Cottage Weekend Quotes

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As distasteful as it is to decline your invitation, I'm afraid that it is preferable to attending yet another half-assed weekend eating gunky canapes in that cesspool of a shack you call a beach cottage.
A.C. Kemp (The Perfect Insult for Every Occasion)
When people say they come from the country, they say it abjectly, apologetically. Unlike Londoners, Tokyoites do not drive out to the country at the weekend or yearn for a country cottage. Everyone, if they had the chance, would live in Tokyo. Four hours to the next train, while inconceivable in Tokyo, was only to be expected of inaka.
Lesley Downer (On the Narrow Road to the Deep North)
I made the mistake of renting a cottage in a village near Chichester. Charles had advised against it but at the time I’d thought how nice it would be to get away now and then for the weekend. He was right. I couldn’t wait to get back. I soon discovered that every time I made one friend I made three enemies and that arguments about such issues as car parking, the church bells, dog waste and hanging flower baskets dominated daily life to such an extent that everyone was permanently at each other’s throats. That’s the truth of it. Emotions which are quickly lost in the noise and chaos of the city fester around the village square, driving people to psychosis and violence. It’s a gift to the whodunnit writer.
Anthony Horowitz (Magpie Murders (Susan Ryeland #1))
Back then the towering gums marched down to the water and the area was sparsely populated with fibro weekenders - simple cottages and boat sheds - mainly owned by coal miners from the nearby Hunter Valley. My grandfather worked in the mines. He'd lend my family the one room boffy attached to his boasted almost every school holiday, and I have such vivid memories of jumping off his jetty and boiling crabs for dinner and fishing with a line wrapped around a piece of cork and playing in the rock pools and parking about in his tin runabout.
Nikki Gemmell (Why You Are Australian: A Letter to My Children)
In the house Jake shoved his hands deep in his pockets as he stood at the window watching the women, his expression a mixture of stupefaction and ire. “Gawdamighty,” he breathed, glancing at Ian, who was scowling at the unopened, note in his hand. “The women are chasin’ you clear into Scotland! That’ll stop soon as the news is out that yer betrothed.” Reaching up, he idly scratched his bushy red hair and turned back to the window, peering down the path. The women had vanished from view, and he left the window. Unable to hide a tinge of admiration, he added, “Tell you one thing, that blond gel had spunk, you have to give her that. Cool as can be, she stood there tauntin’ you with your own words and callin’ you a swine. I don’t know a man what would dare to do that!” “She’d dare anything,” Ian said, remembering the young temptress he’d known. When most girls her age were blushing and simpering, Elizabeth Cameron had asked him to dance at their first meeting. That same night she’d defied a group of men in the card room; the next day she’d risked her reputation to meet him in a cottage in the woods-and all that merely to indulge in what she’d described in the greenhouse as a “little weekend dalliance.
Judith McNaught (Almost Heaven (Sequels, #3))
Nor were the intellectuals of the 1920s a vanguard of a new outlook, as they themselves supposed, but the exhausted rearguard of Victorian romanticism. They sought refuge from an industrialised and ugly world. Some, like Virginia Woolf, found it in polishing up an exquisite sensibility. Others, like her husband Leonard Woolf and of course Gilbert Murray, found escape in designing an ideal society...It was a sheltered world, this of the intelligentsia of the 1920s, its inhabitants mostly shielded by private means from crude personal reminders of the outside struggle for survival. They circulated at leisure from country house to country cottage...back again to Bloomsbury or one of the ancient universities; convinced that they carried in their luggage the soul of civilisation. The memoirs of the epoch are fragrant with cultured weekends - witty chat on the lawn and brilliant profundity at the dining table. It was a circle of flimsy and precious people, of whom Lady Ottoline Morrell was perhaps the manliest. And so, while not all intellectuals were active pacifists or internationalists, they were generally more concerned with classical French and Greek culture - 'the good life' - than with 'Philistine' matters like industrial and strategic power.
