eden / Of Mice and Men)
Outside on the balcony, the long curtain flutters in the wind. The sliding door was left open, as it was often done during the hot summer months. Over the fields, the blue ocean. Above, white cotton clouds settled onto the blue sky. Below, the treasures of the world and us in the house above on the hill, looking out into the world in moments of happy times.
Kenan Hudaverdi
Shirt" The back, the yoke, the yardage. Lapped seams, The nearly invisible stitches along the collar Turned in a sweatshop by Koreans or Malaysians Gossiping over tea and noodles on their break Or talking money or politics while one fitted This armpiece with its overseam to the band Of cuff I button at my wrist. The presser, the cutter, The wringer, the mangle. The needle, the union, The treadle, the bobbin. The code. The infamous blaze At the Triangle Factory in nineteen-eleven. One hundred and forty-six died in the flames On the ninth floor, no hydrants, no fire escapes— The witness in a building across the street Who watched how a young man helped a girl to step Up to the windowsill, then held her out Away from the masonry wall and let her drop. And then another. As if he were helping them up To enter a streetcar, and not eternity. A third before he dropped her put her arms Around his neck and kissed him. Then he held Her into space, and dropped her. Almost at once He stepped to the sill himself, his jacket flared And fluttered up from his shirt as he came down, Air filling up the legs of his gray trousers— Like Hart Crane’s Bedlamite, “shrill shirt ballooning.” Wonderful how the pattern matches perfectly Across the placket and over the twin bar-tacked Corners of both pockets, like a strict rhyme Or a major chord. Prints, plaids, checks, Houndstooth, Tattersall, Madras. The clan tartans Invented by mill-owners inspired by the hoax of Ossian, To control their savage Scottish workers, tamed By a fabricated heraldry: MacGregor, Bailey, MacMartin. The kilt, devised for workers To wear among the dusty clattering looms. Weavers, carders, spinners. The loader, The docker, the navvy. The planter, the picker, the sorter Sweating at her machine in a litter of cotton As slaves in calico headrags sweated in fields: George Herbert, your descendant is a Black Lady in South Carolina, her name is Irma And she inspected my shirt. Its color and fit And feel and its clean smell have satisfied Both her and me. We have culled its cost and quality Down to the buttons of simulated bone, The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail. The shape, The label, the labor, the color, the shade. The shirt.
Robert Pinsky
Years later, she remembered her zombie days.... No name turned the key to her prison.... So in the land of the dead the men sang to her. The sound faded across the rows of plants. The dusty mechanism of her arms rose and fell.... At last they tried a new tune whose tune carried across the gray field. Hair as black as coal in the mine, little Liza Jane / Eyes so large and big and fine, little Liza Jane. You are beautiful. We need you. You cannot go where you are trying to go. Come back to us.... You plant a patch of cotton, I'll plant a patch of cane / I'm gonna make molasses, to sweeten Liza Jane... Sobs began to heave out of her mouth... Oh Lisa, poor gal, Oh Liza Jane / Oh Liza poor gal, she died on the trail. Liza, the sang. Lucy raised her head. Tears flowed down her face and she opened her mouth: 'I got happy,' Lucy Thompson remembered eighty years after her resurrection, 'and sang with the rest.'" - The Half Has Never Been Told: Slavery and the Making of American Capitalism
Edward E. Baptist
Soon we were alone in the pitch dark except for the despatcher and the parachutes, four of them for us, the others for huge cylindrical containers. In these, and about our persons, were the gear for our operation: maps, pistols, bombs, commando daggers, coshes, knuckledusters, telescopic sights, silencers, a sheaf of Marlin sub-machine guns, ammunition, wire-cutters, sewn-in files for prison bars, magnetic escape devices, signal flares, disguises, gags, chloroform, rope-ladders, gold sovereigns, stealthy footwear, Bangalore torpedoes, every type of explosive from gelignite and gun-cotton to deceptive mule droppings which, they said, could blow a tank to smithereens; all the things indeed on which espionage writers dwell at such fond length; also Benzedrine, field dressings, morphine, knockout drops and suicide pills to bite under duress, if captured in the wrong clothes. I hoped we would use none of them, especially the last.
Patrick Leigh Fermor (Abducting a General: The Kreipe Operation in Crete)
No one lives on Hobe's Hill today. Only a few abandoned shacks remain. The land has greatly changed. When Walker Evans took his pictures, it was a grand, open place, full of cotton. Now forest has reclaimed the land. There is still some field, planted in soybeans, and this provides some sense of how things once were. These soybeans, as well as those down by the main highway, were planted by Joe Bridges and his son Huey. Amid the soybeans, the ground is stony, and the water-starved beans grow with more courage than success. This same dust was breathed by Fred Ricketts as he plowed behind the seat rump of a mule fifty years ago. He and his children stared at this ground as they chopped weeds and, later, hunched over the long rows to pick. They knew this same sun, this silence, the awful loneliness of this red plateau. The heat dulls the senses. Even sulfur butterflies, those neurotic field strutters, are slothful. The whole South seems under a hot Augustan pause--all the highways blurry beneath the burden of hear, be they four-lane marchers, two-lane winders, single-track dirt poems. From this hill, it's hard to imagine life going on in this hear anywhere across the six hundred miles of the South, in any of those terrible little towns...