Correlli Barnett (The Collapse of British Power)
Well, what happened to your scruples in the woodcutter’s cottage? You knew I thought you’d already left when I went inside.” “Why did you stay,” he countered smoothly, “when you realized I was still there?” In confused distress Elizabeth raked her hair off her forehead. “I knew I shouldn’t do it,” she admitted. “I don’t know why I remained.” “You stayed for the same reason I did,” he informed her bluntly. “We wanted each other.” “I was wrong,” she protested a little wildly. “Dangerous and-foolish!” “Foolish or not,” he said grimly, “I wanted you. I want you now.” Elizabeth made the mistake of looking at him, and his amber eyes captured hers against her will, holding them imprisoned. The shawl she’d been clutching as if it was a lifeline to safety slid from her nerveless hand and dangled at her side, but Elizabeth didn’t notice. “Neither of us has anything to gain by continuing this pretense that the weekend in England is over and forgotten,” he said bluntly. “Yesterday proved that it wasn’t over, if it proved nothing else, and it’s never been forgotten-I’ve remembered you all this time, and I know damn well you’ve remembered me.” Elizabeth wanted to deny it; she sensed that if she did, he’d be so disgusted with her deceit that he’d turn on his heel and leave her. She lifted her chin, unable to tear her gaze from his, but she was too affected by the things he’d just admitted to her to lie to him. “All right,” she said shakily, “you win. I’ve never forgotten you or that weekend. How could I?” she added defensively. He smiled at her angry retort, and his voice gentled to the timbre of rough velvet. “Come here, Elizabeth.” “Why?” she whispered shakily. “So that we can finish what we began that weekend.” Elizabeth stared at him in paralyzed terror mixed with violet excitement and shook her head in a jerky refusal. “I’ll not force you,” he said quietly, “nor will I force you to do anything you don’t want to do once you’re in my arms. Think carefully about that,” he warned, “because if you come to me now, you won’t be able to tell yourself in the morning that I made you do this against your will-or that you didn’t know what was going to happen. Yesterday neither of us knew what was going to happen. Now we do.” Some small, insidious voice in her mind urged her to obey, reminded her that after the public punishment she’d taken for the last time they were together she was entitled to some stolen passionate kisses, if she wanted them. Another voice warned her not to break the rules again. “I-I can’t,” she said in a soft cry. “There are four steps separating us and a year and a half of wanting drawing us together,” he said. Elizabeth swallowed. “Couldn’t you meet me halfway?” The sweetness of the question was almost Ian’s undoing, but he managed to shake his head. “Not this time. I want you, but I’ll not have you looking at me like a monster in the morning. If you want me, all you have to do is walk into my arms.” “I don’t know what I want,” Elizabeth cried, looking a little wildly at the valley below, as if she were thinking of leaping off the path. “Come here,” he invited huskily, “and I’ll show you.” It was his tone, not his words, that conquered her. As if drawn by a will stronger than her own, Elizabeth walked forward and straight into his arms that closed around her with stunning force. “I didn’t think you were going to do it,” he whispered gruffly against her hair.
Judith McNaught (Almost Heaven (Sequels, #3))
Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.” Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“ “No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.” She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“ “Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.” Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.” Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!” Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?" Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself." Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?" He smiled. "I thought-puce." "An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.
Judith McNaught (Almost Heaven (Sequels, #3))
When Sam and I were living in Australia, one winter weekend we rented a cottage in the countryside. We toured local wineries by day and at sunset we wrapped ourselves up in blankets on the porch overlooking the valley below, tucking into our bounty of wine and local cheese. I can’t remember who initiated it (OK, fine, probably me), but we decided that during this magic hour while day turned to night we could ask each other anything. This moment in our relationship changed everything. I got to ask all my questions and so did Sam. We also had to answer them. I think for both of us it’s the night we tipped over from infatuation to falling in love. Even now, the phrase ‘wine and cheese hour’ is shorthand for this safe space, when we need to sit down and reconnect. This is so bougie and painful to admit, especially because I don’t even like wine and this is now far more likely to be ‘coffee and Jaffa cake hour’. (Vodka and Pringles works, too.)
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
Champagne?” It was the same waiter. “No thanks,” Cosmo Editor said. “Sure!” As I helped myself, a woman standing with her back to me turned around. It was the person I’d dreaded seeing all night: the Vice President of Marketing for this (major—major) beauty brand. Oh, no. Now my bosses at Lucky had essentially sent me here tonight to kiss up to this powerful, advertising-budget-controlling woman—the Vice President of Marketing, who not only detested me, but had recently seen me on drugs and in my underwear. It all went down on a weekend press trip to the Mayflower Spa in Connecticut, one of the most luxurious retreats on the East Coast. Other beauty editors and I were there for two nights as a guest of Vice President of Marketing and the beauty brand. The first night, there was a fancy dinner. I ate nothing. Then I wobbled back to my deluxe cottage, stripped off my clothes, popped a Xannie bar, boosted it with a strawberry-flavored clonazepam wafer I’d found stuck to a tobacco flake–covered Scooby-Doo fruit snack at the bottom of my grimy Balenciaga, and blacked out on top of the antique four-poster feather-top bed.
Cat Marnell (How to Murder Your Life)
Jung told the Society that apparitions (ghosts) and materializations were “unconscious projections” or, as he spoke of them to Freud, “exteriorisations.” “I have repeatedly observed,” Jung told his audience, “the telepathic effects of unconscious complexes, and also a number of parapsychic phenomena, but in all this I see no proof whatever of the existence of real spirits, and until such proof is forthcoming I must regard this whole territory as an appendix of psychology.” This sounds scientific enough, but a year later20 when Jung was again in England, he encountered a somewhat more real ghost. Jung spent some weekends in a cottage in Aylesbury outside of London rented by Maurice Nicoll, and while there was serenaded by an assortment of eerie sounds—dripping water, knocks, inexplicable rustlings—while an unpleasant smell filled the bedroom. Locals said the place was haunted, and one particularly bad night, Jung opened his eyes to discover an old woman’s head on the pillow next to his; half of her face was missing. Jung leaped out of bed, lit a candle, and waited until morning in an armchair. The house was later torn down. One would think that having already encountered the dead on their return from Jerusalem, Jung wouldn’t be shaken by a fairly standard English ghost, but the experience rattled him.
Gary Lachman (Jung the Mystic: The Esoteric Dimensions of Carl Jung's Life & Teachings)
I suppose we ought to go back,” she said when several minutes had passed, and his silence became unsettling. In answer Ian tipped his head back and closed his eyes, looking like a man in the throes of some deep, internal battle. “Why?” he said, still in that odd posture. “Because there’s nowhere else to walk,” she answered, stating the obvious. “We did not come out tonight to walk,” he said flatly. Elizabeth’s sense of security began to disintegrate. “We didn’t?” “You know we didn’t.” “Then-then why are we here?” she asked. “Because we wanted to be alone together.” Horrified at the possibility that he’d somehow known what thoughts had been running through her mind at supper, she said uneasily, “Why should you think I want to be alone with you?” He turned his head toward her, and his relentless gaze locked with hers. “Come here and I’ll show you why.” Her entire body began to vibrate with a mixture of shock, desire, and fear, but somehow her mind remained in control. It was one thing to want to be kissed by him at the cottage where the vicar was nearby, but here, with absolute privacy and nothing to prevent him from taking all sorts of liberties, it was another matter entirely. Far more dangerous. More frightening. And based on her behavior in England, she couldn’t even blame him for thinking she’d be willing now. Struggling desperately to ignore the sensual pull he was exerting on her, Elizabeth drew a long, shaky breath. “Mr. Thornton,” she began quietly. “My name is Ian,” he interrupted. “Considering our long acquaintance-not to mention what has transpired between us-don’t you think it’s a little ridiculous to call me Mr. Thornton?” Ignoring his tone, Elizabeth tried to keep hers nonjudgmental and continue her explanation. “I used to blame you entirely for what happened that weekend we were together,” she began softly. “But I’ve come to see things more clearly.” She paused in that valiant speech to swallow and then plunged in again. “The truth is that my actions that first night, when we met in the garden and I asked you to dance with me, were foolish-no, shameless.” Elizabeth stopped, knowing that she could partly exonerate herself by explaining to him that she’d only done all that so her friends wouldn’t lose their wagers, but he would undoubtedly find that degrading and insulting, and she wanted very much to soothe matters between them, not make them much, much worse. And so she said haltingly, “Every other time we were alone together after that I behaved like a shameless wanton. I can’t completely blame you for thinking that’s exactly what I was.” His voice was heavy with irony. “Is that what I thought, Elizabeth?” His deep voice saying her name in the darkness made her senses jolt almost as much as the odd way he was looking at her across the distance that separated them. “Wh-what else could you have thought?” Shoving his hands into his pockets, he turned fully toward her. “I thought,” he gritted, “you were not only beautiful but intoxicatingly innocent. If I’d believed when we were standing in the garden that you realized what the hell you were asking for when you flirted with a man of my years and reputation, I’d have taken you up on your offer, and we’d both have missed the dancing.” Elizabeth gaped at him. “I don’t believe you.” “What don’t you believe-that I wanted to drag you behind the hedges then and there and make you melt in my arms? Or that I had scruples enough to ignore that ignoble impulse?
Judith McNaught (Almost Heaven (Sequels, #3))
Here’s some startup pedagogy for you: When confronted with any startup idea, ask yourself one simple question: How many miracles have to happen for this to succeed? If the answer is zero, you’re not looking at a startup, you’re just dealing with a regular business like a laundry or a trucking business. All you need is capital and minimal execution, and assuming a two-way market, you’ll make some profit. To be a startup, miracles need to happen. But a precise number of miracles. Most successful startups depend on one miracle only. For Airbnb, it was getting people to let strangers into their spare bedrooms and weekend cottages. This was a user-behavior miracle. For Google, it was creating an exponentially better search service than anything that had existed to date. This was a technical miracle. For Uber or Instacart, it was getting people to book and pay for real-world services via websites or phones. This was a consumer-workflow miracle. For Slack, it was getting people to work like they formerly chatted with their girlfriends. This is a business-workflow miracle. For the makers of most consumer apps (e.g., Instagram), the miracle was quite simple: getting users to use your app, and then to realize the financial value of your particular twist on a human brain interacting with keyboard or touchscreen. That was Facebook’s miracle, getting every college student in America to use its platform during its early years. While there was much technical know-how required in scaling it—and had they fucked that up it would have killed them—that’s not why it succeeded. The uniqueness and complete fickleness of such a miracle are what make investing in consumer-facing apps such a lottery. It really is a user-growth roulette wheel with razor-thin odds. The classic sign of a shitty startup idea is that it requires at least two (or more!) miracles to succeed. This was what was wrong with ours. We had a Bible’s worth of miracles to perform:
Antonio García Martínez (Chaos Monkeys: Obscene Fortune and Random Failure in Silicon Valley)
Over the next few days we spent every waking moment together. We made up silly dances, did puzzles in the evening, and she stood smiling on the beach waiting for me as I took my customary New Year’s dip in the freezing cold North Atlantic. I just had a sense that we were meant to be. I even found out she lived in the next-door road along from where I was renting a room from a friend in London. What were the chances of that? As the week drew to a close we both got ready to head back south to London. She was flying. I was driving. “I’ll beat you to London,” I challenged her. She smiled knowingly. “No, you won’t.” (But I love your spirit.) She, of course, won. It took me ten hours to drive. But at 10:00 P.M. that same night I turned up at her door and knocked. She answered in her pajamas. “Damn, you were right,” I said, laughing. “Shall we go for some supper together?” “I’m in my pajamas, Bear.” “I know, and you look amazing. Put a coat on. Come on.” And so she did. Our first date, and Shara in her pajamas. Now here was a cool girl. From then on we were rarely apart. I delivered love letters to her office by day and persuaded her to take endless afternoons off. We roller-skated in the parks, and I took her down to the Isle of Wight for the weekends. Mum and Dad had since moved to my grandfather’s old house in Dorset, and had rented out our cottage on the island. But we still had an old caravan parked down the side of the house, hidden under a load of bushes, so any of the family could sneak into it when they wanted. The floors were rotten and the bath full of bugs, but neither Shara nor I cared. It was heaven just to be together. Within a week I knew she was the one for me and within a fortnight we had told each other that we loved each other, heart and soul. Deep down I knew that this was going to make having to go away to Everest for three and a half months very hard. But if I survived, I promised myself that I would marry this girl.
Bear Grylls (Mud, Sweat and Tears)
He stared at it in utter disbelief while his secretary, Peters, who’d only been with him for a fortnight, muttered a silent prayer of gratitude for the break and continued scribbling as fast as he could, trying futilely to catch up with his employer’s dictation. “This,” said Ian curtly, “was sent to me either by mistake or as a joke. In either case, it’s in excruciatingly bad taste.” A memory of Elizabeth Cameron flickered across Ian’s mind-a mercenary, shallow litter flirt with a face and body that had drugged his mind. She’d been betrothed to a viscount when he’d met her. Obviously she hadn’t married her viscount-no doubt she’d jilted him in favor of someone with even better prospects. The English nobility, as he well knew, married only for prestige and money, then looked elsewhere for sexual fulfillment. Evidently Elizabeth Cameron’s relatives were putting her back on the marriage block. If so, they must be damned eager to unload her if they were willing to forsake a title for Ian’s money…That line of conjecture seemed so unlikely that Ian dismissed it. This note was obviously a stupid prank, perpetrated, no doubt, by someone who remembered the gossip that had exploded over that weekend house party-someone who thought he’d find the note amusing. Completely dismissing the prankster and Elizabeth Cameron from his mind, Ian glanced at his harassed secretary who was frantically scribbling away. “No reply is necessary,” he said. As he spoke he flipped the message across his desk toward his secretary, but the white parchment slid across the polished oak and floated to the floor. Peters made an awkward dive to catch it, but as he lurched sideways all the other correspondence that went with his dictation slid off his lap onto the floor. “I-I’m sorry, sir,” he stammered, leaping up and trying to collect the dozens of pieces of paper he’d scattered on the carpet. “Extremely sorry, Mr. Thornton,” he added, frantically snatching up contracts, invitations and letters and shoving them into a disorderly pile. His employer appeared not to hear him. He was already rapping out more instructions and passing the corresponding invitations and letters across the desk. “Decline the first three, accept the fourth, decline the fifth. Send my condolences on this one. On this one, explain that I’m going to be in Scotland, and send an invitation to join me there, along with directions to the cottage.” Clutching the papers to his chest, Peters poked his face up on the opposite side of the desk. “Yes, Mr. Thornton!” he said, trying to sound confident. But it was hard to be confident when one was on one’s knees. Harder still when one wasn’t entirely certain which instructions of the morning went with which invitation or piece of correspondence. Ian Thornton spent the rest of the afternoon closeted with Peters, heaping more dictation on the inundated clerk. He spent the evening with the Earl of Melbourne, his future father-in-law, discussing the earl’s daughter and himself. Peters spent part of his evening trying to learn from the butler which invitations his employer was likely to accept or reject.