Dale Maharidge (And Their Children After Them: The Legacy of Let Us Now Praise Famous Men: James Agee, Walker Evans, and the Rise and Fall of Cotton in the South)
went by back roads, past pines, swamps, shacks, the small towns of Lorman and Fayette, a school flying a Confederate flag, and down one road on which for some miles there were large lettered signs with intimidating Bible quotations nailed to roadside trees: “Prepare to Meet Thy God—Amos 4:12” and “He who endures to the end shall be saved—Mark 13:13” and “REPENT”—Mark 6:12.” Finally I arrived at the lovely town of Natchez. Natchez is dramatically sited on the bluffs above the wide brown Mississippi, facing the cotton fields in flatter Louisiana and the transpontine town of Vidalia. It was my first glimpse of the river on this trip. Though the Mississippi is not the busy thoroughfare it once was, it is impossible for an American to see this great, muddy, slow-moving stream and not be moved, as an Indian is by the Ganges, a Chinese by the Yangtze, an Egyptian by the Nile, an African by the Zambezi, a New Guinean by the Sepik, a Brazilian by the Amazon, an English person by the Thames, a Quebecois by the St. Lawrence, or any citizen by a stream flowing past his feet. I mention these rivers because I’ve seen them myself, and written about them, but as an alien, a romantic voyeur. A river is history made visible, the lifeblood of a nation.
Paul Theroux (Deep South: Four Seasons on Back Roads)
The civil rights clashes of the 1950s and '60s came and went without changing much in the lives of Forsyth's quiet country people, who in the decades after World War II had been busy erecting chicken houses in their old corn and cotton fields, as America's expanding poultry industry brought new prosperity to north Georgia. The county seat may have been just a short drive from Ebenezer Baptist - the home church of Martin Luther King Jr. and one of the epicenters of the American civil rights movement - but with no blacks residents to segregate from whites, there were no 'colored' drinking fountains in the Cumming courthouse, and no 'whites only' signs in the windows of Cumming's diners and roadside motels. Instead, as segregationists all over the South faced off against freedom riders, civil rights marches, and lunch-counter sit-ins, Forsyth was a bastion of white supremacy that went almost totally unnoticed.
Patrick Phillips (Blood at the Root: A Racial Cleansing in America)
Migrant workers were often supervised by armed guards stationed in the fields. The state helped to enforce labor discipline, with towns enacting “strict vagrancy laws to keep [those workers] outside the central area when they were not working.” This resort to physical coercion was widespread in the world’s cotton-growing areas and was important in the United States, Peru, Egypt, and elsewhere. Capitalism’s awe-inspiring advances continued to rest not just on a great variety of labor regimes, but on a staggering degree of violence.70
Sven Beckert (Empire of Cotton: A Global History)
In his memoirs the author Roald Dahl, who took part in the invasion as a Hurricane pilot, confirmed the impression that the Vichy French were unprepared. Sent to strafe the Vichy aerodrome at Rayak, he recalled, on his first low pass over the landing strip, being astonished to see ‘a bunch of girls in brightly coloured cotton dresses standing out by the planes with glasses in their hands having drinks with the French pilots, and I remember bottles of wine standing on the wing of one of the planes as we went swooshing over’.19 It was a Sunday morning and ‘the Frenchmen were evidently entertaining their girlfriends and showing off their aircraft to them, which was a very French thing to do in the middle of a war at a front-line aerodrome. Every one of us held our fire on that first pass over the flying field and it was wonderfully comical to see the girls all dropping their wine glasses and galloping in their high heels for the door of the nearest building . . . we destroyed five of their planes on the ground.’ But the hope
James Barr (A Line in the Sand: Britain, France and the struggle that shaped the Middle East)
the Indian slave was inefficient. The Spaniards discovered that one Negro was worth four Indians.22 A prominent official in Hispaniola insisted in 1518 that “permission be given to bring Negroes, a race robust for labor, instead of natives, so weak that they can only be employed in tasks requiring little endurance, such as taking care of maize fields or farms.”23 The future staples of the New World, sugar and cotton, required strength which the Indian lacked, and demanded the robust “cotton nigger” as sugar’s need of strong mules produced
Eric Williams (Capitalism and Slavery)
A resistless feeling of depression falls slowly upon us, despite the gaudy sunshine and the green cotton-fields. This, then, is the Cotton Kingdom--the shadow of a marvelous dream.
W.E.B. Du Bois
Neither Britain nor any other country that followed it down the path of textile-based industrialization could have accomplished an economic transformation without the millions of acres of cotton fields of the expanding American South. To replace the fiber imported from American slaver labor camps with an equivalent amount of wool, Britain in 1830 would have had to devote 23 million acres to sheep pasture—more than the sum total of the island's agricultural land.
Edward E. Baptist