Judith McNaught (Almost Heaven (Sequels, #3))
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
William H. Gass (The Tunnel)
It had been often commented upon that Vibe offspring tended to be crazy as bedbugs. ‘Fax’s brother Cragmont had run away with a trapeze girl, then brought her back to New York to get married, the wedding being actually performed on trapezes, groom and best man, dressed in tails and silk opera hats held on with elastic, swinging upside down by their knees in perfect synchrony across the perilous Æther to meet the bride and her father, a carnival “jointee” or concessionaire, in matched excursion from their own side of the ring, bridesmaids observed at every hand up twirling by their chins in billows of spangling, forty feet above the faces of the guests, feathers dyed a deep acid green sweeping and stirring the cigar smoke rising from the crowd. Cragmont Vibe was but thirteen that circus summer he became a husband and began what would become, even for the day, an enormous family. The third brother, Fleetwood, best man at this ceremony, had also got out of the house early, fast-talking his way onto an expedition heading for Africa. He kept as clear of political games as of any real scientific inquiry, preferring to take the title of “Explorer” literally, and do nothing but explore. It did not hurt Fleetwood’s chances that a hefty Vibe trust fund was there to pick up the bills for bespoke pith helmets and meat lozenges and so forth. Kit met him one spring weekend out at the Vibe manor on Long Island. “Say, but you’ve never seen our cottage,” ‘Fax said one day after classes. “What are you doing this weekend? Unless there’s another factory girl or pizza princess or something in the works.” “Do I use that tone of voice about the Seven Sisters material you specialize in?” “I’ve nothing against the newer races,” ‘Fax protested. “But you might like to meet Cousin Dittany anyway.” “The one at Smith.” “Mount Holyoke, actually.” “Can’t wait.” They arrived under a dourly overcast sky. Even in cheerier illumination, the Vibe mansion would have registered as a place best kept clear of—four stories tall, square, unadorned, dark stone facing looking much older than the known date of construction. Despite its aspect of abandonment, an uneasy tenancy was still pursued within, perhaps by some collateral branch of Vibes . . . it was unclear. There was the matter of the second floor. Only the servants were allowed there. It “belonged,” in some way nobody was eager to specify, to previous occupants. “Someone’s living there?” “Someone’s there.” . . . from time to time, a door swinging shut on a glimpse of back stairway, a muffled footfall . . . an ambiguous movement across a distant doorframe . . . a threat of somehow being obliged to perform a daily search through the forbidden level, just at dusk, so detailed that contact with the unseen occupants, in some form, at some unannounced moment, would be inevitable . . . all dustless and tidy, shadows in permanent possession, window-drapes and upholstery in deep hues of green, claret, and indigo, servants who did not speak, who would or could not meet one’s gaze . . . and in the next room, the next instant, waiting . . . “Real nice of you to have me here, folks,” chirped Kit at breakfast. “Fellow sleeps like a top. Well, except . . .” Pause in the orderly gobbling and scarfing. Interest from all around the table. “I mean, who came in the room in the middle of the night like that?” “You’re sure,” said Scarsdale, “it wasn’t just the wind, or the place settling.” “They were walking around, like they were looking for something.” Glances were exchanged, failed to be exchanged, were sent out but not returned. “Kit, you haven’t seen the stables yet,” Cousin Dittany offered at last. “Wouldn’t you like to go riding?
Thomas Pynchon (Against the Day)
The cottage has a Peloton, an espresso machine, and a bottle of tequila on the kitchen table just for you.
Elin Hilderbrand (The Five-Star Weekend)
To be a startup, miracles need to happen. But a precise number of miracles. Most successful startups depend on one miracle only. For Airbnb, it was getting people to let strangers into their spare bedrooms and weekend cottages. This was a user-behavior miracle. For Google, it was creating an exponentially better search service than anything that had existed to date. This was a technical miracle. For Uber or Instacart, it was getting people to book
Antonio García Martínez (Chaos Monkeys: Obscene Fortune and Random Failure in Silicon Valley)
When he shifted a few minutes later and lifted her against his chest, she did not protest but looped her arms around his neck, and that was a kind of trust too. He carried her to her porch swing and sat at one end so her back was supported by the pillows banking the arm of the swing. He set the swing in motion and gathered her close until she drifted away into sleep. Val stayed on that swing long after the woman in his arms had fallen asleep, knowing he was stealing a pleasure from her he should not. He’d never been in her cottage, though, and was reluctant to invade her privacy. Or so he told himself. In truth, the warm, trusting weight of Ellen FitzEngle in his arms anchored him on a night when he’d been at risk of wandering off, of putting just a little more space between his body and his soul; his intellect and his emotions. Darius had delivered a telling blow when he’d characterized music, and the piano, as an imaginary friend. And it was enough, Val realized, to admit no creative art could meet the artist’s every need or fulfill every wish. Ellen FitzEngle wasn’t going to be able to do that either, of course; that wasn’t the point. The point, Val mused as he carefully lifted Ellen against his chest and made his way into her cottage, was that life yet held pleasures and mysteries and interest for him. He would get through the weekend at Belmont’s on the strength of that insight. As he tucked a sleeping Ellen into her bed and left a good-night kiss on her cheek, Val silently sent up a prayer of thanks. By trusting him with her grief, Ellen had relieved a little of his own.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy:
William H. Gass (The Tunnel)
admit, and explained about Scott taking his wife and mother-in-law back to Yorkshire. “So you see I wasn’t expecting him to necessarily be here on the doorstep, but the house hasn’t been properly locked up at all. And I know I don’t know Mr Hawkesmoor well, but he came across as the kind of professional who wouldn’t be that careless. “And there’s another thing. I wasn’t quite sure whether to contact the police, because to be honest I have no evidence of what’s happened, but the way Mrs Hawkesmoor and Mrs Underhill left seems, well …just odd. Like they stepped out of the door and vanished. Maybe they were just sloppy people, but stuff like the milk has been left out on the side – as if they were either expecting to come back before they left, or were expecting somebody else to come and tidy up after them straight away.” “Show me, would you?” the man who she now knew was Sergeant Miles asked, and so Kat took him around to the cottage and unlocked the door. “I locked it up simply for security,” she explained, letting him go in alone. When he reappeared it was with a frown on his face. “I agree it doesn’t look like they were planning on going and never coming back. Have you looked upstairs?” Kat felt a touch foolish confessing. “I didn’t like to, beyond calling for Mr Hawkesmoor. Mrs Hawkesmoor is an odd sort of woman. Takes offence very easily and where none was intended, if you get my drift. Mr Hawkesmoor told me they lost their two sons in an accident last year, so I guess she’s every right to be a bit of a mess, but I was very glad I wasn’t going to be working for her, if that doesn’t sound callous. And her mother, Mrs Underhill! Lord, there was a woman who must make enemies wherever she goes! Very abrasive, very aggressive, and used to ruling the roost unless I’m much mistaken.” Sergeant Miles gave her an odd look but vanished upstairs, coming back down looking even more perplexed. “Well there’s no women’s clothing up there, but there are men’s clothes. Did you say that Mr Hawkesmoor had every intention of coming back here?” “Oh yes. This weekend if at all possible. But that’s why I’m concerned that his mobile seems to be off. I heard from him on Tuesday by text, but then didn’t think anything of him not being in touch until now, if only because I thought he’d probably got his hands full with his family. Not now, though. I would’ve expected something from him by now, even if not a long chatty conversation.” The odd looks Sergeant Miles kept giving her were now starting to seriously spook her. “Look, what’s going on? Why are you here? Has something awful happened?” He gave a grunt. “We were contacted by our colleagues up in Yorkshire. They’re looking for Mr Hawkesmoor.” “Scott Hawkesmoor? Why? Whatever for? He didn’t strike me as some master criminal.” “Well whether he’s responsible or not, we need to speak to him because both his wife and his mother-in-law are dead.” Kat felt herself sway and heard Sergeant Miles say, “Are you alright?” as he caught hold of her arm. Why did that feel as though she had known it was going to happen? Why had that feeling of someone having a violent death been all over her ever since she’d come back? The news felt almost physical in its
L.J. Hutton (A Gate to Somewhen Else)
We’d gone about five kilometers when we rounded a bend to see a tiny roadside store with a gas bar. “Yes!” Corey said, pumping the air. “We are now, officially, rescued.” “You think?” Hayley said. “I’m not seeing any vehicles.” “Because it’s out in the middle of freaking nowhere. They’re probably lucky if they get three cars a day.” “No, I mean transportation for the person running the place.” Corey peered at the empty lot surrounding the small building. “Oh.” The shack had one gas pump out front, and a diesel one around the side. The lack of a vehicle meant that unless there was a house nearby, no one was manning the place. “But it should have a phone,” I said. “Or maps to show us where we are. Also, there must be cottages nearby if there’s a gas bar.” “Ha!” Corey said, spinning and pointing at Hayley. “Ha!” He took off at a lope. We followed. Corey stopped a few feet from the door. “Open weekends after Labor Day,” he called. “What’s today?” “Not the weekend,” I called back. Corey walked to the barred window, then turned to us. “The window’s filthy. I can’t see anything.” “How about we try the door?” Sam said. She was walking toward it when Hayley grabbed her arm and pointed to a window sign warning that the place was armed with security alarms and cameras. “Um, yeah,” Corey said. “Which will bring the local cops. If we’re lucky.” “At this point, I’ll take any ride out of here,” I said. “Even handcuffed in the back of a police cruiser.
Kelley Armstrong (The Calling (Darkness Rising, #2))
But it should have a phone,” I said. “Or maps to show us where we are. Also, there must be cottages nearby if there’s a gas bar.” “Ha!” Corey said, spinning and pointing at Hayley. “Ha!” He took off at a lope. We followed. Corey stopped a few feet from the door. “Open weekends after Labor Day,” he called. “What’s today?” “Not the weekend,” I called back.
Kelley Armstrong (The Calling (Darkness Rising, #2))
The cottage was a hunting lodge--a cabin lacking a single flourish that turned it from a functional building into a vacation residence. It was off-season, but these places often did double-duty as a “getaway from the kids and the missus” refuge for men. I have to admit, I don’t get that. Shouldn’t you be able to take some time to yourself without lying about “going hunting” for the weekend? Maybe my expectations for honesty are too high. I’ve been told that before.
Kelley Armstrong (The Calling (Darkness Rising, #2))
The drains in my weekend cottage got stopped up last Sunday, and a most helpful neighbor came and unstopped them. He got quite filthy in the process and I apologized profusely, but he said I owed him no thanks, because he was inquisitive and liked drains.
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
When confronted with any startup idea, ask yourself one simple question: How many miracles have to happen for this to succeed? If the answer is zero, you’re not looking at a startup, you’re just dealing with a regular business like a laundry or a trucking business. All you need is capital and minimal execution, and assuming a two-way market, you’ll make some profit. To be a startup, miracles need to happen. But a precise number of miracles. Most successful startups depend on one miracle only. For Airbnb, it was getting people to let strangers into their spare bedrooms and weekend cottages. This was a user-behavior miracle. For Google, it was creating an exponentially better search service than anything that had existed to date. This was a technical miracle. For Uber or Instacart, it was getting people to book and pay for real-world services via websites or phones. This was a consumer-workflow miracle. For Slack, it was getting
Antonio García Martínez (Chaos Monkeys: Obscene Fortune and Random Failure in Silicon Valley